Browse content similar to 20/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Alex Jones. | 0:00:15 | 0:00:18 | |
And Matt Baker. | 0:00:18 | 0:00:20 | |
We've two fellas making their debuts
on the show tonight, | 0:00:20 | 0:00:23 | |
lovely guys by all accounts. | 0:00:23 | 0:00:25 | |
It's just that something seems
to happen when the camera turns on. | 0:00:25 | 0:00:33 | |
And this is England. You are not
bringing that thing in here. Want to | 0:00:39 | 0:00:48 | |
see if I've got the minerals? | 0:00:48 | 0:00:50 | |
Looking much more
chilled out tonight - | 0:00:50 | 0:00:52 | |
it's Stephen Graham and Lennie
James! | 0:00:52 | 0:00:57 | |
APPLAUSE | 0:00:58 | 0:00:58 | |
APPLAUSE. | 0:00:58 | 0:01:02 | |
Lennie, Stephen told us
he calls you Uncle Lennie, | 0:01:02 | 0:01:04 | |
so you must have a softer side? | 0:01:04 | 0:01:08 | |
I don't even know where it came
from. Your a few years older than | 0:01:08 | 0:01:16 | |
me, it's just your general
demeanour. I'm an old man! Note, you | 0:01:16 | 0:01:23 | |
are loving, extremely sensitive and
someone you can rely on. Who are you | 0:01:23 | 0:01:31 | |
and what have you done with Stephen
Graham? I tell everyone he calls me | 0:01:31 | 0:01:40 | |
uncle Lennie, a good mate. We are
getting a flavour of you because | 0:01:40 | 0:01:45 | |
that's what we are used to. How far
from the tough persona are you? | 0:01:45 | 0:01:53 | |
Extremely, I'd like to say. I have
seen you on CBeebies doing the | 0:01:53 | 0:01:59 | |
bedtime stories! Yes, I loved doing
CBeebies. I'm completely different | 0:01:59 | 0:02:06 | |
to the characters I play. What is
the story behind this? The story | 0:02:06 | 0:02:14 | |
behind that is my wife, Hannah. It
is her fault. Why? Because she | 0:02:14 | 0:02:23 | |
thought it would be a good idea for
me to do it and generally anything | 0:02:23 | 0:02:27 | |
she says I do. It's about showing
another side to me I suppose. We're | 0:02:27 | 0:02:34 | |
going to keep you nice and relaxed
tonight, which is the idea. | 0:02:34 | 0:02:41 | |
But just how relaxed would you feel
if you had to drastically cut | 0:02:41 | 0:02:44 | |
down your use of plastic? | 0:02:44 | 0:02:45 | |
Today's news that plastic particles
have been found in three quarters | 0:02:45 | 0:02:48 | |
of deep ocean fish reminds us
what a critical point | 0:02:48 | 0:02:50 | |
we have reached. | 0:02:50 | 0:02:51 | |
No wonder so many families
are trying their best | 0:02:51 | 0:02:53 | |
to find alternatives. | 0:02:53 | 0:03:00 | |
The Proud family from Manchester all
have hectic lives. But mum Louise, | 0:03:00 | 0:03:06 | |
dad Wayne and daughters 15-year-old
Macy and 11-year-old Amber found | 0:03:06 | 0:03:11 | |
time to take on the challenge close
to my heart. Are you ready to go | 0:03:11 | 0:03:18 | |
plastic free? I want them to reduce
their single use disposable plastic | 0:03:18 | 0:03:23 | |
consumption for a whole week and
record how they get on with video | 0:03:23 | 0:03:27 | |
diaries. But first I want to find
out how much plastic they currently | 0:03:27 | 0:03:32 | |
use. When I cook a meal it is just a
load of plastic so I've been | 0:03:32 | 0:03:37 | |
shopping today and | 0:03:37 | 0:03:47 | |
shopping today and everything is in
plastic bottles. Everything is just | 0:03:47 | 0:03:50 | |
in plastic, and it is concerning.
Like most families they don't feel | 0:03:50 | 0:03:53 | |
they have a choice to use plastic.
