Browse content similar to 16/08/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show and Gabby Logan. And Matt Baker, and | :00:18. | :00:24. | |
tonight's guest is not just a rock and roll legend, he is a force of | :00:25. | :00:28. | |
nature. A member of the biggest rock and roll band in the world, still | :00:29. | :00:34. | |
playing to sell-out crowds. He is an internationally renowned artist | :00:35. | :00:37. | |
still producing work at a prolific rate. Ease a dad and six, | :00:38. | :00:42. | |
grandfather of six, and he's just celebrated his 70th birthday. It is | :00:43. | :00:45. | |
of course Ronnie Wood! CHEERING AND APPLAUSE | :00:46. | :01:00. | |
Well, hello! And in your 70th year, I imagine that was a big party. | :01:01. | :01:03. | |
Yeah, it was. LAUGHTER | :01:04. | :01:09. | |
A bit of a cloud at the time for me, because I was still under | :01:10. | :01:14. | |
anaesthetic, but I am here to talk about it. Was it as wild as those | :01:15. | :01:19. | |
parties back in the day? There were some people I had not seen for | :01:20. | :01:25. | |
years, it was a surprise body, really nice. And of all the places | :01:26. | :01:33. | |
you have been, what kind of presence came your way that day? Wow, that is | :01:34. | :01:38. | |
a good question, because I think I left most of them there! Debbie! I | :01:39. | :01:47. | |
am coming back for those presents! My son Tyrone knows I collect | :01:48. | :01:53. | |
walking sticks, a little bit more pungent, another state for you, dad! | :01:54. | :02:00. | |
Is that for your country walks? It is a beautiful Dick, actually, | :02:01. | :02:07. | |
silver and maple. Anyway, I got some really interesting presence, but I | :02:08. | :02:10. | |
won't go into that right now! I am sure you got loads of lovely paints, | :02:11. | :02:17. | |
because you are here to talk about your wonderful artwork. And you are | :02:18. | :02:22. | |
not the only musical legend we are celebrating tonight, 40 years ago | :02:23. | :02:27. | |
today we lost the King, others Pressley. We will be talking about | :02:28. | :02:36. | |
your book later. You also be just some of the set lists that you do | :02:37. | :02:44. | |
for the Stones, and you have done one for tonight! Tell us what is | :02:45. | :02:49. | |
coming up next right, I think the next category is naming and shaming, | :02:50. | :02:55. | |
it remains to be seen. We will pop that therefore now, because earlier | :02:56. | :02:58. | |
this year we revealed how Debenhams was paying some of its workers less | :02:59. | :03:04. | |
than the national minimum wage, putting it right at the top of the | :03:05. | :03:09. | |
Government's name and shame list. Now another high street favourite | :03:10. | :03:14. | |
has been found selling its staff short. | :03:15. | :03:17. | |
First it was Debenhams, named and shamed as the worst offender for | :03:18. | :03:21. | |
failing to pay nearly 12,000 workers the national minimum wage. Well, | :03:22. | :03:26. | |
Debenhams may have cleaned up its act, but six months on, the | :03:27. | :03:30. | |
Government has brought out a new list of minimum wage offenders. And | :03:31. | :03:34. | |
the news from the high street still isn't very good. This time, 233 | :03:35. | :03:41. | |
employees across the UK have been outed for not paying the national | :03:42. | :03:46. | |
minimum wage, and the One Show can now exclusively reveal that it is | :03:47. | :03:52. | |
retail giants Argos who are top of the list. The catalogue store and | :03:53. | :03:58. | |
are paid just over 12,000 members of staff, a staggering 1.5 million, | :03:59. | :04:06. | |
between 2012 and 2016. -- underpaid. It is the biggest and the payment | :04:07. | :04:10. | |
since the Government started naming and shaming in 2013. They have had | :04:11. | :04:14. | |
to pay every penny back to its workers, on top of a 1.4 million | :04:15. | :04:23. | |
