Browse content similar to 14/11/2013. Check below for episodes and series from the same categories and more!
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Wellcome, Wellcome, to the penultimate day of the Rickshaw | :00:22. | :00:26. | |
Challenge and we are in Oxford. Do you know, I never thought this day | :00:27. | :00:31. | |
would come but Pudsey, what a place this is. This is Balliol College and | :00:32. | :00:35. | |
it is 750 years old. Three prime ministers have come out of here. | :00:36. | :00:40. | |
Boris Johnson and even our own Dan Snow commerce you stay there and do | :00:41. | :00:44. | |
your homework. With this being a studio city we have a geography | :00:45. | :00:48. | |
student wearing our map. This is France's Roberts. Is this the first | :00:49. | :00:54. | |
time you have worn a map? It is. I have a few on my bedroom wall but | :00:55. | :00:58. | |
this is a new level. This is the route down here, where Team Rickshaw | :00:59. | :01:02. | |
have come from. Cheltenham, Gloucester, on to Oxford. We have | :01:03. | :01:07. | |
also got some of the professors as well. We are going to be putting a | :01:08. | :01:12. | |
bit of an academic spin on the whole Rickshaw Challenge a bit later on. | :01:13. | :01:16. | |
To welcome them we have the UK's biggest selling classical artist, we | :01:17. | :01:20. | |
know him simply as the voice. It is of course Russell Watson. | :01:21. | :01:24. | |
CHEERING AND APPLAUSE Russell, it is good to see you, my | :01:25. | :01:28. | |
friend. Keep warm, it is freezing, nippy. Saying that, to keep yourself | :01:29. | :01:35. | |
warm you went out to sea Team Rickshaw a bit earlier on and you | :01:36. | :01:40. | |
did a bit of singing. Have a look at this. | :01:41. | :01:47. | |
What an image that paints a view out cycling! Do you do that all the | :01:48. | :01:53. | |
time? Yellow Robben Island like I was drunk in charge of a bike, | :01:54. | :01:57. | |
wobbling about. It is not easy singing and riding a bike. You have | :01:58. | :02:02. | |
faced your own challenges. What do you make of Team Rickshaw? They are | :02:03. | :02:06. | |
quite an inspiring bunch? It is fantastic. I was with them for a | :02:07. | :02:11. | |
brief period of time but it was that cold, the ends of my fingers by the | :02:12. | :02:15. | |
time I had finished were numb. I felt the blood starting to flow into | :02:16. | :02:20. | |
them about 20 minutes after I finished. Have a look at this, this | :02:21. | :02:23. | |
is everything that has been happening with Team Rickshaw so far | :02:24. | :02:30. | |
on the road. You long ago after falling of the rickshaw, Bethany's | :02:31. | :02:34. | |
confidences report -- repaired by the support she has been given and | :02:35. | :02:38. | |
she braves getting back on the salad bowl -- back on the saddle. Are you | :02:39. | :02:43. | |
ready to get back on the rickshaw? Yes. A don't worry, I will cycle | :02:44. | :02:55. | |
beside you. OK? It is good to be back. Have you got a song to sing? | :02:56. | :03:06. | |
# Don't stop me now #. Thank you, guys. Martin is back up | :03:07. | :03:11. | |
to speed having had his handlebars repaired but there is still time to | :03:12. | :03:22. | |
stop for a snack. ?22.61, please. Bear with me. You guys deserve it. | :03:23. | :03:34. | |
Taking over from Martin on the evening shift mother and son from | :03:35. | :03:39. | |
Derby, Carol and Daniel. Aged 14, Daniel suffered from meningitis and | :03:40. | :03:45. | |
spent a year in a wheelchair. I am coming, make! The memories of the | :03:46. | :03:50. | |
time that he was rushed to hospital are still upsetting for mum. His | :03:51. | :03:55. | |
temperature was right up and he was rushed into the crash ward. They | :03:56. | :03:59. | |
were all around him, sticking needles in him. They explained they | :04:00. | :04:04. | |
had put him to sleep to rest his brain. I am thinking, it is my son. | :04:05. | :04:11. | |
That was hard, when they put him to sleep. I never dreamt after how ill | :04:12. | :04:23. | |
he had been he would get the chance to do anything like this. I will not | :04:24. | :04:31. | |
be beat. It has been an honour, grand. You can be proud of yourself. | :04:32. | :04:40. | |
You bet I am because I love you and you love me. You are right, I do! | :04:41. | :04:49. | |
