Browse content similar to 18/04/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker And Alex Jones. | :00:20. | :00:25. | |
Tonight's guest is a truly international superstar. She was | :00:25. | :00:30. | |
born in England... To a Welsh father. And a German mother. Grew | :00:30. | :00:35. | |
up in Australia. Before becoming a superstar in America. It can only | :00:35. | :00:45. | |
:00:45. | :00:48. | ||
be Olivia Newton-John! CHEERING AND APPLAUSE There she is | :00:48. | :00:52. | |
- beautiful! We are so honoured to have you on the show. Thank you for | :00:52. | :00:59. | |
coming in. Which one of these should you be saluting to? | :00:59. | :01:04. | |
question. You live in Florida now? I do love America, so I don't want | :01:04. | :01:09. | |
to be disloyal. Australia is my heart home, the place where I feel | :01:09. | :01:15. | |
most at home. I grew up there and I love it so much. And the place you | :01:15. | :01:23. | |
feel most home-sick towards. Olivia, we want you to see a scene you are | :01:23. | :01:30. | |
responsible for most weekends in the UK - hoards of Pink Ladies. | :01:30. | :01:36. | |
Don't say you don't get involved. don't! Send in your photos as you | :01:36. | :01:41. | |
gresed as Sandy or one of the Pink Ladies from Greece and we'll show | :01:42. | :01:45. | |
them later on. Speaking of recipes, when you're | :01:45. | :01:48. | |
cooking at home you know exactly how your dinner's been prepared, | :01:48. | :01:51. | |
but choose to eat out and your life's in the hands of those you | :01:51. | :02:01. | |
:02:01. | :02:02. | ||
hope have washed theirs. In 2005 an outbreak of E-coli in the South | :02:02. | :02:08. | |
Wales valleys hit the headlines. children in 12 schools infected | :02:08. | :02:14. | |
with E-coli... In total 157 people were taken ill. Five-year-old Mason | :02:14. | :02:19. | |
Jones was one of them. He had a temperature, a headache. I thought | :02:19. | :02:24. | |
it was something that would go away. During that week I could see he was | :02:24. | :02:31. | |
getting worse. He started vomiting, and hallucinating. His feet were | :02:31. | :02:36. | |
going cold. He was going downhill fast. Mason had contracted E-coli | :02:36. | :02:40. | |
from his school lunch after eating contaminated meat. He died in | :02:40. | :02:45. | |
hospital two weeks later. couldn't believe it. How could my | :02:45. | :02:50. | |
little boy go to school, eat a school meal and end up where he was. | :02:50. | :02:56. | |
This was William Tudor, the butcher who supplied the meat to the school. | :02:56. | :03:00. | |
At his factory the same vacuum packing machine had been used on | :03:00. | :03:06. | |
raw and cooked meat. Tudor was jailed for a year after admitting | :03:06. | :03:11. | |
to breaking food safety laws and will never work in the food | :03:11. | :03:17. | |
industry again. Sharon wants to force food outlets to display a | :03:17. | :03:24. | |
food hygiene rating by law. My son shouldn't be where he is and I got | :03:24. | :03:29. | |
angry. It is giving me hope that my son didn't die in vain. And her | :03:29. | :03:33. | |
campaign has gone all the way to the Welsh Government. Here in Wales | :03:33. | :03:38. | |
they are considering an idea that would make it compulsory for places | :03:38. | :03:43. | |
like this to device play a food hygiene star rating where all can | :03:43. | :03:48. | |
see. The scores are given by environmental health officers, who | :03:48. | :03:52. | |
can visit any time. They are available online but the proposed | :03:52. | :03:57. | |
scheme in Wales goes further. If someone gets a bad rating there is | :03:57. | :04:01. | |
nowhere to hide. The scores will be on the doors. What do the public | :04:01. | :04:05. | |
think? If you are a environmental health officer and you think major | :04:05. | :04:10. | |
improvement is needed it would put me off. I can't see the public | :04:10. | :04:16. | |
