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Well, hello and welcome to the One Show, with Angela Scanlon... And | :00:19. | :00:26. | |
Matt Baker. It is hard to believe, but this Easter marks two years | :00:27. | :00:28. | |
since the notorious Hatton Garden heist. Described as the largest | :00:29. | :00:33. | |
burglary in English legal history, thieves broke into a bald, stealing | :00:34. | :00:38. | |
millions in diamonds, gold bars and much more. It was all carried out by | :00:39. | :00:43. | |
a group of old age pensioners. There they are. It is no surprise it has | :00:44. | :00:48. | |
been turned into film. Tonight, we are joined by the start of The | :00:49. | :00:52. | |
Hatton Garden Job, a couple of diamond geezers - it's Phil and | :00:53. | :01:03. | |
Larry Lamb! Siam there I am - a diamond geezer! We will go into | :01:04. | :01:06. | |
great detail about the movie later, but what will your initial reaction | :01:07. | :01:13. | |
is when you saw those headlines? You thought you would get a part. Isil | :01:14. | :01:18. | |
it and I thought, wow, they will be making a film that. -- I saw it and | :01:19. | :01:30. | |
I thought, wow. The anniversary is coming up. It took two years, and it | :01:31. | :01:35. | |
is the anniversary. You know... It is amazing. Everybody realised it | :01:36. | :01:44. | |
was such a potential one for a film. Someone thought, we had better get | :01:45. | :01:49. | |
in there quickened David, so they did it. And that is it. The best | :01:50. | :01:54. | |
stories are always based in reality. Yeah, it was funny for me because my | :01:55. | :02:00. | |
old friend owns the building that houses the vault. He had the police | :02:01. | :02:03. | |
round his house that week, asking about whether he had anything to do | :02:04. | :02:07. | |
with it. We were talking about it on our Sunday morning walk through the | :02:08. | :02:12. | |
park. 15 months later, I found immense, guess what, Abbot of pay | :02:13. | :02:17. | |
off the - I got a part in the film about the burglary in your basement. | :02:18. | :02:21. | |
What did he say? I knew something good would come out of it! Some | :02:22. | :02:27. | |
great news for all poultry keepers out there, just in time for Easter. | :02:28. | :02:32. | |
As we reported in February, thousands of free range chickens | :02:33. | :02:35. | |
have been kept indoors for months after fears of an outbreak of avian | :02:36. | :02:40. | |
flu. We had a celebrate this morning as our chickens were flapping their | :02:41. | :02:43. | |
wings all over the place. All mandatory housing restrictions have | :02:44. | :02:47. | |
been lifted, and we are back in Norfolk, where Carrie has met a very | :02:48. | :02:51. | |
happy farmer, finally freeing his free range hens. | :02:52. | :02:57. | |
Two months ago, we visited Alistair on one of his free range egg farms. | :02:58. | :03:02. | |
At that point, the requirement to keep chickens indoors to protect | :03:03. | :03:07. | |
them from the risk of catching avian flu from wild birds had been in | :03:08. | :03:11. | |
place for months. It wasn't an easy time for farmers like Alistair. I am | :03:12. | :03:16. | |
not happy. It is my birds and my business on the line. Two months | :03:17. | :03:23. | |
later, their raise -- there is no sign of chickens in these fields. | :03:24. | :03:27. | |
That is about the change. The requirement to keep chickens indoors | :03:28. | :03:29. | |
in high risk areas has been lifted. So, today, free range hens will be | :03:30. | :03:35. | |
let out for the first time in four months. And once again, they will be | :03:36. | :03:44. | |
free. At the moment, they are still tucked away in doors, completely | :03:45. | :03:51. | |
unaware of their imminent release. How many birds have you got? Over | :03:52. | :03:57. | |
16,000 in this shed, and they've got 45 acres of grass to Rome. Why is it | :03:58. | :04:04. | |
safe now? I don't think it is totally safe. It is safer. We have | :04:05. | :04:15. | |
had a warm and dry spring, so we are further ahead of where we would be | :04:16. | :04:18. | |
