Browse content similar to 20/03/2017. Check below for episodes and series from the same categories and more!
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# But I know we'll meet again some sunny day | :00:27. | :00:42. | |
# Till the blue skies chase Those dark clouds far away. | :00:43. | :01:05. | |
APPLAUSE. Hello and welcome to The One Show | :01:06. | :01:13. | |
with Michelle Ackerley. And Matt Baker, and a huge thank you to | :01:14. | :01:20. | |
Katherine Jenkins! Beautiful as ever. Lovely to see you. Someone | :01:21. | :01:28. | |
whose voice was as much a part of World War II as Winston Churchill's, | :01:29. | :01:35. | |
you were singing in honour of. We are talking about Dame Vera Lynn. | :01:36. | :01:40. | |
You performed that song with Dame Vera Lynn for the 60th anniversary | :01:41. | :01:44. | |
of VE Day. That was when you were dubbed the new forces sweetheart. | :01:45. | :01:48. | |
What are your memories of that day? It was such a special moment. I was | :01:49. | :01:53. | |
asked to close the show by singing We'll Meet Again in Trafalgar | :01:54. | :01:58. | |
Square. She was interviewed before the finale and she was at the back | :01:59. | :02:01. | |
of the stage. I remember looking out as I went to sing it and thinking, | :02:02. | :02:08. | |
this is all wrong. Why is Dame Vera not at the front of the stage? It is | :02:09. | :02:14. | |
her song. You have had quite a connection with her, because you | :02:15. | :02:20. | |
sang at her 90th birthday. It feels like yesterday was her 90th | :02:21. | :02:24. | |
birthday. She has always been such an inspiration to me. It was at | :02:25. | :02:28. | |
Trafalgar Square where we talked after that showed that she persuaded | :02:29. | :02:31. | |
me to go out to Iraq for the first time. So all my links with the | :02:32. | :02:36. | |
forces were because I was inspired by her and her stories. Well, Dan | :02:37. | :02:41. | |
Snow will be leading our own spectacular solo version of Dame | :02:42. | :02:44. | |
Vera's 100th birthday when he helps to project one of her classic | :02:45. | :02:48. | |
performances onto the White Cliffs of Dover. So if you would love to | :02:49. | :02:52. | |
wish Dame Vera a happy birthday today and you have a picture of the | :02:53. | :02:55. | |
two of you together, please send them in. And it is not just about | :02:56. | :03:01. | |
Dame Vera tonight. We will be talking about Katherine's new show, | :03:02. | :03:07. | |
plus Sara Cox and Javone Prince tell us why we should dig deep for Comic | :03:08. | :03:12. | |
Relief. It is a busy show. Now, another person who has been digging | :03:13. | :03:16. | |
deep, unfortunately into other people's rockets. Here is nick. | :03:17. | :03:22. | |
It was when we needed money that he would pray honours. It was scary. | :03:23. | :03:33. | |
Upsetting. -Ness. -- yeah. They have traditionally been thought of as | :03:34. | :03:37. | |
villains in a murky underworld, but don't be fooled. Last year, over | :03:38. | :03:41. | |
300,000 households fell victim to loan sharks. When times get tough, | :03:42. | :03:49. | |
demands for quick cash bring with them a surge in legal moneylending, | :03:50. | :03:53. | |
but with extortionate rates of interest and threats of violence, | :03:54. | :03:57. | |
these loans are costing people dear. Like victims of loan shark Lynn | :03:58. | :04:04. | |
Davis from Neath in South Wales. The 58-year-old led thousands of pounds, | :04:05. | :04:07. | |
charging massive repayment rates, and used intimidation to claw back | :04:08. | :04:14. | |
his cash. Two of his victims have bravely agreed to talk to the One | :04:15. | :04:18. | |
Show. We have disguised their identities to ensure their safety. I | :04:19. | :04:23. | |
thought he was a friend in the beginning, and things went from | :04:24. | :04:26. | |
there. He knew he could make money off us. We missed out on food | :04:27. | :04:30. | |