wanting to go there and I can't see restaurants wanting to put up a | :04:16. | :04:20. | |
sign saying we are pretty rubbish. I think it is a great idea. You can | :04:20. | :04:24. | |
go into a restaurant nowadays and have no idea what's going on behind | :04:24. | :04:28. | |
the kitchen door. White give you more confidence I think that you | :04:28. | :04:32. | |
are eating somewhere that's safe. Where score have been put on the | :04:32. | :04:35. | |
doors elsewhere in the world it has been a serious Los Angeles serious | :04:35. | :04:39. | |
cases of food poisoning are down by 20%. Campaigners think the same | :04:39. | :04:43. | |
thing would happen in Wales if it became law. Scotland already has | :04:43. | :04:47. | |
its own scheme, but elsewhere they are following developments in Wales | :04:47. | :04:53. | |
with interest. We think the UK Government should roll out a | :04:53. | :04:55. | |
compulsory scheme in England to make sure that consumers wherever | :04:55. | :05:01. | |
they live in the UK should have easy access to food hygiene ratings. | :05:01. | :05:07. | |
In Wales under the new plans if a food outlet gets a poor rating it | :05:07. | :05:12. | |
would still have to be displayed until it was rechecked. But with | :05:12. | :05:16. | |
restaurants if the scores a aren't up to scratch we can take our | :05:16. | :05:20. | |
business elsewhere. What about schools, hospitals or care homes | :05:20. | :05:25. | |
and nurseries? Under a compulsory scheme all of those premises would | :05:25. | :05:28. | |
have to display their ratings. Parents would know the rating of | :05:28. | :05:32. | |
their school. If they had a poor score they would be able to raise | :05:32. | :05:37. | |
awareness and put pressure on the school and local authority to make | :05:37. | :05:41. | |
urgent improvementments. If the food hygiene bill gets the go-ahead | :05:41. | :05:48. | |
in Wales it would make compulsory for businesss to display by late | :05:48. | :05:52. | |
2013. The threat of E-coli hangs over us all the time. It is always | :05:52. | :05:56. | |
there and it is a serious one. It killed my little boy. I want people | :05:56. | :06:00. | |
to realise that this will never goo away and we have to stay on top of | :06:00. | :06:07. | |
things. Incredibly sad that story. It does seem like a good idea, | :06:07. | :06:11. | |
having a certificate in the windows. That was Wales. What about other | :06:11. | :06:17. | |
parts of the UK? Scotland has their own system and England are going to | :06:17. | :06:20. | |
stick with their own system of volunteering with the local | :06:20. | :06:23. | |
authority. But the food standards authority are doing a survey to | :06:23. | :06:27. | |
find out how many of the restaurants that have volunteered | :06:27. | :06:31. | |
do display their ratings for all to see. If you want to report a food | :06:31. | :06:38. | |
establishment for being a bit, well, dodgy. Or if you think you've | :06:38. | :06:42. | |
suffered from food poisoning because of something you ate, get | :06:42. | :06:46. | |
in touch with your local environmental health officers at | :06:46. | :06:49. | |
your local authority. If they get lots of calls about a particular | :06:49. | :06:54. | |
place, they can investigate. If you have got a bit of food poisonening | :06:54. | :06:59. | |
or a Dicky tummy, keep hydrated, lots of water and rest. If after | :06:59. | :07:04. | |
three days you've still got it, see your doctor. Can you recall your | :07:04. | :07:10. | |
worst food experience? Easily. I was in my amy, one of the first | :07:11. | :07:16. | |
times maiz America. I ate crab and I was really ill. I didn't eat | :07:17. | :07:23. | |
shellfish until 20 years. It puts you off the food. I never wanted to | :07:23. | :07:30. | |
go near it. It was a warm day and it had been left out. And may on as | :07:30. | :07:35. | |
