Browse content similar to 11/05/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:14. | :00:16. | |
And there's magic in the air tonight! | :00:17. | :00:21. | |
After more than 40 years together our guests have the whole | :00:22. | :00:23. | |
One is loud, tall and opinionated, while the other is small, | :00:24. | :00:28. | |
So we're halfway there given we're a talk show! | :00:29. | :00:34. | |
Please welcome master magicians - Penn and Teller! | :00:35. | :00:40. | |
APPLAUSE Nice to see you. | :00:41. | :00:54. | |
You have got a long walk now. You have to go all the way round the | :00:55. | :01:01. | |
back. I wasn't going to walk in front of you. Make yourself at home. | :01:02. | :01:07. | |
One of the interesting things is Teller, you never talk. Not in the | :01:08. | :01:15. | |
performance. He apps like crazy when we are not working. How did that | :01:16. | :01:21. | |
come about? Teller worked his way through college doing magic at frat | :01:22. | :01:27. | |
parties. I had forgotten what a ring of Dante's hell that was. He founded | :01:28. | :01:33. | |
the stopped talking people grew tired of heckling him. I was working | :01:34. | :01:36. | |
at the same kind of rough environments but I was louder and | :01:37. | :01:41. | |
more aggressive. We were two separate acts on the same bill. We | :01:42. | :01:45. | |
had to keep the integrity of those acts so we could do our solo | :01:46. | :01:49. | |
material and we stuck with that. It was more Teller's my idea. I am not | :01:50. | :01:57. | |
really part of it at all. You are doing 46 weeks a year in Vegas. That | :01:58. | :02:03. | |
is a lot of talking. What happens when you do get a little bit horse | :02:04. | :02:09. | |
or you lose your voice? You kind of power through it for the most part. | :02:10. | :02:14. | |
You have never lost your voice at all? I have but I pump up the mics | :02:15. | :02:20. | |
and I go through in a whisper, go a little growly or find one that I can | :02:21. | :02:29. | |
hit and do that for the show. I can get the information out. And my | :02:30. | :02:32. | |
voice I spend a lot of time yelling outside so I turned the vocal cords | :02:33. | :02:39. | |
to lead the, I am pretty tough. You will be doing some magic for us | :02:40. | :02:44. | |
later on. Penn and Teller are not the only from edible Americans in | :02:45. | :02:52. | |
our studio tonight. Great to be here, by the way, Penn and Teller, I | :02:53. | :02:58. | |
can do magic, by the way. I made the head of the FBI disappear! | :02:59. | :03:03. | |
Impressionist and political comedian Matt Forde is here with his views on | :03:04. | :03:07. | |
the news a little bit later. First though we all love to moan about how | :03:08. | :03:12. | |
much sleep we are getting or not as case may be. A few weeks ago we | :03:13. | :03:15. | |
asked you at home to try out some techniques which might help. It is a | :03:16. | :03:23. | |
bit of a passion project for self-confessed insomniacs Michael | :03:24. | :03:25. | |
Mosley. Sleeping, we are told we should | :03:26. | :03:29. | |
spend a third of our lives doing it, but we don't, making Britain one of | :03:30. | :03:32. | |
the most sleep deprived countries in the world. I'm convinced we are | :03:33. | :03:41. | |
sleepwalking into a sleep crisis. I hardly get any sleep at all. The | :03:42. | :03:46. | |
Internet videos. You think one more video and then you watch 15. I | :03:47. | :03:51. | |
always have thoughts running around my head. The lack of sleep can be | :03:52. | :03:59. | |
dangerous. It is associated with type two diabetes and obesity. I'm | :04:00. | :04:03. | |
going to turn guinea pig to see what is causing my insomnia and if | :04:04. | :04:08. | |
anything out there can help. I have asked the GP to find me three sleep | :04:09. | :04:13. | |
deprived patients to try these treatments on. I will also be doing | :04:14. | :04:18. | |
one of them. I have always been about sleep all my life. I think it | :04:19. | :04:24. | |
runs the family. I have difficulty getting my body clock back after a | :04:25. | :04:29. | |
