Browse content similar to 13/12/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:18. | :00:23. | |
Our guest tonight has traded high heels for the high seas. He is | :00:23. | :00:27. | |
playing at Long John Silver in a new version of Treasure Island. It | :00:27. | :00:34. | |
is Eddie Izzard! They are so welcoming. That is | :00:34. | :00:39. | |
lovely. I thought this was a quiet and cosy chat and suddenly 93 | :00:39. | :00:43. | |
people have been dragged in off the streets for Christmas crumpets! I | :00:43. | :00:48. | |
will give them a fiver. They are all here to see me. No pressure. | :00:48. | :00:53. | |
They are not. They were wandering down the corridor. Anyway. You have | :00:53. | :00:56. | |
lots of connections with lots of places in the UK and I was | :00:56. | :01:02. | |
surprised that you have one with my neck of the words, South Wales. | :01:02. | :01:07. | |
Skewen was the destination of one of your first extreme trip. In it | :01:07. | :01:13. | |
was. I lived in Skewen, 20 miles from Port Talbot and 50 miles from | :01:13. | :01:17. | |
where you grow up. It is near Swansea. I was there for two years | :01:17. | :01:21. | |
and my mother died when I was there, unfortunately. It is nothing to do | :01:21. | :01:26. | |
with Wales, it was just where we were. I decided I had to go back. I | :01:26. | :01:30. | |
keep going back to things in my life. When I was 40 I said to my | :01:30. | :01:37. | |
dad that I was going out on my bike. -- 14. What was his reaction? | :01:37. | :01:42. | |
said OK because he had done that when he was a child. Me and my dad | :01:42. | :01:48. | |
are very similar. I have done lots of things which have been wrong, | :01:48. | :01:53. | |
Hollywood Bowl, kicks in French, pushing staff, apart from telling | :01:53. | :01:57. | |
everyone I was a transvestite, doing all these things, and my dad | :01:57. | :02:02. | |
also pushed his own limits and boundaries. But he did not look out | :02:02. | :02:05. | |
for you and plan accommodation for you. You just went for it. You can | :02:06. | :02:10. | |
do that when you are 14. I was supposed to phone back every night, | :02:10. | :02:14. | |
that was the thing. And I had to find up iPhone because there were | :02:14. | :02:23. | |
no mobile phones. -- find a pay phone. I would not, door of farmers | :02:23. | :02:27. | |
-- knock on the door of farmers and asked if I could stay and they were | :02:27. | :02:34. | |
always find. I did not have to move in! There were people we knew round | :02:34. | :02:41. | |
the corner. It is a long way. difficult to pronounce for English | :02:41. | :02:45. | |
people! As well as his marathons, we will be talking to him about | :02:46. | :02:52. | |
Treasure Island. You are an intriguing pas -- pirate. Tattoos | :02:52. | :02:56. | |
on your face. I have been trying to shave my head for some time. The | :02:56. | :03:01. | |
director came up and asked me if I wanted to shave my head and I said | :03:01. | :03:06. | |
yes! It had been eight years. If you shave your head, men and women, | :03:06. | :03:11. | |
you don't know how it will look. Your skull might not work. It works | :03:11. | :03:19. | |
well. I have an excellent spell! His crew includes Donald Sutherland | :03:19. | :03:23. | |
and a lighter work but we want to add to it with some of our view of | :03:23. | :03:30. | |
pirates. -- Elijah Wood. This is my son. He is mad on pirates. Please | :03:30. | :03:34. | |
send in your photographs and we will look through them later. | :03:34. | :03:37. | |
spent some years living in Yorkshire as well. Yes, I was at | :03:37. | :03:42. | |
college in Sheffield. Do you know the name of the county and them? | :03:42. | :03:47. | |
have no idea. I did not know they had an anthem. Well, Yorkshire has | :03:47. | :03:52. | |
been singing On Ilkla Mooar Baht 'at, which is its anthem, since the | :03:52. | :03:56. | |
early 1800s of that knowledge of it is dying out so we have been to | :03:56. | :04:06. | |
:04:06. | :04:06. | ||
meet the locals drumming up in -- the enthusiasm for an old classic. | :04:06. | :04:10. | |
On Ilkla Mooar Baht 'at, famous old folksong, guaranteed to stir the | :04:10. | :04:14. | |