There have been many challenges for all the rickshaw riders but in the | :04:50. | :04:54. | |
last 24 hours Alex faced her biggest yet. My heart rate is too high. | :04:55. | :05:08. | |
20 metres. That was definitely the hardest part of the Rickshaw | :05:09. | :05:19. | |
Challenge for me so far. I have never been so glad to see a car | :05:20. | :05:29. | |
park, ever. The team, needing to make ground, had to pick up speed to | :05:30. | :05:33. | |
have any chance of reaching Oxford by dusk and what better way to do | :05:34. | :05:36. | |
that than by getting to an airport on a runway. | :05:37. | :05:45. | |
# Life in the fast lane #. It is a real privilege to be part of | :05:46. | :06:03. | |
Team Rickshaw and work with those five amazing youngsters. Nobody has | :06:04. | :06:07. | |
had a full night's sleep for the last six nights and we probably | :06:08. | :06:11. | |
won't for the next two days either. I think spending time with Martin | :06:12. | :06:17. | |
has been the most surprising thing. He is just incredible, very | :06:18. | :06:20. | |
together, very mature, very confident young man. He just landed | :06:21. | :06:28. | |
this bombshell that his mum is seriously ill with stomach cancer, | :06:29. | :06:33. | |
something that we had no idea about whatsoever. I literally had to stop | :06:34. | :06:38. | |
my chin from hitting the floor because I could not believe how much | :06:39. | :06:44. | |
bad luck this young lad has had at 19 years old. | :06:45. | :06:49. | |
He is just dealing with it in his stride. That would be enough to | :06:50. | :06:57. | |
break me but Martin, he just soldiers on. | :06:58. | :07:02. | |
CHEERING AND APPLAUSE Well, of course Children In Need | :07:03. | :07:12. | |
does not just help the children, it supports the whole family. | :07:13. | :07:15. | |
This is Paul and Bethany's family. You have the trophy for the biggest | :07:16. | :07:21. | |
turnout of family so far! Paul, we have had good chats with Bethany and | :07:22. | :07:24. | |
I know you are such a big part of her everyday life and she has missed | :07:25. | :07:28. | |
you every single second of the day. How has it been for you? To be | :07:29. | :07:36. | |
honest I missed her for the last seven days. She left me on Wednesday | :07:37. | :07:40. | |
last week and the house has been so quiet without, really, really quiet. | :07:41. | :07:45. | |
I have missed her. But you have shared your wonderful superstar with | :07:46. | :07:50. | |
the rest of Britain and they have fallen in love with her. I guess | :07:51. | :07:54. | |
that is no surprise. No surprise at all. She is just such a shining | :07:55. | :08:00. | |
light, such a shining light. I could not ask for a better daughter. How | :08:01. | :08:05. | |
do you think it will feel for you to feel -- to see all of this adoration | :08:06. | :08:09. | |
from people as she cycles in and brings Team Rickshaw to Oxford? | :08:10. | :08:14. | |
Marvellous, I am so thrilled for her. It is happening now. Here comes | :08:15. | :08:17. | |
your sister, here comes your wonderful little star. Bethany, | :08:18. | :08:20. | |
everybody! CHEERING AND APPLAUSE | :08:21. | :08:28. | |
Get ready, look at that! Bethany, my darling, come on up, Bethany. There | :08:29. | :08:42. | |
we are, my dear. A bit further. Look who is here, look who has come to | :08:43. | :08:47. | |
see you! This is such an incredible surprise for Bethany. As we have | :08:48. | :08:51. | |
been cycling along, you will know this Amanda, a few times Bethany | :08:52. | :08:56. | |
thought that she has seen dad. I know, on the side of the road if she | :08:57. | :09:00. | |
saw somebody with a moustache she said, this is my dad. Have a cuddle | :09:01. | :09:05. | |
with Amanda. We were saying the other night in the camper van, how | :09:06. | :09:10. | |
much Bethany has developed and come along in the last seven days. | :09:11. | :09:15. | |
Definitely. This is the biggest emotional journey I have been on in | :09:16. | :09:20. | |
my life. In her short life, all these new experiences, fireworks | :09:21. | :09:25. | |
overhead, people cheering. Let's get you off, Bethany. There you go, go | :09:26. | :09:29. | |
and see your dad. You have been waiting for so long. It has been | :09:30. | :09:33. | |
amazing, incredible. We are nearly there, Bethany. We have one day | :09:34. | :09:39. | |
