Browse content similar to 17/01/2012. Check below for episodes and series from the same categories and more!
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Welcome to The One Show with... Matt Baker. With us tonight is a | :00:38. | :00:46. | |
man who is never short of a word unless it is this one. | :00:46. | :00:56. | |
:00:56. | :01:11. | ||
It is Bradley Walsh. People have got to earn their applause on this | :01:11. | :01:14. | |
show. Bradley, we were in your dressing room, and we have | :01:14. | :01:24. | |
:01:24. | :01:37. | ||
practised how to say it properly. It is. Take the applause. It is | :01:37. | :01:44. | |
echoing all over across London! Ah, brilliant. | :01:44. | :01:48. | |
Thank goodness you were there with that card! | :01:48. | :01:52. | |
We have tested your pronunciation and we will have a word about your | :01:52. | :01:58. | |
agenting. Over Christmas, London Bridge really was falling down. The | :01:58. | :02:00. | |
A4 flyover was closed for emergency repairs. | :02:00. | :02:06. | |
They found out that the bridge was corroding, but how many bridges | :02:06. | :02:10. | |
around the country are in danger of going the same way. Marty Jopson | :02:10. | :02:14. | |
does digging. Concrete, it is the building block | :02:14. | :02:20. | |
of the world we live in today. Made up of cement, crushed limestone and | :02:20. | :02:26. | |
sand and water, we produce seven- and-a-half billion cubic meters of | :02:26. | :02:30. | |
the stuff each year. While its modern use is universal, concrete's | :02:30. | :02:33. | |
strength as a building material means it has been used for hundreds | :02:33. | :02:43. | |
of years. It was used in Rome, built back in 120 AD, an early form | :02:43. | :02:46. | |
of concrete is believed to have been used in the pyramids. 2,000 | :02:46. | :02:51. | |
years later and we are still using concrete, but for bridges like this | :02:51. | :02:55. | |
one in Hammersmith, the concrete needs to be reinforced with steel | :02:55. | :02:59. | |
so it can bend and that's where the problem begins. | :02:59. | :03:02. | |
The problems that happen in Hammersmith could happen in a lot | :03:02. | :03:06. | |
of old concrete structures where you have steel running through the | :03:06. | :03:11. | |
middle of the structure and if they get wet and if the water contains | :03:11. | :03:15. | |
salt, then you can get corrosion of the steel and then your structure | :03:15. | :03:21. | |
becomes at risk. Imagine these yarns are the tendons | :03:21. | :03:24. | |
which are inside a bridge like Hammersmith. We will see what | :03:24. | :03:31. | |
happens if they fail at the same time. | :03:31. | :03:38. | |
In England, the Highways Agency knows about the problem. They test | :03:38. | :03:43. | |
their 18,500 reinforced concrete bridges and flyovers every two | :03:43. | :03:49. | |
years. They are working on the Tewkesbury Road underbridge. Last | :03:49. | :03:58. | |
year, they spent �2..7 million on maintenance at Spaghetti Junction. | :03:58. | :04:02. | |
In Scotland, they are taking no chances and they are making sure | :04:02. | :04:10. | |
the concrete in that bridge, not that one, that bridge is 100% OK. | :04:10. | :04:15. | |
Chief engineer, Barry Coalford is showing me the problem. | :04:15. | :04:20. | |
This is the place where the main cable slays out and is anchored | :04:20. | :04:22. | |
into the rock at the end of the bridge. | :04:22. | :04:26. | |
This is the big cable? Yes. This is the end of it? Yes, that's | :04:26. | :04:29. | |
right. So what's the problem? These steel | :04:29. | :04:33. | |
cables look fine? They do. They do and they are, but the problem is | :04:33. | :04:40. | |
what happens down there in the bits that we can't see. It is a 60 meter | :04:40. | :04:44. | |
long concrete tunnel. It is an aggressive environment. The | :04:44. | :04:48. | |
seawater goes up and down with the tide and we need to establish the | :04:48. | :04:54. | |
condition of the steel cables within the tunnel. | :04:54. | :05:02. | |
What's going on here? This is the excavation for us to get down to | :05:02. | :05:05. | |
the tunnel where our issues are likely to be. | :05:05. | :05:10. | |
