Browse content similar to 15/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show. | 0:00:17 | 0:00:19 | |
With Matt Baker. | 0:00:19 | 0:00:20 | |
And Michelle Ackerley. | 0:00:20 | 0:00:22 | |
And a happy Chinese
New Year's Eve to you all. | 0:00:22 | 0:00:24 | |
Tomorrow marks the Year of the Dog. | 0:00:24 | 0:00:27 | |
As a strange coincidence,
both of our guests were born | 0:00:27 | 0:00:29 | |
in the Year of the Dog. | 0:00:29 | 0:00:32 | |
According to Chinese folklore,
that makes them "stubborn, | 0:00:32 | 0:00:34 | |
conservative and emotional". | 0:00:34 | 0:00:35 | |
Let's find out if that's true. | 0:00:35 | 0:00:38 | |
Please welcome Peter Egan
and Alison Steadman! | 0:00:38 | 0:00:39 | |
CHEERING AND APPLAUSE | 0:00:39 | 0:00:44 | |
Welcome, both. Stubborn,
Conservative, emotional? I am not | 0:00:44 | 0:00:53 | |
emotional! Peter? I think I am
stubborn. Certainly emotional. And I | 0:00:53 | 0:01:01 | |
am also, because I am a wee brat and
a dog, I am quite diplomatic. Good | 0:01:01 | 0:01:09 | |
characteristics. And as actors come
you have to be emotional, it comes | 0:01:09 | 0:01:12 | |
with the territory. Yes, you have to
bring a tear to the eye at the click | 0:01:12 | 0:01:16 | |
of a finger. And you were telling us
about a recent stubborn scenario. | 0:01:16 | 0:01:21 | |
And rightly so, with the plastic at
the latest screening of a comedy | 0:01:21 | 0:01:25 | |
drama. Yes, you find wherever you go
you get offered plastic cups to take | 0:01:25 | 0:01:34 | |
into the cinema and theatre and I am
so against it. I am afraid I have | 0:01:34 | 0:01:38 | |
got to the point where I just go,
no, I am not accepting that! I have | 0:01:38 | 0:01:44 | |
just had it really. Good for you!
The only reason you get offered | 0:01:44 | 0:01:50 | |
these cups is because they do not
want to pay anybody to wash glasses. | 0:01:50 | 0:01:54 | |
It is terrible. Even at our West End
theatres, they are giving out | 0:01:54 | 0:02:02 | |
plastic by The Times. The National
Theatre, even. It is terrible, it is | 0:02:02 | 0:02:08 | |
really bad. So I saying no! You
going for it! Good for you! We have | 0:02:08 | 0:02:15 | |
a special on plastics next week you
should watch. I will send you a | 0:02:15 | 0:02:20 | |
text! | 0:02:20 | 0:02:22 | |
First, we've all heard
about the controversy surrounding | 0:02:22 | 0:02:24 | |
stop and search over the years,
but what about so-called | 0:02:24 | 0:02:26 | |
'stop and scan'? | 0:02:26 | 0:02:27 | |
The Home Office has announced -
very quietly, critics say - | 0:02:27 | 0:02:30 | |
that it's rolling out new smartphone
technology which allows police | 0:02:30 | 0:02:32 | |
to scan people's fingerprints
on the streets. | 0:02:32 | 0:02:36 | |
A time and money saver for police,
or a dangerous new power? | 0:02:36 | 0:02:39 | |
Anita has been asking
for your thoughts. | 0:02:39 | 0:02:41 | |
In Bristol. Fingerprints. A unique
key to our identity. And now with | 0:02:41 | 0:02:49 | |
new technology, police can stop
suspected colonels and take their | 0:02:49 | 0:02:53 | |
fingerprints right here on the
streets. And all they need to do is | 0:02:53 | 0:02:56 | |
a smartphone and a scanner. | 0:02:56 | 0:03:02 | |
A trial by West Yorkshire Police has
seen front-line officers equipped | 0:03:02 | 0:03:06 | |
with the new scanners checking the
finger prints of suspects against | 0:03:06 | 0:03:09 | |
criminal and immigration databases.
