Browse content similar to 13/03/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:17 | 0:00:19 | |
And Angellica Bell. | 0:00:19 | 0:00:20 | |
It's day two of the Mother
of All Challenges. | 0:00:20 | 0:00:22 | |
Yesterday,
we saw Alex and her team of mums | 0:00:22 | 0:00:25 | |
bravely take to the freezing | 0:00:25 | 0:00:28 | |
cold water of Loch Ness for an open
water swim to raise money | 0:00:28 | 0:00:31 | |
for Sport Relief and awareness
of maternal health. | 0:00:31 | 0:00:33 | |
And well, it's all been
uphill since then. | 0:00:33 | 0:00:39 | |
They are in the Lake District now.
Join us later to find out what | 0:00:39 | 0:00:43 | |
happened when the final verse set
out to climb Helvellyn as part of | 0:00:43 | 0:00:48 | |
our Mother of all Challenges. It's
not pretty. | 0:00:48 | 0:00:52 | |
Thanks, Alex. | 0:00:52 | 0:00:54 | |
And with cycling through the Lake
District still to look forward to, | 0:00:54 | 0:00:57 | |
tonight we'll also be meeting
the man who designed this | 0:00:57 | 0:01:00 | |
bike, the Raleigh Chopper. | 0:01:00 | 0:01:04 | |
This is not the man who designed it.
He is an expert who will be teaching | 0:01:04 | 0:01:09 | |
us how to knee a how to knee a
Chopper later. | 0:01:09 | 0:01:18 | |
As for our guest, well, she's
another Alex who doesn't like to shy | 0:01:18 | 0:01:21 | |
away from a challenge. | 0:01:21 | 0:01:22 | |
From taking on the X Factor
judges to owning that | 0:01:22 | 0:01:24 | |
Strictly dancefloor
via the West End stage, | 0:01:24 | 0:01:26 | |
she's even found time
to write a new album - | 0:01:26 | 0:01:28 | |
It's Alexandra Burke! | 0:01:28 | 0:01:35 | |
Thanks for having me. Are you up for
a wheelie later's eye am so up for | 0:01:35 | 0:01:41 | |
it. My heels will be coming off, but
I am up for the challenge. I think | 0:01:41 | 0:01:47 | |
are going to fall down and it will
be hilarious. First, | 0:01:47 | 0:01:52 | |
congratulations. You got engaged!
Thank you! I definitely didn't | 0:01:52 | 0:01:57 | |
expect it and I am still in shock
now. But it was an amazing moment | 0:01:57 | 0:02:03 | |
for Josh and I, so I am very happy.
This was how you announced the news | 0:02:03 | 0:02:07 | |
to the world. Very dramatic. This is
a story I have not told anyone. My | 0:02:07 | 0:02:15 | |
family didn't know, so I had to tell
them personally face-to-face before | 0:02:15 | 0:02:20 | |
I told everyone else. But I wanted
to keep that moment with the family | 0:02:20 | 0:02:24 | |
and his family and celebrate with
everyone in a peaceful way and then | 0:02:24 | 0:02:30 | |
announce it, because I think people
had guessed. My hand was hiding all | 0:02:30 | 0:02:34 | |
the time. You were also hiding the
man. Tell us about him. Such a great | 0:02:34 | 0:02:41 | |
guy. I met him on The Bodyguard.
Believe it or not, he wouldn't talk | 0:02:41 | 0:02:46 | |
to me for months. He's a very shy
person. It took months to get to | 0:02:46 | 0:02:51 | |
know him and he is such a great
person. I am very pleased that God | 0:02:51 | 0:02:55 | |
introduced me to someone so
beautiful. So it's like a musical in | 0:02:55 | 0:03:00 | |
real life. You are going to be
talking about your album later and | 0:03:00 | 0:03:03 | |
your return to the West End stage.
