Browse content similar to 15/04/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the one show. Patrick Kielty is back. Lovely to | :00:45. | :00:53. | |
see you. Lovely to see you, lovely to be back. It's OK, use totally | :00:54. | :00:58. | |
fine, he's alive and well and here, Mr Michael McIntyre! APPLAUSE | :00:59. | :01:15. | |
I'm dismounting. Nicely handled. However you? Let me take your coat. | :01:16. | :01:22. | |
Thank you, darling. Great to see you. Darling. Yey! We were a bit | :01:23. | :01:34. | |
worried halfway round, we weren't sure. Hit me with this little studio | :01:35. | :01:40. | |
velodrome. You handled it so well, do you normally do your own stunts? | :01:41. | :01:45. | |
Yes, I did that one, though really. I could have brought out some moves | :01:46. | :01:50. | |
but we have a show to get on with. It was Daniel Craig meets Boris | :01:51. | :01:54. | |
Johnson. It was, I been cycling around four weeks promoting my show, | :01:55. | :01:57. | |
it's such a relief to get off the bike. Britton for weeks. We'll talk | :01:58. | :02:05. | |
about Michael's show later. We have a big One Show for you tonight. We | :02:06. | :02:08. | |
find out what it's like growing up with Bob Hoskins from his daughter, | :02:09. | :02:13. | |
Rosa. We have a mystery guest for Michael. I wonder who it could be. | :02:14. | :02:20. | |
Slightly puzzled face. A guest for me, what do I have to do with the | :02:21. | :02:31. | |
guest? Who knows? So exciting. If that's not enough, we have live | :02:32. | :02:41. | |
music from Ronan Keating! Yes. Now, most people find it really hard to | :02:42. | :02:45. | |
resist a bit of juicy gossip, especially when somebody famous is | :02:46. | :02:50. | |
involved. Do you really want to read all about it in the newspapers, | :02:51. | :02:53. | |
though? After a busy week for the press, Angela has been asking that | :02:54. | :02:55. | |
very question. Over this past week we've seen | :02:56. | :03:01. | |
stories of sordid affairs, tax affairs and the issuing of an | :03:02. | :03:04. | |
injunction restricting what we get to know, but is that fair? In the | :03:05. | :03:10. | |
case of that injunction, the court ruled it was not in the public | :03:11. | :03:14. | |
interest. In the case of John Whittingdale, the press ruled it was | :03:15. | :03:17. | |
not in the public interest. But what should we have the right to know? | :03:18. | :03:22. | |
Politician accused of tax avoidance. Do you think we have the right to | :03:23. | :03:26. | |
know everything about celebrities and politicians? We have the right | :03:27. | :03:31. | |
to know about that because they are public figures. Not really, like | :03:32. | :03:36. | |
anybody else, everybody deserves privacy, don't they? We should be | :03:37. | :03:39. | |
allowed to know about people's tax. Offshore accounts. What about if a | :03:40. | :03:45. | |
politician is accused of tax avoidance, is it different? A little | :03:46. | :03:48. | |
bit more because they are the ones making decisions about what the | :03:49. | :03:52. | |
country can and can't do. You said definitely, why? Because they are | :03:53. | :03:56. | |
paid to manage the national interest. Celebrity has an affair, | :03:57. | :04:01. | |
does anyone care? It's not our business. I would say private | :04:02. | :04:05. | |
affairs should always stay private. It's only a problem if politicians | :04:06. | :04:10. | |
are preaching family values, they become fair game at that point. | :04:11. | :04:14. | |
Every person is entitled their own progressive if they decide to share | :04:15. | :04:19. | |
with us, bless them. If you are cheating on your husband or wife, it | :04:20. | :04:24. | |
should be public as well. We all have affairs, don't we, if we can | :04:25. | :04:30. | |
get it? Do we? LAUGHTER What about injunctions, does it feel | :04:31. | :04:34. | |
like a privilege of the rich customer the super injunction, yeah, | :04:35. | :04:38. | |
that is a little more sinister, they seem to have queue jumping on | :04:39. | :04:42. | |
