Browse content similar to 14/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Alex Jones. | 0:00:19 | 0:00:22 | |
And Matt Baker. | 0:00:22 | 0:00:23 | |
The man putting us all in a spin
tonight is top stuntman Russ Swift. | 0:00:23 | 0:00:31 | |
Later on he will be showing of some
parking wizardry. We have had a | 0:00:31 | 0:00:37 | |
great time with him and providing
the music for Valentine's Day... | 0:00:37 | 0:00:41 | |
# You are the reason #
We have got Calum Scott and Leona | 0:00:41 | 0:00:47 | |
Lewis who will perform their new
duet life for the first time on TV. | 0:00:47 | 0:01:00 | |
Our guests are looking forward to a
loved up weekend, on Saturday he | 0:01:01 | 0:01:05 | |
will be fighting an epic war for
love. And on Sunday she will witness | 0:01:05 | 0:01:09 | |
an epic battle of her loan. Please
welcome Jonas Armstrong. And Edith | 0:01:09 | 0:01:21 | |
Bowman. You are across the BBC with
the BAFTAs and Troy, we heard you | 0:01:21 | 0:01:29 | |
are not big fans of Valentine's Day?
I don't know about you but I am OK | 0:01:29 | 0:01:34 | |
with that. Then where is our card?
Maybe it will come in the post. Have | 0:01:34 | 0:01:44 | |
you had quite a loved update? Not
really, I don't like being forced | 0:01:44 | 0:01:49 | |
into romance, I like to tell someone
that you love them every day, today | 0:01:49 | 0:01:55 | |
is just the day you have to remind
them with a card. Did you purchase a | 0:01:55 | 0:01:59 | |
card? I did, and I got a box of milk
Tray. We were tenpin bowling this | 0:01:59 | 0:02:10 | |
morning, it is more a half term than
Valentine's Day for us. | 0:02:10 | 0:02:18 | |
We think we have some couples
in tonight who will win any | 0:02:18 | 0:02:21 | |
Valentines cynic over,
including this wartime couple, | 0:02:21 | 0:02:23 | |
Douglas and Jean, who fell in love
because of just one photo. | 0:02:23 | 0:02:26 | |
78 years ago. | 0:02:26 | 0:02:27 | |
That vision is just love. | 0:02:27 | 0:02:28 | |
If you've got an extra special
reason to be celebrating | 0:02:28 | 0:02:31 | |
Valentines Day this year,
then send us a photo, | 0:02:31 | 0:02:33 | |
tell us the reason and we'll
show some of them later. | 0:02:33 | 0:02:36 | |
You can't move for hearts today,
but we're going to start | 0:02:36 | 0:02:38 | |
with a broken one. | 0:02:38 | 0:02:39 | |
Here's how fixing it
brought two people together | 0:02:39 | 0:02:41 | |
in the most unexpected way. | 0:02:41 | 0:02:44 | |
It was such a wonderful love story.
It's certainly a moment I will never | 0:02:47 | 0:02:54 | |
forget. Maybe we were meant to me
that night. After university I was | 0:02:54 | 0:02:59 | |
still living with mum and dad and my
sisters in Worcestershire. It was a | 0:02:59 | 0:03:05 | |
Saturday evening and myself and dad
had dinner and we took the dog for a | 0:03:05 | 0:03:09 | |
walk. I was at home watching TV. Dad
said he didn't feel very well. He | 0:03:09 | 0:03:16 | |
sat down on the floor. I did not
have my phone on me so I went and | 0:03:16 | 0:03:20 | |
stopped some passers by and asked
for help, my dad is not well, I need | 0:03:20 | 0:03:24 | |
to call an ambulance. My dad has
collapsed, he is blue in the face. | 0:03:24 | 0:03:29 | |
He was slipping in and out of
consciousness, it was very | 0:03:29 | 0:03:32 | |
frightening. Is he breathing? Kind
of, not very well. Then I ran and | 0:03:32 | 0:03:38 | |
got more help in the form of my
sister and my mum. I had been in the | 0:03:38 | 0:03:45 | |
annual service for 13 years. I enjoy
the job and could not imagine doing | 0:03:45 | 0:03:49 | |
anything else. The variety of the
work and helping people, making a | 0:03:49 | 0:03:52 | |
difference. Louise came bursting
through the door screaming, dad is | 0:03:52 | 0:03:59 | |
having a heart attack, dad is having
a heart attack. When the ambulance | 0:03:59 | 0:04:04 | |
arrived, the crew got out. In the
middle of the road was a young woman | 0:04:04 | 0:04:09 | |
who I recognised, she ran up and
grabbed me. I just said, it's daddy, | 0:04:09 | 0:04:17 | |
you have to save my daddy. There is
a gentleman lying on the ground | 0:04:17 | 0:04:23 | |
clutching his chest and suddenly he
stopped breathing. I checked for a | 0:04:23 | 0:04:28 | |
pulse and there is no pulse. The
next thing you know they were | 0:04:28 | 0:04:31 | |
cutting | 0:04:31 | 0:04:36 | |
cutting him his shirt open and using
the defibrillator. We administered a | 0:04:36 | 0:04:42 | |
shock and he came around almost
straightaway, which is very unusual. | 0:04:42 | 0:04:48 | |
All I remembered was Saturday
evening going for a walk with the | 0:04:48 | 0:04:51 | |
dogs, saying I don't feel very well
and after that complete and utter | 0:04:51 | 0:04:57 | |
blackness until I woke up. The
ambulance driver came and brought us | 0:04:57 | 0:05:02 | |
a cup of tea and introduced himself
as Mike. Anyone that knows me knows | 0:05:02 | 0:05:09 | |
that I only make the very often so
that was unusual. I sat down and had | 0:05:09 | 0:05:14 | |
a chat with them. We could see a
spark between them already in the | 0:05:14 | 0:05:19 | |
strangest of circumstances. He is
just gorgeous, really handsome. I | 0:05:19 | 0:05:25 | |
turned to Louise and I said to her,
I have been thinking about it for a | 0:05:25 | 0:05:30 | |
good five minutes and I think I'm
going to spend my rest of my life | 0:05:30 | 0:05:33 | |
with that man. The next day dad was
recovering already, he was sitting | 0:05:33 | 0:05:39 | |
up in bed and we knew he was going
to have the operation to have the | 0:05:39 | 0:05:42 | |
End fitted. Because of the
connection through the town we both | 0:05:42 | 0:05:47 | |
had we had a mutual friend so I got
her number, I gave her a ring and | 0:05:47 | 0:05:54 | |
ask her dad was doing. As a thank
you, everything had done for us, we | 0:05:54 | 0:06:00 | |
had him round for dinner. We all hit
it off straightaway. I just knew I | 0:06:00 | 0:06:07 | |
was falling behind. I was giving him
all the signals but he was missing | 0:06:07 | 0:06:11 | |
them completely so in the end I had
to make the first move. She decided | 0:06:11 | 0:06:16 | |
to give me a kiss and if I was not
smitten before I certainly was after | 0:06:16 | 0:06:22 | |
that. She is so vivacious and full
of life. Very kind and wonderful | 0:06:22 | 0:06:28 | |
human being. He proposed the
following Christmas. I came in after | 0:06:28 | 0:06:34 | |
a night shift, got down on one knee
and asked her to marry me. I said | 0:06:34 | 0:06:39 | |
yes straightaway and then I had to
celebrate on my own because he had | 0:06:39 | 0:06:43 | |
to go back to bed. It wasn't the
most romantic proposal. But it was | 0:06:43 | 0:06:48 | |
still perfect. It was a very chilled
and relaxed autumnal wedding. It was | 0:06:48 | 0:06:55 | |
such a special moment to have my dad
gave me away and to just be there. | 0:06:55 | 0:06:59 | |
Could have been a very different
story. It kind of hit home then, | 0:06:59 | 0:07:04 | |
what had happened. I almost shed a
tear myself. I still call him my | 0:07:04 | 0:07:09 | |
hero. He saved my dad 's life and he
had stolen my heart. APPLAUSE | 0:07:09 | 0:07:17 | |
And they are with us now. That is
such a lovely film. You are welling | 0:07:17 | 0:07:23 | |
up a bit. How is your dad? He is
fine, better than ever. Still takes | 0:07:23 | 0:07:30 | |
the dog out every day. Your mac
good. Most people are nervous about | 0:07:30 | 0:07:34 | |
meeting their father in law but for
you of course it was a bit easier | 0:07:34 | 0:07:38 | |
wasn't it? I had some brownie points
in the bag. All good? You get on | 0:07:38 | 0:07:44 | |
well? Yeah. You are very loved up,
there must be something that annoys | 0:07:44 | 0:07:51 | |
you about him? He's not keen on
doing the laundry. I have got one of | 0:07:51 | 0:07:58 | |
those. And vice versa, anything?
