Browse content similar to 17/02/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Anita Rani this evening. And | :00:17. | :00:21. | |
Matt Baker. Now, tonight you are going to have to expect the | :00:22. | :00:26. | |
unexpected. Yes. Take our new work experience lad, Brendan, for | :00:27. | :00:29. | |
example. Thank you for the coffee. You're welcome. Listen, Brendan is | :00:30. | :00:36. | |
actually the magic circle Close Up Magician of the Year everybody. He's | :00:37. | :00:41. | |
working for us tonight and sorting out our stationery cupboard. Before | :00:42. | :00:46. | |
you start a One Show you cannot have enough pens. Let's have more pens. | :00:47. | :00:54. | |
Is a red pen OK? Perfect. Watch the pen. It jumps from one hand - Oh, do | :00:55. | :01:03. | |
it again! One more time, please, Brendan. You want to see it again. I | :01:04. | :01:10. | |
will make it harder. Watch the pen. We will see more of Brendan's | :01:11. | :01:16. | |
award-winning act later in the show. Then there are these glamorous | :01:17. | :01:22. | |
ladies. There they are. Now, they might look like sweetness and light | :01:23. | :01:29. | |
back in the day they were the stars of London's naughtiest theatre, the | :01:30. | :01:35. | |
Windmill. Now, let's meet tonight's sofa guests, shall we. | :01:36. | :01:45. | |
One is the Australian stand-up comedian and star of Channel 4's The | :01:46. | :01:52. | |
Last Leg, Adam hills. And a Hollywood star who's played everyone | :01:53. | :01:57. | |
from Tony Blair to the rabbit in Alice in Wonderland, Michael Sheen. | :01:58. | :02:01. | |
As The Last Leg presenter and big sports fan, are you aware of these | :02:02. | :02:04. | |
guyses? They are all skilled footballers. They all play for clubs | :02:05. | :02:08. | |
in the national legal, but they are all amputees. Have you seen anything | :02:09. | :02:15. | |
like it? Someone who wears a prosthetic yourself have you seen it | :02:16. | :02:20. | |
or have you played it? I've never seen it done - part of me is looking | :02:21. | :02:24. | |
at them going, get a prosthetic. You will have a go in a bit later on. I | :02:25. | :02:29. | |
would love to have a crack at that. Michael, we have something for you. | :02:30. | :02:32. | |
We didn't want you to feel too left out. We know that you're family are | :02:33. | :02:37. | |
big fans of the One Show? They may be your biggest fans. Love that. | :02:38. | :02:41. | |
They will be watching tonight. We know they are watching tonight. | :02:42. | :02:47. | |
Right. We can go live across to your old house. We have your dad, | :02:48. | :02:51. | |
Meyrick, your mum Irene and sister, Joanne. Hello. Have you got any | :02:52. | :03:05. | |
childhood photos for us, dad? Plenty of photos, we are going to embarrass | :03:06. | :03:11. | |
you Michael, don't worry about that. Here is one of you at eight years | :03:12. | :03:18. | |
old as can Captain Bird's Eye you were dressing up all the time. | :03:19. | :03:25. | |
Fantastic. Love it. Your dad has the best laugh. I had a full beard at | :03:26. | :03:31. | |
eight years old. We will be asking your family what they think of your | :03:32. | :03:36. | |
performance this evening. Great. They can be harsh receiptics? Very | :03:37. | :03:42. | |
hard, yeah. Online petitions are launched for all kind of campaigns. | :03:43. | :03:48. | |
More than 300,000 people have signed an onlinen petition calling for the | :03:49. | :03:52. | |
meningitis B vaccination to be offered to all children. Over 40,000 | :03:53. | :03:57. | |
people have given their support to a petition calling for David Bowie to | :03:58. | :04:01. | |
be featured on the next ?20. No matter what the numbers or the cause | :04:02. | :04:04. | |
do online petitions make a difference. Michael here certainly | :04:05. | :04:12. | |
thinks so. Somehow something is going wrong somewhere, so I'm taking | :04:13. | :04:16. | |
part in a debate with some of the most powerful people in the Welsh | :04:17. | :04:19. | |
Assembly, discussing an issue that I've become more and more passionate | :04:20. | :04:23. | |
about as time as gone on. These are children who have been let down at | :04:24. | :04:29. | |
every stage, you know. We are talking about how homeless 16 and | :04:30. | :04:32. | |
17-year-olds in Wales are too often left to fend for themselves in | :04:33. | :04:37. | |
unsuitable B accommodation, something I want to see banned. I | :04:38. | :04:41. | |
wouldn't even be in this room if it wasn't for the online petition I got | :04:42. | :04:45. | |
involved with and which I handed over today. I've learnt, surprise, | :04:46. | :04:49. | |
surprise, that fame can be a powerful tool if you want to make a | :04:50. | :04:55. | |
difference. Our online petition attracted over 115,000 supporters. | :04:56. | :04:58. | |
It got us to a meeting with Assembly members who have the power to make a | :04:59. | :05:02. | |
real change. I started to see the power of social media last year when | :05:03. | :05:06. | |
I did a speech in support of the NHS. A symbol of equality, of | :05:07. | :05:14. | |
fairness, and of compassion. Someone who videoed the speech on their | :05:15. | :05:18. | |
phone posted it online. Thousands upon thousands of people were | :05:19. | :05:23. | |
watching it and responding to it. It started me thinking - are online | :05:24. | :05:27. | |
petitions in a way to empower individuals? Is it a way for people | :05:28. | :05:31. | |
to feel their voice can make a difference. Lesley Griffiths is the | :05:32. | :05:35. | |
minister on the receiving end of my petition. As far as I'm aware this | :05:36. | :05:40. | |
is the first time that an online petition has been presented to the | :05:41. | :05:43. | |
Welsh Government in this way. Do you think are a force for good? | :05:44. | :05:47. | |
Petitions are good. They raise issues in the public's mind. | :05:48. | :05:54. | |
Obviously, this is an issue as a Welsh Government we are aware of. | :05:55. | :06:02. | |
Just a few clicks online can get your argument viewed by millions of | :06:03. | :06:07. | |
people. When calls for - A total and complete shut down of Muslims | :06:08. | :06:11. | |
entering the United States. People can respond. More than half a | :06:12. | :06:16. | |
million backed an online petition calling for Donald Trump to be | :06:17. | :06:20. | |
banned from Britain. MPs in Westminster debated i The exclusion | :06:21. | :06:24. | |
of Donald Trump from the UK. Talking about my children. After all the | :06:25. | :06:30. | |
rhetoric, there was no vote. So, if politicians aren't going to vote for | :06:31. | :06:34. | |
or against change, is there any point to these petitions? Cat is | :06:35. | :06:47. | |
campaign's director of Change. Org. A lot of petitions on our site are | :06:48. | :06:52. | |
not about going through Parliament or getting Government change people | :06:53. | :06:56. | |
are sidestepping Westminster and asking CEOs of companies to change | :06:57. | :07:00. | |
things. Some people will say I got reaction to my petition because I'm | :07:01. | :07:03. | |
a familiar face? You care about this. You have a 17-year-old | :07:04. | :07:07. | |
daughter. You visited and have spoken to teenagers who are | :07:08. | :07:10. | |
experiencing homelessness. That is what connects you to the issue. That | :07:11. | :07:16. | |
is what people really relate to. It doesn't come more personal than want | :07:17. | :07:20. | |
being the best for your child. Mum, Katie Brown, knows how petitions and | :07:21. | :07:25. | |
social media can make a difference. He's a little boy that nobody knows | :07:26. | :07:28. | |
