Browse content similar to 17/10/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to a slightly later One Show | :00:17. | :00:19. | |
Yes, we're on half an hour later so the news could cover the tens | :00:20. | :00:26. | |
of thousands of people who lined the streets of Manchester | :00:27. | :00:28. | |
for the homecoming parade celebrating Team GB's Olympic | :00:29. | :00:31. | |
and Paralympic heroes after their amazing success in Rio. | :00:32. | :00:37. | |
Let's have a round of applause... There's another parade | :00:38. | :00:44. | |
in London tomorrow. our guest tonight has announced | :00:45. | :00:54. | |
he'll play his first big concert since last on stage nine years ago. | :00:55. | :01:10. | |
Now, we could sit here and tell you how many records he's sold... | :01:11. | :01:13. | |
Or how many music awards are on his mantlepiece. | :01:14. | :01:17. | |
Instead, we'll just let you enjoy some of his best... | :01:18. | :01:23. | |
# Please give me one more night Give me one more night. | :01:24. | :01:40. | |
# Two hearts beating just one mind. Please welcome, yes, it is Phil | :01:41. | :01:52. | |
Collins. Phil Collins. Well, we just did that | :01:53. | :02:05. | |
really embarrassing things of singing your songs while you are sat | :02:06. | :02:08. | |
there. You cannot help it. It is nice to hear it. You've got a nice | :02:09. | :02:13. | |
voice. Only you. You are the first one to say that, Phil, ever. To be | :02:14. | :02:19. | |
fair, you were tapping away. You were doing the old base drum. I was | :02:20. | :02:23. | |
trying to bang the old leg back into place! You announced you will do | :02:24. | :02:29. | |
some concerts in London, Paris, co-long. By the time you get on | :02:30. | :02:32. | |
stage it will be ten years since the last time. Why the change of heart? | :02:33. | :02:37. | |
Six years ago you said you would retire. Well, I did. I did want to | :02:38. | :02:47. | |
stop and I did want to stop mainly because, you know, being married and | :02:48. | :02:52. | |
having two young children, Matthew was just born and Nicholas was about | :02:53. | :02:56. | |
three or four, I wanted to be at home and be a dad. That was very | :02:57. | :03:05. | |
important to me. Unfortunately, my marriage broke up around that same | :03:06. | :03:09. | |
time, which means when I retired there was no family to be with. But | :03:10. | :03:19. | |
anyway, I kind of felt that I'd kind of needed to be off the round about. | :03:20. | :03:24. | |
Now I am back with the two younger kids. They have encouraged me. You | :03:25. | :03:31. | |
know... When they get in the car, it's like play daddy's music. Oh, is | :03:32. | :03:39. | |
that true? Play daddy's music and Matthew who is 11 will say, when are | :03:40. | :03:43. | |
you going to write some new stuff, dad? They are really to blame. That | :03:44. | :03:50. | |
is the point it's so cross-generational. I remember as a | :03:51. | :03:54. | |
young lad I would travel a long way to go to gym and every night my mum | :03:55. | :04:02. | |
would put your music on. Now I pass it on to my children as well. You | :04:03. | :04:08. | |
have got your book, your album. It's all going off, Phil. All systems go, | :04:09. | :04:14. | |
as they say. First I will put your motoring head on. OK, you are | :04:15. | :04:19. | |
passing a cyclist, how much room do you give them? Do you know how much | :04:20. | :04:24. | |
room you are supposed to? Not officially. No That is the question. | :04:25. | :04:32. | |
Trish has been out with the police force who are trying to make sure | :04:33. | :04:35. | |
that drivers keep cyclists at arm's length.. | :04:36. | :04:54. | |
While drivers find some cyclists attitude infuriating, the statistics | :04:55. | :05:03. | |
show those on bikes are 17 times more likely to be kill ond the road | :05:04. | :05:07. | |
than those in car. Here in Birmingham the police are trying to | :05:08. | :05:10. | |
do something about it, by going undercover. Today this PC is donning | :05:11. | :05:21. | |
some lick consider. With his bike-mounted cameras he's going | :05:22. | :05:24. | |
undercover to spot drivers who are too close to comfort. There is a | :05:25. | :05:31. | |
close-pass, something which cyclists hate and fear. | :05:32. | :05:35. | |
Anyone caught today can choose to have either three points on their | :05:36. | :05:42. | |
