Browse content similar to 15/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Alex Jones. | 0:00:17 | 0:00:19 | |
And Michael Ball. | 0:00:19 | 0:00:22 | |
On the day our six rickshaw riders
slogged their way over the border | 0:00:22 | 0:00:25 | |
from England into Scotland,
we've got one word for | 0:00:25 | 0:00:28 | |
you tonight - survival. | 0:00:28 | 0:00:33 | |
With us here in the warmth
are a comedian who is not a fan | 0:00:33 | 0:00:36 | |
of art and a survivalist who may
just have met his match. | 0:00:36 | 0:00:41 | |
When you're in a couple, you see the
entire world behind their head. You | 0:00:41 | 0:00:46 | |
look at their lovely face and the
world as a backdrop. When you take | 0:00:46 | 0:00:50 | |
that personal way, you see more
world. I went up the Eiffel Tower. | 0:00:50 | 0:00:55 | |
If you're not kissing someone, it's
just a high H. -- it's just a high | 0:00:55 | 0:01:01 | |
up cage. | 0:01:01 | 0:01:05 | |
I'm already lost! That's the art of
the baser. | 0:01:09 | 0:01:18 | |
It's Bear Grylls and Sara Pascoe! | 0:01:18 | 0:01:19 | |
APPLAUSE. | 0:01:19 | 0:01:20 | |
Sara, you're here to talk
about your tour which is about | 0:01:20 | 0:01:23 | |
surviving a big breakup. | 0:01:23 | 0:01:28 | |
I've survived it, I broke up a year
ago. | 0:01:28 | 0:01:31 | |
Has writing about it helped
with the healing process? | 0:01:31 | 0:01:35 | |
I'm single for the first time since
2001. I'm in loving relationships, | 0:01:35 | 0:01:42 | |
like a genius. Now I'm living my
life by myself and having fun. Bear | 0:01:42 | 0:01:53 | |
Grylls' new book is about surviving.
Any advice on how to survive a | 0:01:53 | 0:02:00 | |
break-up? Time, love, family. That's
straight in at the deep end. Michael | 0:02:00 | 0:02:08 | |
has put together a guide for
singledom. | 0:02:08 | 0:02:16 | |
Now - he might not have
been your First Love. | 0:02:16 | 0:02:19 | |
But he was one of your Heroes. | 0:02:19 | 0:02:22 | |
Shameless. | 0:02:22 | 0:02:23 | |
Ball - you're never coming back. | 0:02:23 | 0:02:25 | |
OK. | 0:02:25 | 0:02:26 | |
Well, if I couldn't have my own
music in a survival kit, | 0:02:26 | 0:02:29 | |
I'd definitely have something
by the duo we've got | 0:02:29 | 0:02:31 | |
performing tonight -
Jools Holland and Jose Feliciano. | 0:02:31 | 0:02:36 | |
# Let the midnight special | 0:02:44 | 0:02:45 | |
# Shine a light on me | 0:02:45 | 0:02:52 | |
Lots to look forward to tonight. | 0:02:52 | 0:02:54 | |
Some stunning news about
the rickshaw challenge | 0:02:54 | 0:02:56 | |
which we keeping under
wraps for now. | 0:02:56 | 0:02:59 | |
Pedal power has also been
the driving force behind | 0:02:59 | 0:03:01 | |
a spectacular renovation project
which has seen a crumbling | 0:03:01 | 0:03:03 | |
Victorian bathhouse not
just survive but thrive. | 0:03:03 | 0:03:06 | |
JJ has been to meet the two
brothers hoping to win | 0:03:06 | 0:03:09 | |
an award for their efforts. | 0:03:09 | 0:03:11 | |
Deep beneath the sea front here at
Hastings lies a vast man-made | 0:03:16 | 0:03:20 | |
cavern. In the late 1800 's,
Victorian architects created huge | 0:03:20 | 0:03:28 | |
underground swimming baths that were
enjoyed for decades by locals. They | 0:03:28 | 0:03:34 | |
closed in the 1980s. They became an
ice rink shortly after. But by the | 0:03:34 | 0:03:41 | |
late 1990s, the site was abandoned,
leaving it to fall into disrepair. | 0:03:41 | 0:03:47 | |
That was until 2013 when two
brothers embarked on an enormous | 0:03:47 | 0:03:51 | |
project to bring it back to life. | 0:03:51 | 0:03:55 | |
And this is what's here today. 18
metres underground, this part | 0:04:02 | 0:04:13 | |
attracts bikers and skaters from
around the world. It's also a | 0:04:13 | 0:04:16 | |
training ground for those just
getting started. Rich and Mark Moore | 0:04:16 | 0:04:21 | |
are the brothers behind the
transformation. This place is | 0:04:21 | 0:04:25 | |
awesome. What made you embark on
this. We were BMX riders growing up | 0:04:25 | 0:04:29 | |
as kids, since we were really young.
We did this right every single day, | 0:04:29 | 0:04:34 | |
at the weekend it was a contest. We
stumbled across this building in our | 0:04:34 | 0:04:39 | |
home town that had been derelict for
20 years. We figured it would make | 0:04:39 | 0:04:43 | |
the perfect skate park. What was the
process like getting it from a dream | 0:04:43 | 0:04:49 | |
to a reality. It has a chance
meeting. We were speaking to someone | 0:04:49 | 0:04:52 | |
working for the Council whose job it
was to look after this place. We had | 0:04:52 | 0:04:57 | |
a look around and it exploded from
there. We had to raise over £1 | 0:04:57 | 0:05:02 | |
million. Lots of meetings with
architects and specialists. It was a | 0:05:02 | 0:05:07 | |
three-year project, pretty
relentless. It was a big risk for us | 0:05:07 | 0:05:11 | |
and we put everything on the line.