What do you if it turns out if the cables are rusty? That's a | :05:10. | :05:15. | |
difficult question to answer. We will have to evaluate the existing | :05:15. | :05:18. | |
strength of the anchorages and make a prediction of what the strength | :05:18. | :05:21. | |
is likely to be over the next few years and that's not an easy thing | :05:21. | :05:27. | |
to do. It is possible to build new anchorages and we can do that | :05:27. | :05:32. | |
without disturbing traffic, but it is a big piece of civil engineering. | :05:32. | :05:35. | |
Traffic is still rolling here, which is good news for commuters, | :05:35. | :05:40. | |
but the bad news is that as Britain's concrete structures grow | :05:40. | :05:50. | |
older, there is likely to be more Thanks, Marty. Dick Strawbridge is | :05:50. | :05:55. | |
here. Bradley... Yes. You could have been an engineer, | :05:55. | :05:59. | |
well you were for a bit. Well, I worked on jet engines for | :05:59. | :06:02. | |
Rolls-Royce. I went to their training school and stuff like that | :06:02. | :06:07. | |
and I ended up fitting aircraft engines, yeah. The helicopter | :06:07. | :06:11. | |
engines and the factory which I worked is defunct and is the Harry | :06:11. | :06:16. | |
Potter film studios in Watford. How are you on bridges though? | :06:16. | :06:22. | |
I am steady on bridges! LAUGHTER | :06:22. | :06:24. | |
Well, some of the ones coming up, you won't be. | :06:24. | :06:26. | |
It is a worrying thing because there is so many bridges around | :06:26. | :06:30. | |
Britain? Concrete and steel together, the problems they have | :06:30. | :06:34. | |
got, it will continue getting worse. We have been building bridges | :06:34. | :06:39. | |
forever. The oldest bridge in the UK, we are talking about Power | :06:39. | :06:43. | |
Steps, a granite on blocks and rock solid and we are talking about | :06:43. | :06:48. | |
something the best part of 1,000 BC and it works today, but in modern | :06:48. | :06:52. | |
times, we are talking from Victorian times, people are using | :06:52. | :06:56. | |
less materials to build bridges because bridges are expensives. | :06:56. | :07:01. | |
Instead of making a big, chunky one that will last forever, they build | :07:01. | :07:04. | |
a bridge with less materials and that can introduce problems. | :07:04. | :07:13. | |
It is not corrosion, it is resonance. Alex and her terms! | :07:13. | :07:18. | |
also trained as an engineer. If you have got a light bridge, it | :07:18. | :07:23. | |
can move. The best way to talk about resonance. You know a kiddy | :07:23. | :07:28. | |
on the swing, if you push them, they go further and further. If you | :07:28. | :07:34. | |
just randomly shove them, they keep banging into your hand. The | :07:34. | :07:36. | |
resonance is when you have something make ago structure move | :07:36. | :07:39. | |
with a frequency that is going to get to the stage where it will | :07:39. | :07:45. | |
start moving a lot. Gallopin Gertie is the most | :07:45. | :07:51. | |
incredible example. Bradley, look at this. This is a suspension | :07:51. | :07:56. | |
bridge, we are talking about 1940 here, when the wind was 40mph, it | :07:56. | :08:00. | |
was known to move. Get the wind at the right speed and instead of | :08:00. | :08:04. | |
moving a couple of inches, it moved 28 feet. | :08:04. | :08:09. | |
Didn't they find that on the millennium Bridge, at one time it | :08:09. | :08:15. | |
had resonance and once a body of people start moving with it... | :08:15. | :08:17. | |
can experience that for yourself with the aid of jelly. | :08:17. | :08:22. | |
Right! If we are looking at resonance. It | :08:22. | :08:25. | |
is all about seeing when you wobble things to the point where they | :08:25. | :08:32. | |
break up. Grab your jellies! I will have the breast implant. | :08:32. | :08:37. | |
yet. Not yet. Steady. Steady. Just move it a little bit, you can see | :08:37. | :08:42. | |
your jelly is safe. Yes, it is looking good. | :08:42. | :08:46. | |
looking good. A very secure pyramid. | :08:46. | :08:51. | |
That looks wrong! If you wobble it quickly, very, | :08:51. | :08:55. | |
