Browse content similar to 17/04/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with me, Alex Jones, and my | :00:18. | :00:25. | |
co-pilot, the lovely Vernon Kay! I hope it is not a bumpy ride. I have | :00:26. | :00:30. | |
heard you are good! It is a super-sized show, a giant of a | :00:31. | :00:36. | |
co-presenter, how tall? Six foot four. Super rats invading our towns | :00:37. | :00:41. | |
and cities. And a whopping great Easter party in South Shields | :00:42. | :00:45. | |
involving shipping containers. And here on the sofa a colossus of | :00:46. | :00:51. | |
everything historical, even though she is only five foot three, Lucy | :00:52. | :00:59. | |
Worsley. Well,! Not many of our guests have a palace at their | :01:00. | :01:04. | |
disposal, let alone five. Let's kick this off, what is this about you | :01:05. | :01:08. | |
being stood up by Johnny Depp? I cannot believe how good your | :01:09. | :01:15. | |
research is! I did it all myself! Well, he was doing some filming at | :01:16. | :01:20. | |
Hampden for one of the feature films he has been in, and I was called in | :01:21. | :01:24. | |
by his location manager who said, will you stay late tonight? Johnny | :01:25. | :01:28. | |
Depp would like a tour of the palace with you. I called and said, what | :01:29. | :01:35. | |
should I do? You might want to stay. I waited and waited, time went on, | :01:36. | :01:39. | |
the phone didn't ring, and finally he called back and said, sorry, | :01:40. | :01:44. | |
Johnny was tired. But who better to be stood up by? It does make quite a | :01:45. | :01:50. | |
good story now. The weird thing is, Lucy, Vernon used to be a | :01:51. | :01:56. | |
curator... Well, more of a caretaker. I used to work with a big | :01:57. | :02:01. | |
bunch of keys, I used to be a mobile caretaker for several schools in the | :02:02. | :02:05. | |
Bolton area. I know what it is like to look after important buildings! | :02:06. | :02:11. | |
Is that on a par with palaces?! He used to fall asleep in a warm room | :02:12. | :02:15. | |
with all the pipes. Do you have one of those? We have got one of those. | :02:16. | :02:21. | |
I hope you do not mind me asking, how old are you, Vernon? Not showbiz | :02:22. | :02:29. | |
age? I am 39. According to research, that is the age that men turn into | :02:30. | :02:36. | |
their dad. Oh, really?! Yes! What are the signs? We have been to your | :02:37. | :02:39. | |
birthplace, Bolton, to find out. I noticed I started turning into my | :02:40. | :02:54. | |
dad when I started turning the thermostat down and I had my own | :02:55. | :02:58. | |
place on the sofa. Men start getting like their dad when they are dancing | :02:59. | :03:03. | |
or buying questionable shirts, the Hawaiian number, or getting their | :03:04. | :03:09. | |
chest hair out. I do stuff around the house and then look and say, oh, | :03:10. | :03:14. | |
God, I have turned into my dad. Driving in the first lane on the | :03:15. | :03:19. | |
motorway. Genuinely DIY things around the house. I noticed when you | :03:20. | :03:24. | |
decided that you would sit in your boxer shorts on the floor, | :03:25. | :03:29. | |
scratching your head. We were at a wedding, he was doing his best dad | :03:30. | :03:35. | |
dancing. Good dancing! It was dad dancing. | :03:36. | :03:42. | |
My son is turning into me, because he started listening to my kind of | :03:43. | :03:48. | |
music, which he would never do. And also, he has become very restless, | :03:49. | :03:53. | |
like I used to be. He cannot just sit around, he has to be doing | :03:54. | :03:59. | |
something. That is actually my dad! Is it?! Really?! Is it?! That is | :04:00. | :04:09. | |
actually... Yeah, that is my dad. My mum does the cooking, my dad sits on | :04:10. | :04:15. | |
the bench in the back garden. And you have started listening to his | :04:16. | :04:20. | |
music. Oh, wow, that is unbelievable. We have conversations | :04:21. | :04:24. | |
about fuel consumption in the cars, that is turning into your dad. And | :04:25. | :04:29. | |
you have got a man draw, you were saying. It is happening! Let me | :04:30. | :04:35. | |
introduce you, let's move on, away from my father! Let me introduce you | :04:36. | :04:40. | |
to a personal hero of mine, this is Max, a Jack Russell from Tunbridge | :04:41. | :04:45. | |