sometimes struggled with gas and electric to make sure he got his | :04:31. | :04:37. | |
money. He lent us ?1000, but woodchuck ?800 on top. We were just | :04:38. | :04:42. | |
paying every week. And when we didn't have the money, he would get | :04:43. | :04:47. | |
aggressive. The frighteningly high interest rates charged by loan | :04:48. | :04:51. | |
sharks are shocking, but it is not those mind-boggling percentages that | :04:52. | :04:55. | |
are illegal, it is the fact that they are loaning money without a | :04:56. | :04:58. | |
licence that puts them on the wrong side of the law. Steve Gray is | :04:59. | :05:04. | |
investigations manager at the illegal moneylending unit here in | :05:05. | :05:07. | |
Cardiff, a task force set up to bite back at loan sharks. In front of us, | :05:08. | :05:12. | |
we have some of the tools of the trade we have come across during | :05:13. | :05:18. | |
searches. They are clearly intimidating weapons. That access | :05:19. | :05:22. | |
from a case where someone turned up the person's house late in the | :05:23. | :05:29. | |
evening and arrived with that. How do people find themselves borrowing | :05:30. | :05:33. | |
money from a loan shark in the first place? It can be a simple financial | :05:34. | :05:36. | |
crisis if you want a pair of shoes because the kids are going back to | :05:37. | :05:39. | |
school or your washing machine breaks down. If you are in a | :05:40. | :05:43. | |
position where you can't satisfy traditional lenders with your | :05:44. | :05:48. | |
creditworthiness, there is nowhere else to go sometimes. The real thing | :05:49. | :05:51. | |
the loan shark is after is not lend you 100 quid and have 200 quid back | :05:52. | :05:56. | |
next week. They want to groom you, entice you into their world so that | :05:57. | :06:00. | |
they can control you, and you will be a cash cow for them for the next | :06:01. | :06:05. | |
five years. But it was the emotional cost that took the greatest toll on | :06:06. | :06:10. | |
Lynn Davis' victims. I just feel embarrassed and angry. He was making | :06:11. | :06:17. | |
us go into debt, not helping us out. It was going on for about five years | :06:18. | :06:23. | |
- stress, anxiety and worry. I think he's capable of anything. He is a | :06:24. | :06:27. | |
nasty man. Davis pleaded guilty to illegal moneylending last October, | :06:28. | :06:31. | |
but here is what is surprising - the judge offered him a lifeline. If he | :06:32. | :06:36. | |
would pay back all the extortionate interest he had charged his victims, | :06:37. | :06:40. | |
nearly ?10,000, then he might avoid a prison sentence. It's a decision | :06:41. | :06:46. | |
not all of Davis' victims agree with. The stress he put us through | :06:47. | :06:50. | |
towards the end, the last couple of years, he should have some | :06:51. | :06:54. | |
punishment back. On Friday, Davis was due back at Cardiff Crown Court | :06:55. | :06:59. | |
for sentencing. We have been told he has coughed up that interest in | :07:00. | :07:03. | |
full, but is it enough to avoid a prison sentence and what has he got | :07:04. | :07:06. | |
to say to his victims, the people he bullied into a cycle of debt? Lynn | :07:07. | :07:16. | |
Davis? It is nick Walace from The One Show. You can take your jacket | :07:17. | :07:19. | |
off your head. Are you ashamed of something? Why don't you answer some | :07:20. | :07:25. | |
questions? Does he deserve any privacy after the way he treated his | :07:26. | :07:31. | |
victims? There we go, no remorse, not answering questions. It is down | :07:32. | :07:34. | |
to a judge to decide what happens to him now. | :07:35. | :07:40. | |
Well, Nick is here now with news of that decision. What did the judge | :07:41. | :07:44. | |
said and did Len Davies escaped jail? Lynn Davis is a deeply | :07:45. | :07:48. | |
unpleasant and now convicted criminal who engaged in a | :07:49. | :07:51. | |
controlling and abusive relationship with his victims, but he wasn't sent | :07:52. | :07:57. | |