Dad Wayne is in charge of the | 0:03:53 | 0:03:56 | |
recycling. But not all plastic is
easily recycled. Can I look in the | 0:03:56 | 0:04:01 | |
rubbish bin? If you must! We have
this flimsy plastic here. When is | 0:04:01 | 0:04:09 | |
this from? Today. And it isn't just
at home... We get milk in plastic | 0:04:09 | 0:04:18 | |
bottles with straws in them and
every day we throw them in the | 0:04:18 | 0:04:22 | |
rubbish bin. I'm interested in
personal care products, moisturiser, | 0:04:22 | 0:04:30 | |
shampoo... Make up wipes. Make up
wipes are woven together with | 0:04:30 | 0:04:36 | |
plastic. What's wrong with a
flannel? | 0:04:36 | 0:04:39 | |
So can they go without single use
plastic for a whole week or is it | 0:04:39 | 0:04:46 | |
just too convenient? They begin the
week with some success. Instead of | 0:04:46 | 0:04:51 | |
using face wipes I am using a
flannel. And Louise ditches her | 0:04:51 | 0:04:59 | |
plastic plate... But at the
supermarket reality hits. All | 0:04:59 | 0:05:07 | |
plastic, I haven't got to anything
yet that hasn't got plastic on it. | 0:05:07 | 0:05:13 | |
Midweek and the cupboards become
bare so Wayne takes the kids food | 0:05:13 | 0:05:17 | |
shopping. This time he ditches the
supermarket in favour of a shop in | 0:05:17 | 0:05:22 | |
Bolton selling produce without
plastic packaging. Do we just put | 0:05:22 | 0:05:27 | |
everything in the basket? If you are
happy to, we would love that. | 0:05:27 | 0:05:34 | |
There's paper bags for loose items.
After visiting the bakers and | 0:05:34 | 0:05:39 | |
butchers they are still plastic free
but it's not as convenient as the | 0:05:39 | 0:05:44 | |
supermarket. We have done quite a
few miles and nearly three hours. | 0:05:44 | 0:05:48 | |
Today the girls went into the shop
to buy carrots like this, which they | 0:05:48 | 0:05:53 | |
were very excited about. It is
bizarre in this day the kids are | 0:05:53 | 0:05:59 | |
excited to buy vegetables that is
not packaged. The children are so | 0:05:59 | 0:06:03 | |
excited, Amber | 0:06:03 | 0:06:12 | |
excited, Amber decides to tackle the
problem of plastic milk bottles and | 0:06:12 | 0:06:14 | |
straws at her school. What I would
like to think about is how we can | 0:06:14 | 0:06:17 | |
use other things. Raise your hands
now if you are for Amber's idea. | 0:06:17 | 0:06:20 | |
Fantastic. It will be our job to
make sure it is implemented. Macy | 0:06:20 | 0:06:26 | |
checks her parents are still toeing
the line. What do you think you are | 0:06:26 | 0:06:33 | |
doing there? And cleaning. With
plastics? Yes, but it is reusable. | 0:06:33 | 0:06:41 | |
The other day I got the bleach
bottle, filled it up to there and | 0:06:41 | 0:06:48 | |
with water. But has she caught dad
out? What is all of this plastic? | 0:06:48 | 0:06:58 | |
Pineapple! No, what is this? There
was no other choice than what was | 0:06:58 | 0:07:05 | |
there. It is difficult to get meet
that isn't in plastic from the | 0:07:05 | 0:07:11 | |
supermarket. Experiment over but
what impact has it hard? I'm back to | 0:07:11 | 0:07:17 | |
find out. I'm seeing more glass and
tins, less plastic but not a huge | 0:07:17 | 0:07:22 | |
reduction. How has it been? Hard, I
have been dreaming about plastic! | 0:07:22 | 0:07:31 | |
Has this week been more expensive?
From what to what? We normally spend | 0:07:31 | 0:07:40 | |
about £100, I think it has been 120.
