Browse content similar to 16/01/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Michelle Ackerley. | :00:16. | :00:17. | |
It's promising to be a very newsworthy week - | :00:18. | :00:20. | |
Tomorrow, Theresa May will give a much-anticipated | :00:21. | :00:27. | |
speech about Brexit, and on Friday, America | :00:28. | :00:29. | |
will swear in its 45th president, Donald J Trump. | :00:30. | :00:33. | |
So by the weekend it could be that we all need a break | :00:34. | :00:36. | |
from the real-life drama, - which is where tonight's | :00:37. | :00:38. | |
They star in Sunday night's big new thriller Apple Tree Yard - | :00:39. | :00:43. | |
please welcome Emily Watson and Ben Chaplin! | :00:44. | :00:46. | |
APPLAUSE Welcome to you both. Thank you. | :00:47. | :00:58. | |
Before we go further I believe belated birthday celebrations are in | :00:59. | :01:07. | |
order. How did it go? It was pretty fun. It was huge, it was off the | :01:08. | :01:14. | |
hook. I thought it was your 30th. Smarten, smarm. Did you get a | :01:15. | :01:22. | |
favourite gift by any chance? I got some really delightful gifts from my | :01:23. | :01:26. | |
children which were very sweet. I got a beautiful lampshade from my | :01:27. | :01:29. | |
daughter and a portrait of Yoda. LAUGHTER | :01:30. | :01:35. | |
She's going to hang it on the wall beside Budde which is interesting. | :01:36. | :01:41. | |
What a gift. Very good. Any shenanigans at the party, then, you | :01:42. | :01:47. | |
were there? Any shenanigans? We were pretty civilised, we were just | :01:48. | :01:53. | |
gently trolley to. I did go on to another pub afterwards. He went on a | :01:54. | :01:58. | |
pub crawl afterwards. I took it on, tried to go straight through. | :01:59. | :02:00. | |
We are going to talk more about this new drama shortly but before that | :02:01. | :02:06. | |
one story that has been in the news over the last few days concerns a | :02:07. | :02:10. | |
girl in the States being found 18 years after she went missing as a | :02:11. | :02:11. | |
newborn baby. Closer to home, The One Show has | :02:12. | :02:13. | |
discovered a sharp rise in complaints about how | :02:14. | :02:15. | |
the police here handle missing person cases - | :02:16. | :02:17. | |
Here's Nick Wallis. He was jovial, happy-go-lucky, | :02:18. | :02:29. | |
always trying to cheer you up. 19-year-old was about to start the | :02:30. | :02:32. | |
second year of the business to stomach studies degree and one night | :02:33. | :02:35. | |
he left his home in Enfield to play football with his mates and never | :02:36. | :02:41. | |
seen by his family again. -- business studies degree. Last time | :02:42. | :02:45. | |
we saw him he was upset and having a row with his girlfriend on the | :02:46. | :02:48. | |
phone. His mum and dad waited all weekend before calling the police to | :02:49. | :02:52. | |
report her missing. The impression I'm getting from the police. From | :02:53. | :02:58. | |
the first day. The typical teenager. Is going to come back. He has gone | :02:59. | :03:04. | |
out and after a couple of weeks he will resurface. The officers' | :03:05. | :03:08. | |
attitudes that they is one of several criticisms they have about | :03:09. | :03:13. | |
the investigation and led them to lodge a complaint with the | :03:14. | :03:16. | |
Independent police complaint commission about their handling of | :03:17. | :03:19. | |
the case and it's one of many missing persons cases heading their | :03:20. | :03:22. | |
way. The One Show has obtained figures which revealed the number of | :03:23. | :03:26. | |
referrals to the police watchdog over the handling of missing persons | :03:27. | :03:30. | |
cases has quadrupled over the last five years. Referrals have risen | :03:31. | :03:35. | |
from 44-190 between 2011 and last year making up 5% of all cases going | :03:36. | :03:40. | |
to be IPCC, although missing persons are not the only type to see an | :03:41. | :03:44. | |
increase and some are reported automatically. Although the police | :03:45. | :03:48. | |
cannot fully investigate every disappearance, his parents think the | :03:49. | :03:50. | |