left, can you believe it? I actually feel over the moon. So do I! We | :09:40. | :09:45. | |
talked about over the moon the other night. If you would like to donate | :09:46. | :09:49. | |
to Team Rickshaw and Children In Need, this is how you can do it. | :09:50. | :09:55. | |
Here we are, the middle of the night, it has been cold and wet and | :09:56. | :09:59. | |
windy. But it has all been worth it if you guys -- guys can just donate. | :10:00. | :10:07. | |
Please do so by text link team to 70705. That will donate ?5 to | :10:08. | :10:12. | |
Children In Need. For full terms and conditions, go online. There are the | :10:13. | :10:23. | |
numbers. That was after five and a half hour stint the middle of the | :10:24. | :10:27. | |
night on the rickshaw, so we need lots of people, Russell, to do to | :10:28. | :10:32. | |
donate. How do we get a tenor to make people give a fiver? The best | :10:33. | :10:37. | |
way is if they donate I will give them a blast of a song out here. Did | :10:38. | :10:42. | |
you hear that, everyone? If you donate, let me see those phones in | :10:43. | :10:47. | |
the air. Come on, no excuses. Russell, you do this. Lets see your | :10:48. | :10:56. | |
phone is first. The number. A number is 70705 and we will get a fiver. ?7 | :10:57. | :11:08. | |
50, we are at at the moment. A bit more! The total is going up. We are | :11:09. | :11:16. | |
almost at a tenner now. Here he goes. | :11:17. | :11:30. | |
Keep text in, he might think some more. | :11:31. | :12:05. | |
The last time we saw you was at the Palace over the summer. It was a bit | :12:06. | :12:11. | |
warmer then. You are performing with Claude-Michel Shonberg, the composer | :12:12. | :12:14. | |
of Les Mis, and he is notorious for not writing music for anybody | :12:15. | :12:20. | |
whatsoever but you, he has written a whole album. He has written a new | :12:21. | :12:26. | |
record for me and also Charles, who wrote the lyrics for the Phantom Of | :12:27. | :12:29. | |
The Opera has written four of the songs on the record so it is quite | :12:30. | :12:33. | |
an exciting project. How did that come about, it will amaze, how did | :12:34. | :12:42. | |
you convince him? My manager rang me at the end of last year and said I | :12:43. | :12:45. | |
have had this idea, if we were to get Claude Michel Schomburg to write | :12:46. | :12:50. | |
you a new record and I said we could give President Obama arena and | :12:51. | :12:54. | |
asking to come around for a cup of tea while we were at it. -- give | :12:55. | :12:59. | |
President Obama ring. The next day he said he wants to see you | :13:00. | :13:04. | |
tomorrow. It started there. Brilliant. This is the first track | :13:05. | :13:05. | |
from the album, called Without You. # We will walk down the street on a | :13:06. | :13:28. | |
joyous rendezvous #. . Working with him was fantastic. We | :13:29. | :13:36. | |
are talking about an album. Is it autobiographical? It is, he likes my | :13:37. | :13:42. | |
story, the good times, the bad times, the illness I have been | :13:43. | :13:45. | |
through, the layers of who I was and he tailor-made songs that works for | :13:46. | :13:50. | |
me. 80% of the material has never been heard by the British public, so | :13:51. | :13:55. | |
it is brand-new. Why bobbin to be singing that song is knowing that | :13:56. | :13:58. | |
they are your story, that must be quite something? | :13:59. | :14:03. | |
I made a real association with the music because it was specifically | :14:04. | :14:07. | |
written for me. I have been singing cover songs for a long time so this | :14:08. | :14:11. | |
was a dream, to get the opportunity to sing something by two of the most | :14:12. | :14:17. | |
legendary composers in history. He you turn it into a big theatre | :14:18. | :14:21. | |
production. How will that work? Russell Watson my Life: The Musical? | :14:22. | :14:30. | |
It is not quite like that, we will take it on tour in March, almost | :14:31. | :14:33. | |
like a show. There will be a storyline but I will have banter | :14:34. | :14:37. | |
with the audience. He's also going to add four new songs to the tour. | :14:38. | :14:44. | |
You are lucky boy? It is exciting. Why bobbin it is incredible. As we | :14:45. | :14:51. | |
have been cycling in. As we have been cycling in the colleges are | :14:52. | :14:55. | |
mind blowing. There is Magdalen College and hanging on there is a | :14:56. | :14:58. | |
