Browse content similar to 17/02/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Angela Scanlon. And the | :00:18. | :00:24. | |
sure-footed and Strictly fabulous, RA Duboeuf. -- Ore. That's nice. | :00:25. | :00:36. | |
Fresh off the Strictly tour. Yes, it was amazing but what goes on on tour | :00:37. | :00:42. | |
stays on tour. You can't give everything away, until you come on | :00:43. | :00:47. | |
the One Show and you tell everybody. No, Lesley Joseph, your secret is | :00:48. | :00:50. | |
safe. And cute everyone who came to watch in droves. How are your quads? | :00:51. | :00:58. | |
Still tight. Everything hurts now but it is OK because it is great to | :00:59. | :01:03. | |
be back on the sofa with you. But it is the first time in six months that | :01:04. | :01:07. | |
I have not danced, so be prepared if I pull out a tango. The withdrawal | :01:08. | :01:14. | |
symptoms are fresh. Pull out a tango! It is very handy because we | :01:15. | :01:19. | |
have music to my from Anne-Marie, who has clocked up 500 million | :01:20. | :01:28. | |
global screams and millions of YouTube views. Plus, she is | :01:29. | :01:34. | |
nominated for Brit Awards. And our guest tonight will be hosting that | :01:35. | :01:38. | |
ceremony next week. Let's hope she sticks to presenting and not | :01:39. | :01:44. | |
singing! # Make you want to turn around and | :01:45. | :01:47. | |
say goodbyes # Hold you down and make you cry | :01:48. | :01:52. | |
# Don't you know, things can change # Things will go your way | :01:53. | :02:00. | |
# If you hold on more day. # It's Emma Willis, everybody. Is it | :02:01. | :02:12. | |
safe? Come on! I backed you. Yes, and I am backing you as the winner | :02:13. | :02:18. | |
of the Voice 2017. I don't sing at home because I leave it to him | :02:19. | :02:22. | |
because he is pretty good and I am pretty shocking, as you heard. But | :02:23. | :02:29. | |
your moves, you do commit. I love that song. You just have to give it | :02:30. | :02:36. | |
some. We loved it. They made me put on the headphones. I would listen | :02:37. | :02:44. | |
for the next hour if I could. As we said, Emma will be presenting the | :02:45. | :02:48. | |
Brits next week and Tommy Sandhu has been out to meet a DJ with a | :02:49. | :02:52. | |
lifelong passion for music. But he might not be a fan of some of the | :02:53. | :03:00. | |
artists nominated this year. He will play anything you want. He has one | :03:01. | :03:03. | |
hell of a collection and if he hasn't got it, you will get it for | :03:04. | :03:12. | |
you. I want a man like that. A lot of people, especially to see him. We | :03:13. | :03:18. | |
are proud of him. I wish my dad was doing that. Don Barker definitely | :03:19. | :03:23. | |
has music in his blood. He has been on the ones and twos in Plymouth | :03:24. | :03:29. | |
since 1977. Tell us how this began. When did you first get into DJ in? | :03:30. | :03:35. | |
We used to go to the holiday camp on a Saturday and there was a | :03:36. | :03:39. | |
clapped-out old disco deck up there. One Saturday he said, the group | :03:40. | :03:43. | |
hasn't turned up, can you bring your records and do a session? I did, and | :03:44. | :03:49. | |
I got paid a five R. And you thought, hello, this is all right. I | :03:50. | :03:54. | |
ended up doing two nights a week for 16 and a half years. Now aged 80, he | :03:55. | :04:04. | |
is one of Britain's's oldest DJs and he shows no signs of hanging up his | :04:05. | :04:12. | |
headphones. Every Thursday for the last 34-year is DJ Don Disco has | :04:13. | :04:15. | |
been a regular fixture here at the Agaton social club for the golden | :04:16. | :04:25. | |
oldies night. So this is his domain, this is his crowd and he says he | :04:26. | :04:30. | |
knows them really well. What is a guaranteed floor filler? The | :04:31. | :04:35. | |
drifters, Saturday night at the movies. I would go straight into | :04:36. | :04:47. | |
kissing in the back row. Then you can come into things like a bar. | :04:48. | :04:51. | |
They were the Little Mix of their day. They were glamorous without | :04:52. | :04:59. | |
being lurid. I just love music. It is your message, your way of talking | :05:00. | :05:04. | |
to your people. Exactly. A piece of music you like, someone else will | :05:05. | :05:07. | |