blood of any true Yorkshireman like myself. Believed to be composed in | :04:14. | :04:18. | |
the late 19th century, the song borrows its tune from the old | :04:18. | :04:23. | |
Methodist hymn Cranbrook. The words are written in a dialect, probably | :04:23. | :04:27. | |
originating in the Halifax area. It tells the tale of a man courting | :04:27. | :04:32. | |
his lover, Mary Jane, on Ilkley Moor, without a hat. The song goes | :04:32. | :04:35. | |
on to predict that without a hat, the man is doomed to die from | :04:35. | :04:40. | |
exposure because of the harsh winds on the more. He will then be buried | :04:40. | :04:45. | |
and his body consumed first by worms he will then buy eaten by | :04:45. | :04:52. | |
dogs, who in turn will be turned by the singers of the songs themselves. | :04:52. | :04:57. | |
-- who will then be eaten by dogs. Despite the bizarre lyrics, such | :04:57. | :05:01. | |
was the popularity that it became the unofficial anthem of the county | :05:01. | :05:10. | |
of Yorkshire. We sent a trombone player out onto the streets to see | :05:10. | :05:14. | |
how many people recognise the famous anthem named after her | :05:14. | :05:21. | |
Ilkley Moor. It quickly became apparent that while the older | :05:21. | :05:25. | |
generation remember the song fondly, many of the younger generation | :05:25. | :05:30. | |
certainly did not. Sorry, I did not recognise that. It sounds familiar | :05:30. | :05:36. | |
but I don't know where it is from. Is it On Ilkla Mooar Baht 'at? | :05:36. | :05:45. | |
local music teacher Gordon Addison is leading a one-man crusade to | :05:45. | :05:49. | |
save it from extinction. We are just trying to encourage schools to | :05:49. | :05:53. | |
think about teaching the song. parents to think about whether | :05:53. | :05:57. | |
their children know the song. If they don't, learn it, teach it to | :05:57. | :06:02. | |
them. Why it is happening at school today? We will teach this choir to | :06:02. | :06:06. | |
sing it and they will be a company by this band that we put together | :06:06. | :06:10. | |
this morning. They will be performing after lunch. Gordon has | :06:10. | :06:14. | |
set himself a real challenge. I have arranged to have a chat with | :06:14. | :06:20. | |
the local MP, Greg Mulholland, who is championing the campaign in the | :06:20. | :06:24. | |
House of Commons. Is this a good use of precious parliamentary time? | :06:24. | :06:29. | |
Yes, it is a bit of fun but it is important. We have an age-old | :06:29. | :06:33. | |
musical and folk tradition in Yorkshire, as in many other areas, | :06:33. | :06:38. | |
and it is an important part of who we are. Did you know On Ilkla Mooar | :06:38. | :06:42. | |
Baht 'at before you started playing it? I had heard of it but I did not | :06:42. | :06:46. | |
know the words. It is really fun. It is the same thing repeated over | :06:46. | :06:50. | |
and over again but it is really fun to play. Is there something I can | :06:50. | :07:00. | |
:07:00. | :07:00. | ||
do to take part in the concert? are your lips? Chapped. Try this. | :07:00. | :07:05. | |
am asthmatic, you know. It is very good for that but if it does not | :07:05. | :07:10. | |
work, there is always this. That is humiliating. I will get this | :07:10. | :07:15. | |
mastered, don't worry. It can't be that hard. There are no buttons on | :07:15. | :07:20. | |
it. I could really do with a couple more months to perfect my part. It | :07:20. | :07:23. | |
is a frantic scramble to get ready for the performance in the | :07:23. | :07:26. | |
afternoon. As the Yorkshireman I grew up with On Ilkla Mooar Baht | :07:27. | :07:29. | |
'at and it is sad to think that some children are completely | :07:29. | :07:33. | |
unaware of this important part of their heritage. I hope the | :07:33. | :07:36. | |
performance today does its bit to reinvigorate a whole new generation | :07:36. | :07:42. | |
to fall in love with On Ilkla Mooar Baht 'at. | :07:42. | :07:52. | |
:07:52. | :07:56. | ||
# On Ilkla Mooar baht 'at. # Tha's been a cooartin' Mary Jane, | :07:56. | :07:58. | |
Mary Jane. # On Ilkla Mooar baht 'at. | :07:58. | :08:03. | |
# Tha's been a cooartin' Mary Jane. # On Ilkla Mooar baht 'at. | :08:03. | :08:13. | |
:08:13. | :08:27. | ||
