Browse content similar to 19/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:16 | 0:00:19 | |
And Alex Jones. | 0:00:19 | 0:00:20 | |
Now what do you think
is going on here? | 0:00:20 | 0:00:27 | |
Is it the BAFTA aftershow party,
getting a bit out of hand? | 0:00:27 | 0:00:33 | |
The scenes outside one
of the KFC's that ran | 0:00:33 | 0:00:35 | |
out of chicken today? | 0:00:35 | 0:00:37 | |
Or a fun day out
for all the family in | 0:00:37 | 0:00:40 | |
a Warwickshire market town? | 0:00:40 | 0:00:41 | |
Let's ask someone used
to answering obscure questions | 0:00:41 | 0:00:43 | |
on QI - Alan Davies. | 0:00:43 | 0:00:46 | |
APPLAUSE
Nice to see you. | 0:00:46 | 0:00:53 | |
Did you see the TV? Yes. That will
be a rogue copy of my most recent | 0:00:53 | 0:01:02 | |
DVD spotted. It is a traditional
game played every year in | 0:01:02 | 0:01:09 | |
Warwickshire, Atherstone more
precisely. That's a game? Yes. | 0:01:09 | 0:01:17 | |
We'll find out more
about it shortly. | 0:01:17 | 0:01:20 | |
Alan - we mentioned the BAFTAs
there - how did you think | 0:01:20 | 0:01:22 | |
Joanna Lumley got on? | 0:01:22 | 0:01:24 | |
Did she do a better job than Stephen
Fry? I couldn't say. She was | 0:01:24 | 0:01:31 | |
wonderful. She is always a joy, just
to look at. I thought she was really | 0:01:31 | 0:01:35 | |
good. I enjoyed the circus
interjections that went on. | 0:01:35 | 0:01:39 | |
I thought you might. We had her on
Jonathan Creek years ago. We were | 0:01:39 | 0:01:46 | |
filming January. I was complaining
about being cold all day, moaning | 0:01:46 | 0:01:52 | |
nonstop, moaning at Sheridan Smith.
She had to do a scene where a heavy | 0:01:52 | 0:01:56 | |
bit of Marble fell on her, knocked
her over, and she had to lie in the | 0:01:56 | 0:02:01 | |
snow for two hours, doing her lines
perfectly without batting an eyelid, | 0:02:01 | 0:02:04 | |
so I think she's amazing. | 0:02:04 | 0:02:06 | |
Also tonight we're
celebrating the music | 0:02:06 | 0:02:07 | |
of the Queen of Rock and Roll. | 0:02:07 | 0:02:11 | |
# Big wheels keep on turning
# Proud Mary keep on burning #. | 0:02:11 | 0:02:18 | |
The star of the new Tina Turner
musical, Adrienne Warren, | 0:02:18 | 0:02:20 | |
tells us what its like step
into Tina's stilettos and will be | 0:02:20 | 0:02:23 | |
performing a huge Tina hit
at the end of the show. | 0:02:23 | 0:02:27 | |
We are looking forward to that. | 0:02:27 | 0:02:29 | |
The chief executive of Oxfam
has issued an apology over | 0:02:29 | 0:02:32 | |
the recent scandal that's engulfed
the charity saying: "We know we need | 0:02:32 | 0:02:35 | |
to learn and change. | 0:02:35 | 0:02:36 | |
And we will listen
every step of the way." | 0:02:36 | 0:02:38 | |
But how much damage have
recent allegations done | 0:02:38 | 0:02:40 | |
to the public's trust in Oxfam? | 0:02:40 | 0:02:41 | |
Matt's been to find out and talk
to the son of the manager | 0:02:41 | 0:02:45 | |
of the first ever Oxfam shop. | 0:02:45 | 0:02:51 | |
This chart in Oxford is the
birthplace of a British institution. | 0:02:52 | 0:02:57 | |
-- this church. For over 75 years
Oxfam has raised billions of pounds | 0:02:57 | 0:03:02 | |
in aid and helped millions of
people. But now it is hit by | 0:03:02 | 0:03:06 | |
scandal. With accusations that its
aid workers abused women and the | 0:03:06 | 0:03:13 | |
fact Oxfam tried to cover up this
story. For what has happened to have | 0:03:13 | 0:03:17 | |
happened, it is appalling. You
believe, you trust in some | 0:03:17 | 0:03:21 | |
organisations, then they just betray
you. I would now be much less likely | 0:03:21 | 0:03:27 | |
to donate money. How did it happen?