Wells, definitely not afraid of super rats. Look at that, good lad! | :04:46. | :04:53. | |
If you do not like wild rats - who does? - you might be pleased to hear | :04:54. | :04:57. | |
authorities are considering allowing stronger poison to be used to deal | :04:58. | :05:00. | |
with them. Britain has a problem, rats, but it | :05:01. | :05:05. | |
is not just about numbers. The rats in this country are getting harder | :05:06. | :05:09. | |
and harder to deal with. Scientists say the number of rats which are | :05:10. | :05:15. | |
resistant to poisons is increasing, and the problem is much more | :05:16. | :05:18. | |
widespread than previously thought. Some of the highest levels of | :05:19. | :05:22. | |
resistance in the world have been found in southern England, and | :05:23. | :05:25. | |
what's more it's proving almost impossible to tackle. Rob is a pest | :05:26. | :05:33. | |
controller, and his job is getting progressively harder. So, Rob, with | :05:34. | :05:37. | |
the rat population on the entries, I suppose you are busier than ever. We | :05:38. | :05:42. | |
are always busy. What is the job today? A farmer says he has seen | :05:43. | :05:48. | |
more activity, running down the side of the barns, I will put some stuff | :05:49. | :05:52. | |
down, we will monitor it and see what we have got going on. Rob is | :05:53. | :05:57. | |
worried that the growing resistance is our fault because when ordinary | :05:58. | :06:01. | |
people like you and me put down poisons, we don't put down enough, | :06:02. | :06:04. | |
and that adds to the problem, rather than solving it. I believe a lot of | :06:05. | :06:11. | |
it is down to bad baiting, they are putting it down in situations where | :06:12. | :06:16. | |
they should be using more. If you have got a party and you do not know | :06:17. | :06:20. | |
how many people are going to turn up, you have got a bottle of beer or | :06:21. | :06:25. | |
a case. If you are only trying to feed a tiny little bit of rat bait | :06:26. | :06:29. | |
amongst too many, they don't get enough of it, and if you continue to | :06:30. | :06:33. | |
do it over time, they build resistance. The Government estimates | :06:34. | :06:36. | |
they could be 10 million rats in Britain. With a gestation period of | :06:37. | :06:42. | |
21 days, the female is capable of producing 14 pups in a letter. | :06:43. | :06:47. | |
Numbers could be even higher. Scientists from Reading and | :06:48. | :06:48. | |
Huddersfield universities are mapping the problem, and they say | :06:49. | :06:53. | |
some of the highest levels of rat resistance are found in southern | :06:54. | :06:57. | |
England, where more than 70% of animals tested could survive being | :06:58. | :07:00. | |
poisoned. Doctor Colin Prescott and his in Reading have been collecting | :07:01. | :07:06. | |
samples of rats tails and droppings from all over the country. By | :07:07. | :07:11. | |
analysing the DNA, they can put the problem areas on a map. We are | :07:12. | :07:14. | |
looking at a map of south-east England, this is mapping resistance | :07:15. | :07:21. | |
of the rodent poisons. We started to find this kind of resistance was | :07:22. | :07:24. | |
widespread. We thought initially it was restricted to a small area | :07:25. | :07:30. | |
around Berkshire, but it is surprisingly, spreading right across | :07:31. | :07:36. | |
to Bath, Oxford, Southampton. That is Berkshire, Hampshire, Surrey and | :07:37. | :07:40. | |
even Kent. And the list of counties is still growing. So any animal that | :07:41. | :07:46. | |
is resistant is presumably going to survive and pass on its genes to the | :07:47. | :07:51. | |
next generation. Exactly, yes. Stronger poisons are already | :07:52. | :07:55. | |
permitted, but the rules say they can only be used indoors to protect | :07:56. | :08:01. | |
the environment. Dr Prescott thinks the rules need to change. If it were | :08:02. | :08:05. | |
possible to allow outdoor use of these rodent decides, I would argue | :08:06. | :08:11. | |
that we would be able to get control of most of these infestations in | :08:12. | :08:19. | |
four to six weeks, then you remove the poisons and no longer have the | :08:20. | :08:24. | |
problem. The Health and Safety Executive is now giving this serious | :08:25. | :08:28. | |
consideration, and the rules could change later this year. But the risk | :08:29. | :08:32. | |