Thank you to the children of Gunter School for that great performance. | :08:27. | :08:34. | |
-- Guiseley. I did know that some betide did not know the name of it. | :08:34. | :08:40. | |
-- but I did not know the name of it. They did very well. On Ilkley | :08:40. | :08:44. | |
Moor without your hat. In the olden days everybody wore hats, but | :08:44. | :08:48. | |
nowadays you can probably get off with somebody without one. That is | :08:48. | :08:55. | |
the essence of the song! You can find someone you fancy on Ilkley | :08:55. | :09:02. | |
Moor. Or you can just go to a cafe! By New Musical? Somewhat. I like | :09:02. | :09:06. | |
the piano and I used to murder the clarinet when I was a child. I did | :09:07. | :09:11. | |
not want to play the clarinet but I was forced. Were you third | :09:11. | :09:17. | |
clarinetist? I was. I got clarinet by mistake. I wanted trombone and I | :09:17. | :09:22. | |
put the wrong thing on the form. I was gutted. You can't have all of | :09:22. | :09:25. | |
the kids playing the piano in the school band so they suggest other | :09:25. | :09:33. | |
things. I was third clarinet. I had this very funny line. The first | :09:33. | :09:37. | |
clarinet plays the music, the second place the harmony, the third | :09:37. | :09:41. | |
clarinet are just plays the notes that are left over. I was the | :09:41. | :09:45. | |
violinist so I feel your pain. Anyway, it has been 40 years since | :09:45. | :09:49. | |
Bangladesh was created and we have been used to Bangladeshi families | :09:49. | :09:53. | |
coming to Britain and setting up homes and businesses. It is not all | :09:53. | :09:56. | |
one-way traffic. Konnie Huq meets a British Bangladeshi family planning | :09:56. | :10:02. | |
to move in the opposite direction. Ashworth and his family are getting | :10:02. | :10:07. | |
ready for the journey of a lifetime. Do you want to help baddy with the | :10:07. | :10:14. | |
packing? The 60 years, migrants from Bangladesh have come to | :10:14. | :10:19. | |
Britain in search of education, work and a new life. But now lots | :10:19. | :10:22. | |
of young British families are reversing the trend and moving from | :10:22. | :10:28. | |
Britain to Bangladesh, where they now believe they can enjoy a higher | :10:28. | :10:38. | |
standard of living. The cost of living is over their low over there | :10:38. | :10:43. | |
so -- is lower over there. You can have a big house for the same | :10:43. | :10:51. | |
salary that you are wrong here. even less. Although the move will | :10:51. | :10:55. | |
make them instantly wealthier, Ashworth's wife is more | :10:55. | :10:59. | |
apprehensive about going back, and that is because she left Bangladesh | :10:59. | :11:04. | |
relatively recently in 2007 to get married. Only now does she feel | :11:04. | :11:09. | |
settled in Britain. What would you say is difficult about moving from | :11:09. | :11:14. | |
Bangladesh to the UK? The first thing was that I had no one here. | :11:14. | :11:17. | |
All my family and friends, everybody was in Bangladesh. Now | :11:17. | :11:24. | |
that I have made friends, now that I am so close to my husband as part | :11:24. | :11:29. | |
of the family, it is all very difficult. Ashworth is not taking | :11:29. | :11:34. | |
the family moved lightly. His well- paid job as an accountant will | :11:34. | :11:38. | |
protect his family from many of the downside of life in Bangladesh, the | :11:38. | :11:40. | |
country is still developing and over the years has had its fair | :11:40. | :11:48. | |
share of problems. What are the down sides of moving? I would say | :11:48. | :11:53. | |
the provision of health care. If you can afford to go to private | :11:53. | :11:57. | |
health care, you hear about malpractice and mistreatment of | :11:57. | :12:02. | |
patients, especially with a young family. The law and order situation | :12:02. | :12:12. | |
:12:12. | :12:18. | ||
He has gone on ahead to Bangladesh and his family will follow once he | :12:18. | :12:22. | |
has settled in. It is a 12 hour flight from London to the capital, | :12:22. | :12:27. | |
but it could be a world away. It has been a week and I want to see | :12:27. | :12:31. | |
