Browse content similar to 15/03/2016. Check below for episodes and series from the same categories and more!
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APPLAUSE AND CHEERING | :00:18. | :00:20. | |
Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:21. | :00:27. | |
It's wonderful to be here. We are launching a special award here on | :00:28. | :00:31. | |
The One Show. Here it is. It's the contribution to the world of | :00:32. | :00:32. | |
entertainment. APPLAUSE AND | :00:33. | :00:36. | |
CHEERING Listen, because tonight's recipient | :00:37. | :00:41. | |
has had a career spanning over six decades. He is a multi-Olivier and | :00:42. | :00:48. | |
Tony award-winning star whose work encompasses film and television and | :00:49. | :00:52. | |
theatre. Drum roll, please. The winner is... Michael Crawford! | :00:53. | :00:57. | |
APPLAUSE AND CHEERING | :00:58. | :01:05. | |
Michaelle, lovely to see you -- Michael, lovely to see you. Huge | :01:06. | :01:09. | |
congratulations. Sit yourself down, Michael. Michael, we are chuffed to | :01:10. | :01:14. | |
bits for you. We are. Here is the award in all its glory. You can see | :01:15. | :01:18. | |
here we have engraved your name on the... Oh, hang on a minute. It says | :01:19. | :01:25. | |
Dame Judi Dench here. Hang on. There you are. It's cheap, you can scratch | :01:26. | :01:31. | |
it off to be honest. Thank you so much. The reason we have done that | :01:32. | :01:36. | |
is because you are used to this. It's happened to you before. It did, | :01:37. | :01:46. | |
thank you for bringing it up again. It was 20, 30, 50 years ago. I was | :01:47. | :01:54. | |
up for Best Newcomer at the BAFTAs or whatever they were called then. | :01:55. | :02:03. | |
James Mason, a very big star had, I think, been overserved. Of course, | :02:04. | :02:10. | |
yes. He said, and, ladies and gentlemen, the winner is... Michael | :02:11. | :02:18. | |
Crawford. Great. And I was so excited. Over the moon. Over the | :02:19. | :02:26. | |
moon. Up I ran and got to him and he said, oh, no! No. There's been a | :02:27. | :02:38. | |
mistake. Judi Dench. I said, well, did I come second? You know, there | :02:39. | :02:44. | |
wasn't a big laugh on that. So I had to turn around and go all the way | :02:45. | :02:51. | |
back and pass lovely Judi Dench on the way saying, so sorry. But we got | :02:52. | :02:56. | |
actually more publicity because it was front page on the pages the next | :02:57. | :03:00. | |
day. We did quite well. Sorry to bring that up. No, thank you so | :03:01. | :03:05. | |
much. It's good to see it. Tonight we would love to hear from you, we | :03:06. | :03:09. | |
are going to go on with it now. If you have won a prize for something | :03:10. | :03:13. | |
that wasn't actually yours, I don't know, have you won a local bake | :03:14. | :03:17. | |
competition with your mum's carrot cake? Or maybe your grandfather's | :03:18. | :03:24. | |
runner beans with Best In Show? Send them in and we will show them later | :03:25. | :03:30. | |
in the show. An exclusive news on a Some Mothers Do 'Ave 'Em sketch to | :03:31. | :03:33. | |
be shown as part of Sport Relief this Friday. We are excited about | :03:34. | :03:38. | |
this. First, let's go from theatrical to cinematic. | :03:39. | :03:44. | |
A year ago, one team didn't dare to think the unthinkable. To rise from | :03:45. | :03:51. | |
the Ashes, see the impossible dream. 12 months on they've achieved the | :03:52. | :03:57. | |
stuff of legends. Their fans are already preparing to say... I was | :03:58. | :04:03. | |
there! So we sent Alex Riley along too. | :04:04. | :04:08. | |
I have come to Leicester to investigate some reports of strange | :04:09. | :04:13. | |
rumblings. Are you aware of seismic activity? | :04:14. | :04:21. | |
No. Have you felt the tremors? Only when I haven't taken the tablets. | :04:22. | :04:25. | |
