Browse content similar to 15/09/2011. Check below for episodes and series from the same categories and more!
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Welcome to The One Show with Matt Baker and Alex Jones. Tonight, a | :00:20. | :00:25. | |
national treasure who has brought us so much pleasure. With a clever, | :00:25. | :00:29. | |
funny use of rhymes and wit. though it is a crime to introduce | :00:30. | :00:35. | |
her with a rhyme. We hope we are going to get away with it. | :00:35. | :00:41. | |
thought it was pretty good. I have heard some rubbish and. That was | :00:41. | :00:46. | |
very good. It did take us all day to come up with it. You made a very | :00:46. | :00:51. | |
good job with it and it had a nice rhythm so you get 10 out of 10. | :00:51. | :00:55. | |
have written the story of your life in your new book. We read that you | :00:55. | :01:00. | |
have written lots of your poems using an ironing board. I did. I | :01:00. | :01:05. | |
used to live in a flat, and I had a brown armchair, so I used to put | :01:05. | :01:10. | |
the ironing board across, and it made a sort of wide desk. I think | :01:10. | :01:14. | |
they are fantastic. It wasn't much good if you wanted to do the | :01:14. | :01:20. | |
ironing at the same time. That's true, but you can alter the height. | :01:20. | :01:25. | |
Roald Dahl famously wrote in his shed and that shed has fallen into | :01:25. | :01:35. | |
:01:35. | :01:36. | ||
disrepair and is at the centre of Hello, is that removals? I have got | :01:36. | :01:42. | |
to move some staff from a shed. A chair, a table, a filing cabinet, a | :01:42. | :01:49. | |
few bits and pieces. About 500 yards. �95? Brilliant, sounds good. | :01:49. | :01:55. | |
�95 is not bad. Earlier this week there was an appeal for �500,000 to | :01:55. | :02:01. | |
move the contents of one very famous British off the's shed. This | :02:01. | :02:06. | |
is the shed in question. It is where Roald Dahl wrote his best- | :02:06. | :02:10. | |
selling books, and its context is being moved to just down the road | :02:10. | :02:17. | |
to this museum, at a cost of �500,000. I think it is a joke. | :02:17. | :02:23. | |
is too much. It is worth saving because it is part of the heritage. | :02:23. | :02:27. | |
I would do it for free. As your contribution to Britain's literary | :02:27. | :02:33. | |
heritage? Yeah. Roald Dahl rode here for 30 years, Pelling 27 of | :02:33. | :02:38. | |
his best-loved books. He died two decades ago but he still sells one | :02:38. | :02:45. | |
book every five seconds -- penning 27. You can lose yourself in your | :02:45. | :02:54. | |
work. It is my little nest. My womb. This is very strange. I am coming | :02:54. | :02:58. | |
into Roald Dahl's most private place, the shed, where he wrote | :02:58. | :03:02. | |
some of his incredible stories. Matilda and the BFG were written | :03:02. | :03:07. | |
here. He used to sit on this chair, he used to sharpen the pencils with | :03:07. | :03:10. | |
his pencil sharpener. These are his favourite objects that he collected | :03:10. | :03:15. | |
around him. It feels like a really private place. We are sitting | :03:15. | :03:19. | |
outside Roald Dahl's shed and no one can understand why it is going | :03:19. | :03:24. | |
to cost �500,000 to move a chair and a few ornaments. It is not just | :03:24. | :03:30. | |
picking it up and dumping it. We need to very carefully move every | :03:30. | :03:35. | |
object. Some of it has to be frozen, some of it has to have paper | :03:35. | :03:39. | |
conservation work. That is expensive. Creating a new structure | :03:39. | :03:43. | |
means more people will be able to see it when it is in the museum. | :03:43. | :03:47. | |
The family are pretty well off, couldn't they chipping? They | :03:47. | :03:51. | |
support the running of two charities with 10% of the royalties | :03:51. | :03:54. | |
and they do that every year. They have given us a significant amount | :03:54. | :03:59. | |
of the money we have already raised. So they have given to this project. | :03:59. | :04:02. | |
The impression that has been given is that you're asking the public to | :04:02. | :04:07. | |
help to save these artifacts of Roald Dahl's, why do need the | :04:07. | :04:13. | |
public's help? We have never asked the public. We are going to trust | :04:13. | :04:16. | |