with a disease that nobody's heard of. It became a fantastic platform | :07:29. | :07:35. | |
for us to really tell Sam's story. Katie's seven-year-old son, Sam, ha | :07:36. | :07:39. | |
has a rare life limited disease. The NHS refused to supply the drugs he | :07:40. | :07:43. | |
needed saying they were too expensive to justify as the benefits | :07:44. | :07:46. | |
are uncertain. That decision was reversed when Katie and others took | :07:47. | :07:53. | |
their case online. We got nearly 9,000 people signing the petition. | :07:54. | :07:57. | |
It wasn't an emotional argument that Sam deserves the drug, it was | :07:58. | :08:01. | |
challenging the way in which the NHS was making those decisions and | :08:02. | :08:04. | |
bringing to the forefront that that was wrong. There is only 100 people | :08:05. | :08:07. | |
in the UK who suffer from the condition. To get that level of | :08:08. | :08:11. | |
response, for a disease that is so rare, I think is really testament to | :08:12. | :08:17. | |
the power of online campaigning. Once people start signing the | :08:18. | :08:22. | |
petition does it end there or is there more engagement? It makes it | :08:23. | :08:26. | |
easy for people to sign petitions. The orbits that go around it make it | :08:27. | :08:30. | |
easy for them to follow that story. You can change people's minds, that | :08:31. | :08:34. | |
you can fight for what is right. You can challenge things when things are | :08:35. | :08:37. | |
wrong. Petitions have been around for as long as Parliament. It seems | :08:38. | :08:42. | |
to me that online petitions do allow people to feel empowered. Of course, | :08:43. | :08:47. | |
some will be (inaudible) but others will be important and help bring | :08:48. | :08:52. | |
about change for the better. If that movement can get concrete results, | :08:53. | :08:57. | |
then that's amazing, you know. I don't think we should under estimate | :08:58. | :09:01. | |
the power of a click and what it can switch on and what it can light up. | :09:02. | :09:10. | |
Well, Michael we filmed that with you last week, didn't we? It's early | :09:11. | :09:13. | |
days. What has been the situation since? Well, the minister who you | :09:14. | :09:19. | |
saw me interviewing there has made a commitment in the short-term to | :09:20. | :09:22. | |
strengthen the guidelines to local authorities about whether 16 or | :09:23. | :09:27. | |
17-year-olds should be allowed to go to B the guidelines were not as | :09:28. | :09:31. | |
strong as in English, the Welsh ones. She has committed to keep them | :09:32. | :09:36. | |
as strong if not stronger than the English guidelines and said they are | :09:37. | :09:40. | |
committed to an outright ban. It's a question of keeping on it and making | :09:41. | :09:44. | |
sure it doesn't fall back and they are accountable. Joe is here to give | :09:45. | :09:47. | |
us more information about petitions in general. How do you go about | :09:48. | :09:53. | |
starting with un? Anyone can set one up, as Michael discovered. You can | :09:54. | :09:59. | |
go through independent sites. Michael went through change. Org. | :10:00. | :10:03. | |
There are many sites. You can start a petition on a Government website. | :10:04. | :10:07. | |
The key thing is - it has to be the right Government. If it's something | :10:08. | :10:12. | |
the Scottish Parliament controls don't lobby Westminster. You need | :10:13. | :10:16. | |
signatures to set it up. When you get or if you get to lots of | :10:17. | :10:21. | |
signatures, like 10,000, you would get a Government response. 100,000, | :10:22. | :10:25. | |
as we saw in your film with Donald Trump you might get a debate in | :10:26. | :10:28. | |
Parliament. Maybe no vote. Maybe a debate. It gets considered at that | :10:29. | :10:33. | |
point. You are going for numbers. In your own mind when do you decide to | :10:34. | :10:38. | |
submit it, I suppose, if it's live the whole time. Did you give a time | :10:39. | :10:43. | |
scale for yours? No. Some petitions can be successful with 100 | :10:44. | :10:46. | |
signatures. It's not necessarily you have to have millions and millions. | :10:47. | :10:50. | |
It seems that if there is a famous person that - if they head it there | :10:51. | :10:54. | |
will be o loads of people doing it. People who have the most power to | :10:55. | :10:58. | |
connect is the people with the most personal story. Most of the | :10:59. | :11:03. | |
petitions that are successful are are the ones where people connect | :11:04. | :11:06. | |
next what is going on. Have you examples? We are talking about the | :11:07. | :11:11. | |
power of. It this little girl in Kent who lost her life. A petition | :11:12. | :11:16. | |
on the UK Government for vaccinations for all children. I was | :11:17. | :11:19. | |
refreshing that page earlier and watching the numbers go up and up | :11:20. | :11:23. | |
and up. It's well over 300,000 now. It's incredible. On a different | :11:24. | :11:27. | |
level, you know you can get success not just through the Government site | :11:28. | :11:32. | |
but independent sites. A young woman, Stevie Wise petitioned Boots | :11:33. | :11:37. | |
to end what she called sexist pricing. The same razors, charging | :11:38. | :11:43. | |
more for women's razors than mens. She met the CEO of the company. Off | :11:44. | :11:47. | |
the back of that they have changed, they are about to, they are changing | :11:48. | :11:52. | |
the prices on those two products and will look at other products. She | :11:53. | :11:56. | |
caught the moment and a petition was perfect. Did you worry about the | :11:57. | :11:59. | |
weight of the petition because it was online and there are so many | :12:00. | :12:04. | |
different things out there. I don't want to say it's easy, it's a | :12:05. | :12:09. | |
process to build those numbers up online as opposed to getting a piece | :12:10. | :12:13. | |
of paper and getting signatures on it Part to the Kiev it is building a | :12:14. | :12:17. | |
community. It's not just one of the criticisms is that it's easy to make | :12:18. | :12:20. | |
a click and you forget about it and think you have done something. In my | :12:21. | :12:24. | |
experience what I found is once you do put your name to something you | :12:25. | :12:27. | |
feel like you have got skin in the game. You feel like you have | :12:28. | :12:31. | |
ownership in there and want to find out more. That is what I've done. | :12:32. | :12:36. | |
Other people have done that. Have you put your name to something | :12:37. | :12:41. | |
online? I have indeed. People online have time on their hands. OK, there | :12:42. | :12:46. | |
is a website I found last week Called Trump Donald. Tl blows a | :12:47. | :12:55. | |
trumpet in Kop Donald's face and his wig blows up. There are people out | :12:56. | :12:59. | |
there who want to click something. Give them something worthy. Make it | :13:00. | :13:06. | |
meaningful. If each of those trumpets clicked a petition or | :13:07. | :13:09. | |
donated you have 65 million people getting on board something. | :13:10. | :13:14. | |
Absolutely. Of course, we have seen the power of that community you are | :13:15. | :13:19. | |
talking about with Stephen Fry. Is this something that you will cover | :13:20. | :13:23. | |
on The Last Leg We will be talking about it this week. People on | :13:24. | :13:27. | |
Twitter get caught in this feedback loop on the internet whether it's | :13:28. | :13:30. | |
negative or positive. If someone is backing up what you are saying, | :13:31. | :13:33. | |