Now, going to the theatre, gig or | 0:03:03 | 0:03:09 | |
concert should be a great night out
for everyone, so why is it that one | 0:03:09 | 0:03:13 | |
section of society often have to pay
more to book their tickets? Steve | 0:03:13 | 0:03:16 | |
Brown has been to shine a spotlight
on the problem. | 0:03:16 | 0:03:21 | |
It's midweek in the West End of
London and the bright lights and | 0:03:21 | 0:03:25 | |
billboards are drawing in audiences
to the hit shows. These days, there | 0:03:25 | 0:03:28 | |
is nothing to stop wheelchair users
seeing shows like these like anybody | 0:03:28 | 0:03:33 | |
else. I know I love it. But there is
one small problem, and that is the | 0:03:33 | 0:03:38 | |
way you buy your tickets. Last
November, Fiona Jordan from Teesside | 0:03:38 | 0:03:43 | |
decided to get tickets for her and
her husband Donovan to see Peter Kay | 0:03:43 | 0:03:47 | |
at Newcastle's Metro radio Arena. As
you get older, you dip your biscuit | 0:03:47 | 0:03:52 | |
in it, you don't know when it's
going to fall. And you panic. I | 0:03:52 | 0:03:58 | |
can't book online because I need a
wheelchair space. And Jonathan needs | 0:03:58 | 0:04:03 | |
a carer ticket to come with me. And
those are not available online. | 0:04:03 | 0:04:07 | |
Normally, Fiona books at the box
office in person, but she says the | 0:04:07 | 0:04:11 | |
Peter Kay tickets were released on
Sunday, when it was closed, she | 0:04:11 | 0:04:16 | |
dialled the arena's accessibility
line. After an hour, the telephone | 0:04:16 | 0:04:19 | |
line went dead, so I had to queue
again for an hour, and again. | 0:04:19 | 0:04:24 | |
Frustrating and expensive. That is
because the Arena's accessibility | 0:04:24 | 0:04:29 | |
line was a business rate number,
which meant calls to cost up to 7p a | 0:04:29 | 0:04:33 | |
minute. That was on top of the
company's access charge, which for | 0:04:33 | 0:04:38 | |
Fiona was 11p a minute. My phone
bill was about £20. It then went up | 0:04:38 | 0:04:44 | |
to £48 after the next few days.
After four days, Fiona managed to | 0:04:44 | 0:04:49 | |
get tickets, but then Peter Kay
cancelled his entire UK tour for | 0:04:49 | 0:04:52 | |
family reasons. I was hoping that
when the concert was cancelled, the | 0:04:52 | 0:04:57 | |
call charges would also be refunded
along with the ticket charges, but | 0:04:57 | 0:05:01 | |
that is not happening. I find it
unfair that I had to pay these core | 0:05:01 | 0:05:05 | |
charges. According to research by
the fair telecoms campaign, more | 0:05:05 | 0:05:09 | |
than 15 venues and ticket agents
across the country used business | 0:05:09 | 0:05:13 | |
rate lines to sell accessible
tickets, and many more don't offer | 0:05:13 | 0:05:16 | |
online booking. So how can things be
improved? Here at London's | 0:05:16 | 0:05:23 | |
roundhouse, they are making sure
people with disabilities are not | 0:05:23 | 0:05:27 | |
disadvantaged. The venue has been
working with a charity called | 0:05:27 | 0:05:31 | |
attitude is everything. Their chief
executive tells me about the | 0:05:31 | 0:05:34 | |
challenges that some disabled people
face. It could be that people can't | 0:05:34 | 0:05:38 | |
get through on the booking lines and
they are spending a lot of money. | 0:05:38 | 0:05:44 | |
They want to book online but that is
not on offer. So what do you want? | 0:05:44 | 0:05:51 | |
We want the venues, ticket sellers
and artists to get together and | 0:05:51 | 0:05:55 | |
understand that there needs to be
flexibility of choice online, in | 0:05:55 | 0:06:00 | |
person and phoning up. If people
still prefer to phone up, then there | 0:06:00 | 0:06:04 | |
must not be these business rate
phone lines. So how does it work at | 0:06:04 | 0:06:08 | |
the Roundhouse? Claire Griffin chose