copy of one of the most famous pieces of artwork in the world. And | :14:59. | :15:02. | |
John Sergeant popped along to see why it may be better than the | :15:03. | :15:04. | |
original. Instantly recognisable, Leonardo da | :15:05. | :15:15. | |
Vinci's the Last Supper, is one of the most important religious | :15:16. | :15:18. | |
paintings in the world. It did pick a scene from the Gospel of Saint | :15:19. | :15:24. | |
John where Christ foretells of his betrayal. The original is in Milan | :15:25. | :15:30. | |
but what you might not know is that there is a magnificent copy of this | :15:31. | :15:34. | |
masterpiece right here in the UK. The Royal Academy in London owns | :15:35. | :15:37. | |
this brilliant but enormous paintings. It is one of their most | :15:38. | :15:44. | |
treasured possessions. Helen Valentine is one of the curators. Be | :15:45. | :15:52. | |
purchased it in 18 41. They had this incredible masterpiece. There was no | :15:53. | :15:56. | |
photography so the only way that people would know this work at the | :15:57. | :16:00. | |
time was through engravings. It would not have the same impact. What | :16:01. | :16:05. | |
has the Academy done with it over the years? Students could copy it | :16:06. | :16:09. | |
but they used to shut it behind a wall all roll it up because it was | :16:10. | :16:13. | |
very large and took up a lot of space. And so you have lent it to | :16:14. | :16:19. | |
Magdalen College, don't you want it back here? At the moment we do not | :16:20. | :16:23. | |
have anywhere to display it but we have plans for the new buildings so | :16:24. | :16:27. | |
we would like to have it back. That would be great. It is time for a | :16:28. | :16:33. | |
visit to my old stomping ground of Mac will College, Oxford, for a | :16:34. | :16:38. | |
closer look at this copy. My guide is the author Ross King. This is the | :16:39. | :16:43. | |
painting. It has been here in Magdalen College Oxford since 1992, | :16:44. | :16:50. | |
and placed 20 metres across elite macro above the floor, there is only | :16:51. | :16:57. | |
one way to see it properly. Who did it? The most likely person is a | :16:58. | :17:03. | |
student of Leonardo da Vinci in the 14 90s when he was working on the | :17:04. | :17:07. | |
Last Supper in Milan. It is a very different Last Supper painting than | :17:08. | :17:12. | |
anything that preceded it. Generally they were calm, meditative and | :17:13. | :17:19. | |
contemplative. People were eating bread and having quite discussion | :17:20. | :17:24. | |
together. It Leonardo's painting, what he has done is show the moment | :17:25. | :17:28. | |
just after Christ has made the announcement, one of you will betray | :17:29. | :17:32. | |
me. We see the table in uproar as the apostle 's turn to one another | :17:33. | :17:36. | |
and say, who is it of whom he speaks? All the frantic stipulation | :17:37. | :17:41. | |
we see in the painting is the fear and outrage caused by this statement | :17:42. | :17:46. | |
that Christ has made. It is difficult to think of a more | :17:47. | :17:48. | |
dramatic or intense moment in literature, and we have in the | :17:49. | :17:53. | |
gospels when Christ makes that announcement. What do we see in this | :17:54. | :18:00. | |
that we cannot see in the original? First and foremost, most obviously | :18:01. | :18:03. | |
what we can see is the feet of Christ. The Friars, in their wisdom, | :18:04. | :18:11. | |
decided to put a door into the wall and in doing so, they amputated the | :18:12. | :18:16. | |
feet of Christ. They also crashed away with pickaxes and hammers at | :18:17. | :18:21. | |
the wall and caused great damage to Leonardo's painting. This is not | :18:22. | :18:27. | |
just a story about the passion, it inspires passion. The appearance and | :18:28. | :18:30. | |
even the positioning of the Apostles has long fuelled debate. The | :18:31. | :18:37. | |
conspiracy theory, is that a man or a woman sitting next to Christ? Dan | :18:38. | :18:44. | |
Brown argues that Christ and Mary Magdalene were in a relationship | :18:45. | :18:47. | |
together, she bore a child and the child has a large line extended | :18:48. | :18:52. | |
through the kings of France. I would argue that that is not a woman. | :18:53. | :18:59. | |
Instead, it is St John, who was always painted in Last Suppers as | :19:00. | :19:05. | |
