Browse content similar to 18/05/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones And Matt Baker. | :00:17. | :00:23. | |
Tonight we're joined by a man of many talents He's an award-winning | :00:24. | :00:27. | |
comedian. He's a bestselling kids author. He's a lady. He's also our | :00:28. | :00:33. | |
favourite judge on Britain?s Got Talent. So let's hit the golden | :00:34. | :00:39. | |
button, buzzer, and straight through to the One Show sofa. Here we go. | :00:40. | :00:49. | |
Ah, YES! Mr David Walliams in all of his glittering glory. Hello. Clearly | :00:50. | :00:57. | |
seen the show, the golden button. That's what it's called. How are you | :00:58. | :01:02. | |
both? I was talking about you the other day on the show. You got my | :01:03. | :01:06. | |
name wrong. Yeah. Anyway, let's not go there. You know this is going out | :01:07. | :01:10. | |
live, you know that? We have lots of other guest that is we need to | :01:11. | :01:14. | |
welcome tonight. OK. Make yourself comfortable. Here we go. Picking | :01:15. | :01:20. | |
golden confetti and glitter out of their beards, the had been Hillary | :01:21. | :01:25. | |
Clinton. # Born to be wild... | :01:26. | :01:31. | |
# The bikers are half the men they used to be. The Hairy Dieters will | :01:32. | :01:35. | |
share the secrets of their slimming success later on. It's going well. | :01:36. | :01:39. | |
Tonight, our audience are Northern Ireland football fans. The Green and | :01:40. | :01:46. | |
White Army are here. APPLAUSE. | :01:47. | :01:56. | |
That was your Kew. They've released an unofficial song for the Euros in | :01:57. | :02:01. | |
Paris. They will be giving us us a rousing rendition later in the show. | :02:02. | :02:06. | |
That's the first time they have qualified in 30 years. Gyles | :02:07. | :02:10. | |
Brandreth will be bidding farewell to his personal collection of teddy | :02:11. | :02:14. | |
bears. He will tell us why those famous furry friends hold so many | :02:15. | :02:18. | |
fond memories, not just for him, but for all of us. You heard our | :02:19. | :02:23. | |
collection of items. Would you buzz off Brandreth and the bears? Never. | :02:24. | :02:28. | |
Good answer. What about the Green and White Army? There's a lot of | :02:29. | :02:34. | |
them. Yes. It would be less hot in here. I have to buzz off somebody. | :02:35. | :02:38. | |
You don't have to. OK. I would keep everybody. I think. | :02:39. | :02:42. | |
Last week leading lady, Sheridan Smith, had to step down | :02:43. | :02:44. | |
from starring in the West End musical, Funny Girl. | :02:45. | :02:47. | |
In doing so, the spotlight shined brightly on the understudy. | :02:48. | :02:49. | |
So we asked Alistair McGowan to draw back the curtain on the unsung | :02:50. | :02:52. | |
All the world's a stage and one man in his time plays many parts. The | :02:53. | :03:10. | |
theatre. Oh, to tread the boards like Dench and Mirren. Behind every | :03:11. | :03:15. | |
great actor, sorry... Sorry, I really don't feel very well. Oh! But | :03:16. | :03:23. | |
behind every great actor is an understudy waiting in the wings. | :03:24. | :03:31. | |
With tickets costing upwards of ?70 theatre goers want to see a familiar | :03:32. | :03:35. | |
celebrity face more than they want to see a show. What if something | :03:36. | :03:40. | |
happens to your star name? Currently, Natasha Barnes is winning | :03:41. | :03:47. | |
reviews in Funny Girl as she covers for Sheridan Smith. Rio Jones found | :03:48. | :03:53. | |
herself centre stage standing in for Hollywood royalty. When I got the | :03:54. | :04:01. | |
call, asking me to be standby to Glenn Close. Sunset Bull record. It | :04:02. | :04:09. | |
was an A-list Hollywood star. Of course, maybe deep down I thought I | :04:10. | :04:13. | |
would get on. There was a big possibility with five weeks I | :04:14. | :04:18. | |
wouldn't. Fate took over and you got that call, how did you feel in that | :04:19. | :04:25. | |