me their online ticketing system. | 0:06:08 | 0:06:14 | |
You can see these little icons for
the wheelchair. Then you can click | 0:06:14 | 0:06:19 | |
on that. You are selecting one
ticket, but it gives you two so you | 0:06:19 | 0:06:23 | |
can bring somebody with you. So the
process I go through would be no | 0:06:23 | 0:06:27 | |
different from anybody else. Looks
simple enough, so why aren't all | 0:06:27 | 0:06:31 | |
venues providing this option? It's a
question I want to put it ( from the | 0:06:31 | 0:06:37 | |
Society of ticket agents and
retailers. We are seeing an increase | 0:06:37 | 0:06:41 | |
in online booking. And we leave the
phone lines as well as over the | 0:06:41 | 0:06:46 | |
venue can retain that conversation
with the customer. Collectively, the | 0:06:46 | 0:06:50 | |
industry is focused on how to make
improvements. It is coming soon. So | 0:06:50 | 0:06:57 | |
what about the venue where Fiona
tried to buy her Peter Kay tickets? | 0:06:57 | 0:07:01 | |
We contacted the Metro radio Arena
and their ticketing partner event | 0:07:01 | 0:07:04 | |
they told us that she had a man to
see the comedian meant all methods | 0:07:04 | 0:07:10 | |
of buying tickets were busy even
though their access line was | 0:07:10 | 0:07:13 | |
stuffed. They have since introduced
a cheaper number as well as an | 0:07:13 | 0:07:17 | |
e-mail address to book access
tickets, and in the future they aim | 0:07:17 | 0:07:21 | |
to provide online booking for
disabled customers and their | 0:07:21 | 0:07:23 | |
companions. Speaking to people
today, I realised that there is no | 0:07:23 | 0:07:29 | |
real reason why you should have to
phone business rate lines to be | 0:07:29 | 0:07:32 | |
booking accessible tickets. You
could even do it online. Surely it's | 0:07:32 | 0:07:35 | |
just about choice.
So the Roundhouse are leading by | 0:07:35 | 0:07:42 | |
example. Let's hope there is
progress from other venues soon. | 0:07:42 | 0:07:46 | |
Alexandra, you have appeared in the
West End before, but you are going | 0:07:46 | 0:07:51 | |
back? Yes, I am going to be doing
Chess! I can't wait. I do miss The | 0:07:51 | 0:07:56 | |
Bodyguard and I missed Sister act as
well, because I did those | 0:07:56 | 0:08:00 | |
back-to-back. It was tough, but I
can't wait to start Chess, with | 0:08:00 | 0:08:05 | |
Michael Ball. I am playing his wife.
I saw him the other day and went, | 0:08:05 | 0:08:11 | |
hey, future husband. Then I said, we
do have a child together? He said | 0:08:11 | 0:08:17 | |
yeah, and I said, I want the right
baby to come on board to look like | 0:08:17 | 0:08:20 | |
it is actually our child, and he
couldn't stop laughing. I look | 0:08:20 | 0:08:24 | |
forward to doing something
different. There is no acting in | 0:08:24 | 0:08:27 | |
this, it's just a score, a beautiful
score to sing. And it's so different | 0:08:27 | 0:08:32 | |
for me. Any West End show that
people expect me to do, they don't | 0:08:32 | 0:08:37 | |
expect me to do this. I didn't. Said
to be asked to do an iconic show, | 0:08:37 | 0:08:41 | |
I'm like, let's give it a go. You
are all about music at the moment. | 0:08:41 | 0:08:47 | |
You have an album out called The
Truth Is. And it has taken quite a | 0:08:47 | 0:08:52 | |
while to come to fruition. Why? I
started writing this album in 2013, | 0:08:52 | 0:08:59 | |
and then some of the songs got
scrapped because they are not how I | 0:08:59 | 0:09:03 | |
am feeling now. I called it The
Truth Is because it has been nearly | 0:09:03 | 0:09:08 | |
ten years since I won the X Factor
and it was amazing, but so much has | 0:09:08 | 0:09:12 | |
changed in my life and along that
journey of writing, I felt like I | 0:09:12 | 0:09:15 | |
was getting caught into that trap.