But we always knew we could pull it | 0:05:11 | 0:05:14 | |
off. But this was a project that
offered unique challenges, as well | 0:05:14 | 0:05:20 | |
as unexpected rewards. One of the
cool things about this building, | 0:05:20 | 0:05:25 | |
there are some original features
here, like the mosaic pillars. They | 0:05:25 | 0:05:31 | |
were covered up when we came here
the first time. What were the main | 0:05:31 | 0:05:36 | |
challenges? It's really hard to make
an underground building waterproof | 0:05:36 | 0:05:39 | |
when it was designed to be wet,
basically, it was a swimming pool | 0:05:39 | 0:05:44 | |
and they didn't care about it being
waterproof. Having would | 0:05:44 | 0:05:48 | |
underground, it had to be. There are
the cliffs through the town, and a | 0:05:48 | 0:05:53 | |
natural stream runs through the
cliff and runs into the basement. We | 0:05:53 | 0:05:57 | |
have some pumps and if one breaks,
which has happened a few times, the | 0:05:57 | 0:06:07 | |
alarms go off and we have to get rid
of it pretty quickly otherwise the | 0:06:07 | 0:06:10 | |
ramps start floating. Before taking
on the project the brothers ran a | 0:06:10 | 0:06:13 | |
BMX shop in Hastings, which has
moved to the new site. This looks | 0:06:13 | 0:06:16 | |
like plans for a ship. I presume
it's this plates. This is part of | 0:06:16 | 0:06:21 | |
the 250 page feasibility study we
did. You are BMX shop owners. How | 0:06:21 | 0:06:27 | |
did you get to this? There was a
moment in the shop where they | 0:06:27 | 0:06:33 | |
drilled the hole from the plan and
Sunshine started coming in by | 0:06:33 | 0:06:41 | |
mistake. We have 30 people working
here, 70,000 people visited in the | 0:06:41 | 0:06:47 | |
first year. It gives you the feeling
that if you can restore a big | 0:06:47 | 0:06:53 | |
historic derelict building then you
can pretty much do anything. And | 0:06:53 | 0:06:57 | |
their hard work hasn't gone
unnoticed. The park has been | 0:06:57 | 0:07:00 | |
nominated for an award by Historic
England, known as the Angel awards, | 0:07:00 | 0:07:07 | |
nominating those who have saved
their local heritage. What do the | 0:07:07 | 0:07:10 | |
people who use the venue think of
it? I would say ten out of ten. They | 0:07:10 | 0:07:16 | |
do coaching and I'm coming for a
free session at the girls night. | 0:07:16 | 0:07:20 | |
It's a really good place. Very good
to learn and there is loads of | 0:07:20 | 0:07:25 | |
variety of stuff. The brothers have
not just rescued a much loved local | 0:07:25 | 0:07:29 | |
building. They have turned their
passion into a thriving business and | 0:07:29 | 0:07:33 | |
given its historic site a new lease
of life. | 0:07:33 | 0:07:37 | |
STUDIO: The Historic England Angel
Awards take place on Monday. | 0:07:43 | 0:07:46 | |
Good luck to all the entries
in the Best Rescue of | 0:07:46 | 0:07:49 | |
a Historic Building category. | 0:07:49 | 0:07:53 | |
Claire Slattery for the rescue
of The Piece Hall in Halifax | 0:07:53 | 0:07:57 | |
and The Worcestershire Building
Preservation Trust for the rescue of | 0:07:57 | 0:07:59 | |
Weavers' Cottages in Kidderminster. | 0:07:59 | 0:08:03 | |
Sara, these are the sort of facts
you used to have at your fingertips | 0:08:03 | 0:08:07 | |
because you used to be a tour
guide, we hear. | 0:08:07 | 0:08:13 | |
That's what I used to do in my
summer holidays from university. | 0:08:13 | 0:08:18 | |
What's the most weird fact you would
present groups of tourists with? | 0:08:18 | 0:08:23 | |
It's all weird. My favourite thing
is that there is a little black dot | 0:08:23 | 0:08:28 | |
on the clock at Whitehall for the
time they executed Charles I, | 0:08:28 | 0:08:31 | |
exactly opposite where they executed
him. When they put up the monarchy | 0:08:31 | 0:08:35 | |
with Charles II, they put up these
mementos to remind people not to do | 0:08:35 | 0:08:39 | |
it again. And people got confused
about Stonehenge? Americans, 1% of | 0:08:39 | 0:08:46 | |
Americans have a passport and they
all come to London and think it's | 0:08:46 | 0:08:49 | |
all here. They ask where the leaning
Tower of Pisa is. Which way to | 0:08:49 | 0:08:55 | |
Stonehenge, just quickly. People
will get off at Buckingham Palace | 0:08:55 | 0:08:58 | |
thinking they can just knock on the
door for the Queen. When I was | 0:08:58 | 0:09:04 | |
filming in Caernarfon a group of
Americans said, do they pull the | 0:09:04 | 0:09:07 | |
castle down in the winter. They
thought it was cardboard. | 0:09:07 | 0:09:19 | |
You've survived Force 8 gales
crossing the Atlantic Ocean. | 0:09:19 | 0:09:22 | |
Your parachute failed to open
at 16,000 feet, which resulted | 0:09:22 | 0:09:24 | |
in you breaking your back
in three places. | 0:09:24 | 0:09:26 | |
You've braved temperatures
of minus 65 degrees flying | 0:09:26 | 0:09:28 | |
over the Himalayas. | 0:09:28 | 0:09:36 | |
And tackled altitudes of over 29,000
feet climbing Mount Everest. | 0:09:36 | 0:09:38 | |
You've put all the lessons
you learned into | 0:09:38 | 0:09:40 | |
the ultimate survival
guide for any situation, | 0:09:40 | 0:09:42 | |
we can't fault your research! | 0:09:42 | 0:09:43 | |
What was tightest spot
you ever found yourself in? | 0:09:43 | 0:09:47 | |
There have been a few over the
years. Parachute failures and being | 0:09:47 | 0:09:53 | |
pinned in big white water rapids and
bitten by snakes and close | 0:09:53 | 0:09:56 | |
encounters with sharks and
crocodiles. You name it. I have | 0:09:56 | 0:10:00 | |
learned so much from the stakes. I
always say my experience is the sum | 0:10:00 | 0:10:05 | |
of all my near misses, it's very
lucky and I'm very grateful for | 0:10:05 | 0:10:09 | |
life. It's fun to put it all
together in a book. I was trying to | 0:10:09 | 0:10:13 | |
think of a title. I thought, I'll
just call it How To Stay Alive. It's | 0:10:13 | 0:10:20 | |
more than the survival stuff, it's
everyday stuff as well. Car | 0:10:20 | 0:10:25 | |
breakdowns as well. I don't have a
life quite as daring as yours. Who | 0:10:25 | 0:10:32 | |
are you aiming the book at? I have
three boys and as they grow up I | 0:10:32 | 0:10:38 | |
thought, this sort of book before
they go travelling at the age of 18, | 0:10:38 | 0:10:42 | |
you have to take this with you and
read it. It's all about stuff, God | 0:10:42 | 0:10:46 | |
forbid, let's hope you don't get
caught in a tsunami, avalanche, | 0:10:46 | 0:10:51 | |
quicksand, bar fight, terrorist
attack, chemicals, but the people | 0:10:51 | 0:10:58 | |
who I met who have been caught in
these nightmare situation is always | 0:10:58 | 0:11:03 | |
say, I never thought it would happen
to me. There is a lot of information | 0:11:03 | 0:11:07 | |
in it. It's a big old thing. But you
have to hope little bits stay in | 0:11:07 | 0:11:12 | |
when something goes wrong. You only
need a couple of little things to | 0:11:12 | 0:11:16 | |
remember. You can use the valve from
this on a tyre blow out. I love this | 0:11:16 | 0:11:23 | |
stuff. My wife says to me, your head
is full of so much useless | 0:11:23 | 0:11:29 | |
information. And I say it's useless
until it all goes wrong. Any near | 0:11:29 | 0:11:34 | |
death experiences, Sara? Oh yes,
very similar. My dad lives in | 0:11:34 | 0:11:44 | |
Australia. You know how dangerous
the outback is. I was on a walk and | 0:11:44 | 0:11:47 | |
got lost for 15 minutes. Don't
belittle that. It's scary. Getting | 0:11:47 | 0:11:58 | |
lost in the Australian outback,
that's a classic situation. Stay | 0:11:58 | 0:12:03 | |
with the car. People are silly and
go looking for water. Stay with the | 0:12:03 | 0:12:07 | |
car. They think they are just 11
miles from somewhere. Then they try | 0:12:07 | 0:12:13 | |
to use short cuts. I have done this
on Dartmoor, the mist comes down and | 0:12:13 | 0:12:19 | |
you have no idea whether car is. You
have experiences with comedians | 0:12:19 | 0:12:24 | |
taking them on extreme adventures.
