Browse content similar to 10/05/2017. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Look, Si, it's Kasabian. Hello, boys. Hello. They are on the show | :00:07. | :00:14. | |
tonight. I love rock-and-roll. You made a mess of the dressing room | :00:15. | :00:20. | |
last time. Pigs will fly before we have you two back in the studio | :00:21. | :00:25. | |
again. Here, dude, I think we might be in luck. | :00:26. | :00:33. | |
Hello and welcome to the One Show with Matt Baker. | :00:34. | :00:36. | |
Yes, it's true, the Hairy Bikers weren't seeing things, | :00:37. | :00:43. | |
we do have a 40ft inflatable pig floating outside the studio today. | :00:44. | :00:51. | |
These are live pictures. Look at him. | :00:52. | :00:53. | |
It's all to do with Pink Floyd, an album cover and an air | :00:54. | :00:58. | |
But first, let's meet tonight's guests. | :00:59. | :01:08. | |
We're joined by an actor who's best known for the classic Born Free | :01:09. | :01:11. | |
and for her passionate work as a wildlife campaigner. | :01:12. | :01:14. | |
She clearly loves all things hairy, so we think she'll get on great | :01:15. | :01:17. | |
Please welcome Virginia McKenna and The Hairy Bikers! | :01:18. | :01:24. | |
APPLAUSE What a wonderful sofa we have | :01:25. | :01:32. | |
tonight. Lovely to see you all. You may have seen, or on the news, the | :01:33. | :01:40. | |
PM was here last night, Theresa May with her husband Philip. He we were | :01:41. | :01:45. | |
talking about bins, jacket and ties. Bins? He puts the bins out. We got | :01:46. | :01:52. | |
on to love at first sight we got you wondering about your first | :01:53. | :01:54. | |
impressions ofs each other. We have an image of you take the helmet off, | :01:55. | :02:03. | |
hair blowing in the wind? Has anybody told you, you are a bit | :02:04. | :02:08. | |
strange? Many times. In newicals until 1993 there he was, behind the | :02:09. | :02:14. | |
pool table. What's in the curry today? I knew then we'd be friends | :02:15. | :02:19. | |
forever. Here are you on the One Show. Theresa May said she has loads | :02:20. | :02:25. | |
of cook books. She has one of yours. Are you here to promote your | :02:26. | :02:31. | |
vegetarian cook book. Virginia has been a vegetarian for 37 years. Are | :02:32. | :02:38. | |
you feeling nervous? What a great advert for eating vegetables. She is | :02:39. | :02:44. | |
a great You must have advert. Protein or you get very tired. | :02:45. | :02:51. | |
Pulses. . All sorts of stuff. You look for pulses and soya recipes? In | :02:52. | :02:58. | |
stir fries. I have had two seconds to look at your book. I will be | :02:59. | :03:02. | |
right in there making your wonderful recipes. That's high praise indeed. | :03:03. | :03:07. | |
There will be plenty of opportunity to have a flick through. We have | :03:08. | :03:14. | |
quite a lot to get through. Let's find out what is in store with the | :03:15. | :03:18. | |
help of tonight's band, Kasabian. We are cracking open the bubbly | :03:19. | :03:29. | |
celebrating the first ever champagne vines to be planted in the UK. And a | :03:30. | :03:36. | |
surgeon who is printing out a 3D copy of a man's face for pioneering | :03:37. | :03:46. | |
new surgery. And Tuffers is going to rock with pink Floyd to find out why | :03:47. | :03:52. | |
that massive pig became a massive headache for Air Traffic Control. | :03:53. | :03:58. | |
Thank you Kasabian. They will be performing their new sing, God Bless | :03:59. | :04:00. | |
This Acid House live for us later on. | :04:01. | :04:03. | |
Now there is a lot of so called smart technology out there - | :04:04. | :04:06. | |
smart phones, smart TVs and now smart meters. | :04:07. | :04:08. | |
The Government wants a smart meter in every UK home by 2020. | :04:09. | :04:11. | |
They're supposed to save us all money but, for many people, | :04:12. | :04:13. | |
Matt Allwright's been finding out just how 'smart' | :04:14. | :04:16. | |
We've all seen the adverts and heard the promises. You'll be able to see | :04:17. | :04:28. | |
exactly how much energy you're using in pounds and pence. The reality - | :04:29. | :04:32. | |
for some people it's a different story. Smart meters are supposed to | :04:33. | :04:38. | |
monitor your energy consumption and send readings directly to your | :04:39. | :04:42. | |
supplier. The aim - to get more accurate bills, make it easier to | :04:43. | :04:46. | |
switch supplier and put an end to visits to your home to read the | :04:47. | :04:53. | |
meter. It sounds smart, genius even, but just one problem - the | :04:54. | :04:57. | |
technology doesn't always work and when it doesn't, you're left with a | :04:58. | :05:04. | |
decidedly done device. That's what happened to Sue and Grant Harvey's | :05:05. | :05:12. | |
smart meter. The company didn't get their readings and the Harveys over | :05:13. | :05:17. | |
paid. I was ?750 in credit. They had my money I could have been spending. | :05:18. | :05:22. | |
It frustrates me. The problem was thats smart meters rely on secure | :05:23. | :05:26. | |
mobile networks to send data back to the company. The Harvey's signal | :05:27. | :05:33. | |
wasn't strong enough We can't get a phone signal in our area. It was | :05:34. | :05:37. | |
pointless, a waste of They got a time. Refund and compensation from | :05:38. | :05:42. | |
their supplier. Would they recommend a smart meter now? No. Don't think | :05:43. | :05:47. | |
so. Meanwhile, other customerses have gone on social media to share | :05:48. | :05:51. | |
snapshots of their so-called real time energy use. Running into tens | :05:52. | :05:56. | |
of thousands of pounds in one day. So much for that promise of more | :05:57. | :06:01. | |
accurate bills. What about the Government's claim that smart meters | :06:02. | :06:05. | |
will make it easier to switch between energy suppliers? Paul was | :06:06. | :06:15. | |
so impressed by the smart energy PR campaign he decided to have a smart | :06:16. | :06:24. | |
meter fitted? All was working well until he decided to, yes, you guess | :06:25. | :06:29. | |
it, switch. It stopped working and it was a dead His new supplier | :06:30. | :06:33. | |
display. Couldn't read his new smart meter? My concern is that they are | :06:34. | :06:38. | |
spending a lot of money promoting it, which we pay for through our | :06:39. | :06:43. | |
energy bills, I presume. The energy structure which allows each company | :06:44. | :06:47. | |
to read other company's meters is not in place. I don't see what the | :06:48. | :06:54. | |
hurpy is. The they are only able to offer a first generation smart meter | :06:55. | :06:58. | |
which isn't guaranteed to keep work if anything the customer switches | :06:59. | :07:01. | |
suppliers there. Are plans for all meters to be connected to a single | :07:02. | :07:07. | |
data communication centre to make switching easier. It hasn't happened | :07:08. | :07:08. | |
yet. We will be able to switch and | :07:09. | :07:14. | |
guarantee that our smart meter remains smart eventually, just not | :07:15. | :07:21. | |
now. Smart energy GB's advertising campaign is costing ?49 million this | :07:22. | :07:23. | |