to prison. He was given an 18 month suspended sentence, and the judge | :07:58. | :08:00. | |
said that if he broke the terms of his parole or his curfew or he | :08:01. | :08:02. | |
engaged in any other kind of criminal activity, he would be | :08:03. | :08:08. | |
straight into jail. Is it unusual for a judge to give somebody time to | :08:09. | :08:13. | |
pay money back? Many people might be disgusted by the way Lynn Davis | :08:14. | :08:16. | |
could just walk out of court essentially a free man. Steve, who | :08:17. | :08:21. | |
we saw in the film from the illegal moneylending unit in Wales, said he | :08:22. | :08:24. | |
had not come across something like this before. However, we have found | :08:25. | :08:28. | |
instances where court orders have been made of this kind. I think the | :08:29. | :08:32. | |
thinking behind it is that if you throw a loan sharking to prison, | :08:33. | :08:36. | |
then you might find it difficult to track down their assets. But if you | :08:37. | :08:41. | |
say to them, you can avoid jail if you start paying back the money that | :08:42. | :08:44. | |
you have taken from people illegally, then sometimes that money | :08:45. | :08:50. | |
magically appears. In this case was particularly unusual because we knew | :08:51. | :08:53. | |
how many victims there were and how much he had taken from them, so the | :08:54. | :08:56. | |
court was able to order him to pay that money directly to the victims. | :08:57. | :09:01. | |
In many cases, if the police do a raid on a loan shark's property and | :09:02. | :09:05. | |
they fined ?200,000 stuffed in a mattress with no paperwork, they | :09:06. | :09:08. | |
will not know where that money has come from. So often, that money is | :09:09. | :09:12. | |
then given back to the community in terms of charitable projects. What | :09:13. | :09:16. | |
advice do the police have for people who may be tied up with some kind of | :09:17. | :09:20. | |
debt and are concerned about this? The first thing is that it is not | :09:21. | :09:22. | |
illegal to borrow money from a loan shark. You will not get into trouble | :09:23. | :09:38. | |
if you raise your hand and say, I need help. You can get confidential | :09:39. | :09:40. | |
help from any number of organisations like the Citizens | :09:41. | :09:42. | |
Advice Bureau or Crimestoppers or you can go directly to the | :09:43. | :09:44. | |
moneylending units themselves and say, I think someone could be an | :09:45. | :09:46. | |
illegal moneylender. They will check them out and start to give you help | :09:47. | :09:50. | |
from day one. It is -- if it is a potentially violent situation, they | :09:51. | :09:52. | |
can take you out of that situation. These units also operate on | :09:53. | :09:55. | |
tip-offs, so if you suspect that someone is a loan shark or might get | :09:56. | :09:59. | |
in trouble with a loan shark, call them and they can expect to get | :10:00. | :10:02. | |
these loan sharks out of the communities they are operating in. | :10:03. | :10:08. | |
Thank you, Nick. There are more details on our website. Katherine, | :10:09. | :10:13. | |
before we hear about your new version of Carousel, let's have a | :10:14. | :10:16. | |
look at a song everyone will recognise from the classic 1956 | :10:17. | :10:22. | |
movie. # Walk on, walk on. | :10:23. | :10:28. | |
# With hope in your heart. # And you'll never walk alone. Well, | :10:29. | :10:39. | |
Michelle, you say everyone will know the song, but I am sure not many | :10:40. | :10:43. | |
realise that it is from Carousel. What images does that conjure up for | :10:44. | :10:49. | |
you when you see that old footage? As a child, my mum used to entertain | :10:50. | :10:53. | |
my sister and I by putting on all the Hollywood musicals, and that was | :10:54. | :10:56. | |
my first love before I found classical music. I have always | :10:57. | :11:00. | |
wanted to do something like this, but it has never been the right | :11:01. | :11:08. | |