whether it be a petition or whether it is getting anning rip at someone | :13:34. | :13:38. | |
for a joke. If you write something on Twitter and everybody agrees with | :13:39. | :13:42. | |
you. Thousands more agree with you. You feel validated it becomes this | :13:43. | :13:46. | |
snowball effect. If you can channel that for good, if all the people | :13:47. | :13:51. | |
that berated Stephen Fry for one joke jumped on board your petition | :13:52. | :13:57. | |
they would achieve something. It's so easy to retweet. How meaningful | :13:58. | :14:01. | |
is it if you are not taking to the streets to protest. How much do you | :14:02. | :14:04. | |
support this? What you want is change. You want to see that | :14:05. | :14:08. | |
something makes a difference. Part of what is attractive about what we | :14:09. | :14:12. | |
are talking about is at a time when people feel like maybe the political | :14:13. | :14:15. | |
system isn't for them, doesn't include their voice. They don't feel | :14:16. | :14:19. | |
they have much agency in it, here is something you feel - my voice is | :14:20. | :14:25. | |
having an affect effect. Does it create change? That drew tos me to | :14:26. | :14:29. | |
this petition. You could do something. I could go and talk to | :14:30. | :14:33. | |
them. You have done. It's happened. Good on you. | :14:34. | :14:38. | |
We've just been discussing a subject Michael feels passionate about, but | :14:39. | :14:45. | |
our next film is something close to Matt's heart. It is the music. It is | :14:46. | :14:51. | |
wonderful. It is four decades it's to very day since the first | :14:52. | :14:54. | |
broadcast of this British countryside classic. All you need | :14:55. | :14:57. | |
for lasting success is a dog, some sheep and a great, great | :14:58. | :15:03. | |
partnership. I love this show! 40 years ago in February 1976 an | :15:04. | :15:08. | |
improbable TV show launched on BBC Two. It would win a place in the | :15:09. | :15:14. | |
nation's hearts. Capturing the skills of the sheepdog and the | :15:15. | :15:18. | |
amazing levels of communication between dog and handler, One Man And | :15:19. | :15:22. | |
His Dog pited the best shepherds in the country against each other for | :15:23. | :15:29. | |
the fiercely competed title of... International British sheepdog | :15:30. | :15:32. | |
champion. Nobody knew at first whether the show would be exciting | :15:33. | :15:38. | |
enough for viewers. It was the brainchild of producer Philip | :15:39. | :15:42. | |
Gilbert. I was on holiday in Northumberland. And there was a | :15:43. | :15:46. | |
small group of sheep, a man and a dog. I began to be fascinated about | :15:47. | :15:51. | |
the way the man and the dog were working together, and I thought, I | :15:52. | :15:56. | |
wonder how you would do that on the telly. What were the results when | :15:57. | :15:59. | |
the series first went out? We had been on tenterhooks, as we didn't | :16:00. | :16:03. | |
know how the audience would react. The first figures were 2 million, | :16:04. | :16:08. | |
very good for BBC Two. Gradually it built to become the highest rated | :16:09. | :16:14. | |
programme on BBC Two of the night. Could ask for more? It is probably | :16:15. | :16:19. | |
the best series I can ever remember. Preparing his sheep to perform One | :16:20. | :16:29. | |
Man ep to perform One Man -- to prepare The One Show logo is Derek. | :16:30. | :16:34. | |
Viewers would wait for the moment shepherd and dog lost control. Even | :16:35. | :16:42. | |
for a maestro like you, you had one old ewe who wasn't friendly didn't | :16:43. | :16:48. | |
you? In this game it doesn't matter how clerf you are, if you get an | :16:49. | :16:55. | |
awkward sheep... It wasn't only men and their dogs competing. Katie was | :16:56. | :17:00. | |
the first shepherdess ever to win the show's title. I loved being on | :17:01. | :17:05. | |
the show. It was so exciting. It was a tough week to get into the final. | :17:06. | :17:10. | |
When they read the results out, I was so happy. I hugged my dog, who I | :17:11. | :17:15. | |
absolutely adored. I remember getting them to buy me a drink. And | :17:16. | :17:20. | |
the winner... Katie Cropper of England. | :17:21. | :17:25. | |
APPLAUSE. Well done. It was one of the happiest days of my life. Time | :17:26. | :17:30. | |
for the The One Show shepherding challenge. Lovely sky, a ovely sky, | :17:31. | :17:36. | |
a nip in the air - perfect weather for mushrooms. Gerald Lewis is | :17:37. | :17:41. | |
hoping to herd sheep into the letters O, N and E, which we'll film | :17:42. | :17:47. | |
from the hill opposite. It will be up to me to try to control the | :17:48. | :17:53. | |
sheep, but I'm confident my two dogs will be able to handle it. The | :17:54. | :17:57. | |
letters will be shot individually and layered on top of each other | :17:58. | :18:03. | |
using software to form the One. There's a tremendous buzz of | :18:04. | :18:07. | |
interest on the sideline. And we are off! Gerald moves his sheep into the | :18:08. | :18:14. | |
O. He has them circling evidentlessly. Stay there! Y. Stay | :18:15. | :18:19. | |
there! Now for the N - steady! Tremendous shepherding, this. | :18:20. | :18:23. | |
Finally the most difficult challenge, the E. The loop is | :18:24. | :18:30. | |
proving difficult, with the light fading, the dogs need to work fast. | :18:31. | :18:36. | |
Down there. The away! There's a final call from Gerald. Look! Look! | :18:37. | :18:43. | |
How will the finished logo look? It is full marks to Gerald and his | :18:44. | :18:50. | |
dogs. We should use that graphic as the start of every single The One | :18:51. | :18:56. | |
Show. He's been sitting here saying, I love it. We are filming it for | :18:57. | :19:01. | |
Countryfile and it will be on later this year. I'm very much looking | :19:02. | :19:05. | |
forward to that. Adam, The Last Leg came back on Friday. Michael has | :19:06. | :19:09. | |
never seen it. Can you explain it to him? Three blokes with Ees, four | :19:10. | :19:14. | |
legs talk about the news. That's it pretty much! If you want to know | :19:15. | :19:20. | |
more we'll show a clip. You may not have noticed Josh has changed his | :19:21. | :19:26. | |
outfit. I did not notice. I was just a bit offended I didn't make the top | :19:27. | :19:33. | |
10 best dressed of the year, so I thought I would trial looks based on | :19:34. | :19:38. | |
the people in the top 10, so I've come as the Duke of Edinburgh. I'm | :19:39. | :19:43. | |
interested to see fit affects my views. You look so cute. Like a | :19:44. | :19:48. | |
little toy soldier. Oh, God, this is how the Queen must talk to me! | :19:49. | :19:53. | |
Standing next to Richard you would look like a little toy soldier. To | :19:54. | :20:00. | |
be fair, standing next to anybody he looks like a little toy soldier. | :20:01. | :20:09. | |
LAUGHTER. Richard os mon, he doesn't have to stand up. This show was born | :20:10. | :20:15. | |
out of the Paralympics. Did you imagine we'd still be talking about | :20:16. | :20:19. | |
it? When we started doing it we were on every night after the Paralympics | :20:20. | :20:27. | |
talking about what happened that day. We never thought we would be on | :20:28. | :20:31. | |
every year until the Rio Paralympics. We are going back to | :20:32. | :20:36. | |
Rio, but this is our 7th series. It was because the three of us got | :20:37. | :20:41. | |
along. There was something about the three of us on a couch together. | :20:42. | :20:45. | |
Alex is that South London puppy dog-type bloke and Josh is the weary | :20:46. | :20:51. | |