You have had Ben Stiller, Miranda | 0:12:24 | 0:12:29 | |
Hart and Rob Brydon. Anybody that
you wish you could just leave there? | 0:12:29 | 0:12:35 | |
No. Super respect for all the
guests. What I have learned with | 0:12:35 | 0:12:39 | |
comedians is that they have a key
surviving trait, cheerfulness in | 0:12:39 | 0:12:46 | |
adversity. The number of times being
out there it's been pouring with | 0:12:46 | 0:12:51 | |
rain, everybody's sense of humour
has gone, but they are there and | 0:12:51 | 0:12:55 | |
they make light of everything. | 0:12:55 | 0:13:02 | |
Right Bear, scenario time. | 0:13:02 | 0:13:05 | |
Michael and showbiz partner
Alfie Boe are stranded | 0:13:05 | 0:13:08 | |
in the Cairngorm mountains. | 0:13:08 | 0:13:10 | |
Helicopter's made an emergency
landing after a show, | 0:13:10 | 0:13:12 | |
pilot unconscious, millions of fans
anxiously waiting for news. | 0:13:12 | 0:13:18 | |
What does he do because he's
forgotten to pack the book? | 0:13:18 | 0:13:25 | |
Schoolboy error. One of the first
thing is, as the Scouts say, and | 0:13:25 | 0:13:31 | |
it's great having so many in the
audience. Thanks for coming. But be | 0:13:31 | 0:13:37 | |
prepared. It's one of the most
important things. If you are going | 0:13:37 | 0:13:40 | |
on an adventure, tell people where
you are going and when you are due, | 0:13:40 | 0:13:44 | |
so if something happens you know
pretty quickly if somebody hasn't | 0:13:44 | 0:13:49 | |
turned up, you can go looking for
them. So often people go off and | 0:13:49 | 0:13:54 | |
nobody tells anybody and search and
rescue can't be notified for days or | 0:13:54 | 0:13:57 | |
weeks. So if we do need to spend a
couple of days, what's the first | 0:13:57 | 0:14:02 | |
thing? Shelter? The priorities of
survival are always the same, it's | 0:14:02 | 0:14:09 | |
about protection, water, shelter and
food. How are we building that | 0:14:09 | 0:14:20 | |
shelter? Can you dig a snow hole?
Get into the snow. It's the opposite | 0:14:20 | 0:14:28 | |
to what you think it would be. Snow
is a great insulator because it | 0:14:28 | 0:14:33 | |
traps air. All those snow crystals.
Get out of the window, because | 0:14:33 | 0:14:38 | |
that's a killer. If it's below zero,
snowy, get on the side of a slope. | 0:14:38 | 0:14:44 | |
You can dig into it and get out of
the wind. I have spent so many | 0:14:44 | 0:14:49 | |
nights in the snow holes. It can be
-40 outside but it will always be | 0:14:49 | 0:14:55 | |
about 1 degrees inside. Alfie Boe
will have to do all the bidding. | 0:14:55 | 0:15:00 | |
Whilst the challenges Team Rickshaw
have been facing this week do not | 0:15:03 | 0:15:06 | |
include surviving shark attacks
or being stranded in the desert, | 0:15:06 | 0:15:08 | |
they do require just as much
grit and determination. | 0:15:08 | 0:15:11 | |
How close are you to
arriving in Hawick, Matt? | 0:15:11 | 0:15:17 | |
Oh, Michael, very close indeed. But
we haven't got there yet. This is | 0:15:17 | 0:15:24 | |
being beamed live to you from our
camera vehicle. Just a quick message | 0:15:24 | 0:15:28 | |
for all those who are in Hawick,
waiting for us, we will be there | 0:15:28 | 0:15:32 | |
soon enough. Ben is doing his best.
What an afternoon we have had. As | 0:15:32 | 0:15:38 | |
soon as we crossed the border into
Scotland, the landscape has just | 0:15:38 | 0:15:42 | |
been like this. So I have a pretty
tired Team Rickshaw, but all in good | 0:15:42 | 0:15:48 | |
spirits. Here is what has been
happening since we saw you last. Our | 0:15:48 | 0:15:54 | |
plan today is to cycle 66 miles from
Penrith through the Scottish borders | 0:15:54 | 0:15:59 | |
to Hawick. Second longest ride of
the challenge so far. Are we all | 0:15:59 | 0:16:05 | |
set? As we are waved off by local
supporters, the cold begins to set | 0:16:05 | 0:16:12 | |
in. Ooh, it's fresh. That's it,
Luke. Keep the pace up, keep warm. | 0:16:12 | 0:16:19 | |
Just waiting for the sun to come up
and warm us up, because this is | 0:16:19 | 0:16:24 | |
freezing. Definitely the coldest
morning we have had. And as the | 0:16:24 | 0:16:29 | |
chill of dawn breaks, it's time for
morning song. | 0:16:29 | 0:16:34 | |
# here we go around the mulberry
bush, the Mulberry bush, the | 0:16:34 | 0:16:38 | |
Mulberry bush. Here we go around the
mulberry bush on a cold and frosty | 0:16:38 | 0:16:42 | |
morning. Day seven on the Rickshaw
Challenge. Things are getting weird. | 0:16:42 | 0:16:49 | |
Yes, it may still be cold, but we
are definitely feeling the warmth of | 0:16:49 | 0:16:53 | |
your generosity. Nice to see you,
good morning. A cheque for £600! And | 0:16:53 | 0:17:03 | |
it also warms my heart to see a past
rickshaw ride, Lucy, who is here to | 0:17:03 | 0:17:09 | |
offer her support. Well, I never.
Hiya, Lucy. Good to see you. | 0:17:09 | 0:17:16 | |
Remember the fist pump. We can't
stay too long, Scotland is calling. | 0:17:16 | 0:17:22 | |
We have had a few surprises on our
journey, and earlier in the | 0:17:22 | 0:17:27 | |
challenge, Ben was given a real
boost with the gift of his favourite | 0:17:27 | 0:17:31 | |
food, slithered by his inspiration
for this challenge, his sister Amy. | 0:17:31 | 0:17:35 | |
-- delivered by his sister. Sister
Amy, with chicken nuggets! Chicken | 0:17:35 | 0:17:47 | |
nuggets! Nice one. We have had many
a rider on Team Rickshaw throughout | 0:17:47 | 0:17:58 | |
the years who have had to cope with
conditions that have affected their | 0:17:58 | 0:18:03 | |
lives since birth. But the
17-year-old Schone from Inverness, | 0:18:03 | 0:18:07 | |
she only developed signs of homebred
disorder a few years ago, and it | 0:18:07 | 0:18:13 | |
completely turned her world upside
down. -- her rare disorder. My | 0:18:13 | 0:18:22 | |
condition is degenerative, which
means it will get worse over time. | 0:18:22 | 0:18:26 | |
And when you say it is degenerative,
what do you feel like this year in | 0:18:26 | 0:18:31 | |
comparison to last year? There are
lots of things I used to be able to | 0:18:31 | 0:18:36 | |
do, but I can't do now. I can't ride
a bike because of my balance | 0:18:36 | 0:18:45 | |
problems. But I can ride a three
wheel and I think I have done | 0:18:45 | 0:18:55 | |
amazing. Shona has always been a
keen student, but her condition has | 0:18:55 | 0:19:02 | |
hindered her learning ability. What
plans do you have? I would like to | 0:19:02 | 0:19:08 | |
do something with children after I
finish school. But I don't think I | 0:19:08 | 0:19:17 | |
will get the grades to be able to go
to university. | 0:19:17 | 0:19:32 | |
You have done so well. I just wanted
to be able to do something like this | 0:19:35 | 0:19:39 | |
while I still can. Shona, we've done
it. Approaching Li Tao water, the | 0:19:39 | 0:19:56 | |
team finally crossed the border into
Scotland. We are on the home | 0:19:56 | 0:20:00 | |
stretch. Here we go! We are about to
enter Scotland. Hello, Scotland! | 0:20:00 | 0:20:09 | |
That have the first high of
Scotland. Lovely, thank you. I | 0:20:09 | 0:20:16 | |
cannot believe we are reading the
sign that says Scotland. We have | 0:20:16 | 0:20:22 | |
made it to Scotland! Yes! Well, I
know I said it earlier, but since | 0:20:22 | 0:20:30 | |
then, the Hills have been absolutely
incredible. And Team Rickshaw have | 0:20:30 | 0:20:37 | |
put in a sterling effort. Benjamin
's legs have been exhausted, but | 0:20:37 | 0:20:48 | |
there has been an incentive for you
to get to Hawick because I told him | 0:20:48 | 0:20:51 | |
five minutes ago that his sister
Amy, who he supports and cares for, | 0:20:51 | 0:20:54 | |
is going to be there with the rest
of his family. What are you going to | 0:20:54 | 0:20:58 | |
be saying to your sister when you
see her? Just how much I love her | 0:20:58 | 0:21:02 | |
and have Mr at how weird it has been
not being with her every single day. | 0:21:02 | 0:21:06 | |
-- I have missed her. But you have
had a break for yourself, because | 0:21:06 | 0:21:13 | |
you spend so much of your time
caring for her, and you have done | 0:21:13 | 0:21:19 | |
this for you and had a great time.