moment? I felt sick. I had a 40 minute rehearse Al with a leading | :04:26. | :04:29. | |
man. Never sang it with the orchestra or performed in costume. | :04:30. | :04:33. | |
It was thrown on. How did the audience respond to you? You are not | :04:34. | :04:38. | |
Glenn Close. I heard some of the boos. Someone shouted, "can I have | :04:39. | :04:45. | |
my money back?" I thought, OK. Go out there be be true to the role, | :04:46. | :04:52. | |
Norma. They went crazy. They were wonderful. It was a stunning, | :04:53. | :04:56. | |
stunning experience for me. I'll never forget it. But you want more | :04:57. | :05:02. | |
now. Rio, thanks so much. Lovely to meet you. Thank you, you too, Joe. | :05:03. | :05:07. | |
Sorry, abouts that. Feeling so much better now. Are you ready to make a | :05:08. | :05:11. | |
start? I'm sorry, Joe just stood in for you. Who's Joe? I absolutely | :05:12. | :05:21. | |
adore the theatre. For my birthday this year I saw Smith in Funny | :05:22. | :05:26. | |
Girth, would I have gone if it was her understudy, I would have done, I | :05:27. | :05:30. | |
would have been disappointed because I wanted to see her. What do other | :05:31. | :05:35. | |
theatre goers make of stars and their understudies? If I was looking | :05:36. | :05:38. | |
forward to seeing the star I would be unhappy. Disapointing. It's the | :05:39. | :05:45. | |
law of the I would be game. Angry. I with would watch the show. It's not | :05:46. | :05:48. | |
like I would leave or not show up. Gutted. Make the time to come here, | :05:49. | :05:55. | |
but we would see the play. To get the industry's take I have come to | :05:56. | :06:02. | |
meet the Editor of the Stage. When you buy tickets for a big production | :06:03. | :06:07. | |
and see an understudy instead, should they get a refund? From a | :06:08. | :06:11. | |
legal perspective they shouldn't get a refund. They are i booing tickets | :06:12. | :06:15. | |
for the show, not to see a specific performer. If you were see be An | :06:16. | :06:21. | |
Evening with Glenn Close, for example, you might have grounds for | :06:22. | :06:24. | |
asking for a refound if they replace her with an understudy. Can it be a | :06:25. | :06:31. | |
positive experience? It's worth remembering Anthony hop kins was an | :06:32. | :06:35. | |
understudy for Olivier. He wouldn't have been half as well known. Lots | :06:36. | :06:40. | |
of people in the audience would have been disappointed when Olivier was | :06:41. | :06:46. | |
taken ill. If the star name is off sick, keep an open mind, with | :06:47. | :06:52. | |
understudyies you will get a great show. That's a wrap. I'm fine | :06:53. | :06:57. | |
Equally as good now. As each other. I love looking through the | :06:58. | :07:02. | |
programme, working out who is each other's understudies and what it | :07:03. | :07:04. | |
would be like if they were on. Do you not do that? Does it the it not | :07:05. | :07:11. | |
say, so-and-so is the understudy. Chat amongst yourselves. Did you? I | :07:12. | :07:17. | |
did a show with Sheridan, Midsummer Night's Dream. It's norm Al to have | :07:18. | :07:22. | |
understudies in case... What was your relationship like with | :07:23. | :07:30. | |
ourunderstudy? Good. He was in the play as was Sheridan's understudy. | :07:31. | :07:35. | |
They were part of the show anyway. If one of us was off for any reason | :07:36. | :07:39. | |
they would step in. Were you off? I wasn't, no. No. You didn't want to | :07:40. | :07:45. | |
be, did you? No, I didn't. The show must go on. We were talking about | :07:46. | :07:50. | |
that. Yeah. I feel compassion for Sheridan. It she's like a sister for | :07:51. | :07:56. | |
me. She is going through a serious issues awe with her family inch | :07:57. | :07:59. | |
other job you would be allowed time off, wouldn't you? She is definitely | :08:00. | :08:07. | |
should be allowed this time off. We are talking about it. Audiences will | :08:08. | :08:11. | |
be thrilled when she comes back. Definitely. I have seen the show | :08:12. | :08:17. | |