like and it will possibly mean more to them than it does to you. We met | :05:08. | :05:14. | |
here. Under his music. Who made the first move? I did. When you are | :05:15. | :05:23. | |
good-looking, they will come to you! I understand that. Do you think | :05:24. | :05:29. | |
there will come a time when you retire? It was supposed to be next | :05:30. | :05:32. | |
month but they have been begging me not to. He can't retire because | :05:33. | :05:39. | |
there are too many people who love him. He is never going to give up. | :05:40. | :05:54. | |
He loves it. We are big fans of DJ Don on this show. Never retire. He | :05:55. | :05:59. | |
is brilliant, really good. Staying with music, the Brits are next week. | :06:00. | :06:05. | |
Emma, your first time presenting the show. Sharp intake of breath. Are | :06:06. | :06:12. | |
you going to be OK? I have gone through waves, last week and the | :06:13. | :06:14. | |
week before and the week before, from when I found out, it has been | :06:15. | :06:22. | |
terror. Why is it so terrifying? You have done so much live television, | :06:23. | :06:28. | |
surely this is in your bag. It is different, a mammoth show, 2.5 hours | :06:29. | :06:34. | |
long. It is a big room. And a lot of the people on the floor are not | :06:35. | :06:40. | |
listening! They are music heads, not TV heads. They are also drinking | :06:41. | :06:48. | |
heads. They get wild. They do. It is their night out when they celebrate | :06:49. | :06:52. | |
the industry they work in, so I get it. It is a hard room in that | :06:53. | :06:58. | |
respect, but when you are doing one of the biggest gigs on TV, that is | :06:59. | :07:03. | |
terrifying. But when you know you have Dermot O'Leary next to you it | :07:04. | :07:07. | |
is slightly like, I can breathe a little bit, because he is amazing. | :07:08. | :07:12. | |
And this week, because we have been in script meetings quite a lot and | :07:13. | :07:15. | |
we have been together quite a lot and I feel I am getting to know it a | :07:16. | :07:19. | |
bit more, I am starting to get excited rather than nervous. The | :07:20. | :07:24. | |
nominees are amazing. Let's have a look. | :07:25. | :07:38. | |
# There goes the alarm # Ringing in my head | :07:39. | :07:47. | |
# Spinning away # And leaving no trace | :07:48. | :07:54. | |
# You and me got a whole lot of history | :07:55. | :07:58. | |
# I'm only human # Don't put the blame on me. # | :07:59. | :08:07. | |
Those are the nominees. But the performances are what people are | :08:08. | :08:11. | |
excited about. They always have an amazing line up and the one year | :08:12. | :08:16. | |
that you get a host, you hope it will be amazing. And then you find | :08:17. | :08:23. | |
out we have Katy Perry and Robbie Williams, Bruno Mars. I am a massive | :08:24. | :08:31. | |
Bruno Mars fan. Little Mix who, again, I love the girls, they are | :08:32. | :08:36. | |
incredible. Your kids must be excited about you getting up close | :08:37. | :08:42. | |
and personal with these guys. My kids are massive Little Mix fans. | :08:43. | :08:48. | |
Even my ten-month-old. But Katy Perry, my son is literally obsessed | :08:49. | :08:56. | |
with her. Are you having to try and send him... I am slipping into my | :08:57. | :09:00. | |
bag for rehearsals to try and get him to see Katy Perry. Goodluck | :09:01. | :09:06. | |
Jonathan past security! It is a family affair. It is so notorious | :09:07. | :09:11. | |
that when a award winners go up, they tend to take a little time. | :09:12. | :09:17. | |
Have you figured out a way of trying to rein them in? Are you talking | :09:18. | :09:27. | |
about the moment with Adele? There have been moments over the years. | :09:28. | :09:31. | |
You've just got to hope for the best, haven't you? I would imagine | :09:32. | :09:37. | |
there possibly might be moments when we do have to go, anyway, thank you | :09:38. | :09:44. | |
very much. I do not want to give you tips, but have you tried the sock. | :09:45. | :09:52. | |
No. This guy, not only does he have moves but he talks a lot. In the | :09:53. | :10:03. | |
mouth. Yes? Yes. It works really well. Could you imagine? I might get | :10:04. | :10:11. | |
escorted from the building. Don't try it on Robbie Williams. Who wants | :10:12. | :10:18. | |
this sock? Going, going... It has gone. That is a horrible thing. | :10:19. | :10:24. | |