police should have been doing more. They believe their son might have | :03:51. | :03:54. | |
been murdered. His girlfriend, on the other hand, told them he had | :03:55. | :03:57. | |
previously threatened to commit suicide from London Bridge. They | :03:58. | :04:03. | |
wanted both claims looked into. I said to them, please can you go and | :04:04. | :04:07. | |
check London Bridge CCTV. Did that get checked? No. He said anyway, if | :04:08. | :04:14. | |
he has done it there are thousands of cameras in London and we won't be | :04:15. | :04:18. | |
able to do that. Whether CCTV was looked at or not two months after | :04:19. | :04:21. | |
disappearing local police issued a missing persons appeal. It would be | :04:22. | :04:26. | |
another two months before his parents received the news they had | :04:27. | :04:31. | |
been dreading. On the 26th of December the police knocked at the | :04:32. | :04:34. | |
door and said to me we have the body and we think it might be his body. | :04:35. | :04:39. | |
And what they were about to discover next is one of the main reasons for | :04:40. | :04:44. | |
their complaint. His body had been lying in a morgue for over two | :04:45. | :04:48. | |
months after being spotted by a passer-by here in the police | :04:49. | :04:54. | |
launched the official appeal. He had only been identified after a | :04:55. | :04:57. | |
speculative search of the National DNA database. His parents feel they | :04:58. | :05:02. | |
could have been spared several weeks of anxiety. It took them so long to | :05:03. | :05:10. | |
tell us what happened to him. The worst thing is he is sleeping in a | :05:11. | :05:13. | |
morgue and they are still investigating. I feel that the | :05:14. | :05:19. | |
police has been racist with us. Why do you think the police were acting | :05:20. | :05:24. | |
in a racist manner towards you? Because every time we tried to | :05:25. | :05:28. | |
approach them in whatever way they kind of shot is down. That is not | :05:29. | :05:35. | |
evidence of racism, is it? No, no, but I feel because I come from an | :05:36. | :05:39. | |
ethnic minority group that's the way I've been treated. Former but report | :05:40. | :05:43. | |
police Detective Chief Inspector Chris Kirkham has worked on many | :05:44. | :05:49. | |
missing persons cases. What do the police have to be mindful of when | :05:50. | :05:51. | |
dealing with families who have reported someone missing? | :05:52. | :05:55. | |
It's very difficult to manage your dealings with the family to start | :05:56. | :06:00. | |
with. They are very worried and one of the police are trying to do, | :06:01. | :06:03. | |
knowing that the vast majority of missing people turn up in 48 hours, | :06:04. | :06:08. | |
is to reduce their stress and try and stop worrying unduly. His body | :06:09. | :06:11. | |
was lying in a morgue for a number of weeks before was identified. How | :06:12. | :06:18. | |
unusual is that? It is not that unusual to take quite some time to | :06:19. | :06:22. | |
identify unidentified bodies found. Is there a problem here that for the | :06:23. | :06:26. | |
police they are doing a job but for the families of the bereaved their | :06:27. | :06:30. | |
whole life has fallen apart? There is certainly that aspect to it. It | :06:31. | :06:33. | |
would be nice to spend a couple of hours doing things as you would | :06:34. | :06:37. | |
really want to do them but police officers really can't. The resources | :06:38. | :06:41. | |
to be to do these sort of things are not there especially with 20% cuts | :06:42. | :06:51. | |
over the last six years. The Metropolitan Police would not | :06:52. | :06:53. | |
comment on the case while the IPCC investigation is ongoing but in an | :06:54. | :06:55. | |
earlier statement they refuted any suggestion of racism and said the | :06:56. | :06:57. | |
time taken to identify Krishna's body was beyond their control. The | :06:58. | :07:02. | |
coroner returned an open verdict but his parents are convinced there is | :07:03. | :07:06. | |
more to their son's death. They washed their hands of whatever | :07:07. | :07:11. | |
