Browse content similar to 13/03/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Matt Baker. | :00:24. | :00:29. | |
Tonight we have two great guests. The first is a heavyweight who | :00:29. | :00:33. | |
likes to think he can get politicians to grovel. The other is | :00:33. | :00:38. | |
the star of Gavin And Stacey getting them to do just that. It's | :00:38. | :00:40. | |
Andrew Neil and Joanna Page. APPLAUSE | :00:40. | :00:50. | |
Lovely to see you both. Jo, we saw the Prime Minister boying -- bowing | :00:50. | :00:54. | |
down to you there. You were at a reception at Downing Street for St | :00:54. | :00:57. | |
David's Day. What was going on? think he was blown away by my | :00:57. | :01:02. | |
beauty to be honest. He's a fan of the show. He said "I bow down to | :01:02. | :01:06. | |
you. I'm not worthy. I love the show. You should make more of it." | :01:06. | :01:10. | |
He was very sweet. He's never said that to me! You should wear short | :01:10. | :01:13. | |
skirts. LAUGHTER | :01:13. | :01:19. | |
I've tried that. But he still hasn't said that to me. That is | :01:19. | :01:23. | |
brilliant. We did do a little messing around with the photo. Put | :01:23. | :01:29. | |
that in a frame. Where's the skirt? We'll add that. We'll be talking | :01:29. | :01:33. | |
more to you about your new role later on. One institution that | :01:33. | :01:37. | |
David Cameron certainly doesn't want to bow down to is the European | :01:37. | :01:40. | |
Court of Human Rights. He's pushing for it to be reformed. Here are | :01:40. | :01:44. | |
some of the reasons why. The Government wants to deport | :01:44. | :01:47. | |
certain criminals and terror suspects from the UK. But it can't, | :01:47. | :01:51. | |
because the court says they have the right it a family life here. | :01:51. | :01:55. | |
Parliament passed laws aimed at reducing forced marriages. But it | :01:55. | :01:59. | |
had to scrap them because human rights would be breached. And the | :01:59. | :02:04. | |
PM says the thought of giving prisoners the vote makes him | :02:04. | :02:09. | |
physically sick. Again the European Court says it's their right. Andrew | :02:09. | :02:13. | |
has a new documentary looking at whether decisions in the name of | :02:13. | :02:17. | |
human rights are threatening public support for the justice system. | :02:17. | :02:22. | |
former Home Secretary John Reid thinks they might be. It gives | :02:22. | :02:25. | |
absolute rights to one individual, even when that one individual may | :02:25. | :02:29. | |
be a threat to the rest of the British population. We were | :02:29. | :02:35. | |
prohibited from taking into account the potential effect of terrorism | :02:36. | :02:40. | |
or murder on the other 64 million British people. You mean the rights | :02:40. | :02:44. | |
of everybody else. That's unbalanced. The President of the | :02:44. | :02:47. | |
European Court of Human Rights said today that they're not interfering | :02:47. | :02:50. | |
with the UK justice system. Interesting he's actually British | :02:50. | :02:54. | |
as well. He is indeed. He's been there for a long while. Very | :02:54. | :02:58. | |
distinguished human rights judge. What he said is not what a lot of | :02:58. | :03:02. | |
British politicians think. A lot of politicians think if the European | :03:02. | :03:06. | |
Court is telling Britain it has to give prisoners the vote, even | :03:06. | :03:10. | |
though Parliament has voted ten to one against doing that, and if it | :03:10. | :03:13. | |
has to keep Abu Qatada in this country, even though our courts say | :03:13. | :03:18. | |
he can go back to Jordan, they see that as interference. They may be | :03:18. | :03:23. | |
right or wrong, but the European convention has a big impact in our | :03:23. | :03:27. | |
life now. As in the case of Abu Qatada, the European Court in some | :03:27. | :03:30. | |
people's eyes seem to be ruling on the side of the perpetrator and not | :03:30. | :03:35. | |
protected the victim. That's what's public perception is. That's a | :03:35. | :03:38. | |
