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Hello and welcome to the One Show with Matt Baker And Alex Jones am | :00:17. | :00:22. | |
tonight, we're going to be hearing from a mystery guest, who's starred | :00:23. | :00:27. | |
in several Hollywood movies. Shall we hear her voice. Go on? Hello. | :00:28. | :00:33. | |
Again, please. Hello. Pick your brains. Where have you heard that | :00:34. | :00:39. | |
voice before, we'll tell you later. First let's introduce tonight's sofa | :00:40. | :00:45. | |
guest. With very nostalgic footage, you'll enjoy this | :00:46. | :00:52. | |
# What I'll do when you are far away # And I am blue, what I'll do... # | :00:53. | :01:03. | |
Ah. It makes you warm inside. We all went "ah" together. It's Pauline | :01:04. | :01:07. | |
Quirke and Linda Robson. APPLAUSE. | :01:08. | :01:15. | |
Quirke and Linda Robson. point. There was a massive | :01:16. | :01:18. | |
Quirke and Linda Robson. revelation today on the One Show | :01:19. | :01:21. | |
office, when Al realised that those two little girls in the opening | :01:22. | :01:24. | |
credits there to Birds of a Feather weren't actually you. No. There was | :01:25. | :01:31. | |
no footage of us at that age. Our families didn't have cameras. | :01:32. | :01:36. | |
Myself, and Julie the director were devastated. All this time we thought | :01:37. | :01:39. | |
it was you two. That is the question we have been asked more than | :01:40. | :01:43. | |
anything. They always ask. All over the years. There was talk of our | :01:44. | :01:47. | |
daughters playing us. They said they didn't look enough like us. They | :01:48. | :01:49. | |
cast two little girls. They didn't look enough like us. They | :01:50. | :01:55. | |
like you. The photos at the top were ours, awe part from one. We can see | :01:56. | :01:59. | |
you together. Do you think they would look like you today? | :02:00. | :02:02. | |
you together. Do you think they them if they do, eh! Shall we find | :02:03. | :02:07. | |
out. They are here in the studio. It's Maxine and Stacey. | :02:08. | :02:19. | |
APPLAUSE. Come on over. Come on over. Sit next to who you were. | :02:20. | :02:33. | |
Hello, you. Squeeze in. Now, were you that day of the filming? | :02:34. | :02:45. | |
Four. Can you remember anything about the day? Bits of running | :02:46. | :02:51. | |
around in the park and ice-cream. We got to meet you, didn't we, just | :02:52. | :02:55. | |
before. I remember as we were going into makeup, the little girls. They | :02:56. | :03:00. | |
had the old fashioned clothes on. The studios. This is mad. | :03:01. | :03:02. | |
had the old fashioned clothes on. the most asked questions over the | :03:03. | :03:06. | |
years before you two and here you are. Did you ever tell anyone or is | :03:07. | :03:14. | |
it a secret? Everyone sort of knows. It's a bit | :03:15. | :03:17. | |
it a secret? Everyone sort of knows. believes us. Now they will believe | :03:18. | :03:21. | |
you. Thank you so much, girls, Maxine and Stacey. A | :03:22. | :03:22. | |
you. Thank you so much, girls, We will talk more about the new | :03:23. | :03:26. | |
Birds of a Feather on. Thank you. We know that Linda | :03:27. | :03:31. | |
and on. Thank you. We know that Linda | :03:32. | :03:33. | |
they were little. People fall out on. Thank you. We know that Linda | :03:34. | :03:36. | |
touch with friends or all kinds of reasons. If you have a friend | :03:37. | :03:43. | |
touch with friends or all kinds of happened. We will try and sort it | :03:44. | :03:55. | |
touch with friends or all kinds of UK. Very few of them get a | :03:56. | :04:00. | |
touch with friends or all kinds of system works. Now, one council is | :04:01. | :04:02. | |
running a scheme that's listening to what foster children have to say. | :04:03. | :04:11. | |
Here's Angellica. Meet 17-year-old Kayleigh the young mum has been in | :04:12. | :04:15. | |
foster care for four years and had four different foster homes. People | :04:16. | :04:19. | |
in care need a voice. I'm confident enough to bring that across. I'm not | :04:20. | :04:23. | |
afraid to say what I think and what I feel. 17-year-old art student | :04:24. | :04:28. | |