normally at this time of year, so now is the time. Def wrap have | :04:19. | :04:26. | |
listened to the industry and decided -- Defra have listened to the | :04:27. | :04:31. | |
industry and decided to lift the restrictions. The general public | :04:32. | :04:34. | |
have been understanding about what we had been doing, putting stickers | :04:35. | :04:40. | |
on boxes and explaining to the media why we're doing this. We are keeping | :04:41. | :04:43. | |
people safe. How do you think they will react? I honestly don't know, | :04:44. | :04:48. | |
because chickens don't remember much, and they will have to get | :04:49. | :04:51. | |
re-acclimatise to the sunshine, the wind, the elements. Shall we have a | :04:52. | :04:58. | |
look? So, it is curtains up for the chickens. Yeah, the moment of truth. | :04:59. | :05:14. | |
First one out. What has that been like a scene that today? Quite | :05:15. | :05:28. | |
rewarding, and surprising as well, how well they have adapted to the | :05:29. | :05:32. | |
change. They have remembered where they were back in December and they | :05:33. | :05:36. | |
have taken to it again. What is the likelihood of anything like this | :05:37. | :05:40. | |
happening again? Quite likely, unfortunately. The virus is | :05:41. | :05:44. | |
changing, spreading through more and more parts of the world, and a | :05:45. | :05:50. | |
migratory birds keep coming, so the risk will continue to be there. They | :05:51. | :05:55. | |
clearly like it out here. It is what I am about as a free range producer. | :05:56. | :05:59. | |
Thank you for showing me around, Alistair. It was lovely to be part | :06:00. | :06:05. | |
of this, especially at Easter. Absolutely. What better time of year | :06:06. | :06:08. | |
to let the birds out? Great news, indeed. We have heard | :06:09. | :06:14. | |
from Defra, and they have told us that the risk is fallen from high to | :06:15. | :06:20. | |
medium. Migratory birds have left the UK in majority and the virus | :06:21. | :06:25. | |
will degrade more quickly with the increased daylight hours. Phil, you | :06:26. | :06:29. | |
were one of the voices in Chicken Run. That'll must have taken your | :06:30. | :06:38. | |
back. Quite emotional, really. I wasn't a chicken, I was a rat, and | :06:39. | :06:43. | |
they remember more than chickens. You are not a rat in your new film. | :06:44. | :06:47. | |
In tribute to the film in which you break into a bold, we are going to | :06:48. | :06:52. | |
raid the vaults of Larry and filter night. We're unlocking hidden gems | :06:53. | :06:55. | |
from the back catalogue $:/STARTFEED.. Unfortunately, | :06:56. | :07:00. | |
someone has been in and they have taken all the good stuff! | :07:01. | :07:07. | |
Choose a safety deposit box. First of all, Phil... Wing number two. -- | :07:08. | :07:22. | |
number two. You were doing a duet with Carrie Kemp -- Gary Kemp from | :07:23. | :07:31. | |
Spandau Ballet. # I have been there | :07:32. | :07:36. | |
# You have been here # We ain't had no time to drink that | :07:37. | :07:39. | |
the... #. APPLAUSE | :07:40. | :07:51. | |
We went to a children's's theatre, we were great mates and we used to | :07:52. | :07:55. | |
play guitars together and sing America songs, and our Rome. Do you | :07:56. | :08:02. | |
still play a bit? Yes, a bit. Larry, bigger box. Number three. Here is a | :08:03. | :08:11. | |
scene from 1983's Superman III. Seve can recognise the very crabby miner. | :08:12. | :08:22. | |
Does your boss own this operation? Tell him he would do well to give | :08:23. | :08:32. | |
this guy a job. I thought I was going to get a trip | :08:33. | :08:38. | |
to the United States, but that was filmed at Battersea Power Station! | :08:39. | :08:41. | |
It was nice to work with those people. Yeah, it's funny you should | :08:42. | :08:47. | |
play that. That is a funny one. I lived and worked in that part of | :08:48. | :08:52. | |
America for a long time, and to play an old appellation coalminer, or a | :08:53. | :08:59. | |