licence or a 50-minute talking to by the officer. When passing anyone on | :05:43. | :05:47. | |
the road you should give it at least a car's door width. There's no way | :05:48. | :05:52. | |
motorists would know to be this far from the bike. We need to take the | :05:53. | :05:56. | |
education back to the car drivers and remind them of the law. I wait | :05:57. | :06:04. | |
for offenders with PC Mark Godson. How important is it to be | :06:05. | :06:08. | |
undercover? We want cyclists to be treated like any other cyclist on | :06:09. | :06:16. | |
the road. That way you get the true nature of the driving. The driver is | :06:17. | :06:24. | |
disciplined. He doesn't want to talk tows. Here a -- talk to us. Here a | :06:25. | :06:34. | |
bin lorry has been stopped. Most drivers choose the awareness session | :06:35. | :06:37. | |
over points on their license. The most important thing is if you try | :06:38. | :06:43. | |
and take away this 1.5 metre, this five-foot distance. What do you | :06:44. | :06:47. | |
think you did wrong today? Nothing. I thought I gave him plenty of | :06:48. | :06:53. | |
space. I cycle myself. You should be a better driver when it comes to | :06:54. | :06:58. | |
cyclists. . I was on my way to an appointment. Cyclists are instructed | :06:59. | :07:03. | |
to ride one metres from the curb. That is the instruction. This is the | :07:04. | :07:08. | |
space that should be between your car and the cyclist. | :07:09. | :07:12. | |
OK. That is much bigger than I thought. Say your cyclist is on his | :07:13. | :07:18. | |
lane here, how wide are my arms and elbows out now? Arms and shoulders. | :07:19. | :07:25. | |
If I can reach across and touch your car, you are too close. We know you | :07:26. | :07:30. | |
don't drive badly, we want to make you more aware of vulnerable road | :07:31. | :07:36. | |
users. It is a good job I used my indicator now I have been pulled in. | :07:37. | :07:41. | |
In a double whammy Chris is passed too close by a driver who appears to | :07:42. | :07:47. | |
be reading at the same time. Just over there for us. While you | :07:48. | :07:54. | |
were driving your car if you've anything causing a distraction you | :07:55. | :07:58. | |
are a danger and specifically to cyclists. You were very close to | :07:59. | :08:03. | |
that cyclist. Too close. Again the driver didn't want to talk to us. | :08:04. | :08:08. | |
Before he finishes his shift it seems Chris has plans for me. How | :08:09. | :08:12. | |
did it go today? Successful today. We stopped a number of motorists in | :08:13. | :08:22. | |
a short space of time. I am definitely more used to four wheels | :08:23. | :08:24. | |
than two. We have to take you up some hills. | :08:25. | :08:32. | |
Oh, no. Chris is keen to ride two abreast, which surprises me because | :08:33. | :08:36. | |
it infuriates motorists. It is not against the law. The Highway Code | :08:37. | :08:42. | |
suggest cyclists ride two abreast. You only have one length of bicycle | :08:43. | :08:47. | |
to overtake. If I were to drop in behind you now, that car driver has | :08:48. | :08:52. | |
two lengths of bicycle to overtake. OK, so we have got to... We have it | :08:53. | :08:59. | |
going past us now. That was scary! I will have so much more respect for | :09:00. | :09:04. | |
cyclists knowing what it is like being in the saddle. | :09:05. | :09:10. | |
It has been a real eye-opener today. If it means that drivers give | :09:11. | :09:14. | |
cyclists more room on the road I, for one, will get on my bike a lot | :09:15. | :09:18. | |
more. And Trish has cycled here, | :09:19. | :09:24. | |
incredible. It is lovely to see you. Cyclists can cycle a full metre away | :09:25. | :09:29. | |
from the curb. Forget mind the gap, it is a huge gap. The Highway Code | :09:30. | :09:35. | |
does not say where to position themselves. Use the default | :09:36. | :09:40. | |
position. We speak to scoop cycle Training UK. They said make sure you | :09:41. | :09:44. | |
can be seen and if in doubt, use the middle of the lane as a default | :09:45. | :09:49. | |
position. OK, is this scheme going to be rolled out across the whole | :09:50. | :09:54. | |
country Yes. Police Scotland are looking at it. It has gone as far as | :09:55. | :09:58. | |
Canada, Denmark and Switzerland. So they are looking to take this on. | :09:59. | :10:03. | |