Somebody asks you how you are and | 0:09:15 | 0:09:20 | |
you go, I'm fine, everything's
great, and that is not reality. I | 0:09:20 | 0:09:24 | |
don't want to show those who have
supported me the side to me but is | 0:09:24 | 0:09:28 | |
no longer there are trying to keep
up. I wanted to keep it real and be | 0:09:28 | 0:09:34 | |
honest about what I'm going through
in terms of my family and my life. | 0:09:34 | 0:09:37 | |
So much has changed but hopefully,
it will inspire people so that if | 0:09:37 | 0:09:41 | |
they are ever going through
something, be open. Talk about it. | 0:09:41 | 0:09:47 | |
You just want to be honest. I want
to talk about what I have been | 0:09:47 | 0:09:52 | |
through in the last few years and
hopefully inspire others to do the | 0:09:52 | 0:09:56 | |
same and not shy away from your
reality. Has this been your way of | 0:09:56 | 0:10:00 | |
coping with what has happened to
you? It has now that I am releasing | 0:10:00 | 0:10:05 | |
it. At the moment, the way I'm
coping with everything is through | 0:10:05 | 0:10:09 | |
work. I throw myself into work and
some people say that is not healthy, | 0:10:09 | 0:10:13 | |
but that is my coping mechanism. But
being on stage, seeing my fans and | 0:10:13 | 0:10:21 | |
going on tour, that is what makes me
happy. I want to perform. My mum | 0:10:21 | 0:10:26 | |
always told me to keep going, so I
am trying my best. You mentioned | 0:10:26 | 0:10:30 | |
your mum and the title track from
The Truth Is is a tribute to your | 0:10:30 | 0:10:35 | |
mother. Yes, it's a song that I
wrote whilst she was unwell. And it | 0:10:35 | 0:10:40 | |
was tough to do that, but thankfully
I have great people around me to get | 0:10:40 | 0:10:45 | |
those feelings out, pen to paper,
and be as honest as possible. | 0:10:45 | 0:10:50 | |
Everyone goes through heartbreak.
Everyone goes through things that | 0:10:50 | 0:10:54 | |
change your life, maybe not for the
better. But I am hoping I can find | 0:10:54 | 0:11:00 | |
my night at the end of the tunnel.
For now, I'm doing what she asked of | 0:11:00 | 0:11:06 | |
me, keep going. How did you get it?
I am still going through it, if I'm | 0:11:06 | 0:11:10 | |
honest. But I'm trying to do it in
her honour and for my family. What | 0:11:10 | 0:11:18 | |
do your family make of that song?
Only my brother has heard it, | 0:11:18 | 0:11:24 | |
because I play him everything. But
now some of my family have heard it. | 0:11:24 | 0:11:31 | |
They wanted to hear it with the rest
of the world when it was released, | 0:11:31 | 0:11:34 | |
which is nice. It's a very deep
album. I don't want it to sound | 0:11:34 | 0:11:40 | |
depressing. There are heartbreak
songs, but there are happy songs as | 0:11:40 | 0:11:44 | |
well and it's a mixture of
everything I'm going through and | 0:11:44 | 0:11:47 | |
putting it out there for the world
to hear, which is causing anxiety. | 0:11:47 | 0:11:53 | |
It's a different sound. I am happy
to put out an album. It has been so | 0:11:53 | 0:11:59 | |
long. I am in a good place to go for
it. Come Friday, it's out there. And | 0:11:59 | 0:12:04 | |
Chess previews from the 26th of
April and it will be on the London | 0:12:04 | 0:12:11 | |
Coliseum. Of luck. Now, it's not
just Alexandra's mum who is an | 0:12:11 | 0:12:16 | |
inspiration. All our mums taking
part in the Mother of all Challenges | 0:12:16 | 0:12:20 | |
for Sport Relief have overcome some
massive hurdles in their lives. | 0:12:20 | 0:12:23 | |
Every day, they are taking on a
different challenge and each day, it | 0:12:23 | 0:12:27 | |
is getting harder. Here is how they
got on with Dave two in the Lake | 0:12:27 | 0:12:32 | |
District, scaling the heights of
Helvellyn. | 0:12:32 | 0:12:35 | |
The mums I am doing this challenge
with have all been through their own | 0:12:35 | 0:12:40 | |
personal difficulties, pre-and
post-childbirth, and felt in need of | 0:12:40 | 0:12:42 | |
support. I realised I wasn't happy
to stop but I didn't realise I had | 0:12:42 | 0:12:47 | |
postnatal depression. I just didn't
have that connection you feel you | 0:12:47 | 0:12:53 | |
should have as a mother. I was
devastated. I couldn't stop crying. | 0:12:53 | 0:12:59 | |
So many mums are struggling. On the
second day of the Mother of all | 0:12:59 | 0:13:06 | |
Challenges, we are very much a
supportive unit, and we need to be | 0:13:06 | 0:13:09 | |
because quite literally, we have a
mountain to climb. Helvellyn is 950 | 0:13:09 | 0:13:14 | |
metres above sea level. The good
news is that the mountains are | 0:13:14 | 0:13:20 | |
shrouded in cloud. They will be
climbing over 650 metres, so it's | 0:13:20 | 0:13:28 | |
very steep. You have to appreciate
where we are and the dangers. The | 0:13:28 | 0:13:34 | |
environment makes a difference. In
the summer, Helvellyn is a wonderful | 0:13:34 | 0:13:38 | |
climb. In winter, it makes it much
more difficult. And as we feared, | 0:13:38 | 0:13:45 | |
the weather begins to take a turn
for the worse. Debbie, who is 51 and | 0:13:45 | 0:13:51 | |
our oldest mum, is already finding
the steepness an issue. They did say | 0:13:51 | 0:13:56 | |
the first mile was hard, but it is.
