Browse content similar to 13/07/2017. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show, with Kevin Duala... | :00:15. | :00:17. | |
It was fantastic! We had the best welcome and the best fish and chips! | :00:18. | :00:37. | |
It was like a 9.5, 9.9 out of ten. I thought you were going for a classy | :00:38. | :00:41. | |
burger? The first thing I have won on The One Show ever, Matt was | :00:42. | :00:42. | |
furious! First time in the hot | :00:43. | :00:43. | |
seat for you, Kev. And you're in luck, because tonight | :00:44. | :00:46. | |
we've got a massive guest. Some might say he's | :00:47. | :00:50. | |
a magnificent beast. He's towered over everyone he meets, | :00:51. | :00:54. | |
has entertained the masses over the years, and is currently | :00:55. | :00:57. | |
preparing to go on tour. Is it Dippy the Dinosaur | :00:58. | :00:59. | |
from the Natural History Museum? APPLAUSE | :01:00. | :01:16. | |
Hi, Greg, you all right? Fabulous. Nice to see you. You | :01:17. | :01:21. | |
couldn't guess it was me when I'd been sitting here all along, Kevin! | :01:22. | :01:27. | |
Play along! It was drama, Greg, that was acting, of course! | :01:28. | :01:30. | |
of Dippy's replacement, Hope, the blue whale, | :01:31. | :01:34. | |
and he'll be meeting the public from tomorrow. | :01:35. | :01:36. | |
The whale has been given the name Hope as a "symbol | :01:37. | :01:38. | |
of humanity's power to shape a sustainable future". | :01:39. | :01:40. | |
Greg, you've chosen a meaningful name for your forthcoming tour - | :01:41. | :01:47. | |
A meaningful name, might hope. Your tour has an equally meaningful name. | :01:48. | :01:57. | |
And I have been called Hope before! You have gone for You Magnificent | :01:58. | :02:02. | |
Beast! Go one... Y?! What the inspiration? The truth is, I was in | :02:03. | :02:10. | |
London and I got in a taxi. A really drunk student saw me and ran and | :02:11. | :02:15. | |
jumped through the open window of my taxi and grabbed me by the collars | :02:16. | :02:20. | |
and went, oh, You Magnificent Beast! And then he just fell away! Male or | :02:21. | :02:27. | |
female? Mail! I thought, that's it, that's my show title by an! And | :02:28. | :02:32. | |
there's a good story to go with it, perfect. Why a young man would want | :02:33. | :02:36. | |
to call me a magnificent beast, I don't know, but I'm delighted! Have | :02:37. | :02:39. | |
I ever told you the story of the topless picture of me? I wasn't | :02:40. | :02:43. | |
allowed to put it on Amazon because it broke bendable policy! -- it | :02:44. | :02:51. | |
broke their Nepal policy. I can say nipple on The One Show?! You've | :02:52. | :02:59. | |
already said it many times! Do you find that when you are in a taxi you | :03:00. | :03:05. | |
wind up the windows so that people don't throw themselves at you? It | :03:06. | :03:11. | |
hasn't happened again, but thank you to that young man! | :03:12. | :03:14. | |
We'll be talking about your fourth series of Man Down later, too. | :03:15. | :03:16. | |
And we have a surprise for you as well... | :03:17. | :03:19. | |
I would advise you, start getting a little bit nervous... Oh, I did | :03:20. | :03:25. | |
expect that an The One Show! Tonight we're launching our | :03:26. | :03:27. | |
One Show Phone Plan, According to exclusive statistics | :03:28. | :03:29. | |
provided to us by Deloitte, 15.5 million of us think | :03:30. | :03:32. | |
we use our phones too much. And last week, even Prince Harry | :03:33. | :03:35. | |
said that young people should try to take a break | :03:36. | :03:37. | |
from checking their mobiles So we've been asking | :03:38. | :03:40. | |
for your suggestions on how we can all achieve | :03:41. | :03:44. | |
a better phone-life balance. You haven't let us down, thanks for | :03:45. | :03:50. | |
sending them on. We've had loads in, including this | :03:51. | :03:54. | |
sign on the school gates sent in by Gail from Witney - | :03:55. | :03:57. | |
"Greet your child with Rhyming and everything! It's like | :03:58. | :04:08. | |
the start of a little rap song, isn't it?! Not a great one! We can | :04:09. | :04:14. | |
give it a go... # Greet your Child with a smile | :04:15. | :04:21. | |