project. I am thrilled to be rehearsing something like this. It | :11:09. | :11:12. | |
is a song you have sung many times before. Yeah, I have sung this in | :11:13. | :11:18. | |
concerts and recorded it for my album. It is such a special song and | :11:19. | :11:23. | |
I think not many people know where it comes from. When you put it into | :11:24. | :11:27. | |
the context of this amazing story, this love story, with its highs and | :11:28. | :11:32. | |
lows, and this comes at the end, it is really emotionally charged. A | :11:33. | :11:37. | |
very different setting for you. We are used to seeing you in front of | :11:38. | :11:41. | |
big audiences, but in a concert situation. Here you are in a musical | :11:42. | :11:45. | |
situation, with Alfie bow on the 7th of April at the London Coliseum. As | :11:46. | :11:50. | |
far as the story is set, when is it set in history and what is your | :11:51. | :11:55. | |
character? This has been moved to the 1930s. I am playing Julie Jordan | :11:56. | :11:59. | |
and Alfie plays Billy Bigelow, and it is the story of how we fall in | :12:00. | :12:04. | |
love and the consequences of that. It is the most gorgeous score by | :12:05. | :12:08. | |
Rodgers and Hammerstein and it was voted the most popular music. It is | :12:09. | :12:14. | |
my first time doing anything like this, but I am having the best time. | :12:15. | :12:20. | |
We have 71 people on stage in one go with the English National Opera | :12:21. | :12:24. | |
chorus and their award-winning orchestra and all the dancers and | :12:25. | :12:29. | |
taking children. But it is only on for five weeks. This is your first | :12:30. | :12:33. | |
musical theatre performance, but you are so used to performing in front | :12:34. | :12:37. | |
of thousands of people. How are you feeling about this on how does it | :12:38. | :12:44. | |
compare? It is nerve-wracking, but exciting. It is such an honour to | :12:45. | :12:48. | |
get the opportunity to be involved in this. The English National Opera | :12:49. | :12:54. | |
decided to put on special programming of a one off popular | :12:55. | :12:57. | |
show every year to bring in a different audience. To be asked to | :12:58. | :13:00. | |
be involved with that has been a lovely thing. Of course I will be | :13:01. | :13:03. | |
nervous on the night, but I am having a whale of a time. It is an | :13:04. | :13:07. | |
emotional story as well. And you have to kiss Alfie Boe as well. I | :13:08. | :13:14. | |
do! We went into the kiss pretty early. It is so funny, because I | :13:15. | :13:21. | |
have known Alfie for such a long time and we get on so well that it | :13:22. | :13:27. | |
was like, let's get it done. Did that make it easier? Um, I am a | :13:28. | :13:34. | |
married woman with a baby at home. You just think you will never kiss | :13:35. | :13:37. | |
anybody else again and then you have to get your head around it. And you | :13:38. | :13:44. | |
have to do an American accent. Yeah, I have got to speak in an American | :13:45. | :13:48. | |
accent, but luckily my husband is American, so I get some practice at | :13:49. | :13:52. | |
home. First-time acting, first time in an accent. Alfie has done lots of | :13:53. | :13:58. | |
musicals and operas, so he has been great at giving the encouragement. | :13:59. | :14:06. | |
We wish you all the best. Now, Katherine, you are not the only show | :14:07. | :14:11. | |
stopper in the room tonight, because here is the clip. This was Michelle | :14:12. | :14:23. | |
on Let's Sing And Dance For Comic Relief on Saturday night. Shall we | :14:24. | :14:30. | |
just let it breathe a moment? There you have it, well done, Michelle! | :14:31. | :14:40. | |
Put that into some context for us. I loved wearing that costume. We all | :14:41. | :14:43. | |
thought, if we are going to do it, we might as well go for it. As you | :14:44. | :14:48. | |
could probably here, I can't sing to save my life. I thought you did | :14:49. | :14:56. | |