already, I have tickets to go again. We will talk about your new book, | :08:18. | :08:22. | |
The World's Worst Children. Quite unexpected, we might add. We will | :08:23. | :08:23. | |
talk about that in a moment. We wanted to find out exactly | :08:24. | :08:28. | |
what children find funny and how So we sent Tommy Sandhu | :08:29. | :08:31. | |
to an afterschool comedy class for kids, armed with nothing | :08:32. | :08:35. | |
but some some jokes... All right, yes. Kids, they do the | :08:36. | :08:43. | |
funniest things. I should know, I've got a three-year-old plus I'm a kid | :08:44. | :08:53. | |
myself. Check it out! From slapstick to sarcasm we find different things | :08:54. | :08:58. | |
funny. As we get older our sense of humour changes. What tickles | :08:59. | :09:01. | |
children in those early years? Um... Bananas. Anything silly. People | :09:02. | :09:12. | |
falling over. Rude words. Probably to see my mum's... Wee, fat. Poo, it | :09:13. | :09:29. | |
stinks. I find it hill lair yous. -- hilarious. I don't know it's just | :09:30. | :09:39. | |
me. I've come to a school in Lymington with a neuroscience tis. | :09:40. | :09:44. | |
Humour is it a learnt thing. You learn it socially. Is it important | :09:45. | :09:47. | |
for them to be in touch with their humorous side? Yeah. It's incredibly | :09:48. | :09:52. | |
important. We are the only species that laughs, which is quite | :09:53. | :09:56. | |
interesting. When we laugh, it seems to be because momentarily the world | :09:57. | :10:00. | |
is turned upside down. I smell like a banana! There is a sense of | :10:01. | :10:04. | |
ex-sill ration in that. Sharing that with somebody is a joyious moment. | :10:05. | :10:11. | |
Are there like almost humour milestones where our humour changes? | :10:12. | :10:15. | |
From one to three-year-olds children are able to produce visual gags. | :10:16. | :10:19. | |
When the language skills are still developing they can do things that | :10:20. | :10:24. | |
will make other people laugh. The worst baby-sitter. That's an | :10:25. | :10:31. | |
example, a visual gag. Everybody understands it. The older children, | :10:32. | :10:37. | |
they can actually indulge in more verbal humour. What do you call two | :10:38. | :10:44. | |
pairs of robbers. A pair of knickers. They develop a sense of | :10:45. | :10:54. | |
irony and detect sarcasm as well. It's one of the best understood | :10:55. | :10:58. | |
taboos. You catch on to it early in life. If you can mention it and make | :10:59. | :11:02. | |
people laugh instead of getting into trouble, then your' away. Is there | :11:03. | :11:07. | |
an age when it's not funny any more? Not for boys. From around seven | :11:08. | :11:12. | |
years old upwards they have the language skills to be able to tell a | :11:13. | :11:15. | |
joke from the beginning to the end and remember the punch line, which | :11:16. | :11:19. | |
is very important as well. Guys, can I tell a joke? Yeah. What did the | :11:20. | :11:24. | |
cheese say when he looked in the mirror. Halloumi! Cheers, everyone. | :11:25. | :11:33. | |
I will be back next week. Tough crowd. Maybe I can do better with | :11:34. | :11:40. | |
this. We have the new David Walliams book here it's called The World's | :11:41. | :11:46. | |
Worst Children. Can I have it. Shout out your favourite characters? | :11:47. | :11:52. | |
Petula Perpetual. Seven-year-olds like bogeys. They are getting | :11:53. | :11:58. | |
excited about the characters. They are jumping off points for the | :11:59. | :12:05. | |
children's imagination. I can see they will enjoy having that idea | :12:06. | :12:08. | |
challenged we should be working hard. You should never work so hard | :12:09. | :12:13. | |
you lose your sense of humour. Got to have a laugh. Got to have a | :12:14. | :12:19. | |
laugh. LAUGHING. You have to have a laugh. | :12:20. | :12:24. | |
Thanks Tommy and a big thank you to the children | :12:25. | :12:26. | |
