Browse content similar to 13/11/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show. With the big Children in Need night | :00:17. | :00:23. | |
just two days away, I'm delighted to be joined tonight by Tess Daly. | :00:24. | :00:35. | |
Thank you very much. Thank you for sitting in for Alex. I am here | :00:36. | :00:47. | |
because Alex is in Abergavenny. We have some real drama to report from | :00:48. | :00:51. | |
Team Rickshaw tonight, so we'll be back to Wales throughout the show. I | :00:52. | :01:05. | |
told her to ride it hard. With us tonight is an actor whose recent | :01:06. | :01:10. | |
achievements have almost made us forget he once played an angry | :01:11. | :01:15. | |
wizard. And someone who has been called the most powerful woman in | :01:16. | :01:18. | |
the world, who has also done wonders for charity. It is Daniel Radcliffe | :01:19. | :01:22. | |
and Oprah Winfrey. What a welcome from our audience! It has been ten | :01:23. | :01:29. | |
long years since we saw you on UK television. I am happy to be here | :01:30. | :01:40. | |
tonight. What does Oprah do when you come to Britain? I lost a day. When | :01:41. | :01:50. | |
I was preparing to come here, I thought, oh, it is dark already! | :01:51. | :01:58. | |
Does that happen to you when you go to a different country? We have a | :01:59. | :02:07. | |
lot of darkness. Did you know, Oprah, apparently there is a rumour | :02:08. | :02:11. | |
that President Obama wanted you to work here as US ambassador? That is | :02:12. | :02:21. | |
a rumour! Isn't it nice having rumours made up about you involving | :02:22. | :02:31. | |
President Obama! This is supposed to be the property you would get. That | :02:32. | :02:40. | |
is in Regents Park. All yours. One of the many things you are known for | :02:41. | :02:45. | |
is to get your guests to confess on television. This was back in 2002. I | :02:46. | :02:53. | |
noticed since we first started, your voice has lowered just a little bit. | :02:54. | :02:58. | |
Are you worried about it going lower and lower? The good thing about when | :02:59. | :03:05. | |
my voice broke, it did not go up and down. It went from one to the other | :03:06. | :03:12. | |
immediately. Do you wake up wondering sometimes, will it be | :03:13. | :03:28. | |
lower? You were a baby Ben. Do you remember that? I remember being very | :03:29. | :03:42. | |
nervous. It was definitely intimidating. I think we did it with | :03:43. | :03:47. | |
an audience full of young Harry Potter fans. Where their audience | :03:48. | :04:01. | |
questions as well? You had to give the kids a chance. I love the way | :04:02. | :04:13. | |
that Oprah drops into host mode. I am sorry. I said to the producer | :04:14. | :04:17. | |
earlier, you're going to have to stop me. There are so many things I | :04:18. | :04:26. | |
want to ask. It is happening again. Can we harness that this evening? We | :04:27. | :04:32. | |
want to raise as much money as we can for Children in Need. Maybe you | :04:33. | :04:41. | |
could do some kind of concession. I would like for you to make the | :04:42. | :04:52. | |
confession. We are doing this for charity. Let the money flow in. You | :04:53. | :05:04. | |
are getting paid for the confession! I will do it as well. The numbers | :05:05. | :05:10. | |
will be on the screen shortly. The numbers are there. That is ?5 | :05:11. | :05:21. | |
straight to Children in Need. Both Daniel and Oprah have big new films | :05:22. | :05:25. | |
coming out which we will be talking about later on. Let's see how things | :05:26. | :05:40. | |
are in Abergavenny. Good evening. I will tell you what, it has been a | :05:41. | :05:46. | |
great day for Team Rickshaw. If you look over here, we have a team of | :05:47. | :05:52. | |
local boys ready to fix the rickshaw the minute it arrives. I will | :05:53. | :05:58. | |
explain all later. In the meantime, let's meet Rick Shaw from | :05:59. | :06:06. | |
Abergavenny. Have you got your passport? Not a current one. Team | :06:07. | :06:15. | |
Rickshaw went to Stourbridge and all was going well. We went to the | :06:16. | :06:20. | |
Brecon Beacons, very hilly that was, there was a problem around here. | :06:21. | :06:25. | |
Hopefully the team will roll into Abergavenny shortly. We have some | :06:26. | :06:30. | |
family members here to greet the team when and if they arrive. This | :06:31. | :06:34. | |
is what has happened since you saw us last. The sun is just about to | :06:35. | :06:40. | |
come up but last night was eventful. The rickshaw covered 40 | :06:41. | :06:45. | |
miles, all the way from Birmingham but there was an accident. Bethany | :06:46. | :06:51. | |
was given the job to ride the rickshaw out of Birmingham will stop | :06:52. | :06:54. | |
she was making good headway until... Disaster struck. All right. | :06:55. | :07:04. | |
Just relax. Do you want to sit in the car with me? We think we hit a | :07:05. | :07:12. | |
pothole or Bethany made a manoeuvre which took the rickshaw into myself | :07:13. | :07:19. | |
and we all came a cropper. It is all right. Bethany, what happened to | :07:20. | :07:30. | |
you? Are you all right? What is hurting you? My leg. Do remember | :07:31. | :07:37. | |
what happened? I was riding and then I fell on the floor. I was really | :07:38. | :07:45. | |
worried about it. Are you OK? How do you feel about getting onto the | :07:46. | :07:58. | |
rickshaw? I am fine. I am so proud of you. We are halfway into the | :07:59. | :08:04. | |
challenge and the support on the street has been phenomenal. We have | :08:05. | :08:08. | |
had an escort of runners alongside. Early morning and it is Alex who has | :08:09. | :08:13. | |
come to the end of a seven hour shift on the road. Keep pushing. I | :08:14. | :08:27. | |