Because we only take the | 0:03:09 | 0:03:14 | |
fingerprints of people suspected of
offences and whose identity we don't | 0:03:14 | 0:03:17 | |
know, by identifying them on the
street, we would be able to use | 0:03:17 | 0:03:22 | |
other disposals like a caution so we
don't have to bring them into | 0:03:22 | 0:03:25 | |
custody. The data we collect in
order to search the national | 0:03:25 | 0:03:30 | |
database is discarded as soon as the
search takes place. | 0:03:30 | 0:03:34 | |
West Yorkshire Police made 175 text
with this technology in just 12 days | 0:03:34 | 0:03:38 | |
this month and following the trial,
it is expected another 20 police | 0:03:38 | 0:03:42 | |
forces around the country would pick
up the system by the end of the | 0:03:42 | 0:03:45 | |
year.
The police in Britain will be given | 0:03:45 | 0:03:47 | |
the right to be able to take
fingerprints on the street, what do | 0:03:47 | 0:03:51 | |
you think? Good idea. There is just
not enough done towards crime. I | 0:03:51 | 0:03:55 | |
think that is outrageous.
Intimidating. It might be to save | 0:03:55 | 0:04:00 | |
time, what about how we feel? Do you
agree? I don't know, it might be | 0:04:00 | 0:04:06 | |
safer because there might be people
who are criminals. It is tricky, it | 0:04:06 | 0:04:09 | |
really is. If they are going to
catch a lot of people, yes. I find | 0:04:09 | 0:04:16 | |
that very embarrassing. Not so sure,
actually. If they think you have | 0:04:16 | 0:04:20 | |
done something wrong and to save
time taking people to the station, | 0:04:20 | 0:04:23 | |
why not do it there and then? We
have had this issue, especially with | 0:04:23 | 0:04:27 | |
young black men and Asian guys being
stopped randomly searched. Police | 0:04:27 | 0:04:32 | |
say this will save them time and in
doing that, save the taxpayer money. | 0:04:32 | 0:04:37 | |
You cannot put a price on people's
freedom. And people here in Bristol | 0:04:37 | 0:04:41 | |
are not alone because simple
liberties groups also have concerns | 0:04:41 | 0:04:45 | |
about this new technology and how it
might be used. | 0:04:45 | 0:04:48 | |
Giving your finger prints to the
police is a uniquely identifying bit | 0:04:48 | 0:04:52 | |
of information. It is like giving of
your DNA. You need safeguards to | 0:04:52 | 0:04:57 | |
make sure the police only take that
information from people at times | 0:04:57 | 0:05:00 | |
when it is right and appropriate to
do so. We will not be going and | 0:05:00 | 0:05:05 | |
stopping and scanning people, we
will only use this when we have an | 0:05:05 | 0:05:07 | |
offence and we doubt people's
identity, that is what the | 0:05:07 | 0:05:11 | |
legislation says and that is what we
will use it for! I think if | 0:05:11 | 0:05:14 | |
everybody knows their rights, it
should not be a big issue. It is | 0:05:14 | 0:05:18 | |
about letting the public know their
rights. You cannot refuse? You can | 0:05:18 | 0:05:23 | |
refuse, but if they insist... They
can take you to the station. So they | 0:05:23 | 0:05:29 | |
would arrest due to take you to the
station? Yes, just to prove you have | 0:05:29 | 0:05:33 | |
not done anything. So just say, OK,
get it done and walk away. A mixed | 0:05:33 | 0:05:39 | |
response to the new technology in
Bristol today, although the one | 0:05:39 | 0:05:42 | |
thing most people have in common is
that they want more information. | 0:05:42 | 0:05:49 | |
It is leading to an interesting
discussion. | 0:05:49 | 0:05:51 | |
Alison, the Home Office says this
isn't giving the police new powers, | 0:05:51 | 0:05:54 | |
it just brings the tech
onto the streets. | 0:05:54 | 0:05:55 | |
But what do you make of it? | 0:05:55 | 0:05:59 | |
I have got mixed feelings. Yes, on
the one hand, a great idea because | 0:05:59 | 0:06:05 | |
it enables the police to do their
jobs. Quickly and efficiently. On | 0:06:05 | 0:06:10 | |
the other hand, I do find the world
we live in now with cameras | 0:06:10 | 0:06:13 | |
everywhere, it is like... I was
talking to Peter earlier. I went to | 0:06:13 | 0:06:18 | |
a party in a hotel about year ago. I
went into the ladies toilet and | 0:06:18 | 0:06:23 | |
there were these cubicles and I
looked up and there was a camera in | 0:06:23 | 0:06:26 | |
there! Of loosely set up by the
hotel. And it was perhaps a place | 0:06:26 | 0:06:32 | |
where people must have been using,
taking drugs. There was definitely a | 0:06:32 | 0:06:36 | |
camera in the corner which was a bit
scary. Peter, the officer said you | 0:06:36 | 0:06:41 | |
had to be a suspect. However loose
that term may be. Do we all have to | 0:06:41 | 0:06:47 | |
volunteer our finger prints to begin
with? No, you have to be on the | 0:06:47 | 0:06:50 | |
database to begin with. I see, you
have to have a criminal record to | 0:06:50 | 0:06:53 | |
begin with. I was hoping it was not
like our phones when you put it in, | 0:06:53 | 0:07:00 | |
but my phone never works anyway! I
don't know really. If it helps solve | 0:07:00 | 0:07:08 | |
crimes, it might be a good thing.