well! And of course, you got lots of support from viewers at home. Thank | :14:57. | :15:01. | |
you for voting. We are thrilled to be few. Final Saturday, all the | :15:02. | :15:04. | |
best. Everything is crossed. This week we have some famous faces | :15:05. | :15:16. | |
highlighting project your money helps fund. Here is Javone Prince. | :15:17. | :15:23. | |
Any change for the homeless please? Spare any change for the homeless | :15:24. | :15:24. | |
please? This is like my reality. When I leave my house I am amazed at | :15:25. | :15:37. | |
how many homeless people I see sleeping rough on the streets of | :15:38. | :15:41. | |
Britain and I am thinking why is this still happening in this day and | :15:42. | :15:44. | |
age and why are we not doing anything about it? Firm foundation | :15:45. | :15:50. | |
Winter night shelter is one of many projects across the UK which is | :15:51. | :15:54. | |
funded by Comic Relief and helps meet the basic needs of people who | :15:55. | :15:59. | |
are homeless. The shelter offers emergency accommodation for up to 12 | :16:00. | :16:03. | |
men and five women and night, Gillian is the manager. The shelter | :16:04. | :16:10. | |
runs for three months, 84 nights, requiring caterers and volunteers | :16:11. | :16:15. | |
and people to help run a shelter so people can leave the street. People | :16:16. | :16:21. | |
are homeless for many different reasons and so we find very quickly | :16:22. | :16:26. | |
that there isn't a stereotypical homeless person. My job finished, I | :16:27. | :16:32. | |
didn't have any money and my landlord said sorry, I like you but | :16:33. | :16:39. | |
you have to go. I was on the street. What was your first night like? I | :16:40. | :16:46. | |
was walking might just to keep warm. I stay here, it was like, wow, like | :16:47. | :16:55. | |
something from above. One of the reasons the shelter is so helpful is | :16:56. | :16:59. | |
it gives people not just the nutritional aspect but the social | :17:00. | :17:02. | |
aspect and the two together to lift spirits. They give you a nice bag of | :17:03. | :17:09. | |
washing stuff, boxers and stuff like that and you can put your head down | :17:10. | :17:12. | |
for the evening and they give you a lunch. It's a good thing that they | :17:13. | :17:23. | |
do. There are circumstances are often heart-wrenching and we are | :17:24. | :17:28. | |
working with them to establish away out of rough sleeping, out of | :17:29. | :17:34. | |
homelessness. I'm not asking for people to feel sorry for me, it is | :17:35. | :17:38. | |
just understand it. I may have fallen on hard times, for me it's | :17:39. | :17:42. | |
not what people think about it, it's what you think about yourself. | :17:43. | :17:46. | |
People who are homeless are 13 times more likely to be victims of | :17:47. | :17:51. | |
violence. I have had a couple of fights before. Some say get the job, | :17:52. | :17:57. | |
some say go back to your own country. Before they hear me speak. | :17:58. | :18:03. | |
Because I was born here. Was fine sleeping rough in an abandoned | :18:04. | :18:10. | |
building. The first night I slept out, I slept in a car park, no | :18:11. | :18:15. | |
sleeping bag, nothing. It does get cold. It is called now as you can | :18:16. | :18:21. | |
feel. I get cooked meals when I come here. If I can get some change | :18:22. | :18:28. | |
together, get a hot cup of tea. This place is a life-saver, definitely. | :18:29. | :18:31. | |
Whatever doesn't kill you makes you stronger doesn't it? Sadly there are | :18:32. | :18:41. | |
more people that are homeless than there are spaces at these projects. | :18:42. | :18:46. | |
To add to say to someone sorry, there is not a bed available and see | :18:47. | :18:51. | |
them go out rough sleeping, that is difficult. There are thousands of | :18:52. | :18:58. | |
people across the UK sleeping rough on our streets in any one night. | :18:59. | :19:02. | |
