Browse content similar to 17/12/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker and Alex Jones. It | :00:18. | :00:25. | |
is a busy time of year for lots of shops around the country but we have | :00:26. | :00:29. | |
persuaded one special shopkeeper to close early and come and join us. It | :00:30. | :00:34. | |
is Granville himself, Sir David Jason. Very nice to see you, Sir | :00:35. | :00:46. | |
David. Thank you. It is exactly 50 years since your television debut. | :00:47. | :00:50. | |
So we have put together a Granville-style hamper. It is not | :00:51. | :00:56. | |
the best. It is all right. We put a bit of effort in. Bits and pieces to | :00:57. | :01:01. | |
mark different projects. The magnifying glass for Frost. We have | :01:02. | :01:09. | |
some haven for the Darling Buds of May. That smells. I never did that, | :01:10. | :01:20. | |
it wasn't me. That brings us to Open All Hours, but it is a bit stinky. I | :01:21. | :01:25. | |
will not hand it over just now. Are you a fan of the hamper at Christmas | :01:26. | :01:32. | |
time? Does it bring you joy? Yes, especially if it is sent by somebody | :01:33. | :01:36. | |
else from Fortnum and Mason 's. If anybody wants to send me one! I | :01:37. | :01:44. | |
would be welcoming it. There are always bits and pieces at the bottom | :01:45. | :01:49. | |
that you think, that is not me. The odd marmalade with orange and brandy | :01:50. | :01:53. | |
or something weird where they have twisted it a bit too far. I don't | :01:54. | :02:00. | |
know where you get yours! This got us thinking. We want to hear from | :02:01. | :02:05. | |
you if you are planning to send on a present that you actually received | :02:06. | :02:09. | |
last year. We want you to take a photo of the item and send it in to | :02:10. | :02:15. | |
the usual address. We will only use first names and we will not give any | :02:16. | :02:22. | |
idea where you are from. All day, Warwick Davies has been going on and | :02:23. | :02:26. | |
on about the Star Wars premiere last night. It has been Han Solo this, | :02:27. | :02:33. | |
Skywalker that. He has starred in two Star Wars films but I don't | :02:34. | :02:37. | |
think he would have got an invite to the Premier if it was not fast. | :02:38. | :02:44. | |
I started my career 32 years ago when I appeared in Star Wars, return | :02:45. | :02:49. | |
of the Jedi, and now I am at the UK premiere of the latest release in | :02:50. | :02:56. | |
the saga, The Force Awakens. All these people have come to see | :02:57. | :03:01. | |
the stars. I could be hanging out there with Harrison Ford, Carrie | :03:02. | :03:04. | |
Fisher and Mark Hamill, but I am with the most important people, the | :03:05. | :03:11. | |
fans. Where have you travelled from? Italy? To be here? And you have come | :03:12. | :03:16. | |
all the way from Southend. Incredible dedication. And like most | :03:17. | :03:23. | |
fans, I have myself the stick. I wanted a light sabre but they would | :03:24. | :03:32. | |
not give me one. BB-8. Fantastic. Smile. He doesn't want to smile. | :03:33. | :03:37. | |
With my unique access to the red carpet, maybe I could give them a | :03:38. | :03:40. | |
helping hand to meet their favourite stars. You want Mark Hamill. Goudie | :03:41. | :03:45. | |
you want? Harrison Ford. Hello. Are you up for meeting some | :03:46. | :03:58. | |
fans. I am with the One Show tonight. Do your hair. Come over | :03:59. | :04:02. | |
here because I am trying to make dreams come true for some people. | :04:03. | :04:07. | |
Come and meet little Charlie, the biggest Star Wars fan in the | :04:08. | :04:14. | |
universe. How are you most admire is it all about the selfie today? I | :04:15. | :04:20. | |
would say the selfie, because then you know you were with them. I | :04:21. | :04:31. | |
present to you, Mr Peter Mayhew. If you check on eBay tomorrow, you will | :04:32. | :04:36. | |
see all this. I have just seen the boss, JJ Abrams. Tell us about your | :04:37. | :04:43. | |
first memory of Star Wars. My first memory was going to the theatre at | :04:44. | :04:48. | |
almost 11 years old. I went in, thinking the world was one thing, | :04:49. | :04:51. | |
and I came out feeling like anything was possible. And who knew that you | :04:52. | :04:59. | |
