15/05/2017 The One Show


15/05/2017

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For the future, so the loss of the nurse bursary means that there is

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fewer nurses applying to go into nursing in the future, the high cost

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of medical course, university, all means that you deter people from

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doing that. Hello and welcome to The One Show

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with Matt Baker. And Lex Jones. We are joined by three dream guests The

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first played the TV District Counciltive Marcella and will be

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starring in Broken. The second has the night off from her award-winning

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performance in Dreamgirls to be here for one night only. Did you just say

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one night only? Any excuse. Anna Friel. And Amber Riley.

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Evening. Evening. So you have the night off. What do you normally do?

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Oh gosh, sleep, drink a-ha lot of water, watch a little TV. Help

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yourself you can drink as much as you want. Thank you. Anna we saw you

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at the Baftas last night. Presenting with Sean Bean. Gorgeous dress.

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Thank you. How are you feeling today All right. I think I imagined to say

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yes that my dress is going to be given off to the auction. No! After

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two champagnes. That is a gorgeous dress, can we auction it. I said

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yes. Are you regretting it. It is pretty but it is for a good cause.

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There you go. Talking of award ceremonies, Amber, congratulations,

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an Olivier Award. How do you celebrate winning something like

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that? It must be a lifelong dream. It was a dream. I never expected

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that was going to happen, it was amazing, my mum was here with me and

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my sister was here, you would have thought my mum won when they said my

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name. She jumped out of the chair, she scared me, but it was an amazing

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night. Congratulations. But we promised you three dream guests so

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later in the show Amber and her Dreamgirls co-star Liisi LaFontaine

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will be performing live for us here in the studio.

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CHEERING AND APPLAUSE There you go. It is your night off

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but you are singing for us. I heard row doing scales, I thought what was

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that? That was me, just before the show! Now, moving on to our first

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serious story of the night. Nobody likes litter on the street. Dropping

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it is a criminal offence and anyone caught doing so can be fined up to

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?80. It seems fair enough but according to figures in Panorama the

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number of finings have soared from 700 ten years ago to over 140,000.

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Critics are saying this is about profit rather than justice.

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Meet the alleged criminals. The pill lates ballet teacher, the retired

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civil servant. The graphic designer and her dog Olive. Each accused of

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dropping litter and facing a hefty fine. If they don't pay they face

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court and the possible of a criminal record. The trouble is, they are all

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innocent. All I want to do is pick up the poo you say I am responsible

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for. Amber was confronted by a council litter enforcement officer,

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he accused her of failing to clear up her dog poo. A poo she says her

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German Shepherd never did. The time is 11.50. If you do not mention

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something you later Dee any in court... Amber says she found it

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intimidating. I think that is a deliberate ploy to confuse people

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and scare them into accepting a fine. She complained and Tower

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Hamlets council dropped the case. It told us that environmental

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enforcement officers changed people's behaviour. Increasingly,

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enforcement officers are provided by private companies. Kingdom Services

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has 28 contracts. There have been allegations that it pays its staff

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by the ticket so we decided to send in an understood cover reporter. A

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manager tells her every day once she has issued four tickets she will get

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a bow news of up to ?6 a fine. -- bonus.

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In Ealing kingdom officers have taken to riding on council rubbish

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truck, their find people whose recycling has not been put out

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properly. It hasn't gone down properly. Liz fell foul of kingdom

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officers is last Christmas. So I put the big blue recycling bin out, six

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small extra bags of recycling, and my green food bin. Nothing unusual,

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everyone doing the same. I received a Fixed Penalty Notice for ?80 for

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fly-tipping, on to the public high way, outside my own property.

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Liz complained, the council dropped the case, saying the decision to

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fine her was an error of judgment. Also in Ealing retired civil servant

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Sue was served with a Fixed Penalty Notice. Can have a have a coffee

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please. She allegedly had polluted the water course. On the day I

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bought myself a take away cup of coffee, I thought I want rid of this

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because I was rushing to a meeting. I put the coffee down the drain in

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the road. Then I walked towards the waste bin, when the enforcement

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officer stopped me and told me I was going to be fined and it was illegal

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to put coffee down a drain in a public place.

