15/03/2016 The One Show


15/03/2016

Similar Content

Browse content similar to 15/03/2016. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

APPLAUSE AND CHEERING

:00:18.:00:20.

Hello and welcome to The One Show with Matt Baker. And Alex Jones.

:00:21.:00:27.

It's wonderful to be here. We are launching a special award here on

:00:28.:00:31.

The One Show. Here it is. It's the contribution to the world of

:00:32.:00:32.

entertainment. APPLAUSE AND

:00:33.:00:36.

CHEERING Listen, because tonight's recipient

:00:37.:00:41.

has had a career spanning over six decades. He is a multi-Olivier and

:00:42.:00:48.

Tony award-winning star whose work encompasses film and television and

:00:49.:00:52.

theatre. Drum roll, please. The winner is... Michael Crawford!

:00:53.:00:57.

APPLAUSE AND CHEERING

:00:58.:01:05.

Michaelle, lovely to see you -- Michael, lovely to see you. Huge

:01:06.:01:09.

congratulations. Sit yourself down, Michael. Michael, we are chuffed to

:01:10.:01:14.

bits for you. We are. Here is the award in all its glory. You can see

:01:15.:01:18.

here we have engraved your name on the... Oh, hang on a minute. It says

:01:19.:01:25.

Dame Judi Dench here. Hang on. There you are. It's cheap, you can scratch

:01:26.:01:31.

it off to be honest. Thank you so much. The reason we have done that

:01:32.:01:36.

is because you are used to this. It's happened to you before. It did,

:01:37.:01:46.

thank you for bringing it up again. It was 20, 30, 50 years ago. I was

:01:47.:01:54.

up for Best Newcomer at the BAFTAs or whatever they were called then.

:01:55.:02:03.

James Mason, a very big star had, I think, been overserved. Of course,

:02:04.:02:10.

yes. He said, and, ladies and gentlemen, the winner is... Michael

:02:11.:02:18.

Crawford. Great. And I was so excited. Over the moon. Over the

:02:19.:02:26.

moon. Up I ran and got to him and he said, oh, no! No. There's been a

:02:27.:02:38.

mistake. Judi Dench. I said, well, did I come second? You know, there

:02:39.:02:44.

wasn't a big laugh on that. So I had to turn around and go all the way

:02:45.:02:51.

back and pass lovely Judi Dench on the way saying, so sorry. But we got

:02:52.:02:56.

actually more publicity because it was front page on the pages the next

:02:57.:03:00.

day. We did quite well. Sorry to bring that up. No, thank you so

:03:01.:03:05.

much. It's good to see it. Tonight we would love to hear from you, we

:03:06.:03:09.

are going to go on with it now. If you have won a prize for something

:03:10.:03:13.

that wasn't actually yours, I don't know, have you won a local bake

:03:14.:03:17.

competition with your mum's carrot cake? Or maybe your grandfather's

:03:18.:03:24.

runner beans with Best In Show? Send them in and we will show them later

:03:25.:03:30.

in the show. An exclusive news on a Some Mothers Do 'Ave 'Em sketch to

:03:31.:03:33.

be shown as part of Sport Relief this Friday. We are excited about

:03:34.:03:38.

this. First, let's go from theatrical to cinematic.

:03:39.:03:44.

A year ago, one team didn't dare to think the unthinkable. To rise from

:03:45.:03:51.

the Ashes, see the impossible dream. 12 months on they've achieved the

:03:52.:03:57.

stuff of legends. Their fans are already preparing to say... I was

:03:58.:04:03.

there! So we sent Alex Riley along too.

:04:04.:04:08.

I have come to Leicester to investigate some reports of strange

:04:09.:04:13.

rumblings. Are you aware of seismic activity?

:04:14.:04:21.

No. Have you felt the tremors? Only when I haven't taken the tablets.

:04:22.:04:25.

I think I did the other night. Did you? Yes. It's happened before. It's

:04:26.:04:36.

not the work of mother nature but excited Leicester City fans. It's

:04:37.:04:47.

been dubbed the Vardy-quake. Excitement over the Facts success is

:04:48.:04:55.