# Not a mobile! #. I won't be part of this, Kevin! | :04:22. | :04:27. | |
And the Smiths showed us about the way they deal | :04:28. | :04:30. | |
with excessive phone use in their house - confiscate all | :04:31. | :04:32. | |
Our plan is made up of the best suggestions we've had, | :04:33. | :04:37. | |
and the Farnworth family are going to be the first to try it | :04:38. | :04:40. | |
Like many families up and down the country, the Farnworths family from | :04:41. | :04:45. | |
Bolton Lancashire were worried that no news was getting out of hand. | :04:46. | :04:50. | |
What are you doing? I'm reading the news. I do don't know where it's | :04:51. | :04:55. | |
going, and I don't like it. When we asked them to monitor their mobile | :04:56. | :04:58. | |
use over one weekend, the results truly shocking. You spent 32 hours | :04:59. | :05:06. | |
on your phones. GASPS | :05:07. | :05:09. | |
That's over a day! So they've currently agreed to by our guinea | :05:10. | :05:13. | |
pigs and test out the one shown Phone Plan for a whole week to see | :05:14. | :05:16. | |
if the suggestions that you have come up with can really help them | :05:17. | :05:20. | |
get the perfect phone- life balance. Although, until I present it to them | :05:21. | :05:26. | |
on this giant smartphone, of course, they have really no idea how far | :05:27. | :05:34. | |
they will be asked to go. Hello! Is managed to negotiate you an update! | :05:35. | :05:41. | |
As you know, this isn't about stopping using your phones | :05:42. | :05:45. | |
altogether. It's about reducing the amount of time you spend on your | :05:46. | :05:49. | |
phone. How are you feeling about plummeting these recommendations? | :05:50. | :05:53. | |
Not very good! The first suggestion that has made it onto our plan was a | :05:54. | :05:59. | |
popular one. Turn off notifications. Make sure that all notifications and | :06:00. | :06:03. | |
are turned off of your mobile, just leaving the ring turned on. Every | :06:04. | :06:09. | |
time it goes off, you spend log on your mobile. I think turning the | :06:10. | :06:12. | |
notifications offers a really good idea. Turn of the notifications. I'm | :06:13. | :06:16. | |
going to turn all of them off. Come on! Stop it, Jake, give it to me! | :06:17. | :06:24. | |
OK, for the next one, follow me into the hole. Next onto the list, you | :06:25. | :06:27. | |
suggested that every household should have a central charging | :06:28. | :06:30. | |
point. And that means you're not going to be looking at your phones | :06:31. | :06:34. | |
while it is an charge. So you spend a bit less time on your phone. And | :06:35. | :06:38. | |
it takes you back to the old days when you use have one phone in the | :06:39. | :06:42. | |
whole house, and it was in the hallway. The third suggestion was | :06:43. | :06:48. | |
the most. Keep mealtimes phone free. It gives us a chance to catch up on | :06:49. | :06:52. | |
the day, and to sort out any problems that we might have. And to | :06:53. | :06:56. | |
really make sure you're not tempted to check your devices... Put them | :06:57. | :07:03. | |
all in a bowl. The first person to get their phone gets to do the | :07:04. | :07:07. | |
family chores for the next week! LAUGHTER | :07:08. | :07:15. | |
I think this will do. Four, in order to get a proper night's sleep, don't | :07:16. | :07:20. | |
take your phones to bed. Because the blue light, you are bound to wake | :07:21. | :07:23. | |
up, actually. We've got to give it a go, we have. We have two. If you | :07:24. | :07:30. | |
worried about your kids sneaking their phones into bed without you | :07:31. | :07:34. | |
noticing, you can always follow suggestion number five. Turn off the | :07:35. | :07:38. | |
Wi-Fi. As long as you keep them on a low data bundle. Six, my personal | :07:39. | :07:42. | |
pet hate. Don't check your phone whilst chatting. If you want to talk | :07:43. | :07:46. | |
to some the end they pick their phone up, you think, oh... I think | :07:47. | :07:51. | |
it depends. Sometimes they might be having a conversation about | :07:52. | :07:53. | |
something that doesn't interest you, it's really boring. Thanks very | :07:54. | :08:00. | |