Yeah. And your mum and dad will be | 0:21:19 | 0:21:24 | |
there. Just before we got us to the
Scottish borders, we had a spot of | 0:21:24 | 0:21:28 | |
lunch, and while we were there I got
the whole team to tell you how you | 0:21:28 | 0:21:32 | |
can show your support. If you would
like to show your support for this | 0:21:32 | 0:21:38 | |
wonderful team, all you have to do
is text. Ready? | 0:21:38 | 0:21:43 | |
From all of us here, thank you! Do
we have got heads down now. We are | 0:22:15 | 0:22:21 | |
pushing on. We will be in the middle
of Hawick in a matter of minutes. I | 0:22:21 | 0:22:25 | |
am so sorry we couldn't get there in
time, but we did what we give. See | 0:22:25 | 0:22:29 | |
you in a second. See you soon! | 0:22:29 | 0:22:34 | |
It is amazing to see the
determination from Ben. He is a | 0:22:39 | 0:22:42 | |
gorgeous young man. And Shona, God
love her. You couldn't grasp what | 0:22:42 | 0:22:53 | |
you were hearing, Bear. Right there
is heroism, isn't it? Sometimes, it | 0:22:53 | 0:23:00 | |
you forget the battles people go
through. Actually, the heart of all | 0:23:00 | 0:23:06 | |
survival is that spirit. I look at
someone like that and Shona, if you | 0:23:06 | 0:23:11 | |
are watching, what an amazing young
lady. I think it is important to | 0:23:11 | 0:23:23 | |
show how people care about other
people, these people who are | 0:23:23 | 0:23:26 | |
struggling who still empathise with
all the children and want to help. | 0:23:26 | 0:23:29 | |
At the moment, our government thinks
that none of us care about each | 0:23:29 | 0:23:32 | |
other, so it is important to see
that people really do. Well, we will | 0:23:32 | 0:23:36 | |
see the crew shortly Hawick,
hopefully and we will be back with | 0:23:36 | 0:23:40 | |
Matt later. Let's add our thanks to
all the people who have lined the | 0:23:40 | 0:23:47 | |
route to cheer the team on since
Thursday. Matt and the team really | 0:23:47 | 0:23:51 | |
appreciate it, even if they don't
have time to stop. If you have been | 0:23:51 | 0:23:54 | |
stuck behind a rickshaw, like so
much for your patience. It means the | 0:23:54 | 0:23:57 | |
world. This time last week in the
middle of the show, Priti Patel | 0:23:57 | 0:24:04 | |
resigned from the government. The
week before, Michael Fallon | 0:24:04 | 0:24:07 | |
resigned. If it happens again
tonight, something is seriously | 0:24:07 | 0:24:11 | |
strange. Boris, we have our eye on
you. One of the remarkable things | 0:24:11 | 0:24:15 | |
about last week's drama was that
20,000 people used an app to follow | 0:24:15 | 0:24:19 | |
Priti Patel's flight home from
Africa, and Rory Reid explained how | 0:24:19 | 0:24:22 | |
it is done.
I'm a huge fan of claims. -- of | 0:24:22 | 0:24:34 | |
planes. But these days, I don't have
to travel to get an incredible view | 0:24:34 | 0:24:38 | |
of the skies. With the latest plane
tracking apps, anyone can follow | 0:24:38 | 0:24:43 | |
thousands of flights in real-time.
The sheer number is mind-blowing. | 0:24:43 | 0:24:49 | |
And you can even zoom in on
individual planes and the complex | 0:24:49 | 0:24:54 | |
3-D network of flight paths above
our heads. But how are we able to | 0:24:54 | 0:25:00 | |
track every plane in so much detail?
Many of the apps use the same data | 0:25:00 | 0:25:06 | |
as a traffic control. To find out
how it works, I've come to a traffic | 0:25:06 | 0:25:14 | |
control HQ in Swanwick. Here, they
are monitoring every flight over | 0:25:14 | 0:25:22 | |
England and Wales. Gary Dixon is the
deputy manager. Well currently | 0:25:22 | 0:25:29 | |
looking after a thousand flights per
day coming through. Each controller | 0:25:29 | 0:25:34 | |
is responsible for tracking hundreds
of planes Abate, and their primary | 0:25:34 | 0:25:38 | |
is ground-based radar. Each of the
individual targets is an aircraft. | 0:25:38 | 0:25:44 | |
They are tracked by a global network
of radar towers. But this limits | 0:25:44 | 0:25:49 | |
planes to set flight paths that
follow the ground-based receivers. | 0:25:49 | 0:25:53 | |
It's why planes don't always take
the most direct route. These aerial | 0:25:53 | 0:25:58 | |
motorways cover the entire planet,
and it's up to control is to keep | 0:25:58 | 0:26:03 | |
the thousands of flights using them
safe, separating them by attitude | 0:26:03 | 0:26:07 | |
and distance. They monitor their
progress on these screens, which | 0:26:07 | 0:26:13 | |
show a bird's eye view of a portion
of airspace and every plane flying | 0:26:13 | 0:26:17 | |
through it. Right now, we have two
boxes flashing as two yellow dots | 0:26:17 | 0:26:23 | |
head towards each other. Yeah, the
separation standard is a minimum of | 0:26:23 | 0:26:29 | |
five nautical miles and is indicated
to controller that they need to need | 0:26:29 | 0:26:32 | |
to intervene to maintain that
separation. That has stopped | 0:26:32 | 0:26:36 | |
flashing now, a good sign. That is
always a good sign. But radar | 0:26:36 | 0:26:41 | |
doesn't detect every plane all of
the time. There are blackspots such | 0:26:41 | 0:26:46 | |
as over oceans. It is estimated that
just 10% of the planet has radar | 0:26:46 | 0:26:50 | |
cover. So instead, controllers are
turning to a technology we all use | 0:26:50 | 0:26:56 | |
everyday, GPS. And in the future, it
could replace radar altogether. | 0:26:56 | 0:27:04 | |
Modern planes already constantly
transmit their GPS position. This is | 0:27:04 | 0:27:08 | |
what many flight apps are now
picking up. It's a system called a | 0:27:08 | 0:27:12 | |
DSP. Using this, controllers will be
able to see where a plane is every | 0:27:12 | 0:27:19 | |
second, wherever it is in the world.
It will also enable pilots to take | 0:27:19 | 0:27:24 | |
more direct flight paths, saving
fuel and meaning we all get to our | 0:27:24 | 0:27:28 | |
destination quicker. ' what the
aircraft are going to do and that | 0:27:28 | 0:27:35 | |
allows us to increase the capacity
while maintaining the safety. | 0:27:35 | 0:27:39 | |
Technology is helping air-traffic
control keep a close eye on flights | 0:27:39 | 0:27:42 | |
at airports too. This is a view of
London City Airport. But we aren't | 0:27:42 | 0:27:50 | |
there. It's the UK's first digital
tower. The idea is to relocate | 0:27:50 | 0:27:56 | |
controllers from airports to
Swanwick, bringing air-traffic | 0:27:56 | 0:27:58 | |
control together in one central hub.