is one of the worst things, anything with eggs in it. | :07:35. | :07:40. | |
you've done a series on rogue restaurants. You must have seen | :07:40. | :07:46. | |
some terrible sights. I ate in some pretty grim places. We went to one | :07:46. | :07:50. | |
place in West London, a swanky establishment, really expensive and | :07:50. | :07:56. | |
you can see pictures of where they store the food. That's the roof. | :07:56. | :08:00. | |
And there is the shellfish. That's the courtyard. They are storing the | :08:00. | :08:04. | |
food in a courtyard with a leaky roof and a toilet exposed with no | :08:04. | :08:09. | |
door. It was so grim. And mice running around. That was in west | :08:09. | :08:13. | |
London. A pricey establishment that you would think you were getting | :08:13. | :08:16. | |
great food in. I was in a restaurant the other day and there | :08:16. | :08:23. | |
was a mouse by my handbag. I should have rung the authorities. Anita, | :08:23. | :08:29. | |
thank you. You are not staying for dinner. | :08:29. | :08:36. | |
She doesn't trust you. He's got a rating. We have been getting some | :08:37. | :08:46. | |
:08:47. | :08:48. | ||
great tips on cooking from your book, Liv Wise. There's a pina | :08:48. | :08:54. | |
colada shake. And the watermelon gazpacho? That's | :08:54. | :09:00. | |
a favourite of people. That's really popular. And am I right in | :09:00. | :09:04. | |
saying you used to cook what you have in front of us for your | :09:04. | :09:09. | |
daughter? That's to few rice. I was able to get the pre--teens to eat | :09:09. | :09:14. | |
this, because it was tasty and it was a great way of getting the | :09:14. | :09:22. | |
protein and the veggies. How is it? It is clear and simple. The recipes | :09:22. | :09:29. | |
are easily explained. There's not much grease in there. Oh! I had to | :09:29. | :09:35. | |
do that. Sorry. To be fair, lots of people wouldn't associate you with | :09:35. | :09:40. | |
food would they. No. Why but want to get to the end of a cook book | :09:40. | :09:46. | |
new tried to write a few books. This one was easy because it was | :09:46. | :09:52. | |
about food, not my life. I wrote a children's book once. I - a lot of | :09:52. | :09:56. | |
people asked me how did you stay healthy and look reasonable for | :09:57. | :10:03. | |
your age? That is how it began. Your mother was big into eating | :10:03. | :10:08. | |
healthily wasn't she? She was. She was German, so everything was | :10:08. | :10:14. | |
grilled and steamed, with potatoes with skins on and pumpernickel in | :10:14. | :10:19. | |
my sandwich box. I'm very happy now she taught me good has been Fritz | :10:19. | :10:27. | |
an early age. There is some beautiful fresh food which takes a | :10:27. | :10:34. | |
lot of preparation. Sit difficult to keep eating that fresh food? | :10:34. | :10:38. | |
When I'm home I always have certain ingredients in the fridge. It is | :10:38. | :10:44. | |
easier with the fresh foods. You have the spinach and avocados and | :10:44. | :10:49. | |
tomatoes. In America now most stores have organic sections. So I | :10:49. | :10:55. | |
try to buy seasonly. You can always get organic broccoli. I keep them | :10:55. | :11:03. | |
in the Chris per. I do a kitchen roulette and whip something up | :11:03. | :11:08. | |
quickly. You mentioned your husband. He discovered this amazing fruit in | :11:08. | :11:18. | |
:11:18. | :11:20. | ||
the am zone ian desert. It contains 30% more vitamin C than any other | :11:20. | :11:24. | |
fruit? That's right. Between floodwaters of the Amazon are high, | :11:24. | :11:30. | |
the tree grows underneath the water. It sucks up the nutrients from the | :11:30. | :11:36. | |
Amazon base in. There's a fish that feeds off that fruit. That is | :11:36. | :11:40. | |
amazing. I take all these herbs every day. That's another reason I | :11:40. | :11:44. | |
stay healthy. It is working for you. Olivia's book, Livwise, is out now | :11:45. | :11:48. | |