was trying to keep talking. He saw me. Do not drop back. Keep going. | :08:28. | :08:42. | |
Yes. I am shattered now. It was positively helped by the end. I am | :08:43. | :08:47. | |
done now for a little while. It is over to Eleanor and Keith. Eleanor | :08:48. | :08:54. | |
was born with a cleft lip. It was an emotional time for her parents. As a | :08:55. | :08:58. | |
teenager, she lost self-confidence because of trouble she had at | :08:59. | :09:05. | |
school. I was picked on in the first couple of years of senior school. | :09:06. | :09:11. | |
Did you tell your mum and dad? I did not tell anyone. I was 16 and I had | :09:12. | :09:20. | |
had a rubbish day at school. I ended up self harming, really. What was | :09:21. | :09:32. | |
your reaction to all of this? Shock. Then I started to feel some guilt. | :09:33. | :09:40. | |
Did I not do some thing as a father? Did you know Eleanor was using child | :09:41. | :09:50. | |
lying? I have never told anyone that. -- Childline. It is important | :09:51. | :10:10. | |
we are discussing it. You are incredibly brave. I try. No other | :10:11. | :10:16. | |
way to be. Even though we had a kick up with Bethany falling off the | :10:17. | :10:20. | |
bike, this afternoon Martin was making good headway to Wales. The | :10:21. | :10:26. | |
specially adapted handlebars let him down. There was a problem with a | :10:27. | :10:33. | |
bolt on the handlebar. The guys are trying to fix it, otherwise I might | :10:34. | :10:41. | |
not get to Wales or London. We are nearly there and we are doing all | :10:42. | :10:45. | |
right. If the bike holds up, we be fine. You do not understand how as | :10:46. | :10:52. | |
little as ?5 can change someone's life. These are opportunities we | :10:53. | :10:59. | |
will remember and experiences. It will make a massive difference to | :11:00. | :11:04. | |
people. It is a wonderful feeling we have. It is really appreciated for | :11:05. | :11:06. | |
everyone at home. There certainly has been plenty of | :11:07. | :11:23. | |
drama in the last 24 hours. I am joined by Pete 's grandmother. You | :11:24. | :11:30. | |
must be incredibly proud of Pete and Geoff. We have been following it | :11:31. | :11:40. | |
every night. This has become doubly exciting and it is an emotional | :11:41. | :11:45. | |
thing. Seeing Peter looking so much like his mother and so brave and so | :11:46. | :11:49. | |
much like his mother in a lot of ways, doing this, it makes me so | :11:50. | :11:57. | |
proud as a family. Everyone needs to give lots. Dig deep! I can see the | :11:58. | :12:05. | |
resemblance between you and Peter. In the meantime, back to you in the | :12:06. | :12:18. | |
studio. They are doing an amazing job out there. So sorry about that | :12:19. | :12:24. | |
falling off. We cannot think of too better people dashes-macro two | :12:25. | :12:35. | |
better people to do the honours. Just do text in and ?5 will go to | :12:36. | :13:00. | |
Children in Need. You can go to the website as well. Get your texts in | :13:01. | :13:06. | |
if you want to hear Daniel confessed to Oprah. Daniel will confess and it | :13:07. | :13:16. | |
is worth a lot of money. You heard it then. With your enormous | :13:17. | :13:27. | |
profile, you must be asked to be involved with so many charities. How | :13:28. | :13:32. | |
do you choose? It strikes a chord with you. It is with important. | :13:33. | :13:38. | |
There are so many. With any profile you have a chance. It is important | :13:39. | :13:42. | |
they are things you feel very strongly about. If it is a hospice, | :13:43. | :13:49. | |
which I support the Trevor Project, an organisation for lesbian gay and | :13:50. | :13:55. | |
bisexual youth in America. It is a helpline. Whatever you sort of feel | :13:56. | :14:03. | |
is worthy. You cannot do everything. Over here, we love a car-boot sale | :14:04. | :14:10. | |
on a weekend. You had a massive yard sale. You raised half $1 million of | :14:11. | :14:28. | |
your staff? ! - - your staff? I had an apartment in Chicago and | :14:29. | :14:36. | |
California. Over the years, I just wanted to start clearing out some of | :14:37. | :14:40. | |
the stuff. I gave away as much as I could. I was saying to people, do | :14:41. | :14:56. | |
you need a safer? -- sofa. I was trying to figure out a way to rid | :14:57. | :15:00. | |
myself of some of the stuff and also have it go for a good cause. For me, | :15:01. | :15:07. | |
as Daniel was saying, you need to see what speaks to your heart. For | :15:08. | :15:13. | |
me, education speaks to my heart. I have a school in South Africa. As at | :15:14. | :15:20. | |
the end of this year, I have 170 girls in college. I am paying for | :15:21. | :15:26. | |
all of that. It is good to get the stuff. That is your money coming | :15:27. | :15:33. | |
into that. Every cent of it. You have done so much around the world. | :15:34. | :15:39. | |
You are famous for giving back. What are your aims? My aims... They are | :15:40. | :15:49. | |
my girls. My aim is to do for other people what was done for me. I would | :15:50. | :15:54. | |
not be who I am. I would not be sitting next to Daniel here with you | :15:55. | :15:58. | |
all on the one show had I not had an opportunity to step through what I | :15:59. | :16:03. | |
think is the door to freedom and that is education. I have built a | :16:04. | :16:08. | |
school in South Africa, after spending ten days with Nelson | :16:09. | :16:13. | |
Mandela. I had ten days at his house and 29 deals with Nelson Mandela. | :16:14. | :16:18. | |
What do you do at the end of staying there? | :16:19. | :16:25. | |
You cannot bring a candle or bring in cupcakes! What was his reaction | :16:26. | :16:38. | |
to all of this? We were having a conversation and I said what I would | :16:39. | :16:42. | |