Steven Anderson is the project | 0:27:58 | 0:28:02 | |
leader. How is this better than
being there on the ground? We can | 0:28:02 | 0:28:09 | |
augment these windows, so you can
have radar data and zoom cameras. It | 0:28:09 | 0:28:13 | |
is a better picture for the
controllers. Sent via a superfast | 0:28:13 | 0:28:17 | |
fibre connection, these panoramic
four K monitors display real-time | 0:28:17 | 0:28:20 | |
views of the airports, provided by
high-definition and tilt and zoom | 0:28:20 | 0:28:26 | |
cameras. Controllers can hone in on
an object just four pixels across. | 0:28:26 | 0:28:30 | |
The first airport to test it out is
London City Airport and if | 0:28:30 | 0:28:35 | |
successful, it could replace
traditional towers across the | 0:28:35 | 0:28:37 | |
country. Obviously, there are people
watching this who might be a bit | 0:28:37 | 0:28:43 | |
unnerved about what they are seeing.
What would you say to reassure them? | 0:28:43 | 0:28:47 | |
It's very safe. We have multiple
back-ups. It has been tested to | 0:28:47 | 0:28:52 | |
destruction. This is the future,
isn't it? They say it has been | 0:28:52 | 0:29:03 | |
tested to destruction, but when is
this going to happen, Rory? It's | 0:29:03 | 0:29:07 | |
been tested in a lot of small
airports and also in Dublin and | 0:29:07 | 0:29:11 | |
Sweden. And it's going to happen at
London City in 2019, less than two | 0:29:11 | 0:29:16 | |
years. Very soon. And it will be as
safe as being at the airport? Well, | 0:29:16 | 0:29:28 | |
I went to Swanwick and it was like
walking into an airport. There are | 0:29:28 | 0:29:32 | |
tall walls and metal detectors.
Interestingly, when you walk into | 0:29:32 | 0:29:37 | |
the tower at Heathrow Airport, what
I found interesting is that everyone | 0:29:37 | 0:29:41 | |
inside is not looking at the window,
they are looking at their computer | 0:29:41 | 0:29:45 | |
screens. So I would not be worried
about them being nowhere near the | 0:29:45 | 0:29:50 | |
airport but in a room hundreds of
miles away, because they have all | 0:29:50 | 0:29:53 | |
the information they need on their
screens, which are augmented with | 0:29:53 | 0:29:59 | |
extra information. The worry is
having them all operate out of the | 0:29:59 | 0:30:02 | |
same building. I mean, power cut?
That could happen. But they have | 0:30:02 | 0:30:09 | |
multiple power sources, multiple
broadband connections. They have | 0:30:09 | 0:30:16 | |
three separate broadband connections
with three separate companies and | 0:30:16 | 0:30:20 | |
the roots go in three separate
directions. So if one goes down, you | 0:30:20 | 0:30:23 | |
have got back-up. | 0:30:23 | 0:30:29 | |
Will go with it. Thanks, Rory.
Sara... | 0:30:29 | 0:30:34 | |
Let's talk about your new tour,
LadsLadsLads, which came | 0:30:34 | 0:30:37 | |
about after you broke up
with your boyfriend last Christmas - | 0:30:37 | 0:30:39 | |
how do you pronounce it?? | 0:30:39 | 0:30:48 | |
It's... She's right. I'm saying
lads, behave. Now it's a fun kind of | 0:30:48 | 0:31:00 | |
thing. I thought I would have an
idea, I will live my next year of | 0:31:00 | 0:31:05 | |
life like I'm on a stag do. But I've
never been on one so I'm guessing | 0:31:05 | 0:31:09 | |
what it's like. I've never been on a
stag do. I wouldn't want to live my | 0:31:09 | 0:31:15 | |
entire life like a stag do. That's a
long hangover. We need to get you | 0:31:15 | 0:31:20 | |
both on a stag do together. It would
be perfect! This is the sort of | 0:31:20 | 0:31:25 | |
thing people can expect. There's a
good part of an art gallery, and | 0:31:25 | 0:31:32 | |
it's called the gift shop. Pencils,
sharpness, postcards. But everyone | 0:31:32 | 0:31:38 | |
is very disapproving if you run
through the gallery yelling, gift | 0:31:38 | 0:31:40 | |
shop! You are supposed to stop and
look at some of the pictures. Why | 0:31:40 | 0:31:47 | |
are we stopping and looking? It's
not magic eye. I can see what they | 0:31:47 | 0:31:52 | |
are straightaway. Dogs, horse, dead
old rich person. Gift shop! You have | 0:31:52 | 0:31:58 | |
hit the nail on the head. The
Victoria and Albert gift shop is up | 0:31:58 | 0:32:03 | |
there with my favourites. They are
brilliant. And the thing about | 0:32:03 | 0:32:07 | |
stationery, it brings out your inner
nine-year-old. I just want another | 0:32:07 | 0:32:13 | |
pencil sharpener, and a pencil case
to put it in. I was at the Edinburgh | 0:32:13 | 0:32:17 | |
fringe doing a show this year. And
everyone was talking about you and | 0:32:17 | 0:32:24 | |
your ex both doing separate shows at
the same time. Is there more | 0:32:24 | 0:32:28 | |
material now about that? The exact
opposite. We met through comedy, me | 0:32:28 | 0:32:33 | |
and my ex boyfriend. me and John
Robins. Our shows were on at the | 0:32:33 | 0:32:42 | |
same time in the same venue.
Afterwards it looked like a | 0:32:42 | 0:32:45 | |
marketing ploy and it really wasn't.
But his show did really well and he | 0:32:45 | 0:32:50 | |
won the Edinburgh prize. It's very
exciting. Let's move on. You have | 0:32:50 | 0:32:56 | |
gone on this voyage of discovery
since John. I'm trying to do. After | 0:32:56 | 0:33:02 | |
we broke up, I've never been on a
yoga retreat and I thought it would | 0:33:02 | 0:33:08 | |
be very spiritual. I thought, I will
go to Costa Rica in Spain. It isn't | 0:33:08 | 0:33:15 | |
there, I found out it's in the
jungle, it's not in Spain. I found | 0:33:15 | 0:33:22 | |
out on the plane. There was a
scorpion in my shack for five days. | 0:33:22 | 0:33:29 | |
That was breakfast. It moved every
day to keep me on my toes. By the | 0:33:29 | 0:33:33 | |
end of five days I found it very
beautiful. But I was terrified. | 0:33:33 | 0:33:38 | |
There were tarantulas. It's amazing.
Not the most peaceful place to do | 0:33:38 | 0:33:43 | |
yoga. I am very anxious and jumpy
now. Have you gone back into the | 0:33:43 | 0:33:50 | |
dating game? Are you swiping?
