Browse content similar to 16/08/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:19. | :00:22. | |
Tonight we're joined by some great performers, starting with members | :00:22. | :00:28. | |
of our medal-winning male gymnastics squad. | :00:28. | :00:34. | |
CHEERING AND APPLAUSE Kristian, Dan and Sam. They are all | :00:34. | :00:39. | |
here with us. Lads, what a crazy time you've had. Sum up the last | :00:39. | :00:44. | |
week for us. As you said, I think crazy is the best word really. | :00:44. | :00:49. | |
We've got ushered from event to event, from interview to interview, | :00:49. | :00:54. | |
chaperoned from one thing to the next. It's literally been non-stop. | :00:54. | :00:59. | |
Yesterday I had a chance to see my family, my friends and girlfriend. | :00:59. | :01:05. | |
It is nice to get back to normality, and today I did more media, and | :01:05. | :01:11. | |
then down to London to do One Show. But I'm enjoying it. And it is a | :01:11. | :01:14. | |
strange bubble you've been living in. Very strange. We've been away | :01:14. | :01:20. | |
for a long time - five weeks now. Being part of the whole Olympic | :01:20. | :01:24. | |
experience, you almost forget the real world. Once you go back into | :01:24. | :01:29. | |
it, it's strange, like Kristian said, it's great to see your family, | :01:29. | :01:34. | |
your friends, and try and chill out a little bit. You are going to stay | :01:34. | :01:38. | |
with us this evening. We've got quite a cool guy will you be | :01:38. | :01:43. | |
sitting next to. Joining the boys on the sofa is the man who took | :01:43. | :01:50. | |
this song to the number one spot. # And they call it puppy love | :01:50. | :01:56. | |
# Oh I guess they'll never know # They'll never know | :01:56. | :02:06. | |
:02:06. | :02:08. | ||
# How a young heart really feels # And that's why I love her so # | :02:08. | :02:18. | |
:02:18. | :02:25. | ||
It can only be Donny Osmond! CHEERING AND APPLAUSE | :02:25. | :02:33. | |
That was really cool, guys. How are you? Nice to see you. Hey! Guys! | :02:33. | :02:40. | |
How are you, man. How you doing? Congratulations, guys. That is so | :02:40. | :02:46. | |
cool. The first time the gymnasts have won a medal since 1908? I | :02:46. | :02:50. | |
imagine watching that on television in 1908. It was amazing. | :02:50. | :02:54. | |
Congratulations guys. What did you think of our choir? Where were you | :02:54. | :02:59. | |
when I recorded it? They weren't even born! That was beautiful. | :02:59. | :03:03. | |
Thank you. Urban Voices Collective sang at the closing ceremony. You | :03:03. | :03:07. | |
must feel their pain, Donny, because you did the opening | :03:07. | :03:13. | |
ceremony. In 2002 in Salt Lake City. It is nerve-racking. You are | :03:13. | :03:17. | |
thinking I'm just about to sing and 3 billion people are watching me, | :03:17. | :03:23. | |
so yeah, you get a little nervous. Did you see any of our Games? | :03:23. | :03:30. | |
in love with Gaby Douglas. I thought Rowan Atkinson started it | :03:30. | :03:33. | |
perfectly, and Her Majesty jumping out of a helicopter. It was | :03:33. | :03:42. | |
actually her doing that, right? was! It is nice to have you with us. | :03:42. | :03:45. | |
Earlier this week the torch carried by Bradley Wiggins sold at auction | :03:45. | :03:48. | |
for �13,000. But if you want an Olympic memento without breaking | :03:48. | :03:58. | |
:03:58. | :03:59. | ||
the bank, Lucy Seigle might have I've come to this unassuming | :03:59. | :04:05. | |
warehouse in the Docklands of Essex to try to get first dibs on my own | :04:05. | :04:11. | |
souvenir. I want to remember the Games for as long as possible. | :04:11. | :04:14. | |
Fortunately this warehouse has been filling up over the last six days | :04:14. | :04:18. | |
with all sorts of practical bits and pieces from the Olympic Village. | :04:18. | :04:23. | |
What's in here? Well, you don't get more practical than this. An | :04:23. | :04:30. | |
