Browse content similar to 14/03/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:18 | 0:00:21 | |
And Michelle Ackerley. | 0:00:21 | 0:00:24 | |
It's Wednesday which means Alex
and her team of incredible mums | 0:00:24 | 0:00:26 | |
are over halfway through the Mother
of All Challenges for Sport Relief. | 0:00:26 | 0:00:34 | |
They must already be looking forward
to a showstopping finale on Friday. | 0:00:34 | 0:00:37 | |
And we know the man
who could write them one. | 0:00:37 | 0:00:39 | |
He is - quite simply -
the most-successful British | 0:00:39 | 0:00:42 | |
songwriter of all time. | 0:00:42 | 0:00:47 | |
# It's so easy to leave me
# Don't cry for me Argentina | 0:00:47 | 0:00:56 | |
# The truth is, I never left you
# The Phantom of the Opera is now | 0:00:56 | 0:01:11 | |
# Your mastermind
# | 0:01:11 | 0:01:21 | |
Amazing coloured coat
#. | 0:01:21 | 0:01:24 | |
APPLAUSE | 0:01:24 | 0:01:28 | |
Please welcome Lord
Andrew Lloyd Webber! | 0:01:28 | 0:01:32 | |
CHEERING AND APPLAUSE
Your fans are in tonight. Fantastic | 0:01:32 | 0:01:36 | |
reception. Lovely to have you here,
and are you. We will talk a lot | 0:01:36 | 0:01:42 | |
about your memoir. You have joined
joined when we have lost two of our | 0:01:42 | 0:01:51 | |
greats, Jeremy Bowen and Stephen
Hawking. You must have met him? I | 0:01:51 | 0:01:56 | |
met him a couple of times at
parties. The only conversation I had | 0:01:56 | 0:02:00 | |
with him was because music, thank
goodness, not sure I would have | 0:02:00 | 0:02:04 | |
understood anything else. What is
his taste of music A wide taste in | 0:02:04 | 0:02:12 | |
classical music, the Mozart requiem.
Which I share with imhad. I'm one of | 0:02:12 | 0:02:18 | |
these people who can't understand
the concept of infinity. It's a | 0:02:18 | 0:02:23 | |
tough one that. I'm hopeless when it
comes to understanding anything he | 0:02:23 | 0:02:28 | |
was talking about. We were happy he
was there to stand. Extraordinary. | 0:02:28 | 0:02:35 | |
Amazing person. Very engaging when
we talked. Talking of talking and | 0:02:35 | 0:02:41 | |
words here are inspiring words from
the man who unlocked the secrets of | 0:02:41 | 0:02:44 | |
our universe. Try to make sense of
what you see and wonder about what | 0:02:44 | 0:02:51 | |
makes the universe exist. Be
curious. Without imperfection you or | 0:02:51 | 0:02:57 | |
I would not exist. | 0:02:57 | 0:03:02 | |
I'm not afraid of death, I'm not in
a hurry to die, I've so much I want | 0:03:03 | 0:03:07 | |
to do first. Never give up work.
Work gives you meaning and purpose | 0:03:07 | 0:03:12 | |
and life is empty without it. It has
been a glorious time to be alive. | 0:03:12 | 0:03:21 | |
The greatest enemy of knowledge is
not ignorance it's the illusion of | 0:03:21 | 0:03:26 | |
knowledge. People who boost about
their IQ are losers. Life would be | 0:03:26 | 0:03:32 | |
tragic if it weren't funny. | 0:03:32 | 0:03:39 | |
tragic if it weren't funny. So
remember to look up at the stars and | 0:03:40 | 0:03:43 | |
not down at your feet. Thank you to
the Science Museum and the | 0:03:43 | 0:03:48 | |
University College London. We are
joined by the BBC's science | 0:03:48 | 0:03:54 | |
correspondent, Pallab Ghosh. You met
him many times? I got to know him | 0:03:54 | 0:04:00 | |
well. I have known him for 20 years.
It's a sad day. I remember the first | 0:04:00 | 0:04:04 | |
time I met him. He was my Oied idol.
You can imagine how nervous I was | 0:04:04 | 0:04:08 | |
when I came to meet him. When he
arrived, he smiled at me and | 0:04:08 | 0:04:12 | |
immediately put me at my ease. I
think that's one of the reasons why | 0:04:12 | 0:04:15 | |
people have taken to him so much. He
was basically a really nice bloke. | 0:04:15 | 0:04:19 | |
That was the thing that came across.