is that it could kill more than just rats. So, Colin, what are the | :08:33. | :08:38. | |
implications of using stronger poisons normally used indoors, out | :08:39. | :08:43. | |
of doors on wildlife? There is a great risk of contamination with | :08:44. | :08:46. | |
birds of prey, particularly the red kite, barn owl, buzzard. They feed | :08:47. | :08:53. | |
in the situation, accumulate the poisons within the rodents. What | :08:54. | :08:56. | |
safeguards would you like to see put in place? We do need greater | :08:57. | :09:03. | |
controls, and one of those controls should be annual monitoring. The | :09:04. | :09:06. | |
fact of the matter is these poisons do indeed pose a threat to the | :09:07. | :09:11. | |
environment, the well-being of a huge range of animals. And not many | :09:12. | :09:15. | |
people want to see the rat population get any bigger than it is | :09:16. | :09:22. | |
already. So it is a dilemma. If we deal with this, it means endangering | :09:23. | :09:27. | |
these. That is what the authorities will be weighing up over the summer. | :09:28. | :09:31. | |
It is nearly an impossible decision, isn't it? A tricky one, wildlife or | :09:32. | :09:36. | |
rat, but what is in the poison that would harm the other animals? In | :09:37. | :09:41. | |
essence, the poison they want to use is currently only allowed indoors. | :09:42. | :09:49. | |
It is much more toxic. The one they are using indoors is a | :09:50. | :09:54. | |
second-generation poison, like the one used in the film, where we are | :09:55. | :09:59. | |
seen resistance. The first generation are warfarin drugs. There | :10:00. | :10:02. | |
is widespread resistance to those, people use that against blood | :10:03. | :10:09. | |
clotting. But the new one is much more poisonous, it is a single bait | :10:10. | :10:13. | |
poison. You put it outside, the rat has one meal, and three or four days | :10:14. | :10:17. | |
later it dies of internal haemorrhaging. Whereas with the | :10:18. | :10:21. | |
other poison which is currently being used, they have to eat several | :10:22. | :10:25. | |
times. If you are using a more toxic bait, the issue is that anything | :10:26. | :10:29. | |
that eats the rats that might have died, or rats that are looking | :10:30. | :10:33. | |
poorly, scavengers like red kites or barn owls of foxes, they are | :10:34. | :10:38. | |
ingesting a whole lot more poison. Unleashing this kind of chemical | :10:39. | :10:40. | |
into the countryside has to be carefully thought out and should be | :10:41. | :10:44. | |
used by professionals who know exactly what they are doing. Is it | :10:45. | :10:48. | |
true the rats are getting bigger? Or is that just a tabloid scare? | :10:49. | :10:54. | |
Monster rats! They are definitely getting bigger, Vernon. We go out on | :10:55. | :10:58. | |
Saturday night, we are terribly wasteful as a society, Peters, | :10:59. | :11:03. | |
kebabs chips, we'll either them there... Let me stop you there, I | :11:04. | :11:11. | |
have never wasted pizza, kebabs or chips after a night out! Who does | :11:12. | :11:16. | |
that?! Some people do, believe it or not, and they are getting more | :11:17. | :11:21. | |
obese. A doctor from the University of Leicester has an evolutionary | :11:22. | :11:30. | |
theory that we are clearing out a niche for animals to get bigger. | :11:31. | :11:35. | |
Being big is successful, and the largest current rat in the world is | :11:36. | :11:40. | |
a capybara, in South America, 80 kilograms. That is probably the same | :11:41. | :11:45. | |
weight as you. No, there are people out there was scared of rats | :11:46. | :11:49. | |
already! We have just made the problem worse! Think of my sister! | :11:50. | :11:55. | |
They could be getting bigger! Let's move on, that is quite a scary | :11:56. | :12:00. | |
prospect! Lucy, apart from being on television and writing books, you | :12:01. | :12:04. | |
have an amazing job where you are the curator of five historic Royal | :12:05. | :12:09. | |
palaces. What does that entail? Well, basically, we opened them up | :12:10. | :12:14. | |
and welcome visitors in. We try to give them a good time and show them | :12:15. | :12:17. | |
really interesting objects, we acquire things for the collections. | :12:18. | :12:22. | |