Olympic loo brush! Almost every fitting and piece of furniture from | :04:30. | :04:38. | |
the athletes' village will arrive here to be resold. Clipboards. | :04:38. | :04:44. | |
Luggage tags. Bolt cutters. Hello, I know you are very busy. I'm on a | :04:44. | :04:48. | |
limit budget, is there anything you can recommend for me. A couple of | :04:48. | :04:55. | |
cones over there if you fancy them. I'm going to have a look. A white | :04:55. | :05:01. | |
folding chair from the stadium, �7. Usain Bolt could have sat in that. | :05:01. | :05:04. | |
I defy anybody to walk through these warehouses without being | :05:04. | :05:11. | |
tempted to have a good rummage. Clock. Don't be late for that final. | :05:11. | :05:16. | |
Traffic wand, �3.95. So Paul, you are in charge here, what exactly is | :05:16. | :05:21. | |
going on? Before the Games, all the goods came in, and after the Games, | :05:21. | :05:26. | |
it is all coming back. From the crack of dawn the lorries start | :05:26. | :05:31. | |
coming in. Everything here is far sale. It's all going to the public | :05:31. | :05:37. | |
on our website and then we've got a lot of products suitable for the | :05:37. | :05:42. | |
trade. How jigant sick this project? We've sold -- how jigantic | :05:43. | :05:49. | |
is this project? We've sold 6,500 beanbags. Is there anything that's | :05:49. | :05:57. | |
come in and you thought, that is not going to sell? When I saw | :05:57. | :06:00. | |
filing cabinets and chairs going to the United States and people | :06:00. | :06:04. | |
screaming on help lines because they want more, I'm not as | :06:04. | :06:09. | |
concerned as I was. Ceremonial flags and signed shirts are all | :06:09. | :06:15. | |
very well, but I'm very happy with my �4.95 Olympic loo brush. Every | :06:15. | :06:19. | |
time I see this I'm going to be reminded of those two fabulous | :06:19. | :06:26. | |
weeks in the summer of 2012. That is sick and wrong. That toilet | :06:26. | :06:31. | |
brush? Who would want to buy a toilet brush? It depends on whose | :06:31. | :06:35. | |
title... I have bought you something from the sale. Alex? | :06:35. | :06:41. | |
is amazing. It is from the American apartment. I'm scared. It is a bed- | :06:41. | :06:51. | |
side lamp. Plaus laws -- APPLAUSE Is it guaranteed? Yes. How am I | :06:51. | :07:00. | |
going to plug that in in the US? And you guarantee this is from the | :07:00. | :07:06. | |
Olympics? Will I be a Beth athlete? Ask these lads. Do you recognise | :07:06. | :07:11. | |
any of the things in the film? but I don't think anybody would | :07:11. | :07:16. | |
want to buy things from our apartment. Were you all together? | :07:17. | :07:23. | |
What was the set-up? Me and Dan shared a room, and lieu hiss a room | :07:23. | :07:28. | |
to himself. Fairly cosy but we made it our home for the two weeks. | :07:28. | :07:32. | |
there a curfew? Did you have to have lights out at a special time? | :07:32. | :07:36. | |
It was alright, especially after the competition. But before the | :07:36. | :07:41. | |
competition it was quite strict. Where the beds comfortable? You can | :07:41. | :07:46. | |
buy the beds and everything. said there are long ones for the | :07:46. | :07:52. | |
basketball players. Yes, elongated. I could do with a dining table. | :07:52. | :07:58. | |
There's a desk on there. Is the stadium for sale? It is a home for | :07:58. | :08:01. | |
all the Osmonds. Lads, going into that team final, lots of people | :08:01. | :08:06. | |
wouldn't have predicted that you would be in with a shout of a | :08:06. | :08:10. | |
bronze. How did you feel? Did you go in thinking, we are going to | :08:10. | :08:15. | |
have a great time and see what comes of it or plan for a medal? | :08:15. | :08:19. | |
The main aim for us was to go in there. We made the team final and | :08:19. | :08:24. | |
that was a big success in itself. Of course. Our aim was to go in | :08:24. | :08:29. | |