For all his kind of complex | 0:04:19 | 0:04:25 | |
intellectual ideas, he had a
wonderful charisma, warmth and | 0:04:25 | 0:04:29 | |
humanitarian. That is what I
remembered about him. That's lovely | 0:04:29 | 0:04:32 | |
to hear. We all know of him as an
incredible scientists. Just how | 0:04:32 | 0:04:37 | |
important is his legacy, in terms of
inspiring people in Well, he said | 0:04:37 | 0:04:41 | |
that when he was diagnosed with
motor neurone disease that was when | 0:04:41 | 0:04:50 | |
he kicked off. He wasn't that
interested in his work. It was all | 0:04:50 | 0:04:53 | |
too easy. He decided then that
everything else was going to be a | 0:04:53 | 0:04:56 | |
bonus. Look at what he achieved. The
frontiers of science. The most | 0:04:56 | 0:05:01 | |
famous scientists in the world
whole. If he could do that with that | 0:05:01 | 0:05:04 | |
disability, what could the rest of
us do. Another word that is often | 0:05:04 | 0:05:08 | |
used with Stephen Hawking is
"inspiration." Anyone that came | 0:05:08 | 0:05:12 | |
close to him and saw what he did
could not fail to be inspired. We | 0:05:12 | 0:05:17 | |
heard him saying, life would be
tragic if it wasn't funny. This was | 0:05:17 | 0:05:22 | |
something else, great wit and humour
that crossed generations, didn't it? | 0:05:22 | 0:05:26 | |
He played a joke on me that very
first time I met him. We were | 0:05:26 | 0:05:31 | |
filming an interview and the
cameraman wanted to change the | 0:05:31 | 0:05:34 | |
lighting he said - is it all right
if I unplugged this. He did. All | 0:05:34 | 0:05:39 | |
these sirens went off. We thought,
we've plugged something crucial to | 0:05:39 | 0:05:46 | |
Professor Hawking's wellbeing. He
slumped over. It turned out he was | 0:05:46 | 0:05:50 | |
laughing at our incompetence. He was
a huge joker. On that point, Andrew. | 0:05:50 | 0:05:55 | |
We knew you did a clip for Comic
Relief. Yes. Were you auditioning to | 0:05:55 | 0:06:02 | |
be Stephen's voice. Look at this.
Time to find my new voice. Stephen, | 0:06:02 | 0:06:09 | |
listen to my voice. It's deep, it's
sexy. It's got a tinge of... | 0:06:09 | 0:06:14 | |
Physics. I'm the obvious choice. I'm
intelligent, kind of, and I'm young | 0:06:14 | 0:06:22 | |
and cool. Kind of. Frankly, I think
your life is so important that it | 0:06:22 | 0:06:26 | |
ought to be a musical. I'm
thinkingful something like K | 0:06:26 | 0:06:31 | |
everybody's Hawk hawk. A really,
really big show. | 0:06:31 | 0:06:37 | |
# Memory, you have photographic
memory... # | 0:06:37 | 0:06:41 | |
Not a chance!
APPLAUSE | 0:06:41 | 0:06:48 | |
Everybody's Hawking. Terrible. We
are thinking of all of Stephen's | 0:06:53 | 0:07:00 | |
friends and family today. | 0:07:00 | 0:07:02 | |
We're moving on now
to something we've talked | 0:07:02 | 0:07:04 | |
about many times on the show
- single-use plastic. | 0:07:04 | 0:07:06 | |
Because in yesterday's
Spring Statement, the Chancellor | 0:07:06 | 0:07:08 | |
called for a consultation
on a potential plastic tax. | 0:07:08 | 0:07:14 | |
It's the kind of co-ordinated
action that supermarkets, | 0:07:14 | 0:07:16 | |
recycling companies and councils
have all been calling for. | 0:07:16 | 0:07:18 | |
But where do the people who actually
make the plastic stand? | 0:07:18 | 0:07:25 | |
We've been kind of demonised as
producers of this poison that is | 0:07:25 | 0:07:28 | |
killing the country. It seems to be
almost like a panic at the moment. | 0:07:28 | 0:07:32 | |
These people all work in an industry
that almost overnight has become | 0:07:32 | 0:07:37 | |
socially unacceptable. I can't watch
the TV. I can't tell my friends who | 0:07:37 | 0:07:42 | |
I work for. It can be pretty
embarrassing at times. This | 0:07:42 | 0:07:46 | |
family-run company has been making
plastic for almost 70 years and now | 0:07:46 | 0:07:52 | |
produces 100 million single-use
plastic tumblers every year. I don't | 0:07:52 | 0:07:57 | |
think it's the enemy. It's the way
that certain people misuse them. The | 0:07:57 | 0:08:02 | |
salesman manager John Reeves
contacted the One Show to defend the | 0:08:02 | 0:08:06 | |
industry. I'm here at his factory to
hear his argument that plastic need | 0:08:06 | 0:08:11 | |
not be the environmental scourge
that some say it is. | 0:08:11 | 0:08:19 | |
One of the core products we have is
the flexi glass. We can make a | 0:08:19 | 0:08:24 | |
million of these glasses a day. May
I? Yes. This is disposable. Yes. | 0:08:24 | 0:08:30 | |
Designed to be used one time only.
