Browse content similar to 16/02/2016. Check below for episodes and series from the same categories and more!
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EastEnders in half an hour, but now on BBC One - | :00:15. | :00:17. | |
The One Show, with the very handsome, Greg Davies. | :00:18. | :00:19. | |
You must watch this episode of The One Show just to stare | :00:20. | :00:22. | |
at his outstanding beauty, the new beautiful face | :00:23. | :00:24. | |
And Greg Davies is funny, the funniest comic actor | :00:25. | :00:36. | |
A man with soft hands, and man I would like to hold me for | :00:37. | :00:40. | |
eternity... O Connor hello and welcome to the | :00:41. | :00:57. | |
One Show with Angellica Bell. And a cut. Today is a momentous day in the | :00:58. | :01:02. | |
history of the BBC. We had the birth of BBC One in the 1930s. And then | :01:03. | :01:12. | |
BBC Two in 1964 followed closely by colour television in 1966. And in | :01:13. | :01:17. | |
the 90s and naughties, the digital revolution came, including iPlayer. | :01:18. | :01:25. | |
Bet now on February 16 2016, BBC Three has become the only channel to | :01:26. | :01:30. | |
go completely online. We have two of its biggest stars with us tonight. | :01:31. | :01:35. | |
The first, a big comedy star whose job actually was as a TV announcer. | :01:36. | :01:42. | |
And now he has announced himself so we will move on. Also a documentary | :01:43. | :01:49. | |
maker for BBC Three. What began as a peaceful demonstration quickly | :01:50. | :01:55. | |
turned violent. I ran into a hotel before security shutters came down. | :01:56. | :02:02. | |
It is chaos! Please welcome Stacey Dooley and Greg Davies! | :02:03. | :02:08. | |
APPLAUSE You're both here to tell us about | :02:09. | :02:16. | |
this big move BBC Three online. It is online now I think. We are doing | :02:17. | :02:22. | |
the official launch. You are here because you will be cutting this | :02:23. | :02:29. | |
ribbon. Am I? Did you not know? We will get you to cut it. As well as | :02:30. | :02:35. | |
all of that, later we will be giving you all the information you need to | :02:36. | :02:40. | |
the big switch online with the boss of the whole channel. Yes, the big | :02:41. | :02:45. | |
cheese is in. Before that, how happy are you with | :02:46. | :02:48. | |
the rail service? Dom is over With delays and overcrowding | :02:49. | :04:05. | |
making the headlines, A new survey says our experience | :04:06. | :04:07. | |
of riding the rails . We. -- we will have to. We are. I | :04:08. | :04:23. | |
pick the children up from nursery, I have been late for that. I don't | :04:24. | :04:28. | |
think anyone is happy with the service. When they are bad, they are | :04:29. | :04:34. | |
really bad. Road-macro you can't even breathe properly. How much do | :04:35. | :04:40. | |
you pay? About five grand. Any other service you would not pay this money | :04:41. | :04:48. | |
for. With long delays, packed carriages and expensive prices. In a | :04:49. | :05:02. | |
survey, Which found that rang true. Another survey found customer | :05:03. | :05:06. | |
satisfaction had risen for the first time since 2012. Head of policy at | :05:07. | :05:12. | |
Transport Focus said it depends on which passengers you ask. With | :05:13. | :05:19. | |
leisure travellers you have 86% of the section but with commuters it | :05:20. | :05:25. | |
drops to 76%. If you break that down, with hard-core commuter | :05:26. | :05:30. | |
groups, it goes even lower. The bad experiences stay in people's minds. | :05:31. | :05:35. | |
No one remembers when the trains turn up on time, everyone remembers | :05:36. | :05:42. | |
when it is awful. One service to do well is the First Hull service from | :05:43. | :05:51. | |
London. Sarah has been a train manager for several years. What is a | :05:52. | :05:56. | |
difference between this train and the commuter trains? I think it is | :05:57. | :05:59. | |
hard for them because the commuter services are not as long as our | :06:00. | :06:03. | |
journeys. We have a two-hour service so we have the rapport with | :06:04. | :06:08. | |
passengers. Would you fancy working on some of the commuter trains? No! | :06:09. | :06:13. | |