foundation to support cultural institutions to do this kind of | :04:16. | :04:20. | |
work, and that is what the fund- raising campaign is about. Why is | :04:20. | :04:24. | |
it so important to preserve this place? It is a place where the most | :04:24. | :04:28. | |
amazing characters came from. Until now, only the privileged few have | :04:28. | :04:33. | |
been able to come here. We want to share it with as many Roald Dahl | :04:33. | :04:40. | |
fans as possible. I tell you what, you but I hope you | :04:40. | :04:46. | |
don't want to move your writing abode. I am going to say it will | :04:46. | :04:50. | |
cost �750,000! People adore Roald Dahl but they will be surprised to | :04:50. | :04:54. | |
know there is a begging bowl going around to pay for this exhibit. Who | :04:54. | :05:00. | |
is going to foot the bill? It has been a bit of a miss harp -- mishap | :05:00. | :05:04. | |
on the part of the Roald Dahl Museum. They say they were never | :05:04. | :05:09. | |
looking for the public to trip in - - chip in and were looking for | :05:09. | :05:12. | |
charitable trusts, they say it is a mistake and want to set things | :05:12. | :05:17. | |
right. You are right, the family has a lot of money. They have put a | :05:18. | :05:20. | |
couple of hundred Grandin. They do get the royalties from his books | :05:21. | :05:24. | |
and he is still very popular. plan is that it will be part of a | :05:24. | :05:28. | |
great display. They want to move it and make it into a proper display. | :05:28. | :05:33. | |
You saw some wonderful things. amazing things. The chair is a | :05:33. | :05:37. | |
wonderful thing, he inherited it from his mother, he wrote in it for | :05:37. | :05:40. | |
30 years, he just did it for himself. He was shot down when he | :05:40. | :05:45. | |
was flying in the war and hurt his back. He said he built this table | :05:45. | :05:49. | |
to write on. It is a very special, private place that he built for | :05:49. | :05:53. | |
himself. And not dissimilar to your ironing-board idea. I see | :05:53. | :05:58. | |
similarities when I see him there with his board over his lap. What | :05:58. | :06:03. | |
about these days, where do you write? When I first started to get | :06:03. | :06:07. | |
some royalties, I bought a Victorian partner's desk. I have a | :06:07. | :06:10. | |
lovely desk that I have had for donkey's years and it is quite | :06:10. | :06:15. | |
tatty now, with tea stains and all sorts of disreputable rips and | :06:15. | :06:20. | |
tears. But I don't want to change it or revitalise it, because I know | :06:20. | :06:25. | |
I wrote so many of the poems that stood me in good stead on it. | :06:25. | :06:30. | |
it for the exhibit. I will. A near �750,000 and it can be moved | :06:30. | :06:36. | |
whether you like! He had problems with his hips as well. He had one | :06:36. | :06:39. | |
of his chips removed. The surgeon gave it to him because he said it | :06:39. | :06:44. | |
was the biggest hip he has ever seen. Here it is, he kept it. | :06:44. | :06:50. | |
no! It is a beautiful thing. looks like a big crusty roll. | :06:50. | :06:53. | |
had the other one out and he used that as a handle on his filing | :06:53. | :06:57. | |
cabinet. If you have an operation, you might want to consider... | :06:57. | :07:01. | |
don't think I would consider it for very long. That got us wondering, | :07:01. | :07:06. | |
what is the weirdest thing you or your other half have in your shed. | :07:06. | :07:10. | |
E-mail us and it we will see if we can outdo Roald Dahl by the end of | :07:10. | :07:15. | |
the show. Thank you for coming into night. It is a special evening for | :07:15. | :07:20. | |
you and your wife. Your 10th wedding anniversary. | :07:20. | :07:28. | |
Congratulations. Inspired by my visit to Roald Dahl's shed and by | :07:28. | :07:32. | |
knowing I was going to be on the sofa, I have penned a little poem. | :07:32. | :07:38. | |
May I? It took me a while to write so the paper is a bit scrappy. | :07:38. | :07:48. | |
:07:48. | :07:48. | ||
looks like Treasure Island. I have just been to see the shed, remember. | :07:48. | :07:52. | |
# You are like a shed to me. # The safe retreat to which I flee. | :07:52. | :07:55. | |
Where my life's story is writ. But unlike a shed, you're really | :07:55. | :08:05. | |