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To avoid a criminal record, Sue paid the fine, but then, went to her

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local paper. The council caved in and handed her money back. Kingdom

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told us: site. It says the allowance is met if they meet basic come pen

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ten ises. It provides councils with a cost effective service and helps

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Keep Britain Tidy within the law. Britain's anti-litter leading

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charity is demanding a national academy for officers We would like

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them to be properly trained. We would like them to understand what

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needs to be achieved within the guideline, and I think we need to

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continually check with the public, that this is very much done on their

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behest. But as more private companies win litter contracts more

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and more of us are at risk of being branded criminals.

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And you can see that report in full on Panorama tonight at 8.30. Now,

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Anna, let us talk about your new drama, starts Tuesday 23rd May. It

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is called Broken. I have seen it and when you watch it. It's a lot to

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take in. How doous with wanted to sell to it the nation. What do you

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want to say. Jimmy McGovern, we will start there. We worked together once

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before, doing something Called the Street it is a state of the nation

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drama. My character is Christina who has three children, and she can't

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afford to feet feed them. She is stuck in this circle, and, it is

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about how she survives and what lengths she goes to in order to be

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able to put food on the table for her kids. She seems to be the victim

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of so many circumstances, that just get piled up on top of her. We can't

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talk about the twist, something happens that is shocking but the

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central character is the wonderful Sean Bean who plays a priest and he

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tries to inspire and give hope to people, and hopefully religion helps

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in some way. He is more like everybody's best friend. Very early

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in the first episode your character loses her job, this is her trying to

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get some emergency money from the DSS. Do you know anyone else who

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could lend you some money. Bono, McCartney. Elton John. I don't nope

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anyone who isn't skint. I have three kinds and no money. There must be

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something I can claim to feed my kids. There might be the possibility

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of a an emergency loan. Who decides what is genuine? Obviously a

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successful amoment must have been genuine. But I won't need the money

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then, would I? No. APPLAUSE

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You don't watch this for escapism, this is about real lives. To have to

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wait for 13 weeks, she says what am I supposed to do? I can't afford to

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feed them. They say ask a friend, she is like none of my friends have

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any money, they are having trouble feedling their own children, that is

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based on fact. We have to really look at our nation, think that is

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what Jimmy McGovern helps us to do through the powerful medium that is

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television. Is that what you get as an actor out of playing these kind

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of roles? What do you mean? Like, you know, there is no laughs, it is

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not about entertainment as such, for you to be portraying real life

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roles. Like I say, television is a powerful medium to tell a story. And

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I was back in Liverpool for the first time, and Jimmy McGovern and I

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both started on Brookside, so it came full circle. We loved Beth. I

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was 16, so it was like going home. The most wonderful crew and a great

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director, and I have been a huge Sean Bean fan, so I was very

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honoured to be given this wonderful part. It is a very special drama.

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One of the things... I am biased but I do think it is. We love reading

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about how you get into character, you have shopped for the clothes for

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your character, so you went out and went to charity shops and the like,

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and got things that you thought the character would wear. We went

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through the budget. I didn't go to do the shopping. I got involved very

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much. We had a costume designer who did that, we wanted it to be real. I

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have a bit a thing, I think those shoes are brand-new, we budgeted not

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one piece of her clothing would cost more than ?4. We went to charity

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shops and nothing was more than ?4. She wears flip-flops, and you can

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hear her coming and they are quick and easy, she has three kids, and

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she is under stress. You can fling it on. To get through your day. And

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Amber, where does the drive for your character come from, when, obviously

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it's a world away from this kind of drama, Dreamgirl, still, very real

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character, with real struggles going on. I pretty much feel like everyone

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has dealt with rejection somewhere in their life, you have to dig down

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into that place, when you felt rejected, to get, you know, to my

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character, because she is rejected a lot by the people that are closest