fine from HMRC. But is it enough to stop it happening again? The purpose | :04:24. | :04:27. | |
of naming and shaming is to force businesses to publicly put their | :04:28. | :04:32. | |
houses in order, but it only works, of course, if Argos customers give a | :04:33. | :04:36. | |
monkey's. So do they? Would you still shop there if you knew that | :04:37. | :04:41. | |
Argos were not meeting their obligations on the minimum wage? No! | :04:42. | :04:48. | |
Over that is quite astounding. I wouldn't stop there if it was a | :04:49. | :04:54. | |
problem. The way it has been done, the low-paid, it is a big deal. It | :04:55. | :04:57. | |
is something the unions feel strongly about. Matt Striker from | :04:58. | :05:05. | |
Unite says age and never happen. It is disgusting, when I find out there | :05:06. | :05:10. | |
has been a failure to pay out, large companies failing to pay the minimum | :05:11. | :05:16. | |
wage, yet they don't fail to pay the CEO, the main directors, | :05:17. | :05:21. | |
astronomical wages. It is people living on the breadline, the minimum | :05:22. | :05:27. | |
wage is there for a reason. Argos was taken over by Sainsbury's last | :05:28. | :05:32. | |
year. We asked them for an interview, but they declined. | :05:33. | :05:36. | |
Instead, they sent us a statement. A Sainsbury's spokesperson said, we | :05:37. | :05:42. | |
were made aware of the issue shortly after buying Argos and worked with | :05:43. | :05:45. | |
HMRC to resolve it as quickly as possible. They wanted to assure us | :05:46. | :05:49. | |
that Sainsbury's prides itself on being a trusted brand where people | :05:50. | :05:53. | |
love to work, and they said processors have been updated to | :05:54. | :05:57. | |
ensure this cannot happen again. Good for them. But Argos is far from | :05:58. | :06:06. | |
being alone on the government blacklist. Underpayment are still a | :06:07. | :06:12. | |
problem. Margot James is the under Secretary of State for the | :06:13. | :06:15. | |
department of business. Is this naming and shaming working? We are | :06:16. | :06:18. | |
still seeing big names like Argos and Debenhams failing to pay minimum | :06:19. | :06:24. | |
wage. Workers have been paid back ?6 million in arrears that they would | :06:25. | :06:27. | |
otherwise not have got, and naming and shaming is an important part of | :06:28. | :06:31. | |
the tearing other companies from thinking that they can get away with | :06:32. | :06:36. | |
it. -- the tearing. Were it not for enforcement, they may well add | :06:37. | :06:43. | |
continued, who knows? The fine does not affect the chief executive. I | :06:44. | :06:49. | |
would contest that they do not get any downside to their reputation. If | :06:50. | :06:56. | |
I was working a company, to underpay people on the minimum wage, I would | :06:57. | :07:00. | |
have found that very embarrassing and upsetting, had it happened to my | :07:01. | :07:04. | |
own company. Of the Government says that naming and shaming works. The | :07:05. | :07:10. | |
people I have spoken to today say they would avoid companies that do | :07:11. | :07:13. | |
not play fair by their employees. The question is, will we see another | :07:14. | :07:17. | |
big high street name on the next list? We hope not, we hope this is | :07:18. | :07:22. | |
the last time we will have to name and shame, but we will be keeping an | :07:23. | :07:27. | |
eye on the story. We're onto this bed now, Ronnie, good news, Artist. | :07:28. | :07:35. | |
This is your new book, it features work going back to your early times | :07:36. | :07:40. | |
in your career, Ellie paintings, so is it a biography through your art? | :07:41. | :07:46. | |
It is an eye-opener for me to see my first oil painting that I did when I | :07:47. | :07:52. | |
was 12, my first horse, I was even younger. Coming right up to | :07:53. | :08:02. | |
portraits and landscapes, through nudes, stuff I have done at the | :08:03. | :08:07. | |