:08:05. | :08:06. | ||
fit. You don't look convinced. I was | :08:06. | :08:10. | |
worried about the last line. I went the right way with it. You did. | :08:10. | :08:14. | |
you think he should have compared his wife to a shed? Will he be | :08:14. | :08:19. | |
sleeping in the shed? I am going to stay out of that one. If my husband | :08:19. | :08:24. | |
compared me to something, they shed would be fairly low down the list. | :08:24. | :08:29. | |
A Rose would have been nice. People love their sheds. And I love my | :08:29. | :08:38. | |
wife. Long may it continue. have a little Jack Russell, Pam? | :08:38. | :08:43. | |
little Jack Russell called Tattie. I never liked them because they | :08:43. | :08:48. | |
always seemed to buy two members of my family. It is funny you should | :08:48. | :08:57. | |
We are going to be spending some time with Jordan Shelley because he | :08:57. | :09:06. | |
is a dab hand with man's best Jordan Shelley is a dog behaviour | :09:06. | :09:10. | |
specialist. He travels the country, helping dogs and their owners work | :09:10. | :09:14. | |
through pogroms that can blight a special relationship between man | :09:14. | :09:18. | |
and his best pal -- problems. Jordan has transformed the lives of | :09:18. | :09:23. | |
troublesome dogs and their owners. Jordan is that the sanctuary. His | :09:23. | :09:27. | |
home and treatment centre in north London. At any given time, it can | :09:27. | :09:31. | |
be home for up to 12 docks. It is a place where clients can bring their | :09:31. | :09:36. | |
dogs for training, I work with rescue dogs as well. I have rescued | :09:36. | :09:41. | |
about 20 to 30 docks. They have all sorts of problems. Some don't want | :09:41. | :09:46. | |
to go upstairs, we have aggressive dogs, I get bits of everything. We | :09:46. | :09:51. | |
had a Maltese that had an ASBO, it was told off because it nipped the | :09:51. | :09:55. | |
postman one to many times, you get all sorts. Jordan trains dogs of | :09:55. | :10:01. | |
all sorts including puppies. -- all ages. I teach them to eat properly. | :10:01. | :10:05. | |
The first one to sit down and to be the calmest is the first one that | :10:05. | :10:12. | |
gets to eat. Today it would be him. The average day starts off with a | :10:12. | :10:22. | |
:10:22. | :10:43. | ||
I don't drive. Some journeys can be We come back here and everyone has | :10:43. | :10:50. | |
Normally they go to sleep for a little bit, they will have an | :10:50. | :10:55. | |
afternoon nap. Then we do 20 minutes sessions with each of the | :10:55. | :11:05. | |
:11:05. | :11:07. | ||
dogs, then they play in the garden Jordan's latest case has brought in | :11:07. | :11:12. | |
to Woolwich in south-east London, to visit Samantha and her Jack | :11:12. | :11:16. | |
Russell Roxie. They live with Samantha's mum, Jane together with | :11:16. | :11:21. | |
Tasha and Megan, her sisters. the postman puts letters through | :11:21. | :11:25. | |
the door she will fly from wherever she is, grabbing hold of the | :11:25. | :11:29. | |
letters, putting holes in them. When anyone comes in my room and | :11:29. | :11:34. | |
she is with me, she will start to growl and shake and if they move | :11:34. | :11:37. | |
towards me, have her teeth will come out and she has started to | :11:37. | :11:44. | |
jump off the bed and lunch at them. If Roxy is eating and someone wants | :11:44. | :11:50. | |
to take the bold away from her, she will show teeth and crouch over the | :11:50. | :11:54. | |
bowl. I am hoping Jordan can fix Roxie because we are on eggshells | :11:54. | :11:58. | |
with her. It makes me nervous because I don't want her to damage | :11:58. | :12:02. | |
my family or anyone else, because if it is anyone else, she will be | :12:02. | :12:09. | |
put to sleep, and I don't want to think about that. I think this | :12:09. | :12:17. | |
might be the place. Hello. I am Jordan, nice to meet you. I am | :12:17. | :12:24. | |
Samantha. Is that Roxy I can hear? It is. You run the house, what it | :12:24. | :12:30. | |
is like when Samantha is away? can get back. If we walk in, she | :12:30. | :12:35. | |
growls. -- get bad. If we go to take her food, she will probably | :12:35. | :12:41. | |
attack your feet. Megan, what problems have you been having? | :12:41. | :12:46. | |