Because I have talked onstage about | 0:33:50 | 0:33:55 | |
not having boyfriend, yesterday I
got asked by a 17-year-old to be a | 0:33:55 | 0:34:02 | |
date for his 18th birthday. I got
asked out by any 88-year-old man, | 0:34:02 | 0:34:07 | |
very confidently. He said that we
have a lot of things in common. He | 0:34:07 | 0:34:11 | |
gave me a list of topics of
conversation. Oh no. Are you ready | 0:34:11 | 0:34:16 | |
for a relationship or not. Are you
in the market? It's such a weird | 0:34:16 | 0:34:21 | |
thing to think about. I really love
my job and I'm busy. But I do. I am | 0:34:21 | 0:34:25 | |
happy. Would any man that came on
the scene have to appreciate the | 0:34:25 | 0:34:30 | |
fact that he might turn out as
material in your stand up? From the | 0:34:30 | 0:34:37 | |
very first date, you are auditioning
to getting my show. You would have | 0:34:37 | 0:34:40 | |
to have some weird kinks and stuff
to write about. You will be flooded | 0:34:40 | 0:34:46 | |
with offers after this. What about
Christmas, because last year was | 0:34:46 | 0:34:50 | |
disastrous. This year I am going to
Bali by myself to a yoga retreat. I | 0:34:50 | 0:34:58 | |
know that it's not in Europe. The
only time I don't do gigs is over | 0:34:58 | 0:35:06 | |
Christmas because it gets very
lairy. That show, LadsLadsLads | 0:35:06 | 0:35:19 | |
starts on the 15th of January at the
Wyndham 's Theatre in London. | 0:35:19 | 0:35:24 | |
It's five months since the Grenfell
fire disaster, five months | 0:35:24 | 0:35:26 | |
during which politicians have been
challenged to completely overhaul | 0:35:26 | 0:35:28 | |
building safety and housing policy. | 0:35:28 | 0:35:30 | |
Thirty years ago a fire
on the London Underground | 0:35:30 | 0:35:33 | |
had a similar effect,
leading to sweeping changes. | 0:35:33 | 0:35:34 | |
We spoke to two people
who were there. | 0:35:34 | 0:35:37 | |
It just was a huge wall of fire that
pushed itself across the ticket | 0:35:46 | 0:35:50 | |
hall. I looked, and it was like an
upturned rocket. Folds of grey and | 0:35:50 | 0:36:00 | |
yellow smoke were pouring up into
the night sky. | 0:36:00 | 0:36:04 | |
I stood at the end of the platform
and could see people being directed | 0:36:25 | 0:36:29 | |
off but couldn't hear what was being
said. So I followed everybody back | 0:36:29 | 0:36:34 | |
out towards the escalator. I came up
and saw a police officer. He | 0:36:34 | 0:36:40 | |
shouted, get out, get out. People
were running around the ticket hall. | 0:36:40 | 0:36:44 | |
I couldn't really get a sense of
what they were running to or from. | 0:36:44 | 0:36:50 | |
And then a lot happened in a very
short period of time. There was a | 0:36:50 | 0:36:57 | |
huge fireball that shot across the
ticket hall. It was followed by a | 0:36:57 | 0:37:02 | |
thick lack smoke which began to
descend from the ceiling. I got hit | 0:37:02 | 0:37:06 | |
by this ball of flame and caught
fire. I dropped to the floor because | 0:37:06 | 0:37:12 | |
I knew I had to try to get the
flames out. I was face down, trying | 0:37:12 | 0:37:19 | |
to breathe. I was really struggling.
I didn't think at that point I was | 0:37:19 | 0:37:24 | |
going to get out. I continued
crawling about for what seemed like | 0:37:24 | 0:37:28 | |
an eternity. I ended up at the
bottom of a set of stairs. A member | 0:37:28 | 0:37:32 | |
of the public came and took me out
to street level. | 0:37:32 | 0:37:38 | |
We were the first machine on the
scene. Myself, Colin Townsley, the | 0:37:47 | 0:37:55 | |
station officer in charge and two
colleagues, making our way to the | 0:37:55 | 0:37:59 | |
top of the Northern line escalator.
We saw flames coming up three or | 0:37:59 | 0:38:05 | |
four feet up. Colin immediately
said, go out and get sets and get a | 0:38:05 | 0:38:14 | |
hose down here. We made our way
outside at that point. There was a | 0:38:14 | 0:38:18 | |
huge whoosh and masses of smoke
coming out of the tunnel. I was | 0:38:18 | 0:38:31 | |
dumbfounded, we had never seen
anything like it. We got on our | 0:38:31 | 0:38:35 | |
hands and knees and crawled down the
fares. We were forced to lower and | 0:38:35 | 0:38:39 | |
lower all the time by the
temperature. -- down the stairs. I | 0:38:39 | 0:38:44 | |
had one hand on the wall and another
in front of me as I scuttled along. | 0:38:44 | 0:38:49 | |
Within no time at all I felt
someone. I knew it would be Colin. I | 0:38:49 | 0:38:56 | |
heaved him forward a little way to
the bottom of the stairs. I said to | 0:38:56 | 0:39:00 | |
them, give me a hand quickly, I've
found Colin. A little while later, | 0:39:00 | 0:39:06 | |
unfortunately, a senior officer
called us together and told us that | 0:39:06 | 0:39:10 | |
Colin had died. He was a good
fireman. A likeable man, family man. | 0:39:10 | 0:39:21 | |
I knew it would be tough. These
positions are where firefighters | 0:39:21 | 0:39:29 | |
keep their firefighting gear. This
one, that was Colin's has been kept | 0:39:29 | 0:39:38 | |
empty in memory of him. This is so
we can keep in mind the sacrifice he | 0:39:38 | 0:39:46 | |
made for all of us. 30 years later,
it feels like yesterday. Some | 0:39:46 | 0:39:55 | |
elements of it feel like it happened
to someone else. I have about 40% | 0:39:55 | 0:40:00 | |
burns, they are mostly hidden. Apart
from my hands. I am incredibly lucky | 0:40:00 | 0:40:06 | |
that this is all it is. Incredibly
lucky I was able to survive. | 0:40:06 | 0:40:12 | |
STUDIO: Thank you to the two of
them. I remember that well. Sara, | 0:40:14 | 0:40:24 | |
you are familiar with that memorial.
I go through King's Cross quite a | 0:40:24 | 0:40:27 | |
lot. I was about seven when they had
the fire. I remember being told for | 0:40:27 | 0:40:34 | |
years, you used to be able to smoke
on trains! I can't believe that. | 0:40:34 | 0:40:39 | |
Right, it's time to meet
Jools Holland and his latest | 0:40:39 | 0:40:41 | |
superstar collaborator Jose
Feliciano. | 0:40:41 | 0:40:45 | |
# This Old White has gone by
# I can't change it and I won't try. | 0:40:45 | 0:40:54 | |
# I have not always been as you see
me now. | 0:40:54 | 0:41:00 | |
# Feliz Navidad...
# I would give up everything just to | 0:41:12 | 0:41:18 | |
be home with you.
# I would give up everything just to | 0:41:18 | 0:41:24 | |
be home with you. | 0:41:24 | 0:41:28 | |
APPLAUSE | 0:41:35 | 0:41:39 | |
You have worked together on an
album, As You See Me Now, which is | 0:41:45 | 0:41:49 | |
out on Friday. Two very different
styles, boogie-woogie piano and your | 0:41:49 | 0:41:55 | |
Latin guitar. What made you decide
to put these together? On paper, | 0:41:55 | 0:42:01 | |
Jose's guitar and my piano, how does
it add up? But I loved his singing | 0:42:01 | 0:42:06 | |
and his voice and I loved his guitar
playing ever since I was a kid. When | 0:42:06 | 0:42:10 | |
he came on the Later show it was
great working with him and I loved | 0:42:10 | 0:42:15 | |
an element about his voice. I loved
his music. It clashes together and | 0:42:15 | 0:42:19 | |
it shouldn't work, but it works
great. I can't tell you how happy I | 0:42:19 | 0:42:24 | |
am to have made this record. He's a
fella. Thank you. There is a good | 0:42:24 | 0:42:30 | |
mash up of things. Some ska is in
there. My Tsonga has been ska'd! You | 0:42:30 | 0:42:43 | |
have both worked separately with
people. Who was most honoured to be | 0:42:43 | 0:42:47 | |
working with who here? I think we
both were. It wasn't where one was | 0:42:47 | 0:42:53 | |
honoured more than the other. It's
the same as, in the music, sometimes | 0:42:53 | 0:42:59 | |
you do a duet with someone and maybe
that particular person is a real | 0:42:59 | 0:43:07 | |
jerk or whatever. And you decide,
OK, and either you try to out sing | 0:43:07 | 0:43:15 | |
them or out whatever. I didn't want
to do that with Jools Holland. I'm | 0:43:15 | 0:43:21 | |
grateful and happy to be on tour
with him. You have worked with some | 0:43:21 | 0:43:27 | |
legendary people, Michael Jackson,
Frank Sinatra, Johnny Cash. When you | 0:43:27 | 0:43:31 | |
work with some great, it brings out
the best in you. It does, and Jools | 0:43:31 | 0:43:39 | |
did that with this album. It's a
great album and I hope Britain picks | 0:43:39 | 0:43:42 | |
it up and puts it on the bestseller
charts at number one. That's what I | 0:43:42 | 0:43:47 | |
hope. You've just had a number one.