West Country, oh, everything's a bit rubbish! And in the middle I'm your | :20:52. | :20:56. | |
blunt, smiley Australian. You only have to listen to a news bull ten to | :20:57. | :21:02. | |
think how depressing it is, so to watch the news in that way, it is | :21:03. | :21:06. | |
informative as well as vastly entertaining. A lot of people don't | :21:07. | :21:10. | |
watch the news in the week, they wait until Friday night and that's | :21:11. | :21:14. | |
the way they get the news of the week. That's a big responsibility. | :21:15. | :21:18. | |
Michael, would you go on ooze a guest? Absolutely. I would get to | :21:19. | :21:21. | |
wear that uniform? I think there would be a lot of female views who | :21:22. | :21:27. | |
would like you to wear a uniform of some sort. Will I be able to stand | :21:28. | :21:33. | |
next to the tall man? If he's there! So you've been writing today, all | :21:34. | :21:38. | |
been together with your production meetings. We all sit around the | :21:39. | :21:42. | |
table together, talk about the news of the week, come up with jokes. If | :21:43. | :21:47. | |
something is funny we write it down. And we come on with other jokes that | :21:48. | :21:53. | |
are fresh on the night. What are you top lining this week? We are really | :21:54. | :21:58. | |
going to try and make sense of the EU referendum, which is really hard, | :21:59. | :22:01. | |
because I don't think anyone really cares. Did you see that footage | :22:02. | :22:05. | |
today of Boris locked outside number 10. You've got to look at that. It | :22:06. | :22:12. | |
is hilarious. Bearing in mind a lot of our viewers are in the late | :22:13. | :22:17. | |
teens, so we are going to try to explain the EU like a boy band. | :22:18. | :22:21. | |
Britain is the first member out of the boy band. Going for a solo | :22:22. | :22:26. | |
career. Are they going be like Zayn Malik of One Direction, or will it | :22:27. | :22:30. | |
be more like someone from Blue. LAUGHTER. Who also have very | :22:31. | :22:34. | |
successful careers. They don't. Don't pretend. What about the fact | :22:35. | :22:40. | |
that the England rugby team have an Australian coach? That's great. Will | :22:41. | :22:46. | |
that get in there? Every time you win, we win. Your telly work aside, | :22:47. | :22:52. | |
your stand-up show, Clown Heart. Where was that born from? The idea | :22:53. | :22:57. | |
of Clown Heart is about laughing in the face of death. Part of it came | :22:58. | :23:02. | |
about because my father and my wife's father died when my daughter | :23:03. | :23:06. | |
was quite young. I had to explain to her what death was. It was this | :23:07. | :23:10. | |
really weird moment of sitting in the bath with my daughter, who was | :23:11. | :23:15. | |
four. I have had to check, it is alright to have a bath with your | :23:16. | :23:18. | |
four-year-old daughter isn't it? Yes. 19 would be weird. But we don't | :23:19. | :23:24. | |
19 would be weird. But we don't have a 19-year-old - she's the nanny! | :23:25. | :23:28. | |
Just a joke. Stay on message. I was sitting in the bath with my daughter | :23:29. | :23:33. | |
and she asked, what handed to Papa, my dad? I said, he got sick and then | :23:34. | :23:40. | |
got really sick and didn't want to be sick any more, so he floated up | :23:41. | :23:46. | |
to the sky. He looks down on us and he can see and hear us. She said, | :23:47. | :23:51. | |
ah, mummy said he died. I thought, right, I'm going have to explain | :23:52. | :23:55. | |
this now. We had a conversation, is she going to die, am I going to die? | :23:56. | :24:01. | |
Hopefully not for a long time, but while we are here, let's be clown | :24:02. | :24:05. | |
hearts. She said, no-one wants to die, do they daddy? I said no, and | :24:06. | :24:12. | |
she went, I can see your boobies! And the conversation was finished. | :24:13. | :24:17. | |
And your tour is on until 27th March? I'm doing a tour whilst doing | :24:18. | :24:22. | |
The Last Leg at the same time. Australia as well, so you are all | :24:23. | :24:27. | |
over the place. I did a show at the Sydney Opera House three weeks ago. | :24:28. | :24:33. | |
Wow! You must constantly not know what time zone you are in. The Last | :24:34. | :24:38. | |
Leg is on Friday 10 o'clock on Channel 4. A new West End musical | :24:39. | :24:42. | |
has opened celebrating the story of Mrs Henderson and her decision to | :24:43. | :24:48. | |
put on Britain's first nude review. It is based on the fame starring | :24:49. | :24:52. | |
Dame Judi Dench, which was inspired by the real Windmill Theatre. Lucy | :24:53. | :24:57. | |
went to meet some of the former star obvious the show. In 1932, a former | :24:58. | :25:04. | |
cinema in Soho changed the face of entertainment for good. After | :25:05. | :25:10. | |
struggling as a theatre, new owner Mrs Laura Henderson decided she | :25:11. | :25:14. | |
needed her shows to be a bit Morris Kay to pull the crowds in. And so | :25:15. | :25:19. | |
the Windmill Girls were born. They were the first women to appear naked | :25:20. | :25:23. | |
on stage in Britain. And now their story is being told here in the West | :25:24. | :25:29. | |
End in a musical. The theatre's motto was We. In Never Close, and | :25:30. | :25:34. | |
close they didn't, even during the Second World War. Margaret, when | :25:35. | :25:42. | |
were you a Windmill girl? 1948 to 1958. You did a long stints. Ten | :25:43. | :25:48. | |
years. Did you did ever get bored with it? Never. How do you hold a | :25:49. | :25:53. | |
pose? You have to stare at something. I'm no good, because I'm | :25:54. | :25:59. | |
a smiler. I do the can-can, the tambourine dance. There must have | :26:00. | :26:02. | |
been some people who were disparaging about what you did, | :26:03. | :26:06. | |
because you were breaking bounds ries? Not really, because we were | :26:07. | :26:12. | |
just titillating. I've got the fan, so you are not seeing anything, I'm | :26:13. | :26:18. | |
covering it up. The girls were so popular they had to perform up to | :26:19. | :26:24. | |
six back to back shows in a day. Thankfully the current musical | :26:25. | :26:27. | |
promises less gruelling run of eight shows per week. I play Maureen in | :26:28. | :26:33. | |
the show. She is the local tea girl who Laura Henderson discovers and | :26:34. | :26:37. | |
takes upon herself to bring on as her girl Friday. She realises she | :26:38. | :26:42. | |
could be her headwind mill Girl, her head nude. Sorry, Fred, I'm not much | :26:43. | :26:49. | |
of a ginger. How much of the show due spend nude? A good few moments. | :26:50. | :26:55. | |
Not only do I play Maureen as a statue. We do the fan dance, | :26:56. | :27:01. | |
properly nude. My feathers, if they are not in place, somebody gets more | :27:02. | :27:05. | |
than they bar gained for. What do you think we learn from those | :27:06. | :27:10. | |
original Windmill girls? Self acceptance. That's quite empowering | :27:11. | :27:17. | |
and rather wonderful. I think everyone should get naked. Decency | :27:18. | :27:23. | |
laws were distributeser in those days but Mrs Henderson saw a | :27:24. | :27:28. | |
loophole. The girl could pose nude as long as they didn't move. The | :27:29. | :27:33. | |
idea being it was no worse than you would see in museums. It was a | :27:34. | :27:37. | |
review show. The smallest part was the nudity and you wouldn't move. | :27:38. | :27:43. | |
That was a law. If it moved it was rude. What would happen to somebody | :27:44. | :27:49. | |
