Browse content similar to 14/04/2016. Check below for episodes and series from the same categories and more!
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Tonight we're live from the jungle, aren't we? To be fair, we're still | :00:19. | :00:26. | |
in the one show studio, where just hiding in a few | :00:27. | :00:29. | |
in the one show studio, where just right? That's right. There is a good | :00:30. | :00:32. | |
reason we've done all this, our guests are two of the stars of the | :00:33. | :00:37. | |
brand-new Jungle book film. One lays the man cup Mowgli and the other | :00:38. | :00:43. | |
plays Bagheera. It's Neel Sethi and Sir Ben Kingsley! | :00:44. | :00:48. | |
Help tone does this make you feel, Neel? It makes me feel very good, I | :00:49. | :00:56. | |
feel at home. What about this crass? When you walked in, you went, and on | :00:57. | :01:02. | |
a minute. There is one scene where I been high grass and I was getting an | :01:03. | :01:06. | |
allergic reaction but it's really important scene so I had to act like | :01:07. | :01:10. | |
it was nothing, I was fine. And then I was just like ow, ow. He's such a | :01:11. | :01:19. | |
trooper, I love his performance in this. He is the heartbeat of the | :01:20. | :01:24. | |
film, you know, he gives a very intelligent, beautiful performance. | :01:25. | :01:28. | |
With things that aren't really with him in the studio, he was really... | :01:29. | :01:32. | |
You were all by yourself, where'd you? Yet, but sometimes there were | :01:33. | :01:36. | |
puppets, most of the time anyway. A lot of imagination on your part. | :01:37. | :01:40. | |
Without imagination you couldn't have done it. We have got the plants | :01:41. | :01:46. | |
sorted out. We're missing jungle wildlife. Animals. We've got a | :01:47. | :01:53. | |
friend called wildlife. Animals. We've got a | :01:54. | :01:56. | |
whenever we want exotic animals. Alex hates it. Mark has brought a | :01:57. | :02:02. | |
snake tonight, this is Laddy. I don't know how long | :02:03. | :02:06. | |
snake tonight, this is Laddy. I here for. Thanks, Mark. She's gone | :02:07. | :02:11. | |
already. You can now talk back, you can say, what are you doing all | :02:12. | :02:16. | |
alone in the jungle? Do you want to come over? My heart is pounding. Oh | :02:17. | :02:24. | |
my God, it feels real! I know, it has killed itself all around my | :02:25. | :02:29. | |
back. There is a scene in the film where it happens to do. He's like a | :02:30. | :02:33. | |
big muscle. Is he cold? where it happens to do. He's like a | :02:34. | :02:42. | |
well body temperature, isn't it? Do it, do it, do it! We're | :02:43. | :02:49. | |
colour-coordinated. There we are. If you want to give Laddy back. Mark, | :02:50. | :02:52. | |
if you wouldn't mind coming Beautiful. And dry. Not slimy. | :02:53. | :03:00. | |
Really dry. Lovely. From Beautiful. And dry. Not slimy. | :03:01. | :03:07. | |
to the high street. If you've been to your local pharmacy recently you | :03:08. | :03:11. | |
might have been asked to sign a petition warning many face close in | :03:12. | :03:17. | |
England Gaza changes to the way the NHS funded. -- closure in England | :03:18. | :03:19. | |
due to changes. Over the last 30 years there has | :03:20. | :03:32. | |
been a 24-hour revolution in Britain. It's now not unusual for | :03:33. | :03:36. | |
shops, restaurants and services to stay open around the clock. But if | :03:37. | :03:41. | |
you want a prescription, without having to go to A at two K M, | :03:42. | :03:45. | |
there is only one place in the whole country that can help you. In west | :03:46. | :03:53. | |
London. And the service it provides could revolutionise round-the-clock | :03:54. | :04:01. | |
health care. It's 11pm at night. The owner, Mr calf, is helping a taxi | :04:02. | :04:06. | |
driver. I need to go left and I need to go right. -- Mr Khan. I work | :04:07. | :04:14. | |
nights, so it easy for me to pop in. We meet the needs of people who are | :04:15. | :04:20. | |
working different shifts. I live 35 miles out of London but if I need to | :04:21. | :04:23. | |
link desperately enough I'll come here for it because I know I can get | :04:24. | :04:27. | |