Undercover pedal police are here to stay. Wow my brother-in-law is in | :10:04. | :10:09. | |
Humberside Police. I can not imagine him in like ca. Within two or three | :10:10. | :10:13. | |
minutes of being in London last night I saw a cyclist cycling across | :10:14. | :10:19. | |
a red light without any lights on. This is the thing. There are big | :10:20. | :10:24. | |
fines for that. Absolutely. Cyclists do get fined if they cycle badly. | :10:25. | :10:29. | |
For example, Greater Manchester Police you can do a course to avoid | :10:30. | :10:36. | |
the fine, but if you don't... He was cycling very well, but just? The | :10:37. | :10:41. | |
dark, through a red line. It wasn't like he was cycling bad. He was | :10:42. | :10:47. | |
fantastic. Motorists are still to blame in serious collisions, 57% of | :10:48. | :10:52. | |
motorists didn't see the cyclist at junctions. They've got no lights, | :10:53. | :10:57. | |
that's all. We will have to leave it there. | :10:58. | :11:00. | |
25 years ago this magazine here was launched to help the homeless. To | :11:01. | :11:07. | |
celebrate its success, the man who created it went back to his old | :11:08. | :11:11. | |
college to reveal some of his own big issues. | :11:12. | :11:17. | |
My name is John Bird, are or plain Lord Bird, if you like. | :11:18. | :11:21. | |
In 1991 I started The Big Issue, the world's biggest | :11:22. | :11:23. | |
Today I'm giving a One Show Life Lecture about the things I've | :11:24. | :11:27. | |
And it's a story of high art and low life. | :11:28. | :11:33. | |
From the age of ten we lived up there, at number 30. | :11:34. | :11:44. | |
We were in the orphanage for three years and before | :11:45. | :11:46. | |
that we were in a slum and before that we were in a slum. | :11:47. | :11:50. | |
Still the noisy King's Road, New King's Road. | :11:51. | :11:58. | |
It was a terrible place to bring children up. | :11:59. | :12:01. | |
Dad used to drink a lot, my mum used to drink a lot. | :12:02. | :12:04. | |
Given five years probation for shoplifting at the age of ten. | :12:05. | :12:14. | |
And this went on until I was nearly 16, when I got put | :12:15. | :12:17. | |
You can see the initials of my brother, Peter Bird. | :12:18. | :12:24. | |
You believed in education and you wanted to educate me | :12:25. | :12:33. | |
and I remember you giving me my first ever book, | :12:34. | :12:35. | |
I was trying to get you into the middle | :12:36. | :12:40. | |
It didn't work, though, I'm sorry. | :12:41. | :12:43. | |
There is no doubt at this point I was on my way to a | :12:44. | :12:51. | |
But whilst in prison I discovered something that changed | :12:52. | :12:54. | |
When I was 18 I was told that if you were an art student you got | :12:55. | :13:03. | |
I was going to evening classes, pretending I was an art student. | :13:04. | :13:15. | |
I said to one of the instructors, do you think it would be a good idea | :13:16. | :13:19. | |
if I applied to become an art student. | :13:20. | :13:21. | |
He said, I thought you were an art student! | :13:22. | :13:24. | |
Only art students are allowed in here. | :13:25. | :13:26. | |
And they asked me if I had any levels, any O-levels, | :13:27. | :13:29. | |
A-levels and all those things and I said, I haven't got anything. | :13:30. | :13:32. | |
So they said, well, we'll handle that. | :13:33. | :13:34. | |
Suddenly, I wasn't a tea-leaf anymore but a promising painter | :13:35. | :13:36. | |
and fine art printer at the Chelsea School of Art. | :13:37. | :13:41. | |
But not everyone shared my new-found sense of purpose in life. | :13:42. | :13:45. | |
My mum took my student grant and threw me out on the streets. | :13:46. | :13:48. | |
I know experienced homelessness first-hand. | :13:49. | :13:52. | |
I used to sleep under the rhododendrons. | :13:53. | :13:56. | |
Largely because people couldn't see you but also | :13:57. | :13:59. | |
because it was near the road, so if somebody did come | :14:00. | :14:02. | |
and try to get hold of me, I could scream and run out | :14:03. | :14:05. | |
In 1967 I decided to run away to Paris, which at the time | :14:06. | :14:11. | |
seemed more exciting and, yes, artistic. | :14:12. | :14:15. | |
Here, my printing skills even came in handy. | :14:16. | :14:18. | |
I used them to print some pretty revolutionary material. | :14:19. | :14:22. | |