justice. People with a huge amount of money can gag the media and | :04:43. | :04:45. | |
that's not right, they shouldn't be able to do that. Yet, if they want | :04:46. | :04:48. | |
to keep it anonymous they should be able to. In terms of the law there | :04:49. | :04:53. | |
is a difference between stories of public interest and stories the | :04:54. | :04:56. | |
public are interested in. The issue is that we, the public, seem to be | :04:57. | :05:00. | |
pretty much interested in all of them. Happy birthday, Michael! It | :05:01. | :05:08. | |
would seem. It wasn't a real newspaper, it didn't look like a | :05:09. | :05:12. | |
real newspaper. You had a real party with lots of proper celebrities. I | :05:13. | :05:17. | |
had my 40th birthday party. Were there many super injunctions after | :05:18. | :05:21. | |
that? Are these photos of people arriving? I saw photos... Nigella | :05:22. | :05:25. | |
came and she was holding a big present which I never got. I don't | :05:26. | :05:30. | |
know if she took the present back home with her, I saw it in the | :05:31. | :05:34. | |
paper. And thought, what happened to Nigella's present? Is it a smoothie | :05:35. | :05:39. | |
maker? I don't know if she did it for the cameras and didn't give it | :05:40. | :05:44. | |
to me. That's what she does. You said it feels like a big milestone. | :05:45. | :05:49. | |
My wife and I had a joint party, we are both 40. She looked 25 and I | :05:50. | :05:53. | |
looked... People react to the same way when people tell -- we tell them | :05:54. | :06:03. | |
we are 40. Somebody was 57 and told me I was closer to their age. I'm | :06:04. | :06:08. | |
happy. I've never had a party before. I had it in this place, the | :06:09. | :06:12. | |
Chiltern fire house, a very cool place. It's utterly cool place. If | :06:13. | :06:18. | |
you are staying in the hotel you could use the bar area. Nice. It's | :06:19. | :06:24. | |
not nice, there were people staying in the hotel at my party. It looked | :06:25. | :06:31. | |
full. At the beginning I was like, stay. They spent the whole night | :06:32. | :06:34. | |
there, these four gentlemen, from the Middle East, they weren't | :06:35. | :06:37. | |
impressed by anything and they didn't move the whole night, they | :06:38. | :06:41. | |
just sat there. I shared my very special night with four complete | :06:42. | :06:45. | |
strangers. Will they be on your new show, have you made a connection, | :06:46. | :06:48. | |
will they come on the Big Show question much the four Middle | :06:49. | :06:53. | |
Eastern gentlemen staying in the hotel? No, but a lovely link | :06:54. | :06:58. | |
nevertheless. I'm trying my best. It's the One Show, anything goes! I | :06:59. | :07:04. | |
have a new show starting tomorrow, called Michael McIntyre's Big Show. | :07:05. | :07:07. | |
At 7pm. I've never been more excited about any show I've ever been | :07:08. | :07:11. | |
involved in. I was part of the show a couple of weeks ago and it's | :07:12. | :07:15. | |
brilliant. It's a bit like a variety show, isn't it? There's variety, we | :07:16. | :07:22. | |
have comedians, acrobats, all sorts. Entertainment items. Here are some | :07:23. | :07:26. | |
clips. Tinie Tempah is on tomorrow night, deeply cool individual. These | :07:27. | :07:34. | |
gentlemen here. I saw them. Middle Eastern. From Chiltern fire house. | :07:35. | :07:39. | |
They didn't show the good bit, that man put the other man on top of his | :07:40. | :07:42. | |
head, extraordinary. They want to hold it back for the actual show. | :07:43. | :07:47. | |
The main thing we're doing on the show is having... We have people | :07:48. | :07:50. | |
playing centaurs, the liberties like yourself came, which was fun. And, | :07:51. | :07:57. | |
in fact, Ronan over there came on the show, which was hilarious. | :07:58. | :08:03. | |
Russell Crowe texted back. It's probably the biggest a list we had. | :08:04. | :08:08. | |
That was a good one. I lost some mates as well, as you know. You said | :08:09. | :08:15. | |
you weren't going to mention that. You brought that up! He fell out | :08:16. | :08:21. | |