Nothing. Valentines night, what are | 0:07:58 | 0:08:02 | |
your plans? Night in London, go for
a meal. Can I come, we have lasagne | 0:08:02 | 0:08:10 | |
and salad. Thank you for taking part
and give your love to our dad. Thank | 0:08:10 | 0:08:16 | |
you. That story got to us. Jonas,
you are welling up. Edith, your | 0:08:16 | 0:08:26 | |
parents must have had a strong
relationship because they ran the | 0:08:26 | 0:08:29 | |
family hotel and you worked? Yes I
was working there from age 11, | 0:08:29 | 0:08:37 | |
chambermaid, family hotel you get
roped into everything but they | 0:08:37 | 0:08:40 | |
worked together everyday and are
still together, I believe it's 45 | 0:08:40 | 0:08:44 | |
this November. If you can work
together, it says a lot about a | 0:08:44 | 0:08:51 | |
couple. But we hear Jonas that you
got your heartbroken when you did | 0:08:51 | 0:08:54 | |
your first big audition? This is
true. Regale us. I was still at | 0:08:54 | 0:09:02 | |
drama school around the corner from
year. The posh one. Yeah. I went off | 0:09:02 | 0:09:11 | |
in the right, this is it, this is
the life, my first ever audition was | 0:09:11 | 0:09:15 | |
for the Brad Pitt film of Troy. That
was my first taste of an audition | 0:09:15 | 0:09:22 | |
room and I went to jelly and nothing
happened. But how many years down | 0:09:22 | 0:09:26 | |
the line, this comes up again, a
different adaptation and I went and | 0:09:26 | 0:09:31 | |
smashed it. Karma. It's the new big
BBC drama, a lot of people will know | 0:09:31 | 0:09:38 | |
that involved and the story of Troy
is this wooden horse and a beautiful | 0:09:38 | 0:09:42 | |
woman called Helen, but can you fill
in the gaps? What happens is a young | 0:09:42 | 0:09:49 | |
chap who is a Shepherd called Paris
and it is foretold that his will be | 0:09:49 | 0:09:57 | |
the downfall of the city of Troy.
The king and queen have to make a | 0:09:57 | 0:10:02 | |
decision to abandon him or keep him
and risk everyone in Troy dying so | 0:10:02 | 0:10:07 | |
they give him up. To cut it short,
Paris ends up coming back into their | 0:10:07 | 0:10:12 | |
lives and he becomes a Prince of
Troy. His first duty as the diplomat | 0:10:12 | 0:10:17 | |
is to go over and visit the King of
Sparta who I play, King Menelaus who | 0:10:17 | 0:10:22 | |
is married to a lady called Helen of
Troy who is the most beautiful woman | 0:10:22 | 0:10:26 | |
in the world. I am suspicious of
this young, you know, handsome chap | 0:10:26 | 0:10:32 | |
coming in. Having eyes for my wife.
I have to go, my father dies so I go | 0:10:32 | 0:10:40 | |
off to mourn my father and I trust
this man with my wife and my | 0:10:40 | 0:10:46 | |
daughter and by the time I come back
things have moved on and my wife is | 0:10:46 | 0:10:50 | |
no longer my wife and has run off
with some young buck. It is eight | 0:10:50 | 0:10:56 | |
episodes, don't tell is too much! I
will not, but that is basically | 0:10:56 | 0:11:00 | |
that. We send all the army of Greece
to go and get her back. Are we | 0:11:00 | 0:11:05 | |
supposed to be rooting for you, you
think people get it wrong and people | 0:11:05 | 0:11:09 | |
should feel sorry for the King
because he is the one who lost his | 0:11:09 | 0:11:12 | |
wife. He has been made a cuckold.
The person you play you have to back | 0:11:12 | 0:11:21 | |
but, the two young lovers are
supposed to be together as fate | 0:11:21 | 0:11:23 | |
would have it, she is a trophy wife
for the King so it depends. Nobody | 0:11:23 | 0:11:31 | |
wants to be a trophy wife. It
depends how you look at it. Let's | 0:11:31 | 0:11:36 | |
look at you wearing the crown, this
is the fateful moment Paris first | 0:11:36 | 0:11:42 | |
set eyes on Menelaus's wife. How did
you to get together? No, it is fine. | 0:11:42 | 0:11:52 | |
It's a good story. And he should
know it. My brother won Helen for me | 0:11:52 | 0:11:58 | |
in competition. He fought 100 lords
for Sparta and the right to Helen's | 0:11:58 | 0:12:03 | |
hand. So you did not win yourself?
Be careful. Prince. Your father | 0:12:03 | 0:12:16 | |
wrote in his letters you had much to
learn. APPLAUSE | 0:12:16 | 0:12:25 | |
Check me out! My ripped self! This
is epic, it was all filmed in Cape | 0:12:29 | 0:12:35 | |
Town. With a load of horses, 500
extras or something, how, what was | 0:12:35 | 0:12:42 | |
it like as an experienced to be in a
centre of all that? It was amazing. | 0:12:42 | 0:12:50 | |
Firstly, filming and living in Cape
Town 46-7 months was a joy in | 0:12:50 | 0:12:55 | |
itself. Taking in the culture and
everything else. But the scale of | 0:12:55 | 0:12:58 | |
the production is not something I
have been part of, it was just vast | 0:12:58 | 0:13:05 | |
and some of the landscape to be
filmed in and around were | 0:13:05 | 0:13:09 | |
extraordinary and breathtaking. It
was something I am fortunate and | 0:13:09 | 0:13:13 | |
privileged to have been part of and
hopefully people will take to it and | 0:13:13 | 0:13:16 | |
the show will do well. I think it's
a good show so please sit down and | 0:13:16 | 0:13:23 | |
have a gander. We will have a watch,
it is on on Saturday. Yeah, Troy: | 0:13:23 | 0:13:30 | |
Fall of a City on BBC One on
Saturday at ten past nine. If | 0:13:30 | 0:13:35 | |
Egyptian mythology is to be believed
it was in fact a double gamma of | 0:13:35 | 0:13:38 | |
Helen who | 0:13:38 | 0:13:43 | |
If Egyptian Mythology is to be
believed, it was in fact Helen's | 0:13:43 | 0:13:46 | |
doppleganger that helped to stop
the battle of Troy. | 0:13:46 | 0:13:48 | |
But can you really find yourself
face to face with your own double? | 0:13:48 | 0:13:51 | |
Here's Alex Riley. | 0:13:51 | 0:13:52 | |
have you ever wondered if there is
anyone in the world looks just like | 0:13:52 | 0:13:55 | |
you and therefore is would you want
to meet them? These two men find | 0:13:55 | 0:14:02 | |
themselves sitting next to each
other on a plane. And these women | 0:14:02 | 0:14:06 | |
are not related either. They found
each other online. Peering up with | 0:14:06 | 0:14:12 | |
your lookalike has become a
phenomenon in recent years with | 0:14:12 | 0:14:16 | |
websites and apps helping people
find their closets match from | 0:14:16 | 0:14:19 | |
databases of millions of faces.
