Browse content similar to 17/03/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Angela Scanlon. | :00:15. | :00:18. | |
And bringing the fun to our Friday once again, | :00:19. | :00:20. | |
I see our stage is all set up for a wonderful vocal | :00:21. | :00:29. | |
performance tonight - I'm so excited to sing | :00:30. | :00:31. | |
But the good news is that our performance tonight | :00:32. | :00:41. | |
is from an actress and singer who has one of the greatest | :00:42. | :00:43. | |
She's won a Bafta, two Grammies and let's not forget - an Oscar! | :00:44. | :00:56. | |
We did a triplet. A trio. Trio. You didn't need my help. I feel left out | :00:57. | :01:15. | |
because you are both singer, in the same musical together. You did | :01:16. | :01:20. | |
Hairspray. I did it on the stage. Who did you play? Edna. Oh my God. | :01:21. | :01:30. | |
Wow. I'm motor mouth. Look at that. I know, I'm so hot. I am gorgeous. | :01:31. | :01:35. | |
You are gorgeous. Isn't it the best show. I had the best experience, | :01:36. | :01:42. | |
doing the show. And terrifying do doing it live. It was the most fun | :01:43. | :01:48. | |
thing preparing it but the scariest, none of us realised up until the | :01:49. | :01:53. | |
tail end before we got ready to go live, guys we are gambling our | :01:54. | :01:57. | |
careers now, if we mess it up it is over. Studio You didn't. If you | :01:58. | :02:01. | |
haven't seen it, check it out. A newborn baby is both | :02:02. | :02:06. | |
precious and fragile - but one that is born 17 weeks early | :02:07. | :02:09. | |
brings a whole new range Sarah Jarvis has met one mum | :02:10. | :02:12. | |
who refused to give up hope. This the neo-natal unit as the | :02:13. | :02:25. | |
Princess Anne hospital in Southampton. Huge advances have been | :02:26. | :02:29. | |
made in caring for babies like these, with improvement in breathing | :02:30. | :02:32. | |
support and nutrition, as soon as they are born. But 20 years ago, the | :02:33. | :02:37. | |
chances of survival for the tiniest babies was slim. | :02:38. | :02:42. | |
So when in 1998, Paula's baby started to be born at just 23 weeks | :02:43. | :02:47. | |
she was terrified. After seven previous miscarriages | :02:48. | :02:51. | |
she knew it was far too soon. I was feeling very scared and I thought | :02:52. | :02:54. | |
not again. I am going to lose another baby. They said, if the baby | :02:55. | :02:59. | |
takes a breath they would try to ventilate him and give him a chance. | :03:00. | :03:05. | |
The doctor was their clant at the time. If the picture, the baby | :03:06. | :03:10. | |
wasn't showing signs of wanting to breathe for itself, or had a low | :03:11. | :03:15. | |
heart rate, we would have allowed mum and dad to cuddle the baby by | :03:16. | :03:19. | |
and wait for nature to take its course. But Paula's baby did take a | :03:20. | :03:24. | |
breath and she named him Andrew. It was hours before I got to see him. | :03:25. | :03:29. | |
It was very frightening to look into the incubator and see this tiny | :03:30. | :03:33. | |
little baby full of wires, I put my hand in and he held my finger. | :03:34. | :03:37. | |
Andrew continued to fight for life. But Paula only dared to hope one day | :03:38. | :03:45. | |
at a time, as she told the BBC programme City Hospital. It was four | :03:46. | :03:50. | |
months before they would tell us he would live before they would stop | :03:51. | :03:53. | |
saying he is all right at the moment. If you look at the survival | :03:54. | :03:59. | |
rates in those days, 5%, and the vast majority wouldn't have | :04:00. | :04:02. | |
survived. It was really after we left the | :04:03. | :04:06. | |
hospital they started talking about Andrew as having a future. Soon back | :04:07. | :04:12. | |
in for his first check up. And drew was a happy baby but he was blind in | :04:13. | :04:16. | |
one eye. His lungs and heart were affected. He has a slight narrowing | :04:17. | :04:22. | |
of one of his heart valve, you can see a bit of indrawing of his lungs | :04:23. | :04:26. | |
here, of his chest. When Andrew was two he needed surgery on his heart. | :04:27. | :04:30. | |
How do you feel about him going back in? Scared. Sick. They will deflate | :04:31. | :04:36. | |