very quickly, backwards and forwards, and it is all right. Now, | :08:55. | :09:00. | |
if you vibrate backwards and forwards and try and get to the | :09:00. | :09:03. | |
point where your jelly goes backwards and forwards. | :09:03. | :09:07. | |
If you are having jelly or your tea join in. | :09:07. | :09:12. | |
It has gone. I'm sorry. | :09:12. | :09:17. | |
Mine is pretty secure. Let me borrow yours. If you can | :09:17. | :09:22. | |
imagine people marching across. It starts to go into... Oh, there we. | :09:22. | :09:30. | |
Oh, your top has come off. The pyramid has dislodged. | :09:30. | :09:33. | |
It is not often you see 1,000 people walking across a bridge with | :09:33. | :09:40. | |
a plate of jelly. The army aren't allowed to march across bridges | :09:40. | :09:42. | |
anymore anymore in case this anymore anymore in case this | :09:42. | :09:47. | |
happens. The jellies are real? Of course, | :09:47. | :09:57. | |
:09:57. | :10:07. | ||
they are! FANFARE We usually have trumpets at | :10:07. | :10:11. | |
the beginning. A trumpet in the middle, can only mean one thing, | :10:12. | :10:15. | |
the bride is on her way. Lady Diana Spencer is one of the | :10:15. | :10:24. | |
countless brides who walked up the aisle to trumpet voluntary. | :10:24. | :10:28. | |
But the life of its composer is shrouded in mystery. Little is | :10:28. | :10:33. | |
known about Clarke's early life. He was born around 1674, but we don't | :10:33. | :10:37. | |
know where. What we do know is that at the age | :10:37. | :10:41. | |
of eleven, he was one of the elite band of boys at the Chapel Royal, | :10:41. | :10:47. | |
singing in the Royal Family's personal choir. And in 1699, aged | :10:47. | :10:51. | |
25, he arrived here at a place that would have a huge impact on his | :10:51. | :10:58. | |
life, St Paul's Cathedral. Clarke came here at a significant | :10:58. | :11:06. | |
time. Some 30 years earlier, in 1666 St Paul's had been destroyed | :11:06. | :11:13. | |
by the Great Fire of London. Sir Christopher Wren had created a new | :11:13. | :11:17. | |
building. When Clarke arrived, there was a new building. | :11:17. | :11:23. | |
He came here as a singer and became organist and trained the choristers | :11:23. | :11:27. | |
as well. It is unusual that somebody should hold both those | :11:27. | :11:31. | |
jobs simultaneously. His trumpet voluntary, wasn't | :11:31. | :11:38. | |
created for a religious setting, it was composed for the theatre. | :11:38. | :11:43. | |
It was not uncommon for come for composers to write for the theatre | :11:43. | :11:48. | |
as well as the church. What was the job? It it might have | :11:48. | :11:54. | |
covered the arrival of some prince or some scenery that would have | :11:54. | :11:59. | |
thrilled the audience and given them excitement. | :11:59. | :12:02. | |
Clarke performed the piece at St Paul's. | :12:02. | :12:06. | |
How do we get theatre music into a cathedral? There was no hard and | :12:06. | :12:09. | |
fast rules in those days. A piece that was written for the theatre | :12:09. | :12:16. | |
would almost certainly will have been adapted for Clarke for his | :12:16. | :12:21. | |
daily use at St Paul's. You are seated at an organ? Organs | :12:21. | :12:27. | |
and then had stops that could simulate orchestral instruments. | :12:27. | :12:33. | |
There is a trumpet. There is servicemen trumpets -- several | :12:33. | :12:36. | |
trumpets. This is a little one that might have sounded similar to | :12:36. | :12:42. | |
Clarke's. It marked the beginning of a | :12:42. | :12:47. | |
prestigious career. Then tragedy struck and the press of the day | :12:47. | :12:50. | |
recorded the event. What happened? The poor man shot | :12:50. | :12:53. | |
himself. He shot himself in the head with a pistol. | :12:53. | :12:58. | |
Do we know why? It seems to be for the love of a young woman. It says | :12:58. | :13:05. | |
she was a a young married woman. So it could be that he got himself | :13:05. | :13:10. | |
into a pickle with a married girl? It does suggest that he was an | :13:10. | :13:15. | |
unhappy man at the time. It talks about him having a discontent. | :13:15. | :13:22. | |