Seems like roots like this are getting it right, but there is no | :06:14. | :06:17. | |
doubt about it, these trains do not have the sheer numbers of passengers | :06:18. | :06:19. | |
to cope with as the commuter train I took from | :06:20. | :06:36. | |
Brighton this morning. So, having experienced the morning rush-hour | :06:37. | :06:38. | |
and a leisurely lunch time service, it is time to brave the evening | :06:39. | :06:40. | |
commute between Manchester and Cardiff. Passengers on this busy | :06:41. | :06:42. | |
route regularly squeezed into just two or three carriages. Sorry. Once | :06:43. | :06:52. | |
or twice if you have to stand up, you don't mind. When you are doing | :06:53. | :06:55. | |
it five times a week and you have still paid ?25 for your ticket, you | :06:56. | :07:05. | |
think, hold on a minute. It is always round, round. Sardines. The | :07:06. | :07:12. | |
One Show contacted Southern trains and a Riva trains. Southern say | :07:13. | :07:16. | |
their network is one of the busiest in the country that they do | :07:17. | :07:22. | |
everything in their power to provide passengers with a better service. | :07:23. | :07:26. | |
Arriva declined to comment about the train operators said they are | :07:27. | :07:30. | |
working hard to improve satisfaction. Outside the rush-hour, | :07:31. | :07:34. | |
passenger satisfaction is on the up when it comes to getting us to and | :07:35. | :07:41. | |
from work. Which's survey said the train companies still have some way | :07:42. | :07:46. | |
to go. An interesting report from Dan. You | :07:47. | :07:52. | |
have got to move! I really going for it! Do I have to keep doing this?! | :07:53. | :08:03. | |
It must be difficult to get heard as an angry, upset commuter, can you | :08:04. | :08:09. | |
give us some tips? What I would say is if you have got a complaint, and | :08:10. | :08:14. | |
sadly only one out of every five people do actually campaign, of | :08:15. | :08:19. | |
those, only one in eight ask for compensation. If you ask someone to | :08:20. | :08:25. | |
complain, make a note of the train time and destination. It is such a | :08:26. | :08:33. | |
palaver. Use the bright into London route that was featured in that | :08:34. | :08:39. | |
film. Are you an unhappy commuter? I am so unhappy it hurts. I will moan, | :08:40. | :08:44. | |
moan, moan but I never do anything about it. I need to. There is a | :08:45. | :08:54. | |
system in place called Delay We Pay. If your train is delayed by 30 | :08:55. | :08:58. | |
minutes you can claim back. It is in vouchers, not cash. You will get | :08:59. | :09:04. | |
your money back in vouchers. When it reaches the destination, not when it | :09:05. | :09:13. | |
leaves. I think I might be overcooking the movement! I am a | :09:14. | :09:24. | |
trained actor. Can I just chip in? As far as I am concerned, train | :09:25. | :09:29. | |
delays are an excuse to eat more crisps. I thought we were on the | :09:30. | :09:35. | |
quiet carriage! It is not all bad news? A lot of people say we have | :09:36. | :09:40. | |
the highest fares in Europe but only 15% higher than Europe. That will | :09:41. | :09:47. | |
come as a surprise to viewers. Surprises me because I think they | :09:48. | :09:51. | |
are extortionate inexpensive. Britain has very aggressive in their | :09:52. | :09:56. | |
strategy. They target the fares that the business and commuters use. As | :09:57. | :10:00. | |
far as leisure travel goes, if you get online and book in advance you | :10:01. | :10:05. | |
can go all around the UK for peanuts. 85% is similar to Europe or | :10:06. | :10:10. | |
cheaper. It is the 15% that will get you. Book in advance if you can | :10:11. | :10:24. | |
then. What are you doing? Get with it, grandad, I am watching TV | :10:25. | :10:34. | |
online! The way we watch TV now has all changed. | :10:35. | :10:38. | |
Stacy has been investigating. I'm Stacey Dooley and I have been handed | :10:39. | :10:42. | |
a mission by the One Show to find out how people are watching telly | :10:43. | :10:48. | |
these days. I grew up, like most of us, watching television on an actual | :10:49. | :10:52. | |