year. It's funded by the energy companies and the man in charge | :07:24. | :07:33. | |
spoke to us. ?11 billion to roll out smart meters. In a lot of cases it's | :07:34. | :07:39. | |
not work are for people. Their bills are over estimated when they switch | :07:40. | :07:43. | |
the meters aren't coming with them? 15,000 smart meters are being | :07:44. | :07:48. | |
installed every day. The vast majority of the experience of people | :07:49. | :07:52. | |
having them installed is excellent. The energy suppliers have apologised | :07:53. | :07:56. | |
to the viewers in question for things that haven't been as good as | :07:57. | :08:00. | |
they should have been. Why was it not thought through that you could | :08:01. | :08:04. | |
switch your smart meter when you switch supplier? If you want to | :08:05. | :08:09. | |
switch supplier speak to your supplier and find out if they can | :08:10. | :08:14. | |
switch you instantly and keep your smart service or switch you | :08:15. | :08:17. | |
instantly it may take a while for you to continue to get your smart | :08:18. | :08:22. | |
services. In the gap you will get a traditional service. In the future | :08:23. | :08:26. | |
the smart services will switch instantly as well. When will the | :08:27. | :08:32. | |
first generation smart meters out now when will they be brought on to | :08:33. | :08:37. | |
this data network? They are, woing on the timetable. No date? No date | :08:38. | :08:40. | |
at the moment. The Government and the energy industry are, woing on | :08:41. | :08:44. | |
when is the right point for that to. Ha. The Government's plan is for all | :08:45. | :08:49. | |
homes to get smart meters by the end of 2020. In the meantime, if your | :08:50. | :08:53. | |
smart meter starts playing dumb, it's back to the old way of reading | :08:54. | :09:01. | |
the meter. Big thank you to Matt for that interesting report. Nick is in | :09:02. | :09:06. | |
the studio to give us an jut date. The situation is a bit of a mess at | :09:07. | :09:10. | |
the moment. We learnt very recently that there could be up to eight | :09:11. | :09:14. | |
million first generation smart meters already in use in the UK and | :09:15. | :09:19. | |
none of these are currently compatible with this national | :09:20. | :09:22. | |
communication data network. Eight million? Apparently so. There is | :09:23. | :09:27. | |
considerable disagreement about whether the first generation meters | :09:28. | :09:32. | |
can be upgraded remotely through a firm ware download or whether they | :09:33. | :09:34. | |
will have to be physically replaced in order to work with this new | :09:35. | :09:40. | |
national network. If they do have to be physically replaced, then the | :09:41. | :09:42. | |
individual households with the meters won't get billed, we all | :09:43. | :09:47. | |
will. It could be up to ?100 on all our energy bills in order to see | :09:48. | :09:51. | |
these smart meters brought into line. Didn't anybody think of this | :09:52. | :09:55. | |
before hand? You would have thought so? We tried to get clarification on | :09:56. | :10:05. | |
what the situation is. They gave us this information | :10:06. | :10:15. | |
You have a couple? I do. How do you get on with them? I can only speak | :10:16. | :10:22. | |
by experience. It's been fine, to the point where I have a rebate and | :10:23. | :10:29. | |
never, ever, ever had a rebate from any energy supplier EVER! I was | :10:30. | :10:36. | |
quite surprised. Did you want to see how much energy you were using and | :10:37. | :10:42. | |
how you could better use it My energy supplier said, you are having | :10:43. | :10:45. | |
a smart meter. I went OK. The guy knocked on the door to say, I'm here | :10:46. | :10:49. | |
to fit your smart meter. I said, do you want a cup of tea. He fitted it | :10:50. | :10:53. | |
and went, there you go. It's great. You can see how much you are using. | :10:54. | :10:58. | |
You play with it, you think I'm going to turn that night out I'm at | :10:59. | :11:04. | |
?97.08 I don't want to go to the ?100. Do you turn everything on in | :11:05. | :11:09. | |
the house to see how it - Yeah. Everyone does that. A friend has | :11:10. | :11:14. | |
mine. It sits in the kitchen, he swears by it. I get all the energy | :11:15. | :11:19. | |
usage information I neat need from my quarter bill. I don't see why I | :11:20. | :11:26. | |
should have one. If you have one, it might act as a disincentive to shop | :11:27. | :11:32. | |
around to get a cheaper energy bill if it's not compatible with a | :11:33. | :11:35. | |
supplier. There is personal data linking to your energy bill. What | :11:36. | :11:39. | |
happens if the security of these devices get compromised. What if you | :11:40. | :11:43. | |
get hacked? I haven't got one because I'm worried about. So much | :11:44. | :11:46. | |
information is out there. You don't know who will get it. It's open for | :11:47. | :11:56. | |
manipulation. Why r Why do you have two? One it each house! Oh, sorry. | :11:57. | :12:08. | |
OK. The bottom line is most people with smart meters would recommend | :12:09. | :12:12. | |
them. If you want a smart meter make sure you get a second generation. | :12:13. | :12:17. | |
How do you know? Ask that question. Is this going to be compatible. | :12:18. | :12:21. | |
Finally, if you don't want a smart meter you don't have to have one. | :12:22. | :12:26. | |
It's not compulsory. No matter how much the energy suppliers push them. | :12:27. | :12:32. | |
Thank you so much. Si will be ringing home, is it second | :12:33. | :12:35. | |
generation? Have a look at the bottom of it! | :12:36. | :12:41. | |
In a bit we'll be chatting food with Si and Dave, | :12:42. | :12:43. | |
Yes, it's been a very hard few months for English winemakers, | :12:44. | :12:47. | |
with grape harvests badly affected by heavy frost. | :12:48. | :12:49. | |
But in some better news, Kate McIntyre is in Kent, | :12:50. | :12:51. | |
where the very first French champagne is being | :12:52. | :12:53. | |
On a rather grey day here in Kent there is one sound thaw might not | :12:54. | :13:08. | |
expect to hear. Champagne, a name synonymous with celebration, bubbles | :13:09. | :13:12. | |
and France. Can of course only be made in a small region over the | :13:13. | :13:18. | |
channel. For the first time, a famous champagne grand brand has | :13:19. | :13:23. | |
planted vines in English soil. By 2023 this French champagne house | :13:24. | :13:27. | |
will sell us a new version of their famous tipple - an English sparkling | :13:28. | :13:38. | |
wine. The man from champagne said qui to this historic move. Why did | :13:39. | :13:42. | |
you decide to start growing them in Kent? It due to global warming it's | :13:43. | :13:48. | |
good to make sparkling wine in Kent. The soil is very good here, too. | :13:49. | :13:55. | |
You've got a lot of chalk and it maybe good for vines. There is a new | :13:56. | :14:00. | |
study into the changing climate that suggests how large areas of the | :14:01. | :14:04. | |
whole of the UK, including Essex, the east of England and even | :14:05. | :14:14. | |