ballet. It is a plethora of different subject matter. This is | :08:08. | :08:10. | |
the thing, you have been an artist longer than you have been a | :08:11. | :08:14. | |
musician, and there are hundreds and hundreds and hundreds of paintings | :08:15. | :08:18. | |
and bits of work in here. They wouldn't let me put any more in! How | :08:19. | :08:24. | |
did you manage to choose what to put in? Where did you get them all from? | :08:25. | :08:30. | |
They are not all at home, are they? With great difficulty! To get them | :08:31. | :08:38. | |
photographed in high resolution, ones that were stolen, ones that | :08:39. | :08:42. | |
were in other people's hands, taking them out of frames to be | :08:43. | :08:46. | |
photographed. You were a trainee sign writer in your first job, and | :08:47. | :08:50. | |
this is incredible, because you must have kept hold of this force along, | :08:51. | :08:57. | |
your first paid bit of work. The local man in my little town, he | :08:58. | :09:05. | |
commissioned me to paint for his radio shop, but before this, this | :09:06. | :09:09. | |
was the local pet shop, I think I got about 12 shillings for doing | :09:10. | :09:14. | |
this. But that was a lot of money for a struggling schoolboy! It is | :09:15. | :09:18. | |
super, especially the dog at the top left. It is pretty good stuff! To | :09:19. | :09:25. | |
see it now, it is hilarious, it is probably 60 years old. I was reading | :09:26. | :09:30. | |
that your brothers were artists, and you watched them, and your style | :09:31. | :09:36. | |
evolves from copying them. Little Ronnie, I was eight or ten years | :09:37. | :09:41. | |
younger than them, so I would always get in a way, their girlfriends, the | :09:42. | :09:46. | |
arts Gaumont, little Ronnie is here again, sending down the shop! -- the | :09:47. | :09:56. | |
art school mob. Are the band is supportive, when you on tour? I take | :09:57. | :10:01. | |
these moments any way, and I make sketches and stuck on tour. I guess | :10:02. | :10:07. | |
you know them so well, you have seen more than anybody else, so you | :10:08. | :10:11. | |
capture something in their faces that nobody else could, really. I | :10:12. | :10:23. | |
think if you get the eyes, especially, this was a concentrated | :10:24. | :10:28. | |
two week study, I did oil paintings for the band, and it ended up with | :10:29. | :10:36. | |
the big picture of the Beggar's Banquet, I took some artistic | :10:37. | :10:39. | |
license, even though I wasn't in the band, I put myself in the painting! | :10:40. | :10:46. | |
The band was taking on a different meaning, you know, both artistically | :10:47. | :10:49. | |
and musically over the years, and I try to follow it. And two of the | :10:50. | :10:54. | |
most emotive drawings and paintings that you have got in here are of | :10:55. | :11:01. | |
your parents, and that is you dedicate the book too. Very | :11:02. | :11:06. | |
different styles. My mum is pen and ink, and Archie, that is more of a | :11:07. | :11:13. | |
wash. What are you trying to say in these particular portraits? What did | :11:14. | :11:17. | |
you feel of your mum and dad and their characteristics here? Because | :11:18. | :11:22. | |
your dad looks very similar to you. Yeah, but put a black wig on that, | :11:23. | :11:33. | |
the big nose! What was he like? A very warm character, he was like | :11:34. | :11:39. | |
from the music all, really, he would entertain you, tell you a joke, sing | :11:40. | :11:44. | |
a song, basked on the piano. So your performance genes came from him. | :11:45. | :11:52. | |
Yeah, the front, the confidence. You will be going on tour in September, | :11:53. | :11:58. | |
taking the paints with you, I imagine? Yes, we are back rehearsing | :11:59. | :12:05. | |
next week, and my mum, it was so sweet, she only went abroad once, | :12:06. | :12:09. | |
she came to Paris with me when the Stones were rehearsing and recording | :12:10. | :12:15. | |