Yeah. How is that defensivable given | 0:08:30 | 0:08:35 | |
everything we know about plastic
pollution. These are used at many, | 0:08:35 | 0:08:40 | |
many different occasions. At
sporting events, music festivals. | 0:08:40 | 0:08:44 | |
The reason it's used is that it's
absolutely fit for purpose and it | 0:08:44 | 0:08:47 | |
doesn't present any danger to any
member of the public. Why not use a | 0:08:47 | 0:08:51 | |
paper cup? The difficulty with a
paper cup is you are left with the | 0:08:51 | 0:08:55 | |
same problem. A paper cup typically
has a plastic interior which means | 0:08:55 | 0:08:59 | |
the product is difficult to recycle.
They know their market but it | 0:08:59 | 0:09:06 | |
understand it is has a
responsibility to ensure the cups it | 0:09:06 | 0:09:12 | |
manufacturers doesn't end up in
landfill. We can get the cups back | 0:09:12 | 0:09:16 | |
and recycle them and reuse the
material again. We work at large | 0:09:16 | 0:09:21 | |
scale music events, festivals and
sporting arenas am we are designing | 0:09:21 | 0:09:26 | |
recollection centres and recycling
centres that can go on the concourse | 0:09:26 | 0:09:29 | |
of these grounds. We are scooping
the glasses up at the end of the | 0:09:29 | 0:09:33 | |
events, bringing them back,
reprocessing them, remanufacturing | 0:09:33 | 0:09:36 | |
and making the product into
something that can be useful. Our | 0:09:36 | 0:09:39 | |
ultimate goal is to take the cup,
use it, it comes back here and we | 0:09:39 | 0:09:44 | |
make it back into a cup. This is
what is called closed loop | 0:09:44 | 0:09:48 | |
recycling. Reprocessing used plastic
and remanufacturing it into other | 0:09:48 | 0:09:54 | |
products. Although the company can't
yet do that itself, it recently | 0:09:54 | 0:10:00 | |
started working with HAHN Plastics
in Manchester. We manufacturer | 0:10:00 | 0:10:07 | |
outdoor furniture, decking boards,
bollards, retaining wall structures, | 0:10:07 | 0:10:11 | |
and all of them are made from 100%
recyclable plastic. If we use | 0:10:11 | 0:10:17 | |
plastic cups as an example, it would
typically take 22,000 to make a | 0:10:17 | 0:10:22 | |
garden bench and 48,000 to make a
typical picnic table. But not all | 0:10:22 | 0:10:28 | |
manufacturers are reusing plastic in
this way and recycling companies | 0:10:28 | 0:10:33 | |
believe the government should be
putting regulations in place to make | 0:10:33 | 0:10:37 | |
this happen. The important thing to
remember with plastic recycling is | 0:10:37 | 0:10:42 | |
everyone has a part to play. You and
I go into the supermarket and buy a | 0:10:42 | 0:10:47 | |
shampoo bottle off the shelve and
put the bottle in the bin. We supply | 0:10:47 | 0:10:55 | |
it to a client to | 0:10:55 | 0:11:04 | |
it to a client to produce another
item. We need to get it right from | 0:11:04 | 0:11:07 | |
the start and retailers and consumer
brands are designing products for | 0:11:07 | 0:11:11 | |
repsychability. We should be saying,
if you are a consumer brand or | 0:11:11 | 0:11:14 | |
retailer and you want to do business
in this country, you must include a | 0:11:14 | 0:11:21 | |
minimum amount of row sighable
material in your packaging. It's a | 0:11:21 | 0:11:25 | |