Darren is also keen to voice Hyslop opinions on a system he's been a | :04:29. | :04:33. | |
part of since he was eight. Just important for us to be involved | :04:34. | :04:35. | |
because we're going through it. important for us to be involved | :04:36. | :04:39. | |
know what's right for us and what things need to be improved. Darren | :04:40. | :04:45. | |
and Kayleigh are both working with the Children's Services team at | :04:46. | :04:49. | |
Nottinghamshire County Council hoping to change the landscape for | :04:50. | :04:52. | |
Nottinghamshire County Council children in care here. I thought it | :04:53. | :04:54. | |
was good to be part of the process to give young people a voice, which | :04:55. | :04:59. | |
most young people in foster care or young people overall don't think | :05:00. | :05:03. | |
they have a They are the voice. Ones who experience it | :05:04. | :05:04. | |
they have a They are the voice. Ones possibly for years. It needs to be | :05:05. | :05:07. | |
improved for them to be happy, for them to be | :05:08. | :05:08. | |
improved for them to be happy, for to go well. Alongside advising youth | :05:09. | :05:17. | |
workers on the realities of life in care they inspect children's | :05:18. | :05:19. | |
residential homes managed by the council. Today I'm joining them. | :05:20. | :05:23. | |
This is quite a spacious environment. I'd love to live here. | :05:24. | :05:27. | |
You say it's not always the same like that? No. In different houses | :05:28. | :05:32. | |
they might have one sofa for people to sit together or plain blank | :05:33. | :05:35. | |
colours they don't know what the young people would like or what | :05:36. | :05:39. | |
modern-day is about. Why is having space important If they had one sofa | :05:40. | :05:44. | |
they would be cramped together it isn't a good thing. We never had a | :05:45. | :05:49. | |
TV that big in the places I've been. I don't have a TV that big. The | :05:50. | :05:55. | |
checklist was drawn up by a group of 20 young people in care across the | :05:56. | :05:59. | |
West Midlands and identify the little things that can help a child | :06:00. | :06:02. | |
settle into a new home. On the wall over here there is a meal plan. We | :06:03. | :06:06. | |
can tick that off the checklist. Having a meal plan is important to | :06:07. | :06:09. | |
them, it's structure. They know what they are having when they come back | :06:10. | :06:13. | |
from school. Straightaway there are no locks on the cup boards. Yeah. | :06:14. | :06:18. | |
Good thing they haven't got locks on the cup boards it's like a home | :06:19. | :06:22. | |
still. If they are hungry they can come in and get it. It's a key point | :06:23. | :06:27. | |
for having a family. The number of children living in foster care in | :06:28. | :06:31. | |
the UK has been consistently rising over the last five years. Youth | :06:32. | :06:37. | |
worker here has seen an impact that small changes can make. If you have | :06:38. | :06:41. | |
young people coming through the system and they are coming into a | :06:42. | :06:44. | |
new home them changes can make a difference to their life. At the end | :06:45. | :06:49. | |
of the day we have to remember that people have their own ways of doing | :06:50. | :06:53. | |
things? Absolutely. Everybody has their way of running the household. | :06:54. | :06:56. | |
We have to meet the changes of the young people that walk in through | :06:57. | :07:00. | |
their doors. As part of their role, Darren and Kayleigh help to train | :07:01. | :07:05. | |
new foster parents and attend council meetings to discuss | :07:06. | :07:08. | |
improvements to the care system. What has been great to see today is | :07:09. | :07:12. | |
that Darren and Kayleigh have been given the opportunity to take | :07:13. | :07:15. | |
control over their own lives they can help other children who will | :07:16. | :07:19. | |
enter the care system. The aim is to ensure young people's experience of | :07:20. | :07:23. | |
the care system is positive. It's not always been the case. Councils | :07:24. | :07:28. | |
in Nottinghamshire are currently under investigation as part of the | :07:29. | :07:32. | |