He wouldn't have been able to do | 0:07:40 | 0:07:46 | |
this challenge if you shopped in the
supermarkets where you normally | 0:07:46 | 0:07:51 | |
shop, it wouldn't have worked, would
it? No, they have addressed plastic | 0:07:51 | 0:07:56 | |
bags, now they need to address
plastic in the store. | 0:07:56 | 0:07:59 | |
So Louise, Wayne, Macy
and Amber, welcome. | 0:07:59 | 0:08:04 | |
That was brilliant. As Lucy said, it
is because the supermarket, it is | 0:08:04 | 0:08:10 | |
very difficult because everything
comes in packaging. You drove three | 0:08:10 | 0:08:14 | |
hours and all you got was a dirty
carrot which is fine but it's not | 0:08:14 | 0:08:19 | |
sustainable on a day-to-day basis
for a family like you so what needs | 0:08:19 | 0:08:25 | |
to be done to make this easier for
everybody? We need to get that of | 0:08:25 | 0:08:30 | |
plastic basically out of the
supermarkets. It's everywhere so you | 0:08:30 | 0:08:34 | |
need to reduce it massively.
Everywhere you go to is plastic. | 0:08:34 | 0:08:44 | |
Lucy basically went through your
whole house so as far as the | 0:08:44 | 0:08:48 | |
categories are concerned, beauty
products and whatever, what was the | 0:08:48 | 0:08:52 | |
hardest area to cut back on? You
think food? For me, make up products | 0:08:52 | 0:08:59 | |
because I couldn't find any that
didn't contain a small bit of | 0:08:59 | 0:09:02 | |
plastic. It maybe a glass bottle but
it still had a plastic lid. Have you | 0:09:02 | 0:09:08 | |
looked at websites where you can buy
make up products that are in | 0:09:08 | 0:09:16 | |
recyclable stuff. I have looked at
it but I don't know if I'm willing | 0:09:16 | 0:09:20 | |
to pay that much to get a plastic
bottle that is recyclable. Fair | 0:09:20 | 0:09:25 | |
enough. Amber, we saw you with your
school friends so what have your | 0:09:25 | 0:09:31 | |
school teachers said to you? We are
trying to change it and make a | 0:09:31 | 0:09:35 | |
difference on how we are using milk
because the plastic, it's the | 0:09:35 | 0:09:41 | |
plastic lids and the straws that are
bad but we are trying to replace | 0:09:41 | 0:09:45 | |
them and figure out a way we can do
it, getting in touch with the milk | 0:09:45 | 0:09:49 | |
company. Good, because everyone in
your class was on board, weren't | 0:09:49 | 0:09:54 | |
they? You were talking about meat
saying that the hardest thing to | 0:09:54 | 0:09:58 | |
come by that is not in plastic but
as a family are you going to stick | 0:09:58 | 0:10:04 | |
with this? Definitely. I'm dreaming
about plastic. I have got my own | 0:10:04 | 0:10:12 | |
back we make now, we enjoyed making
those. I've got my straws, we need | 0:10:12 | 0:10:18 | |
to change straws from plastic to
paper, that's a big one for me so | 0:10:18 | 0:10:23 | |
I'm on a mission. Maisie, you must
be noticing plastic everywhere right | 0:10:23 | 0:10:28 | |
now. Literally everywhere. School,
everywhere. It is hard when you go | 0:10:28 | 0:10:34 | |
into shock and not just see plastic,
getting a snack or bottle of water, | 0:10:34 | 0:10:39 | |
you have to check everything to see
if it is recyclable. And obviously | 0:10:39 | 0:10:44 | |
you don't want to be continuing when
you are mum's age. It has to stop. | 0:10:44 | 0:10:52 | |
Yes because in the future I see a
future where people don't care any | 0:10:52 | 0:10:56 | |
more. Plastic will be in the oceans,
we will have less fish and my | 0:10:56 | 0:11:02 | |
children won't understand what it's
like not to have a world full of | 0:11:02 | 0:11:05 | |
plastic and I don't agree with it.
We could change it so | 0:11:05 | 0:11:12 | |
We could change it so easily, even
changing bins around streets not | 0:11:13 | 0:11:16 | |
just a general waste but recyclable
ones as well as general waste. Do | 0:11:16 | 0:11:23 | |
you want to go and work with the
Lucy? That was so eloquently said | 0:11:23 | 0:11:29 | |
and you should be proud. The pair of
them have done amazing. That was | 0:11:29 | 0:11:37 | |
cracking the way you put that. We
are in the hands of the next | 0:11:37 | 0:11:41 | |
generation, that's what we need,
definitely. | 0:11:41 | 0:11:47 | |
definitely. The congratulations are
going to continue now. | 0:11:48 | 0:11:50 | |
We've got to say congratulations
to League One's Wigan, | 0:11:50 | 0:11:53 | |
who knocked Manchester City out
of the FA Cup last night in a real | 0:11:53 | 0:11:56 | |
old-fashioned giant killing. | 0:11:56 | 0:11:57 | |
The winner was scored
by Will Grigg, a man who's been | 0:11:57 | 0:12:00 | |
immortalised in song. | 0:12:00 | 0:12:03 | |
COMMENTATOR: A lot of people would
have known the song better than they | 0:12:14 | 0:12:19 | |
knew his face! Free from desire,
that was the song. | 0:12:19 | 0:12:23 | |
Football chants have a mixed history
with some spreading racial | 0:12:23 | 0:12:25 | |
and religious bigotry. | 0:12:25 | 0:12:26 | |
Which is why what's
happening in Liverpool | 0:12:26 | 0:12:28 | |
at the moment is so interesting. | 0:12:28 | 0:12:29 | |
Here's Mehreen. | 0:12:29 | 0:12:33 | |
Here at Anfield, football is
worshipped like a religion and the | 0:12:33 | 0:12:37 | |
stadium is its cathedral. There are
lots of songs sung on the terraces, | 0:12:37 | 0:12:44 | |
but a recent one is
uncharacteristically different. It | 0:12:44 | 0:12:53 | |
is catchy and in honour of Egyptian
international Mohammed Salah, and it | 0:12:53 | 0:13:02 | |
has gone viral. It not only embraces
the man for his talents on the field | 0:13:02 | 0:13:06 | |
but also for his religion. Football
has had problems with sectarian and | 0:13:06 | 0:13:13 | |
racist chanting but this song is the
complete opposite. Have you heard | 0:13:13 | 0:13:19 | |
the new football chant about Salah?
Yes, we have. What do you think | 0:13:19 | 0:13:26 | |
about it? We think it's positive
because we are not racist people. | 0:13:26 | 0:13:31 | |
What was your reaction when you
first heard it? A bit shocked. It is | 0:13:31 | 0:13:39 | |
quite sensitive thing, quite a
personal thing to be just thrown | 0:13:39 | 0:13:43 | |
around like that. I saw it and I was
like here we go again, another | 0:13:43 | 0:13:49 | |
controversial chant but they are
just adding the word in for shock | 0:13:49 | 0:13:53 | |
value. They could have just said I
will become a footballer too. As | 0:13:53 | 0:13:58 | |
long as he's a red, that's all we
care about. Supporters can loosen up | 0:13:58 | 0:14:05 | |
their vocal chords before a match
here on Anfield Road. When you are | 0:14:05 | 0:14:10 | |
hearing it, you cannot stop singing
it and when you go to bed you can't | 0:14:10 | 0:14:13 | |
get to sleep because it is in your
head, just singing it all the time. | 0:14:13 | 0:14:19 | |
It's great! What do you think about
including religion in songs at | 0:14:19 | 0:14:24 | |
football games? If it brings faiths
together it has got to be a good | 0:14:24 | 0:14:28 | |
thing. It's not a fan base, it is a
family. Whether you are white, | 0:14:28 | 0:14:37 | |
black, Asian, African, Caribbean,
whatever. Adopted Scouser Adam is a | 0:14:37 | 0:14:43 | |
Muslim chaplain who loves the song
and the message it sends out. I was | 0:14:43 | 0:14:48 | |
chanting it myself... | 0:14:48 | 0:14:55 | |
# If he's good enough for you,
he's good enough for me | 0:14:55 | 0:14:58 | |
# If he scores another few
then I'll be Muslim too | 0:14:58 | 0:15:01 | |
# If he's good enough for you,
he's good enough for me | 0:15:01 | 0:15:04 | |
# He's sitting in a mosque,
that's where I want to be. | 0:15:04 | 0:15:07 | |
Usually you expect negative things
but on this occasion it has been | 0:15:07 | 0:15:09 | |