I now knew what I wanted to do in life. | :14:23. | :14:26. | |
Fight injustice through the power of art and the written word. | :14:27. | :14:30. | |
Back in London in 1991, I launched The Big Issue. | :14:31. | :14:34. | |
And 25 years on, it's still going strong. | :14:35. | :14:39. | |
So, with my somewhat unorthodox background, | :14:40. | :14:42. | |
what lessons can I give to the students of my alma mater | :14:43. | :14:46. | |
I'm here to kind of give you a little bit of guidance. | :14:47. | :14:54. | |
The first lesson I would offer anybody who was starting out | :14:55. | :15:00. | |
as an artist is you are moving into a world full of sharks. | :15:01. | :15:03. | |
People who will promise you the earth and deliver | :15:04. | :15:05. | |
The other interesting one is always start from where you are. | :15:06. | :15:14. | |
A severely damaged post-war piece of social wastage who eventually | :15:15. | :15:21. | |
You have to learn to be the best at something. | :15:22. | :15:29. | |
You have to burn the candle at both ends. | :15:30. | :15:37. | |
You have to sweat blood for what you believe in. | :15:38. | :15:40. | |
Chelsea College of Arts should be full of aspiring geniuses! | :15:41. | :15:42. | |
Thanks to John - the 25th Anniversary issue | :15:43. | :15:50. | |
Your autobiography is out now. You don't hold back. Can we start at the | :15:51. | :16:08. | |
beginning, when you were a little lad with your very very first drum | :16:09. | :16:12. | |
kit and tell us that lovely story that you put there the book. The | :16:13. | :16:18. | |
first thing when I was three, that I remember was a plastic drum. And | :16:19. | :16:23. | |
back in my day when it was Christmas you got a soldier, a ball. Trapping | :16:24. | :16:30. | |
Ian. O you know, you didn't get the complete Star Wars fleet. You didn't | :16:31. | :16:35. | |
get a PlayStation with the games, so life was different. I took to this | :16:36. | :16:43. | |
drum and so my uncles made me a drum kit, when I was five. I gradually, I | :16:44. | :16:49. | |
got to know a friend across the road who was selling a snare drum, bass | :16:50. | :16:56. | |
drum, and then at 12, I made the ultimate sacrifice of selling my | :16:57. | :17:03. | |
brother's train set. Did you ask him permission? Permission? Permission? | :17:04. | :17:12. | |
No, of course not. My mum and I went 50% each on a cheap drum kit and we | :17:13. | :17:18. | |
went to a shop called Alberts in Twickenham, which you know, of | :17:19. | :17:22. | |
course is no longer there, but you know, I bought a drum kit, and that, | :17:23. | :17:28. | |
that saw me through the early 60s, you know. The early 6 o 0s was when | :17:29. | :17:33. | |
it was all happening. It became at one point a toss up, between acting, | :17:34. | :17:40. | |
and drumming. Not for me it didn't. Your parents were supportive either | :17:41. | :17:44. | |
way. They were keen on that path for you. Back then, if you want to be a | :17:45. | :17:49. | |
drummer you had to wait until you were 18, 19 before you could do it. | :17:50. | :17:54. | |
Now you have multi-platinum records out if you are 14. So, I did the | :17:55. | :18:02. | |
acting thing, it was great fun, I mean some things were much more fun | :18:03. | :18:08. | |
than others, the art full dodger in Oliver with Jack wild there. You | :18:09. | :18:13. | |
know, that was fantastic, then I had some dodgy moments and really all I | :18:14. | :18:17. | |
wanted to do was play drums, so as soon as I could, escape, I did. Much | :18:18. | :18:26. | |
to my father's I wouldn't say disgust, that is too strong, he | :18:27. | :18:32. | |
wasn't, he was disappointed. He felt it would be better for you to go | :18:33. | :18:38. | |
into acting. No better to me to go into the City of London insurance. | :18:39. | :18:41. | |
Really, there we are. Talking of going into the city we took a drum | :18:42. | :18:46. | |
kit into the city, just to see what would happen. To see if we can find | :18:47. | :18:52. | |
any budding Phil Collinses. This is what happened. Look. | :18:53. | :19:10. | |
It is like going into a trance when you play drums. | :19:11. | :19:24. | |
I play African drums but you won't play because neighbours may | :19:25. | :19:25. | |
complain. Really liberating. Getting my | :19:26. | :19:51. | |