a tragic story. Clarke's tune fell into obscurity | :13:22. | :13:28. | |
for almost 200 years. Then in 1897, Henry Wood, founder of the Proms, | :13:28. | :13:33. | |
came across the manuscript. He believed the tune was by Purcell, | :13:33. | :13:43. | |
but made it popular again. 40 years later, experts recognised it was | :13:43. | :13:53. | |
:13:53. | :14:01. | ||
It is a wonderful piece. Why does it stand out from the crowd? It is | :14:01. | :14:06. | |
the strength of the tune. It is a good Royal, regal tune. Then it is | :14:06. | :14:09. | |
the fact that it is wonderful to walk to. If you are a bride | :14:09. | :14:12. | |
listening to this, it is a good speed and it makes you feel that | :14:12. | :14:17. | |
you are in a really important day. It stood the test of time and yet | :14:17. | :14:21. | |
it seems fresh today? It always does. That's one of the great marks | :14:21. | :14:26. | |
of a good piece of music. And the setting helps, doesn't it? | :14:26. | :14:36. | |
:14:36. | :14:53. | ||
What a delightful film. Now, the 6th series of Law & Order UK, two | :14:53. | :15:01. | |
weeks there now. The third one is on Friday, a big episode. Is the | :15:01. | :15:06. | |
transition from comedian to actor complete? Maybe. To be fair, I was | :15:06. | :15:11. | |
acting many years ago and I sort of drifted into comedy. I found I was | :15:11. | :15:14. | |
always one of the lads messing around but doing a bit of acting | :15:14. | :15:19. | |
anyway and I found myself ending up in television, presenting and Ray | :15:19. | :15:24. | |
Winstone told me to go back into acting and so I did. At the episode | :15:25. | :15:29. | |
on Friday, let's have a look at Friday's Abersoch and an old case | :15:29. | :15:34. | |
come back to haunt you. The -- episode. | :15:34. | :15:38. | |
We know Simon Burnett is as guilty as the day is long. I thought that | :15:38. | :15:47. | |
as well. And you don't any more? don't know. He had her blood all | :15:47. | :15:52. | |
over his shirt. You tell me how he -- out-hit got there it P wasn't | :15:52. | :16:01. | |
the one caving her head in. What if we got it wrong? What if you got it | :16:01. | :16:10. | |
wrong? It is a fabulous episode. I have got to say, or Tom and Tim, | :16:10. | :16:15. | |
who are in the episode, it is really good. It is so sad, though, | :16:15. | :16:21. | |
get ready, have your tissues ready, because a girl dies and the father | :16:21. | :16:27. | |
gets blamed for the murder. It is reopened 14 years later. Really sad | :16:27. | :16:32. | |
and it is sad to watch. Very moving. As we have heard tonight, you have | :16:32. | :16:38. | |
had loads of different jobs. Comedian, actor. You were also a | :16:38. | :16:42. | |
professional footballer. I played at Brentford or two years, I | :16:42. | :16:49. | |
actually played at Loftus Road. There I am. I look like my son | :16:49. | :16:57. | |
there. We also found your player profile from a match-day programme. | :16:57. | :17:02. | |
It asks you some questions. We have got the actual questions. We will | :17:02. | :17:08. | |
see if you can remember the answers. 30 seconds on the clock. Are you | :17:08. | :17:16. | |
going to kick off? Yes. How much did you wait then? When I play? | :17:16. | :17:24. | |
About 10 stone 12. Close, 10 stone eight. What Cardiff to drive? | :17:24. | :17:32. | |
-- What Car. He was your biggest influence? My dad and my grandad. | :17:32. | :17:38. | |
Miscellaneous dislikes. Injustice, racism? It putting weight on and | :17:38. | :17:44. | |
being unfit! He did you say your favourite artists were? Shirley | :17:44. | :17:50. | |
Bassey, Tom Jones, Norman Wisdom. It is a real mix. You have got | :17:50. | :17:56. | |
Russell Harty as well. I used to love his show. And when his Law & | :17:56. | :18:06. | |
:18:06. | :18:07. | ||
Order UK on? A Friday at 9pm. Aksa had indeed. A please don't go yet! | :18:07. | :18:11. | |
-- thank you for having me on. One crime that could be beyond even | :18:11. | :18:15. | |
Bradley's Detective Brooks is cyber spying. It's the theft of valuable | :18:15. | :18:17. | |
information from the computers of individuals, companies and even | :18:17. | :18:20. | |