would be directing and co-writing one in the future? Absolutely | :05:00. | :05:04. | |
insane. Not as cuddly as the real thing. I am here with the Star Wars | :05:05. | :05:11. | |
creator, Mr George Lucas. Great to be here. I am interested in the | :05:12. | :05:15. | |
fans, they are so passionate. How does it feel to have made such a | :05:16. | :05:18. | |
difference in so many people's lives? It feels great. What else can | :05:19. | :05:25. | |
I say, except maybe they are all crazy? It is Anthony Daniels, C-3PO. | :05:26. | :05:36. | |
How about a selfie with me? Yes! More importantly, I can have one | :05:37. | :05:41. | |
with the fans. Wasn't that lovely? We were only | :05:42. | :05:49. | |
kidding earlier. We also want to say hello to Granville's son, Leroy, | :05:50. | :05:56. | |
played by James Baxter. We are going to stick on the Star Wars theme, | :05:57. | :06:01. | |
because a little bird tells us that you have sat in the new Millennium | :06:02. | :06:08. | |
Falcon. I might have. How? We were filming at Pinewood. Name-dropper! | :06:09. | :06:18. | |
In the lunch break that we had... For Open All Hours? Yes, me and | :06:19. | :06:25. | |
Johnny slipped off and got in there. Johnny Vegas? Yes. We were meant to | :06:26. | :06:29. | |
be with the director but he wasn't there. He didn't turn up. The | :06:30. | :06:40. | |
director of Star Wars? Yes. How tight was security? It was mental. | :06:41. | :06:47. | |
They ask you if you have your phone on you. And they have a sticker that | :06:48. | :06:53. | |
they put round your camera, and it changes colour if you take it off, | :06:54. | :07:00. | |
so they know. A picture here, a picture there. A picture everywhere. | :07:01. | :07:07. | |
It is like that on the set of Open All Hours! It is when he is there. | :07:08. | :07:14. | |
You are back, taking over from Arkwright, owning the shop, Sir | :07:15. | :07:17. | |
David. The relationship between you and Ronnie Barker was key. How do | :07:18. | :07:21. | |
you find working with James? Terrible. If I could have recast it | :07:22. | :07:29. | |
on the first day, I would have done but I was outvoted. He doesn't look | :07:30. | :07:35. | |
like me. He doesn't look like anybody. Your eyes are similar. No, | :07:36. | :07:47. | |
the idea is a relationship tween Granville and Arkwright, and when I | :07:48. | :07:55. | |
played him, as Granville, was either Sun, or was I not? In order keep | :07:56. | :08:00. | |
that going, we have introduced that idea with Leroy and Granville. In | :08:01. | :08:06. | |
order to get a comic relationship going. Because you do need somebody | :08:07. | :08:15. | |
that acts as... All of the great comedy duos have always been two, | :08:16. | :08:22. | |
really. That is obvious, if they are a duo! You need a foil, someone to | :08:23. | :08:29. | |
bounce off. That is why we needed someone. You couldn't really do it, | :08:30. | :08:34. | |
you see, with a female, present company excepted. I mean, if it had | :08:35. | :08:42. | |
been you... Thank you so much for not turning up for that audition. It | :08:43. | :08:47. | |
means you can do a lot more physical and be rude. I could take it. You | :08:48. | :08:55. | |
are out in the next series. Let's have a look at you both in action. | :08:56. | :09:04. | |
Let me have a look. That may there. I can see through here what you were | :09:05. | :09:12. | |
doing last night. Good grief! No wonder you are tired. I was home | :09:13. | :09:18. | |
early last night. Anyway, if you dare and leave me in charge, why | :09:19. | :09:23. | |
don't I go for the trip? Because you will come back with some clapped out | :09:24. | :09:24. | |
way. I want a tree... Brilliant stuff. Special | :09:25. | :09:43. | |
relationships have been part of the show's TNA. You and Ronnie were | :09:44. | :09:49. | |
absolutely special. He wrote you a lovely poem when he found out you | :09:50. | :09:55. | |
were to be knighted. You put this in your water biography. Can we read it | :09:56. | :09:58. | |
out, because it is the most beautiful words? Please do. He was a | :09:59. | :10:07. | |
special man and he taught me a lot. Our relationship was so special that | :10:08. | :10:13. | |
he felt, well, in his heart, I suppose, to write me a few little | :10:14. | :10:15. | |