night shift. I have not slept properly for 20 years. Top of the | :04:30. | :04:34. | |
list is mindfulness. Is about focusing on breathing and what is | :04:35. | :04:38. | |
happening there and then. You have a hot bath or shower about an hour | :04:39. | :04:45. | |
before bed. It is a bit of an old wives tale. Kiwi fruit. What I have | :04:46. | :04:53. | |
here is the prebiotic. It is a bit like fertiliser for the bacteria in | :04:54. | :05:00. | |
my gut. I'm not sure anything is working. | :05:01. | :05:05. | |
Good night. Michael is here now. This captured the imagination when | :05:06. | :05:09. | |
you were on last time. As a self-confessed insomniac yourself, | :05:10. | :05:12. | |
you have tried a lot of different stuff, please tell us you have come | :05:13. | :05:15. | |
up with a solution and you can now get to sleep? We came up with a lot | :05:16. | :05:20. | |
of different things. It was interesting asking the audience to | :05:21. | :05:26. | |
take part. 361 people did log on and they each chose something. These are | :05:27. | :05:31. | |
the six things you asked people to do. ... The one we chose was | :05:32. | :05:39. | |
mindfulness. I do some deep breathing techniques. You are a fan | :05:40. | :05:46. | |
of the breathing? It is breathing, holds a two seconds and then let the | :05:47. | :05:51. | |
air go out. For me it was like the sound of the waves, that sort of | :05:52. | :05:59. | |
rhythm. That one was popular and effective. The warm bath, the | :06:00. | :06:03. | |
avoiding screens, the avoiding alcohol and the morning walk, about | :06:04. | :06:08. | |
50 people did each one of those and broadly speaking 50% of them got | :06:09. | :06:13. | |
benefit and half not so much. The one which didn't go down too well | :06:14. | :06:18. | |
was the kiwi fruit. Not a lot of people did it and it wasn't very | :06:19. | :06:22. | |
effective. Although there was a study done in Taiwan so maybe the | :06:23. | :06:26. | |
Taiwanese are different. They seem to get a benefit. Also, 40 pounds of | :06:27. | :06:33. | |
turkey meat will help. We talked about Turkey last time. Their brains | :06:34. | :06:48. | |
are small. 40 pounds is the cut-off. Michael, we have lots of e-mails | :06:49. | :06:52. | |
from our viewers. Joe wants to know how effective the blue light filters | :06:53. | :06:55. | |
on phones and other electronic devices are? Not really. I spoke to | :06:56. | :07:01. | |
the experts. They said all the manufacturers are busy churning out | :07:02. | :07:05. | |
these things but the problem if it is engaging with the technology | :07:06. | :07:08. | |
which keeps you awake. You are thinking about it and you are | :07:09. | :07:12. | |
engaged in social stuff. You have got to find a really boring book or | :07:13. | :07:16. | |
something like that, that is what you need. Nothing like a really | :07:17. | :07:21. | |
boring economics book. Rob wants to know why he struggles to get to | :07:22. | :07:24. | |
sleep at the week but at the weekend he can sleep for two days. Does a | :07:25. | :07:29. | |
classic stress response. He is worried about his work presumably so | :07:30. | :07:32. | |
he wakes up all the time and thinks about it. One bit of advice is you | :07:33. | :07:36. | |
turn the clock away so you do not look at it but I find if I have an | :07:37. | :07:40. | |
early-morning flight I keep waking up and I keep having those | :07:41. | :07:44. | |
stress-related dreams. Or he can do is switch away the clock or perhaps | :07:45. | :07:52. | |
changes work. You were saying about camping at a weekend and how that | :07:53. | :07:55. | |
can help? They did a study where they found if you went camping for | :07:56. | :07:59. | |
the weekend you were exposed to four or five times more morning light | :08:00. | :08:02. | |
which seems to be really good for you and they found people slept on | :08:03. | :08:07. | |
average for one hour to two hours for the following week. One of the | :08:08. | :08:11. | |
big problems with sleep is the fact we have lit up the night. And we | :08:12. | :08:21. | |
have -- we do not get up with the dawn. And we sleep in one go instead | :08:22. | :08:28. | |