it. Some people come off the plane and they need something so they come | :04:28. | :04:30. | |
here. We're really happy you are open. Tom Cruise came in two or | :04:31. | :04:40. | |
three days ago. It was the patients mission impossible to get a | :04:41. | :04:44. | |
perception in the middle of the night that inspired Mr Khan to open | :04:45. | :04:49. | |
his pharmacy for 24 hours. GPs go all night going to see patients, | :04:50. | :04:53. | |
they give them a prediction, what does the patient do? They haven't | :04:54. | :04:56. | |
got any where else to go. They keep the prescription, defeating the | :04:57. | :05:02. | |
object. That was one of the problems I saw many years ago. I thought, | :05:03. | :05:09. | |
right, OK, let's give it a try. Mr Khan offers a wider range of | :05:10. | :05:12. | |
services than you might expect from an average pharmacy. Is your knee | :05:13. | :05:17. | |
still bleeding? Would you like to come in and I'll just check? Oh | :05:18. | :05:25. | |
dear. This is bad, you need to cover it. You've got some toiling here as | :05:26. | :05:31. | |
well. There is no problem moving this? Like pain. This lady had a | :05:32. | :05:41. | |
fall about three hours ago, though she doesn't realise, I think it's | :05:42. | :05:45. | |
important she doesn't get any infection. We'll put a little | :05:46. | :05:52. | |
bandage here. This is the area which will go on top here. There are some | :05:53. | :05:56. | |
people who think they have to go to A In fact, there could be a | :05:57. | :06:00. | |
simple solution to their problem. If other pharmacies are open through | :06:01. | :06:04. | |
the night, they will take great pressure off the NHS. If the | :06:05. | :06:08. | |
pharmacy is not open, they have no choice, they will go to the A and | :06:09. | :06:12. | |
wait long hours, very expensive service. The pharmacy takes the | :06:13. | :06:20. | |
pressure of the NHS in other ways as well, vied in the morning after pill | :06:21. | :06:23. | |
around and palliative care for terminally ill patients. It is also | :06:24. | :06:27. | |
invaluable for other public services. Interestingly, who comes | :06:28. | :06:33. | |
at night, police officers, so they can come from any distance. They | :06:34. | :06:39. | |
come in police cars for people they hold in their police stations. | :06:40. | :06:42. | |
Sometimes three police cars are outside waiting for prescriptions. | :06:43. | :06:49. | |
It is 1:20am and this dad has a baby suffering from reflux. He's driven | :06:50. | :06:53. | |
with his friend 13 miles across London to get the treatment his | :06:54. | :06:58. | |
doctor recommended. Babies unfortunately don't know time so | :06:59. | :07:01. | |
they end up getting tired at random times, they wake up, she's got a | :07:02. | :07:06. | |
little bit of reflux. I ended up having to do stupid things like | :07:07. | :07:10. | |
this, come out and buy her medicines and try to soothe her so I can get | :07:11. | :07:14. | |
some sleep. Another 40 minute Drive back to give her milk and medicine. | :07:15. | :07:17. | |
And try and get sleep until she wakes up again. Pharmacies should | :07:18. | :07:22. | |
have a bigger role than what it has now. Their services should really be | :07:23. | :07:27. | |
nationally available. You don't feel like you are working as such, you | :07:28. | :07:32. | |
are enjoying it, it's nice. When somebody comes and says, you saved | :07:33. | :07:37. | |
my life, that pays for everything. Sorry, I get emotional on that, but, | :07:38. | :07:41. | |
yeah. Good I'm very passionate about pharmacy. He's such a nice man. Keep | :07:42. | :07:51. | |
up the good work, Mr Khan. I wonder what Tom cruises by Ian. The | :07:52. | :07:56. | |
Department of Health has extended its consultation period on the | :07:57. | :07:59. | |
future of pharmacies until the 24th of May. They want to see pharmacists | :08:00. | :08:07. | |
in care homes, GP surgeries and a and E. There is always the fear when | :08:08. | :08:13. | |
you hear your favourite film is about to be remade and you wonder if | :08:14. | :08:17. | |