Hillary Clinton Hillary Clinton before you were hairy what did you | :12:27. | :12:34. | |
find funny? Two snow men standing on a hill one say - smell carrots! | :12:35. | :12:42. | |
Still love it. For you it was naughty comedy like the Young Ones? | :12:43. | :12:47. | |
You want to watch the comedy that is foreBiden. The stuff on at 9.00pm | :12:48. | :12:55. | |
your mum and dad send you to bed. The shone I loved as a kid was the | :12:56. | :13:02. | |
Goodies. Guess what clip we've got. The Young Ones! ... The City of | :13:03. | :13:06. | |
London! One of the most inventive shows of | :13:07. | :13:23. | |
all-time. As an adult I queued up and got their autographs. It's a | :13:24. | :13:30. | |
really, really brilliant show. Like monthy python for kids. For me it | :13:31. | :13:37. | |
was Les Dawson. I met him and got his autograph. Were you doing an | :13:38. | :13:42. | |
impression there as well. Yeah. That is as far as it goes. Not the most | :13:43. | :13:46. | |
accurate one we have seen. Uncanny that! Russ Abbott. Impressions. Keep | :13:47. | :13:58. | |
them under wraps. Let us talk about your latest book. Lots of people | :13:59. | :14:03. | |
await your book releases. No-one expected this one It's called The | :14:04. | :14:07. | |
World's Worst Children, a collection of short stories about children with | :14:08. | :14:11. | |
really bad traits. Like morality tales. It's halfway between a novel | :14:12. | :14:14. | |
and a picture book. Full of illustrations. It came about because | :14:15. | :14:19. | |
I spent a lot of time going into schools and talking to kids about | :14:20. | :14:23. | |
books and reading. I often ask the kids - who likes reading? Most of | :14:24. | :14:27. | |
them put their hands up. I say, who doesn't like reading? There are a | :14:28. | :14:31. | |
few boys at the back - books are boring. I go, why is that? I want to | :14:32. | :14:37. | |
see more killings in books. I thought, I want to write a book for | :14:38. | :14:42. | |
them. I want to write a book for the reluctant reader. I tried to write a | :14:43. | :14:46. | |
book as funny, visual and surreal as possible. It's not too demanding on | :14:47. | :14:55. | |
the young reader, it's store stories rather than a big narrative. It's | :14:56. | :14:59. | |
important it get kids reading. If they don't read as kids they don't | :15:00. | :15:05. | |
read as adults generally. Mr Stink is my son's favourite book. That is | :15:06. | :15:11. | |
nice. I said what is it about David's books? He said, daddy, it's | :15:12. | :15:14. | |
the characters. The world you create. That's nice. For them. That | :15:15. | :15:18. | |
is why you will nail it with this book. I hope so. The starting point | :15:19. | :15:22. | |
with the first book, nine years ago now - could I capture the Little | :15:23. | :15:27. | |
Britain style of comedy with the characters and some of the dialogue | :15:28. | :15:31. | |
in a book form for kids? Loads of kids like that show, it wasn't aimed | :15:32. | :15:36. | |
at kids. This is really like a series of sketches about badly | :15:37. | :15:41. | |
behaved children. A girl called Windy Mindy. We saw a picture of her | :15:42. | :15:47. | |
earlier. Any of you in her Quite a lot. They are based on parts of me | :15:48. | :15:53. | |
or my sister. Another character called Bertha Blubberer. She cries a | :15:54. | :15:56. | |
lot to get her little brother in trouble. It's what my sister, Julie, | :15:57. | :16:00. | |
who I know is watching tonight with my nephews, Eddie and Frankie, what | :16:01. | :16:05. | |
she used to do. She used to roll around on her bed going - David get | :16:06. | :16:11. | |
off me. I was in my room doing my homework. I would get in trouble. I | :16:12. | :16:13. | |
took my revenge and put her in this You have encouraged many young | :16:14. | :16:24. | |
children to read, but if anyone wanted to start writing, how do you | :16:25. | :16:30. | |
start? Well often a good idea is two ideas coming together. One is called | :16:31. | :16:38. | |