personal notes. Here we go. And truly say | :10:16. | :10:19. | |
"Good Knight from him." It has got us all. We have all gone. | :10:20. | :10:56. | |
And that poem was actually read out on the day. Yes. One of the great | :10:57. | :11:02. | |
things was, he wrote me two or three special notes and he penned them | :11:03. | :11:07. | |
himself. That was one of the great gifts he had. Not only was he a | :11:08. | :11:12. | |
great comedy actor and a wonderful, warm person, but he did have that | :11:13. | :11:15. | |
tremendous ability to communicate with the written word, which, | :11:16. | :11:21. | |
unfortunately, people like myself don't have that facility, not that | :11:22. | :11:27. | |
good. That's why we have to have special people like Roy Clark, who | :11:28. | :11:32. | |
has written for us in Open All Hours. So I do have to raise my hat | :11:33. | :11:38. | |
to people who can command the written word. One thing you are | :11:39. | :11:43. | |
incredibly good at his physical comedy, which we will talk about in | :11:44. | :11:49. | |
a little while. Thank you, James, for popping in. Thanks for having | :11:50. | :11:57. | |
me. You can see Still Open All Hours on Boxing Day at 8pm. Front-page | :11:58. | :12:03. | |
news today is that the tax man and his helpers are apparently not doing | :12:04. | :12:07. | |
enough to assist people. Lucy went to find out if there is any festive | :12:08. | :12:14. | |
cheer for those contacting HMRC. If you are self-employed, you will | :12:15. | :12:18. | |
know only too well that December is not just about Christmas, but also | :12:19. | :12:21. | |
about filling in the dreaded tax return. This is a busy accountancy | :12:22. | :12:30. | |
firm in Birmingham. At this time of year, getting through to the tax | :12:31. | :12:34. | |
office with queries is crucial and can be infuriating. So we are going | :12:35. | :12:38. | |
to test exactly how long it takes to get a response. | :12:39. | :12:46. | |
The first quarter of this year was unacceptably poor. That frank | :12:47. | :12:52. | |
admission from the woman who runs HMRC was made to MPs about why more | :12:53. | :12:55. | |
than half of all helpline calls went unanswered. But she had a solution. | :12:56. | :13:06. | |
For general information, web chat, information on our websites and | :13:07. | :13:09. | |
tweeting, they are ways to let people know things quickly. | :13:10. | :13:16. | |
Tweeting? Really? The team this accountancy service in Birmingham | :13:17. | :13:20. | |
are going to help me with an unscientific The One Show test, | :13:21. | :13:24. | |
putting real-life tax queries to HMRC by phone, tweaked and web chat. | :13:25. | :13:31. | |
Are you ready, team? Three, two, one. Go. | :13:32. | :13:38. | |
I need help completing my self-assessment return. The | :13:39. | :13:42. | |
challenge with Twitter is getting your query into 140 characters. Am I | :13:43. | :13:49. | |
not speaking clearly? The trouble with the web chat is that I do not | :13:50. | :13:54. | |
know where to ask the question. No response to the tweaked yet. I don't | :13:55. | :13:57. | |
believe anybody can help me at this point. What is the longest time you | :13:58. | :14:11. | |
have waited? I would probably say 75 minutes. One hour and 15 minutes. We | :14:12. | :14:15. | |
put the loudspeaker on and got on with some other work. How do you | :14:16. | :14:25. | |
feel about using social media to get some of your clients' queries | :14:26. | :14:31. | |
answered? I think people want to be able to make sure they are getting | :14:32. | :14:36. | |
an answer that is relevant to them. We are doing our testing office | :14:37. | :14:40. | |
hours. You can expect to wait longer if you ring after 6pm. Three months | :14:41. | :14:45. | |
ago Tom the consumer Association carried out their own survey. We | :14:46. | :14:52. | |
called HMRC 100 times and found the average time it takes to get through | :14:53. | :14:56. | |
to wheel person was 38 minutes. In five calls took longer than an hour, | :14:57. | :15:03. | |
and none of the calls was shorter than 15 minutes. So, if the promised | :15:04. | :15:08. | |
to improve holds true, we should get through quicker. | :15:09. | :15:11. | |
I have had some replies to my tweets. It is nice that other | :15:12. | :15:18. | |