He never mentions it! It's not in my | 0:43:47 | 0:43:54 | |
nature. I have been playing the
record on my show on Radio 2 and | 0:43:54 | 0:44:00 | |
there has been a great response. You
are in the middle of the tour at the | 0:44:00 | 0:44:04 | |
moment. We are having great fun.
When you admire somebody is | 0:44:04 | 0:44:10 | |
playing... When I was 14, getting up
and going to school. I didn't want | 0:44:10 | 0:44:14 | |
to go to school, but hearing Jose's
records, I would jump out of bed. | 0:44:14 | 0:44:20 | |
The amazing sound of that voice and
guitar. But being with him, it's | 0:44:20 | 0:44:24 | |
great being on stage. How does that
work with the big band? We will show | 0:44:24 | 0:44:29 | |
you in a minute will stop it mashes
together well. We are thrilled you | 0:44:29 | 0:44:34 | |
are playing live this evening. We
will do an old song. We have done a | 0:44:34 | 0:44:38 | |
mixture of old songs and other
stuff. But we're doing an old | 0:44:38 | 0:44:43 | |
Leadbelly song called Midnight
Special. I know it well. I was going | 0:44:43 | 0:44:50 | |
to say something but I have lost my
train of thought! I'm very happy to | 0:44:50 | 0:44:54 | |
be here and happy to be on the Alex
and Mike show. I'm thrilled. It's | 0:44:54 | 0:45:01 | |
great and thank you so much for
having us. We are thrilled to have | 0:45:01 | 0:45:05 | |
you, Jose. We can go to Hawick now
to find out how much money you have | 0:45:05 | 0:45:15 | |
raised two children in need with the
end of the ride in Glasgow just two | 0:45:15 | 0:45:18 | |
days ago. And please give
generously. | 0:45:18 | 0:45:21 | |
We are just literally coming round
here. We have arrived in Hawick! | 0:45:28 | 0:45:35 | |
Hello, everybody! Ben, your family
are here. We have mum and dad and | 0:45:35 | 0:45:46 | |
grandparents. Amy is here. We have
literally just arrived. Ben, go and | 0:45:46 | 0:45:56 | |
have a lovely hug with your mum and
dad. There is Amy, star of the show. | 0:45:56 | 0:46:04 | |
Oh, my word. Mum, do you mind if I
come and have a word? You are of | 0:46:04 | 0:46:15 | |
course one proud mum. You have set
up a whole charity anyway in Amy's | 0:46:15 | 0:46:21 | |
name. Amy, how well do you think he
has done? Did! -- good! We have had | 0:46:21 | 0:46:32 | |
so much fun. But you have set up a
charity in Amy's name all about her | 0:46:32 | 0:46:39 | |
syndrome. You give so much support
to others, but how much support does | 0:46:39 | 0:46:42 | |
your son give you? Ben doesn't
realise how much support he gives | 0:46:42 | 0:46:48 | |
not only me, but everybody. He's an
absolute treasure, aren't you? Isn't | 0:46:48 | 0:46:54 | |
he a treasure? And dad, he goes
through so much and he looks after | 0:46:54 | 0:47:02 | |
his sister and supports everybody.
It's a lot for a teenager. | 0:47:02 | 0:47:08 | |
Absolutely, and he just takes it in
his stride. He is incredible. And he | 0:47:08 | 0:47:15 | |
is so helpful of those hills,
especially now we have come to | 0:47:15 | 0:47:18 | |
Scotland. But he likes a massage as
well. Let's hear it for Team | 0:47:18 | 0:47:24 | |
Rickshaw! What a team effort.
Honestly, Hawick, you live in a very | 0:47:24 | 0:47:35 | |
hilly place. I have a lot of respect
for anybody who has to bike around | 0:47:35 | 0:47:38 | |
here. Now it is speech time. Graham
Norton has played host to many stars | 0:47:38 | 0:47:48 | |
throughout the years. Everybody from
Tom Cruise through to Meryl Streep. | 0:47:48 | 0:47:52 | |
But tonight, in my eyes, it's time
for a real star. Let's hear it for | 0:47:52 | 0:48:01 | |
Liv, everyone! This is what happened
when she met up with Graham. I want | 0:48:01 | 0:48:05 | |
to introduce you to someone very
special who is taking part in this | 0:48:05 | 0:48:08 | |
year's Children In Need Rickshaw
Challenge. Please give a warm | 0:48:08 | 0:48:16 | |
welcome for Liv Hodge! Hi. In
October 2015, everything changed for | 0:48:16 | 0:48:25 | |
me and my family. My dad had gone to
the doctor with what he thought was | 0:48:25 | 0:48:30 | |
a minor problem, but tests revealed
it to be pancreatic cancer. We were | 0:48:30 | 0:48:35 | |
all in deep shock. I didn't know
quite what to do. I felt cut off | 0:48:35 | 0:48:43 | |
from everyone around me and I felt
angry and upset. I began to help | 0:48:43 | 0:48:47 | |
care for dad, but to see him losing
strength and in pain was incredibly | 0:48:47 | 0:48:53 | |
hard. It was the toughest thing I
have ever seen. Dad wanted to stay | 0:48:53 | 0:49:00 | |
alive until my 18th birthday, but
sadly, he didn't last that long. We | 0:49:00 | 0:49:06 | |
were with him when he passed away in
June last year. Things got worse for | 0:49:06 | 0:49:11 | |
me. I just want to be alone, and I
didn't want to leave the house. I | 0:49:11 | 0:49:17 | |
couldn't imagine what could make
life better. I started going to a | 0:49:17 | 0:49:27 | |
hospice which runs a bereavement
counselling project funded by | 0:49:27 | 0:49:29 | |
Children In Need. Gradually, I could
share all the emotions I was going | 0:49:29 | 0:49:32 | |
through and find a way to grow in
self-confidence. It's really changed | 0:49:32 | 0:49:36 | |
my life. This year, I am taking part
in the Rickshaw Challenge. I know my | 0:49:36 | 0:49:45 | |
dad would be so proud of me for
taking part. I am also doing it to | 0:49:45 | 0:49:50 | |
give something back. These give
whatever you can and thank you. | 0:49:50 | 0:49:56 | |
You told me you were shy. I am! You
did incredibly well in front of all | 0:50:05 | 0:50:13 | |
those people. Thank you. You sort of
find it inside you to raise | 0:50:13 | 0:50:18 | |
awareness for something important.
Of course. That is why you are all | 0:50:18 | 0:50:23 | |
here, telling your stories, so you
can raise as much money as you can. | 0:50:23 | 0:50:28 | |
And you know what it is like to get
that support. If you want to show | 0:50:28 | 0:50:33 | |
your support, you can do it with a
simple text. | 0:50:33 | 0:50:41 | |
And to everybody who has donated so
far, a huge thank you from | 0:51:09 | 0:51:12 | |
everybody. Thank you! We have got
time just for a little chat. I think | 0:51:12 | 0:51:21 | |
we will talk to you first. You put
in a massive shift today and a | 0:51:21 | 0:51:28 | |
massive shift yesterday, going up to
the highest point on the route so | 0:51:28 | 0:51:33 | |
far. Describe Scotland so far. This
is your home turf, so you can be | 0:51:33 | 0:51:37 | |
brutal! It was harder today than
yesterday. But it is your home | 0:51:37 | 0:51:46 | |
country, so it is always amazing.