Robbie is like, I am a Brit icon winner, why are you putting a sock | :10:25. | :10:29. | |
in my mouth? For someone who has seen it all, that might be new. It | :10:30. | :10:36. | |
is a big night for him. He has got 17 Brit awards, so many. And now he | :10:37. | :10:40. | |
has the Brits icon award, and only three people have ever had one. But | :10:41. | :10:46. | |
he is phenomenal, that incredible entertainer. Whether you are | :10:47. | :10:50. | |
watching him on TV, or watching at Knebworth, or in a little venue, he | :10:51. | :10:55. | |
has everybody eating out of his hand and it is so thoroughly deserved. | :10:56. | :11:01. | |
That brings us to the Voice, where you are looking for a voice but so | :11:02. | :11:05. | |
much more. You host the show. Is there anyone on this series that you | :11:06. | :11:08. | |
think, that is the next Robbie Williams? Definitely we have | :11:09. | :11:13. | |
potential to have future Brit winners. Mo, did you see Mo? Every | :11:14. | :11:26. | |
time I hear it, I get shivers. And his best mate, was amazing. They | :11:27. | :11:31. | |
were so different. He is quite alternative and I love the way he | :11:32. | :11:37. | |
has these strange little moves. Diamond, I don't know if you saw | :11:38. | :11:40. | |
her, she was this incredible teenager. Jennifer got up and taught | :11:41. | :11:48. | |
her how to breathe differently and sing differently. She has been a | :11:49. | :11:53. | |
revelation, Jennifer Hudson. She is amazing. I love the way she gets the | :11:54. | :12:00. | |
band going. Take it down, take it up, get in there. That show is going | :12:01. | :12:05. | |
phenomenally. You can see the Brit awards on Wednesday and The Voice is | :12:06. | :12:10. | |
tomorrow evening, both on ITV. You are one of the busiest people in | :12:11. | :12:13. | |
showbiz, we know this. Yes, you are, it is a fact. You have the pick of a | :12:14. | :12:19. | |
lot of shows. If you had to pick and mix, what would be your favourite | :12:20. | :12:27. | |
sweet. I like what you did there. One of my all-time favourites, | :12:28. | :12:30. | |
because my grandad would have a jar of them in his house and I would | :12:31. | :12:34. | |
literally eat the whole bowl... We will come back to that. First, we | :12:35. | :12:38. | |
are going to talk about the bit of butterscotch because they celebrate | :12:39. | :12:44. | |
a very big birthday. Ricky has been to sample them. Decisions, | :12:45. | :12:53. | |
decisions. Whether you have a sweet tooth or not, there is something | :12:54. | :12:57. | |
nostalgic about a traditional sweet shop full of delicious treats. And | :12:58. | :13:03. | |
there is one particular treat that is celebrating its 200th birthday | :13:04. | :13:09. | |
this year. Hold, the butterscotch. -- behold. If you are thinking it is | :13:10. | :13:17. | |
from Scotland because of its name, you would be wrong. This humble | :13:18. | :13:23. | |
toffee brittle was created further south, in Doncaster. Peter Robinson | :13:24. | :13:28. | |
from Doncaster Museum is a bit of a butterscotch boffin. Tell me how | :13:29. | :13:35. | |
butterscotch was invented. Samuel Parkinson, a local grocer and | :13:36. | :13:38. | |
tobacconist, set up a business in 1817. He is reputed to have come up | :13:39. | :13:44. | |
with the recipe. But how he came about it, who knows. However it was | :13:45. | :13:51. | |
created, it wasn't long before the Royals knew about it. Took the | :13:52. | :13:56. | |
opportunity to give some to Queen Victoria on her visit to Doncaster | :13:57. | :14:00. | |
races. She liked it so much that she gave it the Royal Warrant, so after | :14:01. | :14:05. | |
that it was sold by appointment to the Queen. Despite the royal | :14:06. | :14:09. | |
approval, Parkinson 's empire could not with the competition from other | :14:10. | :14:14. | |
manufacturers, and in 1977 the factory shut its doors for good. | :14:15. | :14:20. | |
This is the boiling house cookbook, the only one we know of in | :14:21. | :14:24. | |
existence, and it has all the recipes from Doncaster Royal | :14:25. | :14:28. | |
butterscotch, all the way through to all the other sweet papered used | :14:29. | :14:34. | |
throughout their 160 years. I want to recreate it. Can I look in the | :14:35. | :14:39. | |
book? I can't do that, it is their trade secret. There might at some | :14:40. | :14:44. | |