national child abuse inquiry after more than 260 people came forward | :07:33. | :07:36. | |
alleging incidents of abuse dating from the 1950s on. It's more | :07:37. | :07:40. | |
important than ever before that we hear the voice of children and young | :07:41. | :07:43. | |
people who are looked after. It's a matter of public record now that | :07:44. | :07:48. | |
over years we failed to look after children in age proppiate wait. We | :07:49. | :07:52. | |
are not waiting for the findings of the inquiry to improve our services. | :07:53. | :07:57. | |
With the home inspection over, Darren and Kayleigh feed back their | :07:58. | :08:01. | |
results to Pav. What have you learnt from this experience? Every | :08:02. | :08:05. | |
residential home is different. Has different young people in there with | :08:06. | :08:09. | |
different needs. Also they want to be involved in doing things for the | :08:10. | :08:13. | |
council. Kayleigh, what do you hope for future generations of children | :08:14. | :08:16. | |
who will go into care? I hope that they get to know about the service | :08:17. | :08:20. | |
we provide, get to know about how to get involved. By doing these checks | :08:21. | :08:24. | |
we know what they want and what people in the homes want. There | :08:25. | :08:28. | |
should be no excuse we are not provided with what we are entitled | :08:29. | :08:34. | |
to. Bingo! Thank you. Was she playing bingo or pool at the end? No | :08:35. | :08:38. | |
idea. We have Kayleigh, Darren and Pav in tonight as well. | :08:39. | :08:44. | |
APPLAUSE. We need to have an insight like that. Linda you have friends - | :08:45. | :08:48. | |
I have a friend who fosters, she fostered a little girl for three | :08:49. | :08:52. | |
years and she was adopted them are still in touch with the little girl. | :08:53. | :08:56. | |
See her regularly and that. She fosters a little boy. She has had | :08:57. | :09:01. | |
him for a couple of years. She will adopt him as well. It's been | :09:02. | :09:04. | |
fantastic. They are a lovely family. They really are. We used to see a | :09:05. | :09:09. | |
loft her. Now she has the little boy we don't see that much of her. To | :09:10. | :09:13. | |
busy. 12th series of Birds of a Feather kicked off last week. Now, | :09:14. | :09:18. | |
unconvention Ali you started with a big East End funeral, didn't you? | :09:19. | :09:22. | |
Yeah. You all came up with that idea together you were telling us, Linda? | :09:23. | :09:25. | |
Which did suggest a wedding or a funeral would be a good start to the | :09:26. | :09:30. | |
series. It's unusual to have a funeral in a comedy series we think | :09:31. | :09:35. | |
that the writers and all of us did it justice. It was a great start to | :09:36. | :09:39. | |
the series. All the stand by artists, the supporting artist - | :09:40. | :09:44. | |
They were amazing. They were from an Look at them agency. . Real | :09:45. | :09:49. | |
gentlemen as well. Lovely. Martin Kemp in the episode and everyone | :09:50. | :09:55. | |
loves Martin Kemp, us included. With a naughty role. It must be a joy to | :09:56. | :09:59. | |
be back, Pauline. 12th series. You must wonder - can we come back | :10:00. | :10:05. | |
again? Here you are? We did the tour Forlan two years and the TV series. | :10:06. | :10:09. | |
I don't know... It's like we have never been apart. If you can get a | :10:10. | :10:14. | |
word in edge ways. The director is the 26 years agricultural same. We | :10:15. | :10:20. | |
started. 1989. Here we are all these years later... We don't look any | :10:21. | :10:24. | |
different, do we? Same hairstyles, that's about it. You don't! The | :10:25. | :10:28. | |
episode kicked off with a funeral. Then while you were at the funeral | :10:29. | :10:33. | |
you were burgled. Let's see how the characters react then to all the | :10:34. | :10:36. | |
furniture being stolen from the house. Sharon gentleman yeah. Are | :10:37. | :10:42. | |
you sure you didn't leave your bedroom window open when we went | :10:43. | :10:46. | |
out? Don't start all that again, if I had there wouldn't be broken glass | :10:47. | :10:51. | |
all over my floor, would there You do tend to leave your window open? | :10:52. | :10:55. | |
Only because you tell me to leave it open. Only because your room stinks! | :10:56. | :11:07. | |
I wouldn't say stinks. I would! I'm amazed those burglars weren't | :11:08. | :11:10. | |
knocked unconscious. Nothing changes, does it? This is the thing | :11:11. | :11:13. | |
we talked about 26 years agricultural. When it first started | :11:14. | :11:18. | |
it was quite risque, wasn't it? The then Controller of BBC - The switch | :11:19. | :11:22. | |
board at the BBC was flooded with complaints. The first night. We were | :11:23. | :11:28. | |
on a show the next day with our producer to kind of explain | :11:29. | :11:32. | |
ourselves. As the programme went on and they started taking phone calls | :11:33. | :11:35. | |
from the viewers, the majority of viewers loved it. It was almost like | :11:36. | :11:41. | |
- oh, we are OK. We were still rehearsing the third episode by the | :11:42. | :11:44. | |
time they commissioned the second series. Something like that. Really? | :11:45. | :11:49. | |
In those days you got 23 million viewers for our Christmas special. | :11:50. | :11:53. | |
When you think of what the viewing figures are like now. I know. It has | :11:54. | :11:57. | |
stood the test of time. Things have changed, the set has changed, | :11:58. | :11:59. | |
obviously, everybody will remember the kitchen. I used to love the | :12:00. | :12:06. | |
kitchen you had. You really loved it You asked the set designers to - | :12:07. | :12:11. | |
Design the kitchen in my house I used to live in it was are | :12:12. | :12:17. | |
practically identical to the set on Birds. We didn't have lights and | :12:18. | :12:22. | |
cameras... Or audience. It lasted for years that kitchen. Probably | :12:23. | :12:27. | |
standing now. This is like Matt's living room. Anyway, obviously | :12:28. | :12:32. | |
Lesley Joseph isn't here tonight. She is on stage. We thought that we | :12:33. | :12:36. | |
would find another colourful bird - I thought she was going to do the | :12:37. | :12:41. | |
thing in her dressing room where she says hello, couldn't she be bother? | :12:42. | :12:47. | |
We have someone or something else to be Dorien tonight. She is mature, | :12:48. | :12:50. | |
experienced and a seasoned performer. She's 90 - Practically | :12:51. | :12:58. | |
the same age as Lesley. The world's oldest parrot. Her name is Poncho | :12:59. | :13:05. | |
she lives in Shrewsbury. She has starred in Hollywood films including | :13:06. | :13:11. | |
Ace Ventura Pet Detective with Jim Carey there she is on his arm and 1 | :13:12. | :13:24. | |
102 Dalmations with Close. It will get weirder? Really? She has seen | :13:25. | :13:33. | |
this week's episode of Birds of a Feather. A little snack to go with | :13:34. | :13:41. | |
it. Only because your room stinks! She likes that. Good, good. Big fan | :13:42. | :13:56. | |
of Garth. Loves Dorien. "It's a cracker." Good on Poncho. Thank | :13:57. | :14:02. | |
goodness. He loved it. Birds of a Feather continues tomorrow night at | :14:03. | :14:07. | |
8. 30pm on ITV. In a series of special films Nick Hewer has been | :14:08. | :14:10. | |
reminding us of some of the biggest flops from the world of PR. This | :14:11. | :14:15. | |
week he turned his attention to infamous stunt by none other than | :14:16. | :14:19. | |
the King of pop. It's bad. It's bad. You know it. It's bad! | :14:20. | :14:30. | |
In the 1980s, he was the King of pop. The bestselling album of all | :14:31. | :14:40. | |
time. By 1995, album sales were down and Michael Jackson had become wacko | :14:41. | :14:48. | |
Jacko, a tabloid laughing stock. So he was hoping Sony music could | :14:49. | :14:53. | |
restore his regal status. He knew just how to launch. The giant statue | :14:54. | :15:03. | |
of me and floated down the river Thames, he said. That is exactly | :15:04. | :15:08. | |
what he did. In his imagination it was to be a towering monument of his | :15:09. | :15:13. | |
greatness. But what he got was very different. And it was towed in on a | :15:14. | :15:22. | |
grey day by a Thames told. Sculptor, Derek Howarth, constructed the | :15:23. | :15:29. | |
statue under close supervision. Managements were very concerned | :15:30. | :15:32. | |
about the timescale to produce this work. We did get quite a few visits, | :15:33. | :15:36. | |
people were photographing it and people were coming up with the | :15:37. | :15:41. | |
opinion whether it was the Michael Jackson then you or otherwise. Do | :15:42. | :15:45. | |
you think Michael Jackson was keeping a little eye on progress? | :15:46. | :15:52. | |
Whether he was involved, we never knew. He was a chart-topping artists | :15:53. | :15:57. | |
and was used to getting what he wanted. Mark Sutherland is a music | :15:58. | :16:03. | |
journalist. There was a massive boom going on in the 90s and the music | :16:04. | :16:07. | |
industry countered its going on in the 90s and the music | :16:08. | :16:13. | |
thousands. Michael Jackson, I am sure, | :16:14. | :16:16. | |
thousands. Michael Jackson, I am Sony spend some befitting a star of | :16:17. | :16:22. | |
his stature on this campaign. They apparently | :16:23. | :16:26. | |
his stature on this campaign. They album campaign, which is something I | :16:27. | :16:32. | |
would never happen nowadays. Backed by Sony's millions, at the time had | :16:33. | :16:36. | |
come for the record dying public to get its first glimpse of Jackson's | :16:37. | :16:43. | |
monumental PR stunt, having been conceived by one of the world's | :16:44. | :16:48. | |
greatest eccentric 's. What could possibly go wrong? Adam Sweeting was | :16:49. | :16:56. | |
one of only a handful of journalists who turned up that day. I had to get | :16:57. | :17:01. | |
special permission to open the bridge. The statue was on such a | :17:02. | :17:07. | |
relatively small-scale, I don't think they needed to open the | :17:08. | :17:10. | |
bridge, they could have driven it under the bridge. That was vanity. | :17:11. | :17:19. | |
But that would have ruined it. The stunt was a flop. Was the dreaded | :17:20. | :17:26. | |
moment on the press boat when the PR boys from Sony suddenly realised | :17:27. | :17:31. | |
they had a flop on their hands? There was a sheepish vibe about it. | :17:32. | :17:35. | |
Deep down I think they thought it was quite silly. The stunt was | :17:36. | :17:40. | |
supposed to herald a triumphant return, but the journalist, Jackson | :17:41. | :17:44. | |
was out of touch and definitely wacko. Although, a super fan like | :17:45. | :17:55. | |
David, would disagree. If you had been on his PR team, would you have | :17:56. | :18:00. | |
said, hold on, Michael, isn't it a bit too much? I would have said, go | :18:01. | :18:06. | |
bigger. The stunt was high risk and it seemed like the one at Sony | :18:07. | :18:11. | |
reined in the King of Pop. When I asked them to take part in this | :18:12. | :18:17. | |
film, I got the feeling they would rather do a moon walk and talk to | :18:18. | :18:22. | |
me. Within a few years the decline in his album sales in the UK had | :18:23. | :18:29. | |
become a collapse. But where is the statue now? I don't believe anybody | :18:30. | :18:34. | |
knows. I will be fascinated, if they did. Jackson remained a major | :18:35. | :18:40. | |
artist, but he never attempted such a high-profile album launch. Every | :18:41. | :18:46. | |
good PR person knows, telling people you a great is not enough. And | :18:47. | :18:54. | |
history had surely prove that. Dan Snow is here. More than one statue | :18:55. | :19:03. | |
was used for that PR? I am the statue expert, they made nine of | :19:04. | :19:08. | |
them in Los Angeles, Paris. But we found one. The sculptor will be over | :19:09. | :19:18. | |
the moon. It is in a fast-food joint in Eindhoven in Holland. The owner | :19:19. | :19:23. | |
bought it at auction and people go every day and visit it. You can sell | :19:24. | :19:26. | |
hamburgers of the back of that thing. It is not the only statue of | :19:27. | :19:33. | |
Michael that caused a bit of controversy? There is the infamous | :19:34. | :19:42. | |
statue on the banks of the Thames, Fulham Football Club. He was great | :19:43. | :19:48. | |
friends with Al fired. They put a statue up on the banks of the | :19:49. | :19:54. | |
Thames, the fans were furious. As soon as Al fired sold the club, they | :19:55. | :20:02. | |
got rid of the statue. It might be a lucky statue because eight months | :20:03. | :20:05. | |
after they sold but statue, they were relegated. I am an Arsenal | :20:06. | :20:14. | |
supporter. Speaking of controversial statues, there is one in Oxford that | :20:15. | :20:20. | |
has divided opinions? It is about Cecil Rhodes who was the 19th | :20:21. | :20:26. | |
century imperialists, diamond prospector, politician and Empire | :20:27. | :20:29. | |
builder in southern Africa. He went to Oriel College in Oxford in the | :20:30. | :20:36. | |
1870s. He was possibly the richest man in the world when he died, left | :20:37. | :20:40. | |
a lot of money to Oriel College. They put up a statue of him just | :20:41. | :20:45. | |
over 100 years ago. Now people want it taken down because of the things | :20:46. | :20:51. | |
he represents. Some of the students say he was a rapist, and Empire | :20:52. | :20:55. | |
builder exploiting the people of Africa. It is a tough one. There | :20:56. | :21:01. | |
will be a period of six months where they will think about what to do. | :21:02. | :21:06. | |
That college building is listed. This is part of history? On the one | :21:07. | :21:13. | |
hand, he had lots of views that today we would find unacceptable, | :21:14. | :21:16. | |
but so did most of the people who have statues up around the UK or | :21:17. | :21:20. | |
anywhere. Do you take down anything that offends you nowadays. The | :21:21. | :21:26. | |
building is listed itself, do we want to start smashing up our | :21:27. | :21:30. | |
history? And the Chancellor of Oxford University has said, students | :21:31. | :21:33. | |
might want to consider being educated elsewhere if they didn't | :21:34. | :21:38. | |
have the generosity of spirit towards the history of the place. It | :21:39. | :21:44. | |
is controversial. I don't know which side I fall down on, I am glad I | :21:45. | :21:49. | |
don't have to make that decision. Thank you very much, are statue | :21:50. | :21:54. | |
expert. We want to say a big congratulations to British ABA | :21:55. | :21:58. | |
tricks, Tracey Curtis Taylor who came to see us in September. She | :21:59. | :22:07. | |
finally land had her plane in Australia after a three-month | :22:08. | :22:09. | |
journey from Hampshire. APPLAUSE | :22:10. | :22:15. | |
She now joins the list of great airborne adventurers. He is roofed | :22:16. | :22:21. | |
with the story of one of the first. Among her many achievements, Amelia | :22:22. | :22:29. | |
Gerhardt is known as the first woman to fly solo nonstop across the | :22:30. | :22:33. | |
United states. I wish I could have done it faster. 22 years earlier | :22:34. | :22:41. | |
woman closer to home whose exploits in aviation made history. Lillian | :22:42. | :22:45. | |
Bland 's's enthusiasm for riding, shooting and gambling meant she | :22:46. | :22:49. | |
stood out in Irish, Edwardian society. But her most remarkable | :22:50. | :22:56. | |
achievement, a world first, is little remembered. In 1910, | :22:57. | :23:04. | |
31-year-old journalist, Lillian from Northern Ireland decided to take up | :23:05. | :23:09. | |
flying. But aviation was in his infancy. It was only a year after | :23:10. | :23:14. | |
the first ever crossing of the English Channel by aeroplane and | :23:15. | :23:19. | |
flying was very much for men. But then Lillian saw Britain's first | :23:20. | :23:22. | |
ever airshow taking place in Blackpool. Lillian went across to | :23:23. | :23:29. | |
that with a notebook. She saw some of the famous flyers of the time. | :23:30. | :23:39. | |
She saw them flying. But also, she inspected the aircraft very, very | :23:40. | :23:43. | |
closely and made copious notes as to the technical specifications. | :23:44. | :23:49. | |
Lillian followed established path of the early aviators, drawing plans | :23:50. | :23:52. | |
and then drawing the model before upscaling it into a glider to check | :23:53. | :23:57. | |
it look airworthy. Only then would she had an engine. She named the | :23:58. | :24:04. | |
aircraft the mayfly on the grounds it may fly, or it may not. To get | :24:05. | :24:11. | |
some ideas of what a challenge this was, we have recruited aerospace | :24:12. | :24:15. | |
engineers from Queens University in Belfast who are using Lillian's | :24:16. | :24:20. | |
original plans to build what they hope will be an airworthy aircraft. | :24:21. | :24:25. | |
The capability of the students have shown the stability of the aircraft | :24:26. | :24:30. | |
would have been marginal. It isn't easy to design it and put it | :24:31. | :24:33. | |
together, so we have made some compromises. The engineers have made | :24:34. | :24:38. | |
some compromises, replacing the linen wings with plastic and the | :24:39. | :24:42. | |
bamboo structure with plywood. She had nothing to go off except the | :24:43. | :24:48. | |
people's planes. But we have 100 years worth of knowledge to put into | :24:49. | :24:52. | |
this plane. She did it on her own, found out everything by herself. If | :24:53. | :24:59. | |
we can get the balance issues, the right weather conditions as well, it | :25:00. | :25:04. | |
should fly. To put our model to the test, we have come to this Raceway. | :25:05. | :25:29. | |
It is not as easy as but with | :25:30. | :25:45. | |
It is not as easy as with | :25:46. | :25:48. | |
It is not as easy as design like this can still | :25:49. | :25:53. | |
It is not as easy as Lillian's engineering was even | :25:54. | :26:00. | |
It is not as easy as whiskey bottle which | :26:01. | :26:11. | |
in 1910, Lillian achieved liftoff, becoming the first woman to design, | :26:12. | :26:18. | |
build and fly her becoming the first woman to design, | :26:19. | :26:21. | |
after, Lillian ended her becoming the first woman to design, | :26:22. | :26:28. | |
dangerous, high-flying ways, her father bought her a car and she | :26:29. | :26:33. | |
became an island's first female car dealer. | :26:34. | :26:39. | |
Lovely story. I love that story, the Mayfly. Award season started this | :26:40. | :26:45. | |
week with the Golden globes on Sunday and the Oscar nominations are | :26:46. | :26:50. | |
out tomorrow. Here we are more interested in the National | :26:51. | :26:53. | |
Television Awards. That of course makes as rivals, unfortunately. Yes, | :26:54. | :27:02. | |
with Loose Women. How is your campaign going? They are doing it | :27:03. | :27:07. | |
every five minutes on the show. If you would like to support The One | :27:08. | :27:10. | |
Show... APPLAUSE | :27:11. | :27:11. | |
. All Loose Women. Gather the | :27:12. | :27:27. | |
information on our website. We do know who punch show the parrot is | :27:28. | :27:31. | |
voting for. The One Show. The One Show. Earlier we asked for your | :27:32. | :27:38. | |
stories if you are trying to track down long lost friends and you want | :27:39. | :27:41. | |
to get back in touch. Loads have been sent in. | :27:42. | :27:48. | |
to get back in touch. Loads have 14 and her best friend Hannah. They | :27:49. | :27:53. | |
had a fallout last year but Judith would like to tell Hannah that she | :27:54. | :27:57. | |
really misses her and would like to be her friend again. So, have a | :27:58. | :28:03. | |
little chat tonight. To eat each other whatever it is you do! | :28:04. | :28:08. | |
Friendships are very important, so sort it out. This is Sue who wants | :28:09. | :28:15. | |
to find her old friend Johnny who she went to school with in Somerset. | :28:16. | :28:25. | |
This one was sent in from Paul who served in the Royal Engineers. It | :28:26. | :28:30. | |
was taken on the QE2 on the way to the Falklands. He wants to find the | :28:31. | :28:34. | |
man in the middle who was called Ali. This was sent in from dawn, | :28:35. | :28:42. | |
looking for her husband's best man. They haven't been able to track him | :28:43. | :28:46. | |
down. If you have recognised yourself and you want to get in | :28:47. | :28:50. | |
touch, e-mail us. That is it but a night. Birds of a Feather continues | :28:51. | :28:57. | |
tomorrow night at 8:30pm on ITV. I will be back with three of the | :28:58. | :29:01. | |
greatest Sport Relief bake-off bakers. | :29:02. | :29:03. |