consumers are helping you. I feel less alone, but I have not had a | :15:19. | :15:23. | |
reply from HMRC. It is almost ten minutes. Yeah. Hello? After 16 | :15:24. | :15:30. | |
minutes, I'm through. I have a query... Not bad, at least my call's | :15:31. | :15:35. | |
been answered. Thank you so much for your help, brilliant. Thank you. | :15:36. | :15:39. | |
Bye. That was very good. But that lady | :15:40. | :15:46. | |
referred me to YouTube. Why did I spend quarter of an hour on the | :15:47. | :15:49. | |
phone when I could have gone to YouTube? | :15:50. | :15:55. | |
All of us got through. So over half an hour gone. Let's have a audit of | :15:56. | :16:03. | |
where we are at. I got through in six minutes, so that is impressive. | :16:04. | :16:07. | |
Twitter took 24 minutes. It took me 25 minute s to get through on the | :16:08. | :16:11. | |
phone and 14 minutes to get through on webchat. 14 minutes. So, I got | :16:12. | :16:16. | |
through on the phone after 16 minutes and I'm still waiting for | :16:17. | :16:20. | |
any Twitter response. Well after half an hour. How does that compare | :16:21. | :16:25. | |
with your results? It does look like HMRC are improving, they told us | :16:26. | :16:28. | |
they were getting 3,000 more staff to work on the call centres and that | :16:29. | :16:31. | |
does seem to be working because we are getting quicker calls today by | :16:32. | :16:36. | |
phone. Should we stop giving them such a hard time? Given we have six | :16:37. | :16:40. | |
weeks until the end of the tax return, we need to keep on the | :16:41. | :16:43. | |
pressure. But they are responding. So a month on from that humbling | :16:44. | :16:47. | |
apology, the tax men and women are trying, maybe they are due a | :16:48. | :16:53. | |
Christmas chocolate. I wonder if they will fill in a form for me! A | :16:54. | :16:58. | |
little bit of festive cheer. They could do with some tinsel! Sir | :16:59. | :17:04. | |
David, we had Harry Hill on a few nights ago. We were talking about | :17:05. | :17:08. | |
the resurgence of physical comedy and this I know has been a passion | :17:09. | :17:13. | |
of yours for a long time. We couldn't have you on without playing | :17:14. | :17:23. | |
this clip. Here we go. I think we are on a winner here, | :17:24. | :17:28. | |
Trig. Play it nice and cool, son. Nice and cool. Know what I mean? | :17:29. | :17:31. | |
LAUGHTER Every time! Every single time. We | :17:32. | :17:49. | |
have seen it so many times. What's the formula for a fantastic physical | :17:50. | :17:55. | |
gag like that one? Well, there are two things about why I'm very | :17:56. | :18:00. | |
interested in visual comedy. (A) is because I spent most of my life | :18:01. | :18:04. | |
doing it. I have always been fascinated by it from like Laurel | :18:05. | :18:10. | |
and Hardy. One of the things about it is that it can appeal | :18:11. | :18:15. | |
across-the-board, across the world to everybody, you don't have to | :18:16. | :18:18. | |
understand the language, you don't have to know whether it's English, | :18:19. | :18:22. | |
German, Dutch, or whatever it is. No. That clip could travel the world | :18:23. | :18:27. | |
and every country in the world people will laugh at it, it is | :18:28. | :18:32. | |
because it's descriptive but to do it, to do it takes quite a lot of | :18:33. | :18:38. | |
interesting... How long were you rehearsing that scene for? That | :18:39. | :18:45. | |
didn't really come about - there's a longer story. But the point that I | :18:46. | :18:49. | |
was able to do it is because whenever I was on stage years ago, I | :18:50. | :18:54. | |
spent a lot of time in summer seasons and things, whenever I could | :18:55. | :18:58. | |
do it, I manipulated a moment in time because there's always a settee | :18:59. | :19:03. | |
in a farce at the front of the stage and I would always manipulate to | :19:04. | :19:07. | |
lean on the settee and lean, pretend to lean, then fall, it's always a | :19:08. | :19:12. | |
big laugh! When we did that, the trick of it is, you will notice that | :19:13. | :19:18. | |
when he does it, it's not cruel because, look, he never looks where | :19:19. | :19:25. | |
he's going. Now, in order to do that - I am not suggesting you should do | :19:26. | :19:29. | |