Edinburgh could become leading wine producing regions. Exporting to 27 | :14:15. | :14:20. | |
countries with 70% of that being the bubbly stuff. Very impressive. The | :14:21. | :14:25. | |
first vines have gone into the ground in Kent and Patrick and | :14:26. | :14:30. | |
Steven are the two British wine masters who teamed up with the | :14:31. | :14:34. | |
French experts. Why do you need a champagne house from France to come | :14:35. | :14:40. | |
on board? It's the art of putting them together. They create an | :14:41. | :14:47. | |
outstanding blend between the three varieties How challenging is it | :14:48. | :14:53. | |
going to be to replicate the conditions in champagne over here? | :14:54. | :14:58. | |
Not challenging at all. I've been growing grapes for 40 years in Kent. | :14:59. | :15:02. | |
We believe - I know with have a fabulous site here. English | :15:03. | :15:10. | |
sparkling wine is a bit of a mouthful, so I guess the idea of | :15:11. | :15:14. | |
having a glass of Kent doesn't hit the mark either, does it? No. I | :15:15. | :15:21. | |
think people are already recognising the grape brands of English sparkle | :15:22. | :15:26. | |
wine. They won't produce fizz for five years. I have a taste of the | :15:27. | :15:34. | |
best English bubbles on the mark. Is the champagne name going to trump | :15:35. | :15:37. | |
the English sparkling wines on offer? We will do a taste test with | :15:38. | :15:43. | |
a differences. The people of Canterbury will try two glasses of | :15:44. | :15:45. | |
fizz. We will tell them one is champagne | :15:46. | :15:49. | |
and one is English. The trick is both are champagne from the same | :15:50. | :15:50. | |
bottle. I would say that one. What makes you | :15:51. | :16:01. | |
think that? Adult Mac has got more to it in terms of the taste. | :16:02. | :16:08. | |
Actually, we have been a bit sneaky. They are both champagne out of the | :16:09. | :16:13. | |
same bottle. Psychologically you are looking for a difference. Which one | :16:14. | :16:19. | |
to think is the champagne? No doubt about it, if I am wrong, I am wrong. | :16:20. | :16:25. | |
You are right about that being champagne but that is also | :16:26. | :16:30. | |
champagne. Are you absolutely sure? I preferred the second one. You | :16:31. | :16:37. | |
preferred the champagne? The first one felt softer. It may be in my | :16:38. | :16:42. | |
imagination but I thought that one was better. Which one do you think | :16:43. | :16:49. | |
is the champagne? They taste the same. So the word champagne did seem | :16:50. | :16:54. | |
to have an effect on people's taste buds. But when they tried the | :16:55. | :17:00. | |
English fears... The English sparkling wine. So you preferred the | :17:01. | :17:07. | |
English sparkling wine? Yes! Thank you, Kate. Would you like a little | :17:08. | :17:13. | |
tipple? We have a bottle here. We are calling it mystery bubbly | :17:14. | :17:16. | |
because we are going to do a taste test to see if it is French or | :17:17. | :17:22. | |
English. We have only got one bottle. Whenever I open a bottle of | :17:23. | :17:26. | |
anything on this show it always seems to explode. And warm studios | :17:27. | :17:32. | |
and this that and the other. Do you want me to have a go? I have never | :17:33. | :17:38. | |
opened a bottle of champagne or anything. Hold the court and twist | :17:39. | :17:50. | |
the bottle. I will get this ready. Do you see what I mean?! Did you | :17:51. | :18:02. | |
shake that? I did not, I promise. Anyway, Virginia, you said you would | :18:03. | :18:07. | |
like a little tipple. This is English sparkling wine. Thank you | :18:08. | :18:12. | |
very much. Dave, you are a fan of this? We went to a vineyard in | :18:13. | :18:16. | |
Sussex and it won an award for the best sparkling wine in the world. It | :18:17. | :18:25. | |
is rid of beautiful. I think the soil, it is like the chalk strata | :18:26. | :18:28. | |
that is the same as the Champagne region. It is kind of the same. You | :18:29. | :18:32. | |
cannot call it champagne. We bought about three cases each. You take a | :18:33. | :18:37. | |
bottle which is apparently the best sparkling wine in the world to | :18:38. | :18:42. | |
people's houses, you take it to someone's house and they put it one | :18:43. | :18:45. | |
side thinking we are being cheap. Then you have to explain it is | :18:46. | :18:51. | |
really very good. It won it in a blind taste test in champagne. We | :18:52. | :18:57. | |
can be a little bit about champagne. Why do think that is? Just because | :18:58. | :19:05. | |
we are snobby! I spend a lot of time... Be allowed to start? Of | :19:06. | :19:16. | |
course you can! The new book, The Hairy Bikers Go Veggie. That put a | :19:17. | :19:21. | |
smile on your face, Virginia. There are about 80 recipes. Where did all | :19:22. | :19:25. | |
this come from? You have got so many books. Last time you are here you | :19:26. | :19:30. | |
were talking about pies and all sorts. Chicken! That was the summer | :19:31. | :19:37. | |
before last. Si was in Italy and I was in France. I started growing all | :19:38. | :19:41. | |
my own veg. Coming from my background I never had a garden. I | :19:42. | :19:46. | |
have inherited a great garden and I started growing veg. We spoke on the | :19:47. | :19:50. | |
phone on our holidays and talked about food. We found out we had | :19:51. | :19:57. | |
mostly been eating veg for the whole summer, enjoying it and there is | :19:58. | :20:00. | |
nothing better than vegetables straight from the ground and because | :20:01. | :20:04. | |
I had grown them I was treating them with more reference than perhaps I | :20:05. | :20:09. | |
would if I opened the package. In Italy you have great produce. You go | :20:10. | :20:15. | |
to the market and it inspires you. The colour is amazing. It was not | :20:16. | :20:21. | |
just us, it was whole family. They were all going, he, dad, this is | :20:22. | :20:24. | |
some of the best food we have eaten. It was fantastic and it was all | :20:25. | :20:29. | |
vegetarian. But Mediterranean cuisine, by the nature of what it | :20:30. | :20:33. | |
is, is the smallest thing because it is the most expensive thing is the | :20:34. | :20:38. | |
meat so you get really a double portions of it ordinarily. Anyway, | :20:39. | :20:43. | |
basically the stars aligned because our publicist Amanda Harris... | :20:44. | :20:51. | |
Editor, publisher. She said do you want to do a cookbook, boys, on | :20:52. | :21:02. | |
vegetarians and I think she was anticipating... My is 21 and she is | :21:03. | :21:08. | |
vegetarian so we started cooking vegetarian food. As the junior was | :21:09. | :21:11. | |
saying it is about getting everything into the meals so it is | :21:12. | :21:17. | |
not just a bowl brown stuff. We tried to do a vegetarian book as it | :21:18. | :21:22. | |
were for meat eaters. There is a section called missing the meat | :21:23. | :21:27. | |
where you do like the Sagnas. No meat substitutes. We did not want to | :21:28. | :21:33. | |
go down that route of fake sausages or the American way of putting | :21:34. | :21:39. | |