But it is another restriction on | 0:07:08 | 0:07:13 | |
privacy, but then if it works from a
database which already exists, I | 0:07:13 | 0:07:19 | |
can't see it is a huge problem. We
are being watched, but if it helps | 0:07:19 | 0:07:24 | |
to solve crime, the argument is
that! Absolutely! The compensation | 0:07:24 | 0:07:29 | |
will continue. National
conversation. | 0:07:29 | 0:07:35 | |
47 years ago, two GPs began
using what little spare time | 0:07:35 | 0:07:37 | |
they had to support ambulance
workers when they were called out | 0:07:37 | 0:07:40 | |
to serious emergencies. | 0:07:40 | 0:07:41 | |
What started as just two
volunteers has now grown | 0:07:41 | 0:07:43 | |
into a major organisation,
which regularly helps to save lives. | 0:07:43 | 0:07:46 | |
Here's Sarah. | 0:07:46 | 0:07:47 | |
Ambulance emergency. | 0:07:47 | 0:07:48 | |
On the morning of the 9th of August
2016, emergency services were called | 0:07:57 | 0:08:02 | |
to a serious collision on this road
in Cambridgeshire. Adam Sheila was | 0:08:02 | 0:08:07 | |
close to death. I was travelling to
work on my motorbike. I then went | 0:08:07 | 0:08:13 | |
full body into the front of a
vehicle. I was swept underneath the | 0:08:13 | 0:08:16 | |
passenger side wheels and spat out
the side of the vehicle. Luckily for | 0:08:16 | 0:08:22 | |
Adam, and emergency medical charity
which provides critical care was on | 0:08:22 | 0:08:25 | |
stand-by. The Air Ambulance or six
miles from the scene of the crash. | 0:08:25 | 0:08:32 | |
Daniel Reed was the critical care
paramedic on duty that way. When we | 0:08:32 | 0:08:38 | |
arrived, his lungs were collapsed,
he had 18 retractions and a large | 0:08:38 | 0:08:42 | |
laceration. Any artery bleeding is
bad news, this was one of the | 0:08:42 | 0:08:48 | |
biggest in the body. A huge artery
bleeding a lot of fast. The first | 0:08:48 | 0:08:52 | |
thing I said to my paramedic was,
was I going to die? He became | 0:08:52 | 0:08:57 | |
unconscious and we gave him medicine
on the way to hospital which is not | 0:08:57 | 0:09:01 | |
available time you and services to
maintain his pressure to keep him | 0:09:01 | 0:09:04 | |
alive. I was airlifted to the side
of the road and that saved my life. | 0:09:04 | 0:09:12 | |
Times of the essence with injuries
and this | 0:09:12 | 0:09:19 | |
and this is where this helicopter
comes in, but they did not always | 0:09:19 | 0:09:23 | |
have a helicopter.
In 90s to one, Neville Silverstone | 0:09:23 | 0:09:26 | |
and his partner -- and his friend
heard of a service where people | 0:09:26 | 0:09:32 | |
attended road accidents to support
the Ambulance Service. I was so | 0:09:32 | 0:09:37 | |
impressed, I contacted the GPs in
and around the counties of | 0:09:37 | 0:09:41 | |
Cambridgeshire and Huntingdon shire
to see if other GPs might be | 0:09:41 | 0:09:46 | |
interested. We had 300 GPs in the
area. And 100 volunteers. What was | 0:09:46 | 0:09:54 | |
Magpas like in nearly days? It
started really with a blank sheet of | 0:09:54 | 0:09:59 | |
paper. We had no money and no
equipment. And the doctors were not | 0:09:59 | 0:10:03 | |
trained. The doctors were also
responsible for raising funds for | 0:10:03 | 0:10:07 | |
the service. They even used their
own vehicles to attend incidents. | 0:10:07 | 0:10:14 | |
1987, the medical team took to the
skies. It began working with | 0:10:14 | 0:10:18 | |
Cambridge police. Using the police
helicopter alongside their own rapid | 0:10:18 | 0:10:23 | |
response vehicles. The charity
finally acquired its own Air | 0:10:23 | 0:10:27 | |
Ambulance in 2013.