they will do the original justice. Disney has remade one of their most | :08:18. | :08:21. | |
treasured family films from 1967. The Jungle book. We've worked out, | :08:22. | :08:26. | |
serve them, you were in your early 20s. I joined the way Shakespeare | :08:27. | :08:31. | |
company around that time, thank goodness. They were beautiful years | :08:32. | :08:35. | |
for me. We did four different shows a week. Eight shows a week. Four | :08:36. | :08:41. | |
Different Place, eight performances a week, sometimes we did a matinee | :08:42. | :08:46. | |
and evening of two different Place, therefore, I didn't see the | :08:47. | :08:50. | |
original, I didn't have time. Did you worry EU would be able to do the | :08:51. | :08:55. | |
original justice? My concern was with the book, that is where my | :08:56. | :08:59. | |
interests lie and where my passion lies. I love Kipling, I love his | :09:00. | :09:05. | |
prophet of the Empire ethos. And his version of manhood. Tragically, son | :09:06. | :09:14. | |
died in World War I, he never recovered from that. I think John | :09:15. | :09:17. | |
Favreau has got very close to the book. The child surrounded by wire | :09:18. | :09:22. | |
channels is what you see on the screen and in the book. We saw it | :09:23. | :09:26. | |
this morning, absolutely beautiful. I think it's only fair we let | :09:27. | :09:29. | |
everybody at home have a look. It's a honey stash for winter! Have | :09:30. | :09:41. | |
you lost your mind? You said you wouldn't get mad. Did you listen to | :09:42. | :09:49. | |
anything he taught you? There is no place in the jungle. If you want to | :09:50. | :09:52. | |
do this you do this in the man village. But I'm helping Baloo get | :09:53. | :09:58. | |
ready for hibernation. As don't hibernate in the jungle but are you | :09:59. | :10:02. | |
teaching him? Not hibernation, but I nap a lot. It's remarkable how you | :10:03. | :10:09. | |
can get that connection with CGI animals. We were never in the same | :10:10. | :10:14. | |
room together recording, so that seen with three of us in, we were | :10:15. | :10:18. | |
never in the same room together. I saw Bill Murray get into character. | :10:19. | :10:25. | |
And Sir Ben. I was like Whoa. They were like, hello, hello, then... You | :10:26. | :10:34. | |
stole the show, your performance is really good in it, brilliant | :10:35. | :10:37. | |
performers. 2000 children auditioned for this role. Yes. How did you hear | :10:38. | :10:44. | |
about it and what did you have to do on the day? I was on one of my first | :10:45. | :10:49. | |
dance classes, trying it out. The teacher was like, you are amazing | :10:50. | :10:54. | |
for this role, you are exactly like Mowgli. I was like, OK, I'd never | :10:55. | :10:59. | |
thought about acting and never auditions. I tried out. John said, | :11:00. | :11:04. | |
I'm taking his line in every interview, I'm charismatic and fun | :11:05. | :11:09. | |
to watch. And he was right. You are so gymnastic or in the movie, do a | :11:10. | :11:15. | |
lot of... I had to train two weeks before we started in to three macro. | :11:16. | :11:22. | |
I would run around and do all that crazy stuff at home, so they don't | :11:23. | :11:26. | |
need me to do all that stuff in a real gym. When I get home from | :11:27. | :11:31. | |
filming I'm tired, but I still play my mini hoop or something like that. | :11:32. | :11:37. | |
You've really got to do vocal gymnastics, Dubai, there is no | :11:38. | :11:41. | |
physical element, it has to come through the voice. How did you fall | :11:42. | :11:46. | |
on that voice? I know Kipling the author of the book, was very fond of | :11:47. | :11:51. | |
and fascinated by the military. He felt the military was a great career | :11:52. | :11:55. | |
for a young man. Therefore, I secretly called him Colonel | :11:56. | :12:01. | |
Bagheera. Who has under his charge a great recruit, who he will train to | :12:02. | :12:07. | |
fight and defend himself in battle. And bring him home safely. That's my | :12:08. | :12:13. | |
priority. OK. You can hear it. It's an amazing cast as well as yourself. | :12:14. | :12:21. | |
Bill Murray as Baloo, Idris Elba, Scarlett Johansson. You were the | :12:22. | :12:26. | |