with somebody and it's my fault entirely. It's the risk you take but | :08:22. | :08:25. | |
in the main it has been very fun and hilarious and unfortunately a lot of | :08:26. | :08:28. | |
your texts back were in Welsh. I know. He had Russell,. The most | :08:29. | :08:39. | |
famous person I had was Shelley -- Shelley YeyTan, who does my tanning. | :08:40. | :08:44. | |
Geri Horner is on the show, she gets a text from a farmer she met once, | :08:45. | :08:50. | |
which is hilarious. We've got a clip of Geri in the theatre with all this | :08:51. | :08:54. | |
going on. Let's remind ourselves what the text was. | :08:55. | :09:06. | |
We said that text. Let's go through them. Is this mother? Yes. Sorry, I | :09:07. | :09:19. | |
only had two match soldiers in my life, I hate it. It has a great | :09:20. | :09:24. | |
ending. Try Katharine, she's my shape. | :09:25. | :09:30. | |
My gosh, it's really funny when it's happening to somebody else. It's | :09:31. | :09:37. | |
great. I should tease Ronan's text. His text was... "Feeling a little | :09:38. | :09:43. | |
insecure, do you still think I'm hot?" I mean... Justin Bieber, Harry | :09:44. | :09:51. | |
Styles, that guy who plays Poldark. Can I still compete with these guys | :09:52. | :09:55. | |
customer it was sent to everybody on his phone and there were hilarious | :09:56. | :10:00. | |
responses. Ronan has taken part, I've taken part, James Gordon did it | :10:01. | :10:04. | |
to you. Effectively, you've done it. The odd one out is... Patrick. -- | :10:05. | :10:07. | |
James Gordon. We took Patrick's phone earlier and | :10:08. | :10:15. | |
sent a question to his contact list. Oh no. This was the text. Hosting | :10:16. | :10:23. | |
the programme that night, doing an item on bad habits. They want to | :10:24. | :10:28. | |
know my worst any suggestions? You sent this to everybody? Obviously | :10:29. | :10:37. | |
we've had some replies. Fun. This night isn't as fun as it was. It so | :10:38. | :10:43. | |
is. The first is from Wendy, who is Wendy? Wendy's might be a. She's | :10:44. | :10:51. | |
your key a? It says, worst habit, only the fact you use my razor to | :10:52. | :10:58. | |
shave your pets. Which annoys me. I can live with all the other bad | :10:59. | :11:05. | |
habits. -- shave your pits. That's deeply humiliating. And deeply true. | :11:06. | :11:13. | |
You shave your armpits? What on earth is going on? There's nothing | :11:14. | :11:17. | |
under here. What kind of a man are you, Patrick Kielty? It's like a | :11:18. | :11:23. | |
baby 's bottom under there. Paul Wendy and her razor. That was from | :11:24. | :11:29. | |
Wendy. Let's go on to somebody we all know... We don't need to go onto | :11:30. | :11:34. | |
any more. We have Jimmy Nesbitt next. Jimmy Nesbitt. You used to | :11:35. | :11:39. | |
stare at my transplant a lot while talking to me. I believe that the | :11:40. | :11:45. | |
years ahead and nothing more sinister. Britton I believe that is | :11:46. | :11:51. | |
our hair transplant. That hasn't helped the situation. I was talking | :11:52. | :11:58. | |
to him, I couldn't keep eye contact, my eyes were drifting up going... | :11:59. | :12:03. | |
That's impressive. Is it because you are considering one? I could... I | :12:04. | :12:06. | |
could take some from here and stick it under here. There's a lot of hair | :12:07. | :12:12. | |
and lack of in your life. The next one is from Steve Coogan. To three | :12:13. | :12:23. | |
macro. I could think of a few. How about your nose picking? He has put | :12:24. | :12:31. | |
two crying with laughter emojis. He's asked if you can give a shout | :12:32. | :12:39. | |
out to three people from Obama. Shout out! -- from Tim three macro. | :12:40. | :12:44. | |
The last is from Ronan Keating. In a Matt Prior I can vouch for | :12:45. | :12:58. | |
that. You can say it is a habit or instruction. I didn't see that | :12:59. | :13:06. | |
coming. That text. When I got it, I just responded. | :13:07. | :13:08. | |
You were on my show fractal delete macro! Nothing to it? Great sport, | :13:09. | :13:21. | |