there and have fun, tried not to push too much pressure on ourselves. | :08:29. | :08:33. | |
Just seeing you there Dan. You got round to fourth piece. This was the | :08:33. | :08:37. | |
last piece. It was you against the lads on rings as well. Incredible | :08:37. | :08:41. | |
how you managed to hold your composure. Watching it on TV as | :08:42. | :08:46. | |
well, when I got barks it was so exciting to see. I can't imagine | :08:46. | :08:53. | |
people watching it live. APPLAUSE We can just hear some of your fans. | :08:53. | :08:58. | |
Would you like to see me doing due that right now? We would love to. | :08:58. | :09:03. | |
don't think so! It would be the last thing I ever do. Today is A- | :09:03. | :09:09. | |
level results day. We hope you all had what you want. Boys, how did | :09:09. | :09:15. | |
you balance being a gymnast with school life, because gymnasts start | :09:15. | :09:18. | |
young traditionally. My school were good with me, allowed me to have | :09:18. | :09:22. | |
time off when I needed it if I had to go abroad for competitions. I | :09:22. | :09:26. | |
used to train in the morning before school, so would turn up a bit late | :09:26. | :09:29. | |
new and then. But they were fine with it. They allowed me to catch | :09:30. | :09:39. | |
up on the work I did miss. I think if you want to get good, be good at | :09:39. | :09:44. | |
sport. You do know anyone with results today? A couple of mates. | :09:44. | :09:51. | |
Did they do well? If not, they'll be at the bar. Fingers crossed. You | :09:51. | :09:55. | |
can relive part of the closing ceremony at the end of the show. | :09:55. | :09:59. | |
Earlier today the High Court rejected a plea by Tony Nicklinson, | :09:59. | :10:02. | |
who suffers from locked-in syndrome. Tony is trapped inside his | :10:02. | :10:06. | |
paralysed body and he wanted a doctor to be able to end his life | :10:06. | :10:10. | |
without fear of prosecution. There is no chance of Tony getting better, | :10:10. | :10:14. | |
but some with locked-in syndrome can recover. Dr Sarah Jarvis meets | :10:14. | :10:19. | |
a man at the start of a very long journey. | :10:19. | :10:24. | |
Eyes can say a lot. A lock, an expression, eye contact. They are | :10:24. | :10:28. | |
all vital to the way we express ourselves. But what if your eyes | :10:28. | :10:33. | |
were the only way you could communicate? On the 9th August 2010, | :10:33. | :10:38. | |
Mark Ellis became a father. When his wife Amy gave birth to their | :10:38. | :10:43. | |
daughter, lola. He was 22, newly married, happy, and healthy. But | :10:43. | :10:49. | |
just two weeks later he had become even more helpless than his newborn | :10:49. | :10:53. | |
child. Mark suffered a massive stroke. He was alive and his brain | :10:53. | :10:59. | |
as alert as ever, but he was completely paralysed. Mark had | :10:59. | :11:03. | |
locked-in syndrome. Trapped in his own body, he was able only to move | :11:03. | :11:10. | |
his eyes. Locked-in syndrome is a sin droll normally caused bay | :11:10. | :11:15. | |
stroke, where an area at the base of the brain is damaged. The rest | :11:15. | :11:20. | |
of the brain, the thinking part of the brain, remains intact. So the | :11:20. | :11:24. | |
patient is in the terrible situation that they are unable to | :11:24. | :11:28. | |
move, unable to communicate, but able to think normally and | :11:28. | :11:34. | |
understand what people are saying to them. I could see in his eyes | :11:34. | :11:39. | |
that Mark was still there. Amy was right. Mark was fully aware, but | :11:39. | :11:43. | |
the future looked bleak. Most locked-in syndrome patients will | :11:43. | :11:50. | |
die. But two years on Mark is out of hospital and at home. He and Amy | :11:50. | :11:56. | |
realised they had a secret weapon - their daughter, lola. As she | :11:56. | :12:03. | |
developed, Mark could follow her lead. Lola the baby became Lola the | :12:03. | :12:09. | |