there, and this was her looking out on Avenue Victor Hugo, we were | :12:16. | :12:21. | |
staying near the Etoile, and I said, what you think of Paris? And she | :12:22. | :12:27. | |
said that one in the red dress is back a bit early! So many beautiful | :12:28. | :12:32. | |
paintings, like we have said, and you mentioned horses right at the | :12:33. | :12:36. | |
start, Ronnie, and these are some of my favourites, very special, the way | :12:37. | :12:41. | |
you have captured them. I know horses are very important to you, | :12:42. | :12:44. | |
and our very own George McGavin likes painting horses, just not | :12:45. | :12:53. | |
quite in the same way. Well, you might be wondering why we | :12:54. | :12:58. | |
are painting stripes on this horse. It is a special experiment designed | :12:59. | :13:03. | |
to solve one of nature's greatest mysteries - just why do zebras have | :13:04. | :13:10. | |
stripes? Over the years, there have been many theories, from social | :13:11. | :13:14. | |
communication to camouflage and even heat dissipation. But so far, none | :13:15. | :13:19. | |
of these have quite convinced the scientific community. Finally, some | :13:20. | :13:26. | |
cutting-edge research being done at Bristol University may provide the | :13:27. | :13:29. | |
answer. Martin is leading the project. It is a question that has | :13:30. | :13:35. | |
confused scientists for years and years, right back to Darwin, and one | :13:36. | :13:41. | |
of the theories that has gained the most traction recently is that maybe | :13:42. | :13:45. | |
the stripes are targeted at biting insects, and one of the mechanisms | :13:46. | :13:49. | |
that we think is a play here is an optical illusion. So I will give you | :13:50. | :13:53. | |
an example, if you spin this high contrast disc... That is very | :13:54. | :14:01. | |
disturbing, the outer ring is going that way, the next one looks like it | :14:02. | :14:05. | |
is going that way. We are very interested in whether something | :14:06. | :14:09. | |
similar to that is somehow confusing biting flies as they come in to land | :14:10. | :14:13. | |
on zebras. Insects have compound eyes made up of thousands of | :14:14. | :14:20. | |
individual light receptors which are excellent at detecting movement, but | :14:21. | :14:28. | |
what looked like plain stripes to us actually cause a disorienting | :14:29. | :14:29. | |
dazzling effect to a compound eye. with Martin and the team have set up | :14:30. | :14:40. | |
a free flying arena, the walls of which have either zebra stripes or a | :14:41. | :14:46. | |
more natural patter and projected onto them. A camera system records | :14:47. | :14:53. | |
the movements of the fly. After releasing a flight, Martin will run | :14:54. | :14:57. | |
the footage through tracking software to reveal the fly's flight | :14:58. | :15:03. | |
path. There is a yellow ring. That is where the computer thinks the fly | :15:04. | :15:10. | |
is. Sure we played through? There he goes. He has taken off. He has done | :15:11. | :15:18. | |
away from that wall. And there we go. He came into land, slowed down | :15:19. | :15:23. | |
and landed on the random wall. That is cool. The fly is reluctant to | :15:24. | :15:30. | |
land on the stripes. This becomes even clearer when we slow the | :15:31. | :15:34. | |
footage down. It seems it prefers the more natural pattern. And the | :15:35. | :15:43. | |
lab results are further back-up by results in the field. -- backed up. | :15:44. | :15:47. | |
The horses were bitten more than the zebras. What if horses taste better? | :15:48. | :15:55. | |
To put this to the test, we have painted a snowy the horse to look | :15:56. | :16:01. | |
like a zebra. He has spent the last three hours in make-up being | :16:02. | :16:06. | |
disguised with nontoxic paint to see if his new look will prevent him | :16:07. | :16:10. | |
from bites. You can make friends afterwards. I'm going to record how | :16:11. | :16:16. | |