his lungs and tie off the valve in his heart. Andrew pulled through. It | :04:37. | :04:41. | |
was a turning point for Paula. We are getting closer, we can see light | :04:42. | :04:46. | |
at the end of tunnel. Do you want to speak to Andrew. These days it is | :04:47. | :04:53. | |
half the babies of that gestation that get into the unit and go home. | :04:54. | :04:57. | |
You have to say that is what we are here for. | :04:58. | :05:02. | |
Well, today, in Andrew's case, all that hope is fully justified. Now | :05:03. | :05:07. | |
18, he is aiming for the future. So archery. Yes. A bit of a passion. It | :05:08. | :05:12. | |
is a very bit of a passion. Would you like a go? I would love a go. It | :05:13. | :05:18. | |
may not seem the sport for anyone who is visually impaired but Andrew | :05:19. | :05:23. | |
disagrees. I would say it probably helped my eyesight. I am having to | :05:24. | :05:27. | |
aim at the exact target so I have to really focus mid advice, so if | :05:28. | :05:31. | |
anything it feels like it helps me. Olympic sport maybe? Maybe. I could | :05:32. | :05:36. | |
do that, give it time. I I was grateful to get Andrew to | :05:37. | :05:40. | |
18. He has had some hairy times in the past. There is times where we | :05:41. | :05:45. | |
think, he ain't going to make ate. I have him into adulthood and I can | :05:46. | :05:50. | |
maybe take a bit of a step back and he can take responsibility for only | :05:51. | :05:55. | |
some of his own life. I feel I have a whole host of opportunities. The | :05:56. | :05:59. | |
only thing that worries him is his eyesight. He has developed glaucoma. | :06:00. | :06:05. | |
A couple of years ago his eye pressure shot up so high his life | :06:06. | :06:10. | |
was in danger. It is a problem and a scary problem, but I don't let it | :06:11. | :06:15. | |
control my life. I probably see myself hopefully in an IT career, | :06:16. | :06:22. | |
and just try and live my life like everyone should. He survived against | :06:23. | :06:26. | |
the odds and that is what he intends keep doing. It keeps me going, going | :06:27. | :06:31. | |
that 5% chance, don't waste it. I hope he is happy R get on with his | :06:32. | :06:36. | |
life and just have some fun. I couldn't ask for anyone to come | :06:37. | :06:42. | |
band help my the through my life. It has been rather troubling, and hard, | :06:43. | :06:47. | |
but I, we have got through it, and if anything it has made me stronger | :06:48. | :06:50. | |
as a person, and I would like to say thank you and I love you. | :06:51. | :06:54. | |
What a lovely man, such a credit to his mother. | :06:55. | :06:59. | |
Hopefully we'll all get to see him in the Olympics soon! | :07:00. | :07:01. | |
We saw in the film there the incredible bond | :07:02. | :07:03. | |
David Jnr is thinking about following in your footsteps? | :07:04. | :07:09. | |
He is. He is a little performer, he sings, dances, he doesn't wrestle as | :07:10. | :07:21. | |
much like his father does, but... He thinks he has muscles now like his | :07:22. | :07:26. | |
dad. How old is he? Seven. He wants to be the next Michael Jackson. | :07:27. | :07:30. | |
Would you encourage him? Definitely. I take the same approach as my mum. | :07:31. | :07:35. | |
She says whatever makes you happy, as long as you're happy momma's | :07:36. | :07:42. | |
happy. We support him. Brilliant. Remember Me, your new single written | :07:43. | :07:47. | |
by Jamie Hartman who wrote Human by Rag 'n' Bone Man, which is having a | :07:48. | :07:50. | |
massive moment. Tell us about the song. Remember Me which Jamie and I | :07:51. | :07:56. | |
wrote, it came together. I have been sitting with a lot of song writer, | :07:57. | :08:00. | |
we wrote it a month ago but it was the perfect gelling between us, I | :08:01. | :08:04. | |
had woke up the night before in the middle of my sleep and I was | :08:05. | :08:07. | |
thinking about a friend. I thought I need to deliver this message, other | :08:08. | :08:10. | |
than that I won't be able to fall asleep. I did that and I was able to | :08:11. | :08:15. | |
go back to sleep. When I woke up he was like, Jamie said I have this | :08:16. | :08:19. | |
hook, to this song and then we can build from there, write the verses | :08:20. | :08:24. | |