- and all Olivia's royalties from the book will go to The Olivia | :11:48. | :11:54. | |
Newton-John Cancer and Wellness Centre in Melbourne. Last year Lord | :11:54. | :11:58. | |
Philip Gould knew he didn't have enough time left in his fight | :11:58. | :12:04. | |
against cancer. He wanted to make an uplifting film. Philip was a | :12:04. | :12:08. | |
major figure in the political world as an architect of new Labour. But | :12:08. | :12:12. | |
his story is one that everyone is relate to. I was asked to shoot an | :12:12. | :12:18. | |
intimate portrait of a man I didn't know. I knew he was very ill but I | :12:18. | :12:28. | |
:12:28. | :12:28. | ||
wasn't sure what to expect. In six weeks' time I will be dead. I will | :12:29. | :12:32. | |
be cremated. I will face huge fear but it is an extraordinary | :12:32. | :12:37. | |
experience. It is only when they say, "Philip | :12:37. | :12:42. | |
Gould, you are going to die, get used to it, this is going to happen, | :12:42. | :12:45. | |
in weeks or months." It is only when that happens that you are | :12:45. | :12:49. | |
aware of death. And only when that happens that suddenly life screams | :12:49. | :12:55. | |
at you in its intensity. Philip was a fundamental presence | :12:55. | :13:00. | |
at the top table of the Labour Party for a long, long time. I saw | :13:00. | :13:05. | |
Philip like I would see a brother. He was incredibly close to me and I | :13:05. | :13:13. | |
was very close to him. He felt that death wasn't a time of decline but | :13:13. | :13:16. | |
one of massive growth and transformation. He focused on | :13:16. | :13:20. | |
telling the story about cancer and death. That was his total purpose. | :13:20. | :13:27. | |
I saw my children born. I saw them born and I saw the incredible | :13:27. | :13:32. | |
massive potential of that moment. When my fair died and the air left | :13:32. | :13:36. | |
his body, it was as powerful as the air entering the body of my | :13:36. | :13:46. | |
:13:46. | :13:46. | ||
I met him 10 days before he died. Those who knew him, he was bouncing | :13:47. | :13:53. | |
off the walls, so full of ideas. It was almost beyond belief that this | :13:53. | :13:59. | |
man could die 10 days later. We decided to shoot his portrait at | :13:59. | :14:05. | |
Highgate Cemetery, on his own grave. Only when you accept death, can you | :14:05. | :14:11. | |
free yourself from it, can you deal with it, can you move forward from | :14:11. | :14:19. | |
it. So, acceptance is the absolute key. This is it, this is going to | :14:19. | :14:25. | |
be my home for eternity. I do really feel, in my mind, I have | :14:25. | :14:31. | |
refrained it. I have changed it. that moment, you gain freedom and | :14:31. | :14:37. | |
you gain power, you gain courage. He forced us, he took us on terms | :14:37. | :14:41. | |
of Highgate Cemetery. He was insistent that we had to understand | :14:41. | :14:45. | |
that this really was the end. I think that meant there was nothing | :14:45. | :14:51. | |
left unsaid. That does help us. Now when I look back I don't have any | :14:51. | :14:55. | |
regrets. There is nothing I want to say to him. I know he knew how much | :14:55. | :14:59. | |
I loved him, how much my mother and sister loved him. That is massive | :14:59. | :15:09. | |
comfort. When life became death, it gained equality and power it never | :15:09. | :15:14. | |
had before. He developed a campaigning mindset against cancer. | :15:14. | :15:20. | |
And he won it, for quite a few years. When he reached the point | :15:20. | :15:26. | |
where he was losing it, he started to stutter Jie is about death. -- | :15:26. | :15:36. | |
strategy eyes. Maybe how he could help others that were entering the | :15:36. | :15:41. | |
death zone, as all of us will at some point. The day before he died | :15:41. | :15:47. | |
he said, in the end, it is not God that judges you. You judge yourself. | :15:47. | :15:51. | |