Young, effeminate and close to Christ. The original Last Supper in | :19:06. | :19:13. | |
Milan is slowly fading with time but thanks to the replica, we shall | :19:14. | :19:17. | |
always have a reminder of its former glory right here in the UK. | :19:18. | :19:24. | |
Thanks, John, fascinating. So, we have Team Rickshaw with us, ethnic, | :19:25. | :19:30. | |
Amanda, Martin and Russell is still here on the end. We have a surprise | :19:31. | :19:35. | |
for you, Martin. The other night, favourite comedian of yours, John | :19:36. | :19:39. | |
Bishop, popped out to the rickshaw. He was hoping to catch you but you | :19:40. | :19:43. | |
were on a scheduled rake back at the hotel having a little sleep. He did | :19:44. | :19:49. | |
leave this message for you. Martin, it is John Bishop, it is one o'clock | :19:50. | :19:53. | |
in the morning. I have come to wish you good luck in what you are doing. | :19:54. | :19:57. | |
It is a magnificent effort. A lot of people are proud of you and really | :19:58. | :20:01. | |
inspired by what you are doing. I am not one of them. I am sat here and | :20:02. | :20:06. | |
you are not here. I have an empty saddle in front of me, you lazy so | :20:07. | :20:10. | |
and so. Get your backside out here and start pedalling. Good luck! He | :20:11. | :20:18. | |
is so cheeky! He was very disappointed that you were not there | :20:19. | :20:21. | |
but he has promised to give you a call after the show tonight so you | :20:22. | :20:26. | |
can have a word with him in person. Bethany, we have been chatting for | :20:27. | :20:31. | |
hours. I know you love your comedians. The first time you came | :20:32. | :20:35. | |
to the studio Stephen Merchant was there. Now, he has become a big fan | :20:36. | :20:41. | |
of yours. He has been watching from his mum's house and he said this | :20:42. | :20:46. | |
message from his mum's back garden. Hello, it is Stephen Matt shouldn't | :20:47. | :20:51. | |
here. You told me about this crazy rickshaw challenge. I did not think | :20:52. | :20:57. | |
anybody would be able to do it. Well done and good luck getting to the | :20:58. | :21:01. | |
finishing line. Keep smiling, keep singing, keep pedalling and good | :21:02. | :21:08. | |
luck. Thank you! Wasn't that lovely? And that business of Russell | :21:09. | :21:16. | |
singing, you must have loved that. He is amazing. He has got a good | :21:17. | :21:22. | |
voice. Top of the world! Shall we get today's total? Yes, we should. | :21:23. | :21:31. | |
That is it, keep going, Bethany. We will get the total. Because we are | :21:32. | :21:37. | |
in Oxford we will have a rowing theme. Team, on your marks. And now | :21:38. | :21:45. | |
they are standing in a row. They are dressed in skimpy outfits! This is | :21:46. | :21:51. | |
apparently how they start a race. On your marks, attention, go! Look at | :21:52. | :21:54. | |
that! What a total it is, it really is. We | :21:55. | :22:12. | |
have to thank you for all of your generosity. People at the moment are | :22:13. | :22:15. | |
donating to the Philippines appeal as well so on the Philippines appeal | :22:16. | :22:18. | |
as well so on behalf of everybody who will benefit from this Children | :22:19. | :22:21. | |
in Need support, I want to say a big thank you. Everybody is talking | :22:22. | :22:26. | |
about the rickshaw challenge, it has even crept into the national | :22:27. | :22:32. | |
curriculum. We had a message from Rosie. She was asking for some help | :22:33. | :22:36. | |
for her homework. This is what happened. How many turns of the | :22:37. | :22:43. | |
front wheel of the Children in Need rickshaw will it take to complete | :22:44. | :22:47. | |
the whole journey from the Giants Causeway to London? You can have a | :22:48. | :22:53. | |
look at that to help you work it out. | :22:54. | :22:56. | |
What is the value of pi? 3.14. 572. 532. | :22:57. | :23:21. | |
We have got Professor Jon Chapman here, a professor of mathematics | :23:22. | :23:28. | |
here at Oxford. What is interesting is the number of times the pedals go | :23:29. | :23:32. | |
round will be different depending on what gear they are using. The riders | :23:33. | :23:40. | |
will push down with each leg about a quarter of a million times during | :23:41. | :23:44. | |
their ride. If you were to imagine them climbing a staircase, you think | :23:45. | :23:49. | |