resource, not rubbish. We want to
keep it off our beaches and oceans | 0:11:25 | 0:11:29 | |
and put it back in the British
economy where it belongs. The | 0:11:29 | 0:11:32 | |
Government will be work with the
plastics industry to reform | 0:11:32 | 0:11:37 | |
regulations and incentivise
producers to take greater | 0:11:37 | 0:11:39 | |
responsibility for the environmental
impact of their products. Back on | 0:11:39 | 0:11:43 | |
the factory floor, John is keen to
show me the finished product. Here | 0:11:43 | 0:11:48 | |
they come, the end of the line he
with say it's the end of the line. | 0:11:48 | 0:11:51 | |
You don't want it to be the end of
the line? This is the start of the | 0:11:51 | 0:11:54 | |
line, really. We want to make sure
we can get as many of these cups, if | 0:11:54 | 0:11:58 | |
not all of these cups back, and get
them back into the recycling | 0:11:58 | 0:12:01 | |
programme. This could potentially be
big news for all of us as this type | 0:12:01 | 0:12:07 | |
of low grade single-use plastic is
one of the most difficult to find a | 0:12:07 | 0:12:10 | |
market for. So I hope we get bins
like this at major sporting events, | 0:12:10 | 0:12:16 | |
concerts, festivals really soon. | 0:12:16 | 0:12:20 | |
Thank you Lucy. Next week we will
look in more detail at how recycled | 0:12:20 | 0:12:24 | |
plastic is being used to pave
Britain's roads. Indeed. Andrew it's | 0:12:24 | 0:12:31 | |
your 70th birthday next week and you
had a business busy time, a new | 0:12:31 | 0:12:38 | |
album and a memoir Unmasked. We know
you as a prolific songwriter. Have | 0:12:38 | 0:12:44 | |
you enjoyed the process of bright
wroo writing a I used to memoir. Do | 0:12:44 | 0:12:49 | |
the food reviews for the Daily
Telegraph. Writing is something I've | 0:12:49 | 0:12:53 | |
enjoyed doing. I can't write lyrics.
I'm useless. You don't want to ask | 0:12:53 | 0:12:59 | |
me about those. Don't go there. I
enjoy writing pros. Did you think of | 0:12:59 | 0:13:05 | |
doing a musical of your life? As I
say in the introduction to the book, | 0:13:05 | 0:13:10 | |
I'm the most boring person I've ever
written about. Come on! Come on. I | 0:13:10 | 0:13:14 | |
highly doubt that. You had an
eccentric house. Yes. We have a | 0:13:14 | 0:13:20 | |
picture of your auntie with a monkey
on her shoulder. This is what you | 0:13:20 | 0:13:24 | |
grew up - My auntie didn't live in
the house. My father had a huge | 0:13:24 | 0:13:31 | |
electronic organ. My mother took a
shine to a pianist and much | 0:13:31 | 0:13:37 | |
supported him. He often was in the
house practicing away with loud | 0:13:37 | 0:13:43 | |
music. My brother on the cello. I
wonder what the neighbours thought. | 0:13:43 | 0:13:53 | |
They must have gone mad. I was
leaving the house with Tim Rice, | 0:13:53 | 0:13:57 | |
Julian was playing away on his cello
the guy lefrpd leapt out saying, I | 0:13:57 | 0:14:08 | |
don't mind the organ or the piano
but it obeo player I can't stand. I | 0:14:08 | 0:14:19 | |
got into musicals. My Fair Lady came
into town when I was nine years old. | 0:14:19 | 0:14:24 | |
I saw My Fair Lady and West Side
Story back-to-back. Two different | 0:14:24 | 0:14:30 | |
musicals. I fell in love with them.