entire countries. Matt Allwright searches for ways to | :18:20. | :18:29. | |
stem the tide of a multi-billion- pound criminal web. | :18:29. | :18:34. | |
Alexander Graham Bell invented the telephone, right? Yes, but two | :18:34. | :18:42. | |
other inventors, and Italian and American, had roughly the same idea | :18:42. | :18:47. | |
at the same time. The difference was that Alexander Bell managed to | :18:47. | :18:50. | |
protect his idea and so the telephone is not Italian or | :18:50. | :19:00. | |
:19:00. | :19:01. | ||
American, it is British. Hello? How do modern inventors | :19:01. | :19:05. | |
protect their ideas and get their products to market first? Answer me | :19:05. | :19:09. | |
that. Good question. Now that industrial | :19:09. | :19:14. | |
Ettrick -- espionage has gone cyber, it is getting tougher. Last year, | :19:14. | :19:19. | |
the theft of intellectual property from UK companies cost �9.2 billion. | :19:19. | :19:23. | |
That is why here, at Dyson headquarters, they are not taking | :19:23. | :19:28. | |
any chances. Dyson research and development, it is where the magic | :19:28. | :19:37. | |
happens. No chance. | :19:37. | :19:41. | |
Sir James Dyson owns one of the UK's most successful technological | :19:41. | :19:46. | |
companies and that success is based largely on his original innovation | :19:46. | :19:52. | |
and design. We are looking five, 10, 15 years out, so it is extremely | :19:52. | :19:54. | |
important to keep what we are working hard and what we are | :19:54. | :19:58. | |
thinking of working on completely secret. You don't know when you | :19:58. | :20:02. | |
have been spied upon, or you find out is a couple of years later that | :20:02. | :20:06. | |
somebody got advance knowledge of what you are doing. This is our | :20:06. | :20:12. | |
livelihood, what we make our money from and our export from, so if our | :20:12. | :20:17. | |
ideas are copied or stolen, we lose jobs and we lose exports and the | :20:17. | :20:20. | |
benefit of wealth creation for the country. We have spoken to a number | :20:20. | :20:23. | |
of leading British companies to find out if they have been the | :20:23. | :20:27. | |
victims of a cyber attack. But surprisingly, most were reluctant | :20:28. | :20:31. | |
to reveal details but industry experts tell us that this type of | :20:31. | :20:36. | |
cyber crime is now commonplace. Funnily enough, though, it seems | :20:36. | :20:39. | |
that hackers aren't terribly keen to give up their secrets. That is | :20:39. | :20:47. | |
why we are about to meet Ken and Chris, penetration testers, ethical | :20:47. | :20:51. | |
hackers employed by companies to see just how far in they can get. | :20:51. | :20:55. | |
Increasingly, we are starting to see cleverly targeted attacks. | :20:55. | :20:59. | |
People are not just going scattergun, they are going for an | :20:59. | :21:02. | |
individual within a business to compromise their profile and get | :21:02. | :21:06. | |
their credentials and use that to step around the business and find | :21:06. | :21:11. | |
intellectual property. What are the tools you are using? Area social | :21:11. | :21:16. | |
networking side. The amount of information you can get is quite | :21:16. | :21:20. | |
scary. There are dresses, at what they do, their friends, where they | :21:20. | :21:24. | |
used to work -- There are dresses. Social media is the way to get to | :21:24. | :21:29. | |
market, it is also the way to lose intellectual property. I am going | :21:29. | :21:32. | |
to meet some guys who are relatively new business with big | :21:32. | :21:35. | |
ideas but want to keep them to themselves. Can you do some work | :21:35. | :21:42. | |
and see what you can find on them? One company's ingenious invention | :21:42. | :21:48. | |
impressed the entrepreneurs of Dragons' Den in 2010. With his | :21:48. | :21:54. | |
magic wand, I can, for example play some music up a pot I can rotate it | :21:54. | :22:00. | |
to turn the volume up. With your consent, we have been doing some | :22:00. | :22:04. | |
digging around and you are pretty secure. Has anything strange | :22:04. | :22:11. | |