really like to do in your notice to build a school. I meant that I | :16:43. | :16:46. | |
really wanted to do that. I did not mean I wanted to do that in that | :16:47. | :16:51. | |
moment but he got up and said, you want to build a school? He called | :16:52. | :16:56. | |
the Minister of education and he was over by that afternoon. You are both | :16:57. | :17:03. | |
in films about big events in American history. Daniel, yours is | :17:04. | :17:08. | |
about the birth of the beat generation in New York. We will be | :17:09. | :17:12. | |
talking about that later on. We have only got you for about half an hour, | :17:13. | :17:17. | |
so if you do not mind, Daniel. I do not have any stories that end with | :17:18. | :17:22. | |
me doing something with Nelson Mandela! We will start with your | :17:23. | :17:30. | |
film. You have seen this. I saw a preview of the Butler on Monday. I | :17:31. | :17:33. | |
loved it. I thought it was very powerful. It was gut-wrenching at | :17:34. | :17:40. | |
times and it is based in fact. Guests, on a real Butler named | :17:41. | :17:46. | |
Eugene Allen. I have been cycling all week long. How is your bomb? | :17:47. | :17:54. | |
That might come out in the confession room. I have seen or the | :17:55. | :18:01. | |
billboards. Your role in this? I think it is so cool that you would | :18:02. | :18:05. | |
say that upfront that you have not seen it because they're is only | :18:06. | :18:08. | |
times you do interviews with people and they fake it and you can tell | :18:09. | :18:11. | |
that have not seen the film so I appreciate you not acting like I saw | :18:12. | :18:20. | |
it. And he had a good excuse. It is based on a true story because not | :18:21. | :18:25. | |
everything in it is true. I did take some liberties with the role that | :18:26. | :18:29. | |
iPlayer as the Butler's why. I do not think she got as drunk as I did | :18:30. | :18:38. | |
-- the Butler's wife. That was the director saying to push it more and | :18:39. | :18:42. | |
more I said she will fall off the chair. It is the story of the civil | :18:43. | :18:49. | |
rights movement, particularly the Freedom Riders, the young people who | :18:50. | :18:53. | |
were riding in order to have the freedom to ride on the buses in the | :18:54. | :19:01. | |
60s. It is told through the eyes of the butler's son. He is in the White | :19:02. | :19:06. | |
House during this time that the civil rights legislation is taking | :19:07. | :19:12. | |
place. His son is a freedom rider. What perspective. We have got a clip | :19:13. | :19:19. | |
of you talking around the table. The sun is a militant. There was a | :19:20. | :19:24. | |
division in our country where there was the generation who wanted to | :19:25. | :19:27. | |
keep things the way that they were and the generation we -- who said we | :19:28. | :19:35. | |
want things to change. I love this scene. | :19:36. | :19:40. | |
Me and daddy saw a wonderful movie the other night, reminded me so much | :19:41. | :19:49. | |
of you. Oh, yeah? What was it called? In the heat of the night. | :19:50. | :19:57. | |
Sidney Poitier is a white man's fantasy. He has just won the Academy | :19:58. | :20:05. | |
Awards. He is bringing down barriers for all of us. By acting white. Look | :20:06. | :20:15. | |
at you. All puffed up. Your hat on your head, covering your hair. Get | :20:16. | :20:29. | |
the hell out of my house! No, no, we have not seen this boy. Everybody | :20:30. | :20:36. | |
sit down. I am sorry, Mr Butt, I did not want to be a hero -- Mr Butler. | :20:37. | :20:43. | |
Everything you have and everything you want is because of that butler. | :20:44. | :20:51. | |
A very strong lady that you play there. I am not having anyone | :20:52. | :20:57. | |
disrespecting the butler in my house! What made you want to play | :20:58. | :21:04. | |
Gloria? She represents an era of women who stayed at home, take care | :21:05. | :21:09. | |
of their families and sacrificed their own dreams in order to have | :21:10. | :21:13. | |
the home life they thought was respectable. I wanted to pay homage | :21:14. | :21:19. | |
to her in particular and that a rock of women who allowed themselves to | :21:20. | :21:24. | |
be used by their families in a way that they had to give up their own | :21:25. | :21:30. | |
dreams. Is that something you can relate to? Not a bit. I get to live | :21:31. | :21:37. | |
my dream. Are you kidding? But growing up? I come from a family of | :21:38. | :21:42. | |
domestic workers. My mother was made, her mother was made, her | :21:43. | :21:48. | |
mother was a slave. I know what it is like to be in a family where | :21:49. | :21:52. | |
women work. She represented that Iraq women who got to stay at home, | :21:53. | :21:57. | |
take care of their children -- that Iraq of women. The black American, | :21:58. | :22:06. | |
now African-American middle class. I wanted to pay homage to that. One | :22:07. | :22:16. | |
scene stood out for me when your son sits in a white only section and I | :22:17. | :22:22. | |
was embarrassed at how recent that was. I know, it is shocking. When | :22:23. | :22:28. | |
the film premiered, there were a lot of young people saying, did that | :22:29. | :22:33. | |
actually really happen? It is hard to believe it really happened now. | :22:34. | :22:39. | |
And you live in New York now. I am very much in London now but I have | :22:40. | :22:44. | |
spent time there. Would you say New York is over its racial issues? It | :22:45. | :22:50. | |
seems an incredibly multicultural city, that is one of the things I | :22:51. | :22:55. | |
love about it and London. One of the things about this film is that you | :22:56. | :23:00. | |
can see how far we have come but also how far we have to go. You were | :23:01. | :23:05. | |
saying, that is so recent, you could not even ride a bus or sit at a | :23:06. | :23:09. | |