I think I did the other night. Did you? Yes. It's happened before. It's | :04:26. | :04:36. | |
not the work of mother nature but excited Leicester City fans. It's | :04:37. | :04:47. | |
been dubbed the Vardy-quake. Excitement over the Facts success is | :04:48. | :04:55. | |
Galvinising the city. Is anxiety kicking in? For Mick this is unknown | :04:56. | :04:59. | |
territory. Leicester have looked invincible. We don't look as if we | :05:00. | :05:03. | |
are going to lose. That's the thing that scares me the most. I have an | :05:04. | :05:06. | |
expectation of coming away with points and never used to have that. | :05:07. | :05:11. | |
At what point did you start to get nervous? In the beginning it was | :05:12. | :05:15. | |
fun. Now it feels like you could get the biggest prize in football. | :05:16. | :05:19. | |
February I was nervous in February because I thought the bubble was | :05:20. | :05:22. | |
going to burst and we are in March and still there, two points clear | :05:23. | :05:26. | |
with a game in hand. I am nervous. Excitement nervous. | :05:27. | :05:30. | |
A handful of fans have gone one step further by backing Leicester to win | :05:31. | :05:34. | |
the league at the start of the season. Some had odds of 5,000-1. I | :05:35. | :05:40. | |
saw the odds, I had spare money so I decided to put a couple of bets on. | :05:41. | :05:45. | |
Cashed out on one of them. They gave you how much? ?1600. Why did you | :05:46. | :05:51. | |
panic? I am a student. I needed the money. You cashed in, as well? At | :05:52. | :05:57. | |
what point did you say enough is enough When the wife wanted a new | :05:58. | :06:01. | |
kitchen. It's still going to be tight to the end of the season but | :06:02. | :06:04. | |
after West Brom I checked to see what it would be if I was to cash in | :06:05. | :06:11. | |
and they said ?16,000 on Wednesday Tottenham and Manchester City and | :06:12. | :06:15. | |
Arsenal all lost. They said 29, I said OK. Are you going to go the | :06:16. | :06:19. | |
full distance? I believe Leicester can do it. They have the squad and | :06:20. | :06:23. | |
the spirit and there is a momentum there. So, I would love to keep the | :06:24. | :06:30. | |
bet. It's a dream to win the league and potentially have 50,000 on it is | :06:31. | :06:33. | |
possibly a bridge too far for a heart attack! | :06:34. | :06:39. | |
Well, the match has already started and I am wondering if we are in for | :06:40. | :06:45. | |
another Vardy-quake. Adam from the University of of Leicester is | :06:46. | :06:49. | |
monitoring the situation. The goal that your equipment | :06:50. | :06:54. | |
measured was a last-minute winner against Norwich. Was that the sound | :06:55. | :07:00. | |
of pure joy that you picked up or was it the vibrations of relief? I | :07:01. | :07:03. | |
think it was a mixture of both really. That crucial 89th minute | :07:04. | :07:06. | |
deciding goal, that obviously is going to be something for fans to | :07:07. | :07:11. | |
really celebrate. We think the goal tied in with our machinery at the | :07:12. | :07:14. | |
university and we realised that it was actually a goal scored. I mean, | :07:15. | :07:19. | |
an earthquake could be going off now. I can feel the ground moving! | :07:20. | :07:25. | |
Yeah, there you go. I can't believe that we just had a goal scored while | :07:26. | :07:31. | |
we are actually on here doing this! The way it's created by the fans, | :07:32. | :07:34. | |
that's travelling through the ground as we are standing here and that's | :07:35. | :07:37. | |
going to be picked up at our university on the machinery. Could | :07:38. | :07:41. | |
it be bigger than the one before? Who knows, maybe the fans have given | :07:42. | :07:44. | |
it all they've got and maybe. It was! Measuring 0. 5. Leicester | :07:45. | :07:52. | |