happened recently? Well, the website went a bit slow and a host | :22:11. | :22:14. | |
provider fund has up to say it looked as if somebody was doing a | :22:14. | :22:19. | |
penetration test. -- fundus. did you know it was the provider? | :22:19. | :22:24. | |
Good question. That phone call was the penetration test that he was | :22:25. | :22:28. | |
calling you using an agent of theirs in the United States, which | :22:28. | :22:32. | |
is why it sounded convincing because they knew your provider is | :22:32. | :22:35. | |
based in Texas. They didn't ask for information because they were | :22:35. | :22:40. | |
trying to get due to reset your password on his client website -- | :22:40. | :22:43. | |
get you. It would have meant he had complete control of your company | :22:43. | :22:47. | |
website. Thankfully, Chris and Richard are | :22:47. | :22:50. | |
naturally suspicious and did not changed their password, keeping | :22:50. | :22:55. | |
their intellectual property and customer information say. The most | :22:55. | :22:58. | |
worrying thing about the test was somebody is able to phone up and | :22:58. | :23:03. | |
say something and almost hack into your brain and bypass all that | :23:03. | :23:06. | |
equipment by making one phone call, pretending to be somebody else that | :23:06. | :23:11. | |
using little bits of information. So there is security is pretty | :23:11. | :23:15. | |
watertight but if British ideas are still our greatest asset, cyber | :23:15. | :23:20. | |
crime poses a formidable threat. If you have got the big ideas, you are | :23:20. | :23:25. | |
in the biggest danger. It is losing British jobs, British exports and | :23:25. | :23:29. | |
British wealth. It is death, it is exactly what it is and it should be | :23:30. | :23:36. | |
stopped. -- it is daft. Matt is here, and it is very | :23:36. | :23:40. | |
unsettling watching that. It is when you think about business but | :23:40. | :23:43. | |
when you take it to the level of government and the people looking | :23:43. | :23:48. | |
after Russ, the UK government are spending �650 million in very tight | :23:48. | :23:52. | |
times to make sure all of their systems are safe. They had admitted | :23:52. | :23:56. | |
that they have already had a full 1,000 attempted attacks on their | :23:56. | :24:02. | |
systems. You have got commerce, government being attacked. And we | :24:02. | :24:05. | |
know through the e-mails we received ourselves they are always | :24:05. | :24:09. | |
tried to find out our details. far as protecting yourself is | :24:09. | :24:13. | |
concerned, what are the best things to do? A lot of people would reset | :24:13. | :24:18. | |
their passwords. It was interesting spending time with those guys who | :24:18. | :24:23. | |
are paid to try and hack in. What came out of it for me is what ever | :24:23. | :24:27. | |
you do, protect your date of birth. That is the one that seems to be | :24:27. | :24:32. | |
for a lot of banks and financial institutions, the key to the door. | :24:32. | :24:37. | |
How many people put on it is my birthday on Facebook and put | :24:37. | :24:44. | |
pictures up. For the record, I am 26 and my birthday is in June. | :24:44. | :24:49. | |
It is incredible, because Facebook, Twitter, it is all out there, so it | :24:49. | :24:54. | |
is quite accessible. It is the first way in for those guys. Your | :24:54. | :24:59. | |
birth they must be very easy to get hold of, I imagine. | :24:59. | :25:03. | |
-- birthday. Historian Ruth Goodman loves a | :25:03. | :25:06. | |
mystery to solve, so we sent her to York to investigate the case of a | :25:06. | :25:09. | |
600-year-old skeleton, a church and a woman who was literally sealed | :25:09. | :25:17. | |
into it brick by brick. Wherever you go in the City of York, | :25:17. | :25:21. | |
there is history to be found. Even in this rather bleak spot outside | :25:21. | :25:25. | |
the city walls of the scares remains of a medieval church. -- | :25:25. | :25:31. | |
our best guess remains. Just recently, archaeologists made a | :25:31. | :25:35. | |
perplexing discovery. They found the skeleton of a middle-aged woman | :25:35. | :25:39. | |
buried in a really unusual way. Tyche crouched and buried within | :25:39. | :25:44. | |