and it so happened to say I know you remember me in those moments before | :08:25. | :08:31. | |
you sleep. And I was like, I woke right out of my sleep with the same | :08:32. | :08:34. | |
sentiment. So that is where it came from and it formed that song. Didn't | :08:35. | :08:38. | |
you have a strange recording technique? I I did. It was the | :08:39. | :08:42. | |
strangest recording process, because Jamie is an artist as well. So he | :08:43. | :08:48. | |
had me record the verses in a vault. So my head... I heard it, like a | :08:49. | :08:54. | |
fish bowl. It was like a black dome. He was OK, I want you to get up, | :08:55. | :09:01. | |
don't think I'm crazy, I am like, I won't. I want you to go in the booth | :09:02. | :09:07. | |
and record the add lips, it was a unique process, And you lay down. I | :09:08. | :09:14. | |
sat down with my head in the vault... And I recorded the verse, | :09:15. | :09:19. | |
like I'm sitting here right now, I sang the verses and he said get up, | :09:20. | :09:25. | |
and go in the booth, and record the add lips -- ad-lib, I did don't know | :09:26. | :09:30. | |
why but I did it. It sounds great. We will hear it later on. It is your | :09:31. | :09:34. | |
first song in three year, did you feel pressure, was there a lot of | :09:35. | :09:38. | |
anticipation when you were going to make that move? No, because I am an | :09:39. | :09:45. | |
an trespass, if I am not singing I am acting, if I am not doing that | :09:46. | :09:51. | |
I'm a spokesperson. Now is the cycle of the music, as an artist I am | :09:52. | :09:55. | |
anxious to get back in the music. It is a different process, like I am | :09:56. | :10:00. | |
sitting with musicians and we are creating the music from the piano | :10:01. | :10:04. | |
and Justin Lee Collins producers saying sing line for line. So this | :10:05. | :10:10. | |
way I get to be the. It is interesting you say you are an | :10:11. | :10:12. | |
actress, you didn't start thinking that. No. When you got the part of | :10:13. | :10:18. | |
Effie White. 800 other girls had gone up for the part. You had not | :10:19. | :10:24. | |
done any acting before. Never. My mum said, I think you could act. | :10:25. | :10:28. | |
Mum, whatever. Then I turned round and won an Oscar on my first film. | :10:29. | :10:35. | |
I'm like, what? You make it look easy. Oscar-winning performance. | :10:36. | :10:43. | |
# I am telling you # | :10:44. | :10:48. | |
I'm not going # You're the best man I'll ever know | :10:49. | :10:55. | |
# That's the -- no way I could ever go | :10:56. | :10:59. | |
# No, no, no. # I have never been so jealous of | :11:00. | :11:04. | |
someone singing a song. Thank you. With that, there, you see why you | :11:05. | :11:08. | |
won the Oscar, it is an extraordinary performance, it is | :11:09. | :11:10. | |
difficult though, to play a character, having that kind of | :11:11. | :11:14. | |
emotional Kath sips, and yet still to control what is coming out of | :11:15. | :11:20. | |
your mouth, control the voice. Yes. Is it instinctive. I am glad to hear | :11:21. | :11:26. | |
someone who can relate. I can't sing and cry at the same time, can you? I | :11:27. | :11:33. | |
remember in that moment, they rapped the chair, the extras, I was the | :11:34. | :11:37. | |
last thing this there. That was the last thing filmed and I was hanging | :11:38. | :11:41. | |
on by a wing and a prayer, my head was pounding and when you cry your | :11:42. | :11:45. | |
head hurts too and I was like put the emotion, all the pain you feel, | :11:46. | :11:49. | |
put it in the singing, I used it in the scene. They don't know what | :11:50. | :11:54. | |
you're crying about. So those were real tears, and although when you | :11:55. | :11:59. | |
see the film it is play back, but I singalong to every thing. I am | :12:00. | :12:03. | |
singing full out. So the bigger the notes the more my head is pounding, | :12:04. | :12:09. | |
the more the tears, the more my head is pounding, I am like let me go | :12:10. | :12:14. | |
home. The headache was worth an Oscar. Have you seen the production | :12:15. | :12:22. | |
here? I cannot wait to go see. Of course. Will you let everyone know | :12:23. | :12:29. | |
you are going? No I am going to sneak in. I cannot wait. By the time | :12:30. | :12:34. | |