lunch counter. The way they juxtaposed the lunch counter with | :23:10. | :23:13. | |
the butler serving was really great. There were seven presidents in the | :23:14. | :23:19. | |
film, Nixon, JFK, Reagan, how do you think Obama will be compared to | :23:20. | :23:27. | |
them? I are not a historian. No matter what period you are going | :23:28. | :23:34. | |
through, in a presidency, every era has its difficult times but in the | :23:35. | :23:39. | |
end history will judge him for the kind of president that we would | :23:40. | :23:45. | |
honour and be proud of. Absolutely. For years you have produced and | :23:46. | :23:51. | |
presented your own show in the US... 25 years! Is that how long it | :23:52. | :24:06. | |
is? ! Not just years, 25! Obviously, tackling issues, you talk | :24:07. | :24:09. | |
to incredible guest does well, but issues which tackle real Americans. | :24:10. | :24:15. | |
We thought we would find out what sort of impact you have had on | :24:16. | :24:17. | |
people over here. Really? Good. She has shown me that the impossible | :24:18. | :24:38. | |
is really possible. She started from living in poverty and now she is | :24:39. | :24:41. | |
worth 2.8 billion. She is the real deal! I read that she was able to | :24:42. | :24:50. | |
secure an additional 1 million votes. One person. I feel compelled | :24:51. | :25:00. | |
to stand up and speak out for the man that I believe has a new vision | :25:01. | :25:09. | |
for America. Yes, that is big! Do you want Oprah as Vice President? It | :25:10. | :25:16. | |
was always a positive experience to watch her show. Being empowered | :25:17. | :25:24. | |
about being proud to be who you are and where you are from. If Oprah has | :25:25. | :25:31. | |
come from nothing to what she is now, then she gives us hope that we | :25:32. | :25:33. | |
can do the same. I think that quote exemplifies | :25:34. | :25:50. | |
Oprah's spirituality and practicality. It is not just words, | :25:51. | :25:56. | |
it is actions. She has given $400 million away to charity. She set up | :25:57. | :26:00. | |
a school in South Africa and puts her money where her mouth is. Oprah | :26:01. | :26:07. | |
has been an example to me at a time when growing up we did not even have | :26:08. | :26:13. | |
winning priests in this country. She was talking about God and compassion | :26:14. | :26:17. | |
in the world. She is one of the most powerful female spiritual leaders I | :26:18. | :26:24. | |
have had. I think education is power. I think being able to | :26:25. | :26:27. | |
communicate with people is power. One of my main goals on this planet | :26:28. | :26:31. | |
is to encourage people to empower themselves. | :26:32. | :26:37. | |
I remember being 18 and watching Ellen degenerate is coming out. I | :26:38. | :26:43. | |
was coming out then and I remember my best friend watching recording it | :26:44. | :26:50. | |
on video for me. To see a woman saying it is okayed to be gay was | :26:51. | :26:55. | |
hugely inspiring for me as a young girl and for countless others in the | :26:56. | :27:03. | |
UK. In the early 90s, there were not many people talking about being gay | :27:04. | :27:08. | |
on television. Closest thing we had was the character in Brookside who | :27:09. | :27:12. | |
had a gay kiss and then killed her father and buried him under the | :27:13. | :27:16. | |
patio. There had never been any presentation about anyone talking | :27:17. | :27:19. | |
positively about sexuality in those terms. It does not matter who you | :27:20. | :27:26. | |
are or where you come from, the ability to trial begins with you. | :27:27. | :27:32. | |
I think Oprah is very blessed. Her blessings have taken her through to | :27:33. | :27:37. | |
where she is at this stage. I thank you for tuning in every day | :27:38. | :27:40. | |
with your mothers, sisters, daughters, partners gay and others, | :27:41. | :27:48. | |
and you are husbands and brothers who got coaxed into watching Oprah! | :27:49. | :27:55. | |
We have talked about the charity side of things and what you want to | :27:56. | :27:59. | |
be remembered for, is that the same with all of the TV work you have | :28:00. | :28:06. | |
done? All of my telly work, I love Saint Telly! All of my work, my life | :28:07. | :28:14. | |
work is about one thing and that is opening the heart space for people. | :28:15. | :28:19. | |
The butler, for me, the choice to do that film was how can I use my | :28:20. | :28:23. | |
acting talent and hopefully I still have some talent, how can I use that | :28:24. | :28:30. | |
as a way of opening the heart space for you. I do not do anything | :28:31. | :28:34. | |
without intention or meaning or some purpose in it. I tried to leave my | :28:35. | :28:39. | |
entire life that way. Even when I have a good time, I am having a good | :28:40. | :28:44. | |
time on purpose. There is no question about the impact you have | :28:45. | :28:47. | |
had on your audiences, because we loved this moment when you gave all | :28:48. | :28:51. | |
your audience members a bot is to open. And one of them contained a | :28:52. | :28:56. | |
key to a new car -- Abe Ochs. You get a car! You get a car! You | :28:57. | :29:24. | |
get a car! Everybody gets a car! I am guessing there was a very big | :29:25. | :29:32. | |
car park at the studio. I love giving. I love the opportunity to | :29:33. | :29:41. | |
give other people the opportunity. I did not want them shaking the boxes | :29:42. | :29:45. | |
because I thought they would hear a key and everybody would know they | :29:46. | :29:50. | |
had a key. But I stayed up the night before. I remember going around | :29:51. | :29:54. | |
making sure the bows were on the car is perfectly. I wore a red dress to | :29:55. | :30:00. | |