star, who is two was the nicest to you out of all of them? I can't pick | :12:27. | :12:32. | |
it, but Sir Ben always come committed the and I didn't know what | :12:33. | :12:35. | |
to say back, so I was like, thank you. And then I'm going to get is | :12:36. | :12:39. | |
really good condiment for you. I got it. Did you feel overwhelmed or were | :12:40. | :12:48. | |
you just excited? A little bit, little overwhelming. Because I've | :12:49. | :12:51. | |
never done this. It was my first time being with famous people and I | :12:52. | :12:55. | |
had to act a little cool, then I went to the bathroom and I was | :12:56. | :13:00. | |
like... Oh my God! What do your friends make of this? Have you seen | :13:01. | :13:05. | |
them much since? After filming... It's been two years since filming. | :13:06. | :13:10. | |
I've been home doing my normal school stuff, homework and stuff | :13:11. | :13:14. | |
like that. All my friends think it's amazing and they are like, are you | :13:15. | :13:19. | |
sure you're the same Neel I know? They still treat me like a normal | :13:20. | :13:25. | |
kit, which is good. My best friend still asks if I want to go to the | :13:26. | :13:28. | |
park. -- normal kid. It has been criticised as too scary | :13:29. | :13:35. | |
for young children, we didn't think so. The Wizard of Oz made me...! You | :13:36. | :13:42. | |
are right, storytelling for children is supposed to prepare them in some | :13:43. | :13:46. | |
way for life as well as entertain them and keep them in enthralment. | :13:47. | :13:55. | |
It's a beautifully redemptive story, the boy triumphs totally in the film | :13:56. | :14:00. | |
and if you stay with it the roller-coaster of emotions is very | :14:01. | :14:03. | |
pleasing and rewarding. I feel like if you can watch the trailer and | :14:04. | :14:07. | |
don't think it's that scary you could watch the movie no problem. | :14:08. | :14:11. | |
Because they show the most intense part in the trailer. It's a very | :14:12. | :14:16. | |
good point, if you like the trailer, go and see the Jungle book. It's in | :14:17. | :14:21. | |
cinemas from tomorrow, how exciting. This has got me feeling really | :14:22. | :14:25. | |
animated, are you feeling animated? I am. Long before Walt Disney turned | :14:26. | :14:29. | |
his attention to Baloo I am. Long before Walt Disney turned | :14:30. | :14:34. | |
even before creating Mickey Mouse... He created a | :14:35. | :14:41. | |
even before creating Mickey Mouse... called Oswald. The film that | :14:42. | :14:44. | |
unleashed the most famous mouse in the world was Steamboat Willy. | :14:45. | :14:48. | |
Behind the creation of Mickey Mouse lies the story of a bitter ownership | :14:49. | :14:52. | |
dispute and a lost Disney character. In 1927 Universal Studios | :14:53. | :14:57. | |
commissioned Walt Disney to devise a new cartoon character. The creation | :14:58. | :15:04. | |
was Oswald the lucky rabbit. But the story of Oswald would be a tale of | :15:05. | :15:08. | |
what might have been. In many ways, Oswald was the unlucky rabbit. | :15:09. | :15:11. | |
The history of Oswald is absolutely crucial not just the history of the | :15:12. | :15:17. | |
Disney company, but to the history of animation. Because through Oswald | :15:18. | :15:21. | |
the rabbit a new style of animation came to be. Trolley troubles is one | :15:22. | :15:29. | |
of the best examples, you see this trolley car running out of control, | :15:30. | :15:33. | |
the animals fall out and land in the valley below. Some people would say | :15:34. | :15:38. | |
Oswald was one of the first personality cartoon characters. He | :15:39. | :15:41. | |
could be happy, angry, devious, cheeky. He was a human being, | :15:42. | :15:47. | |
really. More human character than he was a rabbit. The Oswald films | :15:48. | :15:49. | |
became very very successful. Kipling and Oswald soon found | :15:50. | :15:59. | |
himself the target of love Bunny in a contract dispute between Walt | :16:00. | :16:09. | |
Disney and Universal Studios. Oswald's superstar starters did take | :16:10. | :16:15. | |
a hammering. In 1928 Walt Disney clashed with universal when they | :16:16. | :16:19. | |