television. But the ability to download and stream programmes mean | :10:53. | :10:58. | |
people can watch TV out and about on their portable devices, on their | :10:59. | :11:01. | |
smartphones and even on their tablets on the move. Watching TV on | :11:02. | :11:07. | |
the move could be the future. Henry mounts from the Financial Times | :11:08. | :11:12. | |
certainly thinks so. We really live in a smartphone world now. People | :11:13. | :11:18. | |
have access to a device that plays video. Now you have 70% of adults in | :11:19. | :11:22. | |
the UK saying they catch up on programmes. This stream them online | :11:23. | :11:27. | |
or they go to a certain website like the iPlayer. That means the schedule | :11:28. | :11:31. | |
is much less important. You still have some moments like a Sunday | :11:32. | :11:34. | |
night when the channel controllers can put on a drama and expect | :11:35. | :11:38. | |
millions of people who gather round but there will be some people who | :11:39. | :11:43. | |
missed it and they can watch it the following night. We are watching in | :11:44. | :11:46. | |
a much more consumerist world where people say, I am in control, I will | :11:47. | :11:49. | |
decide what I want to watch and when I want to watch it. I never watch TV | :11:50. | :11:56. | |
any more. If I'm out at work, I will watch something on my device. We | :11:57. | :12:02. | |
will catch up on the tablet. I love TV on my phone. That is basically | :12:03. | :12:08. | |
where I watch it. I watch everything on my iPad. I am big boxing fan, you | :12:09. | :12:14. | |
can watch the replay is on your phone. I watch programmes at home on | :12:15. | :12:20. | |
my laptop. The pure traditional TV is not really there for me any more. | :12:21. | :12:27. | |
To reflect the changing viewing habits, BBC Three is moving online. | :12:28. | :12:33. | |
See you somewhere soon on a portable device. | :12:34. | :12:37. | |
A big thank you, Stacey, for conducting that investigation. Today | :12:38. | :12:42. | |
is the big online launch of BBC Three, the first TV channel to move | :12:43. | :12:47. | |
solely online. The control of the channel Damian Kavanagh was here to | :12:48. | :12:51. | |
answer some of your questions. But first, let's cut the ribbon. Greg, | :12:52. | :13:03. | |
you are poised and ready. As it is a digital channel, we have a digital | :13:04. | :13:07. | |
ribbon. We have gone on to school with the scissors. Let's have a | :13:08. | :13:14. | |
countdown, three, two, one! CHEERING | :13:15. | :13:26. | |
Damian, you are the boss of the whole thing, why have you decided to | :13:27. | :13:31. | |
make this move? It was borne out of financial | :13:32. | :13:35. | |
necessity but I think it was a firm strategic choice behind that. I | :13:36. | :13:39. | |
think people noticed the way viewers were behaving. 50% of the video | :13:40. | :13:47. | |
viewing time for youngsters, 16 to 24-year-olds is non-live TV now. | :13:48. | :13:52. | |
Something is happening quite fast. We felt with BBC Three when we moved | :13:53. | :13:56. | |
it online we would be able to learn quickly. I understand what you're | :13:57. | :14:05. | |
saying that we need to move with the times, but isn't there an element of | :14:06. | :14:09. | |
sadness with the fact the channel has gone. There was a massive | :14:10. | :14:12. | |
campaign to save the channel which must have been good for you to know | :14:13. | :14:19. | |
about? Of course. You can switch it around but there should be a massive | :14:20. | :14:23. | |
feeling of pride which has been achieved. If you think of Gavin and | :14:24. | :14:28. | |
Stacey and Stacey's shows, I will leave somebody out now and defend | :14:29. | :14:40. | |
Sunday, but and Cuckoo! LAUGHTER What is your favourite, Cuckoo or | :14:41. | :14:44. | |
Stacey? I love them all. It is difficult to | :14:45. | :14:50. | |
know all of the content which is there. There is no schedule so how | :14:51. | :14:51. | |
will this work? We will be in the press. The | :14:52. | :15:05. | |
newspapers have been talking about Cuckoo, Life After Death Row, all | :15:06. | :15:08. | |
coming back. We have built a platform. It will show you what | :15:09. | :15:14. | |
