Browse content similar to 12/05/2017. Check below for episodes and series from the same categories and more!
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Fantastic morning. I did wait ten hours to meet him five years ago. | :00:15. | :00:30. | |
Hello and Welcome to the One Show with Alex Jones, | :00:31. | :00:45. | |
And the ball I've always got my eye on... | :00:46. | :00:47. | |
Obviously the crowd's not ALL for me, they're | :00:48. | :00:58. | |
here for tonight's global exclusive performance from Mr Harry Styles! | :00:59. | :01:02. | |
The crowd's ready, but where's Harry? | :01:03. | :01:21. | |
Harry's performance isn't the only exclusive this evening, | :01:22. | :01:44. | |
we've got access to previously unseen footage shot behind | :01:45. | :01:46. | |
And there's a cherry on the top of tonight's show - | :01:47. | :01:50. | |
Gregg Wallace is here with the three finalists ahead of this evening's | :01:51. | :01:53. | |
What are you most excited about, the final or Harry Styles? The final. | :01:54. | :02:13. | |
Has been absolutely brilliant this year. The standard is massive. | :02:14. | :02:17. | |
I'm starting to feel a bit sorry for the couple in our first film. | :02:18. | :02:21. | |
The One Show is really putting their relationship to the test. | :02:22. | :02:23. | |
First we made them take on the highest climbing wall in Britain. | :02:24. | :02:26. | |
They are arguing their way around London in their first do-it-yourself | :02:27. | :02:37. | |
tour car. This is the type of tour you want to | :02:38. | :02:52. | |
be taking. James, explained. This is London's first self drive tour. We | :02:53. | :02:58. | |
have a screen with a root and as you are driving the route, you get | :02:59. | :03:02. | |
sightseeing commentary. You feel you are exploring and feel free. We can | :03:03. | :03:07. | |
get into the looks and crannies other tours can't. Let's go. Hello. | :03:08. | :03:25. | |
Go, Kiara. I am afraid. It is cute, isn't it. Concentrate on the | :03:26. | :03:31. | |
driving. This is the only American Embassy in the world the US is | :03:32. | :03:36. | |
leasing, rather than owning our great. Mayfair boasts the highest | :03:37. | :03:41. | |
concentration of 5-star hotels in London. I like it that you can be | :03:42. | :03:47. | |
around this part of London and not in a tour bus feeling like a common. | :03:48. | :03:52. | |
I am in my convertible car. Legend has it the second Duke of | :03:53. | :03:56. | |
Westminster was lovestruck after meeting a mad Chanel and ordered all | :03:57. | :04:03. | |
the lamp post on his land to be adorned with their initials next to | :04:04. | :04:07. | |
his own. If you believe that, you will believe anything. You are so | :04:08. | :04:13. | |
funny. This is a nice way to see London. Sorry about my driving. She | :04:14. | :04:25. | |
has been driving for 20 years. We have gone wrong, but don't worry. At | :04:26. | :04:30. | |
the junction, we should have gone straight ahead. Just go all around | :04:31. | :04:35. | |
the square and try again. If you were paying attention, I wouldn't | :04:36. | :04:40. | |
have gone wrong, you are the navigator. One afternoon in 1980, | :04:41. | :04:48. | |
two Americans came into the store. A fat so critical to the image, he | :04:49. | :04:53. | |
would lose his right arm to get it. They bought it for Indiana Jones. He | :04:54. | :05:03. | |
has really nice titbits of information you wouldn't necessarily | :05:04. | :05:15. | |
know. What are you doing? No you are not, John? No you are not. Tourists. | :05:16. | :05:23. | |
Tourists. Try and be a little bit posh, please. The sad music. Hold | :05:24. | :05:32. | |
back the tears and Leicester enjoy our last few moments together. That | :05:33. | :05:34. | |
was fun. A big thank you to John and Kiara. | :05:35. | :05:46. | |
They have been amazing. Do you think John would do all right in one of | :05:47. | :05:52. | |
those cars? Yes, I think we would probably do a restaurant tour of | :05:53. | :05:57. | |
London. Who be driving? I will drive. The night is a big night in | :05:58. | :06:05. | |
the master chef calendar. Last year we watched Jayne Devonshire take | :06:06. | :06:09. | |
home the crime, but who will it be this year? Welcome the master Chef | :06:10. | :06:15. | |
finalist, Giovanna, Saliha and Steve. This is the moment from last | :06:16. | :06:21. | |
night when these three found out they had won a place in the final. | :06:22. | :06:29. | |
You three are the final three. Well done, everybody. You are joking. | :06:30. | :06:41. | |
