Browse content similar to 13/01/2017. Check below for episodes and series from the same categories and more!
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Hello, welcome to the one show with me Angela Scanlon and my guest | :00:16. | :00:21. | |
presenter tonight, the perfect antidote it the cold, miserable | :00:22. | :00:25. | |
weather outside, the pub landlord himself, Mr Al Murray! | :00:26. | :00:27. | |
APPLAUSE Thank you. Thank you, my people. | :00:28. | :00:34. | |
Calm yourselves. We will have a sizzling performance from an artist | :00:35. | :00:37. | |
we will hear more from in the future, the winner of the BBC sound | :00:38. | :00:42. | |
of the 2017, Ray Black and get this, she's written the funkiest song ever | :00:43. | :00:47. | |
about Catford. How many are there, do you think? I don't know, this is | :00:48. | :00:51. | |
the funkiest. Great. She is outside with her band keeping warm until her | :00:52. | :00:58. | |
performance later on. Let us in! She's not coming in and our sofa | :00:59. | :01:01. | |
guest tonight is pleased he's not going out. Oh, yeah! It's Lee Mack! | :01:02. | :01:08. | |
APPLAUSE Thank you very much. Hello. Thank | :01:09. | :01:12. | |
you. Welcome to the one show. I always forget when I come on this | :01:13. | :01:15. | |
show that you're in the window and people are passing by. I feel I'm | :01:16. | :01:20. | |
relaxing too much at DFS. Lie down, feel free. We've got a sale on. | :01:21. | :01:26. | |
These sofas are a bargain. A great show, but they do look cheap, let's | :01:27. | :01:31. | |
be honest. It's Friday the 13th. Do you get superstitious? I'd forgotten | :01:32. | :01:36. | |
that. Now you've got me worried my sitcom is going out tonight. No, I | :01:37. | :01:50. | |
don't have any of those. More on that later, or maybe not. So far | :01:51. | :01:56. | |
Friday the 13th hasn't been lucky as far as weather is concerned. Joe and | :01:57. | :02:03. | |
ewe win are tracking the -- Iwan are tracking the snows and the storms. | :02:04. | :02:09. | |
The M 62 rises to 1221 feet in the Pennines at junction 22. That means | :02:10. | :02:13. | |
it's very, very exposed to some of principle's worst weather. Andrew | :02:14. | :02:16. | |
has a great job title, severe weather manager for the whole of the | :02:17. | :02:21. | |
North West. How many salt spreaders will be out this evening? 30 on the | :02:22. | :02:25. | |
go. 30? Throughout the North West region, yeah. That seems a lot. It | :02:26. | :02:29. | |
is, yeah. But that's what we need to get everywhere done in two hours. We | :02:30. | :02:36. | |
try to keep it the best at all times. We have vehicles ready to | :02:37. | :02:40. | |
move any incidents out of the way. Later I join traffic officers Colin | :02:41. | :02:44. | |
and John. People think that there's a about the of snow, but I'm all | :02:45. | :02:49. | |
right, it will be OK. Still they proceed at 70mph and the next thing | :02:50. | :02:56. | |
they know, they can't cope with it. From CCTV it looks as though you | :02:57. | :03:00. | |
have two vehicles... It's not long before the patrol gets their first | :03:01. | :03:04. | |
emergency call on a neighbouring motorway. He's a bit stressed | :03:05. | :03:09. | |
because it's his first ever accident. So it's just a case of | :03:10. | :03:13. | |
keeping him together and keep talking to him and making sure he | :03:14. | :03:17. | |
doesn't deteriorate at the moment. Just about to come off at junction | :03:18. | :03:23. | |
there. It just happened so quick. All the cars were like backed up. | :03:24. | :03:28. | |
Slammed my brakes on and I kept skidding and skidding. Went into the | :03:29. | :03:33. | |
back of him. There's no suggestion the driver of this car w breaking | :03:34. | :03:39. | |
the law. -- was break being the law. Though driving at the speed limit | :03:40. | :03:46. | |
can be testing in these conditions. This is Essex. People here are being | :03:47. | :03:50. | |
evacuated this morning because of a severe flood alert. Hello, Sir. Are | :03:51. | :03:55. | |
you staying put? No. What have you done? Everything off the ground? | :03:56. | :04:00. | |
Yeah. Can you show us? Do you think that's high enough? Yeah, because | :04:01. | :04:04. | |
it's hollow under here, most of us will run through the bottom. With my | :04:05. | :04:08. | |
help and that, I'm going to make sure I'm out. Good, let's get you on | :04:09. | :04:12. | |
your way. This is Henry. Hello, Henry. This is Alfie. Are you | :04:13. | :04:18. | |
evacuating them today? Yeah, hence I've put them in the trolley. What | :04:19. | :04:23. | |
due feel you had to bring with you? Brought my valuables, my paperwork | :04:24. | :04:27. | |
and stuff. You're prepared to leave today? Yeah, I'm worried about them. | :04:28. | :04:31. | |
Myself I'm not too worried about. I float like a brick, I'll be all | :04:32. | :04:37. | |
right! These buss are going past, they're there to talk you away. Do | :04:38. | :04:42. | |
you not want to go? No. Why not? No. I don't want to leave my house. Seen | :04:43. | :04:49. | |
it all, so the building is still there. The building is There Must | :04:50. | :04:55. | |
ing -- is still there. You're knocking on every door? Yes, | :04:56. | :05:00. | |
seeing who's there, advising them. I don't know if you've seen the | :05:01. | :05:02. | |
weather report, that's changed. Potentially it will be scaled down, | :05:03. | :05:06. | |
but we will be here. We don't know what the midnight tide will be. We | :05:07. | :05:11. | |
were told severe flood alert, now it's gone away this afternoon. | :05:12. | :05:15. | |
What's going on? Thankfully, on the first tide today, we're seeing that | :05:16. | :05:20. | |
the wind hasn't rammed up quite -- ramped up quite as much. We're | :05:21. | :05:23. | |
asking people to be careful. Tonight, we have another tide coming | :05:24. | :05:27. | |
in. That looks higher than the one at lunch time. There is still a risk | :05:28. | :05:34. | |
to life. Good luck out there. Here's hoping everyone stays safe tonight | :05:35. | :05:37. | |
and over the weekend. Now Lee, this is the eighth series of Not Going | :05:38. | :05:41. | |
Out. Is that right? It is, yeah. We've had ten years and we've had a | :05:42. | :05:46. | |
couple of years off. One out of choice, one out of cancellation. But | :05:47. | :05:48. | |
we won't talk about that. LAUGHTER | :05:49. | :05:52. | |
Are you over it yet? I am, it was many years ago. I'm not bitter. | :05:53. | :05:56. | |
That's a lot of stories to come up with. What happened was, for the | :05:57. | :06:02. | |
first seven years, the story was man fancied landlady. Then this year, we | :06:03. | :06:07. | |
change today to man is married to landlady with seven children - three | :06:08. | :06:12. | |
children, sorry! I was with an Irish woman, I forgot how many kids I had. | :06:13. | :06:16. | |
LAUGHTER Seven years later but with three | :06:17. | :06:21. | |
children. Why seven years? Because I wanted to replicate my three life. I | :06:22. | :06:27. | |
am married with three kids. Someone said have a baby in one series and | :06:28. | :06:33. | |
another one. But then I thought we might get cancelled again. So let's | :06:34. | :06:37. | |
hit the ground running. Let's not take any chances. When I'm at home | :06:38. | :06:41. | |
and having a row with my wife or the kids, instead of getting angry like | :06:42. | :06:45. | |
I used to, I get the pen and note pad out, I go, thank you, I'll have | :06:46. | :06:49. | |
that. Middle of making love, you know... Oh! Thank you. I'll use | :06:50. | :06:54. | |
that. How does that go down? Not very well. That's not the joke I was | :06:55. | :07:00. | |
going to do when you said that. You can pay me later. Let's have a look. | :07:01. | :07:06. | |
We haven't had a single night away Just the Two of Us. So. That's your | :07:07. | :07:10. | |
choice as much as mine. No, it's not. Do you remember what I asked | :07:11. | :07:15. | |
for on my last birthday. Not this again. The orient express is | :07:16. | :07:20. | |
expensive. The next best thing is not Pizza Express. And you know it's | :07:21. | :07:27. | |
not just about the money. OK. Soy don't like leaving the kids with | :07:28. | :07:30. | |
other people. I want to be near them in case they need me. Mummy there's | :07:31. | :07:36. | |
a burnt bit on my toast. Well phone Social Services. | :07:37. | :07:43. | |
The thing that really stands out about Not Going Out is it's full of | :07:44. | :07:47. | |
jokes. Yeah, who would have thought that in the modern age. It is true. | :07:48. | :07:51. | |
There's a lot of single camera realism and naturalism and | :07:52. | :07:54. | |
fortunately, I don't have any choice because I'm not what you call an | :07:55. | :07:58. | |
actor. Instead I thought I'd do loads of jokes and have a studio | :07:59. | :08:01. | |
audience instead. Kind of American style. Yeah, that was the idea. They | :08:02. | :08:07. | |
said you have to have a joke a page, when you're doing a sitcom. I | :08:08. | :08:11. | |
thought that was a lot, but it's not. It's a treat when you are | :08:12. | :08:16. | |
watching it, because it's an assault of jokes, in the best possible way. | :08:17. | :08:20. | |
Biggest back-handed compliment in my life. An assault of jokes. They just | :08:21. | :08:26. | |
keep coming. They're endless. If you don't like one, there's another | :08:27. | :08:29. | |
round the corner. If you don't like that one, there might be another one | :08:30. | :08:33. | |
round the corner. Fingers crossed. No, there is a lot of jokes. We try | :08:34. | :08:37. | |
to put in as much as we can. Is there a big team writing? Over the | :08:38. | :08:41. | |
years, we've tried different ways of doing it, it's still down to me and | :08:42. | :08:45. | |
two others to write the bulk of the main scripts. Then we have gag | :08:46. | :08:51. | |
writers who give it a polish. A lot of domestic situations, but a bit of | :08:52. | :08:56. | |
fantasy thrown in. You got to live out your celeb crush maybe. We made | :08:57. | :09:02. | |
a rule that everything has to be based on a true story this year, | :09:03. | :09:05. | |
that has happened to a writers. That worried us. But does your wife know | :09:06. | :09:09. | |
you've given us this story. He goes, no. Well, the rule is, if your wife | :09:10. | :09:16. | |
doesn't like it, you're not going to believe this, by coincidence Lee has | :09:17. | :09:19. | |
this with his wife as well. Thank God I'm not saying that live on the | :09:20. | :09:24. | |
One Show! The idea is we tell true stories. My wife and I are obsessed | :09:25. | :09:28. | |
with people who play the hot tub fantasy date game. Who would you | :09:29. | :09:32. | |
like to hot tub with, you know, that's not what you're really | :09:33. | :09:35. | |
asking. We know what the question really means. What do you mean? We | :09:36. | :09:42. | |
could explain it! The idea is that people will say who they'd like to | :09:43. | :09:45. | |
spend the night in a hot tub with. In the show I say ex-(DEEmma Bunton | :09:46. | :09:52. | |
and she -- say Emma Bunton. And she said yes. When someone suggests | :09:53. | :09:57. | |
that, you're going to say yes, aren't you. Definitely. Yeah. First | :09:58. | :10:01. | |
choice, well, fourth choice of the Spice Girls. | :10:02. | :10:04. | |
LAUGHTER But you know, after B and C, and | :10:05. | :10:09. | |
Posh had turned you down, you're down to Bunton. Aren't you. Did she | :10:10. | :10:16. | |
make up for it. I didn't say Sporty. No, they're all fantastic. I had met | :10:17. | :10:20. | |
Emma before. She said, I like your show. Right do you want to be in it. | :10:21. | :10:25. | |
Got to be careful if you say that, I will put you in it. Didn't she say | :10:26. | :10:29. | |
that the other Spice Girls don't like it. Well, she made it clear, | :10:30. | :10:35. | |
no, they made it clear. The kids in the show, what's it like working | :10:36. | :10:40. | |
with children? Up to now, it's been about adults and adult interaction. | :10:41. | :10:44. | |
It's odd because I've got three kids in real life. You spend the morning | :10:45. | :10:49. | |
getting them to school and the stresses of everyday life. You go to | :10:50. | :10:53. | |
work and you spend all day with somebody else's kids all day. By the | :10:54. | :10:57. | |
end of the day I'm a nervous wreck. Genuinely they're more experienced | :10:58. | :11:00. | |
than me. They've done more different shows than I've done. They're great | :11:01. | :11:04. | |
kids. They're all on the ball. They all know their lines. It's | :11:05. | :11:07. | |
embarrassing. You didn't want to use your own children then? Definitely | :11:08. | :11:10. | |
not. Can you imagine anything worse than bringing your kids to work. You | :11:11. | :11:15. | |
wouldn't bring them to the One Show. No, no. Being in showbiz is about | :11:16. | :11:21. | |
getting away from your kids. You never stop touring, you know Y | :11:22. | :11:26. | |
Absolutely. Get out of the house. Are your kids funny, though? They | :11:27. | :11:31. | |
are, yeah. One of them told me a funny joke. I might have to edit it. | :11:32. | :11:34. | |
It's safe. It wasn't safe when he told me. He likes telling old jokes. | :11:35. | :11:38. | |
I like trying to guess the punch line. What's brown and sticky. I | :11:39. | :11:43. | |
said a stick. No, poo. LAUGHTER | :11:44. | :11:46. | |
I'd like to point out that's not quite what he said. Thanks for | :11:47. | :11:53. | |
sparing us. Not Going Out is going on tonight, 9pm on BBC One. Someone | :11:54. | :12:02. | |
who could deliver quicker balls than Lee can deliver the gags was Fred | :12:03. | :12:07. | |
Trueman. Here's his son Rob, who talks about growing up with a father | :12:08. | :12:12. | |
few could call modest. My dad was a Yorkshireman through and through, | :12:13. | :12:16. | |
the greatest fast bowler that ever drew breath. His name was Fred | :12:17. | :12:20. | |
Trueman. He was the first cricketer to take 300 Test wickets. | :12:21. | :12:23. | |
COMMENTATOR: That's it! He's got it. 300 Test wickets. Batsmen were | :12:24. | :12:29. | |
terrified of him. COMMENTATOR: He's caught behind. | :12:30. | :12:32. | |
Freddie was a great cricketer. There's no doubt about that. It was | :12:33. | :12:37. | |
a gentleman's game when he started his career. Of course, Freddie come | :12:38. | :12:45. | |
off an humble background. Granddad worked down the mine. He loved | :12:46. | :12:48. | |
cricket. He found of all the local children that Freddie had talent and | :12:49. | :12:52. | |
he found a way to push him in the right direction. When dad won his | :12:53. | :12:56. | |
Yorkshire cap he did a fine thing and brought it back to give to his | :12:57. | :13:00. | |
father. Granddad welled up and said he would keep it all his life. Two | :13:01. | :13:04. | |
years later, dad came back with the England cap. Granddad said, "You can | :13:05. | :13:08. | |
keep that son, I've got the only one that matters." The Yorkshire cap was | :13:09. | :13:16. | |
buried with my granddad. Joo my nickname was given to me by press | :13:17. | :13:22. | |
critics, radio and commentators. I'm firery on the cricket field because | :13:23. | :13:25. | |
I like to winment Dad was blunt and direct. Even today I meet people who | :13:26. | :13:30. | |
he offended. Dad's principle was to be honest and tell people what he | :13:31. | :13:34. | |
thought. Fred was accused of Jack of lad. -- Jack the lad, but he wasn't. | :13:35. | :13:40. | |
Out here, the middle, he played hard, but fair. He played within the | :13:41. | :13:46. | |
laws of the game. So many times dad was wrongly accused of bad | :13:47. | :13:49. | |
behaviour. I think the bad boy image stuck because dad really wasn't one | :13:50. | :13:53. | |
of them. He wasn't part of the establishment. He wasn't the sort of | :13:54. | :13:58. | |
person to pander to people. He loved Scarborough. This is where we lived. | :13:59. | :14:08. | |
Happy memories. A have a sister Karen, twin sisters. He was a lovely | :14:09. | :14:12. | |
and devoted dad. This is where we saw the softer side. Mum hated the | :14:13. | :14:17. | |