After wear wellies because she attacks my feet. It is when she is | :12:46. | :12:50. | |
in some of the's room, when she is eating food. You are worried this | :12:50. | :12:54. | |
might get out of hand? Yes, she is my dog, I am awake quite a lot and | :12:54. | :12:59. | |
she stays in my family, -- a way quite a lot. She needs to listen to | :12:59. | :13:03. | |
them as well. What would you say if I said, in a couple of hours, she | :13:03. | :13:08. | |
will be behaving much better? for it. I would say it is a miracle. | :13:08. | :13:13. | |
It would be fantastic, amazing to have heard back the way she was for | :13:13. | :13:18. | |
but let's see what we can do. has lots of issues. They boil down | :13:18. | :13:22. | |
to insecurity. She is aware that sometimes people are in charge of | :13:22. | :13:26. | |
her but other times they are not, it is trying to find a balance to | :13:26. | :13:28. | |
realise she is beneath all the people in the house. We are going | :13:28. | :13:32. | |
to work with the family and Roxie to make sure she realises she is a | :13:32. | :13:37. | |
follower, not a leader. Jordan is in the studio tomorrow and we will | :13:37. | :13:42. | |
find out how he gets on at helping Roxy. You have a very apt poem for | :13:42. | :13:46. | |
Puppy Problems. I bought a book on training and I read it all one | :13:46. | :13:51. | |
night. When I set off out, I really thought we had got it right. With | :13:51. | :13:56. | |
titbits in my coat to give him once he got the knack. But he didn't so | :13:56. | :14:06. | |
:14:06. | :14:07. | ||
he couldn't, so I hate him coming We will move on to your new book, | :14:07. | :14:10. | |
The Necessary Aptitude, what prompted the title? It is because | :14:10. | :14:14. | |
everybody kept telling me I didn't have it. In my early jobs, I didn't | :14:14. | :14:18. | |
make much of a success of my early jobs and people kept showing me the | :14:18. | :14:23. | |
door and said, I'm afraid you lack the necessary aptitude for this job. | :14:23. | :14:29. | |
I think it is a term that people associate with failure. Really it | :14:29. | :14:33. | |
is about me looking for a job for which I did have the necessary | :14:33. | :14:43. | |
:14:43. | :14:43. | ||
aptitude, which I am happy to say I It takes us up to 1975 and | :14:43. | :14:50. | |
Opportunity knocks. Let's remind ourselves. Come with me out to the | :14:50. | :14:55. | |
empty garage. We have not been there for a week or more. We will | :14:55. | :14:59. | |
bear our heads and gays in silent homage at the spots of oil upon the | :14:59. | :15:09. | |
:15:09. | :15:10. | ||
floor. We will think of when we had a motor car of their -- had a motor | :15:10. | :15:15. | |
car of their that used to take us out in rain or shine. Before the | :15:15. | :15:20. | |
price of petrol went beyond us. And we will make believe we kept it one | :15:20. | :15:30. | |
:15:30. | :15:30. | ||
more time. Your book ends in 1975. Is there a reason for that, because | :15:30. | :15:36. | |
you must have met incredible people following Opportunity Knocks. | :15:36. | :15:44. | |
but not enough to write a book about. The reason I stopped when I | :15:44. | :15:47. | |
was about 30 was not so that I could then get another bite of the | :15:47. | :15:51. | |
cherry and write another one. I will not write any more. I think | :15:51. | :15:57. | |
the reason is that the interesting bit is the transition. The | :15:57. | :16:02. | |
transition from a very ordinary sort of life, the youngest of six | :16:02. | :16:05. | |
children in a council house in Stanford in the Vale, which was | :16:05. | :16:09. | |
then in Berkshire, and it is about that journey from that modest start | :16:09. | :16:13. | |
to being in a position where I have played the London Palladium, Sydney | :16:13. | :16:17. | |
Opera House, performed for the Queen, got an MBE, all those lovely | :16:17. | :16:23. | |
things that happened. After that, it gets repetitious. You say, then | :16:23. | :16:27. | |
I wrote another book and removed to a bigger house. Then I had another | :16:27. | :16:32. | |
tour of Australia. It tends to be the same again. I have noticed that | :16:32. | :16:36. | |
with other autobiographies. The fascinating bit is how the person | :16:36. | :16:39. | |