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to her, in the show, and there is a type of youth and resilience she

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shows throughout the whole entire show, that I feel like mirrors my

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life a lot, so kind of helps me to get through it. With a smile like

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that I can't imagine you ever being rejetted. That is where it came

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from. We will talk more about Dreamgirls and how you got the part,

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all of that still to come, but while you are singing above ground in the

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West End, did you realise that under ground Europe's biggest

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infrastructure project is being built. It has taken eight years so

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far and ?15 billion but Crossrail is nearly complete. It will stretch

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from ring in the west, under Central London to Essex in the east. Matt

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has been helping put the finishing touches to the Elizabeth line.

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Last time I was here in 2015, they were in the final stages of digging

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26 miles of tunnel, under Central London. And I was right on the

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scene, as the monster 1,000 tonne tunnelling machine broke through the

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wall at Liverpool St Station. That is something you don't see every

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day. That was nearly two years ago, and

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since then, up to 10,000 construction workers at any one time

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have been working on project round-the-clock. Now, it is not so

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much about digging great big tunnels, as about installing all of

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the facilities, that passengers will need on a day-to-day basis. This is

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going to be the main ticket hall at Tottenham Court Road station. Soon

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there will be more than 170,000 passengers passing through daily. So

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they are going to need some pretty big escalators.

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Rachel Morris is the engineer in charge of these huge machines.

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These escalators are 45 metres long, they have 23-and-a-half metres from

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the top landing down to the bottom landing. Each escalator weighed 45

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tonnes, that is as much as 11 double decker buses. How do you get

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something this big into this space? These escalators have been built

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once in the factory many in the Czech Republic, they were broken

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down, so they were packaged up into boxes and then you have to work out

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how to lower it into position, and how you hold all the sections of the

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escalator in place, because it is only secure when you have the final

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piece in position. It is quite an interesting engineering challenge.

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Interesting means really difficult. Yes. Of course, nothing in this

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project is easy. Further into the construction site, teams are still

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laying tracks for the new line. The man in charge is Greg Purcell. Today

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we are building the cross over. What it does is enables the trains to go

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from one tunnel to another. If you have a train that is broken down in

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one of the stations you can move trains around stations. Right now,

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they are moving one of the cross over rail pieces into position and I

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am helping. Where will we left it from Here, one chain there. A single

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lift chain at that end. You have to keep the chains away from you. OK. I

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got you. Right, shall we get out the way then? Can do, yes. We drop them

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on top of this concrete which is called the first stage concrete and

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we concrete the whole thing in. So it is set permanently. For the next

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120 years. As the workers get on with laying another six miles of

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track, I am off to check out one of the eight new underground stations.

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All the new platforms will have screens to separate the passengers

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from the track. They are pioneering a new method of installation, headed

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up by Steve Coll. Typically these are built piece by piece on the

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platform and what we have done is built them in the factory, bringing

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them in on the train where they are lifted and dropped onto the edge of

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the platform. We can put in typically a platform worth of doors

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in a week, to build them from scratch would take about five weeks.

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That is a thing of beauty, I am telling you,. What are the screams

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for? It makes a safer environment for the passengers, by going all the

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way to the ceiling, it separates the tunnels from the platform space.

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When the trains come, you will not get a horrible blast of air. It

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enables the temperature to be controlled better. I have been

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following the Crossrail shift for 12 hours and it is well past midnight

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at the construction project that never sleeps. It has been a

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fascinating day, seen all the incredible technology that goes into

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making this astonishing railway. I for one cannot wait to ride on it

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for real. And part of Crossrail will be opening in the coming weeks and

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the documentary starts next Monday on BBC Two. We were chatting there

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about your new life in London, Amber, how do you get on with the

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underground system? You know... It took me awhile, we do not really

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have the trains back home, I am from California, we just drive and it

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took me awhile to get a handle on it but I recently got lost because I

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did not know the difference between the circle and the district line. It

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is an easy mistake to make. Where did you end up? I don't know! Back

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where you started! I had to start over, I was very late for a meeting.