young one, as I was then, it was a treat. It all went seriously wrong. | :09:00. | :09:05. | |
Still going, still in the movies, Larry. Now, the Hatton Garden Heist | :09:06. | :09:11. | |
put the historic jeweller redistrict into the spotlight, but Larry has | :09:12. | :09:17. | |
been keeping the digging deep for us, meeting the people who make | :09:18. | :09:20. | |
Hatton Garden shine. It is the centre of the UK diamond trade, but | :09:21. | :09:25. | |
are these old school businesses and trade is under threat? | :09:26. | :09:28. | |
Our new film tells the story of the notorious Hatton Garden Heist. It is | :09:29. | :09:35. | |
the biggest theft in history. A gang of criminals, including some very | :09:36. | :09:39. | |
active pensioners, drilled this whole through the concrete walls of | :09:40. | :09:44. | |
the vault. They forced open safety deposit boxes containing cash, | :09:45. | :09:49. | |
jewellery and other valuables. They were estimated at ?25 million in | :09:50. | :09:54. | |
value. It has been described as the largest burglary in English legal | :09:55. | :09:59. | |
history. It is a story that caught the public's imagination, so the One | :10:00. | :10:03. | |
Show has asked me to see what I can find out about the real Hatton | :10:04. | :10:09. | |
Garden. It is a unique concentration of jewellery shops. I don't think | :10:10. | :10:12. | |
you will find it anywhere else. Mime. -- my mum got her wedding ring | :10:13. | :10:18. | |
at Hatton Garden, so it is traditional to come and look. | :10:19. | :10:26. | |
One-man who has seen the area involved is 94-year-old Robert Holt. | :10:27. | :10:32. | |
Remarkably, he is still working here today. It is something special, | :10:33. | :10:35. | |
because people know each other, and many of them have been there nearly | :10:36. | :10:41. | |
as long as I have. We get together, have a drink, and it is a bit of a | :10:42. | :10:47. | |
family situation. Today, ie a meeting one of the new kids on the | :10:48. | :10:55. | |
block. -- I am meeting one of the new kids on the block. 31-year-old | :10:56. | :11:01. | |
Diamond Mount Alex Tomlinson tells me why, as an aspiring young | :11:02. | :11:05. | |
jeweller, Hatton Garden is the place to be. If you want to be the best, | :11:06. | :11:12. | |
at the top, you have to be here. What would you say is the most | :11:13. | :11:16. | |
important thing about working here? To have everything at my fingertips | :11:17. | :11:21. | |
is essential. You have a diamond dealer next door, a bullion dealer | :11:22. | :11:25. | |
down the road. Everything is close, a nice hub. At the centre of that is | :11:26. | :11:31. | |
the one tonne pub, the ideal place for Alex to introduce me to more me | :11:32. | :11:37. | |
tomorrow the locals. I have been in Hatton Garden now for nearly 30 | :11:38. | :11:45. | |
years. Patrick is one of Hatton Gardens' many bespoke jewellers. You | :11:46. | :11:49. | |
felt you were treading in the footsteps of generations and | :11:50. | :11:54. | |
generations. The quality of work is unsurpassed, the best in the world. | :11:55. | :12:00. | |
The lifeblood of Hatton Garden is the apprentices. Jewellery designer | :12:01. | :12:05. | |
Jeff Murray has been working in Hatton Garden for 13 years after | :12:06. | :12:09. | |
landing work experience there at the age of 19. You have 16-year-old guys | :12:10. | :12:15. | |
coming out of school, coming to work in a workshop, learning a trade, | :12:16. | :12:18. | |
learning how it is done and being part of the fabric of Hatton Garden. | :12:19. | :12:25. | |
I loved it. As I talked to the guys, they are passion for this place and | :12:26. | :12:29. | |
the jewellery is clear. Sitting between the City of London in the | :12:30. | :12:34. | |
West End, this is an area of prime real estate, and there is concern | :12:35. | :12:38. | |
that other businesses will move in and change the face of Hatton Garden | :12:39. | :12:42. | |
for good. The principal threat is rent. Ours has gone up 65%. | :12:43. | :12:49. | |