The committee first met in 1942. It | 0:03:27 | 0:03:35 | |
was a small group united by concern
over famine in Greece. The first | 0:03:35 | 0:03:41 | |
Oxfam shop open just around the
corner here on broad Street five | 0:03:41 | 0:03:45 | |
years later. It is still here, in
fact. Joe Root meeting was the first | 0:03:45 | 0:03:50 | |
shopkeeper here and a man who spent
a lifetime overseeing Oxfam's | 0:03:50 | 0:03:55 | |
expansion into a national network.
-- Joe Mittie. What do you think | 0:03:55 | 0:04:03 | |
your dad would have said and done if
faced with this scandal? He would | 0:04:03 | 0:04:09 | |
have been very angry, incredibly
disappointed, but very quickly would | 0:04:09 | 0:04:14 | |
want to do everything in his power
to put things right. Because he | 0:04:14 | 0:04:18 | |
would be very conscious of the fact
that there are many millions of | 0:04:18 | 0:04:23 | |
people who have benefited
tremendously from the work Oxfam has | 0:04:23 | 0:04:27 | |
done in 75 years. The sadness of the
current situation can be very | 0:04:27 | 0:04:34 | |
quickly forgotten. The charity has
apologised but has the trust of its | 0:04:34 | 0:04:38 | |
donors and customers been damaged
beyond repair? I won't be donating | 0:04:38 | 0:04:43 | |
any more. Because they weren't
upfront in the first place. You | 0:04:43 | 0:04:49 | |
would not expected from a charity.
But you are also conscious that it | 0:04:49 | 0:04:53 | |
is unlikely to be representative of
the whole charity. I think they did | 0:04:53 | 0:04:57 | |
a really good job. I would hate to
see them suffer because of it. I | 0:04:57 | 0:05:03 | |
think they are being pilloried, I
feel sorry for them, because I | 0:05:03 | 0:05:07 | |
suspect it is quite widespread
within the aid industry. It has made | 0:05:07 | 0:05:11 | |
them lose a lot of credibility. Next
time I want to donate something I | 0:05:11 | 0:05:15 | |
probably won't go through them. The
damage done to Oxfam and weedy to | 0:05:15 | 0:05:20 | |
your dad's legacy, I suppose, of
what he achieved, must be very | 0:05:20 | 0:05:24 | |
painful for you. -- and also to your
dad's legacy. Yes. He gave his life | 0:05:24 | 0:05:34 | |
for Oxfam. I cannot stop thinking
about how it would hurt him. But I | 0:05:34 | 0:05:40 | |
do have faith that 75 years of the
most extraordinary record will stand | 0:05:40 | 0:05:44 | |
in good stead in the future. It's a
real shame because everybody who | 0:05:44 | 0:05:50 | |
does work for the organisation and
has been doing a fantastic job, and | 0:05:50 | 0:05:54 | |
all of the volunteers, get sullied
by the actions of probably a few. | 0:05:54 | 0:05:59 | |
Will it change your behaviour going
forward? Probably. You would | 0:05:59 | 0:06:03 | |
probably look at different charities
to donate to rather than Oxfam. I'd | 0:06:03 | 0:06:08 | |
still be happy to donate to Oxfam. I
give regularly every month. I shall | 0:06:08 | 0:06:13 | |
continue to do so.
Tomorrow MPs will be quizzing the | 0:06:13 | 0:06:17 | |
bosses of Oxfam. We have heard that
Minnie driver and the Archbishop | 0:06:17 | 0:06:22 | |
Desmond Tutu have cup ties. Simon
Pegg is sticking with Oxfam. As we | 0:06:22 | 0:06:27 | |
heard from Roger, millions of people
who have been helped in the past, | 0:06:27 | 0:06:32 | |
where do you stand? -- cut ties.
Where will students get their | 0:06:32 | 0:06:39 | |
clothes from? Exactly! We must
support Oxfam at this time. They | 0:06:39 | 0:06:45 | |
cannot be taken under, allowed to
die, swept away, because of some | 0:06:45 | 0:06:49 | |
peoples behaviour. I'm sure they
will root out individuals | 0:06:49 | 0:06:54 | |
responsible for damaging their
reputation and will survive they | 0:06:54 | 0:06:57 | |
must survive. It needs to happen
quickly. | 0:06:57 | 0:07:00 | |
Let's talk about the second series
of Damned. Brilliant reviews, | 0:07:00 | 0:07:06 | |
congratulations. Thank you. It is
good. I can say that with all | 0:07:06 | 0:07:12 | |
sincerity. I had a minor role to
play. Is that even the right camera? | 0:07:12 | 0:07:17 | |
Are you filming a passer-by?