After his accident, Adam was in a | 0:10:27 | 0:10:35 | |
coma for 13 days. He then spent a
difficult couple of months in | 0:10:35 | 0:10:40 | |
hospital before being released in
time for Christmas. Now, Adam is | 0:10:40 | 0:10:44 | |
able to walk again and he has come
to meet Neville and the medics who | 0:10:44 | 0:10:48 | |
saved his life. It is great to see
you. Your little invention, it is | 0:10:48 | 0:10:55 | |
more than just saving my life, it
returned me to my family. It is | 0:10:55 | 0:10:59 | |
something I don't have words for! If
it hadn't been for the work of you | 0:10:59 | 0:11:03 | |
guys on that day, I would have lost
my husband and these two would have | 0:11:03 | 0:11:07 | |
not had a father. Yes! How do you
feel now about what Magpas has | 0:11:07 | 0:11:14 | |
achieved and your part in it? I
planted and a great oak tree has | 0:11:14 | 0:11:19 | |
grown! -- I planted an acorn, and a
great oak tree has grown! So lovely! | 0:11:19 | 0:11:30 | |
Thanks to Neville, who looks
like he's enjoying a very | 0:11:30 | 0:11:33 | |
satisfying retirement. | 0:11:33 | 0:11:36 | |
Thank you to everybody looking after
those! | 0:11:36 | 0:11:39 | |
Which is something that proves
rather elusive for the characters | 0:11:39 | 0:11:42 | |
in the latest BBC comedy
'Hold the Sunset'. | 0:11:42 | 0:11:43 | |
Alison's character is looking
forward to moving on and making | 0:11:43 | 0:11:46 | |
the most of later life. | 0:11:46 | 0:11:47 | |
But then she gets an unexpected
visitor, which puts | 0:11:47 | 0:11:49 | |
a spanner in the works. | 0:11:49 | 0:11:51 | |
Hello, mum! Roger! Hello, do Diack,
where are you going to? I have come | 0:11:51 | 0:11:59 | |
home! I have left Wendy, that is it,
it is over. What? I have left her! | 0:11:59 | 0:12:05 | |
Left her, what about the children? I
have especially loved them. | 0:12:05 | 0:12:11 | |
Something must have happened. Stuff,
and then some. We had kids and we | 0:12:11 | 0:12:16 | |
spent nearly 20 years together. That
cannot be it?! It is quite enough | 0:12:16 | 0:12:21 | |
for me!
That is a brilliant clip. That is | 0:12:21 | 0:12:26 | |
when your son, played by Jason
Watkins, unexpectedly returns home. | 0:12:26 | 0:12:30 | |
timing couldn't be worse? | 0:12:30 | 0:12:35 | |
No, there is a nice scene with my
character who is a widow and John | 0:12:35 | 0:12:40 | |
Cleese's his character lives
opposite and he lives opposite and | 0:12:40 | 0:12:44 | |
they form a lovely relationship and
he pops over and she makes him his | 0:12:44 | 0:12:47 | |
favourite biscuits every day and
they have coffee and they go out | 0:12:47 | 0:12:51 | |
together and they have lunch. And he
is like, he keeps saying, come on, | 0:12:51 | 0:12:57 | |
we can sell our houses and we can
move somewhere nice. She is a bit | 0:12:57 | 0:13:01 | |
reluctant and suddenly, she goes,
OK, I am going to do it! She rushes | 0:13:01 | 0:13:06 | |
out and gets champagne and a couple
of glasses and there is a ring on | 0:13:06 | 0:13:10 | |
the doorbell and he says, don't
answer it and she says, they will | 0:13:10 | 0:13:13 | |
see who it is and of course, it is
her son! That sort of at the | 0:13:13 | 0:13:18 | |
applecart. There is a wonderful
community feeling to this comedy, | 0:13:18 | 0:13:23 | |
Peter. Enlighten us as to where you
come in. I am playing Mr Dugdale who | 0:13:23 | 0:13:31 | |
walks up and down the street with
his dog. One of the things that | 0:13:31 | 0:13:34 | |
first attracted me to the part! He
is mad about dogs! Am crazy about | 0:13:34 | 0:13:41 | |
dogs! Were is the dog from and where
do you form the bond? It was brought | 0:13:41 | 0:13:48 | |
in by a dog carer, a labrador,
absolutely beautiful. We immediately | 0:13:48 | 0:13:53 | |
bonded. It was lovely. I am mad
about dogs, I have five rescue dogs | 0:13:53 | 0:13:58 | |
myself. So you turned up with the
meat paste in the right places! No, | 0:13:58 | 0:14:05 | |
not meet. My dog is a vegan. So it
was that. Also, it is brilliantly | 0:14:05 | 0:14:17 | |
written, I will try that word again,
brilliantly written, with a great | 0:14:17 | 0:14:20 | |
cast. When you get a series that has