if they moved? They could shut you down. It was theatre. So in those | :27:50. | :27:55. | |
days we still had censorship. How do you look back on that now? I'm so | :27:56. | :28:00. | |
proud to have done it. We all are. It is like wow! Look what we did! | :28:01. | :28:08. | |
There were on a pedestal in a West End theatre. And people say, were | :28:09. | :28:13. | |
you really a Windmill girl? I say yes, we are. We are proud of our | :28:14. | :28:19. | |
name. By the 1960s Soho had become synonymous with sleaze and sex | :28:20. | :28:23. | |
shops, which caused audiences to diminish. After vowing never to | :28:24. | :28:27. | |
close, the Windmill girls hung up their fifthest in 1964. Tonight they | :28:28. | :28:32. | |
take their seats in the auditorium instead of on stage. The story of | :28:33. | :28:38. | |
the Windmill girls in Soho has gone full circle. Thank you Lucy. We are | :28:39. | :28:48. | |
now joined by Windmill girls: Jill, a trip down memory lane. There you | :28:49. | :28:52. | |
are in all your glory. There's Joan. Hello sailor! And Sylvia. Wonderful, | :28:53. | :29:01. | |
and Margaret. Here we go, Margaret. There's you. And Googie. That's me. | :29:02. | :29:10. | |
And you've hogged all the photos, Margaret. | :29:11. | :29:14. | |
What was last night like? Lovely. Very exciting. We went on stage. | :29:15. | :29:21. | |
They announce nounsed us. We did a little rehearsal. Yes. We oent on | :29:22. | :29:27. | |
and took the last bow. Wonderful. I bet you wanted to do a can-can. I | :29:28. | :29:32. | |
did. I nearly did the splits. I stopped her. I'm known to do that | :29:33. | :29:38. | |
every day. Listen, how old were you all when you you were doing this? | :29:39. | :29:47. | |
16-and-a-half I was. 20. 14 - not when I went on stage. When he signed | :29:48. | :29:51. | |
my contract. I can imagine the conversation with your parents was a | :29:52. | :29:56. | |
tricky one? No, my mum loved. It all our mothers loved it. My parents, I | :29:57. | :30:00. | |
come from Devon, my father knew somebody who was a friend of Sheila | :30:01. | :30:11. | |
Van Damm. My parents got me the job. They saw the show. They had seen the | :30:12. | :30:16. | |
show in 1938. Right. Are you still dancing now? Yes. With your clothes | :30:17. | :30:22. | |
on? With my clothes on. Hardly, at the beginning! These kind of static | :30:23. | :30:28. | |
routines that you had to do. 12-and-a-half minutes. Joan, the | :30:29. | :30:33. | |
stamina you must have had to have for that? Was self-discipline. It | :30:34. | :30:39. | |
Right. We all had to sign that we would pose, but it was a very small | :30:40. | :30:44. | |
part of the - we all covered every number. We all did - most of us did | :30:45. | :30:52. | |
can-cans, ballets. What was your favourite routine? The ballet. | :30:53. | :31:00. | |
Really? The can-can. You had choreographers from the Royal Ballet | :31:01. | :31:06. | |
- Yes. It was beautifully done. And the sketches with the comedians. We | :31:07. | :31:11. | |
fed the comedians their lines. They were their feet. We were good at it. | :31:12. | :31:17. | |
When you know of some of these shows and this and that and the other that | :31:18. | :31:20. | |
go on these days. What is your opinion? There is nothing like that. | :31:21. | :31:27. | |
There can't be. It was so unique. It really wouldn't work nowadays. No. | :31:28. | :31:32. | |
Very naive. Easy to put yourself back there. Oh, the memories. How | :31:33. | :31:38. | |
vivid that must be. The family at moss fierce was unique. They have | :31:39. | :31:41. | |
made another show of it. West End musical. Recaptured last night for | :31:42. | :31:46. | |
you. Absolutely. Especially the poses. The lighting was the | :31:47. | :31:52. | |
important thing. They got it right. Thank you for coming in tonight and | :31:53. | :31:56. | |
talking to us about it. While we are sticking on the theatre thing we | :31:57. | :32:01. | |
have this wonderful magician. Have you seen Brendan tonight? We have | :32:02. | :32:05. | |
our eyes on your stationery cupboard. We can see that paper | :32:06. | :32:09. | |
weight. Can you do something with that. I have a piper weight just for | :32:10. | :32:14. | |
you. This is a magical paper weight. Look at that. It floats. Stuck to my | :32:15. | :32:25. | |
hand. You know how it work, invisible thread. Look at that. Do | :32:26. | :32:30. | |
you want a big one like this or a smaller one? Oh, look at that. I | :32:31. | :32:36. | |
don't want to leave Anita without anything. Let us see if we can get | :32:37. | :32:43. | |
one for you. Right there. Ah, beautiful. Thank you, Brendan. More | :32:44. | :32:50. | |
frommed Brendan in a while. They are having a great time. The wgs wgs are | :32:51. | :32:58. | |
my heroes. Sylvia got her leg right up there. They still have it. We | :32:59. | :33:01. | |
will meet our amputee football players. While we head outside | :33:02. | :33:05. | |
here's Jean Johannson on how the sport is planning to spread north of | :33:06. | :33:10. | |
the border. We have all heard of the Premier League and the Champions | :33:11. | :33:13. | |
League, but not many of us will have heard of the Amputee Football | :33:14. | :33:18. | |
League. It has been established in some of England's best-known clubs | :33:19. | :33:24. | |
since 2003. But travel to Scotland and it's a different story. You | :33:25. | :33:29. | |
won't find any amputee squads competing. I've come to catch up | :33:30. | :33:39. | |
with Brian Murray a local who has to travel 160 miles to play for Everton | :33:40. | :33:44. | |
in the can English Amputee League. He wants to help start the first | :33:45. | :33:48. | |
ever league in Scotland with a special day of football trials. The | :33:49. | :33:52. | |
main aim is to get one team other two or three teams in Scotland. That | :33:53. | :33:57. | |
would be ideal. Why are there no teams in Scotland? I don't know. | :33:58. | :34:00. | |
It's big in other countries, not just in England. Amputee football is | :34:01. | :34:04. | |
out there. Let us get it into Scotland. It's given me more | :34:05. | :34:08. | |
self-confidence. That is what we want. People who have lost legs they | :34:09. | :34:13. | |
don't want to join in sport. If they can see this sort of thing | :34:14. | :34:16. | |
happening, let's get them playing. That is the main aim. With big plans | :34:17. | :34:22. | |
for the game, Brian has persuaded some of his Everton team-mates to | :34:23. | :34:26. | |
help recruit new players who they could ultimately face. We want to | :34:27. | :34:36. | |
get more people involved. We will sacrifice a defeat in the future for | :34:37. | :34:40. | |
the benefit of the game. One of the guys hoping to try out is Michael, | :34:41. | :34:45. | |
who has not played football for 25 years. Can you see yourself in the | :34:46. | :34:49. | |
starting line-up? I don't know. I need to get my fitness levels up by | :34:50. | :34:55. | |
a big mark before I'm near these guys. It's good fun. What can you | :34:56. | :34:59. | |
get from it personally apart from the fitness? Meet new people and | :35:00. | :35:03. | |
build relationships with other people and you learn from them, I | :35:04. | :35:06. | |
suppose. There is that learning journey I will look forward to. With | :35:07. | :35:10. | |
the game under way I've been told playing is a lot harder than it | :35:11. | :35:14. | |
looks. So they've persuaded me to find out along with lots of other | :35:15. | :35:22. | |
young hopefuls. I'm so out of breath, you really have to be fit | :35:23. | :35:26. | |