Malcolmers, polishes and setters are leaving. What does that mean for the | :12:50. | :12:58. | |
talent? Some of the places on offer are very small, in the basement, not | :12:59. | :13:04. | |
much light. It poses a big problem. Could you envisage going somewhere | :13:05. | :13:09. | |
else? I don't want to, but it could be a reality. How does that feel? | :13:10. | :13:14. | |
You are not sure of the future of your business. Their concerns are | :13:15. | :13:17. | |
also shared by other local businessmen like Gary Williams. He | :13:18. | :13:23. | |
is working to save Hatton Gardens' future buys starting a business | :13:24. | :13:29. | |
improvement district. Gary, what is a business improvement area? | :13:30. | :13:35. | |
Businesses pay a small levy on their rates, and hopefully in five years | :13:36. | :13:39. | |
we will have an investment of ?2.5 million to spend on improving the | :13:40. | :13:45. | |
area to support the remaining jewellery trade in Hatton Garden. I | :13:46. | :13:48. | |
think it is good to keep the trade here. I am worried that if the | :13:49. | :13:53. | |
workshops will be able to survive. You and I and the rest of the try, | :13:54. | :13:57. | |
we need to keep educating the developers on what we need at each | :13:58. | :14:02. | |
stage. When I was filming The Hatton Garden Job, I didn't know much about | :14:03. | :14:06. | |
the place of the people who work here. I hope the efforts they are | :14:07. | :14:09. | |
making to hang on to the character of London's gold jewellery Quarter | :14:10. | :14:13. | |
work out and that Hatton Garden never stops having its sparkle. | :14:14. | :14:19. | |
Larry, let's pick up on that thought. What a shame that these | :14:20. | :14:25. | |
places are under threat. I know, and the thing is, you get the sense when | :14:26. | :14:30. | |
you talk to people that despite the fact that there is this huge | :14:31. | :14:34. | |
invasion every day of of people coming in and coming through, there | :14:35. | :14:38. | |
is still this community there will stop it has changed over the years | :14:39. | :14:42. | |
but it has paid there, and people do feel this thing. This thing of it | :14:43. | :14:46. | |
all being interconnected, they relied on little work spaces in the | :14:47. | :14:50. | |
building where the vault is. You go at there, and it is full of little | :14:51. | :14:55. | |
businesses. The rents go up and up, and you are sitting there right in | :14:56. | :14:58. | |
the middle, the West End one side, the city on the other, and their | :14:59. | :15:02. | |
writ is right in the middle, prime for development. This is the case | :15:03. | :15:06. | |
all over the UK. You get these pockets that are renowned for | :15:07. | :15:11. | |
something and should be protected. They are doing their best, but it is | :15:12. | :15:14. | |
very difficult because, you know, the march of time and of money, it | :15:15. | :15:18. | |
just grabs everything and takes it on. | :15:19. | :15:24. | |
Well, Crossrail as well and Soho is being battered by Crossrail. You | :15:25. | :15:31. | |
guys got to spend a long time in Hatton Garden whilst filming this. | :15:32. | :15:35. | |
For guys, the characters, with the average age of 70. They tied it up, | :15:36. | :15:44. | |
about 400 years altogether, I think. Nice to be part of that, our careers | :15:45. | :15:49. | |
have finally paid off. Do you think that was part of the appeal? I can | :15:50. | :15:55. | |
remember when, the story, it was like somebody was writing it. Over | :15:56. | :15:58. | |
the course of a bank holiday weekend, this happened. Then you | :15:59. | :16:02. | |
find out that this has gone on, then you'd find that it hasn't gone to | :16:03. | :16:07. | |
India, it isn't in the Middle East or the near East. Then it turns out | :16:08. | :16:12. | |
it was a bunch of pensioners who had done it and one of them looks just | :16:13. | :16:17. | |
like him. We saw all the aces at the start. I'm the only one who isn't a | :16:18. | :16:22. | |
pensioner, by the way. Tell us about your character. I play Danny Jones, | :16:23. | :16:29. | |