happened to Krishna. I still don't believe that my son is gone deep | :07:12. | :07:15. | |
down and we have been treated like that. | :07:16. | :07:22. | |
We hope Krishna's family get the answers they are looking for. | :07:23. | :07:26. | |
With us is Karen Robinson from charity Missing People, | :07:27. | :07:28. | |
who work with both families and the police. | :07:29. | :07:30. | |
We saw one of the officers in the film talking about blaming | :07:31. | :07:37. | |
complaints on budget cuts. Would you agree with that? Anyone watching | :07:38. | :07:46. | |
that would agree that Pradeep and Medha want answers and they deserve | :07:47. | :07:51. | |
those answers. In context, 20% cuts to police budgets from central | :07:52. | :07:53. | |
government mean that while missing numbers are rising. We're working | :07:54. | :08:02. | |
with the national policing lead and every police force in the country at | :08:03. | :08:05. | |
the charity Missing People to make sure that when someone goes missing | :08:06. | :08:09. | |
and they are missing their son like that family were, they know the | :08:10. | :08:13. | |
charity is here 24 hours a day for support from our expert family | :08:14. | :08:18. | |
support workers. The number of missing people reported is | :08:19. | :08:23. | |
staggering. It is roughly 300,000 people reported every year. And | :08:24. | :08:29. | |
rising. When that happens, Karen, what should happen? You say you help | :08:30. | :08:32. | |
the police as well, but what actually happens? If anybody | :08:33. | :08:36. | |
watching this needs to report somebody missing to the police they | :08:37. | :08:39. | |
can expect to answer a lot of questions and those questions might | :08:40. | :08:42. | |
feel invasive, they will ask what happened that day, in the preceding | :08:43. | :08:46. | |
week, what relationships are like at home, they will want to know what | :08:47. | :08:49. | |
the person is wearing and those questions might feel a bit daunting. | :08:50. | :08:52. | |
They will want to come round and searched the property. That might | :08:53. | :08:55. | |
seem a bit weird because the family will often say I've already searched | :08:56. | :09:03. | |
the property and I know they are not here. Those things are completely | :09:04. | :09:06. | |
normal and our role at Missing People is to make sure families | :09:07. | :09:08. | |
understand what is happening. Beta referred to the police not having a | :09:09. | :09:11. | |
couple of hours to explain that to the family but we do and we do that, | :09:12. | :09:19. | |
every police force should tell every family about us. It's interesting | :09:20. | :09:24. | |
you talk about what people should expect. Do you feel the influence of | :09:25. | :09:28. | |
TV on certain dramas can skew people's expectations of what they | :09:29. | :09:32. | |
should expect? The whole thing with 24 hours that you should leave until | :09:33. | :09:35. | |
you report a person missing, those kind of things have come through TV | :09:36. | :09:40. | |
dramas and things like that. Do you think that influences things? It | :09:41. | :09:44. | |
does and in our experience that can lead people to delay making a | :09:45. | :09:49. | |
missing person report they think they have to wit 24 hours but they | :09:50. | :09:54. | |
don't. If you are watching this you are the best person to decide | :09:55. | :09:57. | |
whether something needs to be reported to the police. For a | :09:58. | :10:01. | |
four-year-old two minutes is a long time to wait but if one of us | :10:02. | :10:04. | |
doesn't make it to where we are expected this evening the people | :10:05. | :10:06. | |
expecting us home will know what a normal amount of time for us to | :10:07. | :10:10. | |
perhaps be a little bit late. Use your judgment and have the | :10:11. | :10:13. | |
confidence to call the police. I work with police forces all over the | :10:14. | :10:17. | |
UK and they would be devastated to think that somebody waited too long. | :10:18. | :10:21. | |
Most people are found very quickly, thankfully. 90% of people will be | :10:22. | :10:25. | |