City's incredible season rumbles on. Even I enjoyed that and I know | :07:53. | :07:58. | |
nothing about football. Incredible support even from a Newcastle | :07:59. | :08:01. | |
supporter's perspective. Five points clear, who knows what will happen? | :08:02. | :08:07. | |
It's gone over my head! Let's talk about your new musical, Michael. You | :08:08. | :08:13. | |
are coming back to the stage. It's called The The Go-Between. It's | :08:14. | :08:17. | |
based on a book. What's the musical all about? It's a very complicated | :08:18. | :08:24. | |
story. To simplify it, there was a movie made of it years ago which won | :08:25. | :08:33. | |
the Cannes Film Festival with Julie Christie and Alan Bates. In the 70s. | :08:34. | :08:37. | |
A beautiful production recently on television about a year ago. None of | :08:38. | :08:43. | |
them have touched the way that the book was actually written about - | :08:44. | :08:50. | |
it's nationalated by the man himself -- narrated by the man himself whose | :08:51. | :08:54. | |
life it is about as a 12-year-old. It's 50 years back. On the stage we | :08:55. | :09:03. | |
can have the two of them together. I watch the reenactment of what went | :09:04. | :09:08. | |
on when he was 12. He goes to stay with a best friend who is an | :09:09. | :09:13. | |
aristocrat and meets his sister, the most beautiful girl and when you are | :09:14. | :09:16. | |
12 the most beautiful girl you never forget her. You have a crush. He has | :09:17. | :09:22. | |
a crush on her and will do anything for her. And becomes involved in | :09:23. | :09:32. | |
being a go-between her and the lover who is a farmer. You see what I | :09:33. | :09:42. | |
mean. It's pretty nasty. ''S already engaged really to another man. He | :09:43. | :09:45. | |
gets involved innocently. It's a beautiful story. It's the turning | :09:46. | :09:50. | |
point of someone's life at 12. What happens at the end of this story | :09:51. | :09:58. | |
never leaves him. It's disturbing in one's heart. It's truly a labour of | :09:59. | :10:04. | |
love for me this because it's really hard and I like a challenge. Just | :10:05. | :10:08. | |
basically the amount of time that you are on stage and the story you | :10:09. | :10:14. | |
have to tell? Yes. It's mentally going to be, eight shows a week, so | :10:15. | :10:21. | |
I am singing quite a lot through it. Really, I mean, that's an enormous | :10:22. | :10:26. | |
amount. But much of the music is quite beautiful. Other is part of | :10:27. | :10:33. | |
the dialogue. Working with the child takes me back to childhood when I | :10:34. | :10:42. | |
was 12 when I started. I started at 12 and I had to audition for | :10:43. | :10:47. | |
Benjamin Briton and for this musical I was keen on it and we couldn't get | :10:48. | :10:51. | |
a theatre easily when I finally decided I worked on it for two years | :10:52. | :10:56. | |
and finally when I said yes, let's go, we didn't have a theatre. So, I | :10:57. | :11:09. | |
got my agent to call the owner of The The Apollo and I said... That's | :11:10. | :11:13. | |
where you are putting it on. I said, would you listen to us in this | :11:14. | :11:17. | |
Church hall? I virtually auditioned for her. With the composer playing | :11:18. | :11:23. | |
the piano. I did the whole show for her. At the end of it we got it. | :11:24. | :11:29. | |
Fantastic. APPLAUSE | :11:30. | :11:34. | |
We got the Apollo. It's exciting. Previews start 27th May. And we open | :11:35. | :11:40. | |
on June 7th proper. Lovely. Don't come before then! Because you are | :11:41. | :11:47. | |
not ready. We have to talk to you about The Phantom of the Opera. I | :11:48. | :11:52. | |
came to work today because they said they would play this clip. Let's | :11:53. | :11:57. | |
enjoy it for a second. # Let the dream begin | :11:58. | :12:04. | |