for this, don't you? Especially upper body strength. Is there any | :35:27. | :35:31. | |
difference between coaching able-bodied players and these guys I | :35:32. | :35:35. | |
see it as normal footballers. At the highest level when we coach | :35:36. | :35:38. | |
international squads they are as good in my opinion as mainstream | :35:39. | :35:44. | |
players. So the sessions we do are the same sessions we adapt them | :35:45. | :35:51. | |
slightly. Another young hopeful is Lewis who lost his leg three months | :35:52. | :35:57. | |
ago in an accident. Get in there! I think at eight years old it must be | :35:58. | :36:00. | |
a help to be with other people in the same position? It does. He sees | :36:01. | :36:05. | |
how people are progressing. He will try to prove himself as well. We are | :36:06. | :36:10. | |
proud of him, no question about it. Do you think you have recruited some | :36:11. | :36:14. | |
players for our first league amputee Scottish team? Hopefully. A lot of | :36:15. | :36:22. | |
the big clubs, a couple of clubs here from Scotland, Partick Thistle, | :36:23. | :36:24. | |
they are keen to get something going. Good to see other kids there | :36:25. | :36:29. | |
as well. Hopefully, stars of the future. Thank you. We are here with | :36:30. | :36:34. | |
Owen and players James and Mark. Before we get going, Owen tell us | :36:35. | :36:37. | |
what it's about. What can and you can't you do? The guys playing just | :36:38. | :36:46. | |
now most of them have got a leg off playing sticks outfield. A lot play | :36:47. | :36:51. | |
in goals. We are inclusive egg league and teams. If you want to | :36:52. | :36:54. | |
play outfield everybody has equal opportunity. Bearing that in mind, | :36:55. | :37:02. | |
in homage Is It OK thing, is it all right for an able-bodied Michael | :37:03. | :37:04. | |
Sheen to have a go for tonight playing this sport? I'm going to | :37:05. | :37:09. | |
take nigh prosthetic off to fit in. Do you want to strap it on You're | :37:10. | :37:15. | |
making your own jokes up! We might not have time for that. In general - | :37:16. | :37:20. | |
Of course it is. You go over there. Get involved. We will film what | :37:21. | :37:26. | |
happens. Bear in mind your mum and dad and sister are watching. No | :37:27. | :37:31. | |
pressure. Mark, basically, this is a sport that has turned your life | :37:32. | :37:35. | |
around, really, isn't it? Yeah. To be honest, when I lost my leg I took | :37:36. | :37:41. | |
it quite bad. How old were you? 24. I was run over. I took it quite bad | :37:42. | :37:47. | |
much I couldn't even look at it. Couldn't really touch it. I spent a | :37:48. | :37:51. | |
lot of time in bed not really doing much. Then my little nephew had | :37:52. | :37:55. | |
football trials and I kind of went and watched him. I saw the spark in | :37:56. | :38:01. | |
them and it started to ignite a fire. I got introduced to these | :38:02. | :38:07. | |
amazing fellows. Here you are. I can see the smile in your eyes. Is he | :38:08. | :38:11. | |
any good, James? Is Being diplomatic. He's all right. This | :38:12. | :38:15. | |
isn't a Paralympic sport, you would like it to be? Would love it to be. | :38:16. | :38:20. | |
They have football, not our kind. They are played by the rich | :38:21. | :38:24. | |
countries you need ex-sentence Spencive legs or wheelchairs. | :38:25. | :38:29. | |
Football is the game of the ghetto. We are the game of the war zones | :38:30. | :38:42. | |
refugee. They play it in Liberia, seer Sierra Leone. They are not at | :38:43. | :38:50. | |
the Paralympics because they don't have the money, but that's probably | :38:51. | :38:55. | |
why we should be. We have five different teams. Peterborough | :38:56. | :39:02. | |
United, Portsmouth, Everton, a national league that takes place | :39:03. | :39:05. | |
once every month. The best players in those teams get selected to | :39:06. | :39:14. | |
represent Great Britain in World Cups etc etc. The goalkeepers need | :39:15. | :39:22. | |
to be an arm amputee. We are inclusive and want to get as many | :39:23. | :39:26. | |
people involved as possible. Shall we see how our boys are getting on. | :39:27. | :39:31. | |
Adam, tell us what you think about it. Earlier on you felt the players | :39:32. | :39:37. | |
should have had a prosthetic. Your upper body is feeling the weight of | :39:38. | :39:42. | |
this? It say it is all. I'm knackered. Absolutely knackered. It | :39:43. | :39:46. | |
clearly, it's all upper body. This leg is doing a lot of work. This leg | :39:47. | :39:50. | |
is overloaded the shoulders are overloaded. In the midst of all that | :39:51. | :39:56. | |
to kick it you have to balance on the crutches and swing with that | :39:57. | :40:01. | |
foot. It's - the core strength these guys must have is remarkable. James | :40:02. | :40:07. | |
said it should be in the Paralympics I'm amazed it isn't. I can't believe | :40:08. | :40:11. | |
it isn't. They have certificate pral palsy football. Fair play making me | :40:12. | :40:17. | |
do that and talk to you after. Did you have a go Michael? I certainly | :40:18. | :40:22. | |
did have a go. Did you not see. Two out of three goals. A natural. Yeah. | :40:23. | :40:27. | |
Good for you. Hard going on the old arms. For sure. Thank you all for | :40:28. | :40:32. | |
coming in. Some of the power that is generated. The footballs that have | :40:33. | :40:35. | |
been flying around here this afternoon. Thank you to Owen, Mark | :40:36. | :40:40. | |
and James. We told you to expect the unexpected. It's Mike's turn to | :40:41. | :40:43. | |
surprise us. Here he is with a story that brings a whole new meaning to | :40:44. | :40:49. | |
the phrase - a fish out of water. In the heart of the Cairngorms lies | :40:50. | :40:57. | |
this estate, home to an incredible avian hunter, the osprey. The hides | :40:58. | :41:02. | |
here provide the perfect advantage point to capture fabulous images of | :41:03. | :41:09. | |
ospreys plunging in for fish. Having settled in to wait it isn't long | :41:10. | :41:15. | |
before the drama begins. Bang! Oh, my word. That that's amazing. It's | :41:16. | :41:28. | |
got a fish. Oh, awesome. Fantastic behaviour from a remarkable | :41:29. | :41:32. | |
predator. Last summer brown trout were seen leaping out at huge | :41:33. | :41:36. | |
heights from these quarters. I heard of brown trout jumping before, not | :41:37. | :41:41. | |
in still water, only in rivers and streams, much like their close | :41:42. | :41:45. | |
relatives, the salmon. What exactly is making the fish here so jumpy? | :41:46. | :41:53. | |
The local ranger is scratching his head. It was first seen back in July | :41:54. | :41:58. | |
last year we noticed the brown trout started jumping. How high are we | :41:59. | :42:02. | |
talking? In the region of two to flee feet maybe a meter. Marine and | :42:03. | :42:09. | |
aquatic life have parasites in their skin could they be coming out to get | :42:10. | :42:13. | |
them off their skin? When we put the fish in the pond the finest quality | :42:14. | :42:17. | |
fish. We check the fish that are in the pond and put them back in. | :42:18. | :42:20. | |
Certainly nothing suggests that is the case. The fish are healthy. We | :42:21. | :42:25. | |
know they are not overcrowded. One possibility is that the fish are | :42:26. | :42:29. | |
jumping because of water conditions. First we are going to check the | :42:30. | :42:34. | |
temperature. 13 degrees. That's normal for freshwater in this area. | :42:35. | :42:42. | |
Next, using a colour indicating kit, I will check the oxygen levels. I | :42:43. | :42:46. | |