It is not surprising the emotion they feel, let alone winning, but | :06:42. | :06:49. | |
being in the final can change your life? It does change lives, you must | :06:50. | :06:53. | |
have realised that already, just going into the shop. Master chef has | :06:54. | :07:00. | |
spawned over 20 restaurants. Do you get discount in everyone? Loyalty | :07:01. | :07:10. | |
cards. You do get looked after. Never see you looking that emotional | :07:11. | :07:14. | |
on master chef, but you were looking quite tearful. I don't know what it | :07:15. | :07:20. | |
is about this year, but the talent is incredible. It is, I feel quite | :07:21. | :07:26. | |
starstruck and I am never like that. They have worked so hard. You are | :07:27. | :07:32. | |
judges and impartial, but you cannot help getting fond of people. What is | :07:33. | :07:37. | |
hard about making that decision about who goes. It is hard to | :07:38. | :07:42. | |
promote people and encourage them and watch them do really well and | :07:43. | :07:46. | |
then to have to dismiss them from the competition. It is really hard. | :07:47. | :07:52. | |
I don't know anything about cooking, but you do. But the standard seems | :07:53. | :08:00. | |
to be really high. Saliha, I liked your fish and chips. It was | :08:01. | :08:06. | |
something that you said, it is familiar, yet extraordinary, you | :08:07. | :08:11. | |
said. What made you want to take part in master chef, because you are | :08:12. | :08:18. | |
a doctor? Yes, the decision was my husband, not mine. He decided to | :08:19. | :08:24. | |
fill out the form for me. It is when it got to the difficult questions he | :08:25. | :08:28. | |
got too, and then he said this is the laptop, the last two questions, | :08:29. | :08:33. | |
just do them. But I had always wanted to do it. He must have had | :08:34. | :08:40. | |
every faith in you to do it? Yes come he did. How do you decide what | :08:41. | :08:46. | |
you're going to cook for last meal? You look back and what you have done | :08:47. | :08:54. | |
before, what worked, what did John and Greg say. They know where our | :08:55. | :09:00. | |
strengths alive. Do you get any steering, do they say, maybe think | :09:01. | :09:03. | |
about this or do you have to do it yourselves? They don't know what we | :09:04. | :09:10. | |
are cooking until they get there. We will get a desert from each of them | :09:11. | :09:15. | |
because they cook three courses in the final. I love the final, apart | :09:16. | :09:18. | |
from the judging when you have to say one of them is a winner. You can | :09:19. | :09:24. | |
get really fat on that final. You want to stick your head in the bowl | :09:25. | :09:28. | |
because they are great and their final three dishes are amazing. What | :09:29. | :09:33. | |
fascinates me, you develop and learn, but when you have two cup for | :09:34. | :09:38. | |
the guests who come in, who is the most scary? I suppose doing the | :09:39. | :09:45. | |
chef's table is daunting. All those guys at the top of their game, | :09:46. | :09:49. | |
judging you. It is the first time we have been in that experience. You | :09:50. | :09:54. | |
see the recipes for the first time. Having to get it done and feed them, | :09:55. | :10:01. | |
it is... You have seemed really calm. Last night you were a bit | :10:02. | :10:07. | |
rattled, a tiny bit. How do you control that sort of thing going | :10:08. | :10:12. | |
into the final? You try and focus on the task, ignore what is going on | :10:13. | :10:16. | |
around you. If something doesn't go right, you just have to get your | :10:17. | :10:20. | |
head down and battled through it. I cannot wait for the night. We are | :10:21. | :10:26. | |
going to rush home so quickly. Talking about beautifully prepared | :10:27. | :10:29. | |
dishes, Harry Styles will be singing live for us. There were other | :10:30. | :10:38. | |
musicians before Harry and some of them created just as much hysteria | :10:39. | :10:44. | |
where ever they went. In 1965, there was only one show in time. Help was | :10:45. | :10:52. | |
the Beagle's second feature film and a global sensation. The bizarre plot | :10:53. | :10:57. | |
sees the Fab four chased around the world by a religious cults, intent | :10:58. | :11:07. | |
on reclaiming a sacred ring. It is one of the biggest films in music | :11:08. | :11:11. | |
history and has been credited with inventing the pop video. But if you | :11:12. | :11:14. | |
thought you knew everything there is to know about this landmark of | :11:15. | :11:20. | |