We have exhibitions, we have live interpreters, you can meet Henry | :12:23. | :12:30. | |
VIII, he comes out every morning and terrifies the kids! You look after | :12:31. | :12:34. | |
Hampton Court Palace, Kensington Palace, but where are you based? My | :12:35. | :12:41. | |
main office is up a spiral staircase in Hampton Court Palace, and it is | :12:42. | :12:46. | |
the world's best of this. It is a beautiful building. You tempted to | :12:47. | :12:51. | |
have a late-night party there? I am not sure I can answer this question! | :12:52. | :12:57. | |
Your latest project sees you getting to grips with the Georgians, let's | :12:58. | :13:06. | |
see you in action. In 1743, King George II became the | :13:07. | :13:10. | |
last British king ever to lead his troops in person on the battlefield. | :13:11. | :13:16. | |
Now, boys, he said, fire and be brave, and the French will soon run! | :13:17. | :13:25. | |
Very good, yes! You looked like you were enjoying yourself with that | :13:26. | :13:30. | |
musket. But who were the Georgians? The problem that most people have is | :13:31. | :13:35. | |
that they think they are German, grumpy, indistinguishable from each | :13:36. | :13:38. | |
other. If people know anything, they know the Horrible Histories express | :13:39. | :13:46. | |
and, a bad one, a sad one, the mad one, George III, and George IV, | :13:47. | :13:50. | |
whose waist was 54 inches, the fat one. Where did they come... I know | :13:51. | :13:57. | |
they came from Germany, but why did they pick them? In 1714, 300 years | :13:58. | :14:03. | |
ago, that is why everyone is Georgian mad at the moment, Queen | :14:04. | :14:07. | |
Anne died and had no surviving children, and this is despite the | :14:08. | :14:12. | |
fact that she had had 17 pregnancies, poor woman, a desperate | :14:13. | :14:15. | |
attempt to reproduce. Now the Protestant aristocracy decided that | :14:16. | :14:20. | |
they have still have a Protestant king, so they passed over 50 | :14:21. | :14:24. | |
relatives of Queen Anne's, and they finally found this obscure branch of | :14:25. | :14:27. | |
the German Royal Family, Protestants, who are invited over. | :14:28. | :14:32. | |
It is funny to think that the British monarchy was made in | :14:33. | :14:35. | |
Germany. That is what we were saying, why were they all called | :14:36. | :14:39. | |
George, then? It is a good brand, isn't it, you give your name to an | :14:40. | :14:43. | |
era, we will probably live in another Georgian era. Good point! To | :14:44. | :14:49. | |
what do we owe the Georgians, then? Well, the things that happened in | :14:50. | :14:53. | |
the 18th century that catch our imagination is the sort of the | :14:54. | :14:56. | |
development of this middle group of people with cash to burn. They have | :14:57. | :15:01. | |
got leisure time, and they invent a good brand, isn't it, you give your | :15:02. | :15:03. | |
name to an era, we will probably live in another Georgian era. Good | :15:04. | :15:06. | |
point! To what do we owe the Georgians, then? Well, the things | :15:07. | :15:08. | |
that happened in the 18th century that catch our imagination is the | :15:09. | :15:11. | |
sort of the development of this middle group of people with cash to | :15:12. | :15:13. | |
burn. They have got leisure time, and they invent wonderful, and the | :15:14. | :15:15. | |
pleasure gardens, wonderful dresses, architecture and gin. Quite | :15:16. | :15:17. | |
extravagant, then. They sounds like great fun! They used to think, as | :15:18. | :15:21. | |
beer comes by the pint, so should this new drink, and there were | :15:22. | :15:27. | |
terrifying consequences of this. You can see the programme on the 1st of | :15:28. | :15:32. | |
May at nine o'clock on BBC Four. Time to find out what our resident | :15:33. | :15:37. | |
extreme sport enthusiasts, or nutter, has been up to. He fancied | :15:38. | :15:43. | |
some whitewater kayaking, so we found the biggest bat the good and | :15:44. | :15:52. | |
got them to pull the plug out. North Wales, and this is one of 486 | :15:53. | :15:57. | |
reservoirs in the UK that supply households and industry with water. | :15:58. | :16:02. | |
It stories 70,000 million litres of rainwater and the people who run it | :16:03. | :16:06. | |
manage it carefully. Getting water to where it needs to be. Titles like | :16:07. | :16:14. | |