frustrations out. When I am drumming it makes me feel | :19:52. | :19:56. | |
powerful. How did it feel? Exciting. | :19:57. | :20:07. | |
APPLAUSE So what do you reckon? Anybody there | :20:08. | :20:12. | |
you thought had a real knack? Yes, there was stuff at the end that was | :20:13. | :20:19. | |
kind of, you know... What impressed me was three or four guys in, the | :20:20. | :20:27. | |
sound changed, and it became more roomy, and that sounded impressive. | :20:28. | :20:33. | |
Sometimes it is not what you play, it's the sound of what you play, you | :20:34. | :20:41. | |
know. You can do... And if the sound is right... That is what I always | :20:42. | :20:46. | |
say about drumming. LAUGHTER | :20:47. | :20:54. | |
. So true. I think it is a great idea, for kids to have, if your | :20:55. | :20:58. | |
house allows, to have a place because it lets off steam, and it | :20:59. | :21:05. | |
kind of, you know, gives you a bit of, you know, this is me doing it, I | :21:06. | :21:10. | |
think that is good for kids. I couldn't agree more and your | :21:11. | :21:13. | |
household has been full of music, and you were saying earlier on about | :21:14. | :21:19. | |
your sons and how they are brilliant drummers. Simon is 40, he is a | :21:20. | :21:25. | |
fantastic drummer, he plays piano, writes, sing, does his own records, | :21:26. | :21:34. | |
Nicholas, he is 15 now, and he is, he is awesome as a drummer, I have | :21:35. | :21:40. | |
to say, awesome. I haven't taught them, I mean Matthew my youngest is | :21:41. | :21:44. | |
a fantastic soccer player, I say soccer because he is an American | :21:45. | :21:48. | |
man, it is football really. If you live over there football is | :21:49. | :21:56. | |
something else. But it is yes, I am lucky, all my kids have become | :21:57. | :21:59. | |
talented. It is just as well, really. It is just as well, because | :22:00. | :22:05. | |
your dedication to drumming has resulted and you talk candidly in | :22:06. | :22:09. | |
the book about it in lots of health problems as a result. How you now | :22:10. | :22:22. | |
then? Coughs I am OK. I still have this problem with my left arm a bit. | :22:23. | :22:26. | |
It is getting better. I should practise. You know, you get to | :22:27. | :22:33. | |
Carnegie haul by practising, but I had back surgery a year ago -- hall. | :22:34. | :22:37. | |
That left me with a numb foot, hence the stick I arrived with. And it is | :22:38. | :22:43. | |
just the nerves need to regenerate. Apart from that I am fine. That is | :22:44. | :22:51. | |
why I call the book Not Dead Yet because a lot has been made of the | :22:52. | :22:54. | |
health. It took you five years to write it, you have waited a long | :22:55. | :22:58. | |
time to do it, what is the reason for you putting all this down? You | :22:59. | :23:02. | |
say at the beginning in the first few page, this is my view, the | :23:03. | :23:07. | |
events the way I see them. Have you tried to set the record straight | :23:08. | :23:12. | |
with this? It wasn't meant to be a get even book, it was just to take a | :23:13. | :23:18. | |
bit of the lid off things, you know, that we all have, we have all got, | :23:19. | :23:22. | |
we have all been young with our mum's -- mums and dads, we have | :23:23. | :23:28. | |
children, and suddenly, you know, you, and the witness accident, | :23:29. | :23:32. | |
witnesses to accidents, you know, someone said he wore a grey jumper, | :23:33. | :23:39. | |
someone said he wore a blue jumper, we all perceive things differently, | :23:40. | :23:44. | |
so in life, my camera went off at a certain time and I remember things a | :23:45. | :23:48. | |
certain way. So I kind of pre-empt that by saying, you know, this is | :23:49. | :23:52. | |
the way I remember it happening. Phil it is just the most | :23:53. | :23:57. | |
extraordinary read. Page after page, decade after decade, and we haven't | :23:58. | :24:01. | |
got any more time to talk about it. We talked about so much. Any way, go | :24:02. | :24:05. | |
out and read it. It south on Thursday. It really is something | :24:06. | :24:06. | |
else. OK, let's give a big welcome | :24:07. | :24:10. | |
to a new species to the UK. This is the Viper's-bugloss mason | :24:11. | :24:13. | |
bee, which has just been spotted for the very | :24:14. | :24:15. | |
first time on our shores. And if you're a rare bee | :24:16. | :24:17. | |