Today they are called Twin strangers | 0:14:19 | 0:14:23 | |
but our fascination with doubles is
not new. Nice moustache. The German | 0:14:23 | 0:14:30 | |
word doppelgangers is often used to
describe someone who physically | 0:14:30 | 0:14:37 | |
resembles somebody else. Laying eyes
on your own doppelgangers used to be | 0:14:37 | 0:14:40 | |
said to be an omen of death. But I
am not frightened, I am determined | 0:14:40 | 0:14:46 | |
to find my very own doppelgangers so
I put an image of myself online to | 0:14:46 | 0:14:50 | |
if anyone else out there shares
these distinctive good looks. | 0:14:50 | 0:14:56 | |
Sometimes doppelgangers don't have
to search for each other, a chance | 0:14:56 | 0:15:00 | |
meeting in a cafe bought these two
women together. We have got the same | 0:15:00 | 0:15:05 | |
angles on our faces. People
recognise me often, about once a | 0:15:05 | 0:15:10 | |
month. I did not know it would be
someone is much like me as she is. | 0:15:10 | 0:15:15 | |
Amazing and weirder. It was like we
were examining each other's faces. | 0:15:15 | 0:15:21 | |
We have very similar eyes I think.
Almond eyes. It's the side angle as | 0:15:21 | 0:15:27 | |
well. The site profile is funny. A
recent American study suggests the | 0:15:27 | 0:15:36 | |
likelihood of any two unrelated
people on the planet looking exactly | 0:15:36 | 0:15:39 | |
the same is one in 135 billion. So
are these two women drew | 0:15:39 | 0:15:44 | |
doppelgangers? At the Bristol
Robotics laboratory they are meeting | 0:15:44 | 0:15:50 | |
Professor Lyndon Smith, a facial
recognition expert. We are testing | 0:15:50 | 0:15:54 | |
them with the current 2-D facial
recognition technology used at an | 0:15:54 | 0:15:58 | |
airport automated passport control,
can a computer tell them apart? | 0:15:58 | 0:16:02 | |
Rotate and move your head. It
measures the distance between | 0:16:08 | 0:16:12 | |
distinct points on the face such as
the eyes, mouth and edges of the | 0:16:12 | 0:16:17 | |
jaw. These are stored in the
computer and used in comparison when | 0:16:17 | 0:16:20 | |
someone stands in front of the
camera. | 0:16:20 | 0:16:27 | |
camera. It gives very low
confidence. That is weird! | 0:16:27 | 0:16:35 | |
confidence. That is weird! The two
deed technique is having a problem | 0:16:35 | 0:16:38 | |
telling them apart, but Lyndon
Smith's team has developed a new 3-D | 0:16:38 | 0:16:42 | |
system which can map the contours of
the phase down to the texture of the | 0:16:42 | 0:16:47 | |
skin. It is hoped this will make
facial recognition systems all but | 0:16:47 | 0:16:51 | |
foolproof. Now it has a high
confidence value and this is Amber. | 0:16:51 | 0:16:59 | |
This time the 3-D system makes a
distinction between them, but the | 0:16:59 | 0:17:03 | |
fact there is a small margin of
error only goes to show just how | 0:17:03 | 0:17:07 | |
similar these two are. Amber and
Jamie may not be perfect matches, | 0:17:07 | 0:17:13 | |
but they are very close. It is time
to find out if I have got a | 0:17:13 | 0:17:17 | |
doppelganger amongst the viewers.
Mouth similar, but the face is quite | 0:17:17 | 0:17:24 | |
round. Maybe that is a bloke just
wearing glasses. I have got a long | 0:17:24 | 0:17:31 | |
face. But the person who came
closest is Martin Brown from Corby | 0:17:31 | 0:17:38 | |
in the East Midlands and I am about
to introduce myself. Martin, nice to | 0:17:38 | 0:17:42 | |
meet you. My goodness. You are a
good-looking fellow! You must be | 0:17:42 | 0:17:47 | |
very popular with the ladies.
Together we are going to capture our | 0:17:47 | 0:17:52 | |
likenesses in the special
doppelganger photo shoot. And here | 0:17:52 | 0:17:58 | |
are the results. It turns out I won
in after all. | 0:17:58 | 0:18:04 | |
There is only one Alex, is that not
right? We have heard of this app | 0:18:04 | 0:18:13 | |
today which is available in
Australia and America. The jury is | 0:18:13 | 0:18:18 | |
out on it. I was quite pleased with
my result. You put a picture of | 0:18:18 | 0:18:24 | |
yourself in and then it checks works
of art from around the world and | 0:18:24 | 0:18:28 | |
tells you which one you most
resemble. We have been doing it. | 0:18:28 | 0:18:32 | |
Naturally. Mine came up as the first
lady of the United States. She was | 0:18:32 | 0:18:42 | |
called Grace Goodhue Coolidge and
she hangs in the White House. Look, | 0:18:42 | 0:18:45 | |
there you are, not too bad.
Glamorous. I am a Pope. You can find | 0:18:45 | 0:18:55 | |
me in the Ritz Museum in Amsterdam.
That is me when I am old, obviously. | 0:18:55 | 0:19:02 | |
You could have got some make up to
book the beard on you. We did you, | 0:19:02 | 0:19:09 | |
obviously. Edith, this is you, an
Austrian opera singer called | 0:19:09 | 0:19:13 | |
Caroline Botgorschek. That really
looks like you. | 0:19:13 | 0:19:21 | |
looks like you. Jonas, if you are
interested you are a Belgian painter | 0:19:21 | 0:19:24 | |
called Edouard de Vigne. I can see
that. The jury is out. Red carpet | 0:19:24 | 0:19:35 | |
for the BAFTAs on Sunday with Dermot
O'Leary. What are you going to work | 0:19:35 | 0:19:40 | |
in this freezing weather? OK, we
will chat about that later. So, the | 0:19:40 | 0:19:46 | |
categories, we have been looking
through the biggest ones. The best | 0:19:46 | 0:19:50 | |
film first? There are some amazing
films. We have got Dunkirk, an epic | 0:19:50 | 0:19:57 | |
World War II. We have got The Shape
of Water, a fantasy love story. | 0:19:57 | 0:20:05 | |
Three Billboards Outside Ebbing.
Call Me By Your Name, a wonderful | 0:20:05 | 0:20:11 | |
love story. And with it being
Valentine's Day I have got to say if | 0:20:11 | 0:20:16 | |
you are going to watch one of them
go for Call Me By Your Name because | 0:20:16 | 0:20:20 | |
I think it is the most beautiful
love story I have seen in a long | 0:20:20 | 0:20:23 | |
time. It is stunning. Thinking back
to the line, it has been a big year | 0:20:23 | 0:20:30 | |
anyway. The Darkest Hour and
Dunkirk. All eyes will be on that | 0:20:30 | 0:20:34 | |
one. We will move onto Best Actor.
Let's have a look at line-up. Gary | 0:20:34 | 0:20:44 | |
Oldman as Churchill, Daniel Kaluuya
in this sleeper hit called Get Out. | 0:20:44 | 0:20:52 | |
Jamie Bell and a beautiful story
called the old stars don't die in | 0:20:52 | 0:20:56 | |
Liverpool. Timothee Chalamet and
Daniel Day Lewis again. He gets | 0:20:56 | 0:21:04 | |
nominated every time. He is like the
Meryl Streep of BAFTAs. A big year | 0:21:04 | 0:21:10 | |
for Daniel Day Lewis. Bittersweet
for him because he is retiring. He | 0:21:10 | 0:21:18 | |
said that he is, but I think it will
be like Stone Roses. Give it 20 | 0:21:18 | 0:21:25 | |
years and someone will write a
script that he cannot say no to. I | 0:21:25 | 0:21:28 | |
cannot imagine the film world
without him. He does not do that | 0:21:28 | 0:21:33 | |
much, but every time he comes back
it is amazing. Best Actors? Really | 0:21:33 | 0:21:39 | |
established actresses like Annette
Bening, Frances McDormand. The | 0:21:39 | 0:21:54 | |
fabulous Saoirse Ronan who is in
Lady Bird, it is coming out next | 0:21:54 | 0:21:58 | |
week. And Sally Hawkins, she can do
no wrong in my eyes. She has had a | 0:21:58 | 0:22:04 | |
great year. The Shape of Water.