much, Jake! Meet up with friends in person instead of sending them | :08:01. | :08:04. | |
messages... You might realise who your real friends are, perhaps these | :08:05. | :08:09. | |
are people that he would make friends with. Something tells me | :08:10. | :08:15. | |
this is all getting a bit too much for super SnapChat user Grace. Is a | :08:16. | :08:19. | |
vague friendships. These are not real friends. Friends are people you | :08:20. | :08:23. | |
have a coffee with or go for a walk with. Number eight, stroll without | :08:24. | :08:28. | |
looking at your screen, Jacob! We're going to send you on a family walk, | :08:29. | :08:32. | |
when none of you has a mobile phone with you, so that you can enjoy the | :08:33. | :08:37. | |
sights and the company. I think that's a really good idea. | :08:38. | :08:40. | |
Suggestion number nine is one for mum and dad. Phone free date night. | :08:41. | :08:48. | |
Geis! Last, but by no means least, if all else fails, implement the | :08:49. | :08:52. | |
final selection. Turn off the phones for a whole day. My grandchildren | :08:53. | :08:57. | |
have much more thundering things together, and it helps their | :08:58. | :09:01. | |
communication skills as well -- have much more on doing things together | :09:02. | :09:06. | |
at. That's quite manageable. I think I'd go mad. There's no other way to | :09:07. | :09:13. | |
describe it. There you have it, The One Show ten point Phone Plan. | :09:14. | :09:17. | |
There's no excuses, Grace, for missing out on any of these. Will | :09:18. | :09:21. | |
the family stick to it for a whole week over the summer and will it | :09:22. | :09:25. | |
reduce their phone use? I can't wait to find out! You might find if | :09:26. | :09:28. | |
you're not on it all the time that there are other things that you do | :09:29. | :09:31. | |
which are more enriching to your life. | :09:32. | :09:36. | |
I'll tell you what, Grace didn't look too happy. I can understand | :09:37. | :09:39. | |
why, frankly! Tommy is here with us - | :09:40. | :09:41. | |
or Technical Tommy, He's been elevated. Technical | :09:42. | :09:51. | |
telephone Tommy, I'm elevating myself! This could change | :09:52. | :09:53. | |
everybody's lives, this ten point plan. We want everyone to give this | :09:54. | :09:58. | |
a go. There are loads of apps out there that you can download onto | :09:59. | :10:01. | |
your phone which will help you monitor how much you use your phone. | :10:02. | :10:05. | |
If you download these free apps, things like quality time, break | :10:06. | :10:10. | |
free. A phone app to stop you from using your phone! This is what I | :10:11. | :10:17. | |
said earlier! It is like the app to end all other apps. It will tell you | :10:18. | :10:20. | |
that you are only using your phone at night or in the day or WhatsApp | :10:21. | :10:24. | |
or whatever it is that you were doing. You find out where you are | :10:25. | :10:27. | |
overly using your phone and then you can reclaim your life. So, which of | :10:28. | :10:31. | |
these are you going to implement, Alex? How many of these do you think | :10:32. | :10:36. | |
you can get a go? This is our One Show Phone Plan. You can do all of | :10:37. | :10:43. | |
those, Alex! No, I'm not turning off notifications or having a central | :10:44. | :10:47. | |
charge point! You go a lot more Welsh when you get defensive! I | :10:48. | :10:54. | |
don't even notice myself! OK, I'll do no phone mealtimes because I | :10:55. | :10:57. | |
think it's rude to have a phone on the table. I won't take the phone to | :10:58. | :11:00. | |
bed, I've started doing that for the last week. And I sleep a lot better, | :11:01. | :11:04. | |
actually. I'm not unplugging the Wi-Fi, no. I will go for a walk | :11:05. | :11:12. | |
without my phone, at a push. Device free date night, that's a good one. | :11:13. | :11:20. | |
No... I'm joking! We'll try that, yes. Greg, could you do any of | :11:21. | :11:26. | |
those? Not at the moment, I'm as addicted as anybody else to my | :11:27. | :11:32. | |
phone. I would put this is my number one thing. I would like to stop | :11:33. | :11:36. | |
sending myself messages to remind myself of things! I do this | :11:37. | :11:40. | |