common perception. It is a popular public perception. It's not always | :03:38. | :03:43. | |
true. Sometimes things are simplified too much. You don't give | :03:43. | :03:47. | |
both sides of the case, tabloid headlines can be misleading. | :03:47. | :03:53. | |
think maybe the press have said it... Sometimes people get the | :03:53. | :03:57. | |
wrong edge of the wedge. We found that the general feeling that | :03:57. | :04:00. | |
people were in favour of human rights, but sometimes they couldn't | :04:00. | :04:04. | |
understand, as with votes for prisoners, that the judges seem to | :04:04. | :04:08. | |
have a different idea of human rights from the common idea. We all | :04:08. | :04:12. | |
believe in human rights, free elections, free speech, due process, | :04:12. | :04:16. | |
fair trials and they sometimes felt the judges were just maybe pushing | :04:16. | :04:19. | |
the boundaries too far. Do you agree with this? Do you think the | :04:19. | :04:23. | |
papers have sensationalise today and that's why we think that the | :04:23. | :04:27. | |
European courts are siding with them. They have and you get het up | :04:27. | :04:31. | |
when you read the papers and you think, oh, all this is happening. I | :04:31. | :04:35. | |
have to be honest, I don't think that if you've commit aid crime and | :04:35. | :04:40. | |
you are in prison, you have given up your human rights. We tried to | :04:41. | :04:45. | |
give cases in the documentary which are not hyped up in a tabloid way. | :04:45. | :04:49. | |
We looked at this woman in Leeds who has been fighting to stop | :04:49. | :04:54. | |
forced marriages. She succeeded. She got Parliament for the | :04:54. | :04:56. | |
Conservatives, the Liberal Democrats and Labour all voted for | :04:56. | :05:02. | |
a change to make if more difficult to have forced marriages. But the | :05:02. | :05:06. | |
Human Rights Act struck it down. She's not a tabloid figure. She's | :05:06. | :05:11. | |
working hard in difficult parts of Leeds and she just can't, it was a | :05:11. | :05:14. | |
common perception. She couldn't understand why human rights were | :05:14. | :05:20. | |
not on her side rather than others. As she said to me, what could be a | :05:20. | :05:24. | |
worse denial of human rights than being forced into marriage. | :05:24. | :05:28. | |
tell incredible cases. You also meet up with Michael Mansfield a | :05:28. | :05:33. | |
well known lawyer. He puts the other side to you as well. I get a | :05:33. | :05:37. | |
lot of feed back from people who are very supportive of the Human | :05:38. | :05:43. | |
Rights Act because, for example, you know, journalists sources have | :05:43. | :05:46. | |
been protected, disclosure of information for people who want to | :05:46. | :05:49. | |
bring actions against the Government, making the Government | :05:49. | :05:55. | |
accountable, they're all saying, in these cases, it's great. It's | :05:55. | :05:58. | |
provided accountability where it didn't exist before. But David | :05:58. | :06:02. | |
Cameron wants to replace the human rights act with a British Bill of | :06:02. | :06:05. | |
Rights. He does, though it would keep all the rights we currently | :06:05. | :06:09. | |
have from the European convention, which is not a hiedge European | :06:09. | :06:15. | |
conspiracy. Who was behind it? Winston Churchill. I think he was | :06:15. | :06:19. | |
pretty British. Michael Mansfield is right, there's another side to | :06:19. | :06:22. | |
it. The European convention, the court has ruled in favour of gay | :06:22. | :06:26. | |
rights, when they weren't that popular. It stopped Corporal | :06:26. | :06:30. | |
punishment in our schools. I went to the European Court. The Thatcher | :06:30. | :06:35. | |
Government tried to put me in jail when I published Spy Catcher, we | :06:35. | :06:39. | |
lost in a lot of British courts. We went to the European convention | :06:39. | :06:44. | |
court we won 19-0. It ain't all bad at all. I think the documentary is | :06:44. | :06:49. | |