Gangster granny. Putting the two things together helps. And I think I | :16:39. | :16:45. | |
tell kids, keep your ears and eyes open and you never know hen you | :16:46. | :16:50. | |
might get a got idea. Sometimes it comes from Britain's Got Talent | :16:51. | :16:57. | |
contestants. Ehad one guy, we said what is your skill. He said, I'm | :16:58. | :17:04. | |
going to eat cockroaches. It gave me a thought, maybe he could turn rapts | :17:05. | :17:11. | |
into burgers. -- rats. If ever I'm trying to create a villain, I think | :17:12. | :17:17. | |
what would Simon Cowell do. Will that be made into a film? A TV film | :17:18. | :17:23. | |
and a couple of books have been optioned as films. Would you write a | :17:24. | :17:31. | |
book about Simon cow ever. I had an idea that he was this evil svengali | :17:32. | :17:43. | |
and he had a boy band that he was replacing with robots, the idea was | :17:44. | :17:48. | |
his heart was made of metal and he had no feelings. But it was too | :17:49. | :18:01. | |
close to the truth. I was going to to have Sinita as a henchman. Being | :18:02. | :18:06. | |
a father, that must spark off content. Yes you get to know what | :18:07. | :18:11. | |
kids laugh. I have nephews who are nine and four and you can can try | :18:12. | :18:16. | |
out ideas on them and it is a pleasure to write books with them in | :18:17. | :18:24. | |
mind and kids are very honest. If they find something boring they will | :18:25. | :18:30. | |
let you know. Don't you get obsessed with the only kid in the room that | :18:31. | :18:37. | |
doesn't look interested. There is 300 there enjoying and one is there | :18:38. | :18:42. | |
like this all the way through. He would rather be in a maths lesson. | :18:43. | :18:47. | |
But that is the thing. It is important to reach all kids. That is | :18:48. | :18:53. | |
the purpose of this book. Yes and loads of parents say, I couldn't get | :18:54. | :18:58. | |
my son to read a book, until I gave him one of yours. Which is obviously | :18:59. | :19:05. | |
a brilliant thing to be told. But it is generally boys who are reluctant | :19:06. | :19:12. | |
readers. From tomorrow you can read The World's Worst Children. | :19:13. | :19:16. | |
It can be hard not to laugh when you see a friend fall flat | :19:17. | :19:19. | |
on their back in the mud - even if they might not see | :19:20. | :19:22. | |
For the two friends in this next film, the outcome was far | :19:23. | :19:26. | |
worse than a bruised ego, when a small slip landed one of them | :19:27. | :19:29. | |
High impact sports can occasionally leave people with life-threatening | :19:30. | :19:37. | |
injuries, but you don't expect a walk too carry a similar risk. That | :19:38. | :19:42. | |
was far from the mind of Jade when she planned to meet up with her | :19:43. | :19:48. | |
friend Becky. Becky suggested walking around this beauty spot | :19:49. | :19:52. | |
above Guilford. This is where we came for our walk. The weather | :19:53. | :20:02. | |
wasn't brilliant. It was damp and we sat on a bench half way down. When | :20:03. | :20:09. | |
we got to the bench, Jade slipped and fell over down here. It was the | :20:10. | :20:12. | |
kind of minor accident that could happen to anyone. But Jade ended up | :20:13. | :20:17. | |
in hospital with an injury more serious than she would have possibly | :20:18. | :20:24. | |
imagined. I did hear my back crunch. But initially I thought I had just | :20:25. | :20:29. | |
winded myself and I was laid on the floor and trying to catch my breath. | :20:30. | :20:35. | |
I thought I didn't think she had hurt herself, I laughed and said, | :20:36. | :20:40. | |
get up. The longer she laid there she was cold and shaking, I realised | :20:41. | :20:45. | |
she had hurt herself. I did offer to ring an ambulance. I felt silly and | :20:46. | :20:51. | |
I didn't want to call an ambulance. So I said, I'm going to get myself | :20:52. | :20:57. | |