They weren't joking. What is your | 0:13:56 | 0:14:04 | |
motivation? There are so many
motivations. Give it your best shot. | 0:14:04 | 0:14:10 | |
I am proud of you, mum. Don't want
to let myself down or my group. | 0:14:10 | 0:14:16 | |
Fingers crossed. I can't even
crossed my fingers! As we go higher, | 0:14:16 | 0:14:23 | |
conditions underfoot become tricky.
Whoa! And our visibility is minimal. | 0:14:23 | 0:14:33 | |
We are just concentrating on looking
down, making sure your feet are on | 0:14:33 | 0:14:38 | |
the right path. The back of my
thighs are burning. How soon did you | 0:14:38 | 0:14:42 | |
girls go back to exercising after
giving birth? I went out running | 0:14:42 | 0:14:46 | |
really soon after my C-section,
which is highly advised. It only | 0:14:46 | 0:14:55 | |
served to shock me more and show me
that I was still understandably | 0:14:55 | 0:15:01 | |
miles from the person I was before I
got pregnant. My body just didn't | 0:15:01 | 0:15:05 | |
work like it used to. It doesn't
cooperate. | 0:15:05 | 0:15:13 | |
The blue thirds started and it got
colder and colder. Three quarters of | 0:15:13 | 0:15:18 | |
the way up, we went silent, the talk
finished. The weather gets so bad, | 0:15:18 | 0:15:24 | |
we were forced to change route.
There is a steep drop of on both | 0:15:24 | 0:15:31 | |
sides. Unfortunately, we are going
up, we will make the summit, appear | 0:15:31 | 0:15:38 | |
behind us. It is a huge blow. There
is no time for slacking because we | 0:15:38 | 0:15:44 | |
still have a long way to go. You
have got snow, you are disappearing | 0:15:44 | 0:15:50 | |
into holes, it is not what I
expected. I thought we would get | 0:15:50 | 0:15:55 | |
rocks and things. Climbing, you put
one foot in front of the other and | 0:15:55 | 0:16:01 | |
whatever you are going and do not
trip. OK, sweetheart? As we near the | 0:16:01 | 0:16:08 | |
top, Debbie starts to struggle, but
this is a team effort. Go at your | 0:16:08 | 0:16:14 | |
pace, do not rush. Take your time.
After four hours of climbing, Debbie | 0:16:14 | 0:16:21 | |
finally leads us to the summit. Here
we go! Yes! Good effort. Thank you. | 0:16:21 | 0:16:31 | |
You are at the summit. | 0:16:31 | 0:16:37 | |
You are at the summit. Almost 2500
feet above sea-level. They have done | 0:16:38 | 0:16:40 | |
incredible. One, two, three...
Tomorrow is another day. | 0:16:40 | 0:16:51 | |
CHEERING AND APPLAUSE. Get in. Well
done, Debbie. Berlin to getting them | 0:16:51 | 0:16:59 | |
up there. That was fantastic. Lovely
to see their families there. If you | 0:16:59 | 0:17:06 | |
have been inspired, Alex has the
numbers you need to make a donation. | 0:17:06 | 0:17:12 | |
We have made it to the summit after
are second challenge, so if there is | 0:17:12 | 0:17:17 | |
anyone out there who would like to
support The Mother Of All | 0:17:17 | 0:17:22 | |
Challenges, you can donate £5. | 0:17:22 | 0:17:36 | |
Challenges, you can donate £5. You
can donate £5, £10 or £20. Thank | 0:17:36 | 0:17:40 | |
you. Beautiful views up there.