how he is getting on. Like most British Bangladeshis, I have always | :12:32. | :12:34. | |
straddled two cultures and now that I have been back to Bangladesh a | :12:34. | :12:40. | |
fair bit, it can be quite a culture shock at times. I am intrigued to | :12:40. | :12:46. | |
see how we are getting on. Some parts of his new life at the same | :12:46. | :12:49. | |
as back home, but outside of his office he finds he has a lifestyle | :12:50. | :12:54. | |
that he would never have had in Britain. An inexpensive meal here | :12:54. | :13:01. | |
just costs �1.45. What would you get in London for that? Rent on a | :13:01. | :13:05. | |
reasonable one-bed flat just costs �90 per month. In London he would | :13:05. | :13:11. | |
have to pay around �1,300 for something similar. So far would you | :13:11. | :13:16. | |
say it has been what you expected? Yes. I came with an open mind. I | :13:16. | :13:22. | |
did not know what to expect. To a large extent, people have been very | :13:22. | :13:27. | |
nice and welcoming. The guy from London that made an effort, so they | :13:27. | :13:30. | |
come and say hello to me and make me feel comfortable. It is really | :13:30. | :13:37. | |
good. You have your own driver? Wow. You could not have that in the | :13:37. | :13:42. | |
UK. And because I am new in town I have a bodyguard as well. No way! | :13:43. | :13:47. | |
Does that make you feel a bit grand? A bit uncomfortable? Like | :13:47. | :13:52. | |
you are a superstar? It does a bit. It is just because I am new in town. | :13:52. | :13:57. | |
It is not all positive. Although it is winter, he is struggling with | :13:57. | :14:00. | |
the heat and the mosquitoes and the traffic is an absolute nightmare. | :14:00. | :14:07. | |
It can sometimes take in two hours to get back from the office. What | :14:07. | :14:12. | |
else has struck you about being back? I am much more appreciative | :14:12. | :14:16. | |
and grateful for everything that I have. I have a good job, family | :14:16. | :14:22. | |
support and I can afford a family house. Lots of people here live | :14:22. | :14:26. | |
below the poverty line and for them, the things that I enjoy and take | :14:26. | :14:31. | |
for granted, those things would be beyond them. Although there are no | :14:31. | :14:34. | |
hard numbers on how many young Bangladeshis are going back, | :14:34. | :14:40. | |
anecdotally it appears to be on the rise. His brother has already made | :14:40. | :14:43. | |
the move from London to Bangladesh and his cousin is hoping to follow | :14:43. | :14:48. | |
in January. Back in England and his wife is planning to join him in a | :14:48. | :14:51. | |
couple of months. But they are still hedging their bets and will | :14:51. | :14:56. | |
not be selling their London home just yet. | :14:56. | :15:01. | |
Nice to see my old friend Konnie Huq. There is more and 40 years of | :15:01. | :15:06. | |
Bangladeshi independence on the BBC Asian Network website. Your new | :15:06. | :15:10. | |
home this Christmas is on Sky One. You are playing Long John Silver on | :15:10. | :15:18. | |
Treasure Island. It is also on the BBC as well. I am doing The Lost | :15:18. | :15:21. | |
Christmas on the BBC, working against Treasure Island. I am | :15:21. | :15:28. | |
trying to take over all of the channel's! Treasure Island, is it | :15:28. | :15:32. | |
traditional or Pirates Of The Caribbean? If you think that | :15:32. | :15:36. | |
Pirates Of The Caribbean stole the somewhat pantomime, swashbuckling, | :15:36. | :15:44. | |
area, we fight. We are doing the aggressive, real pirates. Imagine | :15:44. | :15:47. | |
300 million on an island somewhere and you just have to go and get it | :15:47. | :15:52. | |
on a boat. What would you do for that? And the criminal element. | :15:52. | :15:59. | |
Long John Silver, who I play, and half of the pirates on the boat are | :15:59. | :16:02. | |
actually believing that it is their treasure which has been stolen from | :16:02. | :16:07. | |
before. It is Treasure Island Reboot. That is what it is. Let's | :16:07. | :16:17. | |
:16:17. | :16:20. | ||
I am the law on the ship, I am sharing with none. I know because | :16:20. | :16:27. | |