cheese on everything. That would not help in terms of health. With these | :21:40. | :21:43. | |
recipes you have the calories worked out. It was much better, you could | :21:44. | :21:47. | |
have a lot more of it and we have never been more regular. You are | :21:48. | :21:52. | |
really interested in what they are saying and you do love curries, | :21:53. | :21:58. | |
don't you? I love curries. When is the book coming out? The 18th. I | :21:59. | :22:05. | |
have not got long to wait then. Do you have a favourite vegetable? That | :22:06. | :22:07. | |
is a very hard question. I would need about half an hour to | :22:08. | :22:25. | |
think about it. Well, bear that in mind. We are going to do a little | :22:26. | :22:28. | |
bit your own interview. There should be a question attached to each bit | :22:29. | :22:31. | |
of veg. Questions from viewers. That is a good idea. The One Show is | :22:32. | :22:33. | |
properly creative. What would you like? The aubergine. We know they do | :22:34. | :22:41. | |
not grow beneath the soil. This comes from Karl on Facebook. What is | :22:42. | :22:46. | |
the smallest kitchen you have cooked a three course meal in. A camper | :22:47. | :22:53. | |
van. A catamaran on the Irish Sea and we tried to cook a crab souffle | :22:54. | :23:01. | |
and every time the boat hit a wave the souffle collapsed. It was not | :23:02. | :23:07. | |
good by the time we finished. Lets do another one, which one would you | :23:08. | :23:16. | |
like? A carrot. Soil in your champagne! Have you had anyone | :23:17. | :23:20. | |
approach you with their own dieting success stories. Yes. Numerous. We | :23:21. | :23:27. | |
have two really good ones. Pick your favourite. A fella came up and said | :23:28. | :23:32. | |
your book has saved two lives. I said, what do you mean? This bloke | :23:33. | :23:37. | |
was quite emotional. He said his son was due to have a kidney transplant, | :23:38. | :23:41. | |
he was the only one who could be a donor but he had to lose a couple of | :23:42. | :23:43. | |
stone before he could have the operation. So he | :23:44. | :24:02. | |
started changing the way he ate which I prefer to say rather than a | :24:03. | :24:05. | |
diet, he lost the weight, gave his son a kidney and they were both | :24:06. | :24:08. | |
there in front of the table as happy as anything. We wrote it because we | :24:09. | :24:11. | |
were two fat blokes! It is amazing when you think about all the | :24:12. | :24:13. | |
different things you have written about. We have had a good time with | :24:14. | :24:16. | |
the book. It has been fantastic and it has made us better cooks and | :24:17. | :24:19. | |
thanks to everybody and the publishers to give us the | :24:20. | :24:21. | |
opportunity to do it. It is brilliant. We are sort of sticking | :24:22. | :24:25. | |
with that hospital thing. Now it is the first time for an amazing story | :24:26. | :24:35. | |
from Si's neck of the woods. We sent Dr Saleya Ahsan to see a man who | :24:36. | :24:40. | |
needed some help from surgery and the help of a 3-D printer. | :24:41. | :24:43. | |
Thomas Inness has been working in the NHS for 28 years. As an | :24:44. | :24:48. | |
electrician at the Royal Victoria infirmary in Newcastle, he is part | :24:49. | :24:53. | |
of the shift always available to make sure everything runs smoothly. | :24:54. | :24:57. | |
We do every call that comes in from Electrical plumbing, heating, floods | :24:58. | :25:00. | |
to power cuts, absolutely everything. Whatever the wards ring | :25:01. | :25:07. | |
up for. Now Tommy is ready to undergo an operation here himself. | :25:08. | :25:12. | |
Went for my normal six-month dental checkup. The hygienist said you have | :25:13. | :25:16. | |
a lump on your jaw. She was not happy with it and said she wanted it | :25:17. | :25:21. | |
x-rayed and a biopsy. It is a benign tumour which needs to be removed. | :25:22. | :25:27. | |
What would happen if they did not catch it? It would get bigger. I was | :25:28. | :25:31. | |
surprised by how big it was. It was either side of the jaw. You are | :25:32. | :25:37. | |
having it done here at the hospital where you have worked for nearly ten | :25:38. | :25:41. | |
years. I know which theatre I am going in so I have a bit of an | :25:42. | :25:45. | |
advantage over people who are scared of coming into hospital. I already | :25:46. | :25:50. | |
work in one so it does not faze me at all. This is a tumour which will | :25:51. | :25:55. | |
lead to the weakening of the jaw and ultimately a fracture or break. This | :25:56. | :25:59. | |
will cause pain and have an impact on his speech and swallowing and | :26:00. | :26:05. | |
lead to some facial asymmetry and disfigurement. Removing a tumour | :26:06. | :26:09. | |
this big will mean taking out a whole section of the jawbone as | :26:10. | :26:11. | |
well. This will leave a sizeable defect in his | :26:12. | :26:28. | |
jaw which will need to be filled with bone transplanted from | :26:29. | :26:29. | |
elsewhere in his body. Plastic surgeon Omar Ahmed is working with | :26:30. | :26:32. | |
Mr Adams. My role is to reconstruct the bone. I will use a thin leg bone | :26:33. | :26:35. | |
called the sea below which you do not need for weight-bearing. It | :26:36. | :26:40. | |
should be the right leg because it is the left side of my face but they | :26:41. | :26:50. | |
are using the left one. Although it is a delicate operation | :26:51. | :26:54. | |
it will be a lengthy procedure. Surgeons are now using a new | :26:55. | :26:58. | |
technology to guide them. The 3-D printer. It is hoped the 3-D printer | :26:59. | :27:04. | |
will eventually revolutionise the world of medicine in every field, | :27:05. | :27:08. | |
experimental the heart fouls and even bone and muscle tissue have | :27:09. | :27:16. | |
already been 3-D printer -- the heart valve. Here, the surgeons are | :27:17. | :27:24. | |
conducting a 3-D planning session over the Internet with a medical | :27:25. | :27:29. | |
engineer. I will scroll through the images here and anything marked read | :27:30. | :27:35. | |
will be removed so you can check the margins are sufficient. Charlotte | :27:36. | :27:43. | |
has used the 3-D scans of Tommy's skull which can be manipulated as if | :27:44. | :27:47. | |
the surgeons are carrying out the operation. It enables the surgeons | :27:48. | :27:52. | |
to make incisions in what is essentially virtual surgery. We can | :27:53. | :27:58. | |
construct a defect which we have created. I can draw that in here and | :27:59. | :28:03. | |
the software will give us a rough idea of how it looks. Charlotte will | :28:04. | :28:10. | |
design 3-D printed guides to assist the surgeons throughout Tommy's | :28:11. | :28:15. | |
surgery. This has come out of the printer? Yes, it has accurately | :28:16. | :28:19. | |
printed the custom guides to fit onto the patient's jawbone and also | :28:20. | :28:24. | |
guides to fit onto the patient's leg. These are cutting services and | :28:25. | :28:31. | |
cutting slots which are accurately angled so that when we take this | :28:32. | :28:35. | |
off, the pieces of bone will fold to accurately create the bit of bone | :28:36. | :28:40. | |