That was, I suppose, his message. When I think about the meaning, the | :15:51. | :15:57. | |
purpose of your life. I have had more moments of happiness in the | :15:57. | :16:02. | |
last five months than perhaps the last few years. More moments that | :16:02. | :16:07. | |
were private ecstasy than really for many years. When I just feel at | :16:07. | :16:17. | |
:16:17. | :16:20. | ||
An incredible film. You can see more of that film, made by Adrian, | :16:20. | :16:25. | |
on the website. There is also a book by Philip called When I Die, | :16:25. | :16:30. | |
out tomorrow. That was beautiful. You will be having a look at that, | :16:30. | :16:34. | |
so many things that he said were ringing true with you? Absolutely. | :16:35. | :16:42. | |
You did a similar thing with your album, Gaia, a release of 40 were | :16:42. | :16:46. | |
going through. Is that what you were hoping for? When I was going | :16:46. | :16:49. | |
through breast cancer 20 years ago, I thought I was going to retire and | :16:49. | :16:53. | |
give up singing. I went to Australia to be on my farm, after I | :16:53. | :16:58. | |
finished treatment. A few months later I would wake up in the middle | :16:58. | :17:02. | |
of the night with these songs in my head. My experience, how I felt | :17:02. | :17:08. | |
about the planet and the world. One of the song as was Gaia, the spirit | :17:08. | :17:13. | |
of Mother Earth. I was singing about how she felt about what we | :17:13. | :17:17. | |
were doing to her. I felt very emotionally connected. It must have | :17:17. | :17:22. | |
helped a lot of people. A friend of mine said, please tell Olivia, he | :17:22. | :17:26. | |
has been suffering from cancer, and he said it really helps them. | :17:26. | :17:29. | |
you. I wrote it for myself, but it's a wonderful thing to help | :17:29. | :17:34. | |
somebody. It is just one of the 36 albums that you have written. | :17:34. | :17:39. | |
can't believe that! 1971 was your debut. You must have known that you | :17:39. | :17:49. | |
:17:49. | :17:50. | ||
had made it when you got to do a # When you know I really want you. | :17:50. | :18:00. | |
:18:00. | :18:11. | ||
# And let me try again, I won't say Do you remember where you were? | :18:11. | :18:14. | |
was the South of France forced of how did it come about, what | :18:14. | :18:19. | |
happened? He was looking for someone to sing this song with. I | :18:19. | :18:23. | |
kind of auditioned with him. Peter Gormley was my manager. I was | :18:23. | :18:27. | |
engaged to one of The Shadows. There were friends with Cliff | :18:27. | :18:31. | |
Richard. I sang with him and we did the duet. He invited me to be on | :18:32. | :18:37. | |
his television show. He really started me off. He became a fan of | :18:37. | :18:43. | |
the hair band? I know! It kind of started it. Loads of hits in the | :18:43. | :18:47. | |
70s, but we have to talk about the Phenomeno arm that is Grease. A | :18:47. | :18:54. | |
lovely picture of you. Earlier on we asked for photos from people at | :18:54. | :18:58. | |
home. This is Andrea from Ramsbottom, looking very | :18:58. | :19:08. | |
:19:08. | :19:18. | ||
convincing! Nicol and Clarissa from This is Tanya's week in Benidorm. | :19:18. | :19:25. | |
Not a hen night, a week! From Swansea, it would be! We had a go | :19:25. | :19:29. | |
at our own tribute earlier on. Unfortunately there was a mix-up | :19:29. | :19:39. | |
:19:39. | :19:49. | ||
# I've got Scholes, they are multiplying. | :19:49. | :19:55. | |
# And I'm losing control. # The power that you are | :19:55. | :20:00. | |
supplying... # It's electrifying! | :20:00. | :20:03. | |
# And you'd better shape up, because I need a man. | :20:03. | :20:13. | |
# And my heart is set on you. # You're the One That I Want, | :20:13. | :20:23. | |
:20:23. | :20:24. | ||
You were dressed as Sandy, with Olivia Newton-John here?! | :20:24. | :20:31. | |