With my aunt being in the theatre | 0:14:30 | 0:14:34 | |
and me making glamorous people in
the theatre who she knew, the whole | 0:14:34 | 0:14:38 | |
thing just... It grabbed me at an
early age. At a time when kids | 0:14:38 | 0:14:42 | |
weren't into musicals at all. Is the
thing That, isn't it One show on | 0:14:42 | 0:14:47 | |
Saturday night which completely
grabbed me. It was called Oh, boy, | 0:14:47 | 0:14:52 | |
on ITV, shot by a guy who went on to
direct the Rockfella. Filmed in the | 0:14:52 | 0:15:01 | |
Hackney Empire. It was live. They
used the theatre as if it was part | 0:15:01 | 0:15:04 | |
of the set. When I was very young I
thought of rock music as theatre. | 0:15:04 | 0:15:10 | |
That put me apart from the others
who were at that time doing The | 0:15:10 | 0:15:15 | |
Boyfriend. Yes. | 0:15:15 | 0:15:20 | |
And these days, if you don't own
them, you work closely with those | 0:15:20 | 0:15:25 | |
theatres you grew up in. That must
be extraordinary now. The first | 0:15:25 | 0:15:29 | |
theatre I went to to see anything
was the London Palladium, that is | 0:15:29 | 0:15:33 | |
one of ours. The first theatre I saw
a musical was the Theatre Royal, | 0:15:33 | 0:15:37 | |
Drury Lane, and that is one of ours!
My great joy at the moment is we are | 0:15:37 | 0:15:43 | |
going to refurbish and reconstruct
the Theatre Royal, Drury Lane. It | 0:15:43 | 0:15:47 | |
closes in a year. That is | 0:15:47 | 0:15:53 | |
closes in a year. That is going to
be great fun, make it for today. You | 0:15:55 | 0:15:57 | |
talk in your memoirs about stories
that might have been, some leading | 0:15:57 | 0:15:59 | |
ladies that didn't end up playing
big roles, Judi Dench, Liza | 0:15:59 | 0:16:02 | |
Minnelli. Judi Dench was going to
play Grisabella in caps but she | 0:16:02 | 0:16:08 | |
broke her Achilles tendon in
rehearsals and people often as me | 0:16:08 | 0:16:13 | |
what Memory would have been like if
Judi had some good, and almost like | 0:16:13 | 0:16:19 | |
Edith Pier Avenue, if it makes any
sense. And Liza Minnelli, I have | 0:16:19 | 0:16:23 | |
known her very wealthy years but she
has never done anything of my but | 0:16:23 | 0:16:28 | |
she did screen test for the movie of
Evita. I didn't have any control but | 0:16:28 | 0:16:32 | |
I remember it was rather weird, she
had a blonde wig and didn't look | 0:16:32 | 0:16:36 | |
great in a blonde wig. And then
Bette Midler, we cast Jesus Christ | 0:16:36 | 0:16:42 | |
Superstar and Robert Stig Wood, the
producer, Castellet in New York with | 0:16:42 | 0:16:46 | |
a lady from the original album --
Robert Stig would. We got a | 0:16:46 | 0:16:52 | |
last-minute call from an agent who
said you must go and see this girl | 0:16:52 | 0:16:55 | |
who has been singing in a swimming
baths in New York and I went at the | 0:16:55 | 0:16:59 | |
last minute and she sang I Don't
Know How To Love Him and it was to | 0:16:59 | 0:17:05 | |
die for but we had cast by that time
and it was not to be. The book is a | 0:17:05 | 0:17:11 | |
brilliant memoir, it is all in there
and it is quite a read, I must say. | 0:17:11 | 0:17:15 | |
And while we are celebrating Lord
Webber's achievements, we can't | 0:17:15 | 0:17:19 | |
forget the hard work being done by
Alex and her team of mums for Sport | 0:17:19 | 0:17:25 | |
Relief. So far, they have swum
through the freezing waters of Loch | 0:17:25 | 0:17:28 | |
Ness, they have climbed one of the
Lake District's highest peaks and | 0:17:28 | 0:17:34 | |
the Mother of All Challenges, it is
called for a reason. And it is stage | 0:17:34 | 0:17:37 | |
three, time for them to get on their
bikes. | 0:17:37 | 0:17:41 | |
With two elements of our Mother of
All Challenges in the bag, we are | 0:17:41 | 0:17:45 | |
feeling tired and missing our loved
ones. There is quite sombre feel | 0:17:45 | 0:17:49 | |