shows are coming out on a daily, weekly basis. And we have a social | :15:15. | :15:21. | |
media team. We are working differently. I looked at iPlayer | :15:22. | :15:25. | |
earlier, Cuckoo waltz number five, the fifth most watched. How did | :15:26. | :15:30. | |
people find out about that? Because of our social media team, marketing | :15:31. | :15:33. | |
team, we are all doing an excellent job. -- was number five. It is | :15:34. | :15:40. | |
exciting because it will be online all the time. What have you put in | :15:41. | :15:44. | |
place to make sure there is a watershed? We take that seriously. | :15:45. | :15:49. | |
We work with editorial policy and compliance. We want to make sure | :15:50. | :15:54. | |
unsuitable content isn't being watched by young people. All of the | :15:55. | :16:01. | |
shows will also play on iPlayer. Exact same guidelines. Parents can | :16:02. | :16:07. | |
put in settings. And we will have warnings for programmes which might | :16:08. | :16:12. | |
be unsuitable. Really good to know. The plan is to... | :16:13. | :16:18. | |
Well, BBC Three's plan is to "Make You Think", | :16:19. | :16:21. | |
"Give you a Voice" and "Make you Laugh". | :16:22. | :16:24. | |
My wife is about to give birth. 20 minutes? We can hold on. I would | :16:25. | :16:39. | |
like a prawn jalfrezi, bhuna... Tandoor with special for four. Well | :16:40. | :16:47. | |
done. What, the baby is late, spicy food induces labour! I love that. I | :16:48. | :16:56. | |
had very spicy curries towards the end of my pregnancy. I could eat | :16:57. | :16:58. | |
them, but nothing happened. That was a clip from Greg's comedy Cuckoo. | :16:59. | :17:04. | |
Bring us up to speed for those who have not seen it. It is so | :17:05. | :17:08. | |
complicated. CHUCKLES | :17:09. | :17:13. | |
My character, Ken, I am playing against type, fat middle-aged guy | :17:14. | :17:16. | |
with a family. CHUCKLES | :17:17. | :17:22. | |
But that is acting for you. His daughter in series one had an | :17:23. | :17:26. | |
unsuitable hit the boyfriend whom I fairly set in his ways character | :17:27. | :17:31. | |
disapproved of, and lots of parents watching also disapproved of, | :17:32. | :17:34. | |
because a lot of them wrote to me and said, why don't you punch him? | :17:35. | :17:41. | |
Then he disappeared under mysterious circumstances. We don't know if he | :17:42. | :17:47. | |
is alive or not. Then his son, via a teenage bling, he comes to the | :17:48. | :17:53. | |
house, I welcomed him into the family, he then got involved with my | :17:54. | :17:58. | |
daughter. Right... And that is Taylor Lautner. Yeah, my body | :17:59. | :18:06. | |
double. Hollywood star. Are you really enjoying your acting at the | :18:07. | :18:10. | |
moment? We know that you write, as well, how does that fit, and | :18:11. | :18:14. | |
stand-up, where all you, really, at the moment? I spend a lot of time | :18:15. | :18:23. | |
crying. Alone. In my flat. At night. At the moment I am lucky enough to | :18:24. | :18:27. | |
be acting in two shows, I host another show. Had you put stand up | :18:28. | :18:33. | |
to one side for the moment? I have had to, unfortunately. Because I | :18:34. | :18:36. | |
love stand-up. I would love to do a tour next year if I can squeeze it | :18:37. | :18:43. | |
in. I I miss it. Stand-up with petrify me. I cannot think of | :18:44. | :18:49. | |
anything I would least rather do. What about being chased by a bear? | :18:50. | :18:53. | |
LAUGHTER Maybe. I know one thing you cannot | :18:54. | :19:04. | |
handle, lifts. I know excavation market is not rock 'n' roll. I can | :19:05. | :19:08. | |
go to all of these hostile environments, I'm OK, but I get to | :19:09. | :19:11. | |
the BBC, and I cannot get into my left! -- I know! It is not rock 'n' | :19:12. | :19:17. | |
roll. You can see episode one of Cuckoo | :19:18. | :19:23. | |
on BBC Three online from today. We love a tenuous link | :19:24. | :19:26. | |
on the One Show, and we've Greg's just been talking | :19:27. | :19:28. | |
about his sitcom, 'Cuckoo' and our next film celebrates a glam | :19:29. | :19:31. | |
rock pop star, of the 70s and 80s My Coo Ca Choo. With the song isn't | :19:32. | :19:46. | |