positive. What's especially pleasing
to me is the words they chose to | 0:15:09 | 0:15:12 | |
use. You think thank God, finally,
the person's religion is being | 0:15:12 | 0:15:19 | |
mentioned as a positive aspects. It
really made me smile. | 0:15:19 | 0:15:23 | |
# If he's good enough for you, he's
good enough for me. | 0:15:23 | 0:15:29 | |
# If he's sitting in the mosque,
that's where I want to be. I'm | 0:15:29 | 0:15:33 | |
tempted to go to Anfield and join in
the chanting. | 0:15:33 | 0:15:39 | |
And well, watching that would
interest, Stephen, you are a | 0:15:39 | 0:15:43 | |
lifelong Liverpool fan and you said
are you we going to show the picture | 0:15:43 | 0:15:47 | |
and the answer is yes! There you are
aged six. Have you heard this song | 0:15:47 | 0:15:52 | |
before, are you familiar with it,
what you saw there? No, I don't | 0:15:52 | 0:15:57 | |
really get a chance to go to many
Liverpool games but I heard it early | 0:15:57 | 0:16:02 | |
on and I think of that is not
integration, then I don't know what | 0:16:02 | 0:16:04 | |
is. It's got that bit of humour
about it but it is with great | 0:16:04 | 0:16:16 | |
intent. It's everything that is good
about being in the stands at a | 0:16:16 | 0:16:19 | |
football game. It's got all the
sense of humour, it's inclusive and | 0:16:19 | 0:16:21 | |
it's a group of people who probably
wouldn't have much to say to each | 0:16:21 | 0:16:24 | |
other on a day-to-day basis but when
they are all stood together cheering | 0:16:24 | 0:16:27 | |
their team, it is the same bond, it
is the reason I go to football. And | 0:16:27 | 0:16:32 | |
Harry Kane. Moussa Dembele. Your
roots are in south London, Lennie, | 0:16:32 | 0:16:38 | |
is that what you based your new
drama you have written and starred | 0:16:38 | 0:16:43 | |
in, Save Me, there? It is. It is
weird because when I was writing the | 0:16:43 | 0:16:47 | |
first three episodes, I was in
America writing them but when the | 0:16:47 | 0:16:50 | |
idea came, it was always an idea I
was going to set in London. I am a | 0:16:50 | 0:16:57 | |
south-west London boy and this is
set in south-east London button | 0:16:57 | 0:16:59 | |
area, New Cross and Deptford, where
I spent a lot of time, because I had | 0:16:59 | 0:17:04 | |
family there and I wanted to write a
thriller and I wanted to set it | 0:17:04 | 0:17:09 | |
someplace that thrillers aren't
normally set and I wanted it to be | 0:17:09 | 0:17:16 | |
populated by people who want usually
included in the telling of a | 0:17:16 | 0:17:19 | |
thriller. He said you came up with
the idea of it, it is about a | 0:17:19 | 0:17:22 | |
missing child but actually much more
of that, so what is the core of the | 0:17:22 | 0:17:25 | |
idea and what are you trying to tell
with it? It is a thriller but also | 0:17:25 | 0:17:30 | |
the story of redemption and it is a
kind of tale of the price of | 0:17:30 | 0:17:34 | |
redemption, because the main
character is a man who is accused of | 0:17:34 | 0:17:39 | |
abducting his daughter and he sets
out to prove his innocence but also | 0:17:39 | 0:17:43 | |
to find the person who took there,
because the person who took her | 0:17:43 | 0:17:48 | |
pretended to be him so he sets out
on this almost impossible mission | 0:17:48 | 0:17:52 | |
and the story is about the affect it
has on him, the effect it has on his | 0:17:52 | 0:17:57 | |
immediate friends because whoever
took her is someone who knew a lot | 0:17:57 | 0:18:01 | |
about Nelly and finally the effect
it has on the community and the | 0:18:01 | 0:18:04 | |
effect it has on his relationship
with the mother of his daughter. | 0:18:04 | 0:18:09 | |
They haven't seen each other the
10-year sandbelt brought back | 0:18:09 | 0:18:12 | |
together for this rather sad thing.
It is a very strong cast and | 0:18:12 | 0:18:16 | |
Stephen, at the beginning, you play
your pub made, in a sense. What | 0:18:16 | 0:18:23 | |
gripped you about the script? It was
the complexity of the characters. | 0:18:23 | 0:18:28 | |
For me, it's very much an ensemble.
Obviously, you have a main character | 0:18:28 | 0:18:32 | |
who the story is about but there are
no small characters, each character | 0:18:32 | 0:18:37 | |
is completely integral and what
really gripped me was the thriller | 0:18:37 | 0:18:41 | |
aspect to it, Gena what I mean? You
want to know what happening, you | 0:18:41 | 0:18:44 | |
want to know where she is but a
longer journey, you also find out... | 0:18:44 | 0:18:50 | |
You get a look behind the closed
doors of the people on this estate | 0:18:50 | 0:18:54 | |
and juicy snippet of their lives.
And predominantly, without being | 0:18:54 | 0:18:59 | |
horrible in any way, shape or form,
most of the things that we see which | 0:18:59 | 0:19:04 | |
represent those kinds of people are
these people on the dole or these | 0:19:04 | 0:19:07 | |
different kind of factual
documentaries that we see, these | 0:19:07 | 0:19:13 | |
real life stories where cameras
following these people and it is | 0:19:13 | 0:19:16 | |
also Rangers this and benefits that
and that's not the way it is -- all | 0:19:16 | 0:19:23 | |
scroungers this. You talked about
the cast, Sue rang Jones stars as | 0:19:23 | 0:19:26 | |
your daughter's mother. We will talk
about the tense reunion -- see the | 0:19:26 | 0:19:33 | |
tense reunion. Why are you here? You
think this could be me. Please give | 0:19:33 | 0:19:40 | |
her back. How? How could this be me?
It could be. And don't you come here | 0:19:40 | 0:19:50 | |
like that like I don't know you,
because I know you. 100 years ago, | 0:19:50 | 0:19:54 | |
maybe. It is still you. It must
be... Is it daunting when you are | 0:19:54 | 0:20:01 | |
writing this stuff, you are starring
in this thing and you have all of | 0:20:01 | 0:20:04 | |
these people effectively working on
your baby, how have you taken to | 0:20:04 | 0:20:08 | |
that than what is it like in that
situation? I'll tell you, like, when | 0:20:08 | 0:20:14 | |
for example someone suggested
Stephen for one of the characters, | 0:20:14 | 0:20:18 | |
we will never get Stephen, he will
never come, even though he calls me | 0:20:18 | 0:20:22 | |
Uncle Lennie and Stephen said yes
and Suranne said yes and Jason | 0:20:22 | 0:20:27 | |
Fleming said yes and we had a
fantastic director in Nick Murphy | 0:20:27 | 0:20:31 | |
and when everybody comes to it, you
think I must have done something | 0:20:31 | 0:20:35 | |
right and you take confidence from
that and it is a really weird thing | 0:20:35 | 0:20:39 | |
when you walk into work on the first
day and there are 100, 120 people | 0:20:39 | 0:20:44 | |
working all because of you sat in a
room writing things on your | 0:20:44 | 0:20:48 | |
computer. And it is a really good
feeling and after that, it was just | 0:20:48 | 0:20:53 | |
gravy, everyone came in, wanted to
work, enjoying what they were doing | 0:20:53 | 0:20:56 | |
and we had a really good time in
south-east London for about three | 0:20:56 | 0:21:01 | |
months. We enjoyed it immensely,
didn't we? | 0:21:01 | 0:21:05 | |
Now, like many seaside towns,
Aberystwyth is home to a nightly | 0:21:05 | 0:21:08 | |
phenomenon which is either an
attraction or a curse depending on | 0:21:08 | 0:21:11 | |
your point of view.
And it starts just before dusk. | 0:21:11 | 0:21:17 | |
You see them arriving in October in
a few small groups around the town. | 0:21:17 | 0:21:23 | |
Mainly for me, it is hood up and run
up the prom! You see this fantastic | 0:21:23 | 0:21:30 | |
spectacle and then you get the
smell. And that is when I start to | 0:21:30 | 0:21:34 | |
get a bit twitchy. | 0:21:34 | 0:21:39 | |
get a bit twitchy. I was a student
at Aberystwyth University and people | 0:21:39 | 0:21:44 | |
on the pier were looking for staff.
22 years later, I am the general | 0:21:44 | 0:21:49 | |
manager. I used to come to the pier,
to the nightclub, when I was a | 0:21:49 | 0:21:54 | |
teenager and now, still, we come
here for a night out. It is a | 0:21:54 | 0:21:59 | |
special place, it is difficult to
beat. I have been photographing now | 0:21:59 | 0:22:04 | |
since 1980. I do have an obsession
about the starlings in Aberystwyth. | 0:22:04 | 0:22:13 | |
Every day, between October and
March, I have to be here. I can't | 0:22:13 | 0:22:17 | |
not come and see the starlings.