that we are hoping to fill the gap in the jaw with. This is phenomenal. | :28:41. | :28:46. | |
This is it, Tommy, this is where you will have the operation. Yes, it is | :28:47. | :28:51. | |
dear to eight. I have been in and checked it and everything is working | :28:52. | :28:55. | |
fine. Are you worried about the process? No, I am more worried about | :28:56. | :29:01. | |
afterwards, how long it will take me to recuperate. There are some | :29:02. | :29:06. | |
positives. I will get rid of the tumour and I asked one of the nurses | :29:07. | :29:10. | |
if I would be able to play football and she said yes which is positive | :29:11. | :29:15. | |
because I could not before! You are still cracking jokes! | :29:16. | :29:20. | |
We will find out how the operation goes later in the show. | :29:21. | :29:28. | |
Virginia, let's talk that Born Free. It has been rereleased on Blu-ray. | :29:29. | :29:33. | |
Isn't it amazing, to have a really old film like that brought right up | :29:34. | :29:38. | |
to the moment, I think it is magic. This is a film which changed your | :29:39. | :29:41. | |
whole life and really, going into this, you did not know much about | :29:42. | :29:49. | |
wildlife beforehand, but why'd you think it has such enduring appeal? | :29:50. | :29:53. | |
Properly one of the main reasons is the lines we worked with were not | :29:54. | :29:58. | |
trained. What you saw was a real relationship that we managed to | :29:59. | :30:02. | |
develop with the four or five that we worked closely with because of | :30:03. | :30:08. | |
George Adamson. He was our lion man and no 1 million new and still to | :30:09. | :30:12. | |
this day knows as much about lions as he used to. It wasn't so much | :30:13. | :30:19. | |
that he said you mustn't do that or you must do this, it was by his | :30:20. | :30:24. | |
example that we learned how to understand their body language which | :30:25. | :30:27. | |
is the secret of understanding animals. | :30:28. | :30:31. | |
You talk about this amazing relationship. We should look at a | :30:32. | :30:38. | |
clip, you and Elsa the lion. After our first walk along the beach we | :30:39. | :30:43. | |
trooped down to the water's edge to introduce Elsa to the Indian Ocean. | :30:44. | :30:48. | |
At first she was put off by the rush of the waves and the taste of the | :30:49. | :30:52. | |
water and perhaps by the audience we collected which was looking on from | :30:53. | :30:59. | |
a safe distance. But soon her curiosity per veiled and she enjoyed | :31:00. | :31:04. | |
herself tremendously. Plagues plus Wow! Do you know, I've been lucky | :31:05. | :31:14. | |
enough to sealions in the wild. You never forget that moment. I was on | :31:15. | :31:18. | |
the truck when I saw them, you never forget that moment when they look at | :31:19. | :31:21. | |
you and you think - I'm part of the food chain. You really do feel? | :31:22. | :31:26. | |
Really. I cannot imagine what it must be like to be rolling around in | :31:27. | :31:30. | |
the waves and playing ball with one. I mean, what are your memories of | :31:31. | :31:36. | |
that? It was interesting that particular sequence. Our safety was | :31:37. | :31:41. | |
seeing The Lions every day. The ones that weren't anything to do with the | :31:42. | :31:45. | |
beach scenes were brought down, the ones we worked closely with, so we | :31:46. | :31:50. | |
could see them every day. One called Girl, who was meant to do the | :31:51. | :31:54. | |
swimming. You saw her just now. She hated the water. Put her paw in and | :31:55. | :31:59. | |
went like this and tleft forever. We brought with us a fantastic lioness | :32:00. | :32:05. | |
called Mara, you could not keep her out of the water. Girl did the | :32:06. | :32:11. | |
walking along the beach, Mara took over for the swimming. It was | :32:12. | :32:15. | |
amazing. Did you ever feel vulnerable? A couple of times I had | :32:16. | :32:26. | |
a hairy moment - not bikers, but! The first was before we started | :32:27. | :32:31. | |
filming, Bill and I used to take Boy and Girl, they were obviously | :32:32. | :32:35. | |
related. We went for a walk on the plains e day to let off steam. One | :32:36. | :32:40. | |
day there was a herd of gazelle ahead of us. Two lions were down on | :32:41. | :32:44. | |
their knees like, this crawling through the grass. Boy kept getting | :32:45. | :32:49. | |
up and hitting my ankles with his paw. Bill said, I think they want us | :32:50. | :32:55. | |
to crawl with them. We did. We crawlled through the grass. My knees | :32:56. | :32:59. | |
got sore. I got up and rubbed them. Buoy was so worked up by then he | :33:00. | :33:03. | |
turned round and he saw me and I think he thought - oh, she looks | :33:04. | :33:07. | |
easier. He took this massive leap, which Bill caught in a photograph | :33:08. | :33:13. | |
and knocked me down. I broke my ankle, rather unfortunately. Never | :33:14. | :33:17. | |
mind. Is this the picture? That is the picture. There is Boy he is | :33:18. | :33:26. | |
about to leap. He lent on my shoulders I went crack. Bill put me | :33:27. | :33:31. | |
in the Land Rover I went and had my ankle fixed. Three weeks later I | :33:32. | :33:35. | |
returned to the set, I had this huge boot made to go over my plaster, | :33:36. | :33:40. | |
which was fine, and what was so wonderful, I knew it wasn't personal | :33:41. | :33:45. | |
from Boy. We got on really well. When we drove into camp I wound the | :33:46. | :33:49. | |
window down and I called him, because they were coming back from a | :33:50. | :33:54. | |
walk, Bill and George with The Lions, he heard my voice. He came | :33:55. | :33:58. | |
over and put half his body through the window of the car. I was able to | :33:59. | :34:03. | |
give him a great big hug. I knew it wasn't - it was the excitement of | :34:04. | :34:08. | |
the moment, you know. Wow. It was wonderful. Mind-blowing. You are | :34:09. | :34:16. | |
massive fans of Born Free? Huge. Are you? We can't believe we are sat | :34:17. | :34:22. | |
next to you. I'm in the same position. You have a calming aura | :34:23. | :34:29. | |
though. Sitting here with you. Wonderful. You can enjoy Born Free | :34:30. | :34:35. | |
it's out on Blu Ray. You can see all those scenes in high-definition. | :34:36. | :34:36. | |
Lovely. Thank you. While we're talking amazing animals, | :34:37. | :34:40. | |
it's about time we explained why we've got a giant pig floating | :34:41. | :34:43. | |
around outside the studio. Here's Phil with the story of this | :34:44. | :34:46. | |
not so little piggy and how it ended up floating a long, | :34:47. | :34:49. | |
long way from home. Many people will remember 1976 as | :34:50. | :35:01. | |
the year we had an incredible heatwave. And the year Concorde took | :35:02. | :35:09. | |
off with its first passengers. Perhaps less well remembered is | :35:10. | :35:12. | |
something else that took to the sky that year - a flying pig. This is | :35:13. | :35:16. | |
Battersea Power Station in London. It looks different right now as it's | :35:17. | :35:20. | |
undergoing redevelopment. 40 years ago it was used to create one of the | :35:21. | :35:25. | |
most iconic album covers in music history. Is the album was Pink | :35:26. | :35:32. | |
Floyd's Animals which features a giant pig floating over the London | :35:33. | :35:40. | |
landmark. In 1976 they didn't have the digital techniques we have | :35:41. | :35:42. | |
today. To achieve the effect they brought in a 40 foot long inflatable | :35:43. | :35:52. | |
pig, named Algie. Pink Floyd's Creative Director was in charge of | :35:53. | :35:57. | |
the photo shoot that day. We are virtually at the spot where the | :35:58. | :36:01. | |
photograph was taken? Almost exactly. At this point, all those | :36:02. | :36:06. | |
years ago. As you can see, it's almost identical in the climate of | :36:07. | :36:10. | |
the day. Whose idea was it? Roger's idea. | :36:11. | :36:13. | |
He had designed the pig for their live shows. He wanted to fly it | :36:14. | :36:17. | |
between the two chimneys on the power station. He asked me - can you | :36:18. | :36:22. | |
get that together. The band turned up to watch. Nick remembers it well. | :36:23. | :36:30. | |
It's a whooper. It's a whoop per. Er. You are a connoisseur of these | :36:31. | :36:36. | |
things. She is not a tiddler. Why a pig? The theme of the record was | :36:37. | :36:42. | |
Animals. It was built by the zeppelin factory. What was it | :36:43. | :36:47. | |
attached to it? It had a secure steel table attached to a winch on | :36:48. | :36:51. | |
the back of a truck. Were there concerns anything might go wrong? We | :36:52. | :36:56. | |
had a sharp shotter on parade to shoot the pig down in the event of | :36:57. | :37:01. | |
it escaping. The sharpshooter wasn't around at the vital moment. All of a | :37:02. | :37:09. | |
sudden - it was free. Yeah. If Algie was free? Yeah. | :37:10. | :37:14. | |
How did it break? Basically, the - I don't want to go into technical | :37:15. | :37:25. | |
details. The helium in the pig was too strong and too buoyant. What | :37:26. | :37:30. | |
were you thinking? Absolute panic. When I saw it flying up with the | :37:31. | :37:34. | |
aeroplanes flying behind it I thought - oh, my God, this is | :37:35. | :37:37. | |
trouble. Heathrow's Air Traffic Control was worried that Algie would | :37:38. | :37:41. | |
drift into the flight path over London. So they contacted this man, | :37:42. | :37:47. | |
Dave individual Voy and asked him to track down the runaway pig. Driver | :37:48. | :37:54. | |
we are on the trail of a flying pig! David, 1976 you were a police | :37:55. | :37:58. | |
helicopter pilot and asked to follow Algie across the skies of London. | :37:59. | :38:02. | |
What were your instructions? I was sent across to find this pig, it's | :38:03. | :38:06. | |
somewhat unusual request. Luckily, it was a clear day, a bit like | :38:07. | :38:11. | |
today, this pig stands out. It was about the size of a bus. It's quite | :38:12. | :38:14. | |
easy to see. You had to follow it where ever it went? One of the | :38:15. | :38:18. | |
problems for air traffic, they couldn't see it because there is no | :38:19. | :38:24. | |
metal in the pig. They used my transponders, the air traffic radar | :38:25. | :38:27. | |
system, to work out where the pig was and I stayed underneath it. | :38:28. | :38:31. | |
Basically, they routed all the airliners around us. Was it one of | :38:32. | :38:36. | |
the most bizarre days in your life? I haven't had a request like it | :38:37. | :38:44. | |
since. Well, I've only followed a little bit of Algie's your which | :38:45. | :38:49. | |
actually continued for 32 miles until he burst and came down in a | :38:50. | :38:53. | |
field in Kent, there ending probably one of the most bizarre aviation | :38:54. | :38:59. | |
journeys in history. That wasn't the end for Algie, he was patched up and | :39:00. | :39:03. | |
in the air the next day to complete the photo shoot. Pink Floyd got | :39:04. | :39:09. | |
their album cover. What's more, Algie travelled the world as parred | :39:10. | :39:15. | |
of their Animals tour in 1977. It goes to prove some pigs can fly! | :39:16. | :39:22. | |
That is the original Algie outside the studio. The original. Yeah, | :39:23. | :39:29. | |
yeah. I didn't know that, man. It is. We want you to go in search of a | :39:30. | :39:35. | |
little bit of pink Floyd history for us if you don't mind? Absolutely | :39:36. | :39:40. | |
sfwlchlt Peter has a camera. He is full of sandwiches. They are all | :39:41. | :39:48. | |
cucumber. Don't worry. If you, basically - Follow him. Go under the | :39:49. | :39:55. | |
pig and turn left. Don't worry about that. Pete will make it clear when | :39:56. | :40:01. | |
you get there. While the boys are off on their mission, we have Tommy | :40:02. | :40:06. | |
here to talk about more pink Floyd? We are celebrating pink Floyd, not | :40:07. | :40:12. | |
only with big old Algie outside. It wasn't ease to inflate. It took a | :40:13. | :40:16. | |
team of people - An hour? It took an hour. I can condense that hour for | :40:17. | :40:24. | |
you. I will show you footage of Algie going up. Flat pig to fat pig. | :40:25. | :40:32. | |
Why are we doing this? They are beginning an exhibition at the V A | :40:33. | :40:38. | |
this Saturday to celebrate 50 years of pink Floyd. 50 years since their | :40:39. | :40:42. | |
first album and single. A huge exhibition, you can see some of the | :40:43. | :40:47. | |
things on display. They were flamboyant, weren't they? #24e loved | :40:48. | :40:53. | |
a spectacle. The inflatable teacher. The wall itself. Posters, | :40:54. | :40:58. | |
instruments, artwork, original hand written lyrics. I'd love to see. Mad | :40:59. | :41:03. | |
pink Floyd fans will love it. A feast for the eyes. You are doing | :41:04. | :41:10. | |
well, keep going. You are nearly there. Draughty! I was about to say. | :41:11. | :41:20. | |
You crack on. We will talk about pink Floyd album covers. They have | :41:21. | :41:29. | |
gone down history. You think of Division Bell, the two | :41:30. | :41:36. | |
Metal heals heads. They wanted them in a field in Cambridge with the | :41:37. | :41:41. | |
cathedral in the background. The guys delivered them to a wrong field | :41:42. | :41:45. | |
in Cambridge. Imagine how annoying that is. You moved a one tonne giant | :41:46. | :41:50. | |
metal head. What is that? Wrong field. They got it to the right | :41:51. | :41:54. | |
field. That is the cover you can see today. It has the cathedral in the | :41:55. | :42:00. | |
background and the iconic album is born. Will the heads be on show? | :42:01. | :42:06. | |
They are on display. It wasn't easy getting them into the V A. 20 guys | :42:07. | :42:12. | |
it takes to move a one tonne metal head. There they are trying to move | :42:13. | :42:15. | |
them in. They have the right exhibition centre? We will find out | :42:16. | :42:21. | |
on Saturday! Dave and Si are at the plaque. What have you found, come | :42:22. | :42:30. | |
on, tell us? Hey. We found the plaque between 1962 and 1966. | :42:31. | :42:43. | |
They were study architecture? That background in architecture | :42:44. | :42:49. | |
influenced the album covers. That made them have that staging, vision, | :42:50. | :42:57. | |
spectacular lighting they put it together with their architectual | :42:58. | :43:01. | |
university background. Dave and Si are huge pink Floyd fans you had a | :43:02. | :43:09. | |
situation with the drummer of pink Floyd? We did. We have the pig. We | :43:10. | :43:20. | |
were at a do at the Savoy. They played a pink Floyd track. Mick was | :43:21. | :43:25. | |
playing imaginary drums with his feet. So funny. We had a few drinks | :43:26. | :43:32. | |
with him. What a lovely man. We went out and bought even more pink Floyd | :43:33. | :43:36. | |
albums. You can see the pig's bum from here. Look. Cheers, you can | :43:37. | :43:42. | |
make your way back. See. Round the corner. Just incredible it's so | :43:43. | :43:48. | |
close. Can we come back? Yeah. . On in. We will turn your mics down, | :43:49. | :43:56. | |
don't worry. Virginia, we have this. Oh, goodness. Do you remember this? | :43:57. | :44:02. | |
That's quite old. You released this in 1975 a year before pink Floyd | :44:03. | :44:09. | |
released Animals. Not the same sort of music What kind of music is it? | :44:10. | :44:14. | |
Gentle songs. I wrote a couple of them. Did you? Yes. My | :44:15. | :44:20. | |
sister-in-law, Bill's elder sister, was an artist as well as an actress | :44:21. | :44:27. | |
she did the cover. Beautiful. It's still on sale. I didn't know it was | :44:28. | :44:32. | |
still on sale. You have a plug, if you're interested. Thank you. | :44:33. | :44:36. | |
Talking of album covers there has been iconic ones. Up there with | :44:37. | :44:43. | |
Virginia. Abbey Road, The Beatles. That came about by accident. It was | :44:44. | :44:47. | |
originally the album was going to be called Everest. They were going to | :44:48. | :44:54. | |
hire a plane and do the album shoot. They were in a hurry and McCartney | :44:55. | :44:59. | |
said let's go outside our Abbey Road Studios and do the shoot right here | :45:00. | :45:03. | |
a mate took the pictures. Ten minutes for the photo shoot. They | :45:04. | :45:08. | |
took six pictures, that is number five of the six, their legs are in | :45:09. | :45:14. | |
sync. That is what they went with. There are theories of why McCartney | :45:15. | :45:19. | |
wasn't wearing shoes and why leg len on was in a white suit. It was a hot | :45:20. | :45:27. | |
day. Don't read any more into it. Pulp and Different Class? This is | :45:28. | :45:32. | |
great. Dom and Sharon O'Connor they are getting married. A regular | :45:33. | :45:36. | |
couple. 1995. They haven't got much money for a photographer they asked | :45:37. | :45:41. | |
one of Dom's brother's mates to do the pictures. He takes pictures for | :45:42. | :45:49. | |
Brit pop bands with. One is Pulp. He becomes available do their wedding | :45:50. | :45:55. | |
pictures I need to bring along cardboard cutouts of a band called | :45:56. | :45:59. | |
peace process ulp. Fine. He takes their original photos and with the | :46:00. | :46:05. | |
cardboard cutouts which people can see on their screens. That is the | :46:06. | :46:10. | |
original. At album cover was born. Dom and Sharon didn't know about it | :46:11. | :46:13. | |
they saw themselves on an album cover. There they are now. Still | :46:14. | :46:18. | |
marrying and living like common People. Definitely Maybe? Pictures | :46:19. | :46:27. | |
were taken in the guitarist's Bonehead's living room. They are | :46:28. | :46:31. | |
lounging around. People come to the house in Manchester. Didsbury. They | :46:32. | :46:36. | |
want to take pictures outside the house. The couple who own the house | :46:37. | :46:40. | |
now have a builder who is doing their loft conversion who is a | :46:41. | :46:44. | |
massive Oasis fan. He recreated that album cover with him. Get in! Lots | :46:45. | :46:49. | |
of love for that one. Playing the broom. Thank you. | :46:50. | :46:55. | |
Thank you. We will stick with music. We will talk to the band who have | :46:56. | :47:04. | |
four number ones and they hope their faith will knock Ed Sheeran off the | :47:05. | :47:10. | |
top spot. Here they are at Glastonbury in 2014. | :47:11. | :47:39. | |
CHEERING From Kasabian, it is Tom and Serge. | :47:40. | :47:51. | |
Was that a good crowd there? Amazing. It was a sea full of baked | :47:52. | :47:56. | |
beans. What have you been doing since then as an act that was 2014. | :47:57. | :48:04. | |
Where do we start? You got married last year. Yes, and we have a new | :48:05. | :48:10. | |
album. Do I understand the idea was to write it as quick as possible? | :48:11. | :48:14. | |
Why would you suddenly want to create an album so fast after being | :48:15. | :48:20. | |
away for so long? I think a way of inspiring or self to go right, six | :48:21. | :48:25. | |
weeks, whatever happens in that period, it is really exciting. Every | :48:26. | :48:29. | |
day you get in the studio and it makes it way more fun I think. | :48:30. | :48:34. | |
Anything can happen. In that six weeks, that is it, whatever happens, | :48:35. | :48:39. | |
that is the album. You also said you wanted it to be feel-good and while | :48:40. | :48:43. | |
you were writing at Leicester City one did that make you feel good? | :48:44. | :48:49. | |
They won the Premier League by ten points. It will never happen again. | :48:50. | :48:57. | |
It was one crazy summer. One crazy year. I am sure you heard the story | :48:58. | :49:03. | |
of album covers. Let's have a look at yours, For Crying Out Loud. This | :49:04. | :49:10. | |
is rip your roadie. Here's our techie. He has been with us for 15 | :49:11. | :49:14. | |
years. We thought we would immortalise him. Is that his | :49:15. | :49:20. | |
catchphrase? Yes, there is no better head that evokes that for me. We | :49:21. | :49:25. | |
kind of have our own version of it, Dave, he is a big fan as well. We | :49:26. | :49:31. | |
have recreated it. Are you there, Dave? There we go. And Rick is there | :49:32. | :49:35. | |
as well. APPLAUSE | :49:36. | :49:47. | |
It is lovely to see you back, lads. How beautiful are you there? There | :49:48. | :49:54. | |
is so much love in the studio. While Tom and Serge get themselves ready, | :49:55. | :49:59. | |
let's head back to Newcastle now as Thomas is about to go under the | :50:00. | :50:03. | |
knife. As an electrician for the NHS, | :50:04. | :50:07. | |
Thomas Inness is used to working long hours at the Royal Victoria | :50:08. | :50:11. | |
infirmary in Newcastle. But today, he is facing a shift like no other, | :50:12. | :50:16. | |
a daunting ten hours under the knife as surgeons remove a tumour growing | :50:17. | :50:22. | |
in his jaw. Up until now, Tommy has not experienced any pain or problems | :50:23. | :50:28. | |
from it. It might be benign but it has to be removed. Using 3-D | :50:29. | :50:31. | |
modelling, the surgeons are preparing for the procedure. They | :50:32. | :50:35. | |
are planning to remove the tumour and part of the jawbone, filling the | :50:36. | :50:43. | |
gap with a bone graft from Tommy's leg. I will have a broken leg and a | :50:44. | :50:46. | |
broken jaw at the same time. The biggest worry is what it will look | :50:47. | :50:50. | |
like afterwards. The doctors have warned me my voice might change and | :50:51. | :50:53. | |
I might speak differently. They have told you what will happen when I go | :50:54. | :50:59. | |
in. I am sure they will all be in to see us. I am ready to go in now. | :51:00. | :51:07. | |
Right. It is 9:30am. We are about to start the operation. The two teams, | :51:08. | :51:12. | |
myself working the head end. We will completely remove the left side of | :51:13. | :51:17. | |
Tommy's jaw including the benign tumour. The surgeons will be using | :51:18. | :51:22. | |
the preprepared 3-D printed templates to ensure maximum | :51:23. | :51:25. | |
accuracy. These are the guides which will go on the left side of the jaw | :51:26. | :51:30. | |
and the right side of the jaw. And the cutting surface which will | :51:31. | :51:34. | |
accurately guide us into making cuts either side where the tumour is. | :51:35. | :51:41. | |
While Mr Adams and his team work on Tommy's jaw, plastic surgeon Mr | :51:42. | :51:45. | |
Ahmed will be preparing the bone graft to restore his face. This will | :51:46. | :51:51. | |
be the top end of the bone and to mend. Very handily they have printed | :51:52. | :51:55. | |
foot and me on it so we know which side is up. By precisely cutting the | :51:56. | :52:01. | |
bones and having perfect contact from the bone from the lead and the | :52:02. | :52:05. | |
jaw, the healing of the bone should be much better. Tell me what happens | :52:06. | :52:10. | |
to the leg you have cut the bone out of? Do you fill the gap? We do | :52:11. | :52:15. | |
nothing with the gap. It will heal on its own but without bone it will | :52:16. | :52:22. | |
heal with scar tissue. 90% of the weight is taken by the tibia but the | :52:23. | :52:26. | |
fibula takes a small amount so in terms of long-term function he | :52:27. | :52:32. | |
should be almost normal. This team are leading the field for the use of | :52:33. | :52:36. | |
3-D guides in the UK and today they are taking it a step further. In | :52:37. | :52:41. | |
removing the tumour, Tommy will also lose most of his lower teeth on that | :52:42. | :52:47. | |
side but the surgeons have already preplanned exactly where to insert | :52:48. | :52:52. | |
dental implants into Tommy's jawbone to form a basis for replacement | :52:53. | :52:58. | |
teeth. They are regular dental implants, small titanium screws and | :52:59. | :53:02. | |
bone can grow on to them and they can effectively become part of the | :53:03. | :53:07. | |
bone. The implants are being inserted into the bone while it is | :53:08. | :53:13. | |
still in Tommy's leg. After the graft, once he has healed, new teeth | :53:14. | :53:17. | |
will be screwed in which will act as their roots. What we have there | :53:18. | :53:22. | |
rather 3-D printed titanium plate which will be used to fix the lead | :53:23. | :53:29. | |
bone on which will be inserted to give Tommy a perfectly fitted lower | :53:30. | :53:33. | |
jaw. Traditionally we would end that out of stock piece of detainee | :53:34. | :53:38. | |
plating. It is an extremely difficult thing to bend to ensure | :53:39. | :53:44. | |
accuracy. Now Tommy's new jawbone has been inserted, Mr Ahmed's team | :53:45. | :53:49. | |
need to attach the blood vessels from the bone graft into the jaw. It | :53:50. | :53:53. | |
is a demanding and delicate task under the microscope. If the blood | :53:54. | :53:58. | |
supply fails, the bone graft will not take. The rest of the team can | :53:59. | :54:06. | |
only wait to see of the surgery has been a success. Finally, ten hours | :54:07. | :54:09. | |
after the surgeons began, the operation is complete, and thanks to | :54:10. | :54:14. | |
the 3-D planning and printed guides, it is a perfect result. I am very | :54:15. | :54:20. | |
happy that we have a good healthy blood supply to the facial jaw and | :54:21. | :54:26. | |
there is a good projection, nice facial symmetry and a good bite. I | :54:27. | :54:30. | |
think without the 3-D planning system it would have been difficult | :54:31. | :54:35. | |
to achieve that. Cannot believe it these days. Amazing. I spoke to | :54:36. | :54:43. | |
Thomas earlier on today. How is he? He was sounded incredible. I thought | :54:44. | :54:47. | |
he would have more difficulty speaking. Clear resin L. He is | :54:48. | :54:51. | |
getting his new teeth next month. He is desperate to go back to work. | :54:52. | :54:55. | |
Because he works in the hospital he said he was not short of visitors at | :54:56. | :55:01. | |
all. He came across as a lovely person. I just wanted to cuddle him. | :55:02. | :55:05. | |
He is keen to get back to work. He wants to say a big thank you to his | :55:06. | :55:11. | |
wife Dawn and his daughter and he says he has been a terrible patient! | :55:12. | :55:16. | |
Are we almost ready because we are going to have some music now? You | :55:17. | :55:21. | |
have never stopped walking tonight, you need to get started with a | :55:22. | :55:28. | |
walking show, the Hairy Walker's! We will they ever are big thank you to | :55:29. | :55:31. | |
Virginia McKenna! CHEERING | :55:32. | :55:39. | |
Born Free is out now on Blu-ray. Thank you to David Si. The Hairy | :55:40. | :55:42. | |
Bikers Go Veggie that on the 18th of May and it is National vegetarian | :55:43. | :55:49. | |
week next week. A big thank you to the pig Algie. Plenty more Pink | :55:50. | :55:54. | |
Floyd stuff on show at the DNA in London. But to play a flat now from | :55:55. | :55:59. | |
their new album For Crying Out Loud with less this acid house, it is | :56:00. | :56:01. | |
Kasabian! -- Bless This Acid House. # One day it comes | :56:02. | :56:10. | |
and then it gets you # Crashing waves, you're | :56:11. | :56:12. | |
thinking it's all over # I swear they're | :56:13. | :56:14. | |
never gonna break you # Still life, just | :56:15. | :56:16. | |
waiting for the weekend # Don't take the world | :56:17. | :56:20. | |
upon your shoulder # She said: God bless | :56:21. | :56:27. | |
this acid house # She said: God bless this | :56:28. | :56:33. | |
acid house # I take my life and jump right | :56:34. | :56:37. | |
in it # I see my friends | :56:38. | :56:44. | |
in all our numbers # Someday you'll | :56:45. | :56:47. | |
find what you wanted # Felt like you're | :56:48. | :57:13. | |
never gonna get it # Till then we can't | :57:14. | :57:17. | |
miss the last train # All we will ever need | :57:18. | :57:20. | |
is right where we are # I get high for just one minute | :57:21. | :57:37. | |
this acid house # I take my life | :57:38. | :57:48. | |
and jump right in it # I see my friends | :57:49. | :57:52. | |
in all our numbers # I take my life | :57:53. | :57:55. | |
and jump right in it # I see my friends | :57:56. | :58:08. | |
in all our numbers # God bless this house | :58:09. | :58:13. | |
and all its lovers Hello, I'm Tina Daheley | :58:14. | :58:19. | |
with your 90 second update. Trump tells his FBI | :58:20. | :59:04. | |
Director "You're fired." The President said the Bureau boss | :59:05. | :59:08. | |
had lost public trust and that his replacement | :59:09. | :59:11. | |
would be better. | :59:12. | :59:15. |