they are going to get done singing they will hear me screaming. They | :12:35. | :12:39. | |
will know I am there. As a performer, I did Broadway and a lot | :12:40. | :12:42. | |
of the talent doesn't like to know who is in the audience, so I don't | :12:43. | :12:46. | |
want to interrupt their process, so I am going to sneak in. Just wear | :12:47. | :12:55. | |
white fur! I can't wait. We look forward to it. | :12:56. | :13:02. | |
It is St Patrick's Day a. I am off the booze but tonight I am going | :13:03. | :13:10. | |
out. I am going out. Well, in honour of St Patrick's Day we have decided | :13:11. | :13:15. | |
to go with an Irish monster. Cute though. Is it Daniel O'Donnell? | :13:16. | :13:23. | |
This is a story about a genetic experiment. That combines science | :13:24. | :13:30. | |
and nature to produce a creature the likes of which has never been sign | :13:31. | :13:34. | |
before. Yes, I think I can hear something. | :13:35. | :13:39. | |
Meet the world's tallest dog. The Irish wolfhound. Or the original | :13:40. | :13:50. | |
frankenpooch. Eddie is meeting up with other owner, over the last 30 | :13:51. | :13:56. | |
years he has kept nearly 50 of these mighty hounds. They grow to about | :13:57. | :14:03. | |
34-36 inches at the shoulder. They stand over six foot tall when they | :14:04. | :14:10. | |
are on their hind legs. We have played a huge roll role in shaping | :14:11. | :14:14. | |
the wolf hound. They were large because they had to hunt Wolves and | :14:15. | :14:19. | |
deer, they height meant they could catch their prey, grab them by the | :14:20. | :14:22. | |
neck and kill them quickly. The next chapter of this story takes place in | :14:23. | :14:29. | |
the 1860s. I am off to meet Betty Murphy, the keeper of the archives, | :14:30. | :14:33. | |
accompanied by my new friend Shannon. Betty has the notebooks of | :14:34. | :14:38. | |
Captain George Graham. A dog breeder who came to Ireland in the aftermath | :14:39. | :14:43. | |
of a devastating famine when the breed was in a sorry state. What was | :14:44. | :14:47. | |
his role in reviving the breed if you like? He said we have to go back | :14:48. | :14:53. | |
to the original robust wolf hound, and he said in his own words, sadly | :14:54. | :14:58. | |
it can only be seen in a very few places at stage. It was almost | :14:59. | :15:04. | |
extinct. Graham's solution was to make a genetic intervention, using a | :15:05. | :15:11. | |
close cousin of the world hound. He used deerhound blood, selecting | :15:12. | :15:13. | |
those of good size. He saved the breed. He wrote the breed standard, | :15:14. | :15:18. | |
a check list of the features of the ideal world hound. Going down to the | :15:19. | :15:24. | |
sort of the individual feature, for example, the head, the shape of the | :15:25. | :15:29. | |
top line, the angulation of the forequarters of the hind quarters. | :15:30. | :15:34. | |
How would captain Graham's breed standard have been used? The first | :15:35. | :15:37. | |
place it would be used would be at dog shows. He was striving to | :15:38. | :15:43. | |
improve the breed and in the 20th century dogs that met the criteria | :15:44. | :15:47. | |
were champions. Naturally, breeders wanted to use them to create the | :15:48. | :15:53. | |
next generation of champion, but, there was a problem. Doctor Maura is | :15:54. | :16:02. | |
an ex per. She has charted the lineage of one dog that has fathered | :16:03. | :16:06. | |
pups round the world. There is a particular dog, he was a ram Ely | :16:07. | :16:10. | |
handsome hound and won a lot of shows so people wanted to use him. | :16:11. | :16:16. | |
But not only was he a handsome hound, he had a handsome son who was | :16:17. | :16:21. | |
used a lot. He also had a handsome son who was used a lot. Consequently | :16:22. | :16:27. | |
-- consequently that particular sire is now behind 37% of the wolf hounds | :16:28. | :16:29. | |
alive today. Research has revealed the effect of | :16:30. | :16:38. | |
this kind of inbreeding with genes causing health problems passed on | :16:39. | :16:41. | |
through generations rather than being weeded out by natural | :16:42. | :16:44. | |
selection. The main concern has been a deadly heart condition, | :16:45. | :16:49. | |