this at home - you have to go against your instinct because when | :19:30. | :19:35. | |
you reach that point there, where I was, your instincts normally take | :19:36. | :19:39. | |
over, which is your arm comes out, your head turns and your knee comes | :19:40. | :19:43. | |
out to save your head. What makes it funny is that he decides not to do | :19:44. | :19:49. | |
any of that and so he becomes, look, he is an idiot! It will fill us with | :19:50. | :19:55. | |
joy for many, many years. For years and years. There you are. There's a | :19:56. | :19:59. | |
quick explanation for you. Thank you. I won't tell you anymore of my | :20:00. | :20:05. | |
secrets so carry on! We will make sure the back of that settee is in | :20:06. | :20:08. | |
the same position there. Now, back in the day, when Sir David was | :20:09. | :20:12. | |
driving around Peckham, his motor of choice was an old three-wheeler. And | :20:13. | :20:17. | |
as it happens, it is parked outside there, which we will get to later. | :20:18. | :20:21. | |
Already tonight we have been talking about Star Wars, but Trigger would | :20:22. | :20:25. | |
have been surprised to hear a car with three wheels could turn up in a | :20:26. | :20:31. | |
galaxy far, far away. The Bond Bug. Three wheels, a 750cc | :20:32. | :20:42. | |
engine and a top speed of 76mph. In 1970, it was the coolest thing in | :20:43. | :20:48. | |
modern motoring. But it's lasting legacy would be as the hidden heart | :20:49. | :20:53. | |
from a vehicle a long time ago in a galaxy far, far away. The Star Wars | :20:54. | :20:59. | |
landspeeder. STAR WARS-ESQUE | :21:00. | :21:07. | |
MUSIC Star Wars' universe was conjured | :21:08. | :21:20. | |
from the imagination of George Lucas. He made most of the film in | :21:21. | :21:24. | |
Britain and many British engineers and designers were brought in to | :21:25. | :21:28. | |
bring his world to life. They created hundreds of new models and | :21:29. | :21:34. | |
they searched for ordinary vehicles they could turn into alien craft. | :21:35. | :21:39. | |
One of those vehicles was the already very alien-looking Bond Bug. | :21:40. | :21:47. | |
Reliant, the company behind the Bug, emphasised its unique style by | :21:48. | :21:52. | |
producing it in one colour. A very 1970s tangerine. For ?629, you could | :21:53. | :22:01. | |
get the experience of driving a sports car. Because it's only got | :22:02. | :22:07. | |
three wheels, you could drive a Bug on a motorcycle licence. Owners | :22:08. | :22:11. | |
raved about the driving experience of the Bond Bug. It became an | :22:12. | :22:22. | |
instant classic. The Bug's designer was Tom. His design skills caught | :22:23. | :22:27. | |
the attention of the Star Wars production team. I had a fabulous | :22:28. | :22:33. | |
model shop and Star Wars ran out of capacity for getting models made so | :22:34. | :22:38. | |
they came to us to get help. In the film there is something called the | :22:39. | :22:42. | |
landspeeder, an ideal platform for that was the Bond Bug, which we had | :22:43. | :22:50. | |
designed. It was one of my most enjoyable projects. It was a nice | :22:51. | :22:57. | |
little vehicle that suited the landspeeder. We stripped the body | :22:58. | :23:01. | |
off and so they got us to make a fibre glass body to put it on a Bond | :23:02. | :23:14. | |
Bug chassis. They put a mirror under it so it looked as if it was | :23:15. | :23:19. | |
floating above the ground in the film. When you first saw the film, | :23:20. | :23:23. | |
what did you think? I loved the vehicles. I think they were designed | :23:24. | :23:27. | |
beautifully. I went to sleep for part of the film as well! It wasn't | :23:28. | :23:37. | |
quite my kind of film, frankly. 38 years later, the Bug is a well-loved | :23:38. | :23:43. | |
classic. Members of the Bug Club get together at rallies across the world | :23:44. | :23:47. | |
to compare notes on their turbo-powered tricycles. How's it | :23:48. | :23:56. | |
going? Fine. Good to see you. This is an impressive line-up? It's a | :23:57. | :24:01. | |
beautiful line-up. It is not often you see 11 like this. What is the | :24:02. | :24:07. | |
Bug Club? It's a group of enthusiasts who fell in love with | :24:08. | :24:11. | |