this morning brawlers. We are all
exhausted and missing home. I think | 0:17:49 | 0:17:55 | |
he said mum for the first time over
the weekend and I wasn't there to | 0:17:55 | 0:17:59 | |
see it. So I am finding it really
hard. Today, at that hour swim and | 0:17:59 | 0:18:05 | |
hike, we have a long-distance cycle
ride which will take us over three | 0:18:05 | 0:18:08 | |
of the toughest passes in the Lakes,
the Kirk Stone, the Hollister and | 0:18:08 | 0:18:13 | |
the new lands. That is 7,000 feet of
climb. The first one will be Kirk | 0:18:13 | 0:18:19 | |
stone pass, it will be a really
tough day. Your legs will be a bit | 0:18:19 | 0:18:24 | |
ropey, hopefully they will holdout
for the cycle today, especially for | 0:18:24 | 0:18:29 | |
the big hills, which will be
seriously hard. We are absolutely | 0:18:29 | 0:18:33 | |
shattered but we can't put it off
any longer. Debbie and I have been | 0:18:33 | 0:18:38 | |
chosen to cycle the first leg. I
think today is going to be | 0:18:38 | 0:18:42 | |
ridiculously tough. And I have my
lucky heart from my girl. I am | 0:18:42 | 0:18:49 | |
scared of the big hills. It is a
tough challenge for me and the Debs, | 0:18:49 | 0:18:54 | |
who has suffered from depression in
the past. I got to the stage where I | 0:18:54 | 0:18:58 | |
couldn't leave the house with my two
little girls, I was too scared. What | 0:18:58 | 0:19:02 | |
was the Trigger for that? It was the
trauma of Ed Leigh's birth, how'd | 0:19:02 | 0:19:07 | |
you carry on, what are people
thinking about me? And I thought, I | 0:19:07 | 0:19:13 | |
have got to get some help here. And
thank goodness I did. That is why | 0:19:13 | 0:19:20 | |
Debbie, mall, Jodi and Leigh are
here pushing themselves to raise | 0:19:20 | 0:19:24 | |
awareness for other mums who may be
going through other situations. And | 0:19:24 | 0:19:30 | |
Debbie, up these hills, is really
having to push herself. I can't... | 0:19:30 | 0:19:36 | |
You can do it, Debs. You definitely
can. Keep driving, great work. Think | 0:19:36 | 0:19:42 | |
of the girls. I can't... It is
really tough, but she doesn't give | 0:19:42 | 0:19:50 | |
up. Even after miles of cycling.
This is so hard. | 0:19:50 | 0:19:59 | |
This is so hard. With little power
left in her legs,... This mum does | 0:20:00 | 0:20:08 | |
not surrender. That was truly
remarkable. That is some of the | 0:20:08 | 0:20:17 | |
bravest riding I have ever seen.
That is inspirational for anybody. I | 0:20:17 | 0:20:24 | |
am not pushing you! | 0:20:24 | 0:20:30 | |
am not pushing you! Jodi, Leigh and
Amal take on the next leg. If I | 0:20:31 | 0:20:35 | |
think back to a year ago, I could
barely get out of a chair. And it | 0:20:35 | 0:20:38 | |
wasn't only for physical disability,
I just wasn't motivated to move. | 0:20:38 | 0:20:42 | |
This was an opportunity, a chance to
move forward beyond all of the | 0:20:42 | 0:20:46 | |
rubbish I went through, you know,
into a new life. The flat stretch of | 0:20:46 | 0:20:51 | |
road soon runs out. Oh, my guard!
Are you kidding? The sheer gradient | 0:20:51 | 0:21:00 | |
of the harnessed pass claims its
casualty. -- of Coniston pass. You | 0:21:00 | 0:21:09 | |
have got this, this is your
challenge, Amal! And then the steep | 0:21:09 | 0:21:16 | |
incline proves too much for the
whole team. Go on, girly. This is | 0:21:16 | 0:21:23 | |
brutal out here. The fact you have,
this far is incredible. Through | 0:21:23 | 0:21:31 | |
strain and injury, these mums ride
onto the top of their last hill. My | 0:21:31 | 0:21:37 | |
back. Don't look back. That is so
much worse than I ever imagined. | 0:21:37 | 0:21:46 | |
Absolutely brutal. We had all
planned to join up again for the | 0:21:46 | 0:21:52 | |
final leg but after 11 hours in the
saddle and dark most roaring in, the | 0:21:52 | 0:21:56 | |
decision was made to call it a day.