would say it it slots in somewhere around there. It means the oxygen in | :42:47. | :42:52. | |
this pond is about 7 milligrams a litre. That is absolutely fine for | :42:53. | :42:56. | |
the fish. We can't find any evidence there is something in the water | :42:57. | :43:01. | |
that's making the fish leap. We don't think it's parasites or | :43:02. | :43:06. | |
overcrowding. So what could it be? There is one possibility, it might | :43:07. | :43:15. | |
have something to do with the an airborne insect around these parts. | :43:16. | :43:20. | |
Scotland has over 30 different species. Their numbers peak in mid | :43:21. | :43:25. | |
summer when most of the jumping has been seen. Lots of fish will leap | :43:26. | :43:33. | |
clear of water to catch food. Crayling slide slap down on prey | :43:34. | :43:39. | |
flying past. Look at the mass of insects dancing above the surface | :43:40. | :43:45. | |
with the brown trout lurking below. No wonder they want to leap out and | :43:46. | :43:53. | |
grab a few. Can we film? Once again we wait in the hide, camera poised. | :43:54. | :43:58. | |
But we only see a couple of small jumps, what what we had come to | :43:59. | :44:06. | |
film. But things are about to change. Boom! Oh, right in in front | :44:07. | :44:15. | |
of my nose! Sometimes they just break the surface. Every now and | :44:16. | :44:19. | |
again one completely leaps clear. That one there must have come out by | :44:20. | :44:24. | |
three feet. Brilliant! Astonishing, right in front of me. What a | :44:25. | :44:32. | |
brilliant view! It is estimated that in some parts of Scotland, maybe 25 | :44:33. | :44:39. | |
million midges were square hectare, so perhaps the leaping brown trout | :44:40. | :44:44. | |
here are doing their bit to keep the numbers down and make life a little | :44:45. | :44:49. | |
bit more bearable for the rest of us. Never disappoints with his | :44:50. | :44:58. | |
wildlife film. 25 million midges? That makes you scratch just thinking | :44:59. | :45:03. | |
about it. Brendan, you have become the Magic Circle Close Up Magician | :45:04. | :45:07. | |
of the Year. Yes. We are all pretty close up here. Just amazing. | :45:08. | :45:14. | |
Amazing. How much room do you need? This is good. Let's start with the | :45:15. | :45:19. | |
ring. This is just an ordinary ring. Do check it out in fact. Make sure | :45:20. | :45:25. | |
it doesn't come apart in anyway. You've seen magic on TV, right? On | :45:26. | :45:32. | |
stage, if I have to make this pen disappear, the first thing I do is | :45:33. | :45:38. | |
hide it. If I hide the pen you can't see the pen, so you don't know what | :45:39. | :45:44. | |
I'm doing. All I have to do is turn my angle here. And now ky create the | :45:45. | :45:50. | |
illusion that the pen... You are not falling for that. I can show both | :45:51. | :45:54. | |
hands, my left and right. We'll come back to the pen later... Oh! | :45:55. | :46:03. | |
APPLAUSE. Thank you. Now the ring. That's what you call dropping the | :46:04. | :46:09. | |
ring on live TV. I will show you how magic works. Watch the Ringo on to | :46:10. | :46:15. | |
my finger in a second. On the other hand... Oh! I will explain to you. | :46:16. | :46:21. | |
Because I looked there, most people looked there. That's called visual | :46:22. | :46:28. | |
misdirection. Watch the ring... From one hand to the other. | :46:29. | :46:35. | |
APPLAUSE. There's a reason why they say, never do the same trick twice | :46:36. | :46:40. | |
the same way, as people know where to look the second time. Watch the | :46:41. | :46:46. | |
ring fly up to my finger. If I slow down, you will see me catch it and | :46:47. | :46:52. | |
put it on. That's boring. But if you do it faster... In a second. | :46:53. | :46:57. | |
APPLAUSE. They say quicker than the eye. From one finger to the other in | :46:58. | :47:03. | |
one second. From finger to finger in a second. | :47:04. | :47:09. | |
APPLAUSE. That's remarkable. From one finger to the other. Dear me, | :47:10. | :47:17. | |
Brendan. From my left hand to my right hand, in one second. Right | :47:18. | :47:23. | |
through. In fact I will do it this way so you can see the ring come | :47:24. | :47:29. | |
right through my finger. Woe! You've checked the ring. It is solid. You | :47:30. | :47:39. | |
might have seen a drunk uncle at one of your parties, but with a bit of | :47:40. | :47:46. | |
practise, don't be alarmed, my fingers aren't coming off. Off, and | :47:47. | :47:51. | |
back on. With the ring this looks really cool. Watch the whole finger | :47:52. | :47:58. | |
come off. But people ask me two questions at this point. The first | :47:59. | :48:03. | |
question is, are you single? No, how long have you been doing this for? | :48:04. | :48:08. | |
The answer to this is about seven years. The second question I know | :48:09. | :48:12. | |
you are thinking is, where is the pen, and can you bring it back? | :48:13. | :48:15. | |
Right there. APPLAUSE. Seven years, but how many | :48:16. | :48:22. | |
hours practise does it take? I used to practise two hours a day, but now | :48:23. | :48:29. | |
not so much. What were you doing before seven years. How did you find | :48:30. | :48:33. | |
out you had this incredible skill? Most kids start off as kids, with a | :48:34. | :48:39. | |
magic set. But I started off in hospitality, working as a bartender, | :48:40. | :48:43. | |
juggling bottles. I thought, let's fry a bit of magic. I was bitten by | :48:44. | :48:51. | |
the magic bug, and I practised and worked harder. Was it an actual bug, | :48:52. | :48:57. | |
like Spider-Man? Once you are bitten by the major bug, it is something | :48:58. | :49:03. | |
you want to do all the time. Thank you so much. | :49:04. | :49:03. | |
APPLAUSE. Marty is shining a light on a | :49:04. | :49:14. | |
life-saving device which has saved lives for two centuries. But this is | :49:15. | :49:19. | |
all about the science. This year is the 200th anniversary of a rather | :49:20. | :49:24. | |
remarkable invention. This miner's safety lamp may not look | :49:25. | :49:28. | |
particularly special but it has saved many miners' lives. The design | :49:29. | :49:32. | |
is ingenious. The lamp was invented to some of a grave problem. I've | :49:33. | :49:37. | |
come to the national mining museum of England to learn more about its | :49:38. | :49:42. | |
history. At the start of the 19th century there were no electric | :49:43. | :49:48. | |
lamps, so miners had to work by candlelight. But a naked flame is a | :49:49. | :49:53. | |
dangerous thing in a mine full of flammable gases. Explosions were | :49:54. | :49:58. | |
common. It was one particularly devastating incident in the May of | :49:59. | :50:04. | |
1812 that led to the call for a miner's safety lamp. In an explosion | :50:05. | :50:11. | |
in a pit in the North East, 92 people died. It was the regulator | :50:12. | :50:17. | |
who buried most of these people that was instrumental in setting is up a | :50:18. | :50:22. | |
safety committee. And for help they turned to the most famous scientist | :50:23. | :50:32. | |
of the time, Sir Humphrey Davy. Davy was a brilliant chemist but this was | :50:33. | :50:37. | |
a challenge task. He had to come up with a flame that would like to way | :50:38. | :50:43. | |
for miners underground but not set fire to flammable gases. After weeks | :50:44. | :50:47. | |
of intensive work, Davy discovered a principle that would be fundamental | :50:48. | :50:51. | |
to his lamp. I can demonstrate what that was with the help of a | :50:52. | :50:57. | |