Margot Robbie in a film about Tonya | 0:22:04 | 0:22:11 | |
Harding the ice skater, which she
produced as well. It is great to see | 0:22:11 | 0:22:16 | |
someone of such a young talent
getting their voice heard behind the | 0:22:16 | 0:22:19 | |
camera as well. Do you enjoy
watching things like the BAFTAs? | 0:22:19 | 0:22:24 | |
Yes, I do. Will you be watching on
Sunday? Of course I will. It is | 0:22:24 | 0:22:32 | |
always good to keep yourself in the
loop. And you respect so many of the | 0:22:32 | 0:22:38 | |
people who have been mentioned and a
lot of the films as well. As an | 0:22:38 | 0:22:42 | |
actor it is always good to keep
yourself in the know and know what | 0:22:42 | 0:22:47 | |
is going on. Also you have seen a
lot of the performances and you want | 0:22:47 | 0:22:50 | |
to know what is going on. We were
talking about the mutual friend who | 0:22:50 | 0:22:56 | |
plays my brother in Troy, Johnny
Harris. He is up for a film he wrote | 0:22:56 | 0:23:02 | |
and directed. Come on, Johnny. And
all the VIPs have been asked to wear | 0:23:02 | 0:23:08 | |
black which they did at the Golden
globes. Do you think that will | 0:23:08 | 0:23:13 | |
happen? Very much so. I think at the
Golden globes it was interesting | 0:23:13 | 0:23:18 | |
because they also gave people the
opportunity to bring someone of | 0:23:18 | 0:23:22 | |
importance with them, someone as a
guest on the red carpet who had | 0:23:22 | 0:23:25 | |
something important to say and had a
worthy cause and very given that | 0:23:25 | 0:23:32 | |
platform. Emma Thompson, sorry Emma
Watson, she is behind the campaign | 0:23:32 | 0:23:39 | |
and is really involved in the
campaign and they have released | 0:23:39 | 0:23:44 | |
eight principles they would now like
people to use as guidelines, a code | 0:23:44 | 0:23:48 | |
of conduct, as to how we move
forward so that people are not being | 0:23:48 | 0:23:52 | |
sexually harassed in the workplace
in the world of entertainment. It is | 0:23:52 | 0:23:56 | |
great there is a message out there
and we are moving forward with that | 0:23:56 | 0:23:59 | |
as well. But I think it will be very
strong. We look forward to seeing | 0:23:59 | 0:24:05 | |
you with your thermals under your
dress. And you can still vote for | 0:24:05 | 0:24:10 | |
the BAFTA rising star which is the
only vote nominated for by the | 0:24:10 | 0:24:15 | |
public and you have got until Friday
to vote for the five nominees. | 0:24:15 | 0:24:17 | |
to vote for the five nominees. | 0:24:17 | 0:24:21 | |
The BAFTAs are on this Sunday night
at 9pm on BBC one and you can watch | 0:24:21 | 0:24:25 | |
all the red carpet coverage
on Facebook and Twitter from 5pm. | 0:24:25 | 0:24:28 | |
We are going to move on to another
wonderful Valentine's story. Let me | 0:24:28 | 0:24:33 | |
introduce you all to Jean and
Douglas from Stockport, celebrating | 0:24:33 | 0:24:39 | |
71 years of marriage. It is an
incredible story. At the beginning | 0:24:39 | 0:24:46 | |
of the programme you will have
noticed the programmes we put up and | 0:24:46 | 0:24:49 | |
this is at the heart of your story.
When did you first set eyes on gin? | 0:24:49 | 0:24:56 | |
It was just after the war finished
and we got some new recruits in. | 0:24:56 | 0:25:00 | |
Where were you? We were in Essen in
Germany at the time. We got some new | 0:25:00 | 0:25:13 | |
recruits and I got very friendly
with one of the lads and we were | 0:25:13 | 0:25:18 | |
talking about girls and he showed us
this photograph. I was struck by it. | 0:25:18 | 0:25:26 | |
I asked for the address. But he was
a bit cagey. I am sure. So we went | 0:25:26 | 0:25:34 | |
out for a few drinks. You plied him
with alcohol and got the address? | 0:25:34 | 0:25:39 | |
Easy, very easy. So then you started
writing to Jean from Germany. When | 0:25:39 | 0:25:46 | |
you first got this letter, what was
your impression? I thought he was | 0:25:46 | 0:25:52 | |
quite a nice young man but I try to
give him away to my friend. I showed | 0:25:52 | 0:25:56 | |
her this photograph and said, do you
want to write to a soldier in | 0:25:56 | 0:26:00 | |
Germany. He is in the Gordon
Highlanders. Nobody was interested, | 0:26:00 | 0:26:05 | |
so my father said to me, you must
write to the lad, it is not fair. He | 0:26:05 | 0:26:10 | |
is out there doing a good job, write
him a little letter. That is what I | 0:26:10 | 0:26:16 | |
did and he sent me a photograph and
when he was on leave he came to | 0:26:16 | 0:26:22 | |
visit us and stayed with me and my
father and we were friends and we | 0:26:22 | 0:26:25 | |
had great fun and enjoy everything.
Then he went back and we wrote again | 0:26:25 | 0:26:28 | |
for a long time and he came home the
next time and me and my father went | 0:26:28 | 0:26:33 | |
up to Dundee to meet his parents and
stay with them for a few days. | 0:26:33 | 0:26:37 | |
Things were progressing quickly.
That's right. After that he had | 0:26:37 | 0:26:42 | |
another few months and he was coming
out of the Army and as he lived in | 0:26:42 | 0:26:46 | |
Dundee and I lived in Manchester
there was no chance that we would | 0:26:46 | 0:26:52 | |
ever do any courting because in
those days we did courting. It took | 0:26:52 | 0:26:56 | |
longer than it does nowadays. We
went up there and we met his parents | 0:26:56 | 0:27:01 | |
and they were quite amiable and
everything. While we were there he | 0:27:01 | 0:27:05 | |
went down on one knee and proposed
to me. How long after seeing the | 0:27:05 | 0:27:11 | |
photo? It was not all that long. Six
months or something? I would have | 0:27:11 | 0:27:22 | |
done it quicker. Would you really?
Yes, definitely. UI so happy | 0:27:22 | 0:27:30 | |
together and it is wonderful to
spend time in your company. Have you | 0:27:30 | 0:27:35 | |
still got the photograph? I have
carried it for a long time. I will | 0:27:35 | 0:27:41 | |
not show it to anybody. Give them a
round of applause. Celebrating 71 | 0:27:41 | 0:27:48 | |
years of marriage. | 0:27:48 | 0:27:54 | |
years of marriage. Alex, back to
you. We love them. | 0:27:54 | 0:27:59 | |
Russ Swift attempts a tricky parking
manouvre outside in just a moment. | 0:27:59 | 0:28:02 | |
Before that, Dom's been to see
the cutting edge of parking tech. | 0:28:02 | 0:28:08 | |
Inventing the stress we wait to park
has long been a headache for car | 0:28:08 | 0:28:11 | |
designers. It goes like crap the
corner. Got a problem? It has been a | 0:28:11 | 0:28:21 | |
bumpy ride from this futuristic
dream to road-going reality. | 0:28:21 | 0:28:25 | |
Nowadays tech like this has never
been needed more because with 32 | 0:28:25 | 0:28:29 | |
million motors on the roads, finding
a space big enough to park in can be | 0:28:29 | 0:28:34 | |
a nightmare. | 0:28:34 | 0:28:39 | |
a nightmare. But squeezing in and
out of tight spaces like you on a | 0:28:39 | 0:28:43 | |
motorway service station could soon
be a thing of the past. All you need | 0:28:43 | 0:28:47 | |
is one of these and one of these.