these are the key. Much of the time, the outflow from the reservoir | :16:15. | :16:19. | |
is a trickle. It makes the river downstream tame and shallow. But at | :16:20. | :16:24. | |
the click of a mouse, valves open and the flow increases. Today, from | :16:25. | :16:33. | |
4000 litres per second to 16,000 litres per second. It turns the | :16:34. | :16:36. | |
river into a different beast, wild, dangerous and perfect for thrill | :16:37. | :16:40. | |
seekers in search of Whitewater. When the release happens, river | :16:41. | :16:46. | |
becomes a torrent. It makes the rapids some of the fastest and most | :16:47. | :16:49. | |
exhilarating Whitewater anywhere in the country. Rafters benefit from | :16:50. | :16:55. | |
the lease of water but it is not the primary purpose. Why else do you use | :16:56. | :17:01. | |
the water? To produce hydropower, generating up to four megawatts. And | :17:02. | :17:05. | |
also, during pollution events, we release water to flush the river. | :17:06. | :17:10. | |
There is no danger that you are going to flood people? At all times, | :17:11. | :17:15. | |
consideration is given to the conditions downstream. This water is | :17:16. | :17:20. | |
on its way to 3 million people, who will get their supply mainly from | :17:21. | :17:27. | |
the reservoir. But with the river in motion, cannot resist the | :17:28. | :17:29. | |
opportunity. Why have my dry suit on and underneath that, and under suit. | :17:30. | :17:34. | |
And my helmet. It is just as well, because that water is just freezing. | :17:35. | :17:39. | |
Although the water is fast, it remains shallow. I have done plenty | :17:40. | :17:46. | |
of kayaking but hardly any Whitewater rafting. Duncan is | :17:47. | :17:54. | |
teaching me the techniques. We're going to float on our backs, feet | :17:55. | :17:58. | |
first. We have to float on the surface of the water. So that we | :17:59. | :18:03. | |
avoid the rocks. With the valves from the dam open, almost 1 million | :18:04. | :18:08. | |
litres of water a minute is flowing downriver. Tom from the British | :18:09. | :18:14. | |
Whitewater rafting team leads me into the first rapids. Good line. | :18:15. | :18:28. | |
The trick is to paddle faster than the flow of the water. For the | :18:29. | :18:33. | |
Heinz, and you are just a passenger, at the mercy of the | :18:34. | :18:40. | |
river. This water will get to Chester, 40 miles by road, but | :18:41. | :18:49. | |
longer by the river system. We do not have a national grid for water | :18:50. | :18:53. | |
distribution of electricity, but rivers are used like giant natural | :18:54. | :18:56. | |
pipelines to meet the demand for water from urban areas. The next | :18:57. | :19:03. | |
obstacle is a standing wave. A wave that remains stationary, caused by | :19:04. | :19:07. | |
the shape of the riverbed and the flow of the water. For rafters, they | :19:08. | :19:13. | |
are a hazard, with a suction effect that holds the boat in a position | :19:14. | :19:15. | |
that is tricky to escape from. First-time, I get through the waves | :19:16. | :19:28. | |
and out the other side. I'm feeling confident now. My fancy a race. -- I | :19:29. | :19:35. | |
fancy. Water is released 200 days a year from the dam. It makes this | :19:36. | :19:39. | |
river the ideal training ground for the British rafting team. Tom's | :19:40. | :19:45. | |
experience shows. Despite an early lead, after a bit of argy-bargy, he | :19:46. | :19:50. | |
beats me easily. More practice needed. I'm going to | :19:51. | :19:56. | |
get back out there. It looks like fun. | :19:57. | :20:00. | |
Now it's time to catch up with our Joe in South Shields where they are | :20:01. | :20:05. | |
What has been happening? It has been sounding absolutely | :20:06. | :20:17. | |
fantastic. As soon as you come here, it has gone quiet. What they are | :20:18. | :20:22. | |
rehearsing for is the Great North Passion, being broadcast live on BBC | :20:23. | :20:27. | |
One tomorrow at midday. It is a reinterpretation of the passion, | :20:28. | :20:30. | |
which is essentially the story of the end of the life of Jesus Christ. | :20:31. | :20:36. | |
It has been narrated by Fern Britton and Alexandra Burke is singing. | :20:37. | :20:38. | |
There are so many people taking part. Choirs, break dancers, | :20:39. | :20:43. | |