Your donation can help project like these offer those that are homeless | :19:03. | :19:07. | |
a safe place to spend the night and provide vital support to help | :19:08. | :19:09. | |
improve their lives. Thank you. Big thank you, Red Nose Day is of | :19:10. | :19:20. | |
course on Friday and if you would like to donate some money which | :19:21. | :19:24. | |
codes to fund projects here in the UK and in Africa, here is how you do | :19:25. | :19:29. | |
it. Catherine, can you do the honours? | :19:30. | :19:38. | |
Those text messages will cost your donation and your standard network | :19:39. | :19:44. | |
message charge and all of the donation will go to Comic Relief. | :19:45. | :19:49. | |
You must be 16 or over, please ask the bill payers permission. For more | :19:50. | :19:57. | |
information or to donate online go to BBC .co .uk/ Red Nose Day. | :19:58. | :20:02. | |
Someone else raising a lot of money for Red Nose Day as we speak doing | :20:03. | :20:07. | |
it about 50 meters in that direction on the top of Radio 2. She can hear | :20:08. | :20:14. | |
us. She is smiling. She is dancing to 80s music for hours, it is Sara | :20:15. | :20:23. | |
Cox. You are looking good, how do you feel? I feel all right. This is | :20:24. | :20:29. | |
what I do know, I danced nonstop. Very fresh faced. Let's hear about | :20:30. | :20:36. | |
what you are eating and how you are a growing, how are you keeping your | :20:37. | :20:44. | |
strength up? I have the good Professor looking after me, lots of | :20:45. | :20:48. | |
peanuts and bananas, a burger. It's amazing. Whilst you are moving? For | :20:49. | :20:57. | |
the odd moment, I had to viewers because I am wolfing food whilst | :20:58. | :21:02. | |
dancing. The listeners of radio to have been incredible and we have | :21:03. | :21:07. | |
raised so much and we have to keep going until 9:30am. Stick with us on | :21:08. | :21:13. | |
the red button. As far as beams are going, what are you finding the | :21:14. | :21:17. | |
easiest to dance to, power ballads, rock, disco? It's good to have a | :21:18. | :21:22. | |
power ballad because then you can just do some of this. It of that. A | :21:23. | :21:30. | |
bit of Prince was good. We have got it all. 80s music for 24 hours until | :21:31. | :21:37. | |
9:30am, I would love people to join in and innate and support because as | :21:38. | :21:42. | |
you know Comic Relief is incredible, every penny goes to all the | :21:43. | :21:47. | |
brilliant causes. If people donate and keep me dancing that would be | :21:48. | :21:53. | |
mega. No doubt they will. We have something to motivate you, the | :21:54. | :21:56. | |
slogan is make you laugh count so we have asked viewers to send in videos | :21:57. | :22:02. | |
of their favourite laps. Keep them coming, here is the current top | :22:03. | :22:06. | |
three as they stand. At three it is one-year-old Dylan. | :22:07. | :22:10. | |
LAUGHTER In Glasgow it's Ann. | :22:11. | :22:26. | |
And in the top spot at number one, Sinead from Dagenham. | :22:27. | :22:36. | |
Sinead joins you know to help you dance for the rest of the sure, all | :22:37. | :22:50. | |
the very best with everything Sara, you are doing a sterling effort, | :22:51. | :22:55. | |
well done. Thank you very much. Can you give us a laugh? LAUGHTER | :22:56. | :23:02. | |
I don't know if Material Girl will be playing at some point but if so | :23:03. | :23:12. | |
Katherine chose that one. And you can support Sienna Cox in her Sounds | :23:13. | :23:19. | |
of the 80s Dance-athon/ Radio 2. Earlier we heard music from the | :23:20. | :23:26. | |
1930s, the birthday of Dame Vera Lynn. To celebrate Dan helped in the | :23:27. | :23:33. | |
performance of one of her most famous songs. | :23:34. | :23:38. | |
During the blitz one voice rang out in the depths of the darkness. Her | :23:39. | :23:43. | |
songs were shorthand for British spirit in the face of adversity. The | :23:44. | :23:46. | |
forces sweetheart, Dame Vera Lynn. # But I know we'll meet | :23:47. | :23:49. | |