LAUGHTER. | 0:17:40 | 0:17:47 | |
LAUGHTER. Text will cost your
tradition and your standard message | 0:17:48 | 0:17:52 | |
charge and all the donations will go
to Sport Relief. Please ask the | 0:17:52 | 0:17:57 | |
permission of the bill player. You
can also go to the website to | 0:17:57 | 0:18:04 | |
donate. All of this is to raise
money for a vital Sport Relief | 0:18:04 | 0:18:10 | |
projects, web are challenge focusing
on maternal health. One of our mums, | 0:18:10 | 0:18:15 | |
Leigh has been to Carlisle to see
how your donations can offer help | 0:18:15 | 0:18:19 | |
and support to mothers struggling to
cope. Everyone knows how physically | 0:18:19 | 0:18:26 | |
tough giving birth is, but a lot
less said about the fake -- the | 0:18:26 | 0:18:31 | |
effect can have mentally.
Experiencing mental health issues | 0:18:31 | 0:18:35 | |
and doubting your own instincts is
difficult for a mother, that added | 0:18:35 | 0:18:39 | |
to the fact that you have a baby to
look after, it can be devastating. | 0:18:39 | 0:18:43 | |
The majority of women experience
these problems downplay the | 0:18:43 | 0:18:47 | |
severity, which is why just
attending a place like Happy Mums | 0:18:47 | 0:18:54 | |
can help. We offer a peer support,
being surrounded by other women who | 0:18:54 | 0:18:58 | |
are going through something similar,
but is really powerful in given new | 0:18:58 | 0:19:04 | |
hope. Maybe for the first time
realising that you will get better | 0:19:04 | 0:19:08 | |
and it is possible to recover. What
support do you get? We could not | 0:19:08 | 0:19:14 | |
have run the number of groups or
have the creche if we did not get | 0:19:14 | 0:19:18 | |
funding from Sport Relief. More
women can access our services. | 0:19:18 | 0:19:23 | |
Having a baby should be a joyous
moment for any mum but for the | 0:19:23 | 0:19:28 | |
70,000 women who experience
postnatal depression every year, it | 0:19:28 | 0:19:31 | |
can be a time of anxiety. Something
Mary experienced after giving birth | 0:19:31 | 0:19:37 | |
to her daughter. The first step down
was the sleep deprivation, it could | 0:19:37 | 0:19:45 | |
have been that I would just pop back
up, but I did not. It was like | 0:19:45 | 0:19:50 | |
Jekyll and Hyde. You become this
angry monster. And my daughter was | 0:19:50 | 0:19:58 | |
there and she needs care and love
and patience. My good friend asked | 0:19:58 | 0:20:05 | |
if I had heard of Happy Mums
Foundation, because I needed | 0:20:05 | 0:20:10 | |
support. Going to the group, one
person in particular help me, she | 0:20:10 | 0:20:15 | |
had a similar experience. And the
way she spoke about it, I felt so | 0:20:15 | 0:20:21 | |
relieved. We only met once. Amy and
her husband Ross were ecstatic when | 0:20:21 | 0:20:30 | |
they fell pregnant with their son
William but after a traumatic birth, | 0:20:30 | 0:20:34 | |
coming home was not how she
imagined. I was trying to | 0:20:34 | 0:20:38 | |
breast-feed but did not realise he
was not getting anything from me and | 0:20:38 | 0:20:41 | |
I could not figure out why he was
hungry and there was a commentary | 0:20:41 | 0:20:46 | |
going on in my head telling me I was
a failure, I could not even feed my | 0:20:46 | 0:20:51 | |
own baby. I started to hear stronger
voices and hallucinations that they | 0:20:51 | 0:20:55 | |
were telling me that I had to
restore order. I used to take | 0:20:55 | 0:20:59 | |
everything out of the cupboards and
line it up on the kitchen floor, all | 0:20:59 | 0:21:03 | |
the crockery, cups, glasses, plates,
knives and forks. I remember phoning | 0:21:03 | 0:21:09 | |
my friend and saying, I don't think
I am very well. I just could not | 0:21:09 | 0:21:14 | |
cope any more. Amy was diagnosed
with postpartum psychosis, a serious | 0:21:14 | 0:21:21 | |
illness which can make some women
feel suicidal. A B received urgent | 0:21:21 | 0:21:27 | |
medical care and was persuaded to
attend Happy Mums Foundation by her | 0:21:27 | 0:21:31 | |
health visitor. She was really quite
insistent that I should give it a | 0:21:31 | 0:21:34 | |
go. I reluctantly went to the first