it is tattooed on my brain, what each man here is entitled to. Let | :16:27. | :16:35. | |
us all have the lives we have learnt. 4th sets -- we have earned. | :16:35. | :16:41. | |
You talk too much, John Silver. were really keen for that part of | :16:42. | :16:47. | |
the story to be included? thought about doing a prequel. It | :16:47. | :16:50. | |
is always talk about as Flint's treasure but no one knows how he | :16:50. | :16:57. | |
lost the leg. I wanted to show him using it. Someone else had the idea | :16:57. | :17:01. | |
that we could do the prequel. I thought, why don't we have... Later | :17:01. | :17:08. | |
on I get rid of that leg. I wanted to show how determined he was, | :17:08. | :17:12. | |
because these are the characters I like to play. People as determined | :17:12. | :17:18. | |
as I am! We will move on to The Lost Christmas now. You wake up in | :17:18. | :17:23. | |
a street in Manchester? We started only two weeks after Treasure | :17:23. | :17:30. | |
Island. Is that why you have got a bit of hair? Yes, I had to do | :17:30. | :17:34. | |
something radical, just a diet completely blonde and go in a | :17:34. | :17:39. | |
different direction. I like it like that. I like both the looks. This | :17:39. | :17:44. | |
is an urban fairy-tale with a tone of it's a wonderful life. It is | :17:44. | :17:48. | |
quite a dark story but goes to a beautiful place. I am found lying | :17:48. | :17:53. | |
on the ground, I have no memory of whoever I am, and I have no fear. I | :17:53. | :17:56. | |
wander through the story, interacting with these characters. | :17:56. | :18:00. | |
If they take my hand, I get these visions of things they have lost. | :18:00. | :18:04. | |
Five characters have lost things and they are all linked, and it | :18:04. | :18:08. | |
gradually goes through the story, it is quite a beautiful story. | :18:08. | :18:12. | |
Quite hard to come straight from the pirates and into that? It was a | :18:12. | :18:17. | |
left turn at the junction. That is what you have to do quite a lot in | :18:17. | :18:27. | |
:18:27. | :18:36. | ||
In many ways, Christmas in 1946 was much like any other. Family gather | :18:36. | :18:39. | |
together, presents under the tree and everyone eating as much food as | :18:39. | :18:43. | |
possible. Well, as much as rationing would allow. There was | :18:43. | :18:48. | |
one unusual thing about 25th December, 1946. Many families had a | :18:48. | :18:52. | |
German around for dinner. Ruth Goodman went to Bradford to explain | :18:52. | :18:55. | |
why. When the war in Europe ended, | :18:55. | :18:59. | |
because of a shortage of manpower, captured German prisoners of war | :18:59. | :19:05. | |
were sent to Britain to help rebuild the country. By 1946, | :19:05. | :19:09. | |
400,000 German POWs were housed in camps up and down the country. At | :19:09. | :19:14. | |
first, living so close to the enemy was uncomfortable. Under a | :19:14. | :19:18. | |
fraternisation ban, German POW backers were not allowed contact | :19:18. | :19:26. | |
with local people. It was even forbidden to accept money, food, or | :19:26. | :19:35. | |
cigarettes. -- German POWs were not allowed contact with local people. | :19:35. | :19:39. | |
Gunter was not allowed to make contact, but this did not stop him | :19:39. | :19:43. | |
catching the eye of a local girl called vile it. I was working in | :19:43. | :19:53. | |
:19:53. | :19:54. | ||
The gentleman who drove the lorry came into the shop and bought | :19:54. | :20:00. | |
cigarettes. One day, Gunter was sat in the front. She was addressing | :20:00. | :20:05. | |
the window and she gave me a little smile. I asked the driver to give | :20:05. | :20:12. | |
this young lady a letter. I was asking her if she would write to me, | :20:12. | :20:19. | |
and I would write back, as a pen friend. I said to my manager, | :20:19. | :20:24. | |
should I do it? She said, it is an experience. So I started writing to | :20:24. | :20:29. | |
him. The fraternisation band was finally lifted step before | :20:29. | :20:35. | |
Christmas 1946. For the first time since being captured, German POWs | :20:35. | :20:39. | |
were allowed out of the camps on the condition they were signed up | :20:39. | :20:49. | |