# Let your darkest side give in # To the power of the music that I | :12:05. | :12:11. | |
write # The power of the music of the | :12:12. | :12:18. | |
night APPLAUSE AND | :12:19. | :12:22. | |
CHEERING Michael, I mean, you can see there | :12:23. | :12:26. | |
the minute that music came on and you saw that clip your breathing | :12:27. | :12:32. | |
changed. Everything about you was there. I mean, that changed my life. | :12:33. | :12:41. | |
Absolutely changed my life. It's nearly 30 years now since we did it. | :12:42. | :12:50. | |
It just truly seems like the other day that you did it. So, I... I | :12:51. | :12:58. | |
couldn't be more in love with that character of creating that man. He | :12:59. | :13:04. | |
meant so much to me. I mean, it is the 30th anniversary as you say. | :13:05. | :13:08. | |
Have they been in contact and said would you, can you, could you? No. | :13:09. | :13:13. | |
LAUGHTER Oh, we want to see that. Would you? | :13:14. | :13:19. | |
If they're watching... They couldn't have been as impressed as we were! | :13:20. | :13:26. | |
Oh, no. You would be fantastic to see. I sing it often when I am | :13:27. | :13:34. | |
warming up because I had the most wonderful singing teacher who I lost | :13:35. | :13:38. | |
a few years back, about five years ago. I still use his warm-up every | :13:39. | :13:43. | |
day of my life. I still play it. He still argues with me on the tape | :13:44. | :13:48. | |
every day. You play the... You must not do that, darling! I can't stand | :13:49. | :13:52. | |
what you are doing now. I said all right, can I try? Sno No, I am going | :13:53. | :13:57. | |
to turn this off. He turns the machine off because he loses | :13:58. | :14:00. | |
patience. Isn't that a wonderful insight into your life. Really | :14:01. | :14:04. | |
lovely. You will know all about the subject of our next film. Don Black. | :14:05. | :14:11. | |
You made your West End musical debut together in the show Billy. Tonight | :14:12. | :14:17. | |
he is talking about the story behind the Oscar-winning song Born Free. | :14:18. | :14:24. | |
The open skies of the African savannah. A lion that longs to | :14:25. | :14:28. | |
return home and, of course, that song. | :14:29. | :14:32. | |
# Born free # As free as the wind blows. | :14:33. | :14:38. | |
Born Free, a British film about a couple who raise and release a lion | :14:39. | :14:44. | |
named Elsa became a hit in 1966. It was accompanied by a theme song | :14:45. | :14:51. | |
as memorable as the film itself. But this iconic track very nearly | :14:52. | :14:55. | |
didn't make the film at all because the lyrics were deemed it too | :14:56. | :15:00. | |
political. Don Black was the song's co-writer. | :15:01. | :15:05. | |
Today he is best known for iconic tracks like Diamonds are Forever, | :15:06. | :15:09. | |
The Man with the Golden Gun and Thunderball. In the mid-60s his | :15:10. | :15:15. | |
career was just beginning when John Barry approached him to work on a | :15:16. | :15:18. | |
new film. At the time, he was living in this | :15:19. | :15:23. | |
house in north London. The One Show has arranged for him to return for | :15:24. | :15:25. | |
the first time in over 30 years. Where would you have written the | :15:26. | :15:35. | |
song? In the kitchen, about here. John sent me the tune Onica set, | :15:36. | :15:44. | |
which I played until it was in my head, and then I stared out of | :15:45. | :15:49. | |
windows and had a walk in the park and I finally settled on born free, | :15:50. | :15:54. | |
as free as the wind blows, it seemed to write itself, somehow. It was an | :15:55. | :16:00. | |
outpouring. It was the biggest break of his career, Matt Ron -- Matt | :16:01. | :16:10. | |
Munro was enlisted to sing the song, but then there was a spanner in the | :16:11. | :16:15. | |