teacher. A speech therapist suggested that because Lola started | :12:09. | :12:14. | |
to speak Mark followed the noises to bring on his speech. Did that | :12:14. | :12:24. | |
:12:24. | :12:25. | ||
help? Did it feel odd making the same noises as Lola? Strange to | :12:25. | :12:35. | |
hear your own voice. Mark's head, he is still speaking the same. | :12:35. | :12:43. | |
about their walking? Lola was just toddling. Mark was walking with his | :12:43. | :12:48. | |
frame, taking small steps. We had a joke, who was going to be first to | :12:48. | :12:58. | |
:12:58. | :13:04. | ||
walk? Do you see how far you have come? You still look at your life | :13:04. | :13:09. | |
as before. Neither of us would have done it | :13:09. | :13:17. | |
without lolla. She's so funny. She is. | :13:17. | :13:22. | |
Mark and Amy have taken inspiration from the remarkable story of mother | :13:22. | :13:26. | |
of three Kate Allatt. A stroke left her locked in three years ago. She | :13:26. | :13:30. | |
was told she would never walk or talk again. It made me come out | :13:31. | :13:36. | |
fighting. I thought, damn the lot of you, you have written me off. | :13:36. | :13:41. | |
They established I could understand, one blink for no and two for yes. I | :13:41. | :13:46. | |
was ecstatic. I mean, I can't describe it. It was like, thank God | :13:46. | :13:52. | |
you know I'm in here. Kate has gone on to make an astonishing recovery. | :13:52. | :13:56. | |
Now an author, she deadcates herself to inspiring and helping | :13:56. | :14:00. | |
others in similar situations, and campaigning for better | :14:00. | :14:05. | |
rehabilitation care for strokes patients. This very notion that | :14:05. | :14:12. | |
patients plateau or don't make any more progress is in my opinion not | :14:12. | :14:16. | |
true, because plateau means the money runs out to help you get | :14:16. | :14:21. | |
before. Doctors should absolutely spell out, this is the worst-case | :14:21. | :14:24. | |
scenario, however, I'm an example. I know around the world hundreds of | :14:24. | :14:30. | |
examples of people who've survived. It is changing people's attitudes, | :14:30. | :14:34. | |
because we are still the same inside. | :14:34. | :14:39. | |
Back in Derbyshire Mark and Amy's secret weapon, Lola, continues to | :14:39. | :14:42. | |
inspire her dad. But the family realities they still have a long, | :14:43. | :14:47. | |
difficult road ahead. Every day is a struggle. Every day is a battle. | :14:47. | :14:51. | |
You've just got to take every day as it comes, as hard as it is. | :14:51. | :14:57. | |
Never give up. Never think, "I can't do it." Because you can do it, | :14:57. | :15:07. | |
:15:07. | :15:11. | ||
What a story. That lady is such an inspiration to be able to overcome | :15:11. | :15:17. | |
such adversity, what inspiration. Thank you for a player that. | :15:17. | :15:21. | |
Sometimes we take things for granted, quite a bit we take things | :15:21. | :15:27. | |
for granted. Just the fact we can sit here and talk. People cannot do | :15:27. | :15:32. | |
that with locked in syndrome, they blink. So speaking of health, you | :15:32. | :15:39. | |
are looking good. Raring to go for your new tour? Before we talk about | :15:39. | :15:45. | |
that, I have been looking forward to doing the show. I tweeted about | :15:45. | :15:51. | |
this a couple of hours ago. Did you see it? This is what I said. | :15:51. | :15:57. | |
Looking forward to being on the show with Miss Alex Jones and Matt | :15:57. | :16:07. | |
:16:07. | :16:09. | ||
Baker. We go live at 7pm at the BBC One show. This is what I got back | :16:09. | :16:16. | |
from Maggie Benabbad. Matt does not have a Twitter account any more. | :16:16. | :16:21. | |
Maybe you can persuade him to open a new one. He is an ADF will start | :16:21. | :16:31. | |
:16:31. | :16:31. | ||
a while, there we go. I put the idiot part in their. -- he is an | :16:31. | :16:41. | |
:16:41. | :16:43. | ||