who is sort of a fixer, really. He is a fitness fanatic, does a bit of | :16:30. | :16:33. | |
running, likes to do a bit of Army training. But I didn't have time to | :16:34. | :16:40. | |
dye my hair grey. He's quite an eccentric trap as well? Yes. He | :16:41. | :16:48. | |
liked to wear a fez. You wore one, didn't you? I did wear a fez but | :16:49. | :16:57. | |
it's not in the film any more. Larry, you're the leader of the | :16:58. | :17:03. | |
pack? Yes, I am the old experienced bank burglar, the bank robber. They | :17:04. | :17:07. | |
are from different branches of the criminal world and they say this is | :17:08. | :17:10. | |
the guy who knows the way to get you into that bolts. The young guy will | :17:11. | :17:16. | |
get you into the building, you as a group of older guys have the | :17:17. | :17:20. | |
experience to get into the vault and do the job. Let's have a look at | :17:21. | :17:28. | |
when you get into the gang together. Muscle. Terry Perkins. Pulled up the | :17:29. | :17:35. | |
biggest cash blag in British history. Spent most of the 90s on | :17:36. | :17:44. | |
the run. You say on the run, he was living back on his mum 's house. The | :17:45. | :17:50. | |
police would have found him if he'd -- if they don their digging. He | :17:51. | :17:54. | |
couldn't do with her nagging in the end, so he handed himself in. I | :17:55. | :17:58. | |
happen to know that he is itching to get back in the game. I mean, you | :17:59. | :18:10. | |
forget that it's based on a true story and that there were real | :18:11. | :18:14. | |
victims in this. People say that you shouldn't do this because it | :18:15. | :18:19. | |
glorifies crime, but they are all serving a minimum of six years each. | :18:20. | :18:23. | |
They got away with the crime but then they all got caught | :18:24. | :18:26. | |
subsequently because somebody made a bit of a mistake. There's no | :18:27. | :18:29. | |
glorification when you see they are all in the slammer. Is there one guy | :18:30. | :18:36. | |
on the loose? The young guy, the middleman, he is still on the lease | :18:37. | :18:41. | |
and nobody knows who he is. There is still a bit of money on the lease as | :18:42. | :18:49. | |
well? Still quite a bit of wedge. The iconic shot of those holes that | :18:50. | :18:53. | |
they drilled and you did this for real, didn't you? We have been | :18:54. | :18:58. | |
signed -- behind-the-scenes footage. Is it right that you drilled the | :18:59. | :19:05. | |
equivalent of what they did? We attempted to. We got the drill and | :19:06. | :19:10. | |
dried. It was imported from the director's point of view that you | :19:11. | :19:14. | |
tried to do it properly? We had a concrete wall that we drilled | :19:15. | :19:19. | |
through. We did some of it and expert drillers did it as well. We | :19:20. | :19:25. | |
stood around and pretended. Very butch. Oh, I just drilled through | :19:26. | :19:32. | |
two feet of concrete. That is TV! Listen, we are going to have one | :19:33. | :19:36. | |
last look in our vault here. Larry, we couldn't resist playing this from | :19:37. | :19:43. | |
an 80s soap set aboard a North Sea ferry. Oh, you know where we going. | :19:44. | :19:53. | |
Well, we seem to be trying to prove that the inevitable can be postponed | :19:54. | :19:58. | |
indefinitely. And why would we want to do that? I don't know. Well! What | :19:59. | :20:09. | |
a line. How did you keep a straight face? The trouble is, it all went | :20:10. | :20:18. | |
time later -- went off later on when she said, darling, you are on | :20:19. | :20:22. | |
television and we don't do tongues. That was Kate O'Mara. I tried it on | :20:23. | :20:26. | |
with her, she was a happily married woman and she was having none of it! | :20:27. | :20:32. | |
She was just lovely. We had a terrible situation and it kept going | :20:33. | :20:36. | |
wrong. I was opposed to dive into a swimming pool whilst she was | :20:37. | :20:39. | |
swimming and I was supposed to pop up alongside her, romantic, like in | :20:40. | :20:45. | |