everyday, I sent myself a message, remember to do this. The message | :11:41. | :11:43. | |
comes through and I go, message! Everyday! Send yourself a message | :11:44. | :11:49. | |
that says, don't use your phone so much. Then we can reclaim our lives. | :11:50. | :11:54. | |
It is a good idea because it is getting out of hand. The audience | :11:55. | :11:58. | |
don't have to do all of these. Do some of them and let us note. We | :11:59. | :12:01. | |
want everybody to get in touch over the summer. If you go on holiday and | :12:02. | :12:07. | |
give any of these a goat. Don't ring us! -- if any of these a go. You can | :12:08. | :12:15. | |
e-mail us. It would be so lovely to hear from the people who are having | :12:16. | :12:19. | |
a go, actually, we had much more quality time together, it was great. | :12:20. | :12:23. | |
Thanks, Tommy, we will let you know how the Farnworths got on over the | :12:24. | :12:25. | |
summer. Something that had millions | :12:26. | :12:26. | |
of people glued to their screens back in 1980 was the siege | :12:27. | :12:29. | |
of the Iranian Embassy, You watched it too, | :12:30. | :12:31. | |
didn't you, Greg? I did watch it, Alex. I was 12. I | :12:32. | :12:46. | |
was one. Why do? -- you made me feel awful! I didn't mean to! | :12:47. | :12:50. | |
The story has been brought to life in a new film set | :12:51. | :12:52. | |
for release later this summer, and Lucy's been to meet | :12:53. | :12:55. | |
How old were you, Kev?! Why have you taken hostages inside the embassy... | :12:56. | :13:08. | |
Because we have to get what we want. April 1980, and a six-day siege has | :13:09. | :13:11. | |
the country gripped to its TV screens. It began when six Arab | :13:12. | :13:17. | |
Iranian gunmen wanting sovereignty in the southern region of a province | :13:18. | :13:23. | |
stormed the embassy. They took 25 hostages and they said they will | :13:24. | :13:26. | |
start killing them if their demands were not met. Look, we are ready... | :13:27. | :13:36. | |
6 Days of negotiations keep them alive. But on the sixth day, one is | :13:37. | :13:41. | |
killed. That's when the SAS are ordered to go in. Millions watched | :13:42. | :13:45. | |
the events unfold live on television. Viewers could only | :13:46. | :13:48. | |
imagine what was taking place inside the embassy. A new film, 6 Days, | :13:49. | :13:55. | |
starring Jamie Bell, tells the story of the raid through the eyes of the | :13:56. | :14:00. | |
SAS troopers. Tell your government, one more day, and we begin shooting | :14:01. | :14:04. | |
them. We know those images of the news footage, so iconic, these men | :14:05. | :14:10. | |
coming down. But we've never been inside the building, we've never | :14:11. | :14:13. | |
been with those people during that time in that moment. And that's what | :14:14. | :14:17. | |
the film does, it opens doors and gives you access to things that you | :14:18. | :14:21. | |
wouldn't normally have access to. I felt as a film experience, it kind | :14:22. | :14:24. | |
of let you go behind the scenes in the way, this is something that is | :14:25. | :14:30. | |
kind of heralded in British history. The Prime Minister wants the world | :14:31. | :14:33. | |
and the British people to see how this government deals with | :14:34. | :14:38. | |
terrorism. Jamie plays Rusty Fuhrman, leader of one of the | :14:39. | :14:41. | |
assault teams. The film-makers wanted the film to be so authentic | :14:42. | :14:47. | |
they asked Rusty to give Jamie some SAS training. We had a lot of things | :14:48. | :14:51. | |
in common to start with. He is from the North of England, I'm from the | :14:52. | :14:55. | |
north Ringwood. He's 30 now, I was 30 when I did the siege. Rusty says | :14:56. | :15:00. | |
he had to teach you to be him. What did you learn? Rusty was very | :15:01. | :15:05. | |
specific about certain things. He wanted the pistol to be a certain | :15:06. | :15:10. | |
way. The way I had my finger on the trigger, all of that kind of stuff. | :15:11. | :15:15. | |
He was very specific about it. More than anything, it was about trying | :15:16. | :15:18. | |
to get rid of my dancing feet. I would do this thing with my feet all | :15:19. | :15:23. | |