point in opportunity to bring back Doncaster butterscotch for the | :14:45. | :14:48. | |
world. Have you got some I can taste so I have half an idea? Here is | :14:49. | :14:55. | |
something we made earlier. Very different to what I know | :14:56. | :14:59. | |
butterscotch to be. There is a citrus note to it. OK, I think I | :15:00. | :15:03. | |
know what to do. I love a challenge and with only my taste buds to go | :15:04. | :15:07. | |
on, the cos I can't see the recipe, I set to work making my | :15:08. | :15:10. | |
interpretation of Parkinson 's butterscotch. We are going really | :15:11. | :15:19. | |
basic. Water. And sugar. And a bit of butter. Yes, very simple | :15:20. | :15:25. | |
ingredients. When I first heard it I thought, scotch, does it have | :15:26. | :15:29. | |
whiskey in it? That comes from scorching the ingredients to make | :15:30. | :15:33. | |
the caramel. What is the difference between modern butterscotch and the | :15:34. | :15:39. | |
old-fashioned version? Modern butterscotch has cream and other | :15:40. | :15:44. | |
flavourings in it. The original has two secret ingredients. Which you | :15:45. | :15:48. | |
are going to tell me so I can make it properly. I can't do that. He is | :15:49. | :15:54. | |
not giving anything away but his butterscotch definitely had a lemony | :15:55. | :15:57. | |
flavour so I am adding citrus oil. Interesting. In needs to come to a | :15:58. | :16:04. | |
hard crack, 140 degrees, to give you the crunch. In with the butter. It | :16:05. | :16:10. | |
smells good. And then pour it out and wait for it to set. Cracking. | :16:11. | :16:17. | |
The moment of truth. Try it and tell me what you think. That is really | :16:18. | :16:25. | |
good. Really good. But how does my attempts stand up against the | :16:26. | :16:29. | |
original recipe? Let's see what the locals think. | :16:30. | :16:34. | |
I reckon mum and dad bought, it I were six or seven year old. We used | :16:35. | :16:43. | |
to come back from the race and always bought us butterscotch. That | :16:44. | :16:47. | |
was nice. This is too sweet. Which one did it look like? The darker | :16:48. | :16:52. | |
one. Which do you prefer? This one. Easier to chew. Can I have a taste? | :16:53. | :17:01. | |
That's just pure daddy that. You've taken me back 50 years. It looks to | :17:02. | :17:05. | |
me that butterscotch still has a place in the heart of Doncaster | :17:06. | :17:11. | |
people. Happy 200th birthday to the brilliant butterscotch. From | :17:12. | :17:17. | |
butterscotch to liquorice toffee. How did you know! We know. We have a | :17:18. | :17:25. | |
sweet treat in the studio, Giles! You're tracted now. I am, but you | :17:26. | :17:30. | |
mustn't be. Don't chew. Keep one for later. Musical mysteries is on my | :17:31. | :17:35. | |
menu. I've been discovering that nobody knows the recipe of the | :17:36. | :17:39. | |
success of the Strood various violin. -- Stradivarious violin. The | :17:40. | :17:50. | |
most perfect sound in the history of the world made by Antonio | :17:51. | :17:57. | |
Stradivari, 1680. He and his family, lived to be 93, made more than a | :17:58. | :18:01. | |
thousand of these instruments. 500 still remain. Nobody knows why the | :18:02. | :18:06. | |
sound is so perfect. No other violin has it in the world. Why? Was it oil | :18:07. | :18:12. | |
used on the wood? Was the wood itself special? Did it come from a | :18:13. | :18:18. | |
church? Did it have heavenly qualities? Nobody knows the secrets. | :18:19. | :18:26. | |
The family took the secrets to the grave. You hear about money involved | :18:27. | :18:32. | |
in some of these artefacts. They are worth millions, Stradivarious | :18:33. | :18:34. | |
violins are worth millions. I know this - Not something you want to | :18:35. | :18:40. | |
drop. Because once I did drop one. I made a film many years ago. I held a | :18:41. | :18:45. | |
Stradivarious. I was so excited, so nervous, that slipped my fingers and | :18:46. | :18:50. | |
it fell to a stone floor. And it bounced... Before it cracked! Let's | :18:51. | :18:56. | |
move on to a happier story, pot really. -- not really. This is a | :18:57. | :19:06. | |
story about Otis Reading. It's 1967, a great hit of his Sitting on the | :19:07. | :19:11. | |
Dock of the Bay # Siting on the Docofthebay wasting | :19:12. | :19:14. | |
time... # This is a good one. I'm a big fan of | :19:15. | :19:22. | |
These Arms of Mine. This number is historic because it doesn't have a | :19:23. | :19:27. | |
finish to it. It's the best selling posthumous record ever made. He | :19:28. | :19:32. | |
recorded it in December 1967 and three days later he was killed in a | :19:33. | :19:35. | |
plane accidents. He never finished the recording. The whistling at the | :19:36. | :19:41. | |
end, he was whistling at the end of the recording, but it might have | :19:42. | :19:44. | |
been a last verse. He often whittled. But it didn't mean very | :19:45. | :19:50. | |
much. That isn't him whistling. I'm sorry to tell you, that's Blues man | :19:51. | :19:56. | |
Sam Taylor. I feel cheated. Don't, it's a superb recording. A legendary | :19:57. | :20:01. | |
tale. To finish on a more favourable note. I have become a great fan of | :20:02. | :20:16. | |
Bob Marley. He was here in 1975 and recorded on apparatus loaned to him | :20:17. | :20:22. | |
by the Rolling Stones. Wonderful 24-track recordings were made. Those | :20:23. | :20:26. | |
recordings disappeared. Nowhere to be found for 40 years. Until they | :20:27. | :20:32. | |
turned up when a hotel was being rebuilt. An amazing guy called Joe | :20:33. | :20:37. | |
Gat, here tonight, found them. He's here. These missing tapes have been | :20:38. | :20:45. | |
restored. Thank you to Joe we can now after 40 years - He was there in | :20:46. | :20:51. | |
1975. # Get up, stand up | :20:52. | :20:57. | |
# Stand up for your rights. This is Bob marly from 1975 recorded live, | :20:58. | :21:05. | |
lost for 40 years. Given your history of the violin, I'm a bit | :21:06. | :21:09. | |
nervous. Oh, dear. He did that in rehearsal and it still hurts. I'm so | :21:10. | :21:14. | |
sorry. Giles, thank you so much. You'll be having that back quickly, | :21:15. | :21:18. | |
Joe. To musical discovery of another kind now, involving the famous Tudor | :21:19. | :21:24. | |
warship The Mary Rose. Divers uncovered 19,000 artefacts including | :21:25. | :21:27. | |
long forgotten musical instruments all rescued from the bottom of the | :21:28. | :21:32. | |
Solent. What would they sound like after 400 years. Richard's been | :21:33. | :21:38. | |
tuning up. Sunk at the battle of the Solent in | :21:39. | :21:46. | |
1545, The Mary Rose lay silent on the seabed for four centuries. The | :21:47. | :21:52. | |
discovery of her wreckage in the 1970s revealed 19,000 objects, | :21:53. | :21:56. | |
including some mysterious musical instruments. Could they unlock the | :21:57. | :22:01. | |
mystery of what Tudor music really sounded like? Alex was heart of the | :22:02. | :22:07. | |
archaeology team that investigated and raised The Mary Rose. When you | :22:08. | :22:11. | |
were down there, what were conditions like? At times, it was | :22:12. | :22:16. | |
challenging. Bad visibility would be hand in front of your face. Your | :22:17. | :22:19. | |
mind was so focussed that you didn't notice that you couldn't see | :22:20. | :22:23. | |
anything. We were bringing up a home for these 500 people. Through four | :22:24. | :22:31. | |
centuries, details of how people played and listened to music have | :22:32. | :22:35. | |
been lost. There might be contemporary pictures and | :22:36. | :22:40. | |
descriptions but no recordings. The raising of almost intact musical | :22:41. | :22:45. | |
instruments was a eureka! Moment. The idea of listening to the same | :22:46. | :22:50. | |
sounds that the Gunners and sailors might have heard, that's when | :22:51. | :22:56. | |
history comes to life. Musical historian Jeremy Montague has | :22:57. | :22:59. | |
studied with the instruments sounded like using replicas. Anita Felton | :23:00. | :23:07. | |
and Ann Grey specialise in performing Tudor music. We have a | :23:08. | :23:12. | |
wealth of instruments here which look slightly familiar. Let's start | :23:13. | :23:18. | |
with this one. This is a replica of the one found on The Mary Rose. | :23:19. | :23:24. | |
That's right. The one found on the rarery rose is the only -- Mary Rose | :23:25. | :23:27. | |
is the only one in the world. We have a description of 50 years | :23:28. | :23:31. | |
earlier. Then they found this. Now we know what it looks like. It is so | :23:32. | :23:38. | |