wanted to cut the budget for Oswald. Disney decided to leave and take his | :16:20. | :16:24. | |
rabbit with him. Only then did he discover that his contract stated he | :16:25. | :16:29. | |
did not own Oswald. He decided to get one over on Universal. According | :16:30. | :16:36. | |
to Disney, on the train back home after his showdown with Universal, | :16:37. | :16:40. | |
he dreamt up a rodent replacement for his unfortunate rabbit. Disney | :16:41. | :16:45. | |
changed Oswald enough to create a new character. The newcomer was a | :16:46. | :16:53. | |
certain Mickey Mouse. And what do you know, he looks a little bit like | :16:54. | :16:59. | |
Oswald. Slightly trimmed ears, different trousers and shoes, but a | :17:00. | :17:04. | |
definite similarity. It is incredible to think that arguably | :17:05. | :17:08. | |
the most famous cartoon character of all time was born from a contract | :17:09. | :17:14. | |
dispute. Walt Disney made 26 Oswald films before falling out with | :17:15. | :17:19. | |
Universal. One third of them now seem to have been lost, until last | :17:20. | :17:25. | |
year when one of the titles, called sleigh bells, was discovered here, | :17:26. | :17:29. | |
tucked away deep in the archives of the British film Institute. Robin | :17:30. | :17:36. | |
Baker is head during tough. This is actually it. You are looking at the | :17:37. | :17:46. | |
only surviving copy of sleigh bells. It is cinema history. It might not | :17:47. | :17:51. | |
tell a brand-new story about Disney but it provides a few more links in | :17:52. | :17:55. | |
understanding the evolution of Disney's style, and given that this | :17:56. | :18:00. | |
is the precursor of Mickey Mouse, to me it feels one of the great missing | :18:01. | :18:07. | |
links. Like copies of the films, Oswald merchandise is also rare. But | :18:08. | :18:13. | |
the Antiques road show presenter is the proud owner of an original | :18:14. | :18:20. | |
Oswald toys. He is quite new to me. I bought him at auction four years | :18:21. | :18:26. | |
ago. I collect rabbits, I have 50 or 60. He makes me happy to look at | :18:27. | :18:32. | |
him. If my maths is right, he is over 80. He was in wonderful | :18:33. | :18:38. | |
condition. Well, except for... The feet look as if they have been | :18:39. | :18:45. | |
nibbled a bit. Not his fault. It was a real rabbit. A rabbit I called | :18:46. | :18:50. | |
Percy must have been lonely and probably recognised Oswald as | :18:51. | :18:55. | |
another rabbit. Nibble. That was it. I hope I get to be as happy as you | :18:56. | :19:04. | |
when I am 80. I hope I get to be 80! The magic of Disney's earliest | :19:05. | :19:09. | |
animation still sparkles. Helped by the rediscovery of films like this, | :19:10. | :19:14. | |
Oswald is finally getting the recognition he deserves. Well, from | :19:15. | :19:21. | |
some of us at least. That is a brilliant film. Larry Lamb | :19:22. | :19:25. | |
should be a cartoon character with a name like that. | :19:26. | :19:27. | |
We're joined by film critic Antonia Quirke | :19:28. | :19:29. | |
So Antonia, Mickey Mouse was based on Oswald the rabbit, | :19:30. | :19:31. | |
but you're here to tell us about some other famous cartoon | :19:32. | :19:34. | |
characters who were based on real life people | :19:35. | :19:46. | |
See if you can guess which cartoon character this man inspired. This | :19:47. | :19:56. | |
man lived in a town in Illinois, and he ran a bath. He worked in a saloon | :19:57. | :20:02. | |
and he would drag his chair into the sun. He would sit there with his | :20:03. | :20:07. | |
pipe and the children would come and prod him. It would be fisticuffs. We | :20:08. | :20:13. | |
know, so you will have to ask everyone else. It is Popeye. It | :20:14. | :20:23. | |
certainly is. He was drawn by a man from the same town in Chester, | :20:24. | :20:26. | |
Illinois. And he did not eat spinach. The voice has or has been | :20:27. | :20:36. | |
hotly contested. We know about the voice of the next one. He appeared | :20:37. | :20:39. | |
on the silver screen for the first time with one of my favourites. Tell | :20:40. | :20:47. | |