a wonderful marriage like you have | 0:14:20 | 0:14:24 | |
in this between, not literally, but
in terms of characters between | 0:14:24 | 0:14:29 | |
Alison and John, that is such a
wonderful chemistry to begin with. | 0:14:29 | 0:14:32 | |
And from my point of view, I was
thrilled about the idea of working | 0:14:32 | 0:14:36 | |
with somebody who has made me laugh
for 50 years or more, the legend | 0:14:36 | 0:14:41 | |
that is John Cleese. He is
fantastic. You have both got | 0:14:41 | 0:14:46 | |
grown-up children. | 0:14:46 | 0:14:53 | |
grown-up children. If they're not on
your door and said, I am home, how | 0:14:53 | 0:14:56 | |
would you feel? I would shut the
door in their face! I love them to | 0:14:56 | 0:15:01 | |
bits but those days are over, I have
done all that! And Jason Watkins is | 0:15:01 | 0:15:07 | |
so brilliant. He just brings another
50% of his character. Very funny. He | 0:15:07 | 0:15:16 | |
just wants to go back to being a
child again with his Matchbox toys | 0:15:16 | 0:15:21 | |
and he just wants his little bed to
snuggle down in! It is just sort of | 0:15:21 | 0:15:26 | |
madness! | 0:15:26 | 0:15:30 | |
They are insane characters. They are
wonderfully eccentric. But it is | 0:15:30 | 0:15:36 | |
that thing, mum can criticise him,
but anybody else criticises him and | 0:15:36 | 0:15:41 | |
she has every excuse under the sun
for him. And we are all like that | 0:15:41 | 0:15:45 | |
without children. Alison, you
describe this as a gentle programme. | 0:15:45 | 0:15:52 | |
It's not shocking or controversial
but it's comfortable and I guess you | 0:15:52 | 0:15:55 | |
feel there is a real thirst for
that? Well, I think so. We have | 0:15:55 | 0:16:00 | |
enough things on television with
explosions and murders and dark | 0:16:00 | 0:16:04 | |
places. Of course there is room for
that, but it's just nice for an | 0:16:04 | 0:16:09 | |
audience to be able to put the
television on and go, I'm safe with | 0:16:09 | 0:16:12 | |
this and I'm going to enjoy it and
laugh and find it warm and amusing. | 0:16:12 | 0:16:18 | |
It's pleasant, isn't it? There is a
place for that, watching something | 0:16:18 | 0:16:21 | |
that just makes you feel happy. It's
comfortable viewing as well. I think | 0:16:21 | 0:16:27 | |
there's a huge appetite for really
good writing that isn't sensational | 0:16:27 | 0:16:31 | |
but is full of really good acting
and good comedy. It isn't really | 0:16:31 | 0:16:35 | |
punching you in the face. It's
allowing you to live with the | 0:16:35 | 0:16:39 | |
characters, enjoy the characters and
have a lot of locks along the way. | 0:16:39 | 0:16:44 | |
I'm a great fan of this series. It's
wonderful. I was lucky enough to see | 0:16:44 | 0:16:49 | |
the first episode and I agree with
you, Peter. It's well worth | 0:16:49 | 0:16:52 | |
watching. And in Hold The Sunset,
John Cleese wants to whisk Alison | 0:16:52 | 0:17:02 | |
away to a sunny beach as quickly as
possible. | 0:17:02 | 0:17:06 | |
Our George has beaten them to it. | 0:17:06 | 0:17:08 | |
He's on the Merseyside coast,
on the search for a small, | 0:17:08 | 0:17:10 | |
but speedy creature. | 0:17:10 | 0:17:15 | |
Usain Bolt, the fastest man ever to
have lived, clocked at running | 0:17:15 | 0:17:20 | |
almost 28 mph. But even he has got
nothing on a beetle that lives | 0:17:20 | 0:17:25 | |
amongst the sand dunes here on the
system posed in Merseyside. This | 0:17:25 | 0:17:30 | |
dune area is a site of special
scientific interest that covers more | 0:17:30 | 0:17:36 | |
than 11,000 acres and it's the
perfect habitat for the Northern | 0:17:36 | 0:17:40 | |
June tiger beetle. These high octane
insects are actually voracious | 0:17:40 | 0:17:48 | |
predators who use their incredible
turn of speed to hunt. | 0:17:48 | 0:17:55 | |
turn of speed to hunt. Doctor Phil
Smith has been studying these | 0:17:55 | 0:17:58 | |
beetles for over 45 years. It's
extremely rare. I mean, there are | 0:17:58 | 0:18:05 | |
only two localities in Britain, here
on the Sefton Coast and in Cumbria. | 0:18:05 | 0:18:09 | |
They are supposedly the quickest of