long cricket tours. When I was eight, they split up. When you're | :14:18. | :14:22. | |
married to a famous person, everyone expects it to be absolutely out of | :14:23. | :14:26. | |
this world and marvellous, you have a car to drive. You have a nice | :14:27. | :14:30. | |
house and nice clothes. You go to famous places and meet famous | :14:31. | :14:34. | |
people. But that isn't all. That isn't the end of it. You can also be | :14:35. | :14:39. | |
a very lonely person, on your own, while your husband is thousands of | :14:40. | :14:44. | |
miles away. In the evenings, after they split up he would come back and | :14:45. | :14:47. | |
see me. Dad used to tuck us into bed. Can you imagine, we really | :14:48. | :14:51. | |
missed him. Me and my sister used to turn around often and retrace his | :14:52. | :14:56. | |
steps on the carpet. On occasion, dad would come to school to watch us | :14:57. | :14:59. | |
play cricket. I was bowling in the nets. Dad came over to me and said, | :15:00. | :15:04. | |
"Son, you're trying to bowl too fast." I said, dad, I thought you'd | :15:05. | :15:09. | |
want me to be like you. "No, I had a God given talent. You haven't got. | :15:10. | :15:13. | |
It" I was so relieved. Thank goodness I didn't have to play | :15:14. | :15:17. | |
cricket. Freddie had a sense of mischief. He used to wait for the | :15:18. | :15:22. | |
opposition's opening batsman. As they came out through the gate, he | :15:23. | :15:26. | |
used to say, "Don't close that gate, because you won't be long out here." | :15:27. | :15:34. | |
touch he had a mixed relationship with his club but on retirement he | :15:35. | :15:40. | |
was presented with a silver platter and Yorkshire County Cricket club | :15:41. | :15:43. | |
could not be bothered to get it in grade. He had to pay for that | :15:44. | :15:50. | |
himself. When I give the radio -- the reading at Freddie 's funeral, | :15:51. | :15:54. | |
ten years ago, I said then that Freddie was a genius and I don't use | :15:55. | :16:03. | |
that word lightly. I put him at the side of Muhammed Ali and Pele. Some | :16:04. | :16:10. | |
of the most precious times I had with dad were in the car. When I | :16:11. | :16:14. | |
feel like I am really missing him, I will take out his CD so I can hear | :16:15. | :16:22. | |
his voice. As we say in Yorkshire, if I had my time over again, I would | :16:23. | :16:28. | |
do the same things in the same way. You're not a cricket fan but you are | :16:29. | :16:33. | |
a fan of Fred Trueman. I love a programme called Indoor League. I | :16:34. | :16:41. | |
have a DVD of it. It is all indoor pub sports. We will have a look. See | :16:42. | :16:55. | |
that, cracking! Who ever said that the place of a woman was in the | :16:56. | :17:04. | |
kitchen? That is it for this week. He has got the paint and the pipe, | :17:05. | :17:09. | |
that was children's television! Someone said, we might have to move | :17:10. | :17:15. | |
that! What is it that you like about it? I grew up in a pub. I would love | :17:16. | :17:20. | |
to be a sportsman but I am not good enough but I am good at the indoor | :17:21. | :17:26. | |
sports. Let's put you to the test. We have created our own version, it | :17:27. | :17:34. | |
is called The Not Going Out-door League. You will go up against our | :17:35. | :17:40. | |
very own Pub Landlord. First up, we have got a game of table skittles. | :17:41. | :17:50. | |
Tell us how we play this. You stand here. I will go first. Hold the ball | :17:51. | :17:57. | |
and throw it that way. Is this a toilet chain? It could be. Over | :17:58. | :18:08. | |
here. Don't touch what you can't afford! Three, not bad, but not | :18:09. | :18:20. | |
enough. Come on, leave. I appreciate what you suggested, but you made a | :18:21. | :18:29. | |
schoolboy error. You need to place it slightly to the right. | :18:30. | :18:39. | |
APPLAUSE. You cannot argue with that. I'm not sure how we are going | :18:40. | :18:47. | |
to figure this out. Let's go with it. 1- 02 Al. We have to play clean | :18:48. | :18:57. | |