us about this lady. This is Betty Boop. Actually, that is Helen Kane, | :20:48. | :20:51. | |
one of the inspirations for Betty Boop. Betty Boop was originally | :20:52. | :20:58. | |
inspired by a French poodle. And you can see her little ears. In later | :20:59. | :21:05. | |
incarnations, because she was enormously successful, you can see | :21:06. | :21:10. | |
that they turned the poodle in years into hooped earrings. That is a lot | :21:11. | :21:16. | |
better. If you hear the voice, let's have a listen to Helen Kane, the | :21:17. | :21:20. | |
actress, and see how much that was inspired by her. | :21:21. | :21:31. | |
# I could tell. # | :21:32. | :21:39. | |
Was that her normal voice? I think it was. It could get a little | :21:40. | :21:48. | |
grating after a while! We have one more. Yes, Tintin. The great Belgian | :21:49. | :21:58. | |
illustrator, Herge, when he first drew Tintin, the year before, a | :21:59. | :22:02. | |
Danish schoolboy won a competition to circumnavigate the globe in 46 | :22:03. | :22:08. | |
days. His name was Palle Huld. He did it in 46 days using everything | :22:09. | :22:14. | |
but aeroplanes. He was following in the footsteps of Phineas Fogg. This | :22:15. | :22:18. | |
was a competition he won. He became an actor and made 40 films in | :22:19. | :22:23. | |
Denmark and was the inspiration for Tintin. Although it is a very | :22:24. | :22:30. | |
litigious area and people are always suing each other for stolen ideas. | :22:31. | :22:39. | |
Well, we will go with that theory. Last week, Alex Riley met some | :22:40. | :22:43. | |
graffiti grannies who sprayed biodegradable paint on the road to | :22:44. | :22:49. | |
highlight potholes. Apparently, defining a pothole is not as easy as | :22:50. | :22:53. | |
it may seem. We will let Sarah Mack fill you in. | :22:54. | :23:00. | |
It is just over 40 millimetres deep, in the middle-of-the-road and | :23:01. | :23:04. | |
severely lacking in tarmac. You know what it is, right? A pothole in need | :23:05. | :23:11. | |
of repair. Well, it was yesterday, but not any longer, because from | :23:12. | :23:15. | |
today the pothole goalposts have shifted. Here in Kinross, the | :23:16. | :23:19. | |
council has changed the depth at which one must be fixed. It used to | :23:20. | :23:26. | |
be anything over 40 millimetres. Now they will only repair potholes more | :23:27. | :23:27. | |
than 60 millimetres deep, they will only repair potholes more | :23:28. | :23:33. | |
until he is grown up a bit. That they will only repair potholes more | :23:34. | :23:39. | |
set to save the council an estimated ?120,000 in the coming year but it | :23:40. | :23:42. | |
has not gone down well with everyone. Local driving instructor | :23:43. | :23:47. | |
Mike Smart says they should just fix them. Most days, I do not get far | :23:48. | :23:55. | |
before I run into a pothole. It is more cost-effective to sort it when | :23:56. | :24:01. | |
it is small. Has your car suffered damage? During a lesson, I had a | :24:02. | :24:06. | |
customer who went over a pothole, got a shock when it happened. I had | :24:07. | :24:12. | |
to get a new tyre. The council say they will fix potholes that pose a | :24:13. | :24:16. | |
danger to the public, regardless of depth. They say the 16mm change | :24:17. | :24:22. | |
gives them flexibility where the level of risk might be judged to be | :24:23. | :24:27. | |
lower. Everyone agrees they are a problem but no one can agree on when | :24:28. | :24:33. | |
a pothole needs mending. Of the highway agencies in England Scotland | :24:34. | :24:37. | |
and Wales, they agree on a depth of 40 millimetres for the main roads | :24:38. | :24:41. | |
they look after. But councils can set their own limits for roads which | :24:42. | :24:49. | |
they maintain. And while it is 40 millimetres in North Lincolnshire, | :24:50. | :24:53. | |
in Liverpool, 25 millimetres is considered the enough for fixing. In | :24:54. | :24:55. | |
Nottingham, considered the enough for fixing. In | :24:56. | :24:58. | |
twice as deep, but they considered the enough for fixing. In | :24:59. | :25:02. | |
300 millimetres across, too. 300 millimetres across, too. | :25:03. | :25:10. | |