pretty fair in showing both sides. Do you think it can be done? If | :06:50. | :06:53. | |
Cameron wants to leave, is it possible? I think it's very | :06:53. | :06:57. | |
difficult. The coalition is divided on this. Labour is agnostic. John | :06:57. | :07:01. | |
Reid and others who were in the Blair Government would like to see | :07:01. | :07:04. | |
changes. Current Labour leadership isn't too concerned about it. The | :07:04. | :07:07. | |
Conservatives want a UK Bill of Rights. The Lib Dems would rather | :07:07. | :07:13. | |
just leave it as the status quo. Even if we had a British Bill of | :07:13. | :07:17. | |
Rights, it would be secondary to the European convention. We could | :07:17. | :07:21. | |
come out of the European convention and that's possible. But if we do | :07:21. | :07:26. | |
that, we stand with Belarus, which is the worst dictatorship in Europe, | :07:26. | :07:32. | |
so there are no easy choices. either in or out. Exactly. | :07:32. | :07:38. | |
people are thinking the word Magna Carta, watch the documentary. | :07:38. | :07:42. | |
Rights Gone Wrong is on BBC Two at 9pm tomorrow. You need to stick | :07:42. | :07:47. | |
around because we will need you later for something completely | :07:47. | :07:52. | |
different. I wonder what that could be. It's The One Show! | :07:52. | :07:55. | |
hopefully, there's no-one out there thinking about committing fraud. If | :07:55. | :08:00. | |
you are, stop fiddling with your spread sheets and listen up. | :08:00. | :08:03. | |
Because as Marty Jopson explains you can try and break the law, but | :08:03. | :08:07. | |
you can't break the laws of mathematics. | :08:07. | :08:11. | |
Today in Britain a mathematical phenomenon first observed in the | :08:11. | :08:17. | |
19th century is helping to catch fraudsters red handed. It's known | :08:17. | :08:21. | |
as Benfords law and it lous you to predict how many numbers in a | :08:21. | :08:25. | |
sequence start with a one, two, three, four, five, six, seven, | :08:25. | :08:31. | |
eight or nine. But surely such a law would let me predict the | :08:31. | :08:34. | |
lottery results? Unfortunately not, because sequences of numbers don't | :08:34. | :08:41. | |
always behave how we think they do. Let me show you what I mean. This a | :08:41. | :08:44. | |
more diminutive lottery, in this case with just nine balls. | :08:44. | :08:49. | |
If I draw and replace a ball 100 times, each ball should crop up | :08:49. | :08:56. | |
roughly the same amount. So my results turned out like this: Each | :08:56. | :09:01. | |
ball was drawn between eight and 13 times. And the more often you draw | :09:01. | :09:06. | |
the nine balls, the more even the distribution of numbers becomes. | :09:06. | :09:10. | |
But when there's no set limit to the number of things you're | :09:10. | :09:14. | |
counting, like how many snow flakes are in a park, something much more | :09:14. | :09:22. | |
surprising occurs. Take this newspaper for example, I'm going to | :09:22. | :09:27. | |
circle every single number in the paper then tally up how many of | :09:27. | :09:31. | |
those numbers start with a one, two, three, four and so on. We'll see | :09:31. | :09:36. | |
what happening. To be accurate I have to exclude any numbers that do | :09:36. | :09:41. | |
have a limit to their total tally of digits. Like page and telephone | :09:41. | :09:50. | |
numbers. What you might have expected was to see a nice even | :09:50. | :09:54. | |
distribution across the board, but you don't. You get this huge spike | :09:54. | :09:59. | |
at the one end, where I've got 33% of all the numbers we tallied | :09:59. | :10:04. | |
started with a number one. And then carrying on down, as you end up | :10:04. | :10:10. | |
with just 4% starting with a nine. Now Benfords law predicts that this | :10:10. | :10:16. | |
is exactly what you'll get, this sort of curve that goes down like | :10:16. | :10:20. | |
this. Why do we get a curve? If only I could find the perfect place | :10:20. | :10:28. | |
to show you. Bingo! Take a bingo card with just single digit numbers | :10:28. | :10:35. | |