Thinking back to when I first | 0:22:17 | 0:22:23 | |
started, I guess I didn't take much
notice of the starlings, it was just | 0:22:23 | 0:22:27 | |
winter is here and here come the
starlings and how many will there be | 0:22:27 | 0:22:32 | |
this year? Oh, the starlings. We do
enjoy watching them, but mainly from | 0:22:32 | 0:22:36 | |
inside. We have a number of paying
customers and then we have our | 0:22:36 | 0:22:42 | |
feathered freeloaders. The starlings
arrive about half an hour before | 0:22:42 | 0:22:48 | |
sunset. I refer to them as having
little squadrons coming in. They | 0:22:48 | 0:22:55 | |
start flying above the pier and then
more groups will join them. There | 0:22:55 | 0:22:59 | |
must be tens of thousands of them.
There are too many. They would | 0:22:59 | 0:23:07 | |
pebble dashed appear. You would
people walking down the street and | 0:23:07 | 0:23:11 | |
think they were being attacked by
machine guns -- pebble dash the | 0:23:11 | 0:23:16 | |
pier. All of this coming from the
sky! The timing is usually as we are | 0:23:16 | 0:23:21 | |
walking to the pier after work and
they are all coming in at the same | 0:23:21 | 0:23:26 | |
time. It is just that sheer magical
daily ritual that entrances me. It | 0:23:26 | 0:23:33 | |
would just be crusty blanket art
heard you would have to clear. | 0:23:33 | 0:23:39 | |
Wouldn't anyone have a tiny problem
up that -- crusty blanket of of | 0:23:39 | 0:23:45 | |
turd. It is lovely to watch, but
from inside. The attempted methods | 0:23:45 | 0:23:52 | |
to determine the starlings roosting
under the pier, one was flood | 0:23:52 | 0:23:55 | |
lights, a case of they may not sleep
but all the lie to did we show them | 0:23:55 | 0:24:01 | |
the very best roosting places. Which
is a genuinely awesome experience. | 0:24:01 | 0:24:07 | |
Gross carers, that was another
failed attempt. Hosepipes with holes | 0:24:07 | 0:24:10 | |
into sprinkle them was a nonstarter.
It is hypnotising on all sorts of | 0:24:10 | 0:24:17 | |
levels. We zigzagged a yellow tape
on the pier and the starlings would | 0:24:17 | 0:24:21 | |
have it a wide berth but then we
fielded a few phone calls from | 0:24:21 | 0:24:24 | |
anxious members of the public asking
if the end of the pier was going to | 0:24:24 | 0:24:29 | |
fall off. In the rain, in the snow,
in the gales, any sort of weather, | 0:24:29 | 0:24:33 | |
you will find them. I am doing it
all the time, obsessively. | 0:24:33 | 0:24:43 | |
We are no longer battling the
starlings. You are not going to stop | 0:24:44 | 0:24:48 | |
them, you have actually just got to
embrace them. They are one of the | 0:24:48 | 0:24:54 | |
major attractions of Aberystwyth.