long and the player must have been an enormously tall man with long | :23:39. | :23:41. | |
arms. I cannot reach the finger holes. Anita's own smaller replica | :23:42. | :23:53. | |
allows us to hear how it sounded. A good, rich, deep bass instruments. | :23:54. | :23:59. | |
Really resonant and a slightly bawdy sound. A drum or table and pipes | :24:00. | :24:04. | |
were found. The drum beater was found actually inside the pipe. That | :24:05. | :24:08. | |
suggests they the same owner and were played together. That's | :24:09. | :24:17. | |
actually really difficult to do, you're playing a melody here and a | :24:18. | :24:22. | |
completely different rhythm. Yes. As a violinist I'm most keen to get my | :24:23. | :24:26. | |
hands on the replica of the fiddle. You would play it like this? More | :24:27. | :24:34. | |
like here on the elbow. Oh, really! Fantastic. Really beautiful | :24:35. | :24:38. | |
instrument. Now, at last, the ship is secure in her special air | :24:39. | :24:43. | |
protected museum in Portsmouth and I'm allowed privileged access to her | :24:44. | :24:47. | |
main hall. It gives me the opportunity to perform next to these | :24:48. | :24:53. | |
Tim pers to soak these old decks in atmospheric music. I can't wait to | :24:54. | :24:59. | |
hear if the old timbers groan in recognition. This is the sound of | :25:00. | :25:00. | |
history. Someone hoping to be making music | :25:01. | :25:32. | |
history one day is Ann Marie. Hi! CHEERING AND APPLAUSE | :25:33. | :25:38. | |
Nominated for two BRIT Awards. Which ones? Nominated for three. Oh! Go | :25:39. | :25:49. | |
on. It is Best Song, Best Video and best British breakthrough act. It's | :25:50. | :25:54. | |
a tongue twister. Which do you want, I mean all of them. All three. Of | :25:55. | :26:00. | |
course you do. An incredible last 12 months. We assume that most of the | :26:01. | :26:04. | |
people you're up against in the categories aren't going to want to | :26:05. | :26:09. | |
win against you, because you've got a martial arts background. Yeah, | :26:10. | :26:13. | |
three times world champion in awroughty. -- karate. Good luck to | :26:14. | :26:22. | |
them. If you need to know, stand behind her. Best of luck, thank you | :26:23. | :26:25. | |
very much. That is almost it for tonight. Emma is going to be | :26:26. | :26:28. | |
presenting the Brits next Wednesday on ITV. Thank you to Ore. Matt and | :26:29. | :26:36. | |
Michelle will step out with Amanda Holden and Tracey an Oberman on | :26:37. | :26:38. | |
Monday. Go for it. # Asked you once, | :26:39. | :26:55. | |
# Asked you twice now # There's lipstick on your collar | :26:56. | :26:59. | |
# You say she's just a friend # Then why don't we call her | :27:00. | :27:04. | |
# You want to go on with someone to do the things you used to do to me | :27:05. | :27:08. | |
# I swear I know you do # You used to take me out in your | :27:09. | :27:11. | |
fancy car # And make out in the rain | :27:12. | :27:15. | |
# And when I ring you up don't know where you are till I hear her shout | :27:16. | :27:18. | |
your name # I sing along when you play guitar, | :27:19. | :27:24. | |
that's a distant memory # Hopes she treats you better than | :27:25. | :27:28. | |
you treated me # I'm on to you. | :27:29. | :27:35. | |
# I saw you with her # Kissing and having fun | :27:36. | :27:43. | |
# I'm not going to sit here wasting my life on you | :27:44. | :27:44. | |
# I'm done. # I'm done | :27:45. | :28:00. | |
# I'm not going to sit and waste my time on you, yeah you | :28:01. | :28:04. | |
# I'm done # Now you go around in your fancy | :28:05. | :28:08. | |
car and make out in the rain # When she rings you up, she don't | :28:09. | :28:11. | |
know where you are # I know a different thing | :28:12. | :28:17. | |
# Now it seems so long when you play guitar, making brand new memories | :28:18. | :28:21. | |
# Hope you treat her better than you treated me | :28:22. | :28:24. | |
# I'm onto you # I'm not your number one | :28:25. | :28:32. | |
# With her # You give her your number, money | :28:33. | :28:35. | |
and time # I'm not going to be wasting my | :28:36. | :28:38. | |
time on you # I'm done. | :28:39. | :28:55. | |
Are you ready for the next ten years? I'm pregnant. | :28:56. | :29:08. | |
You won't notice I'm gone. We've already started interviewing. | :29:09. | :29:11. |