on the one show. Next up, we have at game called Toad in the Hole. | :18:58. | :19:06. | |
Chrissie, you are at the landlady of the The Volunteer in Lewes. We play | :19:07. | :19:10. | |
this every Monday night. What are the rules? Basically, you touch your | :19:11. | :19:20. | |
toad onto the lead and you score a point, touch it into the hole and | :19:21. | :19:24. | |
you score two points. If it hits the back, you get no points. OK. What if | :19:25. | :19:35. | |
it hits on the back. Because it hits the back. Any tips? Bounce and | :19:36. | :19:38. | |
flick. Lead bounds and flick. That was good advice! It does fit in | :19:39. | :20:04. | |
the hole. I will never win at this. It didn't touch the back. That is a | :20:05. | :20:15. | |
draw. Let's just keep playing. It is arm wrestling. This is the ultimate | :20:16. | :20:20. | |
game. Can I stop you there? I have done in my back, I can't do it. Can | :20:21. | :20:28. | |
I point out, I love how you are actually taking it seriously? He is | :20:29. | :20:37. | |
too big to turn upside down! Do you mind if I use a volunteer. He can | :20:38. | :20:45. | |
represent me. This lady is looking strong but I think I will go with | :20:46. | :20:50. | |
this gentleman here. My name is Stephen Kirlew. I am the ten time | :20:51. | :20:54. | |
British arm wrestling champion. What! Lee Mack! Here we go. Five | :20:55. | :21:08. | |
seconds. I'll see what I can do! I will count you down, five, four, | :21:09. | :21:16. | |
three, two, one. That is it, you won. Time to continue our | :21:17. | :21:23. | |
alphabetical food journey around the UK. Six letters down already which | :21:24. | :21:33. | |
means that Ricky is up to G. Mild by mile and letter by letter, I am on | :21:34. | :21:37. | |
an alphabetical odyssey putting together my a to Z of UK food. There | :21:38. | :21:48. | |
are some great suggestions for G. Including the Gravesend Gypsy Tart. | :21:49. | :21:53. | |
I like the suggestion that I head overseas for a channel Island treat, | :21:54. | :21:58. | |
the Guernsey bean jar. Islanders have been enjoying this cheap stew | :21:59. | :22:03. | |
for centuries. They say there is no definitive recipe. The traditional | :22:04. | :22:09. | |
Guernsey bean jar, haricot beans, ham hock and an onion. Every family | :22:10. | :22:16. | |
has a recipe. Why are we in a bakery? Housewives used to make | :22:17. | :22:20. | |
them. My grandfather used to put them in the oven overnight. Sunday | :22:21. | :22:24. | |
morning, they would come back around to the bakery, bean jar was the | :22:25. | :22:29. | |
traditional breakfast. People are passionate about it. Some people say | :22:30. | :22:34. | |
you should have carrots, other say you should not. Are you a carrot man | :22:35. | :22:42. | |
or not? I will not admit to it. You don't like the bean jar? Not at all. | :22:43. | :22:51. | |
I want to change his mind and I'm relying on the butchers, bakers and | :22:52. | :22:55. | |
cider makers to help me do it. My quest for the ultimate Guernsey | :22:56. | :22:58. | |
recipe starts with which Jason Hammond. You can put in anything, | :22:59. | :23:09. | |
beef, bacon... Big all go into my bag. Next stop is the herb farm to | :23:10. | :23:14. | |
give my brew a distinctive injection of flavour. You have come to the | :23:15. | :23:20. | |
right place, we have coriander, dill, parsley, sage and chives and a | :23:21. | :23:28. | |
lot of basil. Are you a carrots are no carrots man? I am not a carrots | :23:29. | :23:35. | |
man. I follow my mother 's recipe. Definitely no carrots. With the | :23:36. | :23:39. | |
prize and parcel of parsley it is time to move on and I am starting to | :23:40. | :23:43. | |
think, this traditional dish could do with a splash of something a bit | :23:44. | :23:50. | |
special. I heard you with a man to come and see about cider. I have | :23:51. | :23:55. | |
plenty. This is our traditional cider, people use it quite a lot for | :23:56. | :24:00. | |
cooking. It should add sweetness. As they head to my final stop, I need | :24:01. | :24:05. | |