the walls of the Church. -- tightly. The 600-year-old skeleton was | :25:44. | :25:48. | |
buried in a church much like this one, All Saints Church in the | :25:48. | :25:51. | |
centre of York, where I have come to meet the archaeologist Graham | :25:51. | :25:56. | |
Bruce. These are photographs of some of the normal burials we would | :25:56. | :26:02. | |
expect to find in a medieval church, you can see the graves are laid out | :26:02. | :26:08. | |
on their backs. This burial was very different. With that type of | :26:09. | :26:12. | |
body position, with the knees pulled right up and the arms | :26:12. | :26:17. | |
wrapped around, it is a strange burial and we had to try and find | :26:17. | :26:21. | |
out why it had happened. Graham knew of one unusual figure | :26:21. | :26:26. | |
associated with the Church. Was this her? And what do we know about | :26:26. | :26:32. | |
her? And an Caresse lived in the churchyard in the early 15th | :26:32. | :26:38. | |
century. This was a woman who withdrew from society in an act of | :26:38. | :26:41. | |
devotion to God, and in 15th century Britain, the practice was | :26:42. | :26:47. | |
widespread. She would live alone as a religious hermit, secluded from | :26:47. | :26:51. | |
the world in a special cell. Few of these remain but there is still won | :26:51. | :26:57. | |
at All Saints. A woman who chose to do this was | :26:57. | :27:04. | |
actually walk into a space like this. -- sealed. It was a ceremony | :27:04. | :27:09. | |
that was really rather like a funeral ceremony, she was Ricked | :27:09. | :27:14. | |
into the space. Her only contact was through this whole, through | :27:14. | :27:19. | |
which she could hear Mass. In return for this religious devotion, | :27:19. | :27:23. | |
an anchor rest could become a venerated figure in society. She | :27:23. | :27:28. | |
would become almost like a living saint. She would have been well | :27:28. | :27:32. | |
known in her community and consulted as a source of divine | :27:32. | :27:35. | |
wisdom. She was certainly the kind of important figure likely to be | :27:35. | :27:41. | |
buried inside the church, like Alice skeleton. These are the | :27:41. | :27:47. | |
medieval Wales that back-up Graham's theory -- testaments. And | :27:47. | :27:57. | |
they have an intriguing detail. We had a name. Lady Isabel. Nothing | :27:57. | :28:01. | |
else is known about Lady Isabel but the manuscripts contain another | :28:01. | :28:08. | |
vital clue. A date. Here, we have got her Testament. | :28:08. | :28:14. | |
The date is 1448, that must have been presumably when she died. | :28:14. | :28:19. | |
This is all proof of Lady Isabel serving at the church. But could | :28:19. | :28:24. | |
science prove this was her skeleton? The team turned to radio | :28:24. | :28:29. | |
carbon dating to find out. It is looking like the burial was made | :28:29. | :28:38. | |
around about 1450. A bat is amazing. The documentary evidence, 40 and 48 | :28:38. | :28:40. | |
was supposedly had death. This really could be the woman we are | :28:40. | :28:46. | |
thinking of -- 1448 was supposedly had death. | :28:46. | :28:50. | |
But the bones revealed the life of this living saint was in fact a | :28:51. | :28:54. | |
living hell. Analysis uncovered a distinctive lesions which meant one | :28:54. | :29:04. | |
thing. Lady Isabel died riddled with syphilis. There is one here. | :29:04. | :29:10. | |
This whole that you can see here was actually formed to allow us to | :29:10. | :29:15. | |
be drained out. So we are talking about something on her arm that was | :29:16. | :29:20. | |
opened. Poor woman. The agony of syphilis was not just | :29:20. | :29:25. | |
physical but spiritual as well. In medieval times, the disease was not | :29:25. | :29:30. | |
known to be sexually transmitted. It was a curse strayed from God. So | :29:30. | :29:35. | |
it is easy to imagine Lady Isabel, a woman who devoted her life to God, | :29:35. | :29:39. | |
asking herself just what she had done to deserve his curse. | :29:40. | :29:44. | |
For me, this is how archaeology really comes into its own. Beyond | :29:44. | :29:49. |