This app is the work of an electric | 0:28:47 | 0:28:53 | |
car manufacturer, Tesla. This car is
owned by David Tolbert. How much did | 0:28:53 | 0:29:01 | |
it cost? 90,000. | 0:29:01 | 0:29:06 | |
it cost? 90,000. Oh, the lights are
flashing. The car can next to a | 0:29:07 | 0:29:13 | |
phone by Bluetooth and then steers
itself into a space by using | 0:29:13 | 0:29:17 | |
sensors. It has even put the
handbrake on. But is this a gimmick? | 0:29:17 | 0:29:23 | |
Not at all, I use it frequently when
people park so close to you. The BMW | 0:29:23 | 0:29:29 | |
remote parking system is in the
car's keyboard. There are raiders or | 0:29:29 | 0:29:37 | |
around car. I will start the car and
bring it back to see if it can run | 0:29:37 | 0:29:43 | |
you over. Go on, you try it. I
thought for a second that would have | 0:29:43 | 0:29:51 | |
my kneecaps off! For now these
systems can only be used on private | 0:29:51 | 0:30:00 | |
land, so this is just pointless
concept design? No, because later | 0:30:00 | 0:30:05 | |
this year the government is set to
legalise cars with remote parking | 0:30:05 | 0:30:08 | |
technology, meaning you can use it
anywhere. This motoring journalist | 0:30:08 | 0:30:14 | |
thinks it will spark a revolution on
our roads. Is this the start of cars | 0:30:14 | 0:30:20 | |
driving themselves? I think it is,
fast forward 2021 and the government | 0:30:20 | 0:30:25 | |
wants us to be driving autonomous
vehicles and is changing the laws. | 0:30:25 | 0:30:30 | |
Eventually it will do all the work
for us. But how practical is this | 0:30:30 | 0:30:34 | |
new technology? To put it through
its paces, we signed two teams. | 0:30:34 | 0:30:43 | |
Andrew thinks his wife is the better
Parker, so she will be taking | 0:30:43 | 0:30:47 | |
control of the app. | 0:30:47 | 0:30:52 | |
She will be working with her friend
Matt to test the BMW. Both teams are | 0:30:52 | 0:31:00 | |
in position. On your marks, get set,
go! Andrew is lightning quick off | 0:31:00 | 0:31:07 | |
the blocks. Maybe a bit too quick.
That is 90 grand of your money over | 0:31:07 | 0:31:12 | |
there, are you worried? Slightly! I
am as well. The first job is to | 0:31:12 | 0:31:20 | |
drive the car is into position,
lining them up with parking spaces. | 0:31:20 | 0:31:24 | |
Then use the gadgets to guide them
home. But Frankie has freaked out. | 0:31:24 | 0:31:29 | |
This is strange! It's doing it
itself. The technique and do all the | 0:31:29 | 0:31:37 | |
work itself. Why are they getting it
so wrong? The wheels turn at about | 0:31:37 | 0:31:47 | |
three degrees, so they need to make
sure the car can slot by in. No such | 0:31:47 | 0:31:53 | |
trouble for the senior team who park
the car in just over seven minutes. | 0:31:53 | 0:31:59 | |
They all these beat the young ones!
Ten minutes later the youngsters | 0:31:59 | 0:32:06 | |
finally bring the BMW home. It took
a while but we got there in the end. | 0:32:06 | 0:32:17 | |
With the car is safely parked what
did our teams make of remote | 0:32:17 | 0:32:20 | |
parking? Fantastic little things
these are. As for these two, what | 0:32:20 | 0:32:27 | |
went wrong? I cannot park and this
did not help the park because I | 0:32:27 | 0:32:32 | |
still had to line it up. She is just
a bad driver. I need a lift to the | 0:32:32 | 0:32:39 | |
station, do you mind if I come with
you? See you later! | 0:32:39 | 0:32:45 | |
I got to try out this technology
earlier on today, I don't know why | 0:32:45 | 0:32:49 | |
it took seven minutes, I did it in
about 40 seconds. It's unbelievable, | 0:32:49 | 0:32:53 | |
it's like a massive remote control
car. This is the first step, the | 0:32:53 | 0:32:58 | |
ultimate idea is the car will drop
you off at the destination and it | 0:32:58 | 0:33:02 | |
will go and find a parking space
itself. That would save me so much | 0:33:02 | 0:33:07 | |
in parking fines! Amazing. Good
stunt. The technology we have seen | 0:33:07 | 0:33:13 | |
is still out of reach most people
but here to give us all some parking | 0:33:13 | 0:33:17 | |
tips as an expert in position
driving, stuntman Russ Swift. With a | 0:33:17 | 0:33:23 | |
brolly because he does not want to
steam up the car when he gets back | 0:33:23 | 0:33:26 | |
in, for those who don't have the
amazing technology what's key is far | 0:33:26 | 0:33:30 | |
as you are concerned? Go and
practice, find an empty car park to | 0:33:30 | 0:33:35 | |
get familiar with doing it, so it
becomes instinct. That's the best | 0:33:35 | 0:33:40 | |
way of doing anything, just like
riding a bike. Parallel parking | 0:33:40 | 0:33:44 | |
everyone struggles with but as long
as you give yourself plenty of room, | 0:33:44 | 0:33:47 | |
keep well away from the car you're
pulling alongside to start with, | 0:33:47 | 0:33:52 | |
head for the rear corner and give
yourself room at the front of pull | 0:33:52 | 0:33:55 | |
round and in, it's easy! There you
go, what is the plan, you are | 0:33:55 | 0:34:03 | |
showing is more spectacular parking?