many times he is bitten are irritated by the flies over 30 | :16:17. | :16:20. | |
minutes, compares to our control horses. All I have to do is count | :16:21. | :16:27. | |
how many flies land on each of the horses. Easy, Tiger. There are | :16:28. | :16:42. | |
actually no flies on snowy at all. And there is one feeding on the | :16:43. | :16:49. | |
neck. That is a nasty one. That is a very big horsefly. Right on his | :16:50. | :16:59. | |
flank. Yeah. Watch my binoculars. That is pretty clear. That is a | :17:00. | :17:07. | |
horsefly. That has had three or four horseflies. The zebra has had none. | :17:08. | :17:13. | |
If I am walking the plains of East Africa, I'm going to be wearing a | :17:14. | :17:17. | |
stripey suit. There are no flies on George. Zebra | :17:18. | :17:24. | |
striped horse blankets will make a fortune. They are already out there. | :17:25. | :17:29. | |
Mike Dilger is here. The question that comes to mind is why all the | :17:30. | :17:34. | |
animals in the Savannah not covered in stripes? It is down to the | :17:35. | :17:39. | |
thickness of your skin. If you have a hide like a rhino, flies will not | :17:40. | :17:44. | |
bite you. If you have a thin skin, like zebras, they have to develop | :17:45. | :17:48. | |
another armoury. They have evolved the stripes. What kind of animals | :17:49. | :17:59. | |
have stripes? Some of the Springbok Impala 's. There is a snake that | :18:00. | :18:11. | |
uses stripes? For its own protection. The garter snake. A good | :18:12. | :18:17. | |
pet. In nonvenomous snake. The only problem is lots of things eat it, | :18:18. | :18:22. | |
like raccoons and hawks. What's those long strides and you get | :18:23. | :18:28. | |
mesmerised. You don't know which direction the snake is going or how | :18:29. | :18:34. | |
fast it is going. If it bites the head, it can pretend the tale is its | :18:35. | :18:41. | |
head. And vice versa. There is a human application of stripes? | :18:42. | :18:48. | |
Indeed. World War I warships. Imagine you are a German U-boat | :18:49. | :18:53. | |
submarine, up goes the periscope, you see that ship. You can't tell | :18:54. | :18:58. | |
where it is going, how fast it is going. Terribly clever. Inspired by | :18:59. | :19:04. | |
nature. Time to talk about romance. Fiddler crabs. The males have really | :19:05. | :19:15. | |
large pincers. The females have too. It is an optical illusion. The | :19:16. | :19:21. | |
females love a big pincer. If you have got a big pincer, you will get | :19:22. | :19:24. | |
lots of matings. If you have a modest sized pincer, you won't get | :19:25. | :19:32. | |
as many crabs. You surround yourself with little tiny pincers to make | :19:33. | :19:39. | |
your pincer look larger than it is. This goes back to 1901. It is all | :19:40. | :19:45. | |
about tricking the brain into fooling about the size of these | :19:46. | :19:48. | |
orange circles. Which one is the larger one? They are the same size. | :19:49. | :19:57. | |
Such a smart lad. That one looks bigger because it is surrounded by | :19:58. | :20:02. | |
small ones. If I peel it off, Ronnie is officially top of the class. | :20:03. | :20:12. | |
What is next? We have done zebras. Knockout sister, which refers to a | :20:13. | :20:17. | |
boxing club with a difference in Newcastle. | :20:18. | :20:24. | |
Here is Mehreen Baig. Boxing is traditionally male dominated sport. | :20:25. | :20:29. | |
But in 2009, women's boxing was officially accepted on the world | :20:30. | :20:33. | |
scene, paving the way for the likes of Nicola Adams. In the UK around a | :20:34. | :20:40. | |
third of all people who box our female. For some of these women, the | :20:41. | :20:47. | |
fight has not just been in the ring. Until very recently, many British | :20:48. | :20:51. | |
Muslim females have found accessing any kind of sport difficult. Mainly | :20:52. | :20:57. | |
due to the lack of women only facilities available and sportswear | :20:58. | :20:59. | |