all the running insects. What gives | 0:18:09 | 0:18:15 | |
them the ability to run so very
fast? It's all a temperature | 0:18:15 | 0:18:20 | |
question. The tiger beetle basks on
the sand when it's very sunny then | 0:18:20 | 0:18:26 | |
it reaches its critical temperature,
which is between 35 and 36 degrees. | 0:18:26 | 0:18:31 | |
About the same as us. It's really
quite hot for an insect and as they | 0:18:31 | 0:18:36 | |
reach their critical temperature,
they are able to hunt. As the sun | 0:18:36 | 0:18:42 | |
rises, the temperature of the sand
soon becomes warm enough for them to | 0:18:42 | 0:18:46 | |
come out of their burrows and start
to hunt. The ideal time to track | 0:18:46 | 0:18:50 | |
down one of these speedy predators.
But getting close is harder than it | 0:18:50 | 0:18:56 | |
looks. You can see them now because
they've warmed up. But to get one to | 0:18:56 | 0:19:05 | |
stay still long enough, ah, there is
one. No, it's off again. They are so | 0:19:05 | 0:19:11 | |
quick. After the midday heat dies
down, these frenetic insects finally | 0:19:11 | 0:19:19 | |
give me a chance to get a proper
look at them. | 0:19:19 | 0:19:29 | |
Well, I'm now face with one of the
fastest hunting animals on earth. | 0:19:29 | 0:19:36 | |
The tiger beetle can sprint up to
five miles per hour, covering 120 of | 0:19:36 | 0:19:42 | |
its own body lengths per second.
Usain Bolt would have to run at 480 | 0:19:42 | 0:19:47 | |
mph to match this feat. But tiger
beetles have a problem. When they | 0:19:47 | 0:19:54 | |
move very, very fast and their prey
is moving fast, their brains are | 0:19:54 | 0:19:59 | |
almost incapable of processing the
large amount of visual information | 0:19:59 | 0:20:02 | |
which is coming in, so every so
often they have to is stop and check | 0:20:02 | 0:20:08 | |
where the prey is and then move off
again. It's a very effective | 0:20:08 | 0:20:12 | |
technique and means that they kill
prey probably one time out of ten. | 0:20:12 | 0:20:19 | |
I'm hoping to catch one of these
high-speed predators in action. | 0:20:19 | 0:20:27 | |
This parasitic wasp stands no
chance. With a loss of more than 80% | 0:20:33 | 0:20:42 | |
of the sand throughout this coast
since 1945, this species has become | 0:20:42 | 0:20:47 | |
threatened. But the work of many
organisations maintaining these | 0:20:47 | 0:20:51 | |
genes and encouraging Lord -- new
gene formation should hopefully | 0:20:51 | 0:20:57 | |
protect these turbo-charged tiger
beetles. | 0:20:57 | 0:21:01 | |
Quick as a flash,
George has turned up. | 0:21:01 | 0:21:07 | |
Alison was believed to that film
like nothing I've ever seen before. | 0:21:07 | 0:21:11 | |
I love it. I love beetles. I love
all kinds of creatures but I had | 0:21:11 | 0:21:15 | |
never even heard of this until now,
George. It's a beauty. | 0:21:15 | 0:21:23 | |
With records being broken
in Pyeongchang, you're here to tell | 0:21:23 | 0:21:25 | |
us that the Tiger Beetle's
had its own speed record beaten? | 0:21:25 | 0:21:30 | |
It still holds the fastest insect
record but there's a tiny mite which | 0:21:30 | 0:21:35 | |
goes at 300 times its own size in a
second which is about the equivalent | 0:21:35 | 0:21:40 | |
to somebody my size going at 1000
mph, which obviously wouldn't | 0:21:40 | 0:21:45 | |
happen. Large animals can't run that
fast. It only works when they're | 0:21:45 | 0:21:49 | |
small. That is on land. But you
don't have to be fast on your feet. | 0:21:49 | 0:21:55 | |
That thing is the shrimp which has
two massive clubs at the front which | 0:21:55 | 0:21:59 | |
it fires into shelves and smashes
them open and it can strike in | 0:21:59 | 0:22:06 | |
3000th of a second and that Shell
has no chance. It is totalled. Have | 0:22:06 | 0:22:13 | |
you always been fascinated by
insects? Yes, since I was a kid. The | 0:22:13 | 0:22:18 | |
only insect I've ever been scared
off, I was once in the bath as a | 0:22:18 | 0:22:22 | |
child and I had a liver, not a bake
sponge, are properly far, and an | 0:22:22 | 0:22:28 | |
earwig floated out and I was only
about five and I can remember, they | 0:22:28 | 0:22:35 | |
are pretty scary looking creatures.
I remember leaping out of the bath | 0:22:35 | 0:22:40 | |
and calling my mum. That's the only
time I can remember being scared. | 0:22:40 | 0:22:44 | |
Apart from that, I would just
love... I used to spend most of my | 0:22:44 | 0:22:49 | |
time at the garden just turning up
stones and rummaging around as a | 0:22:49 | 0:22:53 | |
kid. I used to love it. It's just
understanding them all, isn't it, | 0:22:53 | 0:22:58 | |
because they are fascinating
creatures? You will adore this and | 0:22:58 | 0:23:02 | |
if you think you were out of the
bath fast, this is an ant whose | 0:23:02 | 0:23:06 | |
Georges move faster than -- whose
jaws move faster than anything on | 0:23:06 | 0:23:11 | |
earth. It catches prey with its fast
jaws but it can also buy them on the | 0:23:11 | 0:23:19 | |
ground and escape enemies. Watch
this. It's incredible. It keeps out | 0:23:19 | 0:23:24 | |
of the way. It is still going. Look
at their skills Arr! Look at the | 0:23:24 | 0:23:35 | |
triple twist. That is a gold medal,
that, isn't it? You are right, | 0:23:35 | 0:23:42 | |
Peter. It holds them open and the
second a hair is touched, it springs | 0:23:42 | 0:23:50 | |
open like that. I'm a bit like that.
It's amazing. You were saying to me | 0:23:50 | 0:24:00 | |
earlier, George, that you have
invited Alison. I have. I didn't | 0:24:00 | 0:24:05 | |
know she was so keen on bugs. I have
hatched a plan to take Alison off to | 0:24:05 | 0:24:10 | |
the jungle and look at bugs for at
least a couple of weeks. Alison, how | 0:24:10 | 0:24:14 | |
do you feel about that? A couple of
weeks. Amazing. That is further out | 0:24:14 | 0:24:23 | |
of reach than I thought. I thought
you were going to say Merseyside. | 0:24:23 | 0:24:28 | |
From amazing natural designs,
to striking man-made structures now. | 0:24:28 | 0:24:30 | |
Marty is in Dundee, at one
of the UK's longest bridges, | 0:24:30 | 0:24:32 | |
investigating its dramatic past. | 0:24:32 | 0:24:37 | |
This is the Tay Rail Bridge. It's
over two miles long and carries | 0:24:37 | 0:24:41 | |
trains from Edinburgh in the South
over the river to here in Dundee. | 0:24:41 | 0:24:47 | |
But it's not the first Tay Bridge.
The original collapsed in a terrible | 0:24:47 | 0:24:56 | |
storm in 1879, plunging a train and
all its passengers into the river | 0:24:56 | 0:25:01 | |
and their deaths. It was Britain's
worst rail disaster. It's now | 0:25:01 | 0:25:08 | |
thought 59 died and today, the peers
of the fallen bridge still rise | 0:25:08 | 0:25:13 | |
above the water. Everyone wanted to
know why this had happened and it | 0:25:13 | 0:25:18 | |
became the first disaster to be
scientifically investigated. This | 0:25:18 | 0:25:24 | |
needed a machine big and strong
enough to test the giant iron | 0:25:24 | 0:25:28 | |
girders that held up the bridge.
Such a machine existed in Southwark | 0:25:28 | 0:25:34 | |
in London and it still works, 150
years later. Run today by volunteer | 0:25:34 | 0:25:43 | |
engineers, Lucy and roles. Wow, this
is a beautiful piece of kit but more | 0:25:43 | 0:25:48 | |
importantly than that, which is the
machine? She starts over there, | 0:25:48 | 0:25:53 | |
comes all the way to here, about 47
feet. So the whole of this is the | 0:25:53 | 0:25:58 | |
machine. Fantastic. What made this
machine unique? So, it was the first | 0:25:58 | 0:26:07 | |
universal machine. It could stretch,
compress, bend and bulge iron and | 0:26:07 | 0:26:12 | |
steel. I have here a piece of
genuine Victorian wrought iron, just | 0:26:12 | 0:26:17 | |
like they would have used on the Tay
Bridge. Can we tested to | 0:26:17 | 0:26:22 | |
destruction? Can we break it?
Absolutely. Yes, we can. In its day, | 0:26:22 | 0:26:31 | |
this machine could test girders so
big they step out of the door and | 0:26:31 | 0:26:35 | |
stopped traffic. So it had to
generate huge force. £1 million | 0:26:35 | 0:26:40 | |
worth of load could go on a sample
which is about 146 times. It is | 0:26:40 | 0:26:45 | |
powered by water pumped into a huge
cylinder attached to one end of my | 0:26:45 | 0:26:49 | |
iron bar. So, I think we are ready
to go. | 0:26:49 | 0:27:00 | |
to go. Ros keeps an eye on the water
pressure. Lucy whines a heavyweight | 0:27:00 | 0:27:05 | |
along the beam. When the bar breaks,
we will know the load this piece of | 0:27:05 | 0:27:11 | |
iron can stand. The universal
testing machine was built by | 0:27:11 | 0:27:15 | |
Scottish engineer David Kirkaldy.
His obituary called him the best | 0:27:15 | 0:27:20 | |
hated man in London. I think he
really didn't trust other people's | 0:27:20 | 0:27:23 | |
results. He knew he was right. He
didn't bend on that. The Tay Bridge | 0:27:23 | 0:27:29 | |
had tall supports and those supports
were made up of six vertical | 0:27:29 | 0:27:34 | |
cast-iron columns and where the
pasta is, they had iron cross | 0:27:34 | 0:27:38 | |
braces. Where the cross braces met
the columns, the iron failed and | 0:27:38 | 0:27:44 | |
that meant that in the high winds
blowing, the vertical supports | 0:27:44 | 0:27:50 | |
snapped and the whole thing tumbled
into the Tay. After the disaster, | 0:27:50 | 0:27:55 | |
some of the pieces were brought here
for testing. Tension is literally | 0:27:55 | 0:27:59 | |
melting. -- is literally mountain.
As mine extends, scale falls from | 0:27:59 | 0:28:09 | |
the surface, a sign that the end is
nigh. That was great. What did that | 0:28:09 | 0:28:14 | |
go out? We can tell from the scale
that the load was about £30,000 at | 0:28:14 | 0:28:21 | |
breaking point, about 15 tonnes.
Kirkaldy's tests found that the | 0:28:21 | 0:28:26 | |
cross braces supporting the Tay
Bridge were not strong enough. The | 0:28:26 | 0:28:30 | |
enquiry found numerous design and
manufacturing faults. Blame fell on | 0:28:30 | 0:28:34 | |
the bridge designer, Sir Thomas
Bouchier, who was disgraced. Thanks | 0:28:34 | 0:28:38 | |
to David Kirkaldy, these days the
materials and designs for bridges | 0:28:38 | 0:28:44 | |
are tested before they are built.
Thank you, Marty. Now, we | 0:28:44 | 0:28:51 | |
accidentally touched on it earlier
but you are a "Peter? How | 0:28:51 | 0:28:55 | |
complicated is life in general? It's
incredibly simple. It's creative and | 0:28:55 | 0:29:01 | |
very easy. I find it the best diet I
can think of. It's definitely the | 0:29:01 | 0:29:07 | |
healthiest diet on the planet. I am
happy vegetable curry tonight. I | 0:29:07 | 0:29:11 | |
think will be round for that. Very
tasty. | 0:29:11 | 0:29:17 | |
That's your lot for tonight -
thank you to Alison and Peter. | 0:29:17 | 0:29:19 | |
Hold The Sunset starts Sunday
evening, 7.30pm, BBC One. | 0:29:19 | 0:29:22 | |
I'll be back tomorrow
with Greg James. | 0:29:22 | 0:29:23 | |
We'll be joined by Miles Jupp
and we'll have a performance | 0:29:23 | 0:29:26 | |
from Jessie Ware. | 0:29:26 | 0:29:27 |