cardiomyopathy. But a genetic problem could have a genetic | :16:50. | :16:54. | |
solution. The Irish wolfhound database maps the interlinking | :16:55. | :16:58. | |
family trees of the world's wolfhounds. People can look at the. | :16:59. | :17:03. | |
'S pedigree all the way back to the 1850s. We hope readers can make good | :17:04. | :17:09. | |
decisions and breed long life, healthy dogs. How does Shannon | :17:10. | :17:15. | |
Wright on the inbreeding? We have captivated the average inbreeding | :17:16. | :17:21. | |
according to the population in the database. For a five generation | :17:22. | :17:26. | |
pedigree, the average inbreeding is 3.3 six. We can see Shannon's | :17:27. | :17:33. | |
inbreeding is 2.44%. The numbers sound good, but what about Shannon's | :17:34. | :17:36. | |
health? Today he gets his annual checkup with that Brian Jones. We | :17:37. | :17:43. | |
are checking for a normal heart. Normal beat, not too fast or slow. | :17:44. | :17:51. | |
-- with the vet. So the future is bright for these amazing and vibrant | :17:52. | :17:55. | |
dogs. Isn't it? Lovely kisses! Gypsy is here with us now, | :17:56. | :18:01. | |
she's four years old. She is massive. How do she compare | :18:02. | :18:11. | |
to your dogs, Jennifer? My dog is about the same size as the head! | :18:12. | :18:16. | |
Those are my babies. You could put a saddle on this one and head to | :18:17. | :18:22. | |
Cheltenham. Beautiful. I'm a dog person. We thought we would have | :18:23. | :18:27. | |
some fun, she comes from a very musical household. We will give you | :18:28. | :18:34. | |
three clues as to who the famous owners are. At home, this couple who | :18:35. | :18:39. | |
owned her, or always trying to style her. She is a Police dog and goes | :18:40. | :18:51. | |
for walks in Fields of Gold. You met this couple at the 55th Grammy | :18:52. | :18:56. | |
awards. Would it be staying and Trudie? -- would it be Sting and | :18:57. | :19:12. | |
Trudie? It is, big fans of the breed. Tomorrow night, God help us | :19:13. | :19:17. | |
all, the one show... Tomorrow night, God help us all, | :19:18. | :19:25. | |
The One Show are sending a team into battle as part of Let's Sing | :19:26. | :19:28. | |
and Dance for Comic Relief. With less than 24 hours to go | :19:29. | :19:31. | |
until their live performance, we caught up with Michelle to see | :19:32. | :19:34. | |
how the team is holding up. We are backstage at Let's Sing and | :19:35. | :19:46. | |
Dance to do a rehearsal. You found the green room, this is posh. Nice | :19:47. | :19:54. | |
to see you. This is a competition. Bring your A game, because it's on. | :19:55. | :20:02. | |
This is where the magic happens. We are ready for make-up. You have to | :20:03. | :20:05. | |
go, it's secret. Do I put my wig on or not? Lady Gaga | :20:06. | :20:12. | |
needs her space! What was that? This here is killing | :20:13. | :20:37. | |
me. What about my dress, it stinks! Sorry, this is a closed set. Lots of | :20:38. | :20:44. | |
Lady Gagas. Good luck to The One Show team | :20:45. | :20:47. | |
tomorrow - they'll need it. Please do tune in at 6:45 tomorrow | :20:48. | :20:50. | |
and give them your support. Jennifer, do you think The One Show | :20:51. | :20:52. | |
team have what it takes? Any tips you can give them? Live in | :20:53. | :21:02. | |
the moment. Feed off the crowd. You are absolutely right. You are over | :21:03. | :21:12. | |
here doing The Voice at the moment. Are you loving it? I love it so | :21:13. | :21:17. | |
much. I love music, I love being around talent and the other coaches. | :21:18. | :21:21. | |
It's a great experience. I came from a show like this as well. 13 years | :21:22. | :21:30. | |
ago. American Idle. I get to be a coach and help to call the shots! | :21:31. | :21:36. | |
Yeah! It gives you a unique perspective. It does because I | :21:37. | :21:40. | |
understand the space they are in and what it means to them. I can help | :21:41. | :21:45. | |
coach them in the right direction. I can prepare them for the music | :21:46. | :21:50. | |
industry. My money is on your team. The contestants seem to favour you. | :21:51. | :21:54. | |
Who's the biggest rival from the other coaches? There is always "A | :21:55. | :22:01. | |