a James Bond film, but as I did, the entire contents of my brain fell | :20:46. | :20:49. | |
through my nose and it also told went down my face, like that, and | :20:50. | :20:54. | |
just thereby went to kiss her, she went... Cut. Let's do that again. | :20:55. | :21:04. | |
That's lovely. Apologies if you are having your teeth. That's what I | :21:05. | :21:12. | |
said to have. Let's see if we can follow that with George McGavin he | :21:13. | :21:16. | |
has also been hunting for treasures. But his prize is of the feathered | :21:17. | :21:24. | |
variety. The Scottish Highlands, a land of extremes. I am on the Trail | :21:25. | :21:30. | |
of something great and something very small. And it's brought me to | :21:31. | :21:38. | |
the field centre here. It's home to some of the biggest trees in | :21:39. | :21:45. | |
Britain, like the Sequoia, and also one of its smallest birds, the tree | :21:46. | :21:49. | |
creeper. These little birds love Bach. It provides them with insects | :21:50. | :21:54. | |
to hunt and crevices to nest and hide in. But the bark of Sequoia is | :21:55. | :22:00. | |
extra special. This ancient species is relatively new to Britain. They | :22:01. | :22:07. | |
were brought here as seeds in the 1800s from their native California, | :22:08. | :22:11. | |
where they can grade two 60m and lived for over 3000 years. If you | :22:12. | :22:18. | |
look at the bark of the Sequoia is here, you will sometimes see a | :22:19. | :22:23. | |
little hollow like this. It has been made by a tree creeper. The fibrous | :22:24. | :22:29. | |
nature of the Sequoia bark makes it an incredibly good thermal | :22:30. | :22:32. | |
insulator. When the tree creepers hunker down in there, it's got a | :22:33. | :22:37. | |
blanket against the cold and this has got to be the warmest place in | :22:38. | :22:43. | |
the whole forest. Because the birds are so tiny, it's something that's | :22:44. | :22:49. | |
really tiny to actually see. So I'm meeting up with wildlife | :22:50. | :22:53. | |
photographer legend, Laurie Campbell, who has been following the | :22:54. | :22:55. | |
tree creepers here for over three years. The one thing I have do ask | :22:56. | :23:02. | |
you is you have a particular fascination with this bird. Why? | :23:03. | :23:08. | |
They are really specialised bird. Their behaviour and their roosting | :23:09. | :23:13. | |
at the bark of Sequoia trees. As a photographer, you always try to do | :23:14. | :23:18. | |
something different. His recent mission has been to try to capture | :23:19. | :23:22. | |
an image which shows a dramatic difference in scale. The tiny tree | :23:23. | :23:28. | |
creeper in the giant Sequoia against the vast universe behind, but all in | :23:29. | :23:35. | |
one shot and with no manipulation. We wait until dark and then head out | :23:36. | :23:40. | |
in the hope that I can see a tree creeper and Laurie can get his | :23:41. | :23:45. | |
ultimate photo. First up, the main tree where he's seen them roosting | :23:46. | :23:50. | |
over the past two winters. So, that's a bit of a blow. It's not | :23:51. | :23:57. | |
there. It's not there? We have another five trees to check though. | :23:58. | :24:02. | |
Shall we. I am still quietly optimistic. There are some nice | :24:03. | :24:11. | |
hollows there. There is one. It's there. Oh my God, it is! The last | :24:12. | :24:21. | |
tree. It is kind of fluffed out. Then you have got these two tail | :24:22. | :24:27. | |
feathers bracing itself. To think that such a tiny bird is using this | :24:28. | :24:32. | |
enormous great tree in this way. Wow. But, there's a problem. Laurie | :24:33. | :24:38. | |
doesn't know this bird or how it will react and getting close could | :24:39. | :24:44. | |
frighten it off. I've no idea how steady this bird is. I'd be | :24:45. | :24:49. | |
reluctant to have a go at it for the sake of the bird. On a cold winter's | :24:50. | :24:54. | |
night like this, it would have to use energy which it doesn't have do. | :24:55. | :24:59. | |
It would sap its reserves. A disappointment for Laurie, but after | :25:00. | :25:04. | |