connoisseur, then George has found something for you - | :24:18. | :24:20. | |
at a very unlikely site. Can I have wick in Essex was once | :24:21. | :24:33. | |
earmarked for an oil refinery, building work started but in the | :24:34. | :24:37. | |
'70s all development stopped. The abandoned brownfield site has been | :24:38. | :24:41. | |
dubbed the wild east of modern Britain. | :24:42. | :24:45. | |
The oil refinery developers dredged the Thames and dumped the shell | :24:46. | :24:52. | |
laden nutrient rich soil on the surrounding land, inadvertently | :24:53. | :24:56. | |
created the perfect habitat for plant, birds and invertebrates. | :24:57. | :25:01. | |
By some measure of diversity can I have wick could be as rich as a | :25:02. | :25:09. | |
rainforest. Doctor Sarah Henshall of bug life | :25:10. | :25:14. | |
manages the site, along with the RSPB. This is an SSI, a site of | :25:15. | :25:19. | |
special scientific interest but it is particularly so because of the | :25:20. | :25:26. | |
insects. There is round 1400 species. It has everything they need | :25:27. | :25:30. | |
to complete the life cycle. There is areas of ground to bask in, lots of | :25:31. | :25:35. | |
floral research, nectar and pollen and they scrub things over in | :25:36. | :25:39. | |
winter. Sarah will help me find insects and many are very rare. | :25:40. | :25:45. | |
This is a photograph of one of our rarest and most threatened bees in | :25:46. | :25:51. | |
the UK. Suffered massive decline due to a loss of wild flowers. I hope we | :25:52. | :25:57. | |
will see some beetles. The bomb bah deer beetle. I I can't wait to get | :25:58. | :26:04. | |
on with this. Shall we get on? Yes. We have recruited an army of | :26:05. | :26:10. | |
volunteers to help us do a bioglitz. We will Garner as many species of | :26:11. | :26:15. | |
insect as we can across the varied habitat. And it is not long before | :26:16. | :26:20. | |
the tree beaters find and interesting beastie. What is under | :26:21. | :26:30. | |
there? Lovely. A long horn beetle. It is just fantastically hairy. Not, | :26:31. | :26:35. | |
I have to say a particularly rare thing. Nice but not rare. | :26:36. | :26:45. | |
The insect catcher sucks up one of our target species. What have you | :26:46. | :26:48. | |
got there? A bomb bah deer beetle. Wonderful. | :26:49. | :27:02. | |
That is so cool. The next find comes from the grass | :27:03. | :27:04. | |
sweepers. Brilliant, this could be what we are | :27:05. | :27:10. | |
looking for. George. Is that it? Is that the insect? This is one of our | :27:11. | :27:17. | |
most rarest bees, that is fantastic. It looks like a worker. Once | :27:18. | :27:22. | |
widespread there are now only seven populations left. That is less than | :27:23. | :27:28. | |
2,000 bees. We have a Queen, which is very very | :27:29. | :27:35. | |
exciting. My first ever. This are quiet at the moment. If you hold | :27:36. | :27:40. | |
them close to your ear... Yeah. Oh yes. A little buzz, a high pitched | :27:41. | :27:44. | |
buzz. Beautiful. | :27:45. | :27:54. | |
It is bee-autiful. She is having a feed. It is amazing we are under the | :27:55. | :28:04. | |
flight path of London airport but this is just an oasis of wildlife. | :28:05. | :28:12. | |
Most of it is stunning like this ruby moth that lays its eggs in the | :28:13. | :28:18. | |
nests of other bees and wasps. We have collected well over 100 | :28:19. | :28:22. | |
species, we have done it, just before the rain. So I think the | :28:23. | :28:27. | |
sooner we get this stuff released the better. Well done. | :28:28. | :28:33. | |
I am staggered at the diversity of animals here, and I am very glad | :28:34. | :28:37. | |
that the oil refinery business started their work but failed to | :28:38. | :28:43. | |
finish it. Thank you Phil. We have to say a | :28:44. | :28:47. | |
very big thank you to Phil Collins. The album which we never got the | :28:48. | :28:53. | |
chance to talk about, The Singles is out now. We will be back tomorrow | :28:54. | :28:57. | |
with Donny Osmond. Have a lovely evening. Bye. | :28:58. | :29:03. | |
Behind the genteel facades of Victorian London's streets, | :29:04. | :29:06. | |
Can't believe people had to live like this all their life. | :29:07. | :29:10. | |
BBC Two will bring a 19th-century slum back to life... | :29:11. | :29:14. |