come on, Paddy Kielty. Shaven Paddy Kielty. You have no idea how | :13:22. | :13:30. | |
relieved I currently am. That is all we got back. It could have been so | :13:31. | :13:35. | |
much worse. And macro starts tomorrow at 7pm on BBC One, | :13:36. | :13:38. | |
definitely worth watching, it's really funny. -- Michael McIntyre's | :13:39. | :13:40. | |
Big Show starts tomorrow. It a lot worse than eight delete macro | :13:41. | :13:52. | |
and awkward reply to a text. We've all been there, stuck behind an | :13:53. | :13:56. | |
erratic driver just to discover they are on their mobile phone is legally | :13:57. | :14:01. | |
are talking or texting. Research has shown that for every text you read | :14:02. | :14:06. | |
or write whilst driving you look at your phone around five times. | :14:07. | :14:10. | |
Studies have found texting while driving decreases reaction time by | :14:11. | :14:19. | |
over a third. So how bad is it? These four are self-confessed | :14:20. | :14:22. | |
driving textures and they've come to take part in a One Show experiment. | :14:23. | :14:28. | |
You know why you are here, to redeem your motoring since. Michael, what | :14:29. | :14:32. | |
do you do that you think might be close to the edge? Probably the | :14:33. | :14:37. | |
temptation to reply to a text you want to tap it and have a quick look | :14:38. | :14:42. | |
at it. I try to do it when it's safe but I know it's never safe. Are used | :14:43. | :14:48. | |
to text when I was driving. 70 mph on the motorway. In my own country. | :14:49. | :14:57. | |
70 mph? Texting? First, we want to find out how long their eyes are off | :14:58. | :15:01. | |
the road when texting. To help us, we have driving instructor David | :15:02. | :15:06. | |
Kane and Doctor Felix Mercer Moss from the Bristol vision Institute at | :15:07. | :15:09. | |
the University of Bristol, who has brought along some very special | :15:10. | :15:13. | |
glasses. These have three cameras, one facing out that chose as exactly | :15:14. | :15:20. | |
what you are seeing. And two little cameras facing up to your eyes. I | :15:21. | :15:25. | |
can see them. In a macro they are tracking where you eyes are looking. | :15:26. | :15:32. | |
There's nowhere to hide? Nowhere. Felix fit each driver with the | :15:33. | :15:35. | |
glasses and David takes them onto the circuit. Whilst they are | :15:36. | :15:37. | |
driving, I'll be texting. A text. As soon as they receive and | :15:38. | :15:51. | |
answer the text, the tracking glasses showed that in some cases | :15:52. | :15:56. | |
their eyes are off the road for up to two seconds. If travelling at 50 | :15:57. | :16:03. | |
mph, the car would have gone nearly half the length of football pitch | :16:04. | :16:06. | |
before they were looking back at the road. We discover it is what their | :16:07. | :16:12. | |
eyes are not doing when they look up which is cause for concern. He looks | :16:13. | :16:17. | |
back after looking at his phone and he makes much less of those | :16:18. | :16:22. | |
peripheral eye scanning movements. There could be lots going on in the | :16:23. | :16:31. | |
periphery. Cyclists. Of course. We are going to show our drivers in | :16:32. | :16:36. | |
extreme measure what happens when they take their eyes off the road. | :16:37. | :16:41. | |
On the press of a button, everything will go completely black. They don't | :16:42. | :16:48. | |
know this. At some point, the driver won't be able to see anything for | :16:49. | :16:52. | |
two seconds. The longest that most of them look down to look at a text. | :16:53. | :17:00. | |
David lets our drivers get comfortable and then presses the | :17:01. | :17:10. | |
button. How did you find that? That was interesting. Horrible. All | :17:11. | :17:24. | |
right? You're OK. Don't worry. It was scary. I'm in shock. You can see | :17:25. | :17:32. | |
how important it is. To see where you're going. Even though our | :17:33. | :17:38. | |
experiment was a little bit light-hearted, the underlying | :17:39. | :17:42. | |
message is that using a phone while driving is illegal. As we can see, | :17:43. | :17:49. | |