found within 24 hours so the good news is most people are found safe | :10:26. | :10:29. | |
and well, they are found very quickly, and when we work together | :10:30. | :10:32. | |
with the police, the charity and the police are doing everything we can | :10:33. | :10:36. | |
to find that person and support the family. | :10:37. | :10:39. | |
Karen, thank you for the clarity and what you can do. If you'd like more | :10:40. | :10:46. | |
information about the issues you can have a look at the website. | :10:47. | :10:49. | |
In 1970 three women attempted an epic rally race from London | :10:50. | :10:51. | |
to Mexico, but it ended in failure in an Argentinian ditch. | :10:52. | :10:55. | |
Now nearly 50 years on, two of them are coming out | :10:56. | :11:00. | |
of retirement to try racing again, and they took Lucy for a spin. | :11:01. | :11:05. | |
Built in 1969, 1500 cc engine, 95 brake horsepower, the Austin Maxi. | :11:06. | :11:20. | |
Puff the Magic Dragon as known to her on a 72-year-old Mrs Burrell. | :11:21. | :11:35. | |
Nice to meet you. This is the Magic Dragon. She was given the chance to | :11:36. | :11:39. | |
buy the car back and after a good rummage under the bonnet she is | :11:40. | :11:47. | |
ready to rally once again. In 1970 they embarked on a Sistine thousand | :11:48. | :11:51. | |
mile rally from London to Mexico but an accident meant they didn't make | :11:52. | :11:54. | |
it to the finish line and afterwards the team went their separate ways. | :11:55. | :12:00. | |
-- 16,000 miles. The car is back in action and they have big plans. | :12:01. | :12:04. | |
Emotionally what does it feel like to be back? Its emotional because I | :12:05. | :12:08. | |
never thought this day would come, I never thought I would be back with | :12:09. | :12:14. | |
Puff and Tina. I need a new knee but I have a new lease of life. Tina, | :12:15. | :12:18. | |
what was your role on the team? It was a matter of one would sleep, one | :12:19. | :12:22. | |
would navigate and one would Drive and we would take it in turns. We | :12:23. | :12:26. | |
used to do three days and the third day have a night's sleep if we were | :12:27. | :12:30. | |
lucky and go on for another three days. You know I've never been a | :12:31. | :12:37. | |
rally car? No! ? Come on, girl, grabbed a helmet. 40 years on and | :12:38. | :12:42. | |
with her beloved but the Magic Dragon back in her position they are | :12:43. | :12:49. | |
back on track. I must say I do love the speed. I didn't know I did. I | :12:50. | :12:54. | |
went to a driving school and got faster and faster and I suddenly | :12:55. | :12:57. | |
said you better slowdown, beginners are not supposed to do 70 mph. This | :12:58. | :13:03. | |
is so much fun! I don't like the corners! The Sunday would be a | :13:04. | :13:10. | |
sprint after the normal rally on the Friday and then I would be back at | :13:11. | :13:14. | |
work on Monday. My rallying life stopped abruptly when my mother | :13:15. | :13:17. | |
died, I had to go back to New Zealand and I fell out of the sport. | :13:18. | :13:23. | |
So, why now? I think because the car is available. Puff rides again. Puff | :13:24. | :13:30. | |
is going to run again, yes she is. She is repeating her steps from 1970 | :13:31. | :13:34. | |
and we are going from London to Lisbon. | :13:35. | :13:36. | |
Tremendous, we are going to catch up with them, aren't we as soon as the | :13:37. | :13:44. | |
rally finishes? We are going to talk about Apple Tree Yard, this big | :13:45. | :13:49. | |
drama on Sunday nights. Let's do a driving related incident because you | :13:50. | :13:51. | |
just said something interesting during the filming with cars. Go on. | :13:52. | :14:00. | |
After you. We had a driving scene together and I have a terrible sense | :14:01. | :14:05. | |
of direction but then's is worse. The worst in the world, I think. I | :14:06. | :14:09. | |
was driving so it was his fault, he was opposed to tell me where we were | :14:10. | :14:13. | |
going to go. I thought they would have you on those trailers. This is | :14:14. | :14:18. | |