works. Everyone loved the song but the producer, Carl Foreman, he did | :16:16. | :16:19. | |
not like it, and he thought the tune was too epic and he thought the | :16:20. | :16:22. | |
lyric was too much of a social comment. He wanted it to be more | :16:23. | :16:30. | |
about lions in cages. In a time of apartheid in South Africa and racial | :16:31. | :16:35. | |
tension in America, Don Black's lyrics about universal freedom and | :16:36. | :16:37. | |
breaking boundaries had struck a nerve. And at the film's | :16:38. | :16:43. | |
star-studded premiere the songwriting team was in for a shock. | :16:44. | :16:47. | |
We were thrilled and excited, the royal premiere, and it was a shock | :16:48. | :16:54. | |
to be there that night and the song wasn't there. To everyone's surprise | :16:55. | :17:00. | |
the track had been taken from the film, but luck was on their side. | :17:01. | :17:05. | |
Shortly after, cover was released in America by Unison Roger Williams and | :17:06. | :17:13. | |
was an instant hit. -- by pianist. Realising their mistake, they | :17:14. | :17:16. | |
restored the original track and the following year it was awarded Best | :17:17. | :17:20. | |
Song at the Oscars. Do you still have the award? I have got it on me, | :17:21. | :17:27. | |
I keep with me all the time. Hello, Mr Oscar, that must have been quite | :17:28. | :17:33. | |
a night. It was indeed. Ever since then I have been introduced as | :17:34. | :17:36. | |
Oscar-winning lyricist, it stays with you. It is a lovely feeling. | :17:37. | :17:45. | |
Thanks to its inclusion in the film, Born Free would become famous the | :17:46. | :17:49. | |
world over, rallying cry for conservationists and civil rights | :17:50. | :17:52. | |
campaigners alike, not bad for an afternoon at the kitchen table. | :17:53. | :18:01. | |
# Live free... The ridge what makes the song so special? Why is it so | :18:02. | :18:12. | |
well loved 50 years later Britain there is something a song can do | :18:13. | :18:22. | |
that words can't, and Born Free goes to the heart of people, to be as | :18:23. | :18:28. | |
free as the wind blows. So many people would like to be in that | :18:29. | :18:34. | |
position, unfortunately. The ridge because you're born free... | :18:35. | :18:43. | |
# Bravo, that is absolutely beautiful. What a musical show we | :18:44. | :18:53. | |
are having. Anyway, it can't have a schedule noticed, it is Sport Relief | :18:54. | :18:57. | |
on Friday and there is extra excitement because Frank Spencer is | :18:58. | :19:02. | |
back. -- it can't have escaped your notice. APPLAUSE | :19:03. | :19:13. | |
On The One Show we are such big fans of the incredible stunts that you | :19:14. | :19:17. | |
did and Some Mothers Do 'Ave 'Em, and a few months ago our stunt team | :19:18. | :19:21. | |
did this in recognition of what you went through. We have stunt men | :19:22. | :19:26. | |
involved in this, but you did all this on your own. Yes. Jamie here, | :19:27. | :19:35. | |
he is playing the part. He was my boss for this sequence. Was he? He | :19:36. | :19:43. | |
was my stunt adviser. You watch this at home the night it went out on The | :19:44. | :19:49. | |
One Show? I did. Very bizarre. It was very strange. Especially when | :19:50. | :19:59. | |
Gyles came up and said, "That was me", and then I thought it was time | :20:00. | :20:05. | |
to have a drink. LAUGHTER 42 years since you have the roller | :20:06. | :20:12. | |
boots on and 38 years since the final episode of Some Mothers Do | :20:13. | :20:15. | |
'Ave 'Em, but you have brought along an exclusive clip that will go out | :20:16. | :20:22. | |
and Sport Relief on Friday. This is courtesy of Michael, we can have a | :20:23. | :20:23. | |
look. I got some change this time. | :20:24. | :20:55. | |
Congratulations, by the way. CHEERING | :20:56. | :21:03. | |
We want to see all of that now. I hope you don't mind, you are doing | :21:04. | :21:09. | |