British cinema, think again. Previously unseen footage shot | :11:21. | :11:24. | |
behind-the-scenes of Help was unearthed and The one Show has been | :11:25. | :11:28. | |
given exclusive access to this important piece of cinema history. | :11:29. | :11:35. | |
Abigail is the daughter of Leo, who played the Beatles arch nemesis. But | :11:36. | :11:43. | |
he is better known as Rumpole Of The Bailey. After my father died I had | :11:44. | :11:49. | |
to go through personal stuff. I came across this and it had snow scenes | :11:50. | :11:53. | |
are written on it, I thought it is Austria, it has got to be Help. | :11:54. | :11:59. | |
Austria was the setting for one of the key scenes and a chase across | :12:00. | :12:06. | |
the snow. And the little number you may have heard before. I remember | :12:07. | :12:10. | |
the day my father said he was going to do a film with the Beatles. Off | :12:11. | :12:14. | |
we went on an aeroplane from Heathrow. It was an extremely happy | :12:15. | :12:20. | |
time in my life. I don't think I have seen this since I was ten, so | :12:21. | :12:25. | |
that is like 50 years ago. It is like a premier like no other and the | :12:26. | :12:29. | |
British film Institute has agreed to host a special reunion for some of | :12:30. | :12:35. | |
the original cast and crew. Peter was Paul McCartney's stunt double in | :12:36. | :12:41. | |
the film. Dick Lester gave me the job and he said, can you wrestle | :12:42. | :12:46. | |
with a tiger? I said no. He said, don't worry about that, you will be | :12:47. | :12:52. | |
Paul McCartney's double. Eleanor played the sultry femme fatale. It | :12:53. | :12:57. | |
was my first film, I was anxious not to flow. Completing the reunion is | :12:58. | :13:04. | |
Betty, the hairstylist. George dandruff Harrison. Not spilling any | :13:05. | :13:12. | |
means. This will be diverse team this behind-the-scenes footage has | :13:13. | :13:19. | |
been shown anywhere in the world. There is the boys arriving. The | :13:20. | :13:24. | |
remarkable film reveals unguarded moments of the Beatles in between | :13:25. | :13:33. | |
takes. Playing in a brass band. And even George challenging John to a | :13:34. | :13:42. | |
curling match. They all have the same kind of hairstyles? George had | :13:43. | :13:48. | |
very Coursera, Ringo had very fine hair. He always had that white | :13:49. | :13:58. | |
streak. When he washed it, he immediately put it forward, he never | :13:59. | :14:03. | |
wanted to see it back. Look how glamorous you are. Dick had to tell | :14:04. | :14:11. | |
me to stop blinking. As soon as he said, action, I started blinking out | :14:12. | :14:16. | |
of fear. The home movie gives a red insight into how the film was made | :14:17. | :14:21. | |
and revealing the secret behind one of its stunts. Peter, how would they | :14:22. | :14:26. | |
have done that? The director would have asked, what have you had for | :14:27. | :14:32. | |
breakfast? After that, lots of rehearsal, like an act that would | :14:33. | :14:35. | |
learn the lines. The stuntman rehearses a great deal in his own | :14:36. | :14:40. | |
mind he does it. Clever editing does the rest. Wait for me. What has it | :14:41. | :14:51. | |
been like seeing the footage? It has brought back lots of memories. The | :14:52. | :14:57. | |
Beatles were very real and I thought it was very, very nice. I loved | :14:58. | :15:03. | |
seeing my dad, obviously and me looking so happy. I do remember it | :15:04. | :15:08. | |
as a very, very exciting time of my life. I won't ever forget it. | :15:09. | :15:17. | |
Those are the three films they did, but they weren't the only one pitch | :15:18. | :15:30. | |
to the Beatles? There was a western, guess what they were going to be. | :15:31. | :15:36. | |
Cowboys! Yes, they were going to be cowboys. Fresh from Liverpool, over | :15:37. | :15:43. | |
the pond, so they could keep their accent. The film got made, but not | :15:44. | :15:47. | |
with the Beatles. The three Musketeers what the next one, who do | :15:48. | :15:52. | |
you think would have made a good. Onion? The one with the two earliest | :15:53. | :16:01. | |
moustache, I should imagine. Oh, Ringo! Allegedly, that was who would | :16:02. | :16:07. | |
have played him. Rigid border would have starred. Richard Lester could | :16:08. | :16:14. | |
not get them to do it, but he made the film in 1974. Lord of the rings, | :16:15. | :16:21. | |
directed by Stanley Kubrick. That is brilliant! Why would they not do it? | :16:22. | :16:32. | |