of four at the limit hours and then another go which is the case of | :08:29. | :08:32. | |
primitive cultures. And what about jet lag? I wanted to not turn around | :08:33. | :08:39. | |
on this trip but Piers Morgan wants me to get up early. He fights with | :08:40. | :08:44. | |
everybody but he should not be destroying my sleep! Thank you, | :08:45. | :08:51. | |
Michael, The Truth About Sleep is an BBC One tonight at nine o'clock. One | :08:52. | :08:55. | |
of the main thing is the papers picked up on after our interview | :08:56. | :08:58. | |
with Theresa May and her husband was about divvying up the household | :08:59. | :09:03. | |
chores. I get to decide when I take the bins out, not if I take the bins | :09:04. | :09:09. | |
out. There are boy jobs and build jobs. To those traditional | :09:10. | :09:14. | |
stereotypes still have a place in the modern household? Tommy is on | :09:15. | :09:20. | |
the case. Matt, would you be a laugh and change the light bulb? | :09:21. | :09:25. | |
In my house my wife does the laundry, I do the cooking, she does | :09:26. | :09:28. | |
the washing up and I clean the oven. Is there a thing as typical boy jobs | :09:29. | :09:36. | |
and build jobs. His tasks and your tasks?... We share everything. | :09:37. | :09:41. | |
Except the washing. I put the wrong colours in with the white. It is not | :09:42. | :09:46. | |
that it is a woman's drop, it is just that you are rubbish at it. I | :09:47. | :09:52. | |
do not like to do it. Is it rubbish that there are different jobs in the | :09:53. | :09:59. | |
home? I think it should be shared. Equal opportunities. I was on my | :10:00. | :10:03. | |
own, I had to look after myself. I can cook, clean and wash, do | :10:04. | :10:07. | |
everything. Is that how it should be? Yes. Theresa May was white. What | :10:08. | :10:19. | |
is a woman's drop? Cleaning house, cooking, washing, children. What is | :10:20. | :10:27. | |
the men's drop? Drink, money, home. Show me the money! May be the | :10:28. | :10:32. | |
hoovering because that is heavy work. Women do better. If you both | :10:33. | :10:39. | |
go out to work you have got to share the tasks. I do not think it is | :10:40. | :10:42. | |
therefore the woman to do everything. Housework, washing, | :10:43. | :10:49. | |
cooking, cleaning. That is all you? It is all me. At works. We help each | :10:50. | :10:57. | |
other. Are you married? 60 years. Is there a thing as men's jobs and | :10:58. | :11:04. | |
women's jobs at home? No. We share it together. That is why we have | :11:05. | :11:10. | |
been married for 60 years. Thank you for sorting the light | :11:11. | :11:17. | |
bulb! No problem. Comedian Matt Forde is with us. He will be with us | :11:18. | :11:22. | |
in the run-up to the election. What have you made of the boy and girl | :11:23. | :11:27. | |
drop things? I think it was interesting, the boy 's job is | :11:28. | :11:32. | |
taking at the bins and the girl's job is bringing back fox hunting. It | :11:33. | :11:36. | |
was a bit of a nightmare for Labour yesterday with the leak of their | :11:37. | :11:40. | |
manifesto. What did you make of that? The police said it was leaked | :11:41. | :11:47. | |
by someone who did not want Jeremy Corbyn to be prime ministers said | :11:48. | :11:50. | |
they have narrowed it down to a few million suspects. There will be some | :11:51. | :11:53. | |
policies which will interest a lot of people. There are some ideas like | :11:54. | :11:59. | |
me nationalising the roadways and renationalising energy and Royal | :12:00. | :12:02. | |
Mail. These are big ticket ideas which poll well with conservative | :12:03. | :12:07. | |
voters as well. Is it fully costed? It is fully costed which is the good | :12:08. | :12:13. | |
news but the bad news is Diane Abbott did the maths. | :12:14. | :12:17. | |
LAUGHTER You have been digging deeper and you | :12:18. | :12:24. | |
have noticed some musical tones? It is a very detailed manifesto. There | :12:25. | :12:28. | |
is help for the music industry and a lot of people say it is because | :12:29. | :12:35. | |