sculptors, all different kinds of artists. What is really intriguing | :20:44. | :20:48. | |
is that if you were behind me, there are shipping containers. 64 of them, | :20:49. | :20:54. | |
laid out in the shape of a cross. Essentially, it is a pop-up | :20:55. | :21:00. | |
cathedral. And the shipping containers represent the North East. | :21:01. | :21:03. | |
These are things that people see every day here going in and out of | :21:04. | :21:07. | |
the ports. The red ones, there are 12, representing the 12 stations of | :21:08. | :21:12. | |
the cross. They have been given to local artists to work on, to come up | :21:13. | :21:17. | |
with installation pieces. And here we have Kate Fox, the stand-up poet. | :21:18. | :21:21. | |
He will been working on one of these and the theme was kindness. We | :21:22. | :21:25. | |
decided to make a performance poem, so I've got the kids to think about | :21:26. | :21:30. | |
what kindness means to them in their lives. What is it like? They were | :21:31. | :21:34. | |
saying it was like ice cream because there are many different flavours, | :21:35. | :21:37. | |
like the number eight because it is a handshake, and like Ocean Road | :21:38. | :21:41. | |
behind us on the seafront. What is unkind? He said seagulls and other | :21:42. | :21:50. | |
things, my thoughts. We have a poem and we are performing it tomorrow. | :21:51. | :21:54. | |
Also, we will be performing random Acts of kindness to see -- random | :21:55. | :21:58. | |
acts of kindness to strangers. I love it. And look who else I have | :21:59. | :22:05. | |
got me. She is disguised, but I'm sure you will recognise her. | :22:06. | :22:07. | |
Alexandra Burke. How are you? I am really good. What is your | :22:08. | :22:16. | |
involvement? I am singing tomorrow, singing three songs. One in | :22:17. | :22:20. | |
particular is taken from the new album and it is called we do hearts | :22:21. | :22:25. | |
goal. I'm donating the proceeds to charity, to Prince Harry's charity | :22:26. | :22:29. | |
for which I am in ambassador. It is great to be here. Different to songs | :22:30. | :22:35. | |
of praise. Very different! But you know what, the setting is beautiful | :22:36. | :22:41. | |
and everyone has been so amazing. I am in eager to get started, because | :22:42. | :22:46. | |
tomorrow is going to be a spiritual, magical performance. Fantastic. | :22:47. | :22:52. | |
Hopefully, they will keep the sunshine for tomorrow. 3000 tickets | :22:53. | :22:55. | |
for tomorrow have all gone. You have to watch it on the BBC. But if you | :22:56. | :23:01. | |
want to come down and check out the performances in the containers, you | :23:02. | :23:08. | |
can do that between 12pm and 4pm. What a bundle of fun Kate was. So | :23:09. | :23:12. | |
enthusiastic! Now one of the bits of the One Show | :23:13. | :23:15. | |
you rarely get to see is our production gallery, | :23:16. | :23:19. | |
probably a good thing looking at them, which incidentally is two | :23:20. | :23:21. | |
floors underground and Fingers crossed everything is going | :23:22. | :23:23. | |
to be fine behind the scenes tonight but imagine the panic on the night | :23:24. | :23:35. | |
the BBC was about to launch a new In the early 1960s, there were only | :23:36. | :23:47. | |
two television stations broadcasting in the UK. BBC One and ITV. A | :23:48. | :23:52. | |
government committee wanted to offer the audience something different. A | :23:53. | :23:57. | |
third station. The BBC was set to launch a channel of cultural | :23:58. | :24:00. | |
distinction, focusing on drama, comedy, science and the arts. The | :24:01. | :24:06. | |
channel was to be called BBC Two and was set to be launched from here at | :24:07. | :24:10. | |
television centre on the 20th of April, 1964, with a night that | :24:11. | :24:14. | |
promised music, laughter and celebratory fire is. But the launch | :24:15. | :24:21. | |
was an unprecedented disaster. Broadcaster Dennis Tuohy was the man | :24:22. | :24:25. | |
chosen to be the face of BBC Two and watch it live on here. This was | :24:26. | :24:30. | |
history. And so when we had rehearsed it so many times, the | :24:31. | :24:35. | |
editor said, let's go and have a drink in the BBC club. But all the | :24:36. | :24:39. | |
rehearsing would be in vain. I'll left the bar and went back to the | :24:40. | :24:44. | |