They have had an incredible day, | 0:21:56 | 0:22:01 | |
they have achieved a huge amount,
climbing over 7,000 feet, some | 0:22:01 | 0:22:05 | |
massive climbs throughout the day
but they just couldn't finish off | 0:22:05 | 0:22:09 | |
because of the safety aspect, and so
I have taken them off the road. What | 0:22:09 | 0:22:13 | |
I am really keen for them to do is
to remember what they have achieved, | 0:22:13 | 0:22:16 | |
something truly exceptional.
APPLAUSE | 0:22:16 | 0:22:21 | |
Very, very good effort.
Tomorrow, Alex and the team will be | 0:22:21 | 0:22:28 | |
caving in the Brecon Beacons. To
support the Mother of All Challenges | 0:22:28 | 0:22:31 | |
and make a donation to Sport Relief,
you can donate £5... | 0:22:31 | 0:22:42 | |
Texts will cost your donation
plus your standard network message | 0:22:46 | 0:22:49 | |
charge and all of your donation
will go to Sport Relief. | 0:22:49 | 0:22:52 | |
You must be 16 or over and please
ask the bill payer's permission. | 0:22:52 | 0:22:57 | |
For full terms and conditions -
or to donate any amount online - | 0:22:57 | 0:23:00 | |
go to bbc.co.uk/sportrelief. | 0:23:00 | 0:23:05 | |
So, shall we have a little look and
see how much you have all donated so | 0:23:05 | 0:23:10 | |
far for this challenge? It is
currently standing at... | 0:23:10 | 0:23:19 | |
currently standing at... Thank you,
one and all and well done mums, keep | 0:23:19 | 0:23:22 | |
it up. Team mum! And before they
started their challenge, Alex took | 0:23:22 | 0:23:27 | |
two of the team over to Kenyi to
receive your donations in action and | 0:23:27 | 0:23:31 | |
here is the first report -- over to
Kenya. Kenya's capital city, | 0:23:31 | 0:23:38 | |
Nairobi. I have come to this
district with Amal and Debbie. It is | 0:23:38 | 0:23:43 | |
home to thousands of children.
How cute! | 0:23:43 | 0:23:48 | |
But delivering a child here is far
from straightforward. Each year in | 0:23:48 | 0:23:56 | |
Kenya, around 74,000 children die
before their fifth birthday. In the | 0:23:56 | 0:24:00 | |
UK, that figure is 3,000. For many
families, this can be due to poor | 0:24:00 | 0:24:07 | |
hygiene and sanitation.
It is quite an assault on | 0:24:07 | 0:24:10 | |
everything, the smell, the heat and
the human sewerage that is running | 0:24:10 | 0:24:15 | |
through this whole place.
And, sadly, there is another reason. | 0:24:15 | 0:24:20 | |
Not enough women go to a hospital or
clinic to have their babies. | 0:24:20 | 0:24:23 | |
Hello, are you Jane?
We have come to meet Jane. She has | 0:24:23 | 0:24:30 | |
lived here her whole life. | 0:24:30 | 0:24:33 | |
TRANSLATION: I gave birth at the
home and after two months, my baby | 0:24:38 | 0:24:42 | |
had rashes on its body and losing
weight and vomiting and then my baby | 0:24:42 | 0:24:49 | |
died. | 0:24:49 | 0:24:54 | |
died. Jane, can I ask what your
baby's name was? Speaker Margaret. A | 0:24:54 | 0:25:00 | |
baby girl. Oh, beautiful.
TRANSLATION: I think about her all | 0:25:00 | 0:25:08 | |
the time. Talking to Jane brings
back difficult memories for Debbie, | 0:25:08 | 0:25:13 | |
who has miscarried twice and nearly
lost her own child Ellie. It is | 0:25:13 | 0:25:20 | |
almost like looking in the mirror,
talking to her, but hers is a | 0:25:20 | 0:25:24 | |
million times worse. It brings them
home. They are precious the world | 0:25:24 | 0:25:30 | |
over, kids are precious. The good
news is that Jane is pregnant again | 0:25:30 | 0:25:35 | |
and is getting help from community
health worker Lorna, who encourages | 0:25:35 | 0:25:38 | |
mums to receive care at the nearby
Kibera health Centre, supported by | 0:25:38 | 0:25:45 | |
Sport Relief donations. Through this
project we visiting today, they are | 0:25:45 | 0:25:52 | |
trying to do that, to educate these
women and help them realise it is | 0:25:52 | 0:25:56 | |
much safer for them to give birth in
the clinic where they have | 0:25:56 | 0:26:00 | |
professionals that can help.