Corbyn has friends in the music industry including Stormzy and | :12:36. | :12:39. | |
people say he will be tough on crime and the causes of crime. Many people | :12:40. | :12:45. | |
have said they have had a presidential style campaign -- | :12:46. | :12:54. | |
grime. The Tory name is very small compared to hers. They are selling | :12:55. | :12:58. | |
it about with her relationship with the European Union, strengthening | :12:59. | :13:01. | |
her personal hand in the Brexit deal. What is also interesting on | :13:02. | :13:06. | |
the other side, Jeremy Corbyn has been saying things which sound like | :13:07. | :13:11. | |
Donald Trump. This is what Corbyn said but it sounds trump like. A day | :13:12. | :13:15. | |
of reckoning for those who thought they could get away with as | :13:16. | :13:22. | |
stripping our industry, and ripping off consumers. We have four weeks to | :13:23. | :13:28. | |
ruin their party. I do not know what he will say next. Karl Marx seems to | :13:29. | :13:35. | |
have made an appearance this week quite surprisingly? You may remember | :13:36. | :13:39. | |
in 2015 Ed Miliband said he wanted to freeze energy prices which polled | :13:40. | :13:43. | |
well with the public. The Tories said it was Marxism and arch common | :13:44. | :13:48. | |
is. Now the Tories are saying they would go further, not just freeze | :13:49. | :13:51. | |
prices but cap prices into the long-term so it turns out actually | :13:52. | :13:56. | |
it was not Marxist enough for the Tories. A lot of people have said | :13:57. | :14:01. | |
Theresa May is turning into Ed Miliband but the crucial thing, the | :14:02. | :14:05. | |
knack Ed Miliband had was if he was asked a question he did not like he | :14:06. | :14:15. | |
would ask himself a new question. What colour is the sky? Matt, if you | :14:16. | :14:21. | |
are asking me if I have a plan for the economy, I have. And you have | :14:22. | :14:27. | |
found an interesting map recently. This is interesting, in an age where | :14:28. | :14:32. | |
Matt and grass are shared online, this is a map of the UK. You may | :14:33. | :14:38. | |
think that is about likely election results. Actually, breathed a sigh | :14:39. | :14:42. | |
of relief. It is from the Woodland Trust and it is about how many | :14:43. | :14:46. | |
bluebells have been spotted. If you do look closely at it it would be | :14:47. | :14:50. | |
ridiculous because the Tories will do a lot better than that. Thank | :14:51. | :14:58. | |
you, Matt! You can catch more of that on an spun with Matt Forde | :14:59. | :15:01. | |
every Wednesday and Sunday in the run-up to the election on Dave. We | :15:02. | :15:08. | |
always like to give you something new on this show so a magician with | :15:09. | :15:14. | |
a concrete block on his head should do the trick. Let's hear it | :15:15. | :15:16. | |
everybody for Penn and Teller! I need someone from the audience, | :15:17. | :15:28. | |
what is your name? Natalia. Thank you. I am Penn, this is Teller. You | :15:29. | :15:36. | |
are wearing very attractive and fashionable glasses, do you wear | :15:37. | :15:40. | |
them for the fashion or are they corrective? They are prescribed. Are | :15:41. | :15:45. | |
you near-sighted or far-sighted? I am far-sighted. Let me take a look | :15:46. | :15:49. | |
at them... They are beautiful. Really nice, and so clean! It's | :15:50. | :15:55. | |
astonishing... My glasses often look like I clean them off with a beef | :15:56. | :16:01. | |
patty. These are beautiful. Can you see me OK? I will put these here. | :16:02. | :16:05. | |
With you in front of the audience, they trust me differently. If I | :16:06. | :16:12. | |
reached into my pocket and got a billiard ball, and I say that this | :16:13. | :16:16. | |
is a billiard ball, some people would not believe me, they sell | :16:17. | :16:22. | |
billiard ball shells, and collapsible ones, but also because I | :16:23. | :16:28. | |
am a liar. Let me prove that this is a solid billiard ball. With you | :16:29. | :16:33. | |
here, I do not have to do that but I do it because I know it is Teller | :16:34. | :16:36. | |