several chilly nights trying, he did at last managed to get that shot | :25:05. | :25:08. | |
with a different bird. You remember the first tree be looked at, this | :25:09. | :25:12. | |
shot was taken there. That's the shot that I really wanted. Oh my | :25:13. | :25:20. | |
goodness, that is amazing. You have got everything. The tree bark, the | :25:21. | :25:26. | |
tree creeper in its hollow and the tree and universe. That is a picture | :25:27. | :25:29. | |
to be proud of. You only need the one and that's it. | :25:30. | :25:37. | |
A big thank you to them up in the Scottish Highlands. Now, joining us, | :25:38. | :25:43. | |
he may not be part of the Hatton Garden gang, but he is the brains | :25:44. | :25:50. | |
behind our operation. It's Gyles. Do you know, there is none so thick as | :25:51. | :25:58. | |
this. I have been doing -- none so thick as thieves. I have been | :25:59. | :26:04. | |
researching the top three gaffes. Larry, this might ring true with you | :26:05. | :26:10. | |
because it's about the Great Train Robbery, a mail train running from | :26:11. | :26:16. | |
Glasgow to London and 2.6 million was robbed. They seemed to get away | :26:17. | :26:21. | |
with it. They disappeared. They found themselves on a farm, | :26:22. | :26:27. | |
somewhere near Buckinghamshire, and they were there and they escaped. | :26:28. | :26:31. | |
They were going to get away with it except that while they were there | :26:32. | :26:35. | |
waiting, sorting through the money, they decided to play Monopoly. They | :26:36. | :26:39. | |
had a monopoly sat there and they played Monopoly using all the money, | :26:40. | :26:45. | |
then they scarpered taking all the money with them but leaving behind | :26:46. | :26:49. | |
the Monopoly board, covered in their fingerprints, and so all of them | :26:50. | :26:53. | |
were caught, including the ringleader, Bruce Reynolds, which | :26:54. | :26:57. | |
you played in the film of the Great Train Robbery, I believe is I did, | :26:58. | :27:04. | |
and that was it. Just a silly mistake. Someone left their gloves | :27:05. | :27:10. | |
off just for a view minutes. Yes, bus that was busted. The next one I | :27:11. | :27:16. | |
have got, I am calling this, Always Cheque Your Work. This goes back to | :27:17. | :27:22. | |
2007 when a robber called Forest Kelly Bissonette of Colorado decided | :27:23. | :27:27. | |
to rob the local bank. He went into the back with a note demanding | :27:28. | :27:31. | |
$5,000. He passed the note to the cashier, demanded the money, but | :27:32. | :27:35. | |
unfortunately what he was using to write his note was actually one of | :27:36. | :27:39. | |
his own checks, and on the other side was his name, his own bank etc. | :27:40. | :27:47. | |
He had tried to scrub it out but it was still visibly -- still visible, | :27:48. | :27:50. | |
so he was caught easily. And you have another one? This is my | :27:51. | :27:54. | |
favourite, the great Colombian heist. Rum, oil, Rice. Cans of tuna | :27:55. | :28:03. | |
were stolen. Can you get away what the getaway vehicle was? What | :28:04. | :28:07. | |
vehicle would you have chosen? It was a donkey! Can we point out for | :28:08. | :28:14. | |
legal reasons that this is not the actual donkey. The wait was so great | :28:15. | :28:25. | |
on the donkey that he began braying, the noise alerted the police and | :28:26. | :28:30. | |
soon the braying was matched with the sirens of the police cars and | :28:31. | :28:37. | |
the robbers were caught. They had to give back their sardines? There will | :28:38. | :28:44. | |
be a movie in due course. Thank you for your research but we think the | :28:45. | :28:51. | |
sirens are here, aren't they? You'd better run. Scapa. Listen, we went | :28:52. | :28:59. | |
their word. Larry, Phil, thank you very much. The Hatton Garden Job is | :29:00. | :29:04. | |
in tomorrow. I will be back tomorrow with Al Murray and we will be | :29:05. | :29:10. | |
talking to Rhod Gilbert and James are the bands, take note. He | :29:11. | :29:12. |