CHUCKLES | 0:07:17 | 0:07:21 | |
It is based on the working life of
some social workers, isn't it? | 0:07:21 | 0:07:27 | |
Children's social services. It is
difficult to strike the balance | 0:07:27 | 0:07:30 | |
between the comedy of the situation,
but then there is some quite serious | 0:07:30 | 0:07:34 | |
issues which are tackled and talked
about within the sitcom. How do you | 0:07:34 | 0:07:38 | |
strike that balance? It's hugely
impressive, what they have done. It | 0:07:38 | 0:07:43 | |
really is. It's quite upsetting, you
know, children being taken away, | 0:07:43 | 0:07:49 | |
families, difficult situations that
are encountered by children social | 0:07:49 | 0:07:51 | |
services every day. It goes
unreported, you know? Unless there | 0:07:51 | 0:07:57 | |
was a mistake, something slips
through the net, then it all hit the | 0:07:57 | 0:08:00 | |
papers. It is a show that takes the
work very seriously. It wants to | 0:08:00 | 0:08:07 | |
draw attention to the good work. But
at the same time they have assembled | 0:08:07 | 0:08:10 | |
a good cast of actors and have
written some very funny jokes which | 0:08:10 | 0:08:14 | |
many happen in the office. The jokes
are all at the expense of the idiots | 0:08:14 | 0:08:19 | |
making the mistakes. But they do
open up space in what is a short | 0:08:19 | 0:08:24 | |
half hour to shine a light on some
important issues. I think it's | 0:08:24 | 0:08:29 | |
great. What kind of reaction and you
get from people who have experienced | 0:08:29 | 0:08:34 | |
situations like the one you are
talking about? I have spoken to some | 0:08:34 | 0:08:38 | |
people who worked in children social
services, and it has been mainly | 0:08:38 | 0:08:45 | |
positive. Jo Brand is a kingpin in
the whole show. Will Smith and | 0:08:45 | 0:08:52 | |
Morwenna Banks write it, as well.
They are very keen for authenticity, | 0:08:52 | 0:08:59 | |
all of the procedural things that
would happen, could happen, and a | 0:08:59 | 0:09:02 | |
lot of the cases are based on real
stuff. Authenticity is important. | 0:09:02 | 0:09:07 | |
When it comes to a funny bit we had
to resist the temptation to clown it | 0:09:07 | 0:09:11 | |
up. You must keep everything on the
same authentic level. You strike a | 0:09:11 | 0:09:16 | |
balance brilliantly. Here is a funny
clip with you in it. Good! | 0:09:16 | 0:09:22 | |
Can I have your e-mail address? I'm
just... I'm just out of a | 0:09:22 | 0:09:30 | |
relationship, actually, a bad one. I
was just going to suggest that maybe | 0:09:30 | 0:09:35 | |
I can keep you updated on Sean's
progress. Yes, of course, I shall | 0:09:35 | 0:09:40 | |
type that in. You are really good
with kids. Better than some of my | 0:09:40 | 0:09:46 | |
staff. I was thinking of a career
change, actually, maybe teaching | 0:09:46 | 0:09:51 | |
might be an option. But it's tricky
at your age. Yeah, right... | 0:09:51 | 0:09:58 | |
APPLAUSE
As we heard in the clip, your | 0:09:58 | 0:10:04 | |
character is having a midlife
crisis, really, isn't he? He is. It | 0:10:04 | 0:10:08 | |
reflects a lot of experiences of
people in social services who find | 0:10:08 | 0:10:15 | |
the workload heavy, sometimes
outcomes are unsatisfactory. Lots of | 0:10:15 | 0:10:20 | |
people leave social services and go
to other careers. They have a lot of | 0:10:20 | 0:10:24 | |
sick days. Because people get burnt
out. That is a serious part of what | 0:10:24 | 0:10:29 | |
is happening. That is reflected in
my character, Al, who want enough. | 0:10:29 | 0:10:34 | |
Not that you want out of this
industry at all, you mentioned you | 0:10:34 | 0:10:38 | |
worry co-writer, but you are
focusing on your writing quite a | 0:10:38 | 0:10:41 | |
bit. You are doing a Masters. I am.