There are very few urban starling | 0:24:54 | 0:24:58 | |
murmuration is in the UK, where you
can be in amongst the starlings as | 0:24:58 | 0:25:03 | |
they fly around. | 0:25:03 | 0:25:10 | |
People travel a long, long way to
view these murmuration is because | 0:25:12 | 0:25:15 | |
they are incredible. The mesmerising
pattern of these birds as they fly | 0:25:15 | 0:25:23 | |
in murmurations is a genuinely
awesome experience and I couldn't be | 0:25:23 | 0:25:27 | |
happier. | 0:25:27 | 0:25:33 | |
We are all mesmerised, we are still
talking about murmurations. I | 0:25:33 | 0:25:40 | |
remember my nightclub days in the
pier and when you use to dance, the | 0:25:40 | 0:25:43 | |
floor would go up and down. Well, we
will talk more about your work | 0:25:43 | 0:25:49 | |
because you are both stars of two
massive TV shows out there, these | 0:25:49 | 0:25:52 | |
box sets that people download. Is it
all right to talk about Boardwalk | 0:25:52 | 0:25:58 | |
Empire? Stephen, how you got into it
in the first place, because this is | 0:25:58 | 0:26:02 | |
a big American production. Yes, it
was kind of strange, I didn't have | 0:26:02 | 0:26:06 | |
much work going at time and that is
how it can be, bit of a lonely place | 0:26:06 | 0:26:12 | |
and all of a sudden this phone call
came from nowhere and it was my | 0:26:12 | 0:26:17 | |
manager in America and he asked me
would I be in to take a call from | 0:26:17 | 0:26:22 | |
Martin Scorsese's office. You should
have said, no, I'm not interested. | 0:26:22 | 0:26:27 | |
I'm busy! And I said of course and
he phoned back 20 minutes later and | 0:26:27 | 0:26:31 | |
it was Marty on the phone and he
said, what are you doing? Not much | 0:26:31 | 0:26:36 | |
at the minute. How have you been? I
said I am good, because I had worked | 0:26:36 | 0:26:41 | |
with him on Gangs Of New York and he
said I have this thing for you, we | 0:26:41 | 0:26:46 | |
start in two months so I will send
you all the stuff out and I'm sure | 0:26:46 | 0:26:50 | |
you would like to be interested and
I was like, yeah, OK. And he went, | 0:26:50 | 0:26:56 | |
oh, you are playing Al Capone, I'll
see you in a couple of months. | 0:26:56 | 0:27:01 | |
Cheers, Marty, bye-bye! And I
thought, what was that? I have no | 0:27:01 | 0:27:06 | |
idea, I think he wants the to play
Al Capone! | 0:27:06 | 0:27:10 | |
Well, what a role, especially those
who have played before it, and | 0:27:10 | 0:27:15 | |
coming from Martin Scorsese.
And you, Lennie, you are in the huge | 0:27:15 | 0:27:19 | |
international hit The Walking Dead
and didn't you have this bizarre | 0:27:19 | 0:27:22 | |
experience when you are filming?
Because you are not one of the | 0:27:22 | 0:27:25 | |
zombies. No, I'm not, not yet,
anyway! Spoiler! I think you are | 0:27:25 | 0:27:32 | |
talking about when I came back in
season three, because I did the | 0:27:32 | 0:27:36 | |
first-ever episode and I was gone to
seasons and when I came back, they | 0:27:36 | 0:27:39 | |
wanted to keep it secret. We shoot
in Atlanta, about 50 minutes outside | 0:27:39 | 0:27:45 | |
of Atlanta but they stuck me an hour
and a half outside of Atlanta Noonan | 0:27:45 | 0:27:51 | |
and I stayed in a bed-and-breakfast
and the people who ran it had to | 0:27:51 | 0:27:56 | |
sign a confidentiality agreement
promised they would wouldn't tell | 0:27:56 | 0:27:58 | |
anyone I was staying with them and
their guests who were staying at the | 0:27:58 | 0:28:02 | |
B and B had to sign confidentially
agreement to say they wouldn't tell | 0:28:02 | 0:28:07 | |
anyone I was staying there and when
I went back and forward to set, I | 0:28:07 | 0:28:10 | |
had to go in a van with blacked out
windows. Did anybody find out from | 0:28:10 | 0:28:14 | |
the cast? There are websites, their
whole job is to find spoilers for | 0:28:14 | 0:28:19 | |
The Walking Dead. I think there is
one called Boiling Dead and that is | 0:28:19 | 0:28:25 | |
all they do so when I went outside
during takes, they would have this | 0:28:25 | 0:28:29 | |
screen and is poor guy would have to
walk around hiding me. I was like, | 0:28:29 | 0:28:35 | |
surely this is not necessary? That
is where we will finish, thank you | 0:28:35 | 0:28:39 | |
Poko and please come back and see us
again. A round of applause for | 0:28:39 | 0:28:43 | |
everybody. Both series available on
Sky Atlantic and Now TV -- saved me | 0:28:43 | 0:28:50 | |
it available.
We will be backward Elke Brooks and | 0:28:50 | 0:28:52 | |
the launch of my Mother of All
Challenges Sport Relief and we will | 0:28:52 | 0:28:55 | |
have these guys. Good night. | 0:28:55 | 0:28:59 |