strived, if they strived, and got to the position where they were | :16:39. | :16:44. | |
successful. I think that is enough, really. Also, I wanted to spend | :16:44. | :16:48. | |
time describing the village, because it is different now. It is | :16:48. | :16:53. | |
still lovely, but the post war period has gone, and so I feel very | :16:53. | :16:57. | |
affectionate towards it and I wanted to try and described it for | :16:57. | :17:01. | |
people. Because I know that where there is now a housing estate, they | :17:01. | :17:06. | |
used to be a barracks and the cinema and a cook house under a | :17:06. | :17:09. | |
hospital and a morgue, and all those things that nobody would know. | :17:09. | :17:14. | |
-- and a hospital. Well, you explain it incredibly. We have been | :17:14. | :17:19. | |
inundated with e-mails about weird things in the shed. Ashley said, we | :17:19. | :17:23. | |
have a pig's head preserved in a jar. It was there when we moved in | :17:23. | :17:29. | |
and we have been too afraid to move it. Belly buttons, all sorts of | :17:29. | :17:36. | |
things. I went to a freak show when I was younger and they had little | :17:36. | :17:39. | |
monkeys spreadeagled and pickled, which reminds me of the pigs head, | :17:39. | :17:46. | |
horrible, creepy things. I would throw that pigs head away. We are | :17:46. | :17:50. | |
now going to talk about running. This weekend, thousands of you will | :17:51. | :17:54. | |
take part in the Great North Run. But a lot of you will be running | :17:54. | :17:58. | |
using the wrong technique. Dougie Vipond is in training for a couple | :17:58. | :18:04. | |
of big events, and here he is putting his right foot forward. | :18:04. | :18:10. | |
When we go running, we rely on trainers for support. The cushioned | :18:10. | :18:13. | |
heel of the modern trainer has fundamentally changed the way we | :18:13. | :18:20. | |
run. The padding makes us land on our heels and then our toes. But | :18:20. | :18:25. | |
that impact damages our joints. At Dundee University they can measure | :18:25. | :18:31. | |
how the way that we run affects our bodies. When I try heel to toe | :18:31. | :18:35. | |
running, you can see how hard my heel hits the ground when I land. | :18:35. | :18:39. | |
But if I land on the ball of my foot, it is more springy and there | :18:39. | :18:44. | |
is a reason for that. It is how our ancestors ran in their bare feet. | :18:44. | :18:47. | |
So what can we learn about the way we used to run before training | :18:47. | :18:53. | |
shoes were invented? This Professor studies the effects of different | :18:53. | :18:58. | |
running styles. What do we do with our feet when we run barefoot? | :18:58. | :19:02. | |
run on the ball of the foot. The body will act as a spring top, | :19:02. | :19:05. | |
soaking up the impact and making it less painful than running on the | :19:05. | :19:10. | |
heels. Grant is a keen runner and recently he has been suffering from | :19:10. | :19:16. | |
knee problems, making running painful. I had surgery to try to | :19:16. | :19:19. | |
alleviate the problem. I love to run and if I could find alternative | :19:19. | :19:25. | |
ways of running, adapting my style, I would. He wears markers on his | :19:25. | :19:30. | |
joints, and trainers containing 99 pressure sensors. These measure the | :19:30. | :19:35. | |
impact on his body when he lands on two special force plates, using | :19:35. | :19:42. | |
different running styles. First, his heel strikes the plate. The | :19:42. | :19:47. | |
pressure sensors record the impact. The markers on his body relay the | :19:47. | :19:53. | |
stress on his joints. His main problem is the pain in his left | :19:53. | :19:57. | |
knee. If you look at the impact, you can see it is going through the | :19:57. | :20:01. | |
knee. Repetitive impact on that force will cause a lot of problems | :20:01. | :20:05. | |
in the knee, because it is being loaded. The muscles are not | :20:05. | :20:09. | |
functioning in the right way to absorb the impact. When we run a | :20:09. | :20:13. | |
heel to toe, it creates a force equivalent of up to three times our | :20:13. | :20:20. | |
body weight, which puts immense stress on our bones. There will be | :20:20. | :20:24. | |
impact forces affecting the ankle, the knees, the HIPs, all the way up | :20:24. | :20:30. | |