:20:49. | :20:50. | ||
by local British people. I enjoyed the Yorkshire pudding, very much. | :20:50. | :20:56. | |
Did we have some? No, we didn't, it was Christmas. When I came back at | :20:56. | :21:05. | |
night, everyone had been out. Everybody had been with their | :21:05. | :21:10. | |
family. Britain kept its German workforce for three-and-a-half | :21:10. | :21:16. | |
years after the war. The German prisoners of war represented a huge | :21:16. | :21:20. | |
mobile workforce, which they were able to employ in the various areas | :21:20. | :21:24. | |
that they needed. It could be channelled into agriculture, | :21:24. | :21:30. | |
rebuilding houses, clearing rubble away. Was this unusual? Did other | :21:30. | :21:34. | |
countries hang on to prisoners like this? Britain had actually signed | :21:34. | :21:37. | |
the Geneva Convention which stipulated prisoners should be | :21:37. | :21:42. | |
returned home as soon as fighting had stopped. But this didn't happen. | :21:42. | :21:48. | |
In general, they felt that these prisoners could be used to repair | :21:48. | :21:52. | |
what the German love what I had destroyed. And in that sense, they | :21:52. | :21:57. | |
felt it was a contribution towards rebuilding Britain -- German | :21:57. | :22:06. | |
For Gunter and Violet, their whirlwind romance was blossoming | :22:06. | :22:10. | |
and they decided to marry. Anti- German feelings were still common | :22:10. | :22:17. | |
in Britain. When we said we would get married, I had to go to the | :22:17. | :22:22. | |
justice of peace. He had a talk to me and said, do you realise that | :22:22. | :22:27. | |
when you marry this German person, you will lose your British | :22:27. | :22:32. | |
nationality. It must have been a really big decision. I had to go | :22:32. | :22:38. | |
and see the camp commander and as well. He gave me a strict talking | :22:38. | :22:45. | |
to. But I didn't take much notice. Consequently, we would not have got | :22:45. | :22:53. | |
married, would we? In 1948, the last PoWs left Britain, with some | :22:53. | :22:58. | |
15,000 deciding to stay and make a new life here. Including Gunther. | :22:58. | :23:01. | |
The British public were able to show German prisoners of war a | :23:01. | :23:06. | |
degree of kindness and hospitality, and Christmas of 1946 stands out as | :23:06. | :23:10. | |
an example of how ordinary people were able to open their hearts with | :23:10. | :23:20. | |
:23:20. | :23:21. | ||
compassion. In some cases, like Eddie, you have got plans to take | :23:21. | :23:31. | |
your stand up over to Germany, haven't you? Yes. SPEAKS IN GERMAN. | :23:31. | :23:38. | |
I did three months in front this year, 71 digs in Paris in French. I | :23:38. | :23:44. | |
arrived in Paris, after 15 years of trying. I'm going to do Germany at | :23:44. | :23:51. | |
the end of 2012. Do you have to ad- lib a little bit? There is a trick. | :23:52. | :23:56. | |
I do a universal kind of said, talking about Greeks and Romans and | :23:56. | :24:00. | |
Santa claws and God and banjos, and they exist in all countries, and | :24:00. | :24:05. | |
then you have to change the world over. You have to try to implement | :24:05. | :24:11. | |
as much as you can. I can go off and talk about Christmas trees and | :24:11. | :24:16. | |
say, is white the right colour, and you can do that? The more you do it, | :24:16. | :24:19. | |
the cooler it gets and they think, we are just watching stand up and | :24:19. | :24:24. | |
it is just an English guy. If you get stuck, you can mine? Not really, | :24:24. | :24:30. | |
you can ask the audience what the word is in French. | :24:30. | :24:34. | |
Having been to Yorkshire at twice already this evening, we thought it | :24:34. | :24:39. | |
was unfair on the walls of the Roses opponents. To balance it up a | :24:39. | :24:43. | |
little, we sent Phil Tufnell to Lancashire, to check out a hotel | :24:43. | :24:48. | |
that is also a work of art. Now, the seaside is great for | :24:48. | :24:52. | |
donkey rides and ice-cream, but it is not usually the place that you | :24:52. | :24:58. | |
associate with major artworks. The town of Morecambe in Lancashire is | :24:58. | :25:03. | |