The views were amazing all day. They | 0:51:46 | 0:51:51 | |
were. You described it as harder
than the Lake District. It felt much | 0:51:51 | 0:51:58 | |
tougher than the Lake District,
because it was a constant hill to | 0:51:58 | 0:52:01 | |
keep going up. Shona, we have got
Ellie in the audience. Give us a | 0:52:01 | 0:52:10 | |
wave. You are there! Shona was
excited about coming to see you. You | 0:52:10 | 0:52:18 | |
probably can't answer this, because
you have been doing a sponsored | 0:52:18 | 0:52:23 | |
silence. But you have raised an
incredible £435! Well done to the | 0:52:23 | 0:52:31 | |
guides. We met up earlier, because
you were going through dialysis | 0:52:31 | 0:52:40 | |
today. This is a real challenge for
us, because you have dialysis three | 0:52:40 | 0:52:46 | |
or four times a week. How are you
feeling now? I feel pretty great. I | 0:52:46 | 0:52:53 | |
could do another ten miles. Don't
say that, you will be first on! I'm | 0:52:53 | 0:53:01 | |
really tired. It has been a long
day. I was so concerned about this | 0:53:01 | 0:53:07 | |
section and a section that is to
come, Hawick, Edinburgh and the | 0:53:07 | 0:53:10 | |
finish line. Things are going to get
tough. We have already done 392 | 0:53:10 | 0:53:17 | |
miles. That deserves a huge round of
applause. Last night, Sadio Mane | 0:53:17 | 0:53:25 | |
gave a little message to Luke. I
don't know how many times you have | 0:53:25 | 0:53:30 | |
played that message back today, but
it has been quite something. | 0:53:30 | 0:53:35 | |
Everton, of course, didn't want to
be out done here, Ben. So it's time | 0:53:35 | 0:53:40 | |
for your little surprise. Hi, Ben. I
just wanted to say I hope the | 0:53:40 | 0:53:48 | |
Rickshaw Challenge is going well and
everyone at Everton is behind you. | 0:53:48 | 0:53:53 | |
What you're doing on behalf of your
sister Aimee is really special. It's | 0:53:53 | 0:53:58 | |
a brilliant thing to do and we are
all proud of you, as I am sure your | 0:53:58 | 0:54:01 | |
family. We have been told you are a
big Blue, so we would like to invite | 0:54:01 | 0:54:09 | |
you for a behind the scenes
experience. We look forward to | 0:54:09 | 0:54:12 | |
seeing you soon. Good luck with the
challenge. | 0:54:12 | 0:54:16 | |
CHEERING AND APPLAUSE. | 0:54:18 | 0:54:21 | |
You two are going to be having it
out tomorrow. Speaking of tomorrow, | 0:54:24 | 0:54:28 | |
would you like to see the route? It
is going to be a good one. Here | 0:54:28 | 0:54:34 | |
comes the map. We are off to Selkirk
and there are going to Dalkeith, | 0:54:34 | 0:54:40 | |
hopefully arriving at Edinburgh
Castle at seven o'clock. Do you want | 0:54:40 | 0:54:49 | |
a bit of motivation to send you on
your weight? You know how I said I | 0:54:49 | 0:54:53 | |
didn't know how much money we have
raised so far? It was a bit of a | 0:54:53 | 0:54:57 | |
white lie. I know everybody out
there is interested as well. Thank | 0:54:57 | 0:55:01 | |
you for all of the donations you
have given so far. Here is the | 0:55:01 | 0:55:04 | |
midweek total. Hawick is famous for
its rugby, so we have got the local | 0:55:04 | 0:55:10 | |
rugby team along to help us with
this. Ladies and gentlemen, so far, | 0:55:10 | 0:55:14 | |
bearing in mind that it is
Wednesday, Team Rickshaw have raised | 0:55:14 | 0:55:18 | |
a | 0:55:18 | 0:55:28 | |
phenomenal 1,000,520 pounds! We do
have to point out that this total | 0:55:31 | 0:55:40 | |
would not be as big as it is without
the huge generosity of everybody out | 0:55:40 | 0:55:44 | |
there. It is extraordinary to say
that if you donated £1 or £20, it | 0:55:44 | 0:55:52 | |
means so much. We have had an
incredibly generous donation that | 0:55:52 | 0:55:55 | |
has come in from Sir Tom Hunter and
Lady Marion Hunter from the Hunter | 0:55:55 | 0:55:59 | |
foundation. They think you are so
inspirational that they have given | 0:55:59 | 0:56:05 | |
you £200,000! Thank you so much to
everybody. We are off to Edinburgh. | 0:56:05 | 0:56:14 | |
We will see you tomorrow. What an
amazing total. Thanks to our guests | 0:56:14 | 0:56:24 | |
and thanks to the Scouts but now
performing Midnight Special are | 0:56:24 | 0:56:28 | |
Jools Holland and Jose Feliciano
with the Rhythm and Blues Orchestra. | 0:56:28 | 0:56:34 | |
See you tomorrow. | 0:56:34 | 0:56:39 | |
# Well, you wake up in the mornin' | 0:56:39 | 0:56:41 | |
# You hear the ding-dong ring | 0:56:41 | 0:56:44 | |
# You go marching to the table | 0:56:44 | 0:56:47 | |
# It's the same old thing | 0:56:47 | 0:56:50 | |
# Ain't no pork upon the table | 0:56:50 | 0:56:53 | |
# There is nothing in the pan | 0:56:53 | 0:56:56 | |
# But if you complain, boy | 0:56:56 | 0:56:59 | |
# You get in trouble with the man | 0:56:59 | 0:57:03 | |
# Let the midnight special | 0:57:03 | 0:57:05 | |
# Shine a light on me | 0:57:05 | 0:57:08 | |
# Let the midnight special | 0:57:08 | 0:57:12 | |
# Shine a light on me | 0:57:12 | 0:57:14 | |
# Yonder come Miss Rosie | 0:57:14 | 0:57:17 | |
# How in the world did you know? | 0:57:17 | 0:57:20 | |
# By the way she wears her apron | 0:57:20 | 0:57:22 | |
# And the clothes that she wore | 0:57:22 | 0:57:30 | |
# Umbrella on her shoulder | 0:57:30 | 0:57:31 | |
# Piece of paper in her hand | 0:57:31 | 0:57:33 | |
# She come to see the governor: | 0:57:33 | 0:57:35 | |
# "I'm gonna free my man" | 0:57:35 | 0:57:38 | |
# Let the midnight special | 0:57:38 | 0:57:41 | |
# Shine a light on me | 0:57:41 | 0:57:44 | |
# Let the midnight special | 0:57:44 | 0:57:45 | |
# Shine a light on me | 0:57:45 | 0:57:51 | |
# Let the midnight special | 0:57:51 | 0:57:52 | |
# Shine a light on me | 0:57:52 | 0:57:57 | |
# Let the midnight special | 0:57:57 | 0:57:58 | |
# Shine an ever lovin' light on me | 0:57:58 | 0:58:08 | |
# If you ever go to Houston | 0:58:33 | 0:58:36 | |
# You know you better walk right | 0:58:36 | 0:58:39 | |
# And you better not squabble | 0:58:39 | 0:58:41 | |
# And you better not fight | 0:58:41 | 0:58:44 | |
# Or the sheriff will arrest you | 0:58:44 | 0:58:47 | |
# And he'll take you down | 0:58:47 | 0:58:50 | |
# And the judge
is gonna sentence you | 0:58:50 | 0:58:53 | |
# And you'll be sugarland bound | 0:58:53 | 0:58:56 | |
# Let the midnight special | 0:58:56 | 0:58:59 | |
# Shine a light on me | 0:58:59 | 0:59:02 | |
# Let the midnight special | 0:59:02 | 0:59:05 | |
# Shine a light on me | 0:59:05 | 0:59:08 | |
# Let the midnight special | 0:59:08 | 0:59:11 | |
# Shine a light on me | 0:59:11 | 0:59:14 | |
# Let the midnight special | 0:59:14 | 0:59:17 | |
# Shine an ever lovin' light on me. | 0:59:17 | 0:59:22 | |
CHEERING AND APPLAUSE. | 0:59:25 | 0:59:29 |