That is why! That is exactly right. Allegedly John Wood have been | :16:33. | :16:42. | |
Gollum. George would have been Gandalf. I can see him as Gandalf. | :16:43. | :16:53. | |
He looks like a wizard. I suppose. Talking did not agree. They were not | :16:54. | :17:00. | |
in the Jungle book, but whenever I have seen it, they were considered | :17:01. | :17:07. | |
for it, the vultures... Look what is coming our way. What in | :17:08. | :17:13. | |
the world is that? I love that. It is not the best | :17:14. | :17:17. | |
Liverpudlian accent! It is not quite them. Last year, when they did the | :17:18. | :17:24. | |
remake, the two remaining Beatles were approached, but it happened too | :17:25. | :17:29. | |
late, so it did not happen. What a shame. | :17:30. | :17:32. | |
One Liverpool resident that didn't end up quite as popular | :17:33. | :17:35. | |
as The Beatles is the Metropolitan Cathedral | :17:36. | :17:39. | |
Scousers have had a love-hate relationship with it | :17:40. | :17:41. | |
But firmly fighting its corner is comedian Alexei Sayle, | :17:42. | :17:58. | |
who's back on his home turf to find out why the building is still | :17:59. | :18:02. | |
Liverpool is full of iconic structures. The life of building, | :18:03. | :18:17. | |
the cavern club, Anfield stadium, but to my mind, one of the finest | :18:18. | :18:21. | |
landmarks in this city is also one of the strangest looking. The | :18:22. | :18:26. | |
Liverpool Metropolitan Cathedral. The building has gone at many | :18:27. | :18:31. | |
nicknames over the years, Paddy's wigwam, the Mersey funnel, the | :18:32. | :18:36. | |
Pope's launch pad, my favourite is mid-20th-century civic building in | :18:37. | :18:42. | |
the modernist style. Believe it or not, it is quite an important | :18:43. | :18:48. | |
building to me. I was 15 when it was built, I spent a lot of time in | :18:49. | :18:55. | |
here. It was the most extraordinary, meditative space. I used to sit | :18:56. | :18:58. | |
there all walk around and think about the things that were bothering | :18:59. | :19:02. | |
me as a teenager, would I ever get a goal friend, where would my life go, | :19:03. | :19:06. | |
what is this thing called hummus that everybody is talking about? The | :19:07. | :19:14. | |
Opening Ceremony was held in 1967. I remember walking in and thinking, it | :19:15. | :19:20. | |
is so big. To a child, you can imagine, I was a dwarf by it. I was | :19:21. | :19:27. | |
on duty as a policeman, we were here for two days, not exactly to control | :19:28. | :19:31. | |
the crowds, because they were nice... It was quite an event for | :19:32. | :19:39. | |
the city. I think it is at its best when there is a service. The swell | :19:40. | :19:43. | |
of the sound and the enthusiasm of the people lived it up. Designed by | :19:44. | :19:48. | |
Frederick Hibberd, the layout flew in the face of tradition. After a | :19:49. | :19:53. | |
catalogue of structural flaws, the Cathedral sued him for ?1.3 million. | :19:54. | :19:57. | |
That was not the end of their problems. Given that it was such a | :19:58. | :20:04. | |
revolutionary design, ... Who has not had trouble with their builders, | :20:05. | :20:07. | |
but you have had trouble with your roof. ?8 million to do the repairs. | :20:08. | :20:14. | |
The whole building cost 2 million in 1967. For the first 25 years the | :20:15. | :20:21. | |
congregation had some water dropping on them, but now occasionally it | :20:22. | :20:27. | |
drops on the priests, around the century. It is fair enough, really. | :20:28. | :20:33. | |
Perhaps the most striking feature of the building is the glass lantern. | :20:34. | :20:37. | |
It was designed by John Piper and Patrick rent Ian 's. But letting | :20:38. | :20:42. | |
artists experiment in the 60s has not paid off. Today it is in a sorry | :20:43. | :20:49. | |
state. Architectural restorer Rob Chambers is helping to conserve this | :20:50. | :20:55. | |
modernist Marvel. This was highly innovative, the way the lighting was | :20:56. | :20:59. | |
constructive. Absolutely, we are talking about one of the first | :21:00. | :21:04. | |
examples of a technique which means slab of glass, it was craned into | :21:05. | :21:08. | |
place. It was not exactly future proofed. Italy from day one, that is | :21:09. | :21:14. | |
one of the key challenges. How high up is the lantern? 70 metres from | :21:15. | :21:20. | |
here, but to get a sense of the scale, we need to get up there and | :21:21. | :21:24. | |
have a look. There is no way you will catch me dangling on a string | :21:25. | :21:28. | |