studio area. And I was the only one there. And went into the gallery and | :24:45. | :24:48. | |
eye sat there. And they looked at the monitor screens. And suddenly, | :24:49. | :24:55. | |
they all went dark. Half an hour before the launch, a massive fire at | :24:56. | :24:58. | |
Battersea Power Station caused and delicacy blackout, plunging this is | :24:59. | :25:04. | |
very -- plunging the city into darkness. The countdown to launch | :25:05. | :25:07. | |
was about to turn into a countdown to disaster. The BBC studios across | :25:08. | :25:12. | |
London were thrown into chaos. At lime Grove, the power had also | :25:13. | :25:19. | |
failed. BBC Two had its own mascot come up hullabaloo the kangaroo. To | :25:20. | :25:22. | |
mark the launch, the BBC had borrowed a real kangaroo. When the | :25:23. | :25:26. | |
lights went out, he got jumpy and had to be shut in the scenery left. | :25:27. | :25:33. | |
With five minutes to go, there was still no power. A phone call was | :25:34. | :25:38. | |
made to the BBC news headquarters here at Alexandra Palace in North | :25:39. | :25:40. | |
London. Unaffected by the power failure, the News team was going to | :25:41. | :25:45. | |
have to step into the breach to launch the brand-new channel. | :25:46. | :25:51. | |
And then, there was silence. Things were about to get even worse. No | :25:52. | :25:55. | |
recording of that fateful night was made at television centre equals of | :25:56. | :25:59. | |
the power cut, and the events became part of industry folklore. Until a | :26:00. | :26:06. | |
mysterious tape was discovered. This man was working at the BBC archives | :26:07. | :26:13. | |
in Kingswood in Surrey in 2003. Good to see you. You are the man who laid | :26:14. | :26:18. | |
your hands on a piece of history. How did it happen? A colleague came | :26:19. | :26:24. | |
to me to show me what tapes looked like in the 60s. He showed me this | :26:25. | :26:29. | |
very tape. Immediately realise the significance of the random tape. A | :26:30. | :26:33. | |
production report said simply, the opening of BBC Two. Who would have | :26:34. | :26:39. | |
recorded it? This tape, there was an engineer at Kingswood who actually | :26:40. | :26:44. | |
stayed up to record it. One of the few video recorders in the country | :26:45. | :26:48. | |
at the time. And how did it feel to be holding and rediscovering a piece | :26:49. | :26:52. | |
of lost television history? Absolutely amazing. This was the | :26:53. | :26:58. | |
launch of the new channel. Gerald Priestland, for the first three | :26:59. | :27:01. | |
minutes of its broadcasting live, mute. When the viewers finally heard | :27:02. | :27:08. | |
him, the problems did not stop. Excuse me. Hello. Unlike Channel | :27:09. | :27:17. | |
one, there is nobody there. The plans line-up was replaced with an | :27:18. | :27:20. | |
evening of instrumental music and apologetic announcements. | :27:21. | :27:28. | |
Anything else? That is all we have are for the moment. But we will be | :27:29. | :27:34. | |
keeping in touch. However, BBC Two's failure to launch turned into | :27:35. | :27:38. | |
a publicity triumph. It hit the headlines in the morning with a big | :27:39. | :27:41. | |
announcement that the channel would relaunch that very night. | :27:42. | :27:47. | |
The BBC could not ignore the previous night's blackout. Our team | :27:48. | :27:52. | |
met to decide what we would do that evening. Something to do with | :27:53. | :27:54. | |
candles. But probably a single candle. Good evening. This is BBC | :27:55. | :28:01. | |
Two. The birth of BBC Two was a landmark | :28:02. | :28:05. | |
in British broadcasting. On that opening night, the channel that | :28:06. | :28:09. | |
promised excellence in comedy certainly managed to deliver. | :28:10. | :28:22. | |
Anybody there? Bless the young lad in the Argyle | :28:23. | :28:26. | |
sweater desperately seeking help from his colleagues. Hello? I'm | :28:27. | :28:35. | |
live, help me! I'm live on TV! And a telephone on the desk? Who is going | :28:36. | :28:41. | |
to call him live on television tonight and it is all over. That is | :28:42. | :28:45. | |
it for this evening. Thank you to Lucy Worsley. | :28:46. | :28:47. | |
The First Georgians is on 1st May on BBC Four. | :28:48. | :28:50. | |
Vernon and I will be back tomorrow night with Chris Addison and | :28:51. | :28:54. |