on it, one to nine. Only one of these numbers starts with a one. | :10:35. | :10:41. | |
Number one on its own, number one. If you go to two-digit numbers as | :10:41. | :10:46. | |
well and have a card that has the numbers one to 19 on it, well | :10:46. | :10:50. | |
you've got those ones there and all of these numbers at the bottom all | :10:50. | :10:55. | |
start with a number one. One and nine, 19. Every time you increase | :10:55. | :11:00. | |
the scale by adding another digit, the lead number restarts at one and | :11:00. | :11:05. | |
the pattern repeats itself again. If you have a sufficiently large | :11:05. | :11:11. | |
set of numbers, you should see a nice smooth Benfords curve. When | :11:11. | :11:17. | |
the number one is the thing thaw most often come across, two less so | :11:17. | :11:21. | |
and all the way down to number nine. If you don't see that lovely smooth | :11:21. | :11:29. | |
curve, well something may be amiss. Richard Kusnierz uses Benfords law | :11:29. | :11:34. | |
every day to detect fraught. We are looking at over two million | :11:34. | :11:39. | |
invoices for an organisation. We have mapped them to see how they | :11:39. | :11:43. | |
conform. This is how you expect the numbers to fall. You can see in the | :11:43. | :11:48. | |
vast majority the numbers do fall just below and above the line. | :11:48. | :11:51. | |
you show me something that's less you show me something that's less | :11:51. | :11:59. | |
normal. This is an abnormal graph. This is based on real-life criminal | :11:59. | :12:02. | |
investigation. There are very large spikes, this one here specifically | :12:02. | :12:07. | |
stands out. When we looked at that spike, it related to hotel expenses. | :12:07. | :12:12. | |
When we tried to locate where the hotels were, they didn't exist. So | :12:12. | :12:18. | |
someone was absolutely fiddling their expenses by just creating | :12:18. | :12:23. | |
bogus invoices. So even though this is a 19th century piece of last | :12:23. | :12:29. | |
it's applicable now. Absolutely. We use Benfords in one of the items in | :12:29. | :12:34. | |
our armoury. For those wishing to get rich quick by tampering with | :12:34. | :12:39. | |
financial accounts, beware, Benfords law is not easily fooled. | :12:39. | :12:44. | |
Stick with the lottery, that's the idea. Good tip. According to your | :12:45. | :12:49. | |
new show, The Syndicate. Very exciting. What's it all about? | :12:49. | :12:52. | |
written by Kay Mellor. It's five parts. It's about these people who | :12:52. | :12:56. | |
live in Leeds and work in a small supermarket. There's five of us in | :12:56. | :13:00. | |
a syndicate and we win the lottery. We win about �4 million each | :13:00. | :13:05. | |
because it's split. Each episode follows each of our stories. We're | :13:05. | :13:09. | |
all in all of the episodes, but each story concentrates on a | :13:09. | :13:12. | |
different character. It's a great idea because everybody has... | :13:12. | :13:15. | |
Lottery dreams. Everybody talk abouts it. What would you do, what | :13:15. | :13:19. | |
would happen? Sort of the reality of it, when it happens, I mean you | :13:19. | :13:22. | |
sort of think, it's going to be amazing, we're going to have loads | :13:22. | :13:30. | |
of money and I can do this and all my problems will be solved. This is | :13:30. | :13:34. | |
a fantastic script. You can buy loads of clothes, there aren't any | :13:34. | :13:41. | |
problem, -- problems, but then we choose to go public. Then there are | :13:41. | :13:44. | |
things you are trying to hide. There's lots of drama, bit of | :13:44. | :13:49. | |
comedy. Funny you should say that Jo. Because here you are being all | :13:49. | :13:54. | |
coy about going public with your win. I don't mind the local papers | :13:54. | :13:59. | |
reporting it, but I don't think we should let all the papers know. | :13:59. | :14:03. | |
not. Will it mention our names? but obviously not your addresses. | :14:03. | :14:07. | |
There will be some people who know where you live so. We will have to | :14:07. | :14:10. | |