I will emulate what you did earlier, | 0:34:03 | 0:34:08 | |
parking between those two cars but
with more flair. Brilliant. Looking | 0:34:08 | 0:34:13 | |
forward to it. We will get behind
the barrier I think. Let's! Edith, | 0:34:13 | 0:34:19 | |
we understand you are the main car
park in your little team, is that | 0:34:19 | 0:34:23 | |
right? I am quite good at reverse
parking. My four-year-old has little | 0:34:23 | 0:34:27 | |
phrase that he says, that is why
they call my mum the parking master. | 0:34:27 | 0:34:33 | |
Where did he get that from? I have
no idea, that is because he watches | 0:34:33 | 0:34:39 | |
too much TV. I need to point out
this is not ideal driving | 0:34:39 | 0:34:44 | |
conditions. Am I good to go? A
couple of cars at the top, hopefully | 0:34:44 | 0:34:54 | |
you will literally reverse park into
there. Shall we give it a three, | 0:34:54 | 0:35:02 | |
two, one? Three, two, one, go! Here
goes, easy does it. Oh my word! | 0:35:02 | 0:35:13 | |
APPLAUSE
In the wet! Go on my son! It looked | 0:35:13 | 0:35:24 | |
like he was going to take the other
car. Do you want to see it again? | 0:35:24 | 0:35:31 | |
Next week we'll be joined by the
stars of top gear so we are on the | 0:35:31 | 0:35:35 | |
hunt for the owners of the most rare
and quirky and customised vehicles | 0:35:35 | 0:35:39 | |
we can find, get in touch with an
e-mail of a photograph of your | 0:35:39 | 0:35:44 | |
weirder and wonderful wheels we can
show to the team later on, the usual | 0:35:44 | 0:35:47 | |
address will be fine. Thank you Russ
Swift. Sarah Mack has a hugely | 0:35:47 | 0:35:52 | |
inspiring tale of what happened when
a man in need met a woman who | 0:35:52 | 0:35:55 | |
offered him help, this is Colin and
Rhona's story. Last year 57-year-old | 0:35:55 | 0:36:04 | |
Colin Campbell booked himself into
an assisted suicide clinic in | 0:36:04 | 0:36:07 | |
Switzerland. I was diagnosed with
progressive multiple sclerosis in | 0:36:07 | 0:36:16 | |
March 19 95. So with the knowledge
that the progression will make the | 0:36:16 | 0:36:20 | |
disease get gradually much worse I
decided another winter would be | 0:36:20 | 0:36:24 | |
unbearable. Colin Shaw is the 15th
of June for the day he was going to | 0:36:24 | 0:36:31 | |
die. | 0:36:31 | 0:36:39 | |
Colin Campbell says his death will
be a release from years of | 0:36:39 | 0:36:41 | |
suffering. I don't want to be alive
and more disabled than I am now. | 0:36:41 | 0:36:48 | |
But just half a mile down the road a
stranger was watching. Rhona who | 0:36:48 | 0:36:54 | |
also | 0:36:54 | 0:37:01 | |
also has MS. I thought I could not
let him do this without trying. I | 0:37:01 | 0:37:05 | |
called up and asked if Colin would
come to see me, see my life and how | 0:37:05 | 0:37:11 | |
I was coping and to see if I could
help to make things better. | 0:37:11 | 0:37:22 | |
Colin did just that and an
unexpected friendship was formed. | 0:37:22 | 0:37:28 | |
Rhona and I spent two very enjoyable
days together. After discussing it | 0:37:28 | 0:37:34 | |
with Rhona I cancelled my
appointment for the 15th of June in | 0:37:34 | 0:37:38 | |
Switzerland. Seven months on I've
come up to Inverness to find out how | 0:37:38 | 0:37:47 | |
meeting the Rhona has changed
Colin's life. It became clear early | 0:37:47 | 0:37:52 | |
on that Colin did not have the
correct support to lead a good | 0:37:52 | 0:37:56 | |
quality of life. My flat had become
a prison, I could not get out, two | 0:37:56 | 0:38:01 | |
flights of stairs. I knew the
scooter changed my life, it gives me | 0:38:01 | 0:38:06 | |
freedom to be out and about as
normal. Colin did not have one? He | 0:38:06 | 0:38:13 | |
did not, and did not lie to get one
so I said let's have a day out | 0:38:13 | 0:38:17 | |
together and let's try scooters and
see how you get on. Getting a | 0:38:17 | 0:38:22 | |
scooter was just the beginning,
Colin also discovered he was | 0:38:22 | 0:38:26 | |
entitled to a ground-floor flat and
24-hour assisted living. Why were | 0:38:26 | 0:38:30 | |
you saw in the dark, unaware of the
help that was out there? Because | 0:38:30 | 0:38:35 | |
nobody had explained what options
are worth. If it had not been for | 0:38:35 | 0:38:39 | |
Rhona do you think you would have
gone ahead? Definitely, if Rhona had | 0:38:39 | 0:38:43 | |
not come back to me without a doubt
the 15th of June, that would have | 0:38:43 | 0:38:47 | |
been it. Inspired by her friendship
with Colin, Rhona started a | 0:38:47 | 0:38:53 | |
networking group to offer advice to
people in similar situations. | 0:38:53 | 0:38:58 | |
Anything we can do to make your life
easier would be fantastic and let | 0:38:58 | 0:39:02 | |
you know you are not alone.
40-year-old Sarah Davidson was | 0:39:02 | 0:39:06 | |
diagnosed with MS just nine months
ago and today she is meeting the | 0:39:06 | 0:39:11 | |
group are the first time. What is
your impression of the support and | 0:39:11 | 0:39:15 | |
services available? Lacking quite a
lot, you get appointments and hang | 0:39:15 | 0:39:20 | |
on to what you are told but then you
go home and you are on your own. It | 0:39:20 | 0:39:24 | |
is not obvious, what is out there.
NHS Highland tour thus patients are | 0:39:24 | 0:39:30 | |
talked through the options available
to them by a specialist nurse. Other | 0:39:30 | 0:39:36 | |
recent UN enquiry was critical of
the UK approach to disabled people | 0:39:36 | 0:39:40 | |
when it comes to accessing health
benefits. Unfortunately I believe | 0:39:40 | 0:39:45 | |
there are still a lot of people out
there that are in the situation that | 0:39:45 | 0:39:50 | |
Colin was in and there is a big gap
in the market for some sort of | 0:39:50 | 0:39:55 | |
support network to help people with
MS and other life changing | 0:39:55 | 0:39:58 | |
disabilities. So what does the
future hold? Rhona raised over | 0:39:58 | 0:40:09 | |
£40,000 to receive stem cell
treatment abroad and just three | 0:40:09 | 0:40:12 | |
months after her operation is
already seeing a difference. My | 0:40:12 | 0:40:17 | |
concentration level and my fatigue
levels are absolutely awesome at the | 0:40:17 | 0:40:20 | |
moment. I have been able to open my
left hand whilst before my left hand | 0:40:20 | 0:40:26 | |
was clenched in a fist. Inside me I
just cannot tell you how happy I am. | 0:40:26 | 0:40:33 | |
And the man who was not expecting to
see in the New Year is now | 0:40:33 | 0:40:37 | |
celebrating a new lease of life by
the River Clyde. The great thing | 0:40:37 | 0:40:41 | |
about where I am now is my
ground-floor accommodation is an | 0:40:41 | 0:40:45 | |
absolutely stunning view. I
definitely have a massively better | 0:40:45 | 0:40:51 | |
quality of life now. | 0:40:51 | 0:40:58 | |
What an incredible story. Knowing
that one phone call has changed | 0:40:58 | 0:41:02 | |
life. And we have Rhona who is still
recuperating from her stem cell | 0:41:02 | 0:41:06 | |
therapy on the line from Inverness.
And Dr Sarah Jarvis is also here. We | 0:41:06 | 0:41:11 | |
will start with you Rhona, what an
inspiring film that was to watch, | 0:41:11 | 0:41:15 | |
incredible. The effect you have had
on Colin's life and we heard you | 0:41:15 | 0:41:22 | |
talk in the film about starting this
group for MS sufferers but actually | 0:41:22 | 0:41:27 | |
you have dreams of it becoming a
much bigger thing, and national, and | 0:41:27 | 0:41:32 | |
national organisation. That is
correct, I would love a national | 0:41:32 | 0:41:37 | |
group starting up and I thought one
of the easiest ways, maybe small | 0:41:37 | 0:41:43 | |
groups starting up in their areas
and at present I am working with a | 0:41:43 | 0:41:50 | |
local charity to step forward and
see how we can help people move on | 0:41:50 | 0:41:55 | |
and not get to a desperate situation
like Colin was in. The key point is | 0:41:55 | 0:42:03 | |
I guess is that the people who
initially are turning up, it is | 0:42:03 | 0:42:06 | |
brave to come to a group like that
anyway but once you get people | 0:42:06 | 0:42:11 | |
hawking everyone can learn so much
from each other's experience. We are | 0:42:11 | 0:42:16 | |
not talking about medical
professionals, just those living | 0:42:16 | 0:42:19 | |
with conditions like MS. That is
true, it is very brave because you | 0:42:19 | 0:42:24 | |
lose your confidence. You are unable
person and suddenly you are not. Our | 0:42:24 | 0:42:30 | |
group we have got together, we took
some fun and crazy things for the | 0:42:30 | 0:42:36 | |
future when I can get a bit better
and be out there. It's lovely to be | 0:42:36 | 0:42:42 | |
able to talk and bond and share
experiences and sometimes friendship | 0:42:42 | 0:42:48 | |
and understanding is the best
medicine you can actually get in | 0:42:48 | 0:42:51 | |
life. Yeah, a phenomenal job in
starting this group. Big aspirations | 0:42:51 | 0:43:00 | |
to see it grow, what help is there
available to those diagnosed with | 0:43:00 | 0:43:06 | |
MS? Theoretically when you are
diagnosed you are supposed to be | 0:43:06 | 0:43:10 | |
under a specialist team headed up by
a neurologist, a consultant and you | 0:43:10 | 0:43:18 | |
should have a multidisciplinary team
which includes a MS specialist | 0:43:18 | 0:43:21 | |
nurse, perhaps a speech therapist,
occupational therapist, and of | 0:43:21 | 0:43:26 | |
course MS has an impact not just on
your physical and social well-being | 0:43:26 | 0:43:30 | |
but it can have an impact on your
mental well-being because it can be, | 0:43:30 | 0:43:34 | |
it can be a real struggle. So there
should be counsellors and so on. The | 0:43:34 | 0:43:39 | |
problem we have got is we have
amazing MS nurses doing fantastic | 0:43:39 | 0:43:44 | |
work but not enough of them.
Actually Rhona, what is your message | 0:43:44 | 0:43:48 | |
to medical professionals out there?
Well I agree with what was just | 0:43:48 | 0:43:55 | |
said, there are fantastic people, I
have a wonderful GP and everything | 0:43:55 | 0:43:59 | |
but unfortunately they are busy and
don't have time to deal with us and | 0:43:59 | 0:44:03 | |
it is long care we need. So I would
not just ask the professionals, I | 0:44:03 | 0:44:09 | |
would ask people like you, me,
everybody, everyone be responsible | 0:44:09 | 0:44:13 | |
and look over people who are
suffering from some sort of | 0:44:13 | 0:44:18 | |
disability, just loneliness. You can
make a massive difference to | 0:44:18 | 0:44:20 | |
somebody's life. We know you have
been in Mexico yourself having the | 0:44:20 | 0:44:27 | |
stem cell treatment, and as a result
there was a breakthrough moment for | 0:44:27 | 0:44:31 | |
you on Saturday, tell us what
happened. It was wonderful, at about | 0:44:31 | 0:44:37 | |
9pm I said to my husband I am going
to get up, he always helps me out of | 0:44:37 | 0:44:42 | |
the armchair into my chair and I
said I could walk and I got out of | 0:44:42 | 0:44:46 | |
the cheer myself and I held one of
his hands which was lovely because | 0:44:46 | 0:44:50 | |
normally I have to go on my walk or
my chair or use both his hands but I | 0:44:50 | 0:44:58 | |
walked very well and did
approximately 50 steps holding in | 0:44:58 | 0:45:02 | |
just one of his hands. It's the most
amazing, happy feeling for both of | 0:45:02 | 0:45:06 | |
us. APPLAUSE | 0:45:06 | 0:45:09 | |
We wish you all the very best and
pass on our thanks to everybody in | 0:45:16 | 0:45:20 | |
the group and best of luck with
everything. | 0:45:20 | 0:45:29 | |
everything. Thank you very much.
Colin, if you are watching at home, | 0:45:29 | 0:45:33 | |
thank you so much for telling us
your story, it will inspire so many | 0:45:33 | 0:45:38 | |
people. Go to our website to find
links for more information and if | 0:45:38 | 0:45:43 | |
you want support, there is more
online. | 0:45:43 | 0:45:50 | |
Our next guest shot straight to fame
when Simon Cowell pressed the buzzer | 0:45:50 | 0:45:55 | |
and put him through to the final.
# I am in the corner, watching you | 0:45:55 | 0:46:03 | |
kiss her.
# I am not the guy you are taking | 0:46:03 | 0:46:10 | |
home.
# I keep dancing on my own. | 0:46:10 | 0:46:20 | |
APPLAUSE
It is Callum Scott, everyone, a | 0:46:20 | 0:46:28 | |
superstar with a new album coming
out and it is all about inspiring | 0:46:28 | 0:46:31 | |
happiness. It is basically an
introduction to me as a person and | 0:46:31 | 0:46:38 | |
an artist from everything that has
happened from being young to this | 0:46:38 | 0:46:42 | |
crazy career I am in now and all
those emotions you feel. You Are The | 0:46:42 | 0:46:51 | |
Reason is the single that you will
be performing outside with Leona | 0:46:51 | 0:46:55 | |
Lewis in a minute and this is
dedicated to your grandmother. My | 0:46:55 | 0:47:00 | |
grandmother was very involved in my
growing up and she taught me | 0:47:00 | 0:47:05 | |
everything I am today, to be kind
and gentle and understanding and | 0:47:05 | 0:47:09 | |
caring and to look after people. So
I owe my upbringing to her really. | 0:47:09 | 0:47:15 | |
You Are The Reason is dedicated to
anybody, it does not have to be a | 0:47:15 | 0:47:19 | |
romantic relationship, it can be
family, your dog, no matter what | 0:47:19 | 0:47:23 | |
relationship you have, but if you
feel that fundamental feeling it can | 0:47:23 | 0:47:28 | |
get you through anything. Are you
enjoying your singing? Obviously, it | 0:47:28 | 0:47:35 | |
was stressful to start off with, but
now you can enjoy it and performing | 0:47:35 | 0:47:39 | |
it. I used to work 9-5 in an office
before I got involved in this | 0:47:39 | 0:47:45 | |
career. And I can say now my face
aches daily from smiling with | 0:47:45 | 0:47:52 | |
everything I do. I can go around the
world and sing my music and I have | 0:47:52 | 0:47:56 | |
got an album and a UK tour coming up
in April and I can go around the | 0:47:56 | 0:48:01 | |
world dreaming of what I wanted to
do and I am living the dream. We are | 0:48:01 | 0:48:09 | |
very excited. You will be singing
outside shortly. Take your umbrella. | 0:48:09 | 0:48:15 | |
Callum Scott in a Mac. Time for our
last story of romance this evening. | 0:48:15 | 0:48:25 | |
That could have gone terribly wrong!