Galvinising the city. Is anxiety kicking in? For Mick this is unknown

:04:56.:04:59.

territory. Leicester have looked invincible. We don't look as if we

:05:00.:05:03.

are going to lose. That's the thing that scares me the most. I have an

:05:04.:05:06.

expectation of coming away with points and never used to have that.

:05:07.:05:11.

At what point did you start to get nervous? In the beginning it was

:05:12.:05:15.

fun. Now it feels like you could get the biggest prize in football.

:05:16.:05:19.

February I was nervous in February because I thought the bubble was

:05:20.:05:22.

going to burst and we are in March and still there, two points clear

:05:23.:05:26.

with a game in hand. I am nervous. Excitement nervous.

:05:27.:05:30.

A handful of fans have gone one step further by backing Leicester to win

:05:31.:05:34.

the league at the start of the season. Some had odds of 5,000-1. I

:05:35.:05:40.

saw the odds, I had spare money so I decided to put a couple of bets on.

:05:41.:05:45.

Cashed out on one of them. They gave you how much? ?1600. Why did you

:05:46.:05:51.

panic? I am a student. I needed the money. You cashed in, as well? At

:05:52.:05:57.

what point did you say enough is enough When the wife wanted a new

:05:58.:06:01.

kitchen. It's still going to be tight to the end of the season but

:06:02.:06:04.

after West Brom I checked to see what it would be if I was to cash in

:06:05.:06:11.

and they said ?16,000 on Wednesday Tottenham and Manchester City and

:06:12.:06:15.

Arsenal all lost. They said 29, I said OK. Are you going to go the

:06:16.:06:19.

full distance? I believe Leicester can do it. They have the squad and

:06:20.:06:23.

the spirit and there is a momentum there. So, I would love to keep the

:06:24.:06:30.

bet. It's a dream to win the league and potentially have 50,000 on it is

:06:31.:06:33.

possibly a bridge too far for a heart attack!

:06:34.:06:39.

Well, the match has already started and I am wondering if we are in for

:06:40.:06:45.

another Vardy-quake. Adam from the University of of Leicester is

:06:46.:06:49.

monitoring the situation. The goal that your equipment

:06:50.:06:54.

measured was a last-minute winner against Norwich. Was that the sound

:06:55.:07:00.

of pure joy that you picked up or was it the vibrations of relief? I

:07:01.:07:03.

think it was a mixture of both really. That crucial 89th minute

:07:04.:07:06.

deciding goal, that obviously is going to be something for fans to

:07:07.:07:11.

really celebrate. We think the goal tied in with our machinery at the

:07:12.:07:14.

university and we realised that it was actually a goal scored. I mean,

:07:15.:07:19.

an earthquake could be going off now. I can feel the ground moving!

:07:20.:07:25.

Yeah, there you go. I can't believe that we just had a goal scored while

:07:26.:07:31.

we are actually on here doing this! The way it's created by the fans,

:07:32.:07:34.

that's travelling through the ground as we are standing here and that's

:07:35.:07:37.

going to be picked up at our university on the machinery. Could

:07:38.:07:41.

it be bigger than the one before? Who knows, maybe the fans have given

:07:42.:07:44.

it all they've got and maybe. It was! Measuring 0. 5. Leicester

:07:45.:07:52.

City's incredible season rumbles on. Even I enjoyed that and I know

:07:53.:07:58.

nothing about football. Incredible support even from a Newcastle

:07:59.:08:01.

supporter's perspective. Five points clear, who knows what will happen?

:08:02.:08:07.

It's gone over my head! Let's talk about your new musical, Michael. You

:08:08.:08:13.

are coming back to the stage. It's called The The Go-Between. It's

:08:14.:08:17.

based on a book. What's the musical all about? It's a very complicated

:08:18.:08:24.

story. To simplify it, there was a movie made of it years ago which won

:08:25.:08:33.

the Cannes Film Festival with Julie Christie and Alan Bates. In the 70s.

:08:34.:08:37.

A beautiful production recently on television about a year ago. None of

:08:38.:08:43.

them have touched the way that the book was actually written about -

:08:44.:08:50.

it's nationalated by the man himself -- narrated by the man himself whose

:08:51.:08:54.

life it is about as a 12-year-old. It's 50 years back. On the stage we

:08:55.:09:03.

can have the two of them together. I watch the reenactment of what went

:09:04.:09:08.

on when he was 12. He goes to stay with a best friend who is an

:09:09.:09:13.

aristocrat and meets his sister, the most beautiful girl and when you are

:09:14.:09:16.