up. I had to get her arm and put it over me and we crept up to the car. | :20:58. | :21:04. | |
If someone had seen us, they would have thought it looked hilarious. We | :21:05. | :21:10. | |
were covered in mud. I tried casually to get in the car as if | :21:11. | :21:16. | |
nothing had happened. But the embarrassment faded as the pain | :21:17. | :21:21. | |
increased a and the next day Jade drove herself to hospital. An X-ray | :21:22. | :21:25. | |
revealed she had broken a bone in her back. I was heart-broken. Yeah. | :21:26. | :21:37. | |
... Sorry... Yes, it was a shock and I never expected them to say that. | :21:38. | :21:44. | |
Not just from falling over. I was so shocked, so shocked. Especially as | :21:45. | :21:48. | |
the way she fell, she fell on her side, sort of her front. So I | :21:49. | :21:52. | |
didn't... Expect her to break her back. Jade has been sent here to the | :21:53. | :21:58. | |
neurology department at St George's Hospital. They specialise in brain | :21:59. | :22:05. | |
and spinal chord swriries. Injuries. At the moment she is at risk of | :22:06. | :22:12. | |
being paralysed. I was told that by moving around, with the break so | :22:13. | :22:16. | |
close to my spine that would paralyse me from the waist down. | :22:17. | :22:21. | |
Treatment is usually either a spine brace and bed rest or opening the | :22:22. | :22:26. | |
spine to insert screws and rods. Both mean months of recovery. But St | :22:27. | :22:34. | |
George's are using a new technique. She has an unusual injury. So the | :22:35. | :22:41. | |
main part of bone has burst itself. You started to treat injuries | :22:42. | :22:48. | |
exactly stump as that with -- such as this with minimal invasive | :22:49. | :22:54. | |
procedures. Each screw goes into the spine through the skin. Think. Puts | :22:55. | :23:01. | |
all the metal work in without damaging the muscle. A rod connects | :23:02. | :23:08. | |
them across the top. Because the muscles are left intact, Jade could | :23:09. | :23:14. | |
be up and walking by the next day. It has not been nice. I wants to be | :23:15. | :23:23. | |
able to just get up and move in. But spinal surgery is not without risks. | :23:24. | :23:29. | |
They will be work next to her spinal chord without being able to see her | :23:30. | :23:33. | |
spine. We are a couple of millimetres from putting a screw in | :23:34. | :23:37. | |
the wrong place and damaging the spine chord. But the chance of that | :23:38. | :23:42. | |
with these extra x-rays is not zero, but chance is small. We will see how | :23:43. | :23:52. | |
Jade gets on later. Giles is here with her collection of Teddy bears. | :23:53. | :23:59. | |
You have a brilliant collection, including the original Pudsey Bear. | :24:00. | :24:05. | |
How did you start collecting? I started a long time when I was a | :24:06. | :24:12. | |
boy, more than 60 years ago with this character called Growler. Over | :24:13. | :24:17. | |
the years, I have acquired a wife, three children, even grands children | :24:18. | :24:25. | |
and more than 1,000 bears. Is that one a Steiff? Yes, they began making | :24:26. | :24:35. | |
bears in about 1902, the same year the American president Teddy | :24:36. | :24:39. | |
Roosevelt gave his name to the bear. The oldest bears are the Steiff | :24:40. | :24:44. | |
bears and one from 1903, the most valuable bear in the world sold for | :24:45. | :24:55. | |
?110,000. You have invited four others along. Yes, see who you think | :24:56. | :25:02. | |
this might be. A bear. It is a bear, whose best friend was Christopher | :25:03. | :25:09. | |
Robin. Winnie the Pooh. You expect him to look like that. The real | :25:10. | :25:15. | |
Christopher Robin, with who was a friend of mine, he didn't like the | :25:16. | :25:21. | |
smile on Winnie the Pooh's face and when he on show he has to have his | :25:22. | :25:26. | |
back to you. Because it didn't match the bear he had. Yes and he didn't | :25:27. | :25:30. | |
like being Christopher Robin and the fame. That is his Winnie the Pooh. | :25:31. | :25:36. | |