talk about strategy. What's up love? Nothing I just don't want | :14:10. | :14:15. | |
people knowing my business, that's all. You should be jumping for joy. | :14:15. | :14:21. | |
You just won the lottery. It's not that simple for some of us. We'd | :14:21. | :14:27. | |
like, Leah... My name's Leeian, I don't use Leah. There's a bit of | :14:27. | :14:30. | |
the exclusive. That's the first time you've seen it. That's the | :14:30. | :14:35. | |
first I've seen. I think it looks good! I'll be watching the rest of | :14:35. | :14:38. | |
it now. You were being secretive there. | :14:38. | :14:43. | |
well my character is Welsh. Everybody else is from Leeds. When | :14:43. | :14:48. | |
I went to the audition, I had only read the first two episodes and my | :14:48. | :14:52. | |
character is mysterious, I assumed she was from Leeds as well. Had you | :14:52. | :14:57. | |
prepared a Leeds accent. Yes, everything. Do it. No, I'm not | :14:57. | :15:04. | |
doing it now! I turned up and Kay said no, she's Welsh, she's come | :15:04. | :15:06. | |
from somewhere else. She's been living with him and working there | :15:06. | :15:09. | |
for five years. She revealed my story and I thought it was | :15:09. | :15:16. | |
brilliant. Yes, it's all very exciting. So each episode is a | :15:17. | :15:22. | |
different person, what episode is yours? Four. It's the best one! | :15:22. | :15:25. | |
know you from Gavin And Stacey, but in this your daughter is called | :15:25. | :15:30. | |
Stacey. I know it sounds thick, but it was really confusing. When I | :15:30. | :15:34. | |
first read the script, I thought oh, this is a quo incidence, that must | :15:34. | :15:37. | |
mean I'm going to get the part. If I don't get it, something's wrong. | :15:37. | :15:43. | |
You know filming and saying "Stacey" and calling her, it felt | :15:43. | :15:47. | |
wrong. There was one day when I had to scream Stacey over and over | :15:47. | :15:51. | |
about 500 times and the cast and crew were making fun of me and it | :15:51. | :15:55. | |
became the word of the day. After I'd done it then, I'd got it out of | :15:55. | :15:59. | |
my system. Talking about family in real life your husband is James | :15:59. | :16:04. | |
Thornton, who did incredibly well on Let's Get Ready To Rumble, but | :16:04. | :16:13. | |
you have the -- let's dance for Sport Relief. But you had an | :16:13. | :16:17. | |
incredible meeting. We were in a costume drama called David | :16:17. | :16:25. | |
Copperfield. I played his wife and he played David's best friend. We | :16:25. | :16:28. | |
didn't have any scenes together but then it came on TV and I saw him | :16:28. | :16:32. | |
and just saw this rugged, lovely man, lifting David up and putting | :16:32. | :16:36. | |
him on his shoulders and I told my mother I wanted him to be the | :16:36. | :16:40. | |
father my children and apparently he saw me, this English, sweet girl | :16:40. | :16:46. | |
and fell in love with me. Then he was... You were both watching it on | :16:46. | :16:51. | |
telly? Yes, he was in a play at the national theatre with Maxine Peek | :16:51. | :16:55. | |
and she phoned me and said "There's a man here who says he's in love | :16:55. | :17:02. | |
with you. Will you see him?" And it was John Major. How long until he | :17:02. | :17:06. | |
proposed? My mum will know this. He propolesed after a year, then we | :17:06. | :17:10. | |
were engaged for a year and we got married. It's a lovely story. We | :17:10. | :17:14. | |
could talk for hours, but we haven't got the time. The Syndicate | :17:14. | :17:19. | |
starts from 27th March on BBC One. Now young people with learning | :17:19. | :17:22. | |
difficulties would normally stop receiving state-funded education | :17:22. | :17:27. | |
once they reach 19. But Simon Boazman has met one head teacher | :17:27. | :17:30. | |
keeping all the pupils on whatever the courts, councils or budgets | :17:30. | :17:36. | |
might say. There are 38,000 pupils in the UK | :17:36. | :17:41. | |