up there, so while Rob climbs onto the roof, I will literally take a | :21:29. | :21:36. | |
cue and enjoy the view. It looks amazing. From the outside, it is | :21:37. | :21:39. | |
possible to see the true extent of the damage. The slabs of glass, you | :21:40. | :21:46. | |
can see how it has fractured. You get a sense of how the pieces were | :21:47. | :21:49. | |
created, they have been checked by hand into shape. We have the cast | :21:50. | :21:55. | |
edges, where we have most of the issues, where the resin is not | :21:56. | :21:59. | |
adhering to the glass panels. I do not envy the lads, they have their | :22:00. | :22:03. | |
work cut out, restoring that lot. But it will be worth it. This | :22:04. | :22:07. | |
building seems even more distinctive and original than it did when it was | :22:08. | :22:12. | |
being built. It was constructive at a time of incredible experimentation | :22:13. | :22:18. | |
in architecture. Now you get these buildings with names like the shard | :22:19. | :22:22. | |
or the walkie-talkie or the Satsuma, but in a way that is a banality | :22:23. | :22:28. | |
about them. This building embodies a spirit at a time of revolution, and | :22:29. | :22:32. | |
that is why it is loved and should be admired. | :22:33. | :22:37. | |
Now it's time for our world exclusive from the man whose | :22:38. | :22:46. | |
new album is intriguingly titled Harry Styles. | :22:47. | :22:52. | |
Singing Sweet Creature, please welcome Harry Styles. | :22:53. | :23:05. | |
# Had another talk about where it's going wrong | :23:06. | :23:14. | |
# Wherever I go, you will bring me home | :23:15. | :23:56. | |
# When I run out of road, you will bring me home | :23:57. | :24:14. | |
# Running through the garden, oh, where nothing bothered us | :24:15. | :24:22. | |
# I always think about you and how we don't speak enough | :24:23. | :24:33. | |
# Wherever I go, you will bring me home | :24:34. | :25:05. | |
# When I run out of road, you will bring me home | :25:06. | :25:21. | |
# Wherever I go, you will bring me home | :25:22. | :26:08. | |
# When I run out of road, you will bring me home. | :26:09. | :26:32. | |
Fabulous. That was lovely. A global first. Everybody here already knows | :26:33. | :27:01. | |
the words. I snuck it out. The album was released today. Looking at the | :27:02. | :27:06. | |
download charts, you are number one in 84 countries. Pretty amazing. I | :27:07. | :27:17. | |
have been very overwhelmed by the whole thing. I am very happy with | :27:18. | :27:23. | |
it. Michael has a question, how come you called the album Harry Styles? | :27:24. | :27:30. | |
My first album was called Michael Ball. I thought it would have been a | :27:31. | :27:33. | |
good choice. We were going to call mine Michael Ball! Why did you hit | :27:34. | :27:41. | |
on that? It is my first album, it was a piece of me that I do not feel | :27:42. | :27:47. | |
like I had shed before. You have written most of the tracks? All of | :27:48. | :27:53. | |
them. That is a lovely song. Before, there were four of you, now it is | :27:54. | :27:59. | |
more exposing, are you enjoying the attention, or do you feel like, | :28:00. | :28:04. | |
where are the others? It is different, but it has been really | :28:05. | :28:08. | |
fun, it is an exciting time for us to explore different things. One | :28:09. | :28:17. | |
thing we have to ask, there is an image change, where has the Hague | :28:18. | :28:22. | |
on? I had a trim. You had more than a trim. I did a movie last year. | :28:23. | :28:30. | |
Dunkirk, you have to have the army haircut. It looks great. So does | :28:31. | :28:39. | |
yours! Who would have thought Harry Styles and Michael Ball have become | :28:40. | :28:43. | |
like that! You recorded it in Jamaica, why? I wanted to be away | :28:44. | :28:51. | |
from getting distracted. Very chilled. It worked. It has been | :28:52. | :28:58. | |
fantastic to see him get a night, they are very pleased you came. | :28:59. | :29:04. | |
Lovely. Thank you. A huge thank you to Harry. The new album is out | :29:05. | :29:07. | |
today. Thank you to Gregg. The MasterChef final is straight | :29:08. | :29:19. | |
after us on BBC One. I'll be back on Monday | :29:20. | :29:21. | |
with Dreamgirls star Amber Riley, and star of the BBC's brand-new | :29:22. | :29:24. | |
drama Broken, Anna Friel Three reasons we love Eurovision - | :29:25. | :29:26. | |
the costumes. Ah, yes! | :29:27. | :29:43. | |
Who could forget the milkmaids? The passion. | :29:44. | :29:46. | |
We are unstoppable. | :29:47. | :29:49. |