idiot.. It is 2012. Let's talk about the tour. We are opening up | :16:43. | :16:47. | |
at the O2 Arena. It will be the first time I have performed in | :16:47. | :16:51. | |
London for a long time. We are bringing our Las Vegas show and a | :16:51. | :16:57. | |
whole lot more to the UK. I can hardly wait. There is definitely a | :16:57. | :17:04. | |
bars. Is it a scaled-down version of Las Vegas? You have won best | :17:04. | :17:09. | |
performer, you beat Celine Dion. Yes, it was awarded the best show | :17:09. | :17:15. | |
in Las Vegas for 2012. What we Abba winning here is not a scaled-down | :17:15. | :17:21. | |
version, it is an upscale version, we are bringing the lot. You did | :17:21. | :17:26. | |
the show in Las Vegas for four years. Six shows a week. Where does | :17:26. | :17:32. | |
the stamina come from? I have no idea. I wonder how I get through it | :17:32. | :17:38. | |
every night because I'd rip with sweat, all the dancing. We do not | :17:38. | :17:43. | |
just get up there and sing songs in front of a microphone. We leave it | :17:43. | :17:50. | |
all on the stage. You have been doing this since a young age. Has | :17:50. | :17:56. | |
your inspiration and energy changed throughout your life? Mike outlook | :17:56. | :18:00. | |
on the business has changed. At first I was a five-year-old kid | :18:00. | :18:04. | |
having a good time and I had no idea how many people were watching | :18:04. | :18:13. | |
on television. Then I did Puppy Love and I loved the screaming. | :18:13. | :18:19. | |
Then reinventing myself and coming back later on. Now it is all about | :18:19. | :18:22. | |
picking and choosing the fun things because I am celebrating 50 years | :18:22. | :18:27. | |
in the business. It is not like I want to keep climbing that ladder | :18:27. | :18:32. | |
because I have to climb the ladder, I want to do things that are fun. | :18:32. | :18:37. | |
We are going to do this because it is going to be so much fun. I work | :18:37. | :18:43. | |
hard, but I love it. It is great view and Marie are back together, | :18:43. | :18:49. | |
but is there a chance the whole family will come back? No. Why do | :18:49. | :18:56. | |
you say that? A lot of them cannot perform any more so the 2008-we did | :18:56. | :19:05. | |
hear was the last one. That was the last one. You have just become a | :19:05. | :19:13. | |
grandfather for the 4th time. We saw that on Twitter as well. Yes. | :19:13. | :19:20. | |
Matt doesn't know this stuff. He is not connected. Get with it, Matt. | :19:20. | :19:27. | |
Follow me on Twitter, gets an account. I have been there and done | :19:27. | :19:35. | |
that. What kind of grandfather are you. I guess I am a fan grandfather. | :19:35. | :19:41. | |
I act like one of the kids. My wife and I have had five children, but | :19:41. | :19:46. | |
she has raised six because I act like a kid around the house. It is | :19:46. | :19:52. | |
hard for me to see that I'm a grandfather. I act like I am in my | :19:52. | :19:58. | |
twenties on stage. Interestingly, you did not push your children in | :19:58. | :20:04. | |
the way that your dad pushed you. Well, I will not say my dad pushed | :20:04. | :20:10. | |
me. When I was 12, 13, I made a conscious effort, this is what I | :20:10. | :20:15. | |
want to do. Up until then it was dance in front of the Mirror, make | :20:15. | :20:21. | |
it better. But I did say I wanted to do that for the rest of my life. | :20:21. | :20:26. | |
It is incredible you decided to do that at that age. When you have got | :20:26. | :20:32. | |
lots of girls screaming, it is an easy decision. My family from Wales | :20:32. | :20:36. | |
have come to see you, we have got people outside who have come to see | :20:36. | :20:43. | |
you. I have got some of the most loyal fans. Straight after lunch | :20:43. | :20:48. | |
today they were out there. But the demographics have changed so much. | :20:48. | :20:55. | |