12 the most beautiful girl you never forget her. You have a crush. He has

:09:17.:09:22.

a crush on her and will do anything for her. And becomes involved in

:09:23.:09:32.

being a go-between her and the lover who is a farmer. You see what I

:09:33.:09:42.

mean. It's pretty nasty. ''S already engaged really to another man. He

:09:43.:09:45.

gets involved innocently. It's a beautiful story. It's the turning

:09:46.:09:50.

point of someone's life at 12. What happens at the end of this story

:09:51.:09:58.

never leaves him. It's disturbing in one's heart. It's truly a labour of

:09:59.:10:04.

love for me this because it's really hard and I like a challenge. Just

:10:05.:10:08.

basically the amount of time that you are on stage and the story you

:10:09.:10:14.

have to tell? Yes. It's mentally going to be, eight shows a week, so

:10:15.:10:21.

I am singing quite a lot through it. Really, I mean, that's an enormous

:10:22.:10:26.

amount. But much of the music is quite beautiful. Other is part of

:10:27.:10:33.

the dialogue. Working with the child takes me back to childhood when I

:10:34.:10:42.

was 12 when I started. I started at 12 and I had to audition for

:10:43.:10:47.

Benjamin Briton and for this musical I was keen on it and we couldn't get

:10:48.:10:51.

a theatre easily when I finally decided I worked on it for two years

:10:52.:10:56.

and finally when I said yes, let's go, we didn't have a theatre. So, I

:10:57.:11:09.

got my agent to call the owner of The The Apollo and I said... That's

:11:10.:11:13.

where you are putting it on. I said, would you listen to us in this

:11:14.:11:17.

Church hall? I virtually auditioned for her. With the composer playing

:11:18.:11:23.

the piano. I did the whole show for her. At the end of it we got it.

:11:24.:11:29.

Fantastic. APPLAUSE

:11:30.:11:34.

We got the Apollo. It's exciting. Previews start 27th May. And we open

:11:35.:11:40.

on June 7th proper. Lovely. Don't come before then! Because you are

:11:41.:11:47.

not ready. We have to talk to you about The Phantom of the Opera. I

:11:48.:11:52.

came to work today because they said they would play this clip. Let's

:11:53.:11:57.

enjoy it for a second. # Let the dream begin

:11:58.:12:04.

# Let your darkest side give in # To the power of the music that I

:12:05.:12:11.

write # The power of the music of the

:12:12.:12:18.

night APPLAUSE AND

:12:19.:12:22.

CHEERING Michael, I mean, you can see there

:12:23.:12:26.

the minute that music came on and you saw that clip your breathing

:12:27.:12:32.

changed. Everything about you was there. I mean, that changed my life.

:12:33.:12:41.

Absolutely changed my life. It's nearly 30 years now since we did it.

:12:42.:12:50.

It just truly seems like the other day that you did it. So, I... I

:12:51.:12:58.

couldn't be more in love with that character of creating that man. He

:12:59.:13:04.

meant so much to me. I mean, it is the 30th anniversary as you say.

:13:05.:13:08.

Have they been in contact and said would you, can you, could you? No.

:13:09.:13:13.

LAUGHTER Oh, we want to see that. Would you?

:13:14.:13:19.

If they're watching... They couldn't have been as impressed as we were!

:13:20.:13:26.

Oh, no. You would be fantastic to see. I sing it often when I am

:13:27.:13:34.

warming up because I had the most wonderful singing teacher who I lost

:13:35.:13:38.

a few years back, about five years ago. I still use his warm-up every

:13:39.:13:43.

day of my life. I still play it. He still argues with me on the tape

:13:44.:13:48.

every day. You play the... You must not do that, darling! I can't stand

:13:49.:13:52.

what you are doing now. I said all right, can I try? Sno No, I am going

:13:53.:13:57.

to turn this off. He turns the machine off because he loses

:13:58.:14:00.

patience. Isn't that a wonderful insight into your life. Really

:14:01.:14:04.

lovely. You will know all about the subject of our next film. Don Black.

:14:05.:14:11.

You made your West End musical debut together in the show Billy. Tonight

:14:12.:14:17.

he is talking about the story behind the Oscar-winning song Born Free.

:14:18.:14:24.

The open skies of the African savannah. A lion that longs to

:14:25.:14:28.

return home and, of course, that song.

:14:29.:14:32.

# Born free # As free as the wind blows.

:14:33.:14:38.

Born Free, a British film about a couple who raise and release a lion

:14:39.:14:44.

named Elsa became a hit in 1966. It was accompanied by a theme song

:14:45.:14:51.

as memorable as the film itself. But this iconic track very nearly

:14:52.:14:55.

didn't make the film at all because the lyrics were deemed it too

:14:56.:15:00.

political. Don Black was the song's co-writer.

:15:01.:15:05.

Today he is best known for iconic tracks like Diamonds are Forever,

:15:06.:15:09.

The Man with the Golden Gun and Thunderball. In the mid-60s his

:15:10.:15:15.

career was just beginning when John Barry approached him to work on a

:15:16.:15:18.

new film. At the time, he was living in this

:15:19.:15:23.

house in north London. The One Show has arranged for him to return for

:15:24.:15:25.

the first time in over 30 years. Where would you have written the

:15:26.:15:35.

song? In the kitchen, about here. John sent me the tune Onica set,

:15:36.:15:44.

which I played until it was in my head, and then I stared out of

:15:45.:15:49.

windows and had a walk in the park and I finally settled on born free,

:15:50.:15:54.

as free as the wind blows, it seemed to write itself, somehow. It was an

:15:55.:16:00.

outpouring. It was the biggest break of his career, Matt Ron -- Matt

:16:01.:16:10.

Munro was enlisted to sing the song, but then there was a spanner in the

:16:11.:16:15.

works. Everyone loved the song but the producer, Carl Foreman, he did

:16:16.:16:19.

not like it, and he thought the tune was too epic and he thought the

:16:20.:16:22.

lyric was too much of a social comment. He wanted it to be more

:16:23.:16:30.

about lions in cages. In a time of apartheid in South Africa and racial

:16:31.:16:35.

tension in America, Don Black's lyrics about universal freedom and

:16:36.:16:37.

breaking boundaries had struck a nerve. And at the film's

:16:38.:16:43.

star-studded premiere the songwriting team was in for a shock.

:16:44.:16:47.

We were thrilled and excited, the royal premiere, and it was a shock

:16:48.:16:54.

to be there that night and the song wasn't there. To everyone's surprise

:16:55.:17:00.

the track had been taken from the film, but luck was on their side.

:17:01.:17:05.

Shortly after, cover was released in America by Unison Roger Williams and

:17:06.:17:13.

was an instant hit. -- by pianist. Realising their mistake, they

:17:14.:17:16.

restored the original track and the following year it was awarded Best

:17:17.:17:20.

Song at the Oscars. Do you still have the award? I have got it on me,

:17:21.:17:27.

I keep with me all the time. Hello, Mr Oscar, that must have been quite

:17:28.:17:33.

a night. It was indeed. Ever since then I have been introduced as

:17:34.:17:36.

Oscar-winning lyricist, it stays with you. It is a lovely feeling.

:17:37.:17:45.

Thanks to its inclusion in the film, Born Free would become famous the

:17:46.:17:49.

world over, rallying cry for conservationists and civil rights

:17:50.:17:52.

campaigners alike, not bad for an afternoon at the kitchen table.

:17:53.:18:01.

# Live free... The ridge what makes the song so special? Why is it so

:18:02.:18:12.

well loved 50 years later Britain there is something a song can do

:18:13.:18:22.

that words can't, and Born Free goes to the heart of people, to be as

:18:23.:18:28.

free as the wind blows. So many people would like to be in that

:18:29.:18:34.

position, unfortunately. The ridge because you're born free...

:18:35.:18:43.

# Bravo, that is absolutely beautiful. What a musical show we

:18:44.:18:53.

are having. Anyway, it can't have a schedule noticed, it is Sport Relief

:18:54.:18:57.

on Friday and there is extra excitement because Frank Spencer is

:18:58.:19:02.

back. -- it can't have escaped your notice. APPLAUSE

:19:03.:19:13.

On The One Show we are such big fans of the incredible stunts that you

:19:14.:19:17.

did and Some Mothers Do 'Ave 'Em, and a few months ago our stunt team

:19:18.:19:21.

did this in recognition of what you went through. We have stunt men

:19:22.:19:26.

involved in this, but you did all this on your own. Yes. Jamie here,

:19:27.:19:35.

he is playing the part. He was my boss for this sequence. Was he? He

:19:36.:19:43.

was my stunt adviser. You watch this at home the night it went out on The

:19:44.:19:49.

One Show? I did. Very bizarre. It was very strange. Especially when

:19:50.:19:59.

Gyles came up and said, "That was me", and then I thought it was time

:20:00.:20:05.

to have a drink. LAUGHTER 42 years since you have the roller

:20:06.:20:12.

boots on and 38 years since the final episode of Some Mothers Do

:20:13.:20:15.

'Ave 'Em, but you have brought along an exclusive clip that will go out

:20:16.:20:22.

and Sport Relief on Friday. This is courtesy of Michael, we can have a

:20:23.:20:23.

look. I got some change this time.

:20:24.:20:55.

Congratulations, by the way. CHEERING

:20:56.:21:03.

We want to see all of that now. I hope you don't mind, you are doing

:21:04.:21:09.

all the stunts yourself at your age, were there any injuries? Yes, I got

:21:10.:21:16.

that, I was hoping it would last a bit longer, but it has nearly

:21:17.:21:21.

disappeared. I try to hide it before I got here, but it highlighted it.

:21:22.:21:28.

That was it, so I was very lucky. For you, we were talking downstairs

:21:29.:21:31.

about the fact that so many people have asked you to come back with a

:21:32.:21:36.

sketch but you really wanted to do this, and this is your writing, as

:21:37.:21:43.

well. Yes, I put a lot of that together, with the help, Raymond

:21:44.:21:50.

Allen came in, he was the original writer, to put a few words in, and

:21:51.:21:57.

they were true Frank Spencer words. No, we had not done it in 42 years

:21:58.:22:01.

and we hadn't wanted to go back to it, because we had run our course.

:22:02.:22:08.

Comic relief is extraordinary. This young woman here, she did a

:22:09.:22:14.

remarkable job last week, absolutely remarkable. Thank you, Michael.

:22:15.:22:21.

CHEERING The stuff you filmed when you were

:22:22.:22:27.

away, we were weeping at home, you could not help but weak, and when

:22:28.:22:30.

you see these children and these people who have nothing, but we have

:22:31.:22:37.

everything, we can give it, we can do it, and show people. The British

:22:38.:22:44.

public than get involved and we are great at it, the British public are

:22:45.:22:48.

great, they'll was have been. So supportive. -- they always have

:22:49.:22:56.

been. You will do anything for that, it is humanity. Last week at the

:22:57.:23:02.

carriage of going on that... I love sailing, but forget that. -- the

:23:03.:23:09.

courage of going on that. If I was you, stick to the roller skating,

:23:10.:23:13.

the velodrome, just talk us through this photo. It was full in there. I

:23:14.:23:22.

don't know if Bradley Wiggins could feel me there, what I was doing to

:23:23.:23:27.

him! LAUGHTER The appeal I was going to do

:23:28.:23:30.

something with Bradley Wiggins at the velodrome, one of the nights at

:23:31.:23:35.

the World Championships, this was two weeks ago now. This was the

:23:36.:23:43.

climax of our work for four months and the crew had been together,

:23:44.:23:50.

doing these stunts, willing us to do them, willing me to stay on the back

:23:51.:23:54.

of the bus. When we got to the velodrome, there were 6000 people,

:23:55.:24:01.

we have been a shooting from the morning, and we had been there from

:24:02.:24:08.

630, at 1030 was our time to go on. I was quite nervous. We got inside

:24:09.:24:19.

and as we went out, the crowd went nuts, they simply started jumping up

:24:20.:24:22.

and down and we went round and we were going at 30 kilometres per hour

:24:23.:24:31.

in the end. We can't wait to see it. Supple McCartney is also part of

:24:32.:24:37.

this. Amazing. -- Sir Paul McCartney. CHEERING

:24:38.:24:44.

It starts at seven o'clock. And now it is time for a bit more Gyles, but

:24:45.:24:50.

minus the skates. Not that we are a competitive family, but toast and

:24:51.:24:56.

family are never enough at our family table. Me and my daughter

:24:57.:25:02.

needs serious brain food. What is better than a crossword? This one

:25:03.:25:08.

has been specially set for The One Show them the crossword editor of

:25:09.:25:15.

the Times newspaper. -- by the crossword editor. The crossword, the

:25:16.:25:24.

idea crossed the Atlantic and it eventually appeared in the Times

:25:25.:25:31.

newspaper in 1930. It evolved differently to America, and it

:25:32.:25:33.

became the cryptic crossword which we know now, American crosswords

:25:34.:25:38.

have simpler clues. What is the essence of a cryptic clue? Very nice

:25:39.:25:44.

cryptic clue, object, puzzle going over 1's head, it plays on the

:25:45.:25:52.

meaning of object. You don't object to a object going over your head,

:25:53.:25:55.

but an object which might puzzle you might be a UFO. I'm still stuck on

:25:56.:26:05.

one across. Put on yours truly and The One Show. You have got to look

:26:06.:26:12.

at enabling, side-by-side, and not only that, but being trained by that

:26:13.:26:17.

fact. You need to have an interesting background. You were a

:26:18.:26:23.

spy? I was a civil servant at GCHQ, but all I used to spy on was the

:26:24.:26:29.

coffee percolator. They'll say that! Yes, we have to say that. There is a

:26:30.:26:35.

long tradition of the special services recruiting the ablest

:26:36.:26:41.

crossword solvers. In the Second World War they had a fake crossword,

:26:42.:26:45.

and people turned up two Feet St and they did these crosswords, and the

:26:46.:26:50.

ones that did this the best, they would take the side -- they turned

:26:51.:26:54.

up to Fleet Street. They then were taken aside and they were sent to

:26:55.:27:00.

Bletchley Park and they managed to work out what the Nazis were

:27:01.:27:04.

planning. The British lover crosswords is what has became -- is

:27:05.:27:15.

what has won us the war. Crosswords also contains their own messages,

:27:16.:27:21.

birthday wishes, marriage proposals, and more sombre news. I'm thinking

:27:22.:27:28.

of John Graham, a puzzle of his appeared in the guarded with a

:27:29.:27:35.

message at the top, it said, the clue, sign of growth, and when you

:27:36.:27:41.

see the word sign, you think of signs of the zodiac, could that be

:27:42.:27:48.

Torres or cancer? -- Torres. Your stomach lurches when you see

:27:49.:27:53.

something like that. 14.7 million people in the UK do battle with a

:27:54.:27:56.

crossword at least once a week, and with electronic access they are more

:27:57.:28:01.

popular than ever. There can't be many addictions that Frank Sinatra,

:28:02.:28:09.

the Queen and Sepp Blatter have in common, but this is one. There are

:28:10.:28:14.

ways of cheating, this dictionary has 3000 possible solutions,

:28:15.:28:18.

collected single-handedly over a lifetime by 85-year-old and

:28:19.:28:25.

Bradford. An ordinary book of cryptic crosswords, I might do 12 in

:28:26.:28:28.

one go and that might be about an hour. I have a strange brain. It was

:28:29.:28:35.

discovered I could read upside down just as easily as the right way up

:28:36.:28:39.

when I was quite young, new also need to be good at anagrams,

:28:40.:28:44.

wordplay, and there is a great satisfaction in working out the clue

:28:45.:28:49.

-- you also. It is great to get them. Dad, 32 minutes and 34

:28:50.:28:56.

seconds, but I had to admit defeat and 17 across, I'm afraid, I could

:28:57.:29:03.

not crack it. I got that one. Bernhard is an anagram of Brandreth,

:29:04.:29:09.

so I managed to get that in just under 30 minutes, but then I'm old

:29:10.:29:14.

enough to be your father. STUDIO: Thanks to them. We will put the

:29:15.:29:23.

crossword on the website and also those photographs of things that you

:29:24.:29:27.

should not have won, they also the website. Michael, good luck with the

:29:28.:29:33.

show. Thanks

:29:34.:29:34.

Download Subtitles

SRT

ASS