the car like I did. People modify them? Definitely. You never find two | :24:12. | :24:18. | |
Bond Bugs the same. Only 2,268 of these futuristic gems ever rolled | :24:19. | :24:22. | |
off the production line. Today, they are a rare collector's item and part | :24:23. | :24:27. | |
of their appeal will always be their starring role in Star Wars. Do you | :24:28. | :24:32. | |
like the idea there is a hidden bit of heritage within Star Wars that | :24:33. | :24:36. | |
will forever be the Bug? It is always nice to know people will | :24:37. | :24:40. | |
remember that film, it is nice to think the Bond Bug will be part of | :24:41. | :24:46. | |
it. I love them. David, your car is | :24:47. | :24:51. | |
outside. That little film gave us an idea. So let's play a part of it | :24:52. | :24:56. | |
again. They did a very clever thing, they put a mirror under it so it | :24:57. | :25:01. | |
looked as if it was floating above the ground in the film. So, no | :25:02. | :25:05. | |
prizes for guessing what we are going to do. We will give Dave till | :25:06. | :25:09. | |
the end of the show to see if he can make your three-wheeler float just | :25:10. | :25:14. | |
by using a mirror and of course the lightsaber. We will see how that | :25:15. | :25:21. | |
goes. A few weeks ago we asked you to film yourselves singing along to | :25:22. | :25:27. | |
Sleigh Ride by The Ronettes. Once again, you rose to the challenge. We | :25:28. | :25:31. | |
were inundated with festive performances. Stand by Britain, the | :25:32. | :25:35. | |
time has come to finally reveal your efforts. This is the national One | :25:36. | :25:38. | |
Show Virtual Choir 2015. # Just hear those sleigh bells | :25:39. | :25:43. | |
jingling, ring tingle tingling too # Come on, it's lovely weather | :25:44. | :26:12. | |
for a sleigh ride together with you, # Outside the snow is falling | :26:13. | :26:17. | |
and friends are calling "Yoo hoo", # Come on, it's lovely weather | :26:18. | :26:22. | |
for a sleigh ride together with you. # Our cheeks are nice and rosy | :26:23. | :26:36. | |
and comfy and cozy are we. # We're snuggled up together | :26:37. | :26:40. | |
like two birds of a feather would be # Let's take the road before us | :26:41. | :26:46. | |
and sing a chorus or two # Come on, it's lovely weather | :26:47. | :26:51. | |
for a sleigh ride together with you. # Just hear those sleigh bells | :26:52. | :27:16. | |
jingling, ring tingle tingling too # Come on, it's lovely weather | :27:17. | :27:18. | |
for a sleigh ride together with you, # Outside the snow is falling | :27:19. | :27:20. | |
and friends are calling "Yoo hoo", # Come on, it's lovely weather | :27:21. | :27:25. | |
for a sleigh ride together with you. # Giddy up let's go | :27:26. | :27:59. | |
# Giddy up, giddy up let's go # Ding dong Ding. # | :28:00. | :28:05. | |
You were brilliant. Thank you so much for doing that. Every one of | :28:06. | :28:30. | |
them a One Show viewer. So, we asked earlier if you were regifting this | :28:31. | :28:35. | |
year. Some are! John was given this but can't face eating it. It is a | :28:36. | :28:40. | |
duck pate. I'm with you on that. These are all presents people have | :28:41. | :28:43. | |
received and they are sending on. Olly said a relative was given this | :28:44. | :28:49. | |
in the '70s, they had stored it for 35 years before giving it to him and | :28:50. | :28:54. | |
now he's about to send it on again! If you receive this, get in contact | :28:55. | :29:00. | |
with us. Thank you so much for your company, Sir David. Pleasure. The | :29:01. | :29:06. | |
new series of Still Open All Hours starts on Boxing Day at 8.00pm on | :29:07. | :29:13. | |
BBC One. We challenged Props Dave to try the three-wheeler van like Luke | :29:14. | :29:20. | |
Skywalker's landspeeder. Now the time has come. Good luck, Dave. Use | :29:21. | :29:25. | |
the Force. It looks good so far. It's tremendous! Look at that! | :29:26. | :29:32. | |
Tomorrow, we will be I would love you to join us | :29:33. | :29:42. | |
on the Red Button right now to watch some | :29:43. | :29:44. | |
classic Christmas videos. It's our Sounds Of The 80s | :29:45. | :29:47. | |
seasonal special. I've got | :29:48. | :29:50. | |
an absolute sackload of songs, | :29:51. | :29:52. |