mortified. That was a lot of fun. We did have fun. The mechanics had | :20:31. | :20:36. | |
more fun than we did. It was a massive success, wasn't it? Were | :20:36. | :20:40. | |
you prepared for that? Did you have any idea? I don't think there's any | :20:40. | :20:44. | |
way you could possibly know, everywhere I go people ask me about | :20:44. | :20:49. | |
Grease. It's an incredible, iconic movie. I feel very blessed that I | :20:49. | :20:55. | |
am part of that. In your mind, when you were filming it, is it a very | :20:55. | :20:59. | |
vivid? I remember parts of it, probably because it has been kept | :20:59. | :21:02. | |
alive by people always asking me about it. It was a really fun | :21:02. | :21:07. | |
experience. The energy that we had onset is in the movies. That's part | :21:07. | :21:09. | |
of the reason why it was so successful. There was so much | :21:09. | :21:14. | |
energy, the producer and director were always telling us to have that | :21:14. | :21:19. | |
energy. The costumes were fun, the 50s is a great era. It was a great | :21:19. | :21:25. | |
story, a love story. It appeals to all generations, children, I love | :21:25. | :21:31. | |
it, my mother loved it, why do you think it crosses generations? | :21:31. | :21:35. | |
Because the songs are so catchy? It's very catchy, and people like | :21:35. | :21:41. | |
the 50s. It's a romantic era. To me, it is almost cartoonish. Its larger | :21:41. | :21:49. | |
than life, colourful, and there are great songs. The dancing was great. | :21:49. | :21:54. | |
It's very infectious, it's a happy movie. We've got some footage of | :21:54. | :21:59. | |
the premiere. This looks scary, actually. London? Yes, this is the | :21:59. | :22:05. | |
British premiere. It was scary, people were jumping on to the car. | :22:05. | :22:09. | |
I was worried they would come through the roof. It was quite | :22:09. | :22:15. | |
exciting and scary at the same time. You and John are still in touch. | :22:15. | :22:21. | |
That's really nice. I think you've got a recent picture. We were at a | :22:21. | :22:28. | |
Qantas event. He's an amazing pilot. Is it right that he's got a runway | :22:28. | :22:35. | |
in his garden? Yes, he has a plane part in his backyard. It must be a | :22:36. | :22:41. | |
big garden! It's pretty big. It's not even a garden, its concrete, a | :22:41. | :22:51. | |
:22:51. | :22:52. | ||
runaway. The lookout the runway and If all of that has you in the mood | :22:52. | :22:56. | |
for a Grease singalong at home, you'll need to know how to sing a | :22:56. | :23:01. | |
good, long note. Carrie Grant has some great tips. Get ready and see | :23:01. | :23:11. | |
:23:11. | :23:11. | ||
Be singing were an Olympic sport, for me, the blue ribbon event, the | :23:11. | :23:16. | |
equivalent of Usain Bolt in the 100 metres, would have to be who can | :23:16. | :23:24. | |
sing the longest note. Bill weather has made just one note in his | :23:24. | :23:29. | |
Lovely Day last 18 seconds. It's a rare skill. How do they pull it | :23:29. | :23:34. | |
off? The obvious answer, you would imagine, would be lung capacity. | :23:34. | :23:42. | |
Let's put it to the test. Charles is 6 foot 6, Kate is 5 foot FA -- | :23:42. | :23:48. | |
four. At see the difference between lung capacity. 650 against 600. | :23:48. | :23:52. | |
Let's see how that impacts the length of the note that you can | :23:52. | :24:02. | |
:24:02. | :24:11. | ||
You could have gone on longer than that! OK, we treated. Kate is a | :24:11. | :24:18. | |
trained singer and Charles is not. -- cheated. Kate's and test | :24:18. | :24:21. | |
readings were half the value of Charles. So how does she hold on to | :24:21. | :24:29. | |
a note so much longer? The most important factor is how she breeds | :24:29. | :24:38. | |
in and then controls the breath. -- What would Kate do before she comes | :24:38. | :24:44. | |