the BBC, we can't afford the trailers, we were just driving | :14:19. | :14:21. | |
around. We got back to almost the location and we were running out of | :14:22. | :14:27. | |
time and light. He sent me completely the wrong way. I said it | :14:28. | :14:30. | |
was that way authoritatively and it was completely wrong and we were | :14:31. | :14:33. | |
delayed getting back. It is really difficult. It was the crew, you are | :14:34. | :14:39. | |
trying to say? As well as driving you are supposed to be acting a | :14:40. | :14:42. | |
really intense scene and it's really dangerous because when you are | :14:43. | :14:45. | |
acting all of your safety things go out of the window. | :14:46. | :14:48. | |
LAUGHTER Absolute shambles, basically. Yes, | :14:49. | :14:55. | |
it was. Let's talk about Apple Tree Yard. Yvonne, your character, must | :14:56. | :14:59. | |
make a dramatic life decision. Tell us more about how that happens? I do | :15:00. | :15:03. | |
know how much of a rational decision it is, it is a spur of the moment | :15:04. | :15:07. | |
thing that happens to her. She is a woman my age who has a very nice, | :15:08. | :15:14. | |
proper life. She has a long marriage, they have grown up | :15:15. | :15:18. | |
children, she has a grandchild on the way. She is a geneticist, she | :15:19. | :15:22. | |
has a great career, and suddenly out of the blue she suddenly starts | :15:23. | :15:25. | |
having this passionate affair with a random stranger, which at the | :15:26. | :15:32. | |
beginning of it is sort of very beguiling and exciting because it is | :15:33. | :15:39. | |
Ben. Random stranger. My character name! Let's have a look at the | :15:40. | :15:45. | |
moment where things start to simmer. It gets hot in here. You don't look | :15:46. | :15:51. | |
like a civil servant. You don't look like a scientist. | :15:52. | :15:59. | |
Assume neither of us is looking for a parachute. Absolutely not. | :16:00. | :16:21. | |
It gets very steamy, it is interesting to see your reactions | :16:22. | :16:29. | |
watching that because the long pauses, it is quite tense. Was that | :16:30. | :16:36. | |
something that developed? They were very filled, those long pauses. Yes. | :16:37. | :16:42. | |
I don't know. It is partly direction and editing. It was one of those | :16:43. | :16:46. | |
things where we wanted to make it feel very real, and Ben and I have | :16:47. | :16:52. | |
known each other for a long time, we've made two films before this so | :16:53. | :16:55. | |
we had a level of comfort that meant a lot of the time we were in danger | :16:56. | :17:02. | |
of laughing. We were, and that is not a bad place to be. Is it true | :17:03. | :17:07. | |
that you asked for him to get the role? She got me the job. When you | :17:08. | :17:17. | |
heard this was about to uncover, what were your thoughts? It was a | :17:18. | :17:25. | |
very exciting script, it really was, great character, but it has a lot of | :17:26. | :17:34. | |
love scenes in it. Does it make it easier or harder that you know each | :17:35. | :17:41. | |
other? I had not been through that before. You've done a lot of | :17:42. | :17:51. | |
kissing. I have done. We were talking and it was exciting, but we | :17:52. | :17:59. | |
were saying, because we know each other, isn't it going to be worse? | :18:00. | :18:05. | |
She thought that all the way through. One thing we are very proud | :18:06. | :18:20. | |
of, we decided we would talk about it in a grown-up way and planet. Are | :18:21. | :18:24. | |
saved from the steam and raunchiness it is a fantastic drama on BBC One | :18:25. | :18:29. | |
this Sunday evening at 9pm. Thankfully last Friday's storm surge | :18:30. | :18:31. | |
down the east coast didn't cause as much flooding as feared, | :18:32. | :18:33. | |
but you can see from this just how You can bet that | :18:34. | :18:37. | |
there'll be more bad weather before winter is out - | :18:38. | :18:40. | |
and Andy Torbet has put himself in peril to show you how to escape | :18:41. | :18:43. | |
if the very worst happens. Finding yourself in a critical | :18:44. | :18:56. | |