Yes. And this is our Winnie the Pooh, that everybody recognises, | :25:37. | :25:43. | |
illustrated by Earnest Shepherd. Here we have bears with a royal | :25:44. | :25:47. | |
connection. A beautiful princess and she died and these are bears | :25:48. | :25:51. | |
associated with her. Who do you think it is? Princess Diana. Yes, | :25:52. | :25:58. | |
when she died a lot of Teddy bears were left with the flowers and the | :25:59. | :26:02. | |
Royal Family didn't want the bears to be thrown away. So most of the | :26:03. | :26:06. | |
bears were take on the eastern Europe by a charity to be give on | :26:07. | :26:10. | |
the children's hospitals in eastern Europe. Some were kept in Britain | :26:11. | :26:17. | |
and this is one of them. We have the Diana bears as part of my | :26:18. | :26:22. | |
collection. The big one at the back? The one every child would want? He's | :26:23. | :26:30. | |
superstar. He is Kermit's best friend, it is Fozzie Bear. The | :26:31. | :26:37. | |
original Fozzie Bear, given to me by Jim Henson himself. Made in 1964. | :26:38. | :26:45. | |
Hue did you get that? I met him in a television studio in the 80s, I told | :26:46. | :26:49. | |
him about my collection. He said would you like to have Foss y. Three | :26:50. | :26:56. | |
week later, this bear arrived. Just a gift? Yes a priceless bear who | :26:57. | :27:05. | |
will never be given away. Fozzie has all his mechanics? Yes here a bear | :27:06. | :27:14. | |
who loves marmalade sands witches. Don't tell me that is the original. | :27:15. | :27:20. | |
Do you remember Paddington on the television. This is he given to me | :27:21. | :27:31. | |
by Michael Bonds. Like the Queen celebrating his 90th birthday. Each | :27:32. | :27:37. | |
finger, every image was taken, click and then fingers move and that is | :27:38. | :27:44. | |
how they made the programmes, Michael horden did the voice. And | :27:45. | :27:53. | |
here is an original sands witch. So you are giving away your bears. Sad | :27:54. | :27:58. | |
but happy. Thanks to The One Show I was sent up to North Yorkshire to | :27:59. | :28:04. | |
Newby Hall, where if during the seconds worlds war the Royal Family | :28:05. | :28:09. | |
had to leave London, they were going to go to Yorkshire. I arrived at | :28:10. | :28:13. | |
this stately home and thought if it is goods for the royals, it is good | :28:14. | :28:19. | |
enough for my bears and I persuaded the family, we have created a | :28:20. | :28:25. | |
charitable trust and will have all the bears on show forever. Living in | :28:26. | :28:30. | |
a home fit for the royals. I can't wait to go. But there is so many | :28:31. | :28:35. | |
stories here. You have such a connection. That will be difficult. | :28:36. | :28:42. | |
The truth is it is a bit heartbreaking, but the lovely thing | :28:43. | :28:48. | |
is I won't live forever. But these characters are immortal and I want | :28:49. | :28:53. | |
them to be enjoyed by generations to come and a thousand years from now | :28:54. | :28:59. | |
people can see these bears. I will drink to that. It is stuck down! We | :29:00. | :29:06. | |
have a lovely picnic here. David, important question - when you buy | :29:07. | :29:12. | |
sliced bread, and you get the ends, the crusts. This is the real reason | :29:13. | :29:18. | |
I'm here today? You eat them or put them to the side? I give them to the | :29:19. | :29:26. | |
poor. I eat them. I'm not a baby. I quite like the crusts. Angellica has | :29:27. | :29:38. | |
been raising to a man with a plan for this. It is the most wasted food | :29:39. | :29:43. | |
in Britain. Every day in homes across the country, we throw away 24 | :29:44. | :29:49. | |
million slices of bread. But there is not just household waste. In | :29:50. | :29:53. | |
recent years many supermarket chains have made efforts to make sure waves | :29:54. | :29:58. | |
food is disposed of in the best way possible. What is known as store | :29:59. