Browse content similar to 16/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to your
Friday One Show with Greg James. | 0:00:16 | 0:00:19 | |
And Michelle Ackerley. | 0:00:19 | 0:00:21 | |
We're taking over the show tonight
and have brought together two top | 0:00:21 | 0:00:24 | |
guests from the worlds
of comedy and music. | 0:00:24 | 0:00:26 | |
Top is the word. | 0:00:26 | 0:00:28 | |
He is one of Britain's
top comedians, actors, | 0:00:28 | 0:00:30 | |
writers and hosts of a top
comedy news quiz. | 0:00:30 | 0:00:32 | |
And she's had three top 10 albums
and is up for a Brit next week | 0:00:32 | 0:00:36 | |
for top British female solo artist. | 0:00:36 | 0:00:40 | |
# Maybe I love you... You probably
recognise me as the waiter who had | 0:00:40 | 0:00:49 | |
his lines cut from the first
Sherlock Holmes film. | 0:00:49 | 0:00:55 | |
# We could be the greatest... He's
really got on the end of that, | 0:00:55 | 0:01:01 | |
hitting the ball a long way back
into the crowd. That's dreadful | 0:01:01 | 0:01:04 | |
snooker!
# If you don't want to try... | 0:01:04 | 0:01:15 | |
Please welcome
Jessie Ware and Miles Jupp. | 0:01:15 | 0:01:17 | |
APPLAUSE
Your stand-up works really well with | 0:01:17 | 0:01:23 | |
Jessie's music. It's extraordinary,
we should do that more. Let's start | 0:01:23 | 0:01:27 | |
off with a true News Quiz question,
which football family is now five a | 0:01:27 | 0:01:34 | |
side? The Rooney family. The
Rooneys, yes! There they are. Four | 0:01:34 | 0:01:44 | |
boys, but you can beat that, Miles
question mark yes, I've got five | 0:01:44 | 0:01:48 | |
children, I have forced up what is
the typical morning in your | 0:01:48 | 0:01:55 | |
household? We sit around talking
about Wayne Rooney! There is noise, | 0:01:55 | 0:01:59 | |
my wife and I get up early every day
so there is an element when we can | 0:01:59 | 0:02:05 | |
just talk. Quite time. Not be
interrupted. What are the ages? | 0:02:05 | 0:02:12 | |
Eight, nine and two. Tight grouping!
It's all lovely. You're still | 0:02:12 | 0:02:17 | |
smiling. Yeah. And Jessie, is your
18 month old going to go on the road | 0:02:17 | 0:02:26 | |
with you as a roadie? She is coming
to Europe with me and I'm freaking | 0:02:26 | 0:02:31 | |
out, I hope she sleeps on the tour
bus. That will be perfect, they | 0:02:31 | 0:02:34 | |
always sleep on cars, perfect
motion. I hope so, it's just when it | 0:02:34 | 0:02:39 | |
stops. Have you got any help with
you? My brother is taking time out | 0:02:39 | 0:02:45 | |
from being a junior doctor.
Childcare! My mum said, you have a | 0:02:45 | 0:02:53 | |
doctor on board now. We have my
brother and my husband so we have | 0:02:53 | 0:02:56 | |
some help. We looking forward to
using later. The Radio 4 news quiz | 0:02:56 | 0:03:03 | |
is guaranteed to make you crack up.
There is more to smile about in the | 0:03:03 | 0:03:07 | |
news than you might think. As Iwan
has discovered we often have a hard | 0:03:07 | 0:03:12 | |
job believing it. Britain is going
to the dogs, things are getting | 0:03:12 | 0:03:16 | |
worse and there's nothing we can do
about it. I mean, just look around | 0:03:16 | 0:03:21 | |
you. See what I mean? This place,
it's a... It's rather gorgeous, I | 0:03:21 | 0:03:27 | |
didn't know Coventry was like this.
Why is it that we are so ready to | 0:03:27 | 0:03:31 | |
believe the worst about where we
live? There is so much evidence | 0:03:31 | 0:03:35 | |
pointing in the other direction.
According to a worldwide survey we | 0:03:35 | 0:03:40 | |
are fantastically misinformed about
what's really going on under our | 0:03:40 | 0:03:42 | |
noses. They asked people questions
and compared their answers to the | 0:03:42 | 0:03:47 | |
facts. I'm doing the same in a place
chosen as the next city of culture. | 0:03:47 | 0:03:53 | |
It's the murder rate higher, Lola or
about the same as it was in 2000? I | 0:03:53 | 0:03:58 | |
would say a bit higher. I think
lower. About the same. It's actually | 0:03:58 | 0:04:04 | |
14.9% lower. Ooh. Why did you think
higher? Knife crime is reported so | 0:04:04 | 0:04:12 | |
you think there are more murders.
What percentage of women aged | 0:04:12 | 0:04:17 | |
between 15-19 do you think give
birth every year? 5%. 30? About 30? | 0:04:17 | 0:04:26 | |
What would you say? 60%. Its 1.4%!
But why did you think it was so | 0:04:26 | 0:04:32 | |
high? I know quite a few people who
had given birth at that age. I | 0:04:32 | 0:04:37 | |
thought it was more of an issue than
it was. Do you think there were | 0:04:37 | 0:04:42 | |
more, less or about the same number
of deaths caused by terrorist | 0:04:42 | 0:04:46 | |
attacks in Great Britain compared
with the period between 1985 and | 0:04:46 | 0:04:51 | |
2000? I would say more. Less. They
had the IRA so maybe the same. It is | 0:04:51 | 0:04:57 | |
80% lower. There's a different story
every day, it's the focus on the | 0:04:57 | 0:05:02 | |
media -- of the media. The survey
covers how we perceive subjects such | 0:05:02 | 0:05:08 | |
as sugar and alcohol consumption,
diabetes, smartphone ownership and | 0:05:08 | 0:05:11 | |
health. Was there any strange things
you found? Half of us think there | 0:05:11 | 0:05:18 | |
are more terrorist deaths in the
period since September 11 since the | 0:05:18 | 0:05:22 | |
period before when actually there
are fewer. I thought that as well. | 0:05:22 | 0:05:26 | |
Is that the media? It is part of the
issue but it is probably more how we | 0:05:26 | 0:05:32 | |
process negative information and
focus on vivid anecdotes rather than | 0:05:32 | 0:05:36 | |
big statistics. Can we change
people's perception? It would be | 0:05:36 | 0:05:41 | |
nice if people see the results of
the survey and start thinking about | 0:05:41 | 0:05:45 | |
the biases they may have themselves,
how they interpret data. Why do you | 0:05:45 | 0:05:50 | |
think in the UK we have this
negative perception? It feels like a | 0:05:50 | 0:05:55 | |
massive percentage of the news is
negative, it's murders, crime. As a | 0:05:55 | 0:05:59 | |
nation can we change our perception,
can we be more upbeat? We have lots | 0:05:59 | 0:06:05 | |
of great people doing great things
and maybe we don't hear so much | 0:06:05 | 0:06:08 | |
about that. A lot of the time you
hear about negative things on social | 0:06:08 | 0:06:12 | |
media and it's easy to think about
the negatives. There's a lot to | 0:06:12 | 0:06:15 | |
celebrate. Yeah, thanks, Iwan.
Miles, you have a theory about why | 0:06:15 | 0:06:23 | |
things are worse than they are? I
think we are made to feel frightened | 0:06:23 | 0:06:27 | |
deliberately. A lot of the time. For
financial reasons, I suppose. The | 0:06:27 | 0:06:33 | |
economy is driven by fear, which is
a cheery thought! Like, if you're | 0:06:33 | 0:06:39 | |
buying car seats or something for
your children, you find yourself, if | 0:06:39 | 0:06:44 | |
you look at a cheaper one you may
think you are being irresponsible so | 0:06:44 | 0:06:47 | |
you are driven by fear to spend the
most money possible on a child | 0:06:47 | 0:06:51 | |
safety seat. Things like that, it
drives it on. Like most things, | 0:06:51 | 0:06:56 | |
there's money involved in it. It's a
brutal truth. We got to keep it | 0:06:56 | 0:07:00 | |
light, is the One Show, Miles! I'm
going to bunker down! We could be | 0:07:00 | 0:07:06 | |
attacked at any moment! We've been
looking at the papers for a | 0:07:06 | 0:07:11 | |
statistic to ask you about and it
was inspired by the show meeting. | 0:07:11 | 0:07:15 | |
What percentage of men aged between
16-34 in Britain are set to carry a | 0:07:15 | 0:07:21 | |
manbag? What do you reckon? I hope
it is low! Bear in mind this is my | 0:07:21 | 0:07:28 | |
idea, Jessie! Unbelievably needs,
three or 4%? 10%? I'm going to go | 0:07:28 | 0:07:37 | |
higher, 27. Ooh, very close. It's
25%. Well done, Jessie. | 0:07:37 | 0:07:43 | |
Unforgivable! And this guy is one of
them. What do you think of my | 0:07:43 | 0:07:49 | |
manbag? No, that's a backpack. This
is a bad for a man or a boy, | 0:07:49 | 0:07:55 | |
whatever. It's a rucksack. I'm
talking about the crossover ones | 0:07:55 | 0:07:59 | |
that sits there. I thought a manbag
was a bum bag until I saw this one, | 0:07:59 | 0:08:06 | |
this is the epitome. When I bought
it the man in the shop said it is a | 0:08:06 | 0:08:11 | |
Lady Black Cats I said, wait -- it
is a lady bag. Actually I wanted it | 0:08:11 | 0:08:21 | |
more then. What do you carry?
Scripts and things. Is this the real | 0:08:21 | 0:08:25 | |
one? Yes, I got this and also this.
I'm happy to be one of the 25%. Do | 0:08:25 | 0:08:33 | |
you wear it with both straps? Of
course! Full straps. I think a | 0:08:33 | 0:08:38 | |
rucksack or a homework bag. The
conversation continues. The debate | 0:08:38 | 0:08:44 | |
is raging on. I thought a manbag was
a more flappy thing. Metrosexual. | 0:08:44 | 0:08:53 | |
I'm glad you're not having a go at
mine. It's the 95th series of the | 0:08:53 | 0:08:57 | |
News Quiz and it is your eighth at
the helm. Tonight's episode finished | 0:08:57 | 0:09:03 | |
a few minutes ago, so what's the big
thing in the news? As ever, some | 0:09:03 | 0:09:08 | |
completely brutal stuff in the news
but also some Brexit staff, Boris | 0:09:08 | 0:09:14 | |
Johnson made a speech on Valentine's
Day which I think is a wonderful | 0:09:14 | 0:09:18 | |
time to inject some love into the
nation, as if he hasn't injected | 0:09:18 | 0:09:23 | |
enough love about the place. He is
an extraordinary man, I think. He | 0:09:23 | 0:09:31 | |
got a slight panic making this
speech, the usual jokes he made, | 0:09:31 | 0:09:35 | |
Latin words and things and it was
dying in the room and he started | 0:09:35 | 0:09:39 | |
sweating. A you to the Cabinet, an
awayday for the Cabinet which sounds | 0:09:39 | 0:09:46 | |
like one of the bleakest definitions
ever of team-building exercises. | 0:09:46 | 0:09:53 | |
Presumably wandering around asking
each other for the Wi-Fi code. | 0:09:53 | 0:09:56 | |
Perhaps they will even get
everything sorted, finally. We never | 0:09:56 | 0:10:01 | |
usually get to hear the warm up that
you do but we were there with our | 0:10:01 | 0:10:05 | |
cameras last night and the One Show
got a mention. Delightful show | 0:10:05 | 0:10:10 | |
tonight, with lovely, lovely people
on. This bit is being filmed because | 0:10:10 | 0:10:16 | |
I'm on the One Show tomorrow because
presumably the next one has been | 0:10:16 | 0:10:21 | |
cancelled. Normally you book up your
Friday is quite a few weeks in | 0:10:21 | 0:10:28 | |
advance rather than 3:30pm on a
Thursday but you take what you can | 0:10:28 | 0:10:31 | |
when you get it. Good evening. You
and me both, mate! Patrick Kielty, | 0:10:31 | 0:10:40 | |
who else? When you took over from
Sandi Toksvig, what were your | 0:10:40 | 0:10:46 | |
expectations and has it lived up to
them? I thought it would be fun, I | 0:10:46 | 0:10:50 | |
put my name into the ring because I
liked doing the show, as a panellist | 0:10:50 | 0:10:56 | |
and I thought they would be fun to
be had. I didn't realise the | 0:10:56 | 0:11:01 | |
Pastoral responsibilities, suddenly
you're in charge. We're sitting here | 0:11:01 | 0:11:04 | |
and we can lock around whereas
you've got to run it and prevent us | 0:11:04 | 0:11:09 | |
saying all sorts of appalling and
crude things. That has... Being in | 0:11:09 | 0:11:15 | |
charge, I preferred the team aspect
of it. But yeah am I like it. The | 0:11:15 | 0:11:21 | |
regulars are nice people, funny
people but it's just that thing, | 0:11:21 | 0:11:24 | |
when horrible news comes along,
we've got to talk about it, that's | 0:11:24 | 0:11:28 | |
deeply unfortunate. But I'm glad
I've done it. And you've done a book | 0:11:28 | 0:11:33 | |
as well, Eggs and Soldiers, it's out
in paperback. For people who don't | 0:11:33 | 0:11:38 | |
know, is Damien Trench? He's a
cooker rewriter, he's one of those | 0:11:38 | 0:11:45 | |
people, he does the same sort of job
as Nigel Slater or Simon Hopkinson. | 0:11:45 | 0:11:51 | |
I invented this character, Damien,
because I'm obsessed with people who | 0:11:51 | 0:11:54 | |
write about cookery in a way that
makes... It's sort of aspirational, | 0:11:54 | 0:12:01 | |
their lives sounds amazing. Nigel
Slater, you can read what he's doing | 0:12:01 | 0:12:05 | |
in the morning and think what an
amazing life, but actually he's just | 0:12:05 | 0:12:10 | |
talking about how he fights some old
potatoes but he writes in such a | 0:12:10 | 0:12:14 | |
way, I want to live his life. I like
the idea of a character who writes | 0:12:14 | 0:12:21 | |
in a relaxed way but uses it as a
way concealing his own relentless | 0:12:21 | 0:12:25 | |
torment. But you used some of your
own inner torment in the book, your | 0:12:25 | 0:12:31 | |
own mishaps? Yes, it was a radio
series and a short lived television | 0:12:31 | 0:12:36 | |
series. The book is... It's a fake
memoir, his childhood memoir but I | 0:12:36 | 0:12:44 | |
did one for my childhood -- I mine
my own, he's fell out of a tree on | 0:12:44 | 0:12:53 | |
Hampstead Heath and landed on his
head, which happen to me when I was | 0:12:53 | 0:12:56 | |
five. What happened in the book and
real a few months after the incident | 0:12:56 | 0:13:02 | |
I was speaking to my father about it
and my dad said, I always regret | 0:13:02 | 0:13:06 | |
that we didn't take you to hospital!
It sounds like a good read. It's not | 0:13:06 | 0:13:13 | |
all danger! And don't forget. | 0:13:13 | 0:13:16 | |
If you want to listen
to The News Quiz it's on Friday | 0:13:16 | 0:13:19 | |
evenings at 18:30 and repeats
Saturday's at 12:30. | 0:13:19 | 0:13:21 | |
As well as being a comedian,
Miles has starred in many films | 0:13:21 | 0:13:24 | |
and TV shows over the years. | 0:13:24 | 0:13:26 | |
The Crown on Netflix,
The Thick Of It, The Monuments Men | 0:13:26 | 0:13:28 | |
with George Clooney. | 0:13:28 | 0:13:32 | |
But, Jessie, he's also been known
to sing and a lot of people watching | 0:13:32 | 0:13:35 | |
will remember him as this
character. | 0:13:35 | 0:13:40 | |
# I'm Archie
# I know how things are done | 0:13:40 | 0:13:48 | |
# I can make absolutely anything ...
# So catchy. Archie the inventor | 0:13:48 | 0:13:58 | |
from Allah Mori, where does that sit
in your career highlights? | 0:13:58 | 0:14:08 | |
in your career highlights? -- from
Balamory. A delightful Bafta winning | 0:14:08 | 0:14:14 | |
television programme. You put a
smile on many people's faces. | 0:14:14 | 0:14:18 | |
Everyone has a hinterland, and this
shows you can turn things around! | 0:14:18 | 0:14:23 | |
Don't do yourself down because you
inspired a generation and here is a | 0:14:23 | 0:14:26 | |
great One Show link. Here is someone
else who inspired a generation! | 0:14:26 | 0:14:35 | |
As a child, I had a Spirograph toy,
drawing with nothing more than a cog | 0:14:35 | 0:14:41 | |
inside a cog and a pen. I could make
perfect symmetrical patterns. You | 0:14:41 | 0:14:48 | |
need patience and concentration,
otherwise your pens slips. But | 0:14:48 | 0:14:52 | |
children were more than up for the
challenge when it was first released | 0:14:52 | 0:14:57 | |
in 1965. Design is so beautiful your
eyes won't believe what your hands | 0:14:57 | 0:15:02 | |
have done. | 0:15:02 | 0:15:08 | |
have done. Denys Fisher developed
the toy. He was a mathematician and | 0:15:08 | 0:15:12 | |
an inventor and he loved the
precision of maths and the shapes | 0:15:12 | 0:15:16 | |
that could be created and he wanted
a way in which he could share his | 0:15:16 | 0:15:20 | |
enthusiasm and enjoyment for maths,
so he produced the Spirograph. The | 0:15:20 | 0:15:25 | |
first was this one, actually. What
is this on the back? It is from my | 0:15:25 | 0:15:32 | |
father to my mother. It says to my
very dearest wife, fellow director | 0:15:32 | 0:15:35 | |
and friend, Betty. Did he realise it
would be so popular as a toy? | 0:15:35 | 0:15:43 | |
Initially, he thought of it being
aimed at adults like a drawing | 0:15:43 | 0:15:46 | |
device. But children have been
fascinated with what they can | 0:15:46 | 0:15:50 | |
create. At 15, my father said, I
have arranged for you to go to a | 0:15:50 | 0:15:55 | |
department store in Leeds, and you
are going to demonstrate the | 0:15:55 | 0:15:59 | |
Spirograph. I could not really say
no. I was apprehensive. We sold | 0:15:59 | 0:16:04 | |
quite a few sets. You get this kit.
A feature on Blue Peter in 1965 | 0:16:04 | 0:16:12 | |
provided a boost to sales, and
within four years it had sold 20 | 0:16:12 | 0:16:15 | |
million around the world. You may
think the number of possible | 0:16:15 | 0:16:21 | |
patterns you can make are quite
limited, but that is not so. The | 0:16:21 | 0:16:26 | |
combinations of different rings and
discs and bars give you thousands of | 0:16:26 | 0:16:30 | |
possible patterns. That's why
British artist Leslie Halliwell goes | 0:16:30 | 0:16:37 | |
into a spin over the Spirograph. You
make the most astonishing pieces of | 0:16:37 | 0:16:42 | |
artwork using this simple piece of
kit. How long do the big ones take? | 0:16:42 | 0:16:48 | |
Anywhere up to 5000 minutes, but I
can only draw for three hours a day | 0:16:48 | 0:16:53 | |
because it is labour-intensive. What
do you do when you get near to the | 0:16:53 | 0:16:57 | |
end and you mess up? At the
beginning I was worried about that | 0:16:57 | 0:17:01 | |
because it is hard to draw a perfect
shape. But I began to realise that | 0:17:01 | 0:17:06 | |
the mistakes and slips add character
to the drawing which makes it come | 0:17:06 | 0:17:11 | |
alive. Do you have a favourite disc?
I do. It is this one. You can see it | 0:17:11 | 0:17:18 | |
is quite well used. You have made a
mess of that, haven't you? | 0:17:18 | 0:17:25 | |
Spirographs tend to come about this
size, but in celebration of their | 0:17:25 | 0:17:29 | |
tiny magic and in honour of the
generations of engineers and artists | 0:17:29 | 0:17:33 | |
inspired by them, we are going to
super-size it, with this. But can we | 0:17:33 | 0:17:43 | |
magnify those fine, intricate
curves? The art team at the | 0:17:43 | 0:17:47 | |
University of Chester have made a
cog two metres across, to emphasise | 0:17:47 | 0:17:51 | |
those charming mistakes. At
Chester's story house Theatre, we | 0:17:51 | 0:17:56 | |
put it to the test. | 0:17:56 | 0:18:02 | |
put it to the test. Where do you
want to start? Let's start with | 0:18:02 | 0:18:06 | |
green. Fingers crossed. Here goes.
Going large, we can't use pens. | 0:18:06 | 0:18:15 | |
Smudging and broken crayons are
constant problems, along with | 0:18:15 | 0:18:19 | |
hurting limbs. This is hard work.
Big or small, with Spirograph, you | 0:18:19 | 0:18:28 | |
never really know what you are going
to get. How does that look? If we do | 0:18:28 | 0:18:33 | |
any more there will be more smudging
and I think it works as it is. Shall | 0:18:33 | 0:18:37 | |
we take the frame off? We reveal our
attempt to super-size the | 0:18:37 | 0:18:43 | |
Spirograph. I like the smudges. It's
not perfect, you just go with the | 0:18:43 | 0:18:50 | |
process. My dad would be really
proud of you. One final touch to | 0:18:50 | 0:18:56 | |
make it the one show's very own
Spirograph. Perfect. | 0:18:56 | 0:19:04 | |
Lovely. | 0:19:04 | 0:19:09 | |
At the Brit some he you are
nominated against Dua Lipa, Laura | 0:19:09 | 0:19:13 | |
Marling and Paloma Faith for Best
Female Solo Artist. How you feeling | 0:19:13 | 0:19:17 | |
about it? I feel I am always the
bridesmaid and never the bride when | 0:19:17 | 0:19:21 | |
it comes to the Brits, but third
time lucky, maybe. Not feeling | 0:19:21 | 0:19:26 | |
great, to be honest, I am not go
into lie. It will be great. I will | 0:19:26 | 0:19:34 | |
wear a nice dress, clap slowly and
cry a bit. It is a brilliant night. | 0:19:34 | 0:19:39 | |
It is quite stressful, I find, but I
love it and I can't wait to be | 0:19:39 | 0:19:45 | |
there! What do you think about the
other acts in your category? I love | 0:19:45 | 0:19:51 | |
them. Dua Lipa is having an amazing
year and Paloma Faith was very good | 0:19:51 | 0:19:55 | |
to me from the beginning. Laura
Marling is a sensational songwriter | 0:19:55 | 0:19:59 | |
and Kate Tempest is just a force to
be reckoned with. They are amazing, | 0:19:59 | 0:20:04 | |
inspiring. I am rooting for you.
Have you got Dua Lipa next week? Go | 0:20:04 | 0:20:10 | |
away! You have a song on your most
recent album with Ed Sheeran, all | 0:20:10 | 0:20:17 | |
about your ex-husband. Yes, we wrote
it when I was 8.5 months pregnant | 0:20:17 | 0:20:23 | |
and very, very pregnant. It was
about me being completely petrified | 0:20:23 | 0:20:27 | |
about becoming a mother and not
knowing what to expect and | 0:20:27 | 0:20:31 | |
celebrating this wonderful man that
I've got. You have a podcast would | 0:20:31 | 0:20:37 | |
you do with your mum in your kitchen
and you have had amazing guests, | 0:20:37 | 0:20:40 | |
including Sam Smith. You get things
that you do not normally here, | 0:20:40 | 0:20:45 | |
including Sam Smith admitting he did
not know where Mexico was. He did it | 0:20:45 | 0:20:50 | |
himself. He thought it was right
next to Spain, bless him. It must be | 0:20:50 | 0:20:58 | |
a laugh with your mum. I can't
believe I have persuaded her to do | 0:20:58 | 0:21:02 | |
it. She has become a bit of a
celebrity, a reluctant, mysterious | 0:21:02 | 0:21:06 | |
celebrity. No pictures, no press.
Everyone wants to speak to this | 0:21:06 | 0:21:10 | |
woman. We have a laugh and I get a
good meal, but from yesterday. We | 0:21:10 | 0:21:17 | |
had George Ezra on and my menu went
completely wrong. It is brilliant. | 0:21:17 | 0:21:24 | |
And you are performing soon and we
look forward to that. | 0:21:24 | 0:21:29 | |
Now get ready for a Friday night pub
fight with a difference. | 0:21:29 | 0:21:31 | |
Resteranteur and chef
Andi Oliver has been | 0:21:31 | 0:21:33 | |
pitting "gastro pubs",
against "pub pubs". | 0:21:33 | 0:21:35 | |
I know which one my money's on. | 0:21:35 | 0:21:39 | |
Cranborne, Dorset, a chocolate box
village. But today it is war, | 0:21:39 | 0:21:44 | |
between landladies Jane and Fiona.
And I'm going to be testing them on | 0:21:44 | 0:21:50 | |
their food, drink and on beyond is.
This is the one Show's Pub bores. -- | 0:21:50 | 0:21:59 | |
Pub wars. First, soup at the Inn at
Cranbourne. I am not a fan of | 0:21:59 | 0:22:07 | |
stuffed dead animals, especially
when eating. I find it a bit weird, | 0:22:07 | 0:22:12 | |
dead animals when you're trying to
have a pie. What's this? Just ignore | 0:22:12 | 0:22:19 | |
me. Just checking. OK, time for a
chat with the landlady. I can see a | 0:22:19 | 0:22:23 | |
lot of gin. Every time I travel home
to Australia I fill my suitcase with | 0:22:23 | 0:22:30 | |
unique chin. I think there is some
eucalyptus in there. That is really | 0:22:30 | 0:22:36 | |
lovely. There is no burn and it has
a lovely, warm buttery finish, which | 0:22:36 | 0:22:40 | |
is unusual. Why should people come
here, rather than the sheath of | 0:22:40 | 0:22:46 | |
arrows? We are food -based, so come
here if you are a foodie. The head | 0:22:46 | 0:22:52 | |
chef is cooking up his signature
triple cooked pork. Fantastic! Thank | 0:22:52 | 0:22:57 | |
you very much. It smells amazing.
That is delicious. There might be a | 0:22:57 | 0:23:04 | |
tiny bit too much vanilla in the
puree. The meat is beautiful, sweet | 0:23:04 | 0:23:08 | |
and succulent and I like the rustic
nature of the bubble and squeak | 0:23:08 | 0:23:12 | |
underneath. A really good job. I
should think so at £17.95. | 0:23:12 | 0:23:21 | |
should think so at £17.95. Sticky
toffee pudding, ten out of ten. We | 0:23:21 | 0:23:25 | |
live next door, so happy hour, 5-7
everyday. If you yard stunner road, | 0:23:25 | 0:23:32 | |
the sheath of arrows. The first
thing, a pool table. All the pubs I | 0:23:32 | 0:23:38 | |
know have got rid of tables and
jukeboxes because most of them are a | 0:23:38 | 0:23:44 | |
gastropub. As soon as I walk in the
door, my thought is, proper pub. It | 0:23:44 | 0:23:49 | |
is a little bit scruffier than the
other place, but that's not a bad | 0:23:49 | 0:23:53 | |
thing. I like a proper lived in,
kicked about pub. Time to find | 0:23:53 | 0:23:59 | |
landlady Fiona and ask her about the
decor. Are you deliberately keeping | 0:23:59 | 0:24:03 | |
it quite old school? Yes. I prefer
to go somewhere I feel more | 0:24:03 | 0:24:08 | |
comfortable. I don't necessarily
want a gastropub. And how about the | 0:24:08 | 0:24:13 | |
beer? Tell me about 6p red? They are
a few hundred yards on the outskirts | 0:24:13 | 0:24:22 | |
of the village. Very local. It is a
lovely bitter. Quite smoky. I am not | 0:24:22 | 0:24:30 | |
surprised you sell loads of that.
Why should people come here to | 0:24:30 | 0:24:35 | |
drink? We are a proper pub and if
you want to come for a drink and | 0:24:35 | 0:24:40 | |
chat with friends, we are here for
that. And it is proper pub food, to | 0:24:40 | 0:24:45 | |
comp but with a bit of a twist from
the head chef, who is cooking me his | 0:24:45 | 0:24:51 | |
sweet and sour tempura chicken. This
is something I used to sit with my | 0:24:51 | 0:24:56 | |
father and have beer on Sunday night
in Singapore a couple of years ago. | 0:24:56 | 0:24:59 | |
I lived and worked out there. So you
brought those cooking influences | 0:24:59 | 0:25:03 | |
back with you. It has a brilliant,
crisp batter. The only criticism is | 0:25:03 | 0:25:11 | |
that it doesn't really need hunks of
pepper. The source is great. The | 0:25:11 | 0:25:17 | |
slivers of onion give a nice zing
against the sweetness. He has done a | 0:25:17 | 0:25:23 | |
fantastic job and all for £9.75.