I'm going to college every | 0:10:41 | 0:10:47 | |
Wednesday. How are you enjoying it
as a more mature student? I love it, | 0:10:47 | 0:10:52 | |
I went to Oxfam, I bought a coat!
LAUGHTER | 0:10:52 | 0:10:58 | |
Two years part-time, my course, all
of the freshers came in, they looked | 0:10:58 | 0:11:04 | |
like my children. I bet they had an
interesting reaction that you are on | 0:11:04 | 0:11:10 | |
the course. They don't know who I
am. Come on! Jonathan Creek was made | 0:11:10 | 0:11:16 | |
before they were born, but hopefully
they are watching Damned. | 0:11:16 | 0:11:20 | |
Damned continues on Wednesday
at 10pm on Channel 4. | 0:11:20 | 0:11:22 | |
Time for Ritchie Anderson to give us
the full story behind the footage | 0:11:22 | 0:11:25 | |
we showed you earlier. | 0:11:25 | 0:11:26 | |
And - as you're up to
the letter O in Qi - Alan - | 0:11:26 | 0:11:30 | |
we' think you'll find this
Outreageous, Out There | 0:11:30 | 0:11:32 | |
and Off the Scale. | 0:11:32 | 0:11:34 | |
Enjoy it. 28-year-old Scott Wright
is from Atherstone, a market town in | 0:11:34 | 0:11:45 | |
the Midlands. Since he was a kid
he's had just one dream. For as long | 0:11:45 | 0:11:50 | |
as I can remember, it's been about
this day, it's about winning the | 0:11:50 | 0:11:53 | |
ball game. He's been training for
the last three months for this | 0:11:53 | 0:11:56 | |
tradition that is unique to this
town. Being an ad from the Midlands | 0:11:56 | 0:12:02 | |
myself, I have heard a lot of
stories about this medieval game | 0:12:02 | 0:12:05 | |
that has been played every year on
Shrove Tuesday. To the people from | 0:12:05 | 0:12:09 | |
this town it is much more than just
a game. It starts with a giant | 0:12:09 | 0:12:15 | |
leather ball being kicked up and
down the high street. And it ends | 0:12:15 | 0:12:20 | |
with a rugby type scrum where
players try to be the one holding | 0:12:20 | 0:12:23 | |
the ball at the end. This is where
it happens come up and down this | 0:12:23 | 0:12:27 | |
street, from one end to the other,
the whole surrounding areas know | 0:12:27 | 0:12:31 | |
about it, everybody looks forward to
it. Why does everybody look forward | 0:12:31 | 0:12:35 | |
to it? It brings everybody together.
As a child you look at the people | 0:12:35 | 0:12:40 | |
taking part as a hero. The ball has
been taking to all of the nursing | 0:12:40 | 0:12:44 | |
homes, care homes, schools, all of
the kids have a look at the ball, | 0:12:44 | 0:12:47 | |
everybody signed it. There is no
referee. But students are on hand to | 0:12:47 | 0:12:54 | |
maintain order. It can get a bit
tasty at times. That is purely for | 0:12:54 | 0:12:58 | |
the desperation of people wanting to
win. I'm fully expecting, if I have | 0:12:58 | 0:13:04 | |
got it, I load of blokes to come at
me. There are no prizes for winning, | 0:13:04 | 0:13:10 | |
just the opportunity to be this
year's local hero. For Scott's mum | 0:13:10 | 0:13:15 | |
being a hero could come at a price.
It is scary. I have seen some of the | 0:13:15 | 0:13:20 | |
aftermath injuries. I get anxious. I
can't breathe. Until the klaxon goes | 0:13:20 | 0:13:26 | |
at five o'clock, then they start
peeling back the bodies, and I | 0:13:26 | 0:13:30 | |
think, at least it is over now. It's
the morning of the big game. All of | 0:13:30 | 0:13:36 | |
the shops and businesses on the high
street are making their final | 0:13:36 | 0:13:39 | |
preparations. The crowd starts
together. -- the crowd starts to | 0:13:39 | 0:13:50 | |
gather. At three o'clock, the ball
drops. A group of people have just | 0:13:50 | 0:13:56 | |
been slammed into that shop over
there, trying to get hold of the | 0:13:56 | 0:14:01 | |
ball. It's just unbelievable,
really, I don't know where the ball | 0:14:01 | 0:14:04 | |
is now. Eventually the stewards get
things under control and the ball is | 0:14:04 | 0:14:08 | |
kicked up the high street. I've just
seen the ball come out of the | 0:14:08 | 0:14:12 | |
window, adding massive scrum, what
was that about? It is the crazy ball | 0:14:12 | 0:14:17 | |
game of Atherstone. It's great fun
to watch, I've been watching it ever | 0:14:17 | 0:14:20 | |
since I was a child. It's great.