every push of the pedal corresponds to going up six inches on a stair, | :23:50. | :23:53. | |
it is equivalent to climbing 47 miles which is 8.5 times the size of | :23:54. | :23:59. | |
Mount Everest. I am sensing a new degree here. We are also joined by | :24:00. | :24:05. | |
Doctor Sophie Allen, a lecture in philosophy. We would like you to | :24:06. | :24:09. | |
explain why it is good for the soul when people donate to charity. It | :24:10. | :24:13. | |
feels good to donate to charity because probably humans are a social | :24:14. | :24:20. | |
species and it is good for us. We have are more successful because we | :24:21. | :24:23. | |
cooperate and help each other and look after each other and giving to | :24:24. | :24:27. | |
charity is part of that. , there you are, you heard it here first. | :24:28. | :24:33. | |
Russell is enjoying wearing the mortarboard. Businesswoman Debra | :24:34. | :24:41. | |
Medon, we know she can turn a profit out -- Deborah Meaden. She turning | :24:42. | :24:46. | |
heard business skills to helping Pudsey. | :24:47. | :24:51. | |
Dancing on Strictly is one thing, but dancing in front of shoppers is | :24:52. | :24:57. | |
another. My partner Robin and I are going to dance for Children in Need. | :24:58. | :25:03. | |
An old friend of mine knows a thing or two about the retail industry and | :25:04. | :25:10. | |
he will help collect the donations. Hello! Thank you for joining us | :25:11. | :25:15. | |
today. We have a special live performance in aid of Children in | :25:16. | :25:16. | |
Need. Thank you very much. Thank you very | :25:17. | :25:41. | |
much, madam. A generous lot we have got here today. Thank you very much. | :25:42. | :25:49. | |
I don't think I made a fool of myself. Theo has done his bit. We | :25:50. | :25:54. | |
have done very well. That seemed to go well. I think we | :25:55. | :26:02. | |
raised stacks of cash. That was good for a warm up. A warm up? It seems | :26:03. | :26:07. | |
Pudsey reckons we can raise even more money. He has set up a dance in | :26:08. | :26:13. | |
front of the biggest live audience who I will ever have formed in front | :26:14. | :26:17. | |
of. There are a lot of people out there. We are going to dance in | :26:18. | :26:25. | |
front of them and I am terrified! Ladies and gentlemen, please | :26:26. | :26:29. | |
welcome, from strictly come dancing, raising money for Children in Need, | :26:30. | :26:34. | |
the one and only dragon herself, Deborah Meaden! And the hunky Robin | :26:35. | :26:37. | |
Windsor! CHEERING Our performance is over. | :26:38. | :27:10. | |
All that is left is for myself, Robin and Shane to work the audience | :27:11. | :27:14. | |
for donations. And the audience is in a generous mood. It is | :27:15. | :27:20. | |
overflowing, that is what we like to see. I got to dance at the Theatre | :27:21. | :27:25. | |
Royal for a fantastic horse and everybody in the audience got to do | :27:26. | :27:28. | |
something amazing for Children in Need. How amazing is that? -- I have | :27:29. | :27:38. | |
danced for a fantastic cause. They have raised over ?2000. | :27:39. | :27:44. | |
This is the route which will face Team Rickshaw tomorrow. They will | :27:45. | :27:48. | |
start in Oxford and both replace macro, Chesham, Amersham and there | :27:49. | :27:55. | |
is the finish line! -- they will go through Thame. Hopefully we will get | :27:56. | :28:05. | |
to Elstree in Hertfordshire by the main Children in Need show tomorrow | :28:06. | :28:09. | |
night. This is the Chilterns, there are some good hills in their will | :28:10. | :28:15. | |
stop thank you! I will be at the Queen Vic tomorrow to welcome you | :28:16. | :28:19. | |
all in with Ellie Goulding, Torvill and Dean and Shane Ritchie. But to | :28:20. | :28:25. | |
play us out, let's welcome the famous Oxford a cappella group, Out | :28:26. | :28:28. | |
Of The Blue, with an appropriate song to spur us on. Here they go. # | :28:29. | :28:43. | |
I'm gonna go, go, go. # There's no stopping me. # I'm burning through | :28:44. | :28:49. | |
the sky yeah! # Two hundred degrees. # That's why they call me Mr | :28:50. | :28:52. | |
Fahrenheit. #'m trav'ling at the speed of light. | :28:53. | :28:57. | |
# I wanna make a supersonic man out of you. | :28:58. | :29:00. | |
# Don't stop me now. | :29:01. | :29:01. |