What do the locals think? It is more | 0:25:23 | 0:25:28 | |
friendly here. You get more local
people in this one. They do a good | 0:25:28 | 0:25:36 | |
curry. Both pubs have gone through
my rigorous testing and now the | 0:25:36 | 0:25:41 | |
village has gathered at a neutral
location to see which is victorious. | 0:25:41 | 0:25:45 | |
You have not made my job easy at
all. Both establishments are | 0:25:45 | 0:25:48 | |
completely brilliant. The Inn at
Cranbourne is possibly a Littlemore | 0:25:48 | 0:25:55 | |
restaurant - like, and so my
decision is that the winner is the | 0:25:55 | 0:26:02 | |
sheath of arrows. I walked into your
pub and I felt so at home. I am just | 0:26:02 | 0:26:13 | |
completely blown away.
Congratulations. | 0:26:13 | 0:26:24 | |
Congratulations. Thanks to Miles for
joining us. | 0:26:24 | 0:26:27 | |
A big thanks to Miles
for joining us tonight. | 0:26:27 | 0:26:29 | |
Alex and Matt are back
on Monday with Alan Davies. | 0:26:29 | 0:26:31 | |
But now, with a track
from her latest album, Glasshouse, | 0:26:31 | 0:26:34 | |
this is Jessie Ware with Alone. | 0:26:34 | 0:26:35 | |
# Ooh ooh ooh ooh ooh | 0:26:35 | 0:26:36 | |
# Ooh ooh ooh ooh ooh | 0:26:36 | 0:26:38 | |
# Take the weight off my shoulders | 0:26:38 | 0:26:41 | |
# See, I won't make the same
mistakes when we're older | 0:26:41 | 0:26:47 | |
# Cos with every step
you take I'm getting colder | 0:26:47 | 0:26:51 | |
# So come a little closer | 0:26:51 | 0:26:54 | |
# Just come a little closer | 0:26:54 | 0:26:58 | |
# I don't want somebody
else to call my name | 0:26:58 | 0:27:02 | |
# No, I don't want somebody else
when you could just say | 0:27:02 | 0:27:08 | |
# Say that you're the one
who's taking me home | 0:27:08 | 0:27:13 | |
# Cos I want you on my
skin and my bones | 0:27:13 | 0:27:19 | |
# Knocking me off my feet | 0:27:19 | 0:27:21 | |
# Just say I'm the one
that you need, oh please | 0:27:21 | 0:27:24 | |
# Say that you're the one
who's taking me home | 0:27:24 | 0:27:29 | |
# So I can get you alone | 0:27:29 | 0:27:33 | |
# Ooh ooh ooh ooh ooh | 0:27:33 | 0:27:35 | |
# Ooh ooh ooh ooh ooh | 0:27:35 | 0:27:38 | |
# Ooh ooh ooh ooh ooh | 0:27:38 | 0:27:40 | |
# Ooh ooh ooh ooh ooh | 0:27:40 | 0:27:43 | |
# Just wanna talk a little longer | 0:27:43 | 0:27:46 | |
# I don't need somebody
else to call my name | 0:27:53 | 0:27:55 | |
# No, I don't need somebody
else to make me stay | 0:27:55 | 0:27:58 | |
# I don't never need to walk away | 0:27:58 | 0:28:00 | |
# You could just say,
you could just say | 0:28:00 | 0:28:02 | |
# Say that you're the one who's
taking me home, me home | 0:28:02 | 0:28:09 | |
# Cos I want you on my skin
and my bones, my bones | 0:28:09 | 0:28:14 | |
# Knocking me off my feet | 0:28:14 | 0:28:18 | |
# Just say I'm the one
that you need, oh please | 0:28:18 | 0:28:20 | |
# Say that you're the one
who's taking me home | 0:28:20 | 0:28:25 | |
# So I can get you alone | 0:28:25 | 0:28:31 | |
# Alone | 0:28:31 | 0:28:34 | |
# Ooh ooh ooh ooh ooh | 0:28:34 | 0:28:35 | |
# Ooh ooh ooh ooh ooh | 0:28:35 | 0:28:36 | |
# Alone | 0:28:36 | 0:28:38 | |
# Ooh ooh ooh ooh ooh | 0:28:38 | 0:28:40 | |
# Ooh ooh ooh ooh ooh | 0:28:40 | 0:28:42 | |
# Alone | 0:28:42 | 0:28:44 | |
# Alone, alone | 0:28:44 | 0:28:47 | |
# So I can get you alone.# | 0:28:47 | 0:28:54 |