I've seen people with injuries, | 0:14:20 | 0:14:25 | |
scratches on their faces. It's like
that every year. At the end you are | 0:14:25 | 0:14:30 | |
there for a good half an hour and
you are lucky to come out with your | 0:14:30 | 0:14:33 | |
life. The final kick... They are
punching each other! Look! Oh! While | 0:14:33 | 0:14:44 | |
they fighting? For the pride of
Atherstone, this is what we do it | 0:14:44 | 0:14:50 | |
for. -- why are they fighting? Come
on! This is all we know. Oh! Go on, | 0:14:50 | 0:15:00 | |
lads! There is a big fight in the
middle of the street. Why do you and | 0:15:00 | 0:15:06 | |
your kids want to watch that?
Because it is fun. Where is the | 0:15:06 | 0:15:11 | |
ball? Scott is on the top trying to
get the ball. Amongst the people I | 0:15:11 | 0:15:16 | |
spot his mum, Diane. I just wanted
to be over soon. It will be. There | 0:15:16 | 0:15:22 | |
are police but they leave the
security up to the organisers. Tony | 0:15:22 | 0:15:25 | |
is the Mayor and he helped finance
the game. How can you ensure | 0:15:25 | 0:15:33 | |
people's safety today? You can't.
People get injured. They have health | 0:15:33 | 0:15:37 | |
and safety people on site. It is
really at their own risk. You must | 0:15:37 | 0:15:42 | |
have seen some of this disorder? It
can be. But I haven't seen anything | 0:15:42 | 0:15:50 | |
that would raise my concerns. What
would raise your concerns? People | 0:15:50 | 0:15:53 | |
dying, obviously. It's five o'clock
and the game has come to an end. | 0:15:53 | 0:16:02 | |
That was an experience. Whoever the
winner is, they've been through the | 0:16:02 | 0:16:05 | |
mill, they really have. McAuley
Riley was able to hold onto the | 0:16:05 | 0:16:11 | |
ball. He is the new Atherstone Ball
game champion. As the crowds | 0:16:11 | 0:16:17 | |
disperse, I catch up with Scott. For
me, watching that, it was quite | 0:16:17 | 0:16:22 | |
uncomfortable at times. For that to
be happening in broad daylight in | 0:16:22 | 0:16:24 | |
2018. I get that. But you are not an
Atherstone lad. The people of this | 0:16:24 | 0:16:30 | |
town understand it. It is our
culture. The ball game cannot stop. | 0:16:30 | 0:16:34 | |
This is what we live for, you know?
Warren | 0:16:34 | 0:16:38 | |
Richie and Scott are here now. | 0:16:38 | 0:16:45 | |
Scott, you said to us earlier on,
when that shot finished, you | 0:16:45 | 0:16:49 | |
actually burst into tears. Yes, I
was very emotional, 12 months of | 0:16:49 | 0:16:53 | |
preparation had gone into that day,
and this thing here may not look | 0:16:53 | 0:16:57 | |
like much to some but to harvest and
people it is everything. Another | 0:16:57 | 0:17:02 | |
year has passed by where I didn't
manage to take it home. As we saw | 0:17:02 | 0:17:07 | |
and heard, health and safety is kind
of nonexistent in Atherstone, as far | 0:17:07 | 0:17:12 | |
as this is concerned. They even
boarded up the chemist! You couldn't | 0:17:12 | 0:17:17 | |
even get a plaster if you wanted to!