called Cuckoo. Tenuous link, I said. LAUGHTER | :19:47. | :19:55. | |
It is now time for Shaun, his son, to talk about it. | :19:56. | :19:59. | |
Morning assembly has finished. We are going back to Reigate Grammar | :20:00. | :20:04. | |
School where I am headmaster, very different career to my father. He | :20:05. | :20:10. | |
was Alvin Stardust. Despite his dark and brooding image, he would have | :20:11. | :20:15. | |
been much more at home here at school. He was born Bernard Drury. | :20:16. | :20:25. | |
He didn't have a difficult background. In fact, he was a | :20:26. | :20:28. | |
boarder at a school at it like this. Like some of our pupils, he started | :20:29. | :20:33. | |
his career as a chorister. He also occasionally would sing in a group. | :20:34. | :20:43. | |
Then the BBC got in touch. They said we would like you to come and play. | :20:44. | :20:49. | |
They had a first few hits. By that point he left Bernard Drury behind | :20:50. | :20:57. | |
and became Shane Fenton. My mum, she was a dancer, they got together and | :20:58. | :21:00. | |
started a double act working as Shane Fenton and Iris. In the early | :21:01. | :21:10. | |
1970s, record company had a song called Coo Ca Choo, but they did not | :21:11. | :21:17. | |
have an artist. My dad turned up all in black and they went with it. It | :21:18. | :21:21. | |
was due to be on top of the Pops that week. He died his hair black. I | :21:22. | :21:28. | |
woke up in the morning, all of these blue streaks running down my face. I | :21:29. | :21:35. | |
said, excuse me, do you do side burns ready-made? Stuck them on and | :21:36. | :21:39. | |
I turned up at the BBC centre and I did Top Of The Pops. Suddenly Alvin | :21:40. | :21:47. | |
Stardust was a massive star. I don't how much of it is genuine | :21:48. | :21:50. | |
stagecraft, and how much of it was in dealing with head I all over his | :21:51. | :21:59. | |
face. There is a lot of him looking moody. If you look at me with him in | :22:00. | :22:07. | |
photographs, I didn't smile, because I did not want to let my dad down. | :22:08. | :22:11. | |
Back at home, he was playing football with us in the back garden, | :22:12. | :22:17. | |
just being my dad. All of that success came at a cost. Mum and dad | :22:18. | :22:22. | |
split up. That was devastating for all of us, really. I missed my dad. | :22:23. | :22:31. | |
Into the 80s I have started at my senior school. That was the time | :22:32. | :22:35. | |
when he felt most like my dad. He came to watch me playing rugby. He | :22:36. | :22:40. | |
and Paris to me, cheering, but it meant a lot he was there. -- he came | :22:41. | :22:49. | |
along to watch me, cheering. He had lots of hits. Very different image. | :22:50. | :22:54. | |
No more black leather and big question. He started to be more | :22:55. | :23:07. | |
himself. -- big quiff. Our relationship was at its best when I | :23:08. | :23:11. | |
became a headmaster. And when I had my children. We were able to talk as | :23:12. | :23:15. | |
two women, two fathers. He was diagnosed with cancer when he was | :23:16. | :23:21. | |
about 70. He never stopped working. He would say, I need you to listen | :23:22. | :23:25. | |
to this track, hopeful it would be a big album for him. He died at 7am. | :23:26. | :23:33. | |
It was on the radio, every channel, it seemed. That was one of those | :23:34. | :23:37. | |
times when I felt he wasn't my dad he was somebody I shared with | :23:38. | :23:41. | |
everybody else. He was certainly my hero. I looked up to him. | :23:42. | :23:48. | |
Of course, in teaching the pupils are the stars. | :23:49. | :23:58. | |
And they did -- they are good, aren't they? What do you make of it? | :23:59. | :24:08. | |
I like it, I have seen the video on YouTube. My mum used to sing with | :24:09. | :24:16. | |
Alvin Stardust. Really? Small world. Yeah! | :24:17. | :24:20. | |
Thanks for doing that film for us, Shaun. | :24:21. | :24:27. | |
We are talking about BBC Three this evening. Part of the ethos is to | :24:28. | :24:31. | |
find new talent and nurture it. Now Stacey, you are known | :24:32. | :24:33. | |