it can be very dangerous. Absolutely... When it went | :17:50. | :17:54. | |
completely black, terrifying. Thank you. As part of Michael's show | :17:55. | :17:59. | |
tomorrow night, there is an unexpected start of the show every | :18:00. | :18:04. | |
week. We have invited one on for you tonight. Mr Guest, ready. Can you | :18:05. | :18:14. | |
please give us a clue? There we go. As we can see, it is to guests... | :18:15. | :18:20. | |
Wasted -- wait a minute? Is this a child I | :18:21. | :18:31. | |
didn't know about? Is this some holiday romance? I met you in it be | :18:32. | :18:41. | |
fair in 1988! One of these people entered the world due to you. Any | :18:42. | :18:45. | |
thoughts? That's exactly my biggest fear. Think back to one of your | :18:46. | :18:51. | |
shows. Did something dramatic happens? Is this the lovely lady who | :18:52. | :19:01. | |
went into labour at my show? Bingo! Kara Brown and your lovely daughter, | :19:02. | :19:15. | |
come on in. APPLAUSE Hello, darling. Hello. Oh my | :19:16. | :19:20. | |
goodness! Isn't she gorgeous? Thank you for bringing her in. What | :19:21. | :19:30. | |
happened? At what point in the show did she start to let you know? We | :19:31. | :19:36. | |
had gone to watch the opening night of the show. After the show, after | :19:37. | :19:41. | |
laughing all the way through, we were walking back to the car and my | :19:42. | :19:47. | |
waters went. I felt my genes get wet and there was a puddle on the floor. | :19:48. | :19:54. | |
Then it was panic stations. Somebody went to get some staff. The people | :19:55. | :19:59. | |
in the queue were panicking. They phoned my partner who was at work in | :20:00. | :20:05. | |
Essex, Clacton. We went to hospital and she was born. So nice to meet | :20:06. | :20:14. | |
you. She seems to like the! A fan already. The first laugh. That is | :20:15. | :20:24. | |
really sweet. It was such a heart-warming e-mail. So good to see | :20:25. | :20:31. | |
it worked out. From a proud mum to a famous dad. Bob Hoskins was known | :20:32. | :20:36. | |
for playing a hard man in his films but what was he really like? When I | :20:37. | :20:47. | |
was born, everybody said I looked like my dad, the actor Bob Hoskins. | :20:48. | :20:56. | |
He had this public persona. People assumed that he was a cockney | :20:57. | :21:03. | |
Hartman. But he was also very learn it and very bookish. He was quite a | :21:04. | :21:09. | |
nerd, really. But he struggled at school, down to a couple of things. | :21:10. | :21:19. | |
He was dyslexic, as am I. I'm a businessman with a sense of history, | :21:20. | :21:23. | |
and I'm a Londoner. He got into acting by accident. He went to an | :21:24. | :21:29. | |
audition with a friend and was having a feud ranks in the bar. The | :21:30. | :21:36. | |
people auditioning came out and said, you're next. He got the job. | :21:37. | :21:41. | |
He'd never been to drama school or had any experience. He just thought | :21:42. | :21:46. | |
he could do it. One of my earliest memories of my dad was I was about | :21:47. | :21:52. | |
three and I remember him in the Kitching frying sausages and singing | :21:53. | :21:57. | |
a song. Dad loved the Kitching, it was the centre of the house. He was | :21:58. | :22:02. | |
a great cook. Dad used to describe this restaurant in Primrose Hill as | :22:03. | :22:10. | |
his favourite in London. This is rave. I can't render a time when he | :22:11. | :22:15. | |
wasn't part of our family? There wasn't anything I didn't do. From | :22:16. | :22:19. | |
painting and fixing to looking after Rosa and Jack. I think it worked | :22:20. | :22:25. | |
because it gave dad the security that he could go away. Everybody | :22:26. | :22:31. | |
used to ask me what it was like working for a big fund staff. I | :22:32. | :22:37. | |
said, just like working with my own brother. -- big film star. Bob was | :22:38. | :22:45. | |
lovely except when he was upset and then he was lethal. What you see in | :22:46. | :22:54. | |