In this clinic, they do absolutely | 0:26:00 | 0:26:07 | |
everything. Women come here to give
birth, they do immunisations, they | 0:26:07 | 0:26:12 | |
do postnatal care on the mothers.
Without this establishment and the | 0:26:12 | 0:26:15 | |
care and facilities they provide
here, it would be a very different | 0:26:15 | 0:26:19 | |
scenario for women and babies.
Helen is the nurse in charge and | 0:26:19 | 0:26:23 | |
helps to keep the centre running.
How many women do you see on average | 0:26:23 | 0:26:30 | |
every morning here, then? We see up
to 40 children every day, those who | 0:26:30 | 0:26:36 | |
come in for immunisations. Then we
have those that come for growth. So | 0:26:36 | 0:26:42 | |
sometimes 60 children. How many
staff would serve 60 or so children? | 0:26:42 | 0:26:50 | |
Two people, a nutritionist and a
nurse. I get stressed if I have to | 0:26:50 | 0:26:55 | |
see ten plus patients in a morning
clinic. I cannot imagine having to | 0:26:55 | 0:26:59 | |
get through 60 patients on my own.
Every mother who comes here will be | 0:26:59 | 0:27:04 | |
seen, regardless of the staffing
ratios. | 0:27:04 | 0:27:06 | |
But this clinic's work is not just
about women. Men play an important | 0:27:06 | 0:27:12 | |
role to. Having sadly lost two wives
and four children, Lucas's job is to | 0:27:12 | 0:27:18 | |
educate fathers and their families
on natal care. I do educate men. If | 0:27:18 | 0:27:24 | |
your wife is pregnant, she should go
to clinic, she should take a | 0:27:24 | 0:27:30 | |
balanced diet. We tell them about
hygiene, boiling water, drinking | 0:27:30 | 0:27:34 | |
water. Are you seeing a difference?
Before, they are very bad but now, | 0:27:34 | 0:27:41 | |
they catch up.
This improved education of parents | 0:27:41 | 0:27:45 | |
has helped mums like Jane, who is
now able to visit the health centre | 0:27:45 | 0:27:50 | |
with health worker Lorna, securing a
better chance for a healthy future | 0:27:50 | 0:27:53 | |
for her new baby.
The clinic seems so busy and, | 0:27:53 | 0:28:00 | |
obviously, the babies are very
healthy and doing well. What sort of | 0:28:00 | 0:28:03 | |
things would help you? New
infrastructure and, of course, | 0:28:03 | 0:28:09 | |
training, for health care workers.
You need a few more Helens. When the | 0:28:09 | 0:28:14 | |
mother smiles at me and says thank
you, that is it, I am satisfied. | 0:28:14 | 0:28:19 | |
No one should have to go through
what Jane did and lose a baby. | 0:28:19 | 0:28:23 | |
Projects like this one can help save
lives. | 0:28:23 | 0:28:29 | |
£10, just £10 will buy equipment to
help newborn babies that are | 0:28:29 | 0:28:34 | |
struggling to breathe. And £20 will
help provide training for hero | 0:28:34 | 0:28:38 | |
community health volunteers like
Lorna to help keep mothers and | 0:28:38 | 0:28:41 | |
babies safe. Honestly, your money
will help so many mothers and so | 0:28:41 | 0:28:45 | |
many babies in this area. Just
donate what you can, thank you. | 0:28:45 | 0:28:50 | |
Thank you. And that is exactly what
is driving them on that challenge, | 0:28:50 | 0:28:55 | |
pushing themselves to the absolute
limit so they can give opportunities | 0:28:55 | 0:28:58 | |
to others.
We will have more from Alexandre | 0:28:58 | 0:29:01 | |
mums' visit to Kenya tomorrow. And
that is it, thank you to our guest | 0:29:01 | 0:29:09 | |
Andrew Lloyd Webber. | 0:29:09 | 0:29:11 | |
His memoir Unmasked is out now. | 0:29:11 | 0:29:12 | |
And Unmasked: The Platinum
Collection - an album | 0:29:12 | 0:29:16 | |
Angelica is back tomorrow and we
will find out while Debbie McGee has | 0:29:16 | 0:29:19 | |
swapped her | 0:29:19 | 0:29:20 |