situation is something that many of us will never experience but for one | :18:57. | :19:03. | |
family from North Devon this turned into a life or death situation in a | :19:04. | :19:11. | |
very short period of time. Vanessa and her son were on the way home. We | :19:12. | :19:19. | |
were driving home and found ourselves in deceptively deep | :19:20. | :19:23. | |
floodwater. When we entered it, it was like driving into a swimming | :19:24. | :19:29. | |
pool, and what came into the cab and was immediately above my ankles. I | :19:30. | :19:34. | |
feel stupid because I've attempted to open the door and that would have | :19:35. | :19:40. | |
been catastrophic. The electrics failed because my window and door | :19:41. | :19:48. | |
would not move. Luckily her husband had opened his window before the | :19:49. | :19:54. | |
electrics shorted. I passed my son out of the window but I was | :19:55. | :19:57. | |
terrified that if the vehicle capsized I would be pinned | :19:58. | :20:05. | |
underneath it and underwater. Fortunately, Vanessa was rescued but | :20:06. | :20:10. | |
many others have lost their lives in similar situations. It can take less | :20:11. | :20:14. | |
than a minute for your car to fill with water. If it ends up it will | :20:15. | :20:26. | |
sink quickly. What should you do? There are two schools of thought. | :20:27. | :20:31. | |
Some say, get the window down as soon as possible. Others say, leave | :20:32. | :20:38. | |
the window up. Get the door open and get out. The window option relies on | :20:39. | :20:47. | |
quick reactions, the other holding your breath. How do these plans | :20:48. | :20:52. | |
compare? We will put these theories to the test. I'm going to submerge | :20:53. | :21:00. | |
this car in water. This is genuinely dangerous so I have a safety team on | :21:01. | :21:07. | |
hand, including a diver in the car with a spare a supply. I'm going to | :21:08. | :21:12. | |
try the window method first so here goes. The electrics field virtually | :21:13. | :21:23. | |
straightaway and I cannot open the window. With the pressure from the | :21:24. | :21:31. | |
water outside, no matter how hard I try I cannot open the door. As the | :21:32. | :21:41. | |
water rises I realise at this point I'm trapped. That was more unnerving | :21:42. | :21:57. | |
than I expected and I'm very experienced. Slowly rise up the | :21:58. | :22:03. | |
ankles, up to your chest. The window did not work. The electrics blew | :22:04. | :22:11. | |
out. Now for the second option of submerging the car completely. It | :22:12. | :22:17. | |
relies on nerves and steel. After the last bit of a disappearance I | :22:18. | :22:24. | |
managed to get out. But I'm in a controlled situation. Apparently | :22:25. | :22:31. | |
there is a simple way of getting out of the car. I've got a window | :22:32. | :22:41. | |
hammer. There is a little punch and you press it in the corner of the | :22:42. | :22:44. | |
window and it shattered the glass and enables you to exit through the | :22:45. | :22:50. | |
window. In I go again. I'm armed with a hammer. I let the water come | :22:51. | :22:59. | |
up and I give it a go. After a split second I can easily climb up through | :23:00. | :23:04. | |
the window. That worked than absolute treat. Literally press it | :23:05. | :23:12. | |
in the corner of the window and it disappears. I genuinely believe this | :23:13. | :23:20. | |
will save your life in that situation. Now you know what to ask | :23:21. | :23:28. | |
the kids for. Would you have gone for winding the window down? Who | :23:29. | :23:37. | |
knows. I don't know less from right. I think I would have gone for | :23:38. | :23:41. | |
winding the window down. But that doesn't work. It is just that awful | :23:42. | :23:47. | |
moment. Miranda's latest film stars | :23:48. | :23:54. | |
an endangered species not used to being on camera, | :23:55. | :23:56. | |
but for her they gave And showed us something | :23:57. | :23:58. | |
we've never seen before. This pine marten is pregnant and for | :23:59. | :24:07. | |
the first time on television with exclusive access to the birth and | :24:08. | :24:13. | |