that conflicts with the Islamic dress code. But here, in Newcastle, | :21:00. | :21:06. | |
an all-female boxing club has been set up. It's called knockout sister. | :21:07. | :21:12. | |
This allows Muslim women of all ages to get fit, boost confidence and | :21:13. | :21:20. | |
learn self defence. There has been a rising hostility towards Muslim and | :21:21. | :21:25. | |
in recent years. So this woman's family has encouraged her to take up | :21:26. | :21:31. | |
boxing. I am a Muslim or in but people don't always associate me | :21:32. | :21:33. | |
with being a Muslim and because I don't wear a hijab. Do you think now | :21:34. | :21:39. | |
Muslim women need to learn self defence more than they had to | :21:40. | :21:43. | |
previously? Absolutely. There is so much more hate crime. Wearing the | :21:44. | :21:49. | |
hijab, you know straightaway, she is a Muslim. I'm going to be put in a | :21:50. | :21:55. | |
situation where possibly it could happen to me. My parents don't want | :21:56. | :21:59. | |
me to be vulnerable and put myself in a situation where I won't be able | :22:00. | :22:04. | |
to protect myself. So yeah, it is important for Muslim and to learn | :22:05. | :22:10. | |
how to box. Her sister works as a local pharmacist and she took up | :22:11. | :22:15. | |
boxing after an incident at work. A method on patient had missed his | :22:16. | :22:19. | |
dolls for three days. He could not remember that. I had to refuse the | :22:20. | :22:24. | |
dose. He didn't like that. He displayed threatening behaviour | :22:25. | :22:27. | |
towards me. That made me think I do need to learn something that | :22:28. | :22:31. | |
requires self defence. I heard about this class. | :22:32. | :22:39. | |
That was it. This woman has been coming over six months. She wears | :22:40. | :22:46. | |
the niqab in public. There are loads of non-Muslims in here as well. It | :22:47. | :22:52. | |
is open for all women. Not just Muslim women specifically. I don't | :22:53. | :22:55. | |
cover when I am doing my training sessions. It is good that you can | :22:56. | :22:59. | |
wear what you feel comfortable in to work out. | :23:00. | :23:04. | |
She has encouraged her daughter too, along and get involved in the club. | :23:05. | :23:09. | |
She thinks nobody should stop Muslims and from having this | :23:10. | :23:14. | |
opportunity. Most of the men discouraging their wives from going | :23:15. | :23:19. | |
into sport, I would ask if he was afraid. What are you afraid of, | :23:20. | :23:25. | |
seriously? Contact sport has got benefits. You can defend yourself. | :23:26. | :23:31. | |
It is good to keep fit and healthy. That is part of Islam as well, | :23:32. | :23:35. | |
maintaining good physical fitness, looking after your body as well as | :23:36. | :23:38. | |
your soul and your mind. It is all round. With all women boxing and | :23:39. | :23:44. | |
sports clubs like this one found around the country, it should give | :23:45. | :23:49. | |
Muslims and the possibility and opportunity to both integrate and | :23:50. | :23:52. | |
participate without compromising their religion. Being here today and | :23:53. | :23:58. | |
seeing these women enriching their lives in such a positive manner, is | :23:59. | :24:02. | |
truly inspiring. In a world where we are rarely given glimpses of Muslim | :24:03. | :24:06. | |
and in sporting capacities, clubs like this are helping to strip away | :24:07. | :24:10. | |
negative opinions and misconceptions. It seems the future | :24:11. | :24:14. | |
from Muslim sportswomen can only get better. | :24:15. | :24:19. | |
We can't show a film like that and not show the greatest, Muhammad Ali, | :24:20. | :24:24. | |
who you paint a few times in the book. And you met him as well? Yeah. | :24:25. | :24:31. | |
He was a pleasure to be around. He thought of himself as a conjurer, a | :24:32. | :24:36. | |
man with a slate of hand and tricks. Really good fun. When I was with him | :24:37. | :24:43. | |