We love your shirt. You two met | 0:48:25 | 0:48:36 | |
because of a very cryptic valentines
card. Tell us what happened. I was a | 0:48:36 | 0:48:43 | |
manageress of an estate agency and I
had a couple of viewing is in his | 0:48:43 | 0:48:49 | |
house and I really liked him and I
kept calling him. I hoped he would | 0:48:49 | 0:48:56 | |
take the lead, but nothing. So it
came to Valentine's Day and I | 0:48:56 | 0:49:01 | |
decided here goes, so I said the
clue to your heart is in your home. | 0:49:01 | 0:49:09 | |
I posted it or I could have lost my
job. Did you figure out who it was | 0:49:09 | 0:49:15 | |
from? I did eventually. It took me
four days. I found out in the end | 0:49:15 | 0:49:21 | |
because of the franking mark on the
envelope and I have had letters from | 0:49:21 | 0:49:30 | |
the estate agent and it was the
same. There were four people in the | 0:49:30 | 0:49:35 | |
agency. Then I guess to it was. Will
you please? I was delighted. Then I | 0:49:35 | 0:49:45 | |
wrote back cryptic card not saying
who it was. Her card said from a | 0:49:45 | 0:49:52 | |
young professional female to a
young, professional male and I wrote | 0:49:52 | 0:49:55 | |
back from a young, professional
male, would you care to join me for | 0:49:55 | 0:50:01 | |
lunch, your carriage awaits. And
this is the card. 29 years to get | 0:50:01 | 0:50:06 | |
there. Thank you both. A very moving
love story. It has all been about | 0:50:06 | 0:50:19 | |
couples to night. | 0:50:19 | 0:50:22 | |
It's all been about couples tonight
but we're about to see Marty | 0:50:22 | 0:50:25 | |
after he spent a cold night alone
in the woods in a one-man tent. | 0:50:25 | 0:50:29 | |
He'll do anything to prove a point. | 0:50:29 | 0:50:33 | |
It is 3:30am in Oxfordshire. We have
all heard the expression the early | 0:50:33 | 0:50:43 | |
bird catches the worm, but does this
old phrase have any foundation in | 0:50:43 | 0:50:48 | |
the natural world? Do the earliest
risers get the most worms? In about | 0:50:48 | 0:50:55 | |
an hour this woodland will erupt in
birdsong, the dawn chorus. And we | 0:50:55 | 0:51:00 | |
are going to be listing out to see
which bird species breaks the | 0:51:00 | 0:51:04 | |
silence first. Here to help identify
the birds' unique songs is | 0:51:04 | 0:51:12 | |
professional early bird Polston
Cliff from the British trust of | 0:51:12 | 0:51:16 | |
ornithology. The sound recordist
Gary is using a parabolic reflector, | 0:51:16 | 0:51:21 | |
a large microphone that can pick out
birdsong from 50 metres away. Now it | 0:51:21 | 0:51:28 | |
is a waiting game, which species
will be the first to herald the | 0:51:28 | 0:51:31 | |
dawn? | 0:51:31 | 0:51:36 | |
dawn? Absolutely classic, it has
just woken up, it has spent the | 0:51:37 | 0:51:40 | |
night roosting close by. A
blackbird. It is more smooth. There. | 0:51:40 | 0:51:54 | |
The dawn chorus, the first couple of
birds invariably will be the song | 0:51:54 | 0:51:59 | |
thrush and the blackbird. In the
next few minutes we might hear | 0:51:59 | 0:52:04 | |
Robin. Sure enough, five minutes
later... Only male birds joined the | 0:52:04 | 0:52:12 | |
dawn chorus, they are staking their
claim to territory and the early | 0:52:12 | 0:52:17 | |
risers all had one thing in common.
The blackbirds have got a large eyes | 0:52:17 | 0:52:28 | |
size and it let's more light into
the retina. So the early birds have | 0:52:28 | 0:52:34 | |
a biological advantage in the dark,
but does that mean they get to eat | 0:52:34 | 0:52:38 | |
more? As the light grows over the
next hour the voices in the quiet | 0:52:38 | 0:52:43 | |
start to change. The early birds
have got the singing out of the way | 0:52:43 | 0:52:48 | |
and are ready for breakfast. It is
now a quarter past five and it has | 0:52:48 | 0:52:52 | |
completely changed. The blackbird
and the rain are dominant. The large | 0:52:52 | 0:53:00 | |
eyed species have done their
shouting and they have gone off now. | 0:53:00 | 0:53:07 | |
It is fantastic foraging time. But
to find out if being first up really | 0:53:07 | 0:53:13 | |
does pay in worms I have met up with
scientist Ella Cole. She has been | 0:53:13 | 0:53:20 | |
studying their feeding routines.
What have you got here? I am | 0:53:20 | 0:53:24 | |
checking on the nest. We have got
some chicks that are 13 days old | 0:53:24 | 0:53:29 | |
today. By tagging and monitoring the
birds Eleanor knows exactly what | 0:53:29 | 0:53:35 | |
they are eating and when. Took early
birds catch the worm? Yes, because | 0:53:35 | 0:53:41 | |
the birds that get up earlier are
the ones who eat the worms. The | 0:53:41 | 0:53:46 | |
earliest birds are specialist worm
feeders and they are closest to the | 0:53:46 | 0:53:50 | |
surface before the sun gets up when
the ground is cold and wet. Birds | 0:53:50 | 0:53:55 | |
that wake up later have completely
different diets, like these great | 0:53:55 | 0:54:00 | |
tips, they got 40 minutes after the
first worm feeders. This bird will | 0:54:00 | 0:54:05 | |
bring a caterpillar back to the nest
every two minutes. Between the male | 0:54:05 | 0:54:11 | |
and female they are bringing back
about 10,000 caterpillars over a | 0:54:11 | 0:54:16 | |
three-week time period. That is a
lot. In human terms that is like a | 0:54:16 | 0:54:22 | |
couple bringing that 100 kilograms
of shopping every day for that | 0:54:22 | 0:54:25 | |
family to feed. They are working
hard. The morning shop! If you are a | 0:54:25 | 0:54:34 | |
worm eaten at the early bird does
its best, but here in the woods all | 0:54:34 | 0:54:38 | |
the birds make the most of the
morning. | 0:54:38 | 0:54:49 | |
morning. Oh, party! It is very loud
here, I can't hear. Lots of people | 0:54:49 | 0:54:56 | |
sent in pictures for Valentine's
Day. | 0:54:56 | 0:55:03 | |
Day. Ursula's mum and dad met on a
blind date and have been married for | 0:55:03 | 0:55:06 | |
59 years. This couple for | 0:55:06 | 0:55:13 | |
59 years. This couple for each other
by buying the same card. | 0:55:13 | 0:55:21 | |
by buying the same card. Michael,
96, but merely, 93 some roses and | 0:55:21 | 0:55:25 | |
Milly got Michael a sausage roll.
Alex and Stewart completed on their | 0:55:25 | 0:55:31 | |
first house today. Are we almost
ready to go? Keeping warm. Thanks to | 0:55:31 | 0:55:41 | |
Jonas and Edith. | 0:55:41 | 0:55:46 | |
Troy: Fall of a City
starts on Saturday, | 0:55:46 | 0:55:48 | |
BBC One at ten past nine. | 0:55:48 | 0:55:50 | |
The BAFTAs are on this Sunday night
at 9pm on BBC One and you can watch | 0:55:50 | 0:55:54 | |
all the red carpet coverage
on Facebook and Twitter from 5pm. | 0:55:54 | 0:55:59 | |
Here is Callum Scott and Leona
Lewis. Happy balance | 0:55:59 | 0:56:07 | |
Lewis. Happy balance Valentine's
Day. | 0:56:07 | 0:56:11 | |
# There goes my heart beating
'Cause you are the reason | 0:56:11 | 0:56:14 | |
# I'm losing my sleep
Please come back now | 0:56:14 | 0:56:18 | |
# There goes my mind racing
And you are the reason | 0:56:18 | 0:56:25 | |
# That I'm still breathing
# I'm hopeless now | 0:56:25 | 0:56:33 | |
# I'd climb every mountain
And swim every ocean | 0:56:34 | 0:56:42 | |
# Just to be with you
And fix what I've broken | 0:56:43 | 0:56:50 | |
# Oh, 'cause I need you to see
That you are the reason | 0:56:50 | 0:56:58 | |
# There goes my hands shaking
And you are the reason | 0:57:08 | 0:57:15 | |
# My heart keeps bleeding
# I need you now | 0:57:15 | 0:57:23 | |
# If I could turn back the clock | 0:57:24 | 0:57:27 | |
# I'd make sure the light
defeated the dark | 0:57:27 | 0:57:32 | |
# I'd spend every hour of every day
Keeping you safe | 0:57:32 | 0:57:40 | |
# And I'd climb every mountain | 0:57:40 | 0:57:44 | |
# And swim every ocean | 0:57:44 | 0:57:49 | |
# Just to be with you | 0:57:49 | 0:57:53 | |
# And fix what I've broken | 0:57:53 | 0:57:58 | |
# Oh, 'cause I need you to see | 0:57:58 | 0:58:05 | |
# That you are the reason | 0:58:05 | 0:58:10 | |
# You are the reason | 0:58:10 | 0:58:18 | |
# I'd climb every mountain
And swim every ocean | 0:58:38 | 0:58:41 | |
# Just to be with you
And fix what I've broken | 0:58:41 | 0:58:49 | |
# Oh, 'cause I need you to see
That you are the reason | 0:58:49 | 0:58:57 | |
APPLAUSE | 0:59:08 | 0:59:13 |