with severe or profound special educational needs and here at the | :17:41. | :17:45. | |
Columbus college in Essex they teach over 100 of them. Concerns | :17:45. | :17:49. | |
over what happen when's they leave education, with options for | :17:49. | :17:53. | |
training and work limited, has seen the college rip up the rule book | :17:53. | :17:59. | |
and take an unusual stand. Pupils here study a broad curriculum from | :17:59. | :18:07. | |
dance to life skills to the three Rs, up to age 19. After that, local | :18:07. | :18:12. | |
authority funding runs out. Families and teachers say 19 is too | :18:12. | :18:16. | |
early to leave for some students, especially when the support they | :18:16. | :18:25. | |
get after can be limited. Meet 22- year-old Maria, she's the college's | :18:25. | :18:28. | |
oldest pupil. How many years have you been here? I would reckon about | :18:28. | :18:35. | |
six. OK. And is it a good school, are you enjoying it? Today looks | :18:35. | :18:41. | |
like great fun? There's cooking and art and ballet. Do you think this | :18:41. | :18:47. | |
helps prepare you for when you leave college? Yes. Maria's family | :18:47. | :18:50. | |
hope that won't be for another three years, because they say, | :18:50. | :18:55. | |
staying on is teaching her vital skills. Up until now, Maria's | :18:55. | :18:59. | |
college place has been funded by her Local Education Authority | :18:59. | :19:02. | |
whilst her parents fought through the courts. She's already had an | :19:02. | :19:07. | |
extension of three years, but Maria's parents want to keep her at | :19:07. | :19:13. | |
college until she's 25. She, little by little, is learning more and | :19:13. | :19:20. | |
more about how you become an adult and take her place in adult society. | :19:20. | :19:25. | |
There's a risk that if she wasn't at Columbus, there would be nowhere | :19:25. | :19:32. | |
really. So the head teacher has taken a stand. He's spent tens of | :19:32. | :19:35. | |
thousands from the existing school budget and defied local authority | :19:35. | :19:39. | |
rules to allow eight students to stay on. I realise everything costs. | :19:39. | :19:43. | |
But you can't be in my job and settle for second best. I want the | :19:43. | :19:51. | |
best for these young people. I do believe that a head teacher has a | :19:51. | :19:54. | |
moral responsibility that goes beyond,if you like, just the strict | :19:54. | :19:57. | |
guidelines that are in place. is money that's coming out of the | :19:57. | :20:02. | |
school budget, what about the other kids? The other kids here, if this | :20:02. | :20:05. | |
continued, must suffer because that money would have been spent on | :20:05. | :20:08. | |
their education, won't be there. Yeah, again it's a question of | :20:08. | :20:14. | |
judgment. I have to satisfy myself that no youngster here is Negtively | :20:14. | :20:17. | |
affected by this stand that we're affected by this stand that we're | :20:17. | :20:21. | |
taking. But, and I'm satisfied that they're not, or I wouldn't be doing | :20:21. | :20:25. | |
it. The Government says it wants to improve support for young people | :20:25. | :20:30. | |
with special educational needs up to the age of 25. Local funding is | :20:30. | :20:36. | |
intended for pupils up to 19 and Malcom is bending those rules. | :20:36. | :20:41. | |
Thomas, who is autistic, is a former pupil, who didn't have the | :20:41. | :20:45. | |
option to stay on. Instead, he had to be sent to the only place that | :20:45. | :20:51. | |
met his needs, a residential centre, 150 miles away from home. His | :20:51. | :20:55. | |
family say they all suffered. felt like somebody had put their | :20:56. | :20:59. | |
hand inside my chest and ripped my heart out. I realised that it | :21:00. | :21:02. | |
really was the wrong decision. He was in the wrong place. He wasn't | :21:02. | :21:10. | |
happy. Thomas has a younger brother Joseph. He's also autistic and a | :21:10. | :21:14. | |
current Columbus student. We're out of time now. We have to finish. | :21:14. | :21:17. | |