again some sunny day In honour of her 100th birthday The | :23:50. | :24:04. | |
One Show is preparing something very special to mark the occasion. Where | :24:05. | :24:13. | |
else but the white Cliffs of Dover. This iconic British landmark is | :24:14. | :24:17. | |
synonymous with one of Dame Vera's most love songs. Named the Aptly | :24:18. | :24:22. | |
white cliffs of Dover. # They'll be bluebirds over the | :24:23. | :24:33. | |
White Cliffs of Dover. It's that unforgettable Hector which | :24:34. | :24:39. | |
will be at the heart of our tribute. With the cliffs as a backdrop we | :24:40. | :24:43. | |
will attempt a tribute on a monumental scale. We have teamed up | :24:44. | :24:48. | |
with a company specialising in outdoor projection. Such a large | :24:49. | :24:53. | |
scale canvas is not without its obstacles. Most people assume cinema | :24:54. | :24:58. | |
screens are quite virgin services winners this is actually mottled | :24:59. | :25:03. | |
with moss. What is the idea, blast as much light as you can? We have | :25:04. | :25:09. | |
six high-powered projectors, we are going to have about a lumens of | :25:10. | :25:16. | |
projection, probably equal to the average lighthouses worth of power | :25:17. | :25:22. | |
onto the surface. As the team sets up I'm off to learn more about the | :25:23. | :25:27. | |
song. Filled with the spirit of resolve and defiance it is | :25:28. | :25:32. | |
quintessentially British classic. Or is it? Although this has the | :25:33. | :25:37. | |
reputation of being an iconic wartime British classic it was | :25:38. | :25:42. | |
written by two Americans. What? It was written in New York in tin Pan | :25:43. | :25:51. | |
Alley. My goodness. Despite neither of them coming to England, and we do | :25:52. | :25:56. | |
not have bluebirds in England. Why did these Americans write it? It was | :25:57. | :26:01. | |
1941 and the Allies were not doing very well and there was a dire | :26:02. | :26:05. | |
desire to try and decrease American support for the idea of joining the | :26:06. | :26:12. | |
war. Dame Vera Lynn became a figurehead for the war effort, | :26:13. | :26:16. | |
braving bombs to sing to troops across the globe. Songs like the | :26:17. | :26:21. | |
White Cliffs of Dover reminded soldiers stationed far away of home. | :26:22. | :26:26. | |
Exactly what they were fighting for. Almost time to begin. In true | :26:27. | :26:32. | |
wartime fashion we will be using searchlights. These are so powerful | :26:33. | :26:36. | |
we have had to notify the Civil Aviation Authority to tell pilots to | :26:37. | :26:41. | |
keep their distance. With one exception. The tribute would not be | :26:42. | :26:46. | |
complete without a cameo from one aircraft that has become synonymous | :26:47. | :26:53. | |
with World War II. To kick-start proceedings, a Spitfire salute for | :26:54. | :26:55. | |
the forces sweetheart. And as darkness falls it's time to | :26:56. | :27:20. | |
turn on the projectors. # There will be bluebirds over the | :27:21. | :27:47. | |
White Cliffs of Dover. # Tomorrow, just wait and see. | :27:48. | :27:54. | |
# There will be love and laughter # And peace ever after. | :27:55. | :28:10. | |
# Tomorrow, just you wait and see # . APPLAUSE | :28:11. | :28:20. | |
We were all joining in, some of us better than others! If you're | :28:21. | :28:27. | |
watching Dame Vera Lynn, happy birthday. Thank you to our technical | :28:28. | :28:34. | |
team. These are pictures of people who have met Dame Vera. This is say | :28:35. | :28:42. | |
that who sang in front of horror in 2010. This one sent in by Vivian. | :28:43. | :28:48. | |
Thank you for all of your pictures. Thank you to Katherine, Carousel is | :28:49. | :28:56. | |
in the London Coliseum from the 8th of April. John Bishop is here | :28:57. | :28:59. | |
tomorrow night. See as we served life sentences | :29:00. | :29:22. | |
in solitary confinement. | :29:23. | :29:24. |