Younger kids are starting to realise who I am. On Strictly Come | :20:55. | :21:01. | |
Dancing this little kid came to Las Vegas to see us perform. He was in | :21:01. | :21:05. | |
the queue waiting to meet me and his excitement was growing. He | :21:05. | :21:10. | |
wanted to shake the champion's hand. I grabbed his hand and he looked at | :21:10. | :21:17. | |
me and he said, I did not know you could sing as well! You can see | :21:17. | :21:22. | |
Doney and very on tour in the UK from January. Another group who | :21:22. | :21:26. | |
defined the 70s, the Rolling Stones are up there with the Olympics of | :21:26. | :21:32. | |
having one of the most recognisable logos around. How did one of the | :21:32. | :21:37. | |
world's biggest bans become one of the world's biggest brands? Carrie | :21:37. | :21:46. | |
Grant has the story. Music is big business. Today's | :21:46. | :21:52. | |
artists need talent, but almost as important a need a whole team of | :21:52. | :21:55. | |
accountants and merchandising experts. If they get to the very | :21:55. | :22:03. | |
top, that is when they transform into something truly gigantic. When | :22:03. | :22:07. | |
bans have become brands, there is only one that can claim to have | :22:07. | :22:11. | |
become the first and the biggest. This logo has been with us for more | :22:11. | :22:18. | |
than 40 years. Since 1971, it has appeared on every single album | :22:18. | :22:22. | |
artwork and it is so simple and distinctive and it has become one | :22:22. | :22:27. | |
of the most recognisable brand images in the world. I thought the | :22:27. | :22:31. | |
logo was based on that mouth and those lips, but there is more to | :22:31. | :22:37. | |
the story than that. John is the man who designed it. He was still | :22:37. | :22:41. | |
at art college when he was given the opportunity to work with the | :22:41. | :22:46. | |
Rolling Stones. They phoned the college and asked them to send a | :22:46. | :22:50. | |
student around to talk to Mick Jagger about their European tour | :22:50. | :22:56. | |
poster. I went into a meeting room and there was Mick Jagger. Were you | :22:56. | :23:02. | |
nervous? Very. Mick Jagger loved the poster design and he was so | :23:02. | :23:07. | |
impressed he asked him to look at another smaller project. I was | :23:07. | :23:12. | |
invited back about the logo which was going to be small, it may be | :23:12. | :23:17. | |
used for a letter heads. It was not a huge deal at the time. Mick | :23:17. | :23:21. | |
Jagger showed me a picture of an Indian goddess and said, I like | :23:21. | :23:27. | |
this. She is the goddess of time and change and you only have to | :23:27. | :23:31. | |
look at her for a few seconds to see where he got his inspiration | :23:31. | :23:37. | |
from. I thought this was Mick Jagger. That is part of it, but the | :23:37. | :23:43. | |
main reason I chose this is because it was the symbol for protest and | :23:43. | :23:51. | |
anti- authority. I thought it would work for the Rolling Stones. | :23:51. | :23:57. | |
logo became part of popular culture almost immediately. Was it a fluke, | :23:57. | :24:02. | |
or is it really that brilliant a design? John had just graduated | :24:02. | :24:06. | |
from the Royal College of Art when he designed the logo and the tutors | :24:06. | :24:11. | |
here are still the experts. What is it about this that makes it work? | :24:11. | :24:16. | |
It is a sharp piece of graphic design which means you can use it | :24:16. | :24:21. | |
anywhere. But it also says something about the kind of | :24:21. | :24:26. | |
lifestyle and the image. Were the Rolling Stones the first band to | :24:26. | :24:31. | |
brand themselves? Even the Beatles had a distinctive way of | :24:31. | :24:35. | |
typesetting their name, but what the Rolling Stones did his they | :24:35. | :24:39. | |
understood a long time ago that merchandise, the stuff you sell in | :24:39. | :24:46. | |
the stadiums, make as much money, if not more money, than the records. | :24:46. | :24:50. | |
Merchandising has sent the low go global. It is not just the Rolling | :24:50. | :24:56. | |
Stones to have flaunted the tongue and the lips, it is just as well. | :24:56. | :24:59. | |
But the original letter John got confirming that they were hiring | :24:59. | :25:05. | |
him, gave no hint of how huge it would become. We have asked you to | :25:05. | :25:10. | |
create a logo or symbol which may be used on notepaper or on an arm | :25:10. | :25:17. | |
uncover or a cover for the Press book. What was your feet? It was 50 | :25:17. | :25:23. | |
Guineas. But John has recently managed to earn a tidy sum or by | :25:23. | :25:29. | |
selling the original artwork to the Victoria and Albert Museum. He is | :25:29. | :25:34. | |
also able to make five or original pieces baked on the label. This is | :25:34. | :25:40. | |
just as fresh today as it was in 1971 and it captures everything | :25:40. | :25:45. | |
people of about the Rolling Stones. If you want an example of the | :25:45. | :25:52. | |
perfect logo, look no further than this. That story was not accurate. | :25:52. | :25:59. | |
Why? The way they came up with the logo with the tongue as if it was | :25:59. | :26:06. | |
going up, they were listening to a Marie Osmond album! Behave yourself. | :26:06. | :26:11. | |
It was either that are a Donny Osmond album. Look at all this. | :26:11. | :26:17. | |
This is original merchandise from the 70s. I never knew some of this | :26:17. | :26:25. | |
existed. This is great. It is a little karaoke machine. You say you | :26:25. | :26:31. | |
did not realise a lot of this existed, but did any of it go | :26:31. | :26:35. | |
through you as a family were you said, I do not like this, do not do | :26:35. | :26:42. | |
this. No, somebody made a lot of money out of the brand. It was not | :26:42. | :26:48. | |
until eBay came out that I realised how much was out there. What do you | :26:48. | :26:55. | |
feel about it? Do you have any of this at home? It is OK now, but | :26:55. | :27:00. | |
there was a time in my life when I thought it was damaging a brand. | :27:00. | :27:06. | |
grand daughter would love that. do not think so. Talking of | :27:06. | :27:12. | |
damaging the brand, in the late 80s, even Michael Jackson said that your | :27:12. | :27:19. | |
name was poison. That is right, I asked him. I asked him how I got | :27:19. | :27:25. | |
back onto the tracks. He had gone into superstardom. I said, how do | :27:25. | :27:33. | |
you do it? He said, changing your name. He was quite right. When I | :27:33. | :27:38. | |
came out with a song under a different label, nobody knew it was | :27:38. | :27:44. | |
me. Some stations did not want to admit they were playing Donny | :27:44. | :27:50. | |
Osmond music because it was seen as goody goody. So I had to reinvent | :27:50. | :27:58. | |
myself with the Soldier of Love. And you have gone back to that nice | :27:58. | :28:05. | |
image now. I am who I am. I enjoy my career, I love my life, I love | :28:05. | :28:10. | |
what I do. I have been doing it for 50 years. That tour that is coming | :28:10. | :28:15. | |
up, I can hardly wait to launch this tour because it is going to be | :28:15. | :28:21. | |
so much fan. I cannot wait until January. We want to remind you that | :28:21. | :28:26. | |
at 8 o'clock this evening on BBC One you can see our award handed | :28:26. | :28:32. | |
out at the first ever BBC 999 Awards. Hours celebrates members of | :28:32. | :28:37. | |
the public's quick-thinking in emergency situations and it is part | :28:37. | :28:41. | |
of a larger celebration of the servicemen and women who risk their | :28:41. | :28:47. | |
lives every day. Dad used so much. And Matt is going to get a Twitter | :28:47. | :28:52. | |
account and follow me. We promised you a bit more of the closing | :28:52. | :28:57. | |
ceremony. Here are the urban voice is collected with the song they | :28:57. | :29:07. | |
:29:07. | :29:17. |