problem" will stop but he knows how to compete. When will.i.am talks he | :22:02. | :22:09. | |
goes into outer space. He likes to trick you and things like that. And | :22:10. | :22:15. | |
the legend, Tom Jones, who can compete with him? Nobody. He's | :22:16. | :22:17. | |
amazing. With just a week until Red Nose Day, | :22:18. | :22:20. | |
it's important to remember why Comic Relief isn't | :22:21. | :22:24. | |
just about the laughs. Sara Cox meets the Box Girls | :22:25. | :22:26. | |
of Kenya to see how your donations It empowered me to know that I had a | :22:27. | :22:49. | |
new chance. It gives us skills to help in our lives. Boxing changed my | :22:50. | :22:56. | |
life. # Here come the girls... | :22:57. | :23:03. | |
Since last Red Nose Day your money has helped almost 7 million women | :23:04. | :23:12. | |
and girls across Africa. Box Girls in Kenya is empowering a whole new | :23:13. | :23:17. | |
generation of girls. Some of them are so small, so sweet. It's like a | :23:18. | :23:21. | |
mini army of girls. It's helping them cope with threats of violence | :23:22. | :23:28. | |
and educating them to make better life choices. Who had negative | :23:29. | :23:33. | |
experience in the slums to make you realise it's a good job to be here? | :23:34. | :23:41. | |
We could have just dropped out of school or be abreast. | :23:42. | :23:46. | |
-- or be oppressed. It helps make me know my rights. If I say yes, it's | :23:47. | :24:06. | |
yes, and no means no. Since Box Girls, everything is OK. | :24:07. | :24:29. | |
This lot behind me are completely amazing. It's thanks to you and your | :24:30. | :24:35. | |
money, they are blossoming into these bright, bold, confident young | :24:36. | :24:41. | |
women. They are breaking the cycle of violence, early pregnancy, the | :24:42. | :24:45. | |
risk of HIV. These girls want an education and career, and it's | :24:46. | :24:49. | |
because they come to Box Girls. If you can donate, we appreciate every | :24:50. | :24:51. | |
penny. Give what you can. If you would like to donate money, | :24:52. | :24:56. | |
which goes to fund Comic Relief projects at home in the UK | :24:57. | :24:59. | |
and in Africa, here's how to do it. To donate ?5, text the word | :25:00. | :25:02. | |
HELP to 70205 or to donate | :25:03. | :25:04. | |
?10 text HELP to 70210. Texts will cost your donation | :25:05. | :25:11. | |
plus your standard network message charge and all of your donation | :25:12. | :25:14. | |
will go to Comic Relief. You must be 16 or over and please do | :25:15. | :25:17. | |
ask the bill payer's permission. For full terms and conditions, | :25:18. | :25:20. | |
more information or to donate any amount you like online please go | :25:21. | :25:22. | |
to bbc.co.uk/rednoseday. And Sara of course is embarking | :25:23. | :25:31. | |
on a "24 Hour Danceathon" outside of the Radio 2 studios from Monday | :25:32. | :25:34. | |
morning in aid of Comic Relief. She'll be hopefully finishing her | :25:35. | :25:38. | |
epic challenge on the Radio 2 breakfast show on Tuesday - | :25:39. | :25:50. | |
which I'll be presenting - That's almost all we have time for, | :25:51. | :25:53. | |
thank you to my co-host But now, playing us out | :25:54. | :25:57. | |
with her new single Remember Me, # Say I forgot | :25:58. | :26:01. | |
to give you what you need # Well, I promised you gold yeah, | :26:02. | :26:30. | |
to have and to hold # In those moments | :26:31. | :26:33. | |
just before you sleep? # Swear to me the | :26:34. | :27:03. | |
memory isn't sweet. # That it doesn't | :27:04. | :27:11. | |
make your heartbeat # Oh baby we don't | :27:12. | :27:22. | |
even have to speak # On your heels same | :27:23. | :27:36. | |
as you # In those moments | :27:37. | :27:44. | |
just before you sleep # In those moments | :27:45. | :28:16. | |
just before you sleep # Swear | :28:17. | :28:33. | |
to me the memory isn't sweet. # That it doesn't | :28:34. | :28:42. | |
make your heart beat # No it doesn't make | :28:43. | :28:55. | |
your heart beat?# MasterChef is back, to find the | :28:56. | :29:04. | |
country's best home chef. The MasterChef kitchen is alive once | :29:05. | :29:10. | |
more. Come on, let's go! That's one of the hardest things | :29:11. | :29:15. | |
I've ever had to do in my life. | :29:16. | :29:23. |