early life of her kids. 100 years ago they were almost extinct in | :24:14. | :24:16. | |
Britain and today they are barely seen. Despite breeding programmes it | :24:17. | :24:22. | |
has been difficult to increase their numbers because they can be | :24:23. | :24:27. | |
extremely aggressive. This is one of the few places to have successfully | :24:28. | :24:34. | |
bred pine marten is in captivity but it has taken some real ingenuity to | :24:35. | :24:39. | |
get things going. Staff have devised obligated enclosures that allow the | :24:40. | :24:42. | |
animals to see and get familiar with each other but not touch until | :24:43. | :24:48. | |
mating time. Pine marten is leather separate life. They are very | :24:49. | :24:52. | |
solitary and when they come together they fight and that's why we've got | :24:53. | :24:58. | |
all around us these panels of love. A real walkways of love. The | :24:59. | :25:03. | |
actually go through this enclosure so they can learn to get along with | :25:04. | :25:07. | |
each other, and that happens weeks before a meeting. During the meeting | :25:08. | :25:10. | |
we've got chapter is everywhere so if they have a fight we've got | :25:11. | :25:13. | |
keepers on hand with police and rope to a low then to escape. This means | :25:14. | :25:20. | |
they can be separated from each other for their own safety. A fight | :25:21. | :25:23. | |
could be fatal if there were no means of escape. Whisper and Yorkie | :25:24. | :25:34. | |
are prized breeders and they have bred six children. There are more on | :25:35. | :25:39. | |
the way. Peter and his team have built a pine marten friendly nest | :25:40. | :25:42. | |
and have rigged that with cameras which can film in complete darkness. | :25:43. | :25:47. | |
When they are feted in the enclosure it is essential to be quiet and | :25:48. | :25:53. | |
careful. They are easily scared and a female has the ability to end | :25:54. | :25:56. | |
their own pregnancy if something settles her. Whisper likes her new | :25:57. | :26:01. | |
home and after two weeks she gives birth. Staff have been filming her | :26:02. | :26:10. | |
24-7, from the moment of birth through the first few weeks. And | :26:11. | :26:16. | |
then, something extraordinary. The first ever footage of a kit being | :26:17. | :26:25. | |
born. There we see number two. So cute. 2016 is a record-breaking | :26:26. | :26:36. | |
year, as four have been born. She's curled up like a ball around these | :26:37. | :26:48. | |
little things. Within a week, the kits get more lively. That is the | :26:49. | :26:55. | |
first time mum has left the nest. It is Whisper's first chance after | :26:56. | :27:09. | |
leaving the nest. Look at the circling now. Just unbelievably | :27:10. | :27:16. | |
cute. They are boisterous. A lot of play fighting going on. Not much | :27:17. | :27:22. | |
room in there for her. The kits and her mother are slowly outgrowing the | :27:23. | :27:37. | |
box. You can see she is very. It is so charming. After seven weeks, one | :27:38. | :27:49. | |
of the kits pierced tentatively out of the world and then, with mum | :27:50. | :27:55. | |
watching, it leaves the nest. The others soon followed. This insight | :27:56. | :28:03. | |
could play a crucial part in ensuring the recovery of one of the | :28:04. | :28:09. | |
toughest but cutest native mammals. And none have been born since so it | :28:10. | :28:20. | |
was very special to see that. Then, we can see you playing Carrie Grant. | :28:21. | :28:26. | |
You said it was difficult to nail down the voice. I'm not sure I did. | :28:27. | :28:31. | |
He is between British and American. I did it pretty much by myself, I | :28:32. | :28:37. | |
did not have much help. In the end it seemed to go back, there is a | :28:38. | :28:47. | |
character in team America, it is not the most natural performance but | :28:48. | :28:51. | |
that is where it seemed to go. You've got the look. Thanks, man. | :28:52. | :28:59. | |
Thanks for your company. You are off to Prague to play Einstein's wife. | :29:00. | :29:05. | |
We will see you tomorrow. | :29:06. | :29:11. |