and it brings me joy! Make sure that is a real billiard ball, Natalia. Is | :16:37. | :16:47. | |
it real? It is. Is this a real magic wand? Who cares! It is just dour | :16:48. | :16:53. | |
covered with adhesive paper. Can you see OK? I am going to tap this three | :16:54. | :17:01. | |
times, and on the third time it will vanish. Watch this carefully... One, | :17:02. | :17:09. | |
two, three... LAUGHTER CLAPPING | :17:10. | :17:16. | |
Did that take two seconds? If you have two seconds of full body | :17:17. | :17:24. | |
wonder? And then collapsing into abject disappointment? That's all I | :17:25. | :17:28. | |
get... Fortunately, for you and everyone else, we are two person | :17:29. | :17:32. | |
performing ensemble. Teller is really good at this. Stand back and | :17:33. | :17:37. | |
watch all of this... I will give you your glasses, hang on... Natalia! | :17:38. | :17:43. | |
One of two things has happened... Either your glasses have magically | :17:44. | :17:47. | |
vanished, or I no longer care about breaking them... Watch this... This | :17:48. | :17:52. | |
might be a little more... Magical here. I'm going to hit him with a | :17:53. | :18:00. | |
hammer... Natalia, I don't expect you to be able to see from over | :18:01. | :18:06. | |
there... Will you go over there and pick those glasses off his head? And | :18:07. | :18:12. | |
put them on your own... CLAPPING Are they your glasses? Clean them | :18:13. | :18:23. | |
off... CLAPPING Absolutely superb! Amazing. | :18:24. | :18:29. | |
Brilliant. How do you follow that? With just an illusion? | :18:30. | :18:34. | |
# Prince Charming... In the early 80s, a whole raft of eye-catching | :18:35. | :18:38. | |
new bands were coming from the club scene and taking the charts by | :18:39. | :18:41. | |
storm. It was as much about the image as it was about the music. One | :18:42. | :18:47. | |
of the frontrunners was Ligeon and his band, Imagination. In 1982, his | :18:48. | :18:56. | |
son Just an Elution became a big hit. It was years of hard work to | :18:57. | :19:02. | |
create the package... It always stood out, the sound of the music | :19:03. | :19:06. | |
and the voices, and how we wrote the songs. We wanted to ensure that | :19:07. | :19:10. | |
visually it was something that we would remember. To his best friend | :19:11. | :19:15. | |
from school, the young man was always headed for success... He just | :19:16. | :19:18. | |
had that flair. You heard him before you saw him! Whether it was singing | :19:19. | :19:26. | |
at the top of his voice or with his ghetto blaster... Leee loves to | :19:27. | :19:31. | |
arrive. Was he called Leee back then? No, he was Leslie McGregor, I | :19:32. | :19:37. | |
called John, but then this triple T came about... What does it stand | :19:38. | :19:42. | |
for? Extra exciting energy, or erotic, it depends on the day! When | :19:43. | :19:50. | |
Leee recruited his bassist and drummer to form the band | :19:51. | :19:55. | |
Imagination, Leee was there to share in their success... People would | :19:56. | :20:00. | |
think I was part of the band, we would go to these swanky places, but | :20:01. | :20:05. | |
who am I to say that I am not? He's got a brilliant voice, not many | :20:06. | :20:09. | |
people can sing falsetto like that. Undoubtably they did a Top of the | :20:10. | :20:15. | |
Pops performance that stuck in people's heads, sales catapulted. | :20:16. | :20:21. | |
You had dreamt of this as a kid. The sound was unique, because the sound | :20:22. | :20:26. | |
was driven by synthesised bass. There are no guitars, but a lot of | :20:27. | :20:30. | |
riffs on the track, but they are played by a synthesiser. | :20:31. | :20:35. | |
Simple, not cluttered. The tempo was much slower. Their success meant | :20:36. | :20:39. | |
that Leee and their Patrice 's were under pressure to get their second | :20:40. | :20:45. | |
album out straightaway. Suddenly, it changes. It is a job, it is work. | :20:46. | :20:50. | |
And it is an industry. We've had a top album but now we need to start | :20:51. | :20:55. | |
again from scratch. When will you write that hit song? The hit song | :20:56. | :20:59. | |
came about because of Leee's new-found cynicism about the music | :21:00. | :21:04. | |
business. I was disenchanted about things going on in the industry. | :21:05. | :21:09. | |
Everything you saw, that you thought was real, wasn't. It was | :21:10. | :21:15. | |
frustrating. You find that life became disillusioned. The pressure | :21:16. | :21:18. | |
came to a head in the studio when Leee wanted to change is vocal style | :21:19. | :21:22. | |
on the track and got into an argument with his producers. We were | :21:23. | :21:27. | |
treading a thin line with what work went essentially pop records, but | :21:28. | :21:31. | |
were making the dance charts. There was a formula that we wanted to | :21:32. | :21:35. | |
stick to. Why did you want to change your voice? I love a wreath for | :21:36. | :21:42. | |
Franklin. I wanted to do her voice. You think, why do I want to change | :21:43. | :21:47. | |
this? -- Aretha Franklin. My mate was in the studio and said, you need | :21:48. | :21:53. | |
to take a break. Keep your eyes on the prize, do not get derailed. I | :21:54. | :21:58. | |
would tell him what he needs to know. Not necessarily what he wanted | :21:59. | :22:02. | |
to know. Similar to myself, to does the same. I went outside and I | :22:03. | :22:06. | |
remember clearly, it was a lovely night. It was hot. I went into the | :22:07. | :22:13. | |
studio and did what I wanted. They go darling, you are fantastic, why | :22:14. | :22:16. | |
did you do this before! It became one of our biggest hits. Leee may | :22:17. | :22:23. | |
not wear outrageous costumes any more but today he is creating a | :22:24. | :22:28. | |
special illusion here in a mirror maze just for the one show... | :22:29. | :22:35. | |
# Is it really magic in the air? You come into the industry and think, | :22:36. | :22:45. | |
will it last for ever? Next thing you know, that is it. | :22:46. | :22:53. | |
# Just an illusion... My friends kept me grounded. 35 years later | :22:54. | :22:57. | |
they are still there and I think that is what has sustained me. It | :22:58. | :23:01. | |
shows that not everything is an illusion. Not friendship... STUDIO: | :23:02. | :23:11. | |
You have got a good falsetto... Thanks! Carry on... He won't do it! | :23:12. | :23:18. | |
If it has got you grooving, the new album is out on the 9th of June, | :23:19. | :23:24. | |
called Retropia. Penn and Teller are with us on the sofa! Do you like | :23:25. | :23:32. | |
songs about magic? No, if I hear magic man by Heart one more time... | :23:33. | :23:37. | |
Every radio show I go on, they think it is clever! Playing a song from 40 | :23:38. | :23:42. | |
years ago that wasn't that good anyway but has that word in it... | :23:43. | :23:48. | |
You touched on it at the start of the programme about how things were | :23:49. | :23:51. | |
when he first got together. A lovely photo here, you been working | :23:52. | :23:56. | |
together for more than 40 years. When you started out, what was the | :23:57. | :24:01. | |
style of the show? Our style hasn't changed that much, I think we've got | :24:02. | :24:05. | |
a bit weird as we've got older. And a little braver, which is dangerous. | :24:06. | :24:10. | |
We are one of the few acts in show business who are more successful | :24:11. | :24:17. | |
than we planned. We played for creepy little groups of people. It | :24:18. | :24:23. | |
gave us a certain kind of humorous where we do not really worry too | :24:24. | :24:31. | |
much about trying to be exactly popular, we just do what we think is | :24:32. | :24:35. | |
good, and it's turned out that we have always been presently supplies. | :24:36. | :24:44. | |
-- is a surprised. 40 years of working together and to do so well, | :24:45. | :24:47. | |
it is incredible. There must be moments where you have creative | :24:48. | :24:51. | |
differences, how do you work those out? Creative differences are what | :24:52. | :24:58. | |
the fun is. We want to fight over every moment of the show but we do | :24:59. | :25:02. | |
not have personal differences. Creative differences is a euphemism, | :25:03. | :25:06. | |
it normally means that there are personal differences and calling it | :25:07. | :25:10. | |
creative differences. You don't spend that much time together? We | :25:11. | :25:14. | |
spend a lot of time together but not socially. We have our own lives. We | :25:15. | :25:19. | |
first got together and it was not affection but respect. We wanted to | :25:20. | :25:25. | |
work together. LAUGHTER It lasted a lot longer than | :25:26. | :25:31. | |
affection, respect. Is one of you in charge of the technical side of | :25:32. | :25:35. | |
coming up with new tricks? Teller is the brains, no doubt of that. The | :25:36. | :25:39. | |
brains would not be the one talking all the time! Very good. You | :25:40. | :25:45. | |
are bringing your show over to the UK, you will be going up to Glasgow, | :25:46. | :25:52. | |
for the first time in Scotland. What can people expect? Most people who | :25:53. | :25:56. | |
do a show in Las Vegas, it is well known and you move there, and you | :25:57. | :26:02. | |
spend your days golfing and do the same show every night. We do not | :26:03. | :26:07. | |
like golf, so we are working on new material. Do you? It is almost all | :26:08. | :26:12. | |
knew from the last time that we played in the UK. We were arguing | :26:13. | :26:17. | |
about that before. 80%, maybe more. This is stuff that isn't seen on | :26:18. | :26:22. | |
television. Do you come over with huge crates of stuff? I'm not in | :26:23. | :26:26. | |
charge of the containers, that is someone else's job. Shipping | :26:27. | :26:29. | |
containers come across and we send stuff out, we have duplicates that | :26:30. | :26:34. | |
go out a couple of months in advance, and we have a number of | :26:35. | :26:38. | |
props that we need to make up for our lack of talent. LAUGHTER | :26:39. | :26:44. | |
More big things to bring onstage! You say about keeping things fresh, | :26:45. | :26:50. | |
how? You have new tricks for all of these shows? Yeah, we do it with | :26:51. | :26:53. | |
brute force, we normally sit down over coffee, but one thing that has | :26:54. | :26:59. | |
changed, it used to be 20 years ago when we were pitching an idea to one | :27:00. | :27:02. | |
another, we would pitch things where this will be easy, we can do this | :27:03. | :27:08. | |
easy, it will work out... Now, we only care about the hard stuff | :27:09. | :27:11. | |
because we have enough new material to last us until we are dead. We | :27:12. | :27:18. | |
intend to die in office! Die onstage, literally, for a change. | :27:19. | :27:26. | |
So, we mostly want to do stuff that is wicked hard, things that others | :27:27. | :27:29. | |
haven't done before and what we haven't done. And you loved and | :27:30. | :27:34. | |
hated it almost in the magic world, because often... You give how you do | :27:35. | :27:42. | |
the tricks away. Which some people in the Magic Circle... It's got an | :27:43. | :27:48. | |
odd relationship with us. They asked us to do a museum case commemorating | :27:49. | :27:53. | |
us. We have a picture of it... That is right in their museum. I was the | :27:54. | :28:00. | |
one that wrote the Paul Daniels obituary for their magazine. We | :28:01. | :28:03. | |
loved him. Even though we have written that stuff, they will not | :28:04. | :28:08. | |
let us be members! We are not allowed to be members of a club that | :28:09. | :28:12. | |
has our stuff in their museum, because they have this hard and fast | :28:13. | :28:16. | |
rule about giving away magic secrets which is amazing, because defining a | :28:17. | :28:25. | |
magic secrets so carefully, this would get us out of the Magic | :28:26. | :28:33. | |
Circle... It is a coven of old men keeping secrets... And on that | :28:34. | :28:41. | |
note... They just don't like us, we like them! CLAPPING | :28:42. | :28:50. | |
Tickets are on sale now. Alex is back tomorrow with co-host Michael | :28:51. | :28:53. | |
Ball. Don't all screen at once but Harry Styles will be performing | :28:54. | :29:03. | |
outside. Nobody screams at all! Not one person screams! Come on, scream! | :29:04. | :29:05. |