Joseph is 19 and the family are delighted he will be staying on | :21:18. | :21:23. | |
next year. In Joseph's case, I feel far more confident than I did with | :21:23. | :21:30. | |
Thomas, because there was nothing. Now there is something. Malcom, | :21:30. | :21:34. | |
bless him, and everybody at blum bus, getting these extra years is | :21:34. | :21:39. | |
going to do him good. He has the opportunity to carry on. By next | :21:39. | :21:43. | |
year the college may be an academy and Malcom will have more control | :21:43. | :21:46. | |
over funding. Either way, ten more students, due to leave, will stay | :21:46. | :21:51. | |
We're meant to be an establishment that cares about people with | :21:51. | :21:54. | |
disabilities. And I believe it's important to care about them not | :21:54. | :21:57. | |
just when they're with you, but for the future and what happens | :21:57. | :22:02. | |
afterwards. This is a subject close to your heart. You have become a | :22:02. | :22:07. | |
patron of a Welsh charity that looks after children with | :22:07. | :22:16. | |
difficulties. You can donate money but it's for a primary school in | :22:16. | :22:19. | |
Swansea. They want to raise �1 million to get a hydrotherapy | :22:19. | :22:27. | |
school in the -- hydrotherapy pool in the school. Lots of the kids is | :22:28. | :22:31. | |
cerebral palsy. It's nice for them. It's the first time they get | :22:31. | :22:33. | |
independence as well. They don't have somebody looking after them | :22:33. | :22:37. | |
all the time. They can just relax. They need to raise �1 million. They | :22:37. | :22:41. | |
have �45,000 at the moment. If they get up to �250,000, they can apply | :22:41. | :22:46. | |
for grants and it will be good for them. If you want to donate | :22:46. | :22:51. | |
anything... Good start having you as their patron. Shall we have a | :22:51. | :22:56. | |
dance? Carrie Grant has been delving into the story behind one | :22:56. | :23:01. | |
of the most dancable hits of the 80s. It had clubbers spinning round | :23:01. | :23:09. | |
like a record, baby. Right round. Round, round. | :23:09. | :23:15. | |
The 1980s saw clubbers in the UK dancing to a new sound high energy | :23:15. | :23:19. | |
spelled NRG. It made you want to dance. A dance craze always creates | :23:20. | :23:24. | |
a number one hit. This launched a track called spin spin. It brought | :23:24. | :23:31. | |
together a production -- you spin me round. It brought together Stock, | :23:31. | :23:36. | |
Aitken and Waterman and Dead Of Alive. I wanted to make a glittery | :23:36. | :23:41. | |
disco record. I wanted to work with them. I had seen him on Top of the | :23:41. | :23:47. | |
Pops. He caught my eye immediately. # I get to know your name... # | :23:47. | :23:51. | |
Pete Waterman was already well established in the music industry. | :23:51. | :23:55. | |
He and his new team were eager to find fresh talent. It arrives in | :23:55. | :24:00. | |
the form of burns burns brns, a young man with plenty of -- Pete | :24:00. | :24:03. | |
Burns, a young man with plenty of promise. | :24:04. | :24:07. | |
I just knew the first time you played me the demo that there was | :24:07. | :24:12. | |
something magic about it. This was, I just saw that this was our first | :24:12. | :24:16. | |
number one. You have to remember we have been fighting to make a living, | :24:16. | :24:20. | |
fighting to get a reputation and there you walked in and said to me | :24:20. | :24:26. | |
"Would I shine it?" You shine today with knobs on. Sitting down | :24:26. | :24:30. | |
together for the first time in 20 years the two Petes have no trouble | :24:30. | :24:35. | |
remembering the track that brought them both to the public h lick eye. | :24:35. | :24:41. | |
Because I couldn't listen -- play a music I used -- an instrument, I | :24:41. | :24:50. | |
used to listen to the breaks in the music. I was listening to Luther | :24:50. | :24:58. | |
Vand ross. I started going # You spin me right round, like a | :24:58. | :25:02. | |
record, round, round. They hadn't heard the other version, but we | :25:02. | :25:06. | |