the time, and he wasn't into that. Rusty, what did you make of Jamie's | :15:24. | :15:27. | |
performance of you? Getting him to become the, getting him to play | :15:28. | :15:32. | |
Rusty, he learned very quickly, and in the end, what you see on the | :15:33. | :15:37. | |
screen is just an too hard work and dedication. This is his memory, this | :15:38. | :15:43. | |
is his legacy, his friends who were with him. So if it is important to | :15:44. | :15:48. | |
him than it is important to me. Jamie Lovemark and just how to act | :15:49. | :15:52. | |
the part. He discovered just how much of a formidable force the SAS | :15:53. | :15:54. | |
actually are -- Jamie Lund more. The tactic is to overwhelm | :15:55. | :16:07. | |
aggressively and never stop moving. Once they gain momentum they never | :16:08. | :16:14. | |
stop until it's done. It works. It puts the opponent in a submissive | :16:15. | :16:19. | |
state. It is very frightening. I would imagine a lot of those | :16:20. | :16:23. | |
hostages who were in there were terrified, as terrified as the | :16:24. | :16:27. | |
gunmen who had held hostage for six days. It is a film about good guys | :16:28. | :16:34. | |
and bad guys and that distinction is not very clear. The SAS is an | :16:35. | :16:41. | |
aggressive counter-terrorism group. It is difficult to embody them as | :16:42. | :16:44. | |
good guys in a way because the truth is six men armed with weapons | :16:45. | :16:50. | |
entered the building and then six days later a lot of other men armed | :16:51. | :16:56. | |
with weapons entered that building. I did not want to over glorify these | :16:57. | :17:03. | |
men because they are taking lives. Few had heard of the SAS but at this | :17:04. | :17:11. | |
precise moment... They would become one of the most recognised military | :17:12. | :17:19. | |
forces in the world. That looks like a brilliant film. | :17:20. | :17:25. | |
Look out for 6 Days in cinemas later this summer. | :17:26. | :17:37. | |
Man Down is about your experience as a teacher. Not all of it is true. | :17:38. | :17:46. | |
Your character is quite ineffective. A complete loser. He tries. He is | :17:47. | :17:54. | |
not good at being an adults, which is why it is so fun to play him. For | :17:55. | :18:00. | |
those who are not familiar with the series, can you sum it up? It is a | :18:01. | :18:10. | |
stupid... An idiot manchild and two equally strange friends trying to | :18:11. | :18:14. | |
navigate their way through life. But idiot man has grown up because Dan | :18:15. | :18:20. | |
has become a father. Yeah. He did the Berman on to become a father. | :18:21. | :18:31. | |
There are various ways of doing it. He has become a father but through | :18:32. | :18:41. | |
an encounter with a previous love interest and he found out at the end | :18:42. | :18:44. | |
of the last series the that resulted in a pregnancy. This series starts | :18:45. | :18:50. | |
with heart on her way back, she has gone overseas, on her way back | :18:51. | :18:56. | |
heavily pregnant. We are going to watch a clip. Dan always thinks | :18:57. | :19:01. | |
everything is against him in life and when the baby is born he thinks | :19:02. | :19:06. | |
the baby gets him. He thinks every time he looks at the baby turns | :19:07. | :19:10. | |
away. This is the first day he is allowed to take the baby out on his | :19:11. | :19:14. | |
own and he is upset because he thinks his son hates him and he | :19:15. | :19:18. | |
meets someone in the Park who tries to make him feel better. He is | :19:19. | :19:25. | |
played by Derek Griffiths who, if you are as old as me, which you are | :19:26. | :19:32. | |
not... We established... You are only looking at Alex. You will | :19:33. | :19:40. | |
remember Derek Griffiths from Playschool and programmes from the | :19:41. | :19:44. | |
70s so it was brilliant to have him. Let us see you in action. May I... | :19:45. | :19:53. | |
There he is. He is looking straight at you. I know. And yet I have no | :19:54. | :20:05. | |
eyes. Incredible. Don't panic. You'll get there. You take him back. | :20:06. | :20:13. | |
It's bolted with my kid on its back. Not again! Sheba! I made the mistake | :20:14. | :20:31. | |