support group and the work they have | 0:21:34 | 0:21:39 | |
done with me is fantastic. I cannot
put it into words. Amazing. | 0:21:39 | 0:21:47 | |
Incredible. Inspirational. It was
the best medication I could have | 0:21:47 | 0:21:51 | |
had. As mums, it is our instinct to
help others but sometimes it is so | 0:21:51 | 0:21:55 | |
difficult to ask for help for
ourselves. £20 could experience for | 0:21:55 | 0:22:01 | |
four mothers to attend a support
session. Please donate what you can. | 0:22:01 | 0:22:08 | |
Well, that is just one of the many
good reasons that you can donate if | 0:22:08 | 0:22:13 | |
possible. Tomorrow they will be
cycling through the lake District | 0:22:13 | 0:22:16 | |
but not on one of these. This was
the 1 million as Raleigh Chopper to | 0:22:16 | 0:22:21 | |
come off the production line since
its launch 50 years ago. It is | 0:22:21 | 0:22:26 | |
beautiful! Gold as well. Michael has
been to meet the man who designed | 0:22:26 | 0:22:32 | |
it. | 0:22:32 | 0:22:42 | |
it. Marble run designer Tom Caron
has had a lifelong passion for | 0:22:42 | 0:22:46 | |
inventing. 50 years ago he played a
part in the creation of another | 0:22:46 | 0:22:51 | |
British design classic. A child's
bike so revolutionary that if | 0:22:51 | 0:22:55 | |
anything it is just as cold today as
it was back then. The Raleigh | 0:22:55 | 0:22:59 | |
Chopper. -- cool. | 0:22:59 | 0:23:07 | |
I was desperate to own one, my
neighbour had a red one and I was so | 0:23:10 | 0:23:15 | |
jealous because the Chopper was the
perfect bike to perform a trick that | 0:23:15 | 0:23:18 | |
if you were a kid of the 70s was a
vital to. In the 1960s as more and | 0:23:18 | 0:23:27 | |
more families were able to afford
cars, adult bicycle sales at rally | 0:23:27 | 0:23:32 | |
were plummeting, so the company said
its sights on the lucrative | 0:23:32 | 0:23:36 | |
children's market and looked to the
Californian coastline for | 0:23:36 | 0:23:40 | |
inspiration. Movies like easy Rider,
the dragsters and 70s Formula 1 | 0:23:40 | 0:23:45 | |
cars, not to mention the glorious
sunshine of West Coast America all | 0:23:45 | 0:23:49 | |
influenced the design of the
Chopper. It featured a log sprung | 0:23:49 | 0:23:56 | |
back seat, pretend disc brakes, high
rise handlebars and chunky | 0:23:56 | 0:24:02 | |
mismatched tyres. Even had a gear
stick like one of those big American | 0:24:02 | 0:24:08 | |
muscle cars, all of the flamboyant
parts were designed to appeal to | 0:24:08 | 0:24:11 | |
kids like me who dreams one day of
owning a motorbike and cruising down | 0:24:11 | 0:24:16 | |
the Californian highway. Who was
credited with this design has been a | 0:24:16 | 0:24:20 | |
contentious issue for more than 50
years. Alan Oakley, design director | 0:24:20 | 0:24:28 | |
at Raleigh was originally set to be
its creator. On a fact-finding | 0:24:28 | 0:24:33 | |
mission to the US, he found
inspiration in a bike called the | 0:24:33 | 0:24:39 | |
stingray, but although the Chopper
was influenced by this bike, Raleigh | 0:24:39 | 0:24:45 | |
acknowledges the part of Tom Curran
in its design. It took me a while | 0:24:45 | 0:24:50 | |
before I realise that they launched
without me and they gave us no | 0:24:50 | 0:24:54 | |
credit, but also the lady that was
in marketing at the time, and she | 0:24:54 | 0:24:58 | |
phoned me one day and said, we
concocted the story of Allan. Then | 0:24:58 | 0:25:04 | |
she said, I warn you, he has
repeated it so often, he probably | 0:25:04 | 0:25:09 | |
believes it to be true. The 1968
sketches would eventually become the | 0:25:09 | 0:25:13 | |
Chopper we all know and love. I was
very keen on the big wheel at the | 0:25:13 | 0:25:21 | |
back, nice straight tubes, this
seat, which was like that. And the | 0:25:21 | 0:25:29 | |
handlebars and the disc brake. That
is what made the Chopper. Tom's | 0:25:29 | 0:25:41 | |
original designs are now in the
archives of the Victoria and Albert | 0:25:41 | 0:25:46 | |
Museum. Raleigh went of to sell a
million Chopper is in the 1970s but | 0:25:46 | 0:25:50 | |
production stopped in 1979.