all the stunts yourself at your age, were there any injuries? Yes, I got | :21:10. | :21:16. | |
that, I was hoping it would last a bit longer, but it has nearly | :21:17. | :21:21. | |
disappeared. I try to hide it before I got here, but it highlighted it. | :21:22. | :21:28. | |
That was it, so I was very lucky. For you, we were talking downstairs | :21:29. | :21:31. | |
about the fact that so many people have asked you to come back with a | :21:32. | :21:36. | |
sketch but you really wanted to do this, and this is your writing, as | :21:37. | :21:43. | |
well. Yes, I put a lot of that together, with the help, Raymond | :21:44. | :21:50. | |
Allen came in, he was the original writer, to put a few words in, and | :21:51. | :21:57. | |
they were true Frank Spencer words. No, we had not done it in 42 years | :21:58. | :22:01. | |
and we hadn't wanted to go back to it, because we had run our course. | :22:02. | :22:08. | |
Comic relief is extraordinary. This young woman here, she did a | :22:09. | :22:14. | |
remarkable job last week, absolutely remarkable. Thank you, Michael. | :22:15. | :22:21. | |
CHEERING The stuff you filmed when you were | :22:22. | :22:27. | |
away, we were weeping at home, you could not help but weak, and when | :22:28. | :22:30. | |
you see these children and these people who have nothing, but we have | :22:31. | :22:37. | |
everything, we can give it, we can do it, and show people. The British | :22:38. | :22:44. | |
public than get involved and we are great at it, the British public are | :22:45. | :22:48. | |
great, they'll was have been. So supportive. -- they always have | :22:49. | :22:56. | |
been. You will do anything for that, it is humanity. Last week at the | :22:57. | :23:02. | |
carriage of going on that... I love sailing, but forget that. -- the | :23:03. | :23:09. | |
courage of going on that. If I was you, stick to the roller skating, | :23:10. | :23:13. | |
the velodrome, just talk us through this photo. It was full in there. I | :23:14. | :23:22. | |
don't know if Bradley Wiggins could feel me there, what I was doing to | :23:23. | :23:27. | |
him! LAUGHTER The appeal I was going to do | :23:28. | :23:30. | |
something with Bradley Wiggins at the velodrome, one of the nights at | :23:31. | :23:35. | |
the World Championships, this was two weeks ago now. This was the | :23:36. | :23:43. | |
climax of our work for four months and the crew had been together, | :23:44. | :23:50. | |
doing these stunts, willing us to do them, willing me to stay on the back | :23:51. | :23:54. | |
of the bus. When we got to the velodrome, there were 6000 people, | :23:55. | :24:01. | |
we have been a shooting from the morning, and we had been there from | :24:02. | :24:08. | |
630, at 1030 was our time to go on. I was quite nervous. We got inside | :24:09. | :24:19. | |
and as we went out, the crowd went nuts, they simply started jumping up | :24:20. | :24:22. | |
and down and we went round and we were going at 30 kilometres per hour | :24:23. | :24:31. | |
in the end. We can't wait to see it. Supple McCartney is also part of | :24:32. | :24:37. | |
this. Amazing. -- Sir Paul McCartney. CHEERING | :24:38. | :24:44. | |
It starts at seven o'clock. And now it is time for a bit more Gyles, but | :24:45. | :24:50. | |
minus the skates. Not that we are a competitive family, but toast and | :24:51. | :24:56. | |
family are never enough at our family table. Me and my daughter | :24:57. | :25:02. | |
needs serious brain food. What is better than a crossword? This one | :25:03. | :25:08. | |
has been specially set for The One Show them the crossword editor of | :25:09. | :25:15. | |
the Times newspaper. -- by the crossword editor. The crossword, the | :25:16. | :25:24. | |
idea crossed the Atlantic and it eventually appeared in the Times | :25:25. | :25:31. | |