to sing her note? Let's see. A nice low barely a breath that is much | :24:44. | :24:49. | |
better than the typical panicked one that you see in most singers. | :24:49. | :24:53. | |
You need to think of them as a tube of toothpaste being slowly squeezed | :24:53. | :24:58. | |
by stomach muscles. If you can imagine rolling that toothpaste | :24:58. | :25:03. | |
tube up from the pot and you get a controlled, gentle flow of | :25:03. | :25:07. | |
toothpaste out of the tube. That muscle, as it contracts in a | :25:07. | :25:11. | |
controlled fashion, it pushes everything up and start moving the | :25:11. | :25:18. | |
diaphragm back up. It's going to assist air coming out. There is a | :25:18. | :25:23. | |
sin -- simple trick I use one like folk singers to see how could their | :25:23. | :25:28. | |
breath control is. Most people lose 50% of their hair on the first part | :25:28. | :25:32. | |
of the note, because they are sighing while they are singing. | :25:32. | :25:38. | |
Like that. A singer using breath control will lose less of it and | :25:38. | :25:48. | |
:25:48. | :25:53. | ||
See? Control like this allows professional singers to clock up a | :25:53. | :25:59. | |
22nd note. It is what we call a money note. Powerful, precise and | :25:59. | :26:06. | |
perfectly controlled. But whilst controlling your breath is probably | :26:06. | :26:09. | |
the most important skill, there are other techniques that can help | :26:09. | :26:15. | |
prolong the note. Students at the Leeds College of Music, under the | :26:15. | :26:22. | |
guidance of Kim Chandler, are practising how to cut down on | :26:22. | :26:29. | |
leakage from the nose. People can do this test. If it changes the | :26:29. | :26:32. | |
sound, we know that Sam is leaking out. You can stick a mirror | :26:32. | :26:35. | |
underneath and if there is condensation then we know that it | :26:35. | :26:40. | |
is leaking out and we don't want that. The temptation for amateur | :26:40. | :26:43. | |
vocalists is to take a great long full air if they want to hold a | :26:43. | :26:49. | |
note. Surprisingly, trained singers do not. Moore is not necessarily | :26:49. | :26:54. | |
better. You have to use wisely what you taking. It can be quite | :26:54. | :27:04. | |
:27:04. | :27:07. | ||
uncomfortable if there is too much On the singing note, if you will | :27:07. | :27:13. | |
pardon the pun, on your Asian tour, how many countries did you do? | :27:13. | :27:18. | |
Seven countries, 12 or 14 days. I was doing a two hour show. I know | :27:18. | :27:24. | |
about having to hold the note. you do vocal exercises? I still do | :27:24. | :27:28. | |
them. Your voice is a muscle. It's important to do it. There were | :27:28. | :27:32. | |
times when I was not doing it, but now I do vocal lessons or of the | :27:32. | :27:37. | |
time. It helps a lot. Singing is a big part of your life, but the main | :27:37. | :27:43. | |
part is the wellness Center? excited. That is why I wrote it. | :27:43. | :27:48. | |
It's all going to that centre. It's all about health and well-being. It | :27:48. | :27:52. | |
will help people going through decants the journey. It will help | :27:52. | :27:58. | |
them spiritually and emotionally to get through that journey. We have | :27:58. | :28:02. | |
got some more photographs. We have had hundreds of them coming in. Do | :28:02. | :28:09. | |
you want to start? Nicky says, my friend dressed me up as a surprise. | :28:09. | :28:14. | |
Grease is my favourite film. You would never guess! This is Karen, | :28:14. | :28:20. | |
getting ready for her sister's 60th birthday. Jenny, 16th birthday. | :28:20. | :28:25. | |
Look at these two. That is a nice one. Me and my husband at our 40th | :28:25. | :28:35. | |
:28:35. | :28:37. | ||
birthday party. Phil Potter, from Surrey. Pink hat? Can we show this | :28:37. | :28:44. | |
one? Amy Mitchell. I don't know how they printed these so fast. They do, | :28:44. | :28:51. |