potholes matter, particularly if you are travelling on two wheels. Ricky | :25:11. | :25:16. | |
Garcia and Phil Thomas have cycled the country lanes around Liverpool | :25:17. | :25:20. | |
together for nearly 50 years. But two years ago, Ricky met his | :25:21. | :25:26. | |
nemesis. I hit the pothole and it jarred the front of my bike and sent | :25:27. | :25:31. | |
me over the top. I landed on my collar bone. I carried on. I went to | :25:32. | :25:39. | |
A and they said, you have a complete break. There are | :25:40. | :25:44. | |
A and they said, you have a everywhere. Cities, minor | :25:45. | :25:48. | |
A and they said, you have a main roads. They want to get into | :25:49. | :25:50. | |
the country lane areas where most cyclists would want to ride. The | :25:51. | :25:55. | |
the country lane areas where most roads are absolutely dreadful. | :25:56. | :25:59. | |
Cycling charities and drivers' groups want potholes filled fast | :26:00. | :26:03. | |
without need for a tape measure, and the Government seems to agree. Last | :26:04. | :26:06. | |
week it pledged ?250 million repair potholes in England. But | :26:07. | :26:13. | |
critics but the true cost of fixing the problem across Britain at 12 | :26:14. | :26:17. | |
billion. One of the counties to benefit from the new fund is | :26:18. | :26:20. | |
Northumberland, where they are already putting the money to work. | :26:21. | :26:25. | |
The council is using its ?1 million from the fund to launch a pothole | :26:26. | :26:29. | |
patrol. Over the next four months they are going to fix as many as | :26:30. | :26:36. | |
3000 potholes. Highways inspector Mitch Young is leading the team. How | :26:37. | :26:41. | |
many can you do in a day? 200 in a day. Other councils are struggling. | :26:42. | :26:49. | |
How are you affording to do this? Once you get the guys and equipment | :26:50. | :26:53. | |
on the job, you do a whole swathe of them. We are very cost-effective. We | :26:54. | :26:58. | |
have to be. Last year, the national figures for England cost about ?52 | :26:59. | :27:07. | |
to repair a pothole. We average ?15. They cause problems for road users | :27:08. | :27:10. | |
and a headache for people on bikes and motorbikes. Do the team get a | :27:11. | :27:17. | |
sense of achievement? I think so. This is a good set of lads and they | :27:18. | :27:22. | |
take the job seriously. Time for me to leave these guys to get on with | :27:23. | :27:27. | |
the job. Thanks to them, my journey home will be a lot smoother. | :27:28. | :27:32. | |
We now know all about the depth of potholes. You can buy bags of it in | :27:33. | :27:42. | |
DIY stores. You can just tip it in. But then the council will come an | :27:43. | :27:46. | |
empty because you are not allowed to do it. True. We would love to know | :27:47. | :27:53. | |
what your plans are next. What do you like to do? Dancing, or more | :27:54. | :28:00. | |
acting? I definitely want to do more acting but they also want to be a | :28:01. | :28:05. | |
dentist, like my parents. But I also want to be a basketball player, | :28:06. | :28:10. | |
football player. I have this funny tingle. Maybe you can have a look in | :28:11. | :28:16. | |
about 20 years. May be the same question to you. What will I do when | :28:17. | :28:24. | |
I am grown up? What is next? Actually, I have to go to Copenhagen | :28:25. | :28:28. | |
to finish the film I am making now. I had time out to do this press | :28:29. | :28:33. | |
junket, but now I go back to finish a film about the United Nations oil | :28:34. | :28:36. | |
for food scandal during the Iraq war. It is a political thriller, | :28:37. | :28:43. | |
extraordinary. It has been lovely to have you on the show. We thoroughly | :28:44. | :28:47. | |
enjoyed it. Thank you for stopping in on your way to Copenhagen. Thank | :28:48. | :28:52. | |
you to you both for sharing tales from the Jungle book, which is in | :28:53. | :28:57. | |
cinemas from tomorrow. I will be here with Patrick Kielty tomorrow, | :28:58. | :29:00. | |
talking to Michael McIntire all about his Big Show. Shall we get the | :29:01. | :29:05. | |
snake back? No. | :29:06. | :29:08. |