to make the big decision. Vegetable grower Terry has a great selection | :24:06. | :24:10. | |
of carrots but do I include them? I think it will give it a better | :24:11. | :24:15. | |
taste. If few local carrots. You grow carrots. Of course! Ingredients | :24:16. | :24:22. | |
collected, it is time to prep and put them in my part and I have come | :24:23. | :24:27. | |
up with at canny compromise for carrots. I will leave them a whole. | :24:28. | :24:32. | |
If you don't like them, you're not trying to fish them out, and if you | :24:33. | :24:37. | |
do like them, you have a lovely whole carrot to eight. My bean jar | :24:38. | :24:42. | |
goes into the oven overnight. The next morning it is time to see if I | :24:43. | :24:48. | |
have done Guernsey growers proud. That is right up my street. Tasty, | :24:49. | :24:54. | |
wholesome, the smoked bacon and cider work a treat. I am a fan, but | :24:55. | :25:03. | |
what about the Guernsey people? That is good. That is really very nice. | :25:04. | :25:08. | |
An element of sweetness and fruitiness. I love it. It is very | :25:09. | :25:16. | |
nice, very good. It is a winner. The real test is bean jar dodger Martin. | :25:17. | :25:23. | |
After all these years, I have to say, it is not half bad. That is the | :25:24. | :25:30. | |
Guernsey bean jar on my map. Kitchen table. I need a bigger map. I had on | :25:31. | :25:37. | |
my way now, where I go next as always is up to you. It's time to | :25:38. | :25:47. | |
meet 60s!. She has won the BBC Sound of 2017. -- were you surprised to | :25:48. | :25:56. | |
win, this is a fantastic thing to have happened -- Ray Blk. I feel | :25:57. | :26:02. | |
like I'm in a dream. Your sister is a big fan of your music. No, she | :26:03. | :26:07. | |
will tell you that she is now, but one we were growing up she told me | :26:08. | :26:11. | |
to keep quiet, I was making too much I and could not saying. We are here | :26:12. | :26:19. | |
now. Good luck with your show at the village Underground in London on the | :26:20. | :26:23. | |
27th. Your mini album Durt is out now. We will let you get on with | :26:24. | :26:27. | |
preparing for your performance. Good luck tonight with 'Not Going Out' | :26:28. | :26:34. | |
tonight. Good luck with your stage debut with The Miser with Griff | :26:35. | :26:42. | |
Rhys-Jones which is also coming up. And now here is Ray Blk with My | :26:43. | :26:44. | |
Hood. Have a great weekend everyone. # Socks and sliders | :26:45. | :26:50. | |
everywhere and every day. # Full English breakfast | :26:51. | :26:53. | |
at a caff, not a cafe. # No, no, baby, we don't let | :26:54. | :26:57. | |
strangers come our way. # But you should come | :26:58. | :27:02. | |
to my hood, my hood, my hood. # Meet me at Morley's, | :27:03. | :27:07. | |
best fried chicken is in South. # I'll show you gangsters, | :27:08. | :27:13. | |
don't you go running your # Mopeds are racing, | :27:14. | :27:15. | |
2AM outside my house, oh yeah, it's # But come to my hood, | :27:16. | :27:19. | |
my hood, my hood. # Oh, you should come to my hood, | :27:20. | :27:27. | |
my hood, my hood, my # You should come to my | :27:28. | :27:30. | |
hood, my hood, my hood. # We're chasing paper then | :27:31. | :27:41. | |
Blue Borough should be green. # I won't lie, finding | :27:42. | :27:47. | |
a way out is our dream. # But you should come | :27:48. | :27:52. | |
to my hood, my hood, my hood. # Top floor of Pepys estate, | :27:53. | :27:57. | |
we'll show you our world. # That building turns | :27:58. | :28:02. | |
you to a woman from a girl. # Now time to stop, life flashes | :28:03. | :28:07. | |
past you in a whirl. # But you should come | :28:08. | :28:11. | |
to my hood, my hood, my hood. # There's no place like home, | :28:12. | :28:28. | |
no place like home. # Buy me any ticket, | :28:29. | :28:31. | |
I don't wanna go. # To a town where there's | :28:32. | :28:33. | |
no one like me round. # You should come to my | :28:34. | :28:35. | |
hood, my hood, my hood. | :28:36. | :29:17. |