blowtorch and a sieve-like metal gauze. If I place this over the | :50:58. | :51:03. | |
flame the flame doesn't come through the gauze. That's because the Metal | :51:04. | :51:08. | |
carries all of the heat of the flame away, and the gas that's coming | :51:09. | :51:14. | |
through the gauze can't catch fire. Davy had discovered that as the | :51:15. | :51:19. | |
gauze absorbed the heat, the flame was no longer hot in terms of to | :51:20. | :51:24. | |
ignite the gases. He had successfully built a safe light | :51:25. | :51:28. | |
source for miners. It is easy to demonstrate how it worked. I've made | :51:29. | :51:34. | |
my own tiny version of a Davy lamp here, but instead of an oil lamp | :51:35. | :51:42. | |
I've got a candle in it. If I light that, like this, and then enclose it | :51:43. | :51:51. | |
in my own model mineshaft... I can show you what happens if you | :51:52. | :51:58. | |
introduce gas into the mine. OK, so, I'm going to let the gas in. Here it | :51:59. | :52:03. | |
goes. The gauze of the Davy lamp prevent the flame from igniting the | :52:04. | :52:09. | |
gas that's filling the chamber. Look what happens when I take the gauze | :52:10. | :52:11. | |
away. Davy's design was a success, but | :52:12. | :52:21. | |
that wasn't all. He also discovered the lamp was a gas detector. When | :52:22. | :52:28. | |
gases nearby, the flame grows higher which to a miner's trained eye | :52:29. | :52:32. | |
spells danger. It was this unexpected benefit that saved many | :52:33. | :52:37. | |
lives. Andrew Smith has been mining since he was 16 years old. He knows | :52:38. | :52:42. | |
only too well the benefits of having a flame safety lamp to hand when you | :52:43. | :52:50. | |
work around flammable gases. One day we were working, in a colliery, and | :52:51. | :52:58. | |
methane burst in and we first picked it up with the flame safety lamp | :52:59. | :53:02. | |
before monitoring equipment got it. A lot of people wouldn't be here | :53:03. | :53:06. | |
today without that flame safety lamp today. Nowadays we have more | :53:07. | :53:12. | |
sophisticated gas analysers to detect gases, but some miners still | :53:13. | :53:17. | |
use the Davy lamp as a dependable back-up. It is Testament to Davy's | :53:18. | :53:21. | |
clever design that the lamp has been in continuous use for 200 years. | :53:22. | :53:28. | |
Thank you Marty. That brilliant moustache. Michael, we've had your | :53:29. | :53:34. | |
fantastic family watching The One Show, so it is time to find out what | :53:35. | :53:39. | |
they made of your performance. How do you think he's done mum, Irene? | :53:40. | :53:44. | |
Oh, I think he did brilliantly. He's got such an easy relaxed way of | :53:45. | :53:50. | |
talking to people, but he is also able to put how passionately he | :53:51. | :53:56. | |
feels across as well, so yes, out of 10, 12. And what about Adam? | :53:57. | :54:07. | |
Silence. Well, Adam was excellent. Good! When he was playing there, and | :54:08. | :54:14. | |
he did get a little bit out of breath. Didn't have so much breath | :54:15. | :54:18. | |
as Michael, but Adam was fantastic. There you go. Praise indeed. Joe an, | :54:19. | :54:27. | |
what was it like growing up with him as your Big Brother? Well, it was | :54:28. | :54:32. | |
quiet annoying, because he was so good at everything. As you have | :54:33. | :54:36. | |
seen, he is quite competitive as well. But there is one thing I've | :54:37. | :54:41. | |
got on him. I passed my driving test first time, and I also did it before | :54:42. | :54:47. | |
him. So a little win for me. I will tell you what, there is some delay. | :54:48. | :54:52. | |
Port Talbot is a long way away! When did you first realise, mum and dad, | :54:53. | :54:57. | |
that your son had the acting talent and he was going to spend the rest | :54:58. | :55:06. | |
of his time doing this? Well, I believe that when he was 12, I think | :55:07. | :55:15. | |
it was. I was appearing in local musical theatre of Camelot. When we | :55:16. | :55:20. | |
were rehearsing, the director, professional director, said we want | :55:21. | :55:27. | |
two boys in this production. They had to split for performances. And | :55:28. | :55:34. | |
would... So when I came home from rehearsal that night, I said to | :55:35. | :55:37. | |
Michael, would you like to audition for the part of Tom of Warwick in | :55:38. | :55:42. | |
Camelot? He said he would and he auditioned and he got the part. In | :55:43. | :55:47. | |
fact he was talking to the guy that was playing Merlin there and he | :55:48. | :55:52. | |
learnt a lot. And he heard a lot about the stage. And when he came | :55:53. | :56:01. | |
back, it was the only show through all these years that Michael and | :56:02. | :56:06. | |
myself have been in the same show on the stage. Lovely. Meyrick, does he | :56:07. | :56:13. | |
get his talent from you then? Oh, dear, what am I going to say here? | :56:14. | :56:24. | |
LAUGHTER. He was having an honorary degree at the University of South | :56:25. | :56:28. | |
Wales in Newport. It was arranged for him to have an interview. That | :56:29. | :56:35. | |
was arranged outside. As soon as he came out of the procession. Irene | :56:36. | :56:42. | |
and I were watching it and all of a sudden the interveer said, Meyrick, | :56:43. | :56:48. | |
would you like to sit on the stairs and come into the audition? He said, | :56:49. | :56:55. | |
the presenter said, who do you attribute Michael's talent to? I | :56:56. | :57:00. | |
said, well, he's got his mother's intelligence and he's got his | :57:01. | :57:06. | |
mother's command of English, but his acting ability comes from me. What | :57:07. | :57:11. | |
do you think Michael said. Dad, you are not an actor, you are a | :57:12. | :57:17. | |
performer. Listen, thank you so much for all of the family. You are so | :57:18. | :57:22. | |
talented that you are going to be directing yourself soon? Very | :57:23. | :57:25. | |
possibly. This time next year, fingers crossed. My first film. We | :57:26. | :57:31. | |
were inside our home, there but where is home for you these days? | :57:32. | :57:36. | |
You are a huge star in Australia. How much time do you spend there? It | :57:37. | :57:41. | |
is all over the place at the moment. My wife and kids are in Australia. | :57:42. | :57:46. | |
Every morning I set the alarm and I read them a bedtime story over Face | :57:47. | :57:51. | |
Time. My two-year-old takes the phone to bed with her and I tell her | :57:52. | :57:56. | |
a little story. She says goodnight and goes to sleep, and I get up to | :57:57. | :58:01. | |
go to work. Michael, what hate been like to look at home there? You | :58:02. | :58:07. | |
spend an enormous amount of time in LA? My daughter lives in America, so | :58:08. | :58:14. | |
I've grown up there with her. I miss being here in Britain and Wales. It | :58:15. | :58:19. | |
is a bit peculiar to see my own family in the house I grew up with | :58:20. | :58:24. | |
on the show! But not quite as peculiar as in a pair of tights. You | :58:25. | :58:30. | |
did look good. I love the stuff around there, the painting and the | :58:31. | :58:37. | |
trophies. Trophies. Thank you to everybody in Port Talbot. | :58:38. | :58:39. | |
That's all we've got time for tonight. | :58:40. | :58:41. | |
Thanks to everyone who's taken part, including Michael, his family | :58:42. | :58:43. | |
Don't forget The Last Leg is on Friday at 10.00pm | :58:44. | :58:46. | |
I'll be back tomorrow with Alex, when Bear Grylls will be here. | :58:47. | :59:04. | |
Hello, I'm Elaine Dunkley with your 90-second update. | :59:05. | :59:08. |