match the bows on the cars. That was a nice detail. When you talk to your | :30:01. | :30:14. | |
guests, you get them to open up and confess all kinds of things. It is | :30:15. | :30:20. | |
life changing. Do you worry about what that leads to? I did not do | :30:21. | :30:36. | |
this with you. Where you 12 or 13? I would not get a 13-year-old to | :30:37. | :30:42. | |
confess. Nor would I get anyone to say or do anything they would be | :30:43. | :30:46. | |
comfortable with and later say, I wish I had not done that. If there | :30:47. | :30:51. | |
were a really serious interview, I will give you my big secret. I would | :30:52. | :30:57. | |
go into the green room and say, what do you want? Tell me what you want. | :30:58. | :31:03. | |
I am the one controlling the microphone. By the time this | :31:04. | :31:08. | |
interview is over, I want you to get what you want. You tell me your | :31:09. | :31:18. | |
primary intention because I can make that happen for you. I control the | :31:19. | :31:20. | |
microphone. They were always the most successful interviews. I was | :31:21. | :31:27. | |
interviewing a woman whose daughter had been murdered. I said, why argue | :31:28. | :31:34. | |
here? She said I want people to know my daughter 's life is bigger than | :31:35. | :31:41. | |
the people who died. I had done that with hundreds of people. Tell me | :31:42. | :31:48. | |
what you want. People clearly trust you. We have had ?24,000 donated in | :31:49. | :31:58. | |
the first five minutes. I do not know how comfortable you will be | :31:59. | :32:08. | |
with this. Do your magic. I gaze into your eyes and I will confess | :32:09. | :32:15. | |
something. I was once canoeing on a lake and my friend, who I have never | :32:16. | :32:22. | |
admitted this to, things the canoe mysteriously tipped over but I had | :32:23. | :32:26. | |
actually splashed him, because I thought it would be funny and all | :32:27. | :32:32. | |
three of us in the boat tipped into the water and spent half an hour | :32:33. | :32:41. | |
having to be rescued by someone. Are you saying, you purposely tipped | :32:42. | :32:47. | |
over the canoe? It has been weighing me down for years and I need to talk | :32:48. | :32:51. | |
about this. Who better to talk to than you? If only you had got that | :32:52. | :33:00. | |
out of him in the first interview... I think he must ask for canoe | :33:01. | :33:07. | |
forgiveness. I will see him later so I will ask him myself. Mine was, I | :33:08. | :33:14. | |
had been cycling. I have been putting my wife's face cream on my | :33:15. | :33:19. | |
bottom for the last five days. She does not know about it yet. My plan | :33:20. | :33:24. | |
is to get a new bottle and replace it before she finds it. She will not | :33:25. | :33:33. | |
be watching? She will be at the meeting. I will give you the brand | :33:34. | :33:39. | |
name later. If you mention it now, you can get a whole load more of it. | :33:40. | :33:47. | |
Thank you for your company. Thank you for seeing The Butler. Lovely to | :33:48. | :33:58. | |
have you on the show. The Butler opens in cinemas on Friday. Daniel | :33:59. | :34:05. | |
Radcliffe is part of a love triangle in his film, Kill Your Darlings. | :34:06. | :34:09. | |
We're asking to donate not just for the Daniel and Matt but for the | :34:10. | :34:16. | |
vital work that Children in Need does with disadvantaged young | :34:17. | :34:19. | |
people. Here is Miranda Hart with the story of Sam and his friend, | :34:20. | :34:27. | |
Ember. We can help children in many different ways. You're going to meet | :34:28. | :34:32. | |
Sam, who is brilliant, and Ember, who is pretty fabulous as well. It | :34:33. | :34:40. | |
has been really hard to make friends. I am nervous about | :34:41. | :34:46. | |
introducing myself to new people. People think because he speaks well, | :34:47. | :34:50. | |
there is not a problem. A lot of people forget he is death. -- deaf. | :34:51. | :35:15. | |
At parties, Sam would not go. I wanted to help him but I could not. | :35:16. | :35:22. | |
Nights were tough. He was scared and he did not know where we were. I | :35:23. | :35:30. | |
cannot hear the television. I could not sleep. Is record was 27 times I | :35:31. | :35:37. | |
put him back to bed. It was like that every night. He was exhausted. | :35:38. | :35:42. | |
At school, he would have an annual report and it was always mentioned | :35:43. | :35:47. | |
he was so tired. I can only imagine how difficult it was for him. Two | :35:48. | :35:54. | |
years ago, Sam met someone very special. Sam was so excited. It was | :35:55. | :36:06. | |
fantastic - the difference. Ember is not just a pet, she is a hearing | :36:07. | :36:13. | |
dog. Thanks to you, dogs like Ember can support deaf children in the | :36:14. | :36:18. | |
daily lives and alert them to potential dangers. It does give him | :36:19. | :36:25. | |
a sense of security and safety because he has always been scared of | :36:26. | :36:31. | |
buyers. He cannot hear alarms. She drops to the floor and waits for him | :36:32. | :36:37. | |
to respond. His confidence has improved considerably. He is proud | :36:38. | :36:42. | |
of her. If people ask questions about Ember, he says, that is my | :36:43. | :36:50. | |
dog. But, the biggest difference we saw, was sleep. From the first week, | :36:51. | :36:55. | |
Sam slept through. I could not believe having a dog sleeping in | :36:56. | :36:58. | |
your bedroom could make such a difference. She helps him have a | :36:59. | :37:04. | |
happy childhood. That is what every parent wants. It is scary what life | :37:05. | :37:15. | |
would be like without her. She has changed my life a lot. She does her | :37:16. | :37:21. | |
job really well. She is part of the family and she is brill. She is mine | :37:22. | :37:27. | |