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As we mentioned at the beginning of a shill, congratulations, you won

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the Olivier award and Jennifer Hudson won a BAFTA and an Oscar for

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her role in Dreamgirls and we think it is down to this song. This is

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what nails it every time. # You're going to love me.

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# Love me. # Love me.

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# Love. # You're going to love me.

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CHEERING AND APPLAUSE. Oh my goodness! It is so hard to watch. If

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I could sing like that, I would listen to myself all day!

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Definitely! Talking about that boys, the part nearly did not happen for

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you because of something that was going on with your throat. I had

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recently had surgery, I was on Plea for so many years and when your

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adrenaline is going and you finally get time to rest, sometimes your

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body wants to take you down and take you out like you need to chill out

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and I ended up having surgery on my voice and then I had the audition

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for Dreamgirls two weeks later and I was like, once opportunity, I have

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got to go and it it ended up working out. It is such a feel-good show and

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the audience, every night, they want to join you. I think so. I think

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some people would rather be on stage than in their seats! It is such big

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songs, you cannot help but sing along. It is amazing, it is a

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mixture of an audience, you have the people who are used to go into the

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theatre and then a young crowd that watches it like television or a

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movie and they want to be interactive and involved. The

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emotions are high in that show. It is a lot of fun, it is a lot of

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drama, a lot of funny moments, a lot of music and lights, lots of

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crystals for those of you who like glitter. We are going to have some

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music shortly. We are. The cast recording of Dreamgirls will be out

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and we will have a live performance of Listen which is one of our four

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Brits. -- Michael one of our favourites. Next week Andrew Neil

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will be interviewing party leaders and it will be interesting to see if

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they manage to remain on message at all times which often means avoiding

:20:42.:20:46.

the question entirely. Isn't that right? I refuse to confirm or deny

:20:47.:20:52.

what you said! What I can say is that this is a film by Jill Crowley

:20:53.:20:59.

looking at avoiding the question. You're not answering the question.

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We have all seen them at it. Politicians refusing to give a

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straight answer. I am asking a simple rather basic question. How do

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they get away with it? The skill any politician must learn is not just

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avoiding the question if they do not want to answer, it is doing it in a

:21:17.:21:23.

way that you do not notice. That is why many politicians are media

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trained in specialist techniques designed to throw even the most

:21:27.:21:30.

determined into pure off dissent. And we want to let Yue Lin on the

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secrets as well so that the next time you see a petition doing it,

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you're wise to it. Nora is a regular on the programme is one show

:21:42.:21:45.

pensioner and has strong views on politicians who avoid the question.

:21:46.:21:49.

They think no one has noticed and they just carry on and say whatever

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they want. Today in a bid to see if anyone can be media trained, the

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tables are being turned and it is Norah who will be put under the

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spotlight in the scenario to show how it works. Let us say that her

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friend Vicki Wilson is a leading light in the local ladies bakery

:22:07.:22:12.

circle. Final touches. Her friends are arriving for a coffee morning

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and there is just one unspoken rule, everyone must bring a home-baked

:22:19.:22:23.

cake. Cheating with a cake from the shop is an thinkable. But Nora is

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running late, although with enough coming, will anyone notice. Thank

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you. You have excelled yourself. Sorry to interrupt, Vicki, I think

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you should see this receipt that Nora dropped. How could you? Nora is

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in big trouble. A simple lie like this could escalate for a

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politician, so if Nora was a politician, how would she defend

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herself against a grilling from one of the top interrogators? To find

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out we have enlisted the help of Jim Hancock, a veteran of the TV

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political interview and media trained. I would never personally

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suggest that you do not directly answer the question but a lot of

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politicians are taught three techniques to do precisely that. So

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I will teach them to you. Excellent the first one is this, you go on the

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attack, you say you do not know anything about coughing mornings. To

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protect her credibility, Nora cannot admit that she did buy the cake, but

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you cannot lie either. How could you go to a shop and buy cakes and

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masquerade them as home-made cakes for this coffee morning? What do you

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know about coughing mornings? The whole point is that there was no

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brief given that it had to be home-made. That was pretty feisty.