You are punching each other, but | 0:17:17 | 0:17:21 | |
what happens when the game finishes,
then? Are you still at each other's | 0:17:21 | 0:17:25 | |
throats? As soon as that Clarkson
goes, the winner is declared, we | 0:17:25 | 0:17:31 | |
shake hands like in other sports. As
soon as it is finished, it is | 0:17:31 | 0:17:36 | |
finished, we have a few beers, we
tell stories of old ball games. Our | 0:17:36 | 0:17:40 | |
stories will have a carry on through
the younger generations as well. It | 0:17:40 | 0:17:47 | |
all takes place at A&E, does it? I
am sure everyone in Atherstone is | 0:17:47 | 0:17:53 | |
over the moon that you are on the
one show. You were just visibly | 0:17:53 | 0:18:00 | |
shocked. No, I have signed up for
next year! You said to me before if | 0:18:00 | 0:18:07 | |
you don't come from Atherstone, you
can't understand what it means to | 0:18:07 | 0:18:10 | |
the people, and if you win that, you
become a legend in the town. Your | 0:18:10 | 0:18:13 | |
family's name is in lights, and we
were walking around one day, and you | 0:18:13 | 0:18:19 | |
said it is John, who won it in 1994,
it is Bob, who won it in 1982. | 0:18:19 | 0:18:25 | |
Wheeling himself down the high
Street! I won in 94! Even though I | 0:18:25 | 0:18:32 | |
can't understand why it was so
important. I would be terrible if I | 0:18:32 | 0:18:35 | |
was holding onto that all with one
minute to go, I would be like, have | 0:18:35 | 0:18:39 | |
it! But the community spirit is
incredible, there are not that many | 0:18:39 | 0:18:48 | |
events like that. It is a wonderful
town, full of wonderful people. That | 0:18:48 | 0:18:53 | |
day, we blow off some steam in the
afternoon but still we welcome | 0:18:53 | 0:18:56 | |
anyone to come, participate, kids
can get involved in the flick out | 0:18:56 | 0:19:02 | |
Golden Penny, there are suites,
pancake races, a lot of community | 0:19:02 | 0:19:05 | |
spirit around the whole ball game.
The names on the ball from care | 0:19:05 | 0:19:10 | |
homes and schools, it is a big
family thing. It was everybody, | 0:19:10 | 0:19:16 | |
Juncker old, everybody from the town
of Atherstone that day was there. | 0:19:16 | 0:19:19 | |
Yes, it brings the community
together, but your mum was in bits | 0:19:19 | 0:19:22 | |
though. She wasn't that keen! Do you
know what I would do, I would have a | 0:19:22 | 0:19:28 | |
decoy Ball, a couple of decoy balls.
It's over there! Pelle thank you so | 0:19:28 | 0:19:34 | |
much, Richie, we look forward to
your effort next year. I am scared | 0:19:34 | 0:19:39 | |
to touch it now in case you bulldoze
me to the floor. Big thanks to the | 0:19:39 | 0:19:46 | |
winner who lent us the ball for the
evening. | 0:19:46 | 0:19:50 | |
In a moment, we'll be meeting
the singer tasked with playing | 0:19:50 | 0:19:52 | |
Tina Turner in a brand new musical -
Tina herself calls her | 0:19:52 | 0:19:55 | |
an 'exceptional talent'. | 0:19:55 | 0:19:56 | |
Looking forward to that. | 0:19:56 | 0:19:57 | |
First, Jean Johansson is going river
deep, mountain high. | 0:19:57 | 0:20:00 | |
Situated amongst some of Scotland's
most beautiful scenery in the | 0:20:00 | 0:20:03 | |
Southern Highlands is the colossal
Cruachan dam, and beneath it lies a | 0:20:03 | 0:20:09 | |
marvel of engineering. One kilometre
underground, this is Cruachan power | 0:20:09 | 0:20:16 | |
station. Enormous turbines convert
the power of water into electricity, | 0:20:16 | 0:20:22 | |
totting up the National Grid at peak
times. -- topping up. Building work | 0:20:22 | 0:20:30 | |
started in 1969 and took six years
to complete. It cost the equivalent | 0:20:30 | 0:20:35 | |
of £420 million today, but a human
price was also paid. 4000 brave men | 0:20:35 | 0:20:41 | |
were tasked with tunnelling into
this mountain. Many of them had to | 0:20:41 | 0:20:44 | |
hand drill through the unforgiving
granite. They were nicknamed the | 0:20:44 | 0:20:49 | |
Tunnel Tiger 's, and their mission
was so treacherous, 36 lost their | 0:20:49 | 0:20:56 | |
lives during the construction. | 0:20:56 | 0:21:02 | |
lives during the construction. For
temporary macro, the memories are | 0:21:02 | 0:21:05 | |
still vivid full stop a much has
changed? You can see where you are | 0:21:05 | 0:21:09 | |
going, hear things. It is completely
different. What were the general | 0:21:09 | 0:21:15 | |
working conditions like? Not very
nice. You knew someone was coming | 0:21:15 | 0:21:22 | |
near you because you are up to your
ankles in water at least and every | 0:21:22 | 0:21:25 | |
now and then you would get a wee tap
on your shoulder, just make sure | 0:21:25 | 0:21:28 | |
you're there. Because the noise...