best friend. She is always there for me. She is just amazing. Thanks to | :37:28. | :37:35. | |
you, Sam has a new best friend that has made him happy and safe. Please | :37:36. | :37:39. | |
help us start more special partnerships. What a gorgeous boy! | :37:40. | :38:04. | |
That number again, if you would. It has been so long since you were last | :38:05. | :38:18. | |
here in the UK. Your plan involves this. I have been cycling all week. | :38:19. | :38:25. | |
This was your idea. It was my dad and my boss. We thought about | :38:26. | :38:32. | |
throwing a cream pie being satisfying. When it is your dad or | :38:33. | :38:38. | |
your accountant, it is much better. I did not realise we were going to | :38:39. | :38:43. | |
do this life. I've prepared for this? My suit will be dry cleaned | :38:44. | :38:54. | |
tomorrow. Go for it! Luke at that! There was a huge amount of malice in | :38:55. | :39:03. | |
that. The netball as are delighted. What are you doing for Children in | :39:04. | :39:10. | |
Need? We are doing a dawn till dusk netball tournament. Teams have done | :39:11. | :39:14. | |
a donation to come and play for us for a day. We have a shooting | :39:15. | :39:21. | |
competition - loads of stuff. A great day for spectators to come | :39:22. | :39:27. | |
along. Come along. We have parents, kids, everybody come along and | :39:28. | :39:39. | |
donate. Hold the microphone! I did not expect that to happen. I left my | :39:40. | :39:43. | |
mother-in-law this afternoon knitting. She will be delighted to | :39:44. | :39:48. | |
see all this stuff. I am representing my mother who does | :39:49. | :39:53. | |
knitting for Children in Need all year round. Let's have a look. My | :39:54. | :40:07. | |
Nan does about 30 sets and makes 400 a year. Overall she has 10,000 | :40:08. | :40:18. | |
overall. Now for the classic wax. I will nip over here. Tell us what you | :40:19. | :40:23. | |
will have waxed and where you will stop. I will stop below the knee or | :40:24. | :40:38. | |
so. Are you a wax or a shaver? Since you asked so nicely, shaver. Low | :40:39. | :40:49. | |
pain threshold! I use garden trimmers - hedge trimmer is. Like a | :40:50. | :40:58. | |
lawn mower. Any advice? Live television. Do not sweat. I had to | :40:59. | :41:07. | |
get naked in my West End debut. I was quite conscious of that but I do | :41:08. | :41:15. | |
not worry about it any more. It is very painful. Let's wax! Very brave. | :41:16. | :41:25. | |
Thank you. Thank you to everyone who is doing that thing for Children in | :41:26. | :41:31. | |
Need. Friday is the big day. Now for Daniel in Kill Your Darlings playing | :41:32. | :41:50. | |
the poet. You are fortunate in your ignorance and your isolation. You, | :41:51. | :41:59. | |
who have suffered, find where love hides. Give, share, lose. Less we | :42:00. | :42:24. | |
die unpolluted. -- unbloomed. It is quite a piece of work. What was your | :42:25. | :42:29. | |
reaction on your first day when you are given round glasses and were | :42:30. | :42:34. | |
told to put them on? I knew they were part of the deal but I did feel | :42:35. | :42:41. | |
the brown eyes and the poem, as you can see I got for that film because | :42:42. | :42:46. | |
my hair is not back only, as you can see, I've felt that distance me | :42:47. | :42:52. | |
enough. I heard you walk lip liner to make your lips for. He does have | :42:53. | :43:02. | |
bigger lips than myself. With the cool 1940s wardrobe, I definitely | :43:03. | :43:06. | |
felt it was different enough that people would not make that | :43:07. | :43:16. | |
association. The beat generation. Who are they? The three main people | :43:17. | :43:22. | |
we see in the film are Allen Ginsberg, an American poet, Jack | :43:23. | :43:27. | |
Kerouac and William Morris. They were novelists. They were totally | :43:28. | :43:31. | |
revolutionary for their time in literature. There was also another | :43:32. | :43:35. | |
person not a lot of people know about, Lucien Carr. My character | :43:36. | :43:40. | |
went to university and met him and totally fell in love with him. Then | :43:41. | :43:45. | |
he introduced him to William Burroughs and Jack Kerouac. Even | :43:46. | :43:47. | |
though people have forgotten about him, he was the link. He was the | :43:48. | :43:59. | |
linchpin. It turns into a murder story. Absolutely. Lucien murdered | :44:00. | :44:11. | |
one of the characters. That murder was, in a way, what prompted all | :44:12. | :44:16. | |
those great writers to become the writers they had become. They found | :44:17. | :44:22. | |
their voices. This is something you are incredibly proud of. You got | :44:23. | :44:27. | |
very emotional. You had never cried your own tears on set until now. | :44:28. | :44:35. | |
When an actor reads the line, Alan weeps uncontrollably, you'd think, | :44:36. | :44:40. | |
well I have to do that? It was one of those things which the director | :44:41. | :44:45. | |
set me to one side. He played some really sad music and we had this | :44:46. | :44:52. | |
conversation. As we got further into the scene, it just happened. It was | :44:53. | :44:57. | |
cathartic to find yourself crying in front of a lot of people when you | :44:58. | :45:02. | |
are not sad yourself. I am proud of the work I have generally done on | :45:03. | :45:11. | |
this film. Why did you choose an arthouse project? This script was so | :45:12. | :45:15. | |
much better than anything else I had read. It was not just that it was | :45:16. | :45:21. | |
about these guys who had become famous writers but because the story | :45:22. | :45:25. | |
of this murder was interesting and unknown and it is a true story as | :45:26. | :45:30. | |
well. It is a lot of fun as well. You say, it is a murder and it is | :45:31. | :45:34. | |