came up with our version. original has never been heard | :25:06. | :25:13. | |
before until now. It's been unearthed specially for the One | :25:13. | :25:17. | |
Show. The band felt this lacked the high energy sound they danced to in | :25:17. | :25:25. | |
the clubs. A sound that was Stock, Aitken and Waterman's production. | :25:25. | :25:30. | |
It webt -- it went from this... To this. | :25:30. | :25:36. | |
It was the Sound of the Underground. It was a sound that was | :25:36. | :25:40. | |
fundamentally only accessible in gay clubs. He had take continue out | :25:40. | :25:44. | |
of gay clubs and put it onto mainstream radio, which was a | :25:44. | :25:49. | |
triumph. He had the magic touch. Pete Waterman's vision for this | :25:49. | :25:54. | |
track saw the blending together of three very different genres, the | :25:54. | :25:59. | |
rockier edge of Dead Of Alive, Waterman's own dance background and | :25:59. | :26:03. | |
a great pop track. Could you define the sound of this track? Techno | :26:03. | :26:10. | |
disco. Without a question that's what it was. It was new technology | :26:10. | :26:14. | |
playing Motown. That's all it was. Taking out of musicians and | :26:15. | :26:19. | |
bringing in technology for the first time. Pete just added a | :26:19. | :26:25. | |
veneer to that that you couldn't purchase. But this process meant | :26:25. | :26:30. | |
that Pete's band often felt side lined and tempers frayed. Pete | :26:30. | :26:34. | |
Waterman kicked everyone out of the studio except the sound engineer | :26:34. | :26:38. | |
and finished the track itself. thing everybody picks up is the | :26:38. | :26:48. | |
:26:48. | :26:50. | ||
little thing, total mistake. We were so tired, so we left it in. He | :26:50. | :26:53. | |
went barmyi. He was like a kid. You could see he loved every minute of | :26:54. | :26:59. | |
it. He was so excited. Mistakes and all, the track became their first | :26:59. | :27:04. | |
number one. They went on to produce more than 100 top 40 hits, with the | :27:04. | :27:11. | |
likes of Kylie, Jason Donovan and Bananarama. One thing I could make | :27:11. | :27:16. | |
a living at is spotting what people liked and not just the obvious. I | :27:16. | :27:21. | |
think with Spin me Round, it had been almost like here was 20 years | :27:21. | :27:26. | |
of my life waiting to happen. It ticked every box. I got goose bumps. | :27:26. | :27:32. | |
Kerching. I'm so lucky to have it. I realise that now as the knees are | :27:33. | :27:36. | |
getting sniff and the teeth are falling out, you know what I mean? | :27:36. | :27:42. | |
I'm glad I did something that's gone down in history. | :27:42. | :27:46. | |
Just remarkable. I'm sure you'll agree that the demo for that piece | :27:46. | :27:50. | |
of music was unearthed especially for The One Show. Lots of you at | :27:50. | :27:54. | |
home won't know this, but Andrew is back because he is in fact a dance | :27:54. | :28:02. | |
expert. It says here. It doesn't say it. We have the proof. We know | :28:02. | :28:06. | |
because we've seen you, Sir George Porter and former Home Secretary, | :28:06. | :28:10. | |
Jacqui Smith, throwing some shapes after a hard edition of this week. | :28:10. | :28:20. | |
:28:20. | :28:26. | ||
APPLAUSE DJ! You wouldn't get that on | :28:26. | :28:31. | |
Newsnight, would you? Probably just as well. We know that politics and | :28:31. | :28:36. | |
pop music rarely mix. We have a bit of a quick for you. Can you get who | :28:36. | :28:44. | |
this leader is with these dulcet tones. | :28:44. | :28:52. | |
# On blueberry hill # On blueberry hill, where I found | :28:52. | :28:58. | |
you... # What's point of asking who it is, | :28:58. | :29:04. | |
when we couldn't hear a thing. be honest that didn't go as we | :29:04. | :29:12. | |
hoped. He was Russian... Yeltsin. No Putin on the Ritz. Putin. Here | :29:13. | :29:19. | |
it is again. They're probably enjoying it at | :29:19. | :29:24. | |
home. Not quite as planned. Thank you so much Joannea. The Syndicate | :29:24. | :29:28. |