Affordable tees, the infatuation | 0:25:50 | 0:25:58 | |
lives on. Father and son have been
collecting the bikes for 17 years | 0:25:58 | 0:26:04 | |
and today they have more than 50 and
they regularly use their customised | 0:26:04 | 0:26:08 | |
models for the daily commute. I
think every little bit on the bike | 0:26:08 | 0:26:14 | |
was so different from what ever else
had been out there in the past. It | 0:26:14 | 0:26:18 | |
was a way forward, it was space age.
When you ride one of these around | 0:26:18 | 0:26:23 | |
town, do people stop but? All the
time, when you are riding along, all | 0:26:23 | 0:26:29 | |
you can hear is people talking about
it. If we have time, we talked to | 0:26:29 | 0:26:35 | |
everyone and anyone, because you
never know what stories people will | 0:26:35 | 0:26:39 | |
tell you. What is the holy Grail? We
have a ten speed model here. That is | 0:26:39 | 0:26:46 | |
about £2000 and it came from a swamp
in India. Why are people so | 0:26:46 | 0:26:52 | |
fanatical about it? It put you back
40 years ago, in the days when life | 0:26:52 | 0:27:00 | |
was just a wheelie. For a big kids
like me, even in 50 years' time, the | 0:27:00 | 0:27:06 | |
Chopper will always be what Tom
Curran intended, super fun to write. | 0:27:06 | 0:27:12 | |
Lovely. Jake and make are here all
with some Chopper fans. Look at the | 0:27:12 | 0:27:22 | |
patio. It looks amazing. You may
have heard Michael saying that the | 0:27:22 | 0:27:28 | |
ultimate dream was to wheelie one of
these. Aaron here set the world | 0:27:28 | 0:27:36 | |
record for the longest wheelie, it
was on a mountain bike, in one hour. | 0:27:36 | 0:27:40 | |
How far did you manage to do it in
one hour? 8.17 miles. Eight miles! | 0:27:40 | 0:27:51 | |
That sounds crazy. What is the
secret to a good long wheelie? This | 0:27:51 | 0:27:57 | |
secret is loads of practice. Keep
calm, as you pedal, keep your hands | 0:27:57 | 0:28:04 | |
straight. If you keep the bike
parallel with your shoulders, it | 0:28:04 | 0:28:10 | |
will stop been to one side and keep
a smooth pedal on. If it feels like | 0:28:10 | 0:28:15 | |
you will drop over the back... Can
you show us? There we are. | 0:28:15 | 0:28:26 | |
you show us? There we are. Wheelie
good. Wheelie awesome. This is how | 0:28:26 | 0:28:28 | |
you do it. | 0:28:28 | 0:28:34 | |
you do it. It is almost time for us
to go but thank you to Alexandra | 0:28:34 | 0:28:41 | |
Burke, her album is out on Friday. I
am touring and the details are on my | 0:28:41 | 0:28:46 | |
website. Tomorrow we will be talking
to Lord Andrew Lloyd Webber. Let's | 0:28:46 | 0:28:51 | |
go. | 0:28:51 | 0:28:57 | |
go. Wait for a! I was going to!
LAUGHTER. | 0:28:57 | 0:29:05 | |
CHEERING AND APPLAUSE. | 0:29:05 | 0:29:11 | |
CHEERING AND APPLAUSE. Well done!
Alex, looking forward to see how you | 0:29:11 | 0:29:18 | |
get on. Here we go. He was
practising. Watch out! | 0:29:18 | 0:29:28 |