about poets and it does not sound as if there is a great deal of liberty | :45:35. | :45:39. | |
in it but these guys had very wild and exciting times. Ten years? -- | :45:40. | :45:57. | |
levity.. Is your man involved? I always talk to my parents about | :45:58. | :46:05. | |
scripts. They are both people that were responsible for my influences | :46:06. | :46:10. | |
in terms of theatre and film and stuff I was watching. I talked to | :46:11. | :46:15. | |
them about it. It is just my decisions really. The way to have | :46:16. | :46:20. | |
the most fun doing a job but I do is to do these very projects. I have | :46:21. | :46:26. | |
two do musicals so I learned how to dance. Kill your darlings is out on | :46:27. | :46:44. | |
the 6th of December. -- Kill Your Darlings. | :46:45. | :46:48. | |
This is the story of how one group of friends formed a band. If you | :46:49. | :46:57. | |
have heard this song recently, it is on a Christmas advert. | :46:58. | :47:02. | |
This is Denmark Street in London. It has always been the stomping ground | :47:03. | :47:10. | |
of famous bands. They do their rehearsals. One day in 2002, an | :47:11. | :47:15. | |
unknown group pitched up to play a gig which they thought would be | :47:16. | :47:20. | |
their last. The band was Keane. On the set list was a song which would | :47:21. | :47:28. | |
change their lives forever. -- I walked across an empty land... | :47:29. | :47:40. | |
You were going to play your set here. We had a pretty tough year | :47:41. | :47:44. | |
because we thought we were going to get a record deal and then that fell | :47:45. | :47:48. | |
through. We were pretty much at our lowest ebb. I remember having a | :47:49. | :47:54. | |
conversation with Tom when I was on the verge of giving up. The final | :47:55. | :47:58. | |
straw for me was when I walked into the kitchen of the place where we | :47:59. | :48:02. | |
were living and I saw a rat run onto the kitchen work surface. I thought, | :48:03. | :48:07. | |
what the hell are we doing here? It was really miserable. They had known | :48:08. | :48:12. | |
each other since childhood and after years of trying to get a record deal | :48:13. | :48:16. | |
the band was about to quit. Their luck was about to change. A record | :48:17. | :48:23. | |
executive was in the audience. We did our thing on this tiny stage | :48:24. | :48:26. | |
here. Afterwards he came out and said, he would like to put out a | :48:27. | :48:36. | |
single for us. Among the songs which got Keane noticed that night was one | :48:37. | :48:41. | |
they felt was really special. I had written this new song and I thought | :48:42. | :48:47. | |
it was a hit single. It sounded like something you would hear on the | :48:48. | :48:51. | |
radio. The only thing I thought when I sat down at the piano was to have | :48:52. | :48:56. | |
something with driving with like Heroes by David early. That was my | :48:57. | :49:05. | |
driving point -- David hourly. I started off with the pounding chords | :49:06. | :49:08. | |
and it gradually got slower and slower. | :49:09. | :49:21. | |
I had this long which really was not very good and it was called | :49:22. | :49:31. | |
Stowaway. That was a good song. Thank you. It was a bit miserable. | :49:32. | :49:36. | |
We were feeling very cold and isolated. The only nice bit about | :49:37. | :49:43. | |
it, the positive bit was this phrase, why don't we go somewhere | :49:44. | :49:49. | |
that only we know. I thought, I wonder if I can take that one decent | :49:50. | :49:53. | |
bit of that song and slotted into the new song? And it fitted. Where | :49:54. | :50:04. | |
is that somewhere for you? For me it would be Battle, the town where we | :50:05. | :50:09. | |
grew up and used to hang out. The last thing that happened there | :50:10. | :50:13. | |
before we were making music was 1066, the Battle of Hastings! It | :50:14. | :50:20. | |
felt like that, it was so sleepy. I had my own place, it was almost | :50:21. | :50:25. | |
secret path which overlooked this sweeping countryside. I am always | :50:26. | :50:30. | |
immediately transported back to that place when I sing this song. It is | :50:31. | :50:36. | |
not necessarily a physical place but getting back to friendship and those | :50:37. | :50:46. | |
things which you can rely on. It is not a Love Song. It is more about | :50:47. | :50:53. | |
ourselves friends, really. 13 million records later, and now it is | :50:54. | :51:02. | |
a festival standard. It is a wonderful thing, all those people | :51:03. | :51:06. | |
singing something which is personal to us. Keane are more used to | :51:07. | :51:11. | |
playing stadium gigs now but the story of this song links back to | :51:12. | :51:16. | |
this place and the story of the band's enduring friendship. | :51:17. | :51:28. | |
Thank you! We love that song. We were swaying in the studio. I was | :51:29. | :51:35. | |
enjoying that as well. What was your reaction to the news that JK Rowling | :51:36. | :51:38. | |
might be writing another Harry Potter? I do not know if it is a | :51:39. | :51:44. | |
sequel or a prequel. I know very little about it. I think it is an | :51:45. | :51:49. | |
extension of the world but not exactly of it involving our | :51:50. | :51:55. | |
characters. I am in treat with the rest of the book. What is she going | :51:56. | :52:01. | |
to do? You are waiting for the phone to ring! Unfortunately not. I cannot | :52:02. | :52:09. | |
wait to see what she does. I think there is so much wonderful feeling | :52:10. | :52:12. | |
towards those books and that series and it has such a strong following | :52:13. | :52:17. | |
still. It is lovely that she's expanding it for people who are | :52:18. | :52:21. | |
devoted to it. One thing that you are turning your attention to is | :52:22. | :52:27. | |