newspaper in 1930. It evolved differently to America, and it | :25:32. | :25:33. | |
became the cryptic crossword which we know now, American crosswords | :25:34. | :25:38. | |
have simpler clues. What is the essence of a cryptic clue? Very nice | :25:39. | :25:44. | |
cryptic clue, object, puzzle going over 1's head, it plays on the | :25:45. | :25:52. | |
meaning of object. You don't object to a object going over your head, | :25:53. | :25:55. | |
but an object which might puzzle you might be a UFO. I'm still stuck on | :25:56. | :26:05. | |
one across. Put on yours truly and The One Show. You have got to look | :26:06. | :26:12. | |
at enabling, side-by-side, and not only that, but being trained by that | :26:13. | :26:17. | |
fact. You need to have an interesting background. You were a | :26:18. | :26:23. | |
spy? I was a civil servant at GCHQ, but all I used to spy on was the | :26:24. | :26:29. | |
coffee percolator. They'll say that! Yes, we have to say that. There is a | :26:30. | :26:35. | |
long tradition of the special services recruiting the ablest | :26:36. | :26:41. | |
crossword solvers. In the Second World War they had a fake crossword, | :26:42. | :26:45. | |
and people turned up two Feet St and they did these crosswords, and the | :26:46. | :26:50. | |
ones that did this the best, they would take the side -- they turned | :26:51. | :26:54. | |
up to Fleet Street. They then were taken aside and they were sent to | :26:55. | :27:00. | |
Bletchley Park and they managed to work out what the Nazis were | :27:01. | :27:04. | |
planning. The British lover crosswords is what has became -- is | :27:05. | :27:15. | |
what has won us the war. Crosswords also contains their own messages, | :27:16. | :27:21. | |
birthday wishes, marriage proposals, and more sombre news. I'm thinking | :27:22. | :27:28. | |
of John Graham, a puzzle of his appeared in the guarded with a | :27:29. | :27:35. | |
message at the top, it said, the clue, sign of growth, and when you | :27:36. | :27:41. | |
see the word sign, you think of signs of the zodiac, could that be | :27:42. | :27:48. | |
Torres or cancer? -- Torres. Your stomach lurches when you see | :27:49. | :27:53. | |
something like that. 14.7 million people in the UK do battle with a | :27:54. | :27:56. | |
crossword at least once a week, and with electronic access they are more | :27:57. | :28:01. | |
popular than ever. There can't be many addictions that Frank Sinatra, | :28:02. | :28:09. | |
the Queen and Sepp Blatter have in common, but this is one. There are | :28:10. | :28:14. | |
ways of cheating, this dictionary has 3000 possible solutions, | :28:15. | :28:18. | |
collected single-handedly over a lifetime by 85-year-old and | :28:19. | :28:25. | |
Bradford. An ordinary book of cryptic crosswords, I might do 12 in | :28:26. | :28:28. | |
one go and that might be about an hour. I have a strange brain. It was | :28:29. | :28:35. | |
discovered I could read upside down just as easily as the right way up | :28:36. | :28:39. | |
when I was quite young, new also need to be good at anagrams, | :28:40. | :28:44. | |
wordplay, and there is a great satisfaction in working out the clue | :28:45. | :28:49. | |
-- you also. It is great to get them. Dad, 32 minutes and 34 | :28:50. | :28:56. | |
seconds, but I had to admit defeat and 17 across, I'm afraid, I could | :28:57. | :29:03. | |
not crack it. I got that one. Bernhard is an anagram of Brandreth, | :29:04. | :29:09. | |
so I managed to get that in just under 30 minutes, but then I'm old | :29:10. | :29:14. | |
enough to be your father. STUDIO: Thanks to them. We will put the | :29:15. | :29:23. | |
crossword on the website and also those photographs of things that you | :29:24. | :29:27. | |
should not have won, they also the website. Michael, good luck with the | :29:28. | :29:33. | |
show. Thanks | :29:34. | :29:34. |