a real treat for art lovers. The artistic gems are not found in a | :25:03. | :25:08. | |
gallery, but in the town's grandest hotel, the Midland. The hotel was | :25:08. | :25:13. | |
built in the 1930s, and is a work of art Deco mastery. The London | :25:13. | :25:17. | |
Midland and Scottish Railway Company grew rich in the inter-war | :25:17. | :25:23. | |
period, carrying millions of people to the British seaside. The company | :25:23. | :25:26. | |
commissioned leading architects to design the hotel, and one of | :25:26. | :25:32. | |
Britain's biggest name artists to adorn the building inside and out. | :25:32. | :25:36. | |
Eric Gill was one of the leading lights of the Arts and Crafts | :25:36. | :25:41. | |
movement, a sculptor, design and print maker. Ruse's great | :25:41. | :25:46. | |
grandfather, Joseph, was his assistant. She has written two | :25:46. | :25:52. | |
books on the artist. Eric Gill is one of the most important sculptors | :25:52. | :25:56. | |
in the 20th century. In Britain are. He took up letter Cup -- letter | :25:56. | :26:01. | |
captain, sculpting, engraving, book illustration -- letter cutting. His | :26:01. | :26:06. | |
influence was about this direct way of working on the stone, and that | :26:06. | :26:11. | |
being specifically British. sculptor's -- sculptures in his | :26:11. | :26:16. | |
beloved stoner are all over the London. At the BBC's Broadcasting | :26:16. | :26:20. | |
House, on the front of the London Underground headquarters, and | :26:20. | :26:25. | |
inside Westminster Cathedral. Away from the capital is some of deal's | :26:25. | :26:33. | |
finest work and the nautical theme dominates his sculptors at the | :26:33. | :26:38. | |
eighth Midland Hotel. The see houses started life as a chance of | :26:38. | :26:44. | |
Portland stone and they were carved in situ. Eric Gill like to feel | :26:44. | :26:47. | |
freedom of movement so he wore a smock, you can imagine the builders | :26:47. | :26:52. | |
not looking up to see how he was getting on. We have the next Eric | :26:52. | :26:59. | |
Gill, commonly known as the medallion. If you look at the hands | :26:59. | :27:06. | |
and the feet of Neptune, can you see the signs of stick martyr? We | :27:06. | :27:10. | |
have Jesus with John the Baptist, so to Eric Gill this is heaven, and | :27:10. | :27:15. | |
this would be the stairway to Heaven. Like it. It is a little bit | :27:15. | :27:23. | |
racy, isn't it? It is, but it is well appreciated. Eric Gill's bass | :27:23. | :27:28. | |
relief was carefully designed for its position in the hotel reception | :27:29. | :27:37. | |
to be warm and welcoming. In the mind of Eric Gill, this represents | :27:37. | :27:42. | |
the hoteliers trade. The young Princess is the hotelier, welcoming | :27:42. | :27:45. | |
the wary guest. You expect to eat well and drink well, and that is | :27:45. | :27:50. | |
why he has chose this piece. When you walk into the hotel, what a | :27:50. | :27:56. | |
welcoming sight you have. For many years, Eric Gill's brilliance was | :27:56. | :28:00. | |
hidden almost completely from view, as the hotel fell into disrepair. A | :28:00. | :28:05. | |
huge renovation project four years ago breathed new life into both the | :28:05. | :28:10. | |
hotel and Eric Gill's art. And the Midland is now once again a source | :28:10. | :28:14. | |
of great pride in the town. It is another Eric that we associate with | :28:14. | :28:18. | |
Morecambe these days, but in a town that has suffered from cheap | :28:18. | :28:22. | |
international travel and the good of British weather, it is nice to | :28:22. | :28:32. | |
:28:32. | :28:32. | ||
see a bit of artistic sunshine come A wonderful place, I have stayed | :28:32. | :28:37. | |
there myself. You have stayed everywhere. I got stuck in the mud | :28:37. | :28:42. | |
and had to get rescued by a hovercraft. | :28:42. | :28:47. | |
We asked for your pirate voters, you did not disappoint. | :28:47. | :28:57. | |
:28:57. | :29:00. | ||
-- photos. These people have built We have William Nicholas aged six, | :29:00. | :29:10. | |
:29:10. | :29:14. | ||
from Caerphilly. Gerry Conway, the Caliber from Glasgow looks rather | :29:14. | :29:23. |