those films, him exploding, it was how Bob would be. But around his | :22:55. | :22:58. | |
family, he was always calm and helpful. I've always said what I | :22:59. | :23:04. | |
thought of him and he did the same. London zoo. My dad used to bring me | :23:05. | :23:09. | |
a lot when I was little. I particularly liked the Penguins. Dad | :23:10. | :23:14. | |
did funny voices for them as they went by. All right? Yes, I see you! | :23:15. | :23:22. | |
Because he was away a lot, when he came back, I wanted to be the golden | :23:23. | :23:27. | |
child. I wasn't because nobody ever can be. He didn't expect that from | :23:28. | :23:35. | |
me. I suppose, I knew he was going to go away again so I did bottle | :23:36. | :23:39. | |
things up because, even though it was hard, I recognised that it | :23:40. | :23:46. | |
wasn't just his job but who he was. This is where I got married. | :23:47. | :23:51. | |
Opposite the news and the Wallabies. That was incredibly nervous. It was | :23:52. | :24:04. | |
very strange. -- the news. At it was obvious that he was starting to get | :24:05. | :24:07. | |
on well, his memory, he was struggling with things. Even six | :24:08. | :24:11. | |
months later we wouldn't have had the Web -- wedding that we had. He | :24:12. | :24:22. | |
was diagnosed with an aggressive form of Parkinson's disease. I | :24:23. | :24:26. | |
started writing because as I saw him start forget things and saw him | :24:27. | :24:31. | |
crumble, I wanted to do something to try and keep him together and to try | :24:32. | :24:37. | |
and record those memories. The book that I eventually wrote, not only | :24:38. | :24:43. | |
told his story but also dealt with grief and what it is like to lose | :24:44. | :24:49. | |
someone very slowly. He was absolutely determined and resolved | :24:50. | :24:54. | |
to enjoy what he had left. He would say to me, laugh, no matter what is | :24:55. | :25:00. | |
going on. Have a laugh. Life is short, enjoy it. It is brief. Thanks | :25:01. | :25:14. | |
very much to Rosa. A lovely film. Very emotional. Look who we've got | :25:15. | :25:21. | |
here. The man of the moment. You're doing everything, texting, going for | :25:22. | :25:26. | |
a pint, a new tool, a new single. It's great to be back. Touring all | :25:27. | :25:33. | |
over the country? Everywhere in UK and Ireland and then Europe and | :25:34. | :25:38. | |
across Asia. It is going to be crazy. Looking forward to hearing | :25:39. | :25:45. | |
this new single. This is the new single, Breed. -- | :25:46. | :25:59. | |
and you were at Augusta last week? Yes it was brilliant. It was great | :26:00. | :26:10. | |
to follow Danny. A great week. A big thank you to Michael McIntyre. His | :26:11. | :26:15. | |
show starts tomorrow night at 7pm on BBC One. On Monday, we will be | :26:16. | :26:21. | |
joined by Philip Schofield. Playing is out with his new single, it is | :26:22. | :26:30. | |
Ronan Keating. From his album Time Of My Life. | :26:31. | :26:36. | |
# Built these walls around me so they never see me fall | :26:37. | :26:41. | |
# A boy made of stone I was unbreakable | :26:42. | :26:44. | |
# How was it you found me broken | :26:45. | :26:46. | |
# Even at my darkest you still wanted me | :26:47. | :26:52. | |
# Lost or found now I can | :26:53. | :26:56. | |
# You are the everything I need | :26:57. | :27:10. | |
# All this time I was lost you finally found me | :27:11. | :27:25. | |
# If I could tell the younger naive version of myself | :27:26. | :27:30. | |
# There's nothing I could tell you that you don't know yourself | :27:31. | :27:36. | |
# The wheels are always turning hearts are always lost or found | :27:37. | :27:41. | |
# You are the everything I need | :27:42. | :28:00. | |
# All this time I was lost you finally found me | :28:01. | :28:06. | |
# Running at the speed of light | :28:07. | :28:08. | |
# I wanted to protect myself and hide away | :28:09. | :28:16. | |
# Now I don't have to ask if I am lost or found | :28:17. | :28:24. | |
# You are the everything I need | :28:25. | :28:51. | |
# All this time I was lost you finally found me | :28:52. | :29:02. |