for your hard-hitting documentaries You have been to some of the worst | :24:34. | :24:35. | |
places in the world for women to go. Before we talk about your next | :24:36. | :24:43. | |
project, just explain how you came I fell into it. Very organic. I | :24:44. | :24:51. | |
started as a contributor nine years ago. As part of a documentary? Yes, | :24:52. | :25:03. | |
and they took me to India. It was about fast consumerism. You were | :25:04. | :25:07. | |
excellent. I don't know, I cannot watch myself in it now. From that | :25:08. | :25:12. | |
the boss called me in and said, you were inquisitive, you had empathy, | :25:13. | :25:16. | |
what do you reckon, do you fancy your own series? I was working at | :25:17. | :25:20. | |
Luton airport at the time selling purview. | :25:21. | :25:23. | |
LAUGHTER -- perfume. Can I get back to you? | :25:24. | :25:37. | |
No. We will now show a clip of you in Turkey where women's lives have | :25:38. | :25:42. | |
been ruined by Isis. Do you believe the Isis fighters are religious man? | :25:43. | :26:04. | |
You get access to some volatile situations and circumstances. Do you | :26:05. | :26:12. | |
ever get concerned for your safety? Sometimes. It wouldn't be natural if | :26:13. | :26:17. | |
you were not a bit cautious, apprehensive, but the channel are | :26:18. | :26:21. | |
spot on. They look after us. We have a local with us all the time. But | :26:22. | :26:26. | |
these are important stories. BBC Three does do that, I genuinely | :26:27. | :26:29. | |
believe they do brilliant documentaries. They are current | :26:30. | :26:35. | |
affairs issues, but they are not stuffy, they are not about | :26:36. | :26:40. | |
statistics... Real people. Exactly, and I think that is necessary. Do | :26:41. | :26:44. | |
you just rely on your own instinct, going in there, able to ask the | :26:45. | :26:51. | |
right questions, how'd you like to work as a documentary maker? I have | :26:52. | :26:56. | |
found my feet as I have gone along. The producers and directors are | :26:57. | :27:01. | |
brilliant. They put hours in beforehand. But you take them as | :27:02. | :27:05. | |
girls, as people, you try and find out what their lives are like and | :27:06. | :27:09. | |
how they feel. I think you can have preconceived ideas of what women | :27:10. | :27:12. | |
far-away are like. You do an excellent job. Thank you. | :27:13. | :27:17. | |
Now, to a hard-hitting documentary that will appear | :27:18. | :27:19. | |
The first episode of a second series of BAFTA award winning series, | :27:20. | :27:26. | |
"Life After Death Row". Here's an exclusive look... | :27:27. | :27:30. | |
Lieutenant Stuart Alexander died. He was killed by a suspect fleeing in | :27:31. | :27:40. | |
an SUV. When they finally let me see him in the hospital he asked me, did | :27:41. | :27:49. | |
I kill a police officer? I said yes, he died. Tears ran down his eyes. He | :27:50. | :27:55. | |
said I couldn't see. How could he have done it on purpose? He was | :27:56. | :28:02. | |
trying to get to me. He is a 21-year-old. He has police cars | :28:03. | :28:08. | |
chasing him. The silence, the chaos. Police say he was in the grass, | :28:09. | :28:13. | |
laying out a spike strip which stopped cars being pursued. -- | :28:14. | :28:21. | |
police say the lieutenant was. He avoided it. He moved to the right | :28:22. | :28:32. | |
and he struck the officer. I want everybody to understand we will do | :28:33. | :28:35. | |
everything possible to make sure somebody like this is sent away | :28:36. | :28:44. | |
forever. I would have never tried -- had I never tried fleeing, nobody | :28:45. | :28:48. | |
would have died. It is partly my fault. I will accept my punishment. | :28:49. | :28:52. | |
I am ready, right? Gripping. It is online from 8pm | :28:53. | :28:57. | |
tonight. On a day where BBC Three feels | :28:58. | :29:01. | |
different. What a monument to stay. Remember, BBC Three is online now | :29:02. | :29:15. | |
and you can watch any of its content including | :29:16. | :29:18. | |
Greg's "Cuckoo", by Tomorrow, Britain's best close-up | :29:19. | :29:19. | |
magician who'll be making Adam Hills Goodbye. | :29:20. | :29:23. | |
Good night. | :29:24. | :29:29. |