And it was dangerous, and... Smelly. | 0:21:28 | 0:21:38 | |
It was noisy. I take it the
incentive for you was... Money. What | 0:21:38 | 0:21:45 | |
were the wages like? The wage
outside was about £10 a week, and we | 0:21:45 | 0:21:49 | |
had maybe three times that. How does
it feel to be back here 50 years | 0:21:49 | 0:21:54 | |
later? It brings back a lot of
memories, some sadness too. At the | 0:21:54 | 0:22:01 | |
time, health and safety guidelines
were far less vigorous, making their | 0:22:01 | 0:22:04 | |
task even more precarious. Today, a
memorial stands in tribute of those | 0:22:04 | 0:22:10 | |
who lost their lives during the
construction. It must have been a | 0:22:10 | 0:22:13 | |
really hard time. Yes, a lot of
young men, old men, paid a high | 0:22:13 | 0:22:20 | |
price. How did you hear the news
when someone had lost their life? It | 0:22:20 | 0:22:26 | |
went right through the whole works.
It has never left my mind, you know? | 0:22:26 | 0:22:31 | |
It sticks in your mind. Of course it
does. The power station was | 0:22:31 | 0:22:37 | |
considered a masterpiece of
engineering. 50 years on, the | 0:22:37 | 0:22:40 | |
workings and mechanics of the site
are very similar. Engineers David | 0:22:40 | 0:22:44 | |
Tyson and Ted Weedon worked here in
the 50s and 60s. Today they are back | 0:22:44 | 0:22:48 | |
to the first time, along with plant
manager Ross Galbraith. Ross, in the | 0:22:48 | 0:22:55 | |
1950s, constructing something like
this must have been a big deal. | 0:22:55 | 0:22:59 | |
Cruachan at the time was a fantastic
project, really pushing the | 0:22:59 | 0:23:02 | |
boundaries of technology at the
time. And why did it have to be | 0:23:02 | 0:23:07 | |
built in a mountain? The location of
Cruachan was really perfect, with | 0:23:07 | 0:23:11 | |
the upper reservoir and the lower
reservoir, you need to have them | 0:23:11 | 0:23:14 | |
close together. We have a huge body
of water for pumping up at times of | 0:23:14 | 0:23:19 | |
high demand. And you too haven't
been here 50 years, so how does it | 0:23:19 | 0:23:24 | |
feel to be back? It is good, it is
lovely to see it again. I am glad it | 0:23:24 | 0:23:32 | |
is still running, it is a robust
design and it is doing really well. | 0:23:32 | 0:23:35 | |
I worked on five power station
projects, and I have outlived three | 0:23:35 | 0:23:38 | |
of them. I suspect this will long be
running after I am dead and buried. | 0:23:38 | 0:23:43 | |
That is a good thing, your work will
be living on. The site was | 0:23:43 | 0:23:49 | |
officially opened by the Queen in
1965. All the firms engaged in the | 0:23:49 | 0:23:56 | |
construction of this great project
will be able to go home with a | 0:23:56 | 0:24:00 | |
feeling of satisfaction that a good
job has been done. APPLAUSE | 0:24:00 | 0:24:05 | |
50 years on, the power station still
serves millions of homes across | 0:24:09 | 0:24:12 | |
Britain. A testament to those who
risked their lives to build it. | 0:24:12 | 0:24:21 | |
Incredible shots can adjust this
beautiful landscape. We are here now | 0:24:21 | 0:24:26 | |
with Adrienne Warren, the star of
the new Tina Turner movie, hello! | 0:24:26 | 0:24:32 | |
APPLAUSE
So it start in London at the Aldwych | 0:24:32 | 0:24:35 | |
Theatre on 21st of March. Yes. Now,
Tina is apparently the reason you | 0:24:35 | 0:24:41 | |
started performing as a child. Gueye
she is, my parents were Tina Turner | 0:24:41 | 0:24:46 | |
fans for as long as I can remember.