of watching an episode on the train and I had my headphones on and I was | :20:32. | :20:35. | |
laughing my head off. It is hilarious. That is fairly highbrow. | :20:36. | :20:44. | |
We hope it makes people laugh. That is what we set out to do. We do not | :20:45. | :20:52. | |
have a specific date but Man Down is out mid-August. I think it is the | :20:53. | :20:59. | |
16th. You can catch all series on all four. | :21:00. | :21:09. | |
And Greg, as the series was inspired by your time | :21:10. | :21:11. | |
as a real-life drama teacher, you'll no doubt be pleased to hear | :21:12. | :21:14. | |
we'll be returning to those happy days very shortly. | :21:15. | :21:16. | |
Despite the downpours this week, apparently July is the month | :21:17. | :21:21. | |
to ensure thirsty plants such as celery, peas, courgettes, | :21:22. | :21:25. | |
and tomatoes are regularly watered. Patrick has been to visit a grower | :21:26. | :21:28. | |
in Teesside who is taking tomato tending to a whole new level. | :21:29. | :21:37. | |
The UK tomato industry is booming. Under the ruse of high-tech | :21:38. | :21:43. | |
glasshouses cutting-edge science is allowing lawyers to produce | :21:44. | :21:49. | |
bountiful crops of super home-grown tomatoes. Last year the industry was | :21:50. | :21:59. | |
worth ?190 million. Just like all plants, tomatoes absorb carbon | :22:00. | :22:01. | |
dioxide from their surrounding environment and use it to produce | :22:02. | :22:06. | |
sugars which helps them to grow. To speed up this growth producers had | :22:07. | :22:12. | |
to pump in carbon dioxide to the glasshouses. This one particular | :22:13. | :22:17. | |
uses over 23,000 tonnes every year. It creates an artificial environment | :22:18. | :22:22. | |
which is perfect for these tomatoes. With carbon dioxide being the | :22:23. | :22:27. | |
leading cause of climate change, the industry has been trying to minimise | :22:28. | :22:30. | |
its carbon footprint while keeping their tomatoes sweet. On an | :22:31. | :22:36. | |
industrial site in Teesside one tomato grower has teamed up with a | :22:37. | :22:41. | |
leading fertiliser factory to pump their waste CO2 directly into their | :22:42. | :22:46. | |
glasshouses. Phil Pearson is the man who sported the opportunity. We | :22:47. | :22:52. | |
wanted to increase the amount of carbon dioxide to give to our crop | :22:53. | :22:57. | |
in the fertiliser factory were previously emitting it into the | :22:58. | :23:00. | |
atmosphere so they saw a benefit to giving it to us and we had the | :23:01. | :23:04. | |
benefit of taking it and putting it in the crop so it was as biotech | :23:05. | :23:10. | |
opportunity. Instead of the carbon dioxide being released into the | :23:11. | :23:13. | |
atmosphere that is being fixed into these plans and put to good use. | :23:14. | :23:17. | |
Exactly right. Something that was previously thrown away. He tomato | :23:18. | :23:25. | |
that lasts longer, the eating experiences better. The consumer | :23:26. | :23:31. | |
gets the benefit. Some people might ask why you do not grow these | :23:32. | :23:34. | |
tomatoes outdoors in a really sunny climate. We are growing very close | :23:35. | :23:42. | |
to the market so we have a quality food for the UK consumer. You have | :23:43. | :23:47. | |
other challenges when you are in the sunshine, lack of water, problems | :23:48. | :23:52. | |
with pest control, other challenges would make it more difficult to | :23:53. | :23:57. | |
grow. Although this gas is completely invisible to the naked | :23:58. | :24:00. | |
eye we have brought along a specialist piece of kit to help show | :24:01. | :24:06. | |
what is going on. This is a state-of-the-art gas visualising | :24:07. | :24:08. | |
camera. Normally used to detect industrial gas leaks we can show the | :24:09. | :24:13. | |
carbon dioxide coming off of my breath... And the carbon dioxide | :24:14. | :24:22. | |
inside the glasshouses. When we use this camera one full's CO2 outlets | :24:23. | :24:26. | |
we can see that almost immediately the air around his hand changes, | :24:27. | :24:32. | |
giving off a blue hue. This is the first time Phil is able to visualise | :24:33. | :24:36. | |