running. There is a film where you will be taking the part of Sebastien | :52:28. | :52:42. | |
Coe. In the film his name is Seb Coe so I must start calling him Lord. I | :52:43. | :52:46. | |
was doing sprint interval is yesterday. Did you hear what he said | :52:47. | :52:53. | |
about you taking the part, George Clooney must have been busy? You can | :52:54. | :52:59. | |
get your own back. He forgets I have the final say! George Clooney is | :53:00. | :53:06. | |
maybe laying him at an older age. I would be happy to play a young | :53:07. | :53:11. | |
George Clooney. I am very excited about it. We have done this photo | :53:12. | :53:17. | |
thing. Let's see how similar you do look to a young Sebastien Coe. It is | :53:18. | :53:19. | |
not too bad. And you are also playing Igor in | :53:20. | :53:37. | |
Frankenstein. I am. Look at what we have done! I will be drawing mainly | :53:38. | :53:46. | |
from Marty Feldman's performance. James McAvoy will play Victor | :53:47. | :53:53. | |
Frankenstein. We started rehearsals. You started today? I was doing | :53:54. | :53:57. | |
rehearsals today but not proper full on. We were just talking through | :53:58. | :54:03. | |
scripts and doing things like that. Nothing thickly exciting for your | :54:04. | :54:07. | |
viewers on forgery, otherwise I would break an exclusive -- nothing | :54:08. | :54:17. | |
very exciting unfortunately. Let's go back to Team Rickshaw. Drum roll, | :54:18. | :54:21. | |
please. It is over half a million! That does | :54:22. | :54:37. | |
not include from Daniel's confession. | :54:38. | :54:46. | |
That is an incredible total, just over half ?1 million, everybody! | :54:47. | :54:55. | |
Amazing! And the you know what, despite some of the hardships we | :54:56. | :55:00. | |
have had today, here is the rickshaw being peddled by Peter, accompanied | :55:01. | :55:06. | |
by his dad. I am marching with them and the Air Training Corps Marching | :55:07. | :55:10. | |
Band. Here come the guys. To greet them we have some of their family | :55:11. | :55:16. | |
members including Nanna Angie. And auntie Teresa and the rest of the | :55:17. | :55:25. | |
family. It is so nice to see these families reunited. It is great. | :55:26. | :55:31. | |
Geoff, if I could just drag you over here as well. Hello, you two. It is | :55:32. | :55:41. | |
a very special day for Geoff as well because it is Geoff's birthday | :55:42. | :55:48. | |
today! To make you feel special we have got you a little cake. It is a | :55:49. | :55:53. | |
special rickshaw cake. There is no doubt you could do with the | :55:54. | :55:57. | |
calories. I will let you and the family tucked in. Go on, everybody, | :55:58. | :56:04. | |
go over there. And we have got another surprise for Miss Eleanor. | :56:05. | :56:11. | |
Oh, yes, for you we have got a special message from someone you | :56:12. | :56:14. | |
absolutely adore. Have a look at the screen. Hello, Eleanor, it is James | :56:15. | :56:20. | |
Arthur here. I think the work you and your dad do is so inspirational. | :56:21. | :56:28. | |
You are phenomenal person. To be -- to do what you have been through is | :56:29. | :56:33. | |
very inspirational. You have inspired me. I want to give you all | :56:34. | :56:38. | |
the luck in the world and love and support and I hope to give you soon. | :56:39. | :56:42. | |
-- I hope to see you soon. Take care. How do you feel about that? I | :56:43. | :56:53. | |
do not know what to say! She is gobsmacked. There is a first for | :56:54. | :56:57. | |
everything. I have got an extra present because James has signed a | :56:58. | :57:03. | |
CD for you but Pudsey sat on it in the rickshaw so it is a bit | :57:04. | :57:07. | |
cracked. I am sorry about that. Team Rickshaw have done edge medicine job | :57:08. | :57:12. | |
but it is time for the rickshaw to roll out of Abergavenny tonight and | :57:13. | :57:16. | |
continue the incredible journey. The guys are working on it as we speak | :57:17. | :57:19. | |
so hopefully they will have fixed it. Just tell us all what happened | :57:20. | :57:25. | |
earlier. We were cycling along, everything was going well, we hit a | :57:26. | :57:31. | |
bump and the handlebars spun all the way round so it broke. You broke the | :57:32. | :57:37. | |
rickshaw? Martin will hopefully ride the rickshaw out but who knows, we | :57:38. | :57:41. | |
will see what happens. Tomorrow night we will be in Oxford. Oprah | :57:42. | :57:46. | |
and Daniel, if you want to come down and have a go, you are more than | :57:47. | :57:51. | |
welcome. We will be in broad Street. Would we love to see Daniel | :57:52. | :57:56. | |
Radcliffe on the rickshaw? I think so. If Bethany says it is OK. What | :57:57. | :58:06. | |
did you think of James Arthur's message? It was fantastic. You are | :58:07. | :58:13. | |
looking a bit tearful, Keith! We have another long night ahead of us. | :58:14. | :58:19. | |
The guys will fix the rickshaw, the guys will get back on it and we will | :58:20. | :58:24. | |
make our way back to Oxford. It is goodbye from Abergavenny. | :58:25. | :58:30. | |
They are doing good work, aren't they. I will put my cream on now. I | :58:31. | :58:37. | |
have a lovely visual image now. You can join us tomorrow in Oxford | :58:38. | :58:44. | |
outside Balliol College and we will be joined by Russell Watson. Talking | :58:45. | :58:48. | |
of the wonderful singing things that people do, it is a big night on | :58:49. | :58:52. | |
Friday night. It will be a big night, we have GLS, one direction, | :58:53. | :58:59. | |
Ellie Goulding, Gary Barlow and some songs from the tilt of the musical. | :59:00. | :59:07. | |
Too many things to mention. -- Matilda the musical. Thank you, | :59:08. | :59:14. | |
Daniel Radcliffe. Have you had a nice time? I have enjoyed myself. | :59:15. | :59:17. |