in New York were in his hotel room and I said, for fun, let's go down | :24:44. | :24:48. | |
on fifth Ave, you walk one side of the street and I'll walk the other | :24:49. | :24:53. | |
and will stop the traffic. I thought, yeah, I know who is going | :24:54. | :25:00. | |
to stop that traffic! Scottish students received their higher | :25:01. | :25:02. | |
results last week. Tomorrow is D-Day for a thousands of students in the | :25:03. | :25:08. | |
rest of the UK, all of them hoping to get the results they want. But as | :25:09. | :25:14. | |
Kate McIntire discovered, you can't always get what you want. Sometimes | :25:15. | :25:18. | |
you might just find you get what you need. | :25:19. | :25:24. | |
If the memory of getting your A-level results is fond one surround | :25:25. | :25:29. | |
by disappointment, it could be a pivotal moment to shape the rest of | :25:30. | :25:36. | |
your life. What do the people of Leeds remember about their results? | :25:37. | :25:40. | |
For better or for worse? Do you remember getting your A-level | :25:41. | :25:45. | |
results? I do. I took three but I only passed one. How did they affect | :25:46. | :25:50. | |
your next step in light? I didn't go to university. I went travelling, | :25:51. | :25:55. | |
became a mum. And then I did a degree when I was 40. It is never | :25:56. | :26:01. | |
too late. I got a capital see in psychology. Do you remember getting | :26:02. | :26:09. | |
your A-level steel I do, yeah. A bit of advice, don't sweat. Take it as | :26:10. | :26:20. | |
it goes. I got three seas. I got an A in geography. My teacher predicted | :26:21. | :26:26. | |
something else. I was a bit like, I am going to get a A macro. Dab -- A. | :26:27. | :26:38. | |
I went out for a drink with friends. I got two As, a B and ACE. When I | :26:39. | :26:47. | |
got to school was a nervous wreck, text and my friends. When I got them | :26:48. | :26:51. | |
it was fantastic. I got what I needed. Was at a life changing | :26:52. | :26:58. | |
moment? Yeah, because you spend eight years of your life with these | :26:59. | :27:01. | |
people and it comes to an end. The results are a culmination of that. I | :27:02. | :27:08. | |
know you know full well the A-level results, out tomorrow because you | :27:09. | :27:13. | |
are both teachers. Will you be giving them? Yeah, I will be going | :27:14. | :27:17. | |
into school to see their excited faces. Is a life changing moment for | :27:18. | :27:25. | |
students? Joe Cain is somewhat uncertain decisions at that stage. I | :27:26. | :27:31. | |
didn't get into university despite having three As. I have spent years | :27:32. | :27:37. | |
abroad, so as long as you're willing to work for it, it will Robert. | :27:38. | :27:43. | |
It is amazing what happens in life when you don't get the results you | :27:44. | :27:48. | |
need. It is the 40th anniversary of Elvis Presley's death. You came so | :27:49. | :27:53. | |
close to having a personal meeting with him, didn't you? Yeah. I went | :27:54. | :27:59. | |
to the hospital that he was in. I almost had the courage to say, I am | :28:00. | :28:05. | |
from the Rolling Stones, let me up there but I chickened out. As I | :28:06. | :28:09. | |
walked away I felt, I wonder if I will regret this? All the time up in | :28:10. | :28:17. | |
his room, I heard he had Jimmy Page and Robert Plant up there. I should | :28:18. | :28:23. | |
have done it. What would you have said to him? I guess we would have | :28:24. | :28:30. | |
just exchanged verbal rifts. I got -- I've got a feeling we would have | :28:31. | :28:36. | |
got on. Nice. | :28:37. | :28:49. | |
On the playlist it is down as heartburn Hotel. Will you play side? | :28:50. | :29:08. | |
And give adjoining us, Ronnie Wood! It has been a lovely evening. Alex | :29:09. | :29:12. | |
and I will be here tomorrow with Len Goodman. We will see you then. | :29:13. | :29:14. | |
Good night! | :29:15. | :29:20. |