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Technique number two, the non-specific response. In other

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words, when put on the spot, change the subject to create space for what

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you want to say. You do not want to be like a boxer with all the

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questions coming in and you are on the ropes, you need to say, perhaps

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we need to look at it in a different way. You're missing the whole point,

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this was a coffee morning, people come together to meet and have a

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drink of coffee or tea and they meet to discuss the cake that they have

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brought. You're hesitating a bit. Technique number three, refuse to

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answer the hypothetical question. It is a long line of what if something

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happened, OK? Nora should now be fully armed. Brilliant, I think

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you're ready for your grilling. Thank you. Breakfast presenter

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Rachel burden wastes no time getting to the point. Did you buy back cake?

:24:41.:24:45.

To understand fully the rules of a coffee morning? Because I do not

:24:46.:24:51.

think you do. The rules are you take a cake. Nora, I have a receipt here.

:24:52.:24:56.

Was this not a receipt for items that you purchase, none other than a

:24:57.:25:02.

cake and lemons? I am not denying that that is my receipt. Nora is

:25:03.:25:06.

under pressure, time to change tactics. The whole point about this

:25:07.:25:11.

is not about the cake, it is about going to a cake and coffee morning

:25:12.:25:15.

with friends that you love, having a nice time and just enjoying your

:25:16.:25:20.

self with a chat and a piece of cake and a cup of coffee. Nicely done!

:25:21.:25:25.

What if you went to a coffee morning and you saw a friend there who had

:25:26.:25:28.

brought along a cake that you knew to be shop bought? That is purely

:25:29.:25:33.

hypothetical and I am not point to answer that question. What did you

:25:34.:25:39.

think of Nora? She was amazing, brutal, single-minded. She was not

:25:40.:25:42.

when to give you that answer. She knew exactly what she had to say and

:25:43.:25:46.

you stayed on it. That was a wonderful experience, the next time

:25:47.:25:49.

friends of mine give me any lip, I know how to deal with them. I think

:25:50.:25:57.

we all learned something. Thank you to everyone. Thank you to Anna Friel

:25:58.:26:04.

for joining us. Broken is on BC1 at nine o'clock. We will be here

:26:05.:26:09.

tomorrow with Frankie Dettori. Now we have Liisi LaFontaine and Amber

:26:10.:26:10.

Riley performing Listen. # To take my share of blame. The

:26:11.:26:45.

rig-macro for what went wrong. Listen.

:26:46.:26:51.

# The one who loved you so. # For all so long.

:26:52.:26:59.

# Listen. # To the girl you used to know.

:27:00.:27:07.

# The one who loved to sell back in the day.

:27:08.:27:15.

# Oh, Deena, I know what you're going through.

:27:16.:27:19.

# I got through it and now you can too.

:27:20.:27:23.

# You have got to learn to listen. # Listen.

:27:24.:27:30.

# There is a voice deep in you. # This is the voice that will guide

:27:31.:27:33.

you. # To where you need to be.

:27:34.:27:40.

# It will set you free. # Listen.

:27:41.:27:44.

# It is alone and lonely road. # But you have got to take it.

:27:45.:27:50.

# It is going to hurt like hell today.

:27:51.:27:54.

# But trust me girl, it will go away.

:27:55.:27:59.

# It goes away. # I don't want to do it alone.

:28:00.:28:04.

# Will you help me be strong? # Please.

:28:05.:28:14.

# Sister, please. # Listen.

:28:15.:28:22.

# To the girl you used to know. # The one who loved you so.

:28:23.:28:30.

# Back in the day. # Now I know what I must do.

:28:31.:28:37.

# I am going to leave it, sister. # I will be strong.

:28:38.:28:42.

# I know I can. # I will pick myself up.

:28:43.:28:46.

# And believe that man. # I'm going to make it on my own.

:28:47.:28:50.

# On my own.

:28:51.:29:02.

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