to the spine. Grant tries the new technique, landing on the ball of | :20:30. | :20:36. | |
his foot. This mimics the action of running barefoot. There is no | :20:36. | :20:41. | |
pressure whatsoever under the heel area. At the point of impact, the | :20:41. | :20:46. | |
actual force is behind the knee. That is on loading the joint itself, | :20:46. | :20:50. | |
and all of the impact is being absorbed by the muscle of the calf, | :20:50. | :20:54. | |
the calf muscle at the back. That is where the muscles are acting as | :20:54. | :20:58. | |
a spring to absorb the shock and release it later to assist him to | :20:58. | :21:03. | |
move forwards. Better to put the force on the muscle which can cope, | :21:03. | :21:08. | |
rather than the joint which cannot. What does it prove? By avoiding | :21:08. | :21:11. | |
that, you avoid all kinds of injuries that might affect the | :21:11. | :21:19. | |
ankle, the Sinn, the knees and so forth. What about Grant? The pain | :21:19. | :21:24. | |
goes away when I run on the balls of my feet. I will see how things | :21:24. | :21:29. | |
go. When we run on the balls of our feet, the impact on our bodies is | :21:29. | :21:34. | |
significantly reduced. Our calf muscles act like a spring between | :21:34. | :21:38. | |
the foot and knee to absorb most of the force, helping us to run more | :21:38. | :21:44. | |
efficiently and less painfully. If you want to try it out, you don't | :21:44. | :21:49. | |
have to throw away your trainers. Just be aware how you ram. It is | :21:49. | :21:53. | |
technique that is important, not the issue, so you don't have to go | :21:53. | :21:57. | |
on a spending spree, unless you really want to. Changing the way | :21:57. | :22:01. | |
you run should be done gradually. Warm up properly and increase your | :22:02. | :22:08. | |
distance bit by bit. So, if you love running but the aches and | :22:08. | :22:12. | |
pains are stopping you getting out there, try running a different way | :22:12. | :22:18. | |
and see if it makes a difference. Everyone at home is now running up | :22:18. | :22:24. | |
and down. We worked out are running styles are earlier. Good luck to | :22:24. | :22:28. | |
those taking part in the Great North Run. Further south, Park Hill | :22:28. | :22:32. | |
Estate in Sheffield was built in the 1950s to deal with the acute | :22:32. | :22:36. | |
housing shortage. After years in the doldrums, it is on the up, and | :22:36. | :22:42. | |
Roy Hattersley, who was there at the start, has been back for a look. | :22:43. | :22:47. | |
Park Hill Estate in Sheffield. Back in the 1960s, the idea was to take | :22:47. | :22:51. | |
families from the backstreets zones and transport them to shiny new | :22:51. | :22:55. | |
streets in this guise. We thought it was a visionary blend of | :22:55. | :23:00. | |
concrete and community spirit. is like being in heaven. These | :23:00. | :23:07. | |
places are lovely. It is modern and it looks better than anywhere else. | :23:07. | :23:12. | |
Park Hill Estate was built by Sheffield City Council in 1961. I | :23:12. | :23:15. | |
was the chair of the committee that commissioned the work. We had no | :23:15. | :23:23. | |
doubt we were doing something special. When you moved in, you | :23:23. | :23:28. | |
felt you were part of a family, part of the community. In Park Hill | :23:28. | :23:31. | |
Estate, you moved five yards away from your front door and you were | :23:32. | :23:38. | |
no conversation with somebody. That was the duty of it. But all too | :23:38. | :23:43. | |
soon, Park Hill Estate became a byword for neglect. The area gained | :23:43. | :23:46. | |
an unsavoury reputation and those who could left as quickly as | :23:46. | :23:51. | |
possible. Police were called. Neighbours suggested the man living | :23:51. | :23:56. | |
there could be armed. playground is underneath the part | :23:56. | :24:00. | |
of the complex and police suspect the shots were fired from there. | :24:00. | :24:04. | |
the 1980s, standards and attitudes changed. Park Hill estate lost its | :24:04. | :24:09. | |
charm and the building began to fall into disrepair. The streets in | :24:09. | :24:15. | |
the skies had begun to crumble. was looking a bit rough. It was a | :24:15. | :24:19. | |
monolith stuck in the middle of town. Of course, people thought, it | :24:19. | :24:24. | |
is a mucky place and the people are mucky and all. Frankly, the area | :24:24. | :24:27. | |
never escaped that reputation. At one stage, it looked as if | :24:27. | :24:31. | |
demolition might be the only answer, but this is Europe's largest listed | :24:31. | :24:35. | |
building. So now, one of the country's trendiest developers, | :24:35. | :24:43. | |
Urban Splash, is going to try to turn Park Hill Estate around. But | :24:43. | :24:49. | |
will a total makeover entice former residents to come back? The lifts | :24:49. | :24:53. | |
are beautiful. It is like a James Bond film. Time for retort to see | :24:53. | :24:57. | |
how times have changed. I reckon this is intended for young | :24:57. | :25:02. | |
executives, don't you? Can you remember any of your old families | :25:02. | :25:09. | |
living here? Not like this. They would have a table with the TV in | :25:09. | :25:15. | |
the corner. This is the living room. You have got central heating and | :25:15. | :25:24. | |
big windows. We like it. This is even more trendy than the living | :25:24. | :25:29. | |
room. It is for a young couple. You would not expect anybody over 35 to | :25:29. | :25:34. | |
live here and nobody with he -- with a child could live here. | :25:34. | :25:40. | |
is my bedroom, a pretty big bedroom but not quite big enough. I am | :25:40. | :25:47. | |
impressed with the windows. I like them. They are a great feature. I | :25:47. | :25:51. | |
have seen the show flat. High quality workmanship but clearly | :25:51. | :25:56. | |
intended for a special sort of oh no - young, trendy, well-off. Part | :25:56. | :26:02. | |
of the mix, but we need some others as well. -- a very special sort of | :26:02. | :26:12. | |
owner. In my day, council owned Park Hill | :26:12. | :26:17. | |
found -- housed 1000 families. Now, the redevelopment will only provide | :26:17. | :26:21. | |
300 flats. There will be people who will say, is that really what this | :26:21. | :26:25. | |
building should be used for? Should it not be concentrated on housing | :26:25. | :26:32. | |
need, not who can afford to buy at �90,000? I do not think that would | :26:32. | :26:35. | |
work in the long term. That is not the council's strategy. We need | :26:35. | :26:40. | |
affordable housing across the city, but what we do not want to do is to | :26:40. | :26:43. | |
take a short-term approach. much cash is the City Council | :26:43. | :26:48. | |
putting up? A nun. There is cash from the home communities agency | :26:48. | :26:51. | |
and from English Heritage but the council has not putting any cash | :26:51. | :26:54. | |
into the development. The council is putting in the land and | :26:54. | :26:59. | |
buildings. Some argue that public resources should not be given to | :26:59. | :27:02. | |
urban developers. Urban Splash insist they are trying to build a | :27:02. | :27:08. | |
genuine community, not make a quick buck. 50 years ago, we would have | :27:08. | :27:11. | |
liked to have made it a mixed development, with tenants living | :27:12. | :27:15. | |
next door to owner occupiers. People said it could not be done. | :27:15. | :27:19. | |
Do you think things have changed and it will be OK? We are trying to | :27:19. | :27:24. | |
create a mixed tenure, mixed income community. People can, Dr Piet on a | :27:24. | :27:32. | |
variety of different bases. -- people can come and occupy. We try | :27:32. | :27:42. | |
:27:42. | :27:43. | ||
to cater for a wide audience. have been inundated. What a great | :27:43. | :27:47. | |
call-out this has been. The weirdest thing you have in your | :27:47. | :27:57. | |
:27:57. | :27:58. | ||
shed. You go first. Lewsey has got over to brave it she dugout herself, | :27:58. | :28:08. | |
from a dinosaur. My dad has a cockpit, front section and the | :28:08. | :28:13. | |
Wings of a buccaneer. It must be a big shed. With an aircraft hangar | :28:13. | :28:22. | |
in the back garden. The working parking meter. This has been signed | :28:22. | :28:30. | |
by everybody at my 30th birthday party. Janice and Roy have World | :28:30. | :28:36. | |
War II helmets and gas masks. this is your garden. Look at that. | :28:36. | :28:43. | |
Beautiful! I do not do it all myself. I have a nice chap who | :28:43. | :28:48. |