There was not a time that Tina | 0:24:46 | 0:24:50 | |
Turner was not played in my
household. I learned to shape by | 0:24:50 | 0:24:55 | |
hips before I learned to tie my
shoes. Service is meant to be. I | 0:24:55 | 0:25:02 | |
guess so! You have met Tina, singing
alongside her, how has that been? | 0:25:02 | 0:25:08 | |
Unbelievable, but this is such a
beautiful challenge and such | 0:25:08 | 0:25:12 | |
irresponsibility, because I am her
fan first, it means so much to all | 0:25:12 | 0:25:16 | |
of us and the fact that she is
involved, we are so honoured. She | 0:25:16 | 0:25:20 | |
has very specific moves, so what has
been the hardest thing to master? | 0:25:20 | 0:25:25 | |
Tina Turner is a force, and she is
known as being a force, so I have | 0:25:25 | 0:25:30 | |
been training physically and locally
for this for months now. People love | 0:25:30 | 0:25:35 | |
her because of the energy that she
brings on stage, and she tells me | 0:25:35 | 0:25:39 | |
there are no short cuts. You have to
give 100% of yourself 100% of the | 0:25:39 | 0:25:44 | |
time, because that's how she treats
her audiences. If you could sum it | 0:25:44 | 0:25:48 | |
up very quickly, we haven't got long
at all, but what a life she has had, | 0:25:48 | 0:25:54 | |
and this chart the ups, the downs,
the dark times on the celebrations. | 0:25:54 | 0:25:57 | |
Yes, we started with her humble
upbringing in that Bush, Tennessee, | 0:25:57 | 0:26:05 | |
as Annie May Bullock. Her journey
with Ike over to London, where she | 0:26:05 | 0:26:08 | |
becomes the Queen of rock and roll.
Light and shade, then. Adrienne will | 0:26:08 | 0:26:15 | |
sing Aquino classic in a moment. A
quick time to say thank you to Alan, | 0:26:15 | 0:26:22 | |
good luck with Damped. Ten o'clock
Channel 4. Next week, actors Stephen | 0:26:22 | 0:26:28 | |
Graham and Lennie James. | 0:26:28 | 0:26:29 | |
Now, performing 'The Best' from
'Tina - The Tina Turner Musical', | 0:26:29 | 0:26:32 | |
it's Adrienne Warren
and the Ikettes. | 0:26:32 | 0:26:34 | |
# Each time you leave me,
I start losing control | 0:26:34 | 0:26:37 | |
# You're walking away
with my heart and my soul. | 0:26:37 | 0:26:39 | |
# I can feel you even when I'm alone | 0:26:39 | 0:26:43 | |
# Oh baby, don't let go. | 0:26:43 | 0:26:48 | |
# I call you, I need you,
my heart's on fire. | 0:26:48 | 0:26:56 | |
# You come to me, come
to me, wild and wired. | 0:26:56 | 0:27:04 | |
# Oh, you come to me,
give me ev'rything I need. | 0:27:05 | 0:27:13 | |
# Give me a lifetime of promises,
and a world of dreams. | 0:27:14 | 0:27:22 | |
# Speak the language of love,
like you know what it means. | 0:27:23 | 0:27:31 | |
# Mm, and it can't be wrong | 0:27:32 | 0:27:37 | |
# Take my heart and
make it strong, babe. | 0:27:37 | 0:27:40 | |
# You're simply the best | 0:27:40 | 0:27:45 | |
# Better than all the rest | 0:27:45 | 0:27:53 | |
# Better than anyone | 0:27:54 | 0:27:55 | |
# Anyone I've ever met. | 0:27:55 | 0:27:59 | |
# I'm stuck on your heart | 0:27:59 | 0:28:04 | |
# I hang on ev'ry word you say | 0:28:04 | 0:28:07 | |
# Tear us apart, no, no | 0:28:09 | 0:28:12 | |
# Baby, I would rather be dead. | 0:28:12 | 0:28:17 | |
# You're simply the best | 0:28:17 | 0:28:21 | |
# Better than all the rest | 0:28:21 | 0:28:28 | |
# Better than anyone | 0:28:28 | 0:28:31 | |
# Anyone I've ever met. | 0:28:31 | 0:28:35 | |
# I'm stuck on your heart | 0:28:35 | 0:28:39 | |
# I hang on ev'ry word you say | 0:28:39 | 0:28:43 | |
# Tear us apart, no, no | 0:28:43 | 0:28:48 | |
# Baby, I would rather be dead. | 0:28:48 | 0:28:53 | |
# Ooh, you're the best # | 0:28:53 | 0:28:58 | |
APPLAUSE | 0:28:59 | 0:29:03 |