the carbon dioxide feeding his tomatoes. Incredible. I have never | :24:37. | :24:44. | |
seen that before. That is fascinating. Being able to see it in | :24:45. | :24:48. | |
real time allows us to pinpoint when we introduce it. Currently the crop | :24:49. | :24:52. | |
is using about 30-31% of what is coming out of the tube. It is | :24:53. | :24:57. | |
interesting to me to see if we should be moving the tube further up | :24:58. | :25:03. | |
to perhaps use more than 30%. Even though it is quite a lot of waste | :25:04. | :25:08. | |
CO2 it is better than the alternative. Absolutely. We come | :25:09. | :25:14. | |
from an industry that was zero, and we are up to 30%. Not being able to | :25:15. | :25:20. | |
see it before we were guessing, now we can target it. Capturing carbon | :25:21. | :25:26. | |
dioxide from factories and using it to fuel food production is a simple | :25:27. | :25:32. | |
step with the big impact. Hear it provides us with a super-sweet tasty | :25:33. | :25:38. | |
tomato. Greg was telling us how he had three | :25:39. | :25:47. | |
pounds of tomatoes last night. I had a sudden craving for them. Some | :25:48. | :25:54. | |
would say I am pregnant. Cherry or plum? Plum. Do you grow your own? | :25:55. | :26:08. | |
No. You have a lovely patio. Thank you. We have a picture of it. You | :26:09. | :26:17. | |
have a dwarf Peachtree. That is the only edible thing I have got. I do | :26:18. | :26:22. | |
not really know what it is. Out of all the things you could have | :26:23. | :26:28. | |
chosen, why that? I don't know. I just thought, you're coming home | :26:29. | :26:29. | |
with me. Across the country... Across the country many of us | :26:30. | :26:38. | |
are getting ready for the end of the school year and will be | :26:39. | :26:41. | |
saying goodbye to many of our terrific teachers and maybe | :26:42. | :26:44. | |
plying them with wine But tonight, Greg, we are reuniting | :26:45. | :26:46. | |
you with some of your former pupils in what we're calling | :26:47. | :26:50. | |
This Is Your Teaching Life. Behind this screen are some | :26:51. | :27:00. | |
of your former drama students Each will tell a story about you, | :27:01. | :27:05. | |
Greg, and all you have to do is try I mean... I know, it's a long shot. | :27:06. | :27:24. | |
You laughed at me when I had to dress as a punk rocker for Gregory | :27:25. | :27:30. | |
is Carol. You had me singing in all. You wrote the word nerd on my | :27:31. | :27:35. | |
script. I already sound like the dream teacher. I brought a dog in | :27:36. | :27:39. | |
for rehearsals and I wrote nerd on her script. Would you like a clue? | :27:40. | :27:51. | |
What school was it? Sandhurst. You bumped into this person actually | :27:52. | :27:55. | |
petrol station ten years ago and you pulled a face when she said she was | :27:56. | :27:58. | |
going to go on to train as a teacher. Really? I don't know why | :27:59. | :28:03. | |
because it is a very noble profession. Any idea? No. Let's | :28:04. | :28:21. | |
reveal. Bring their own Bethan. I can hand on heart say that Bethan | :28:22. | :28:27. | |
was a lovely pupil. That is true. Pupil number two. You called me and | :28:28. | :28:35. | |
a group of friends trash in a drama studio at break time. I'd tried to | :28:36. | :28:41. | |
run away but you got me and put me in detention. I remember. Is it | :28:42. | :29:01. | |
Sandhurst again? Yeah. Timmy Bacon? Fantastic. I started as a reporter | :29:02. | :29:09. | |
in your production of Bugsy Malone and you helped me perfect my | :29:10. | :29:13. | |
American accent. We used silly string for the guns. Bugsy Malone. I | :29:14. | :29:19. | |
directed it twice through sheer laziness. I don't know. We will | :29:20. | :29:36. | |
bring her in. Tanya Little. Go and say hello to your former pupils. Man | :29:37. | :29:47. | |
Down starts mid-August on Channel 4. Greg, thanks for joining | :29:48. | :29:51. | |
us this evening. Comedian Rob Beckett will be | :29:52. | :29:54. | |
on presenting duties with me tomorrow night in our last show | :29:55. | :29:57. | |
before our summer break when we'll be talking | :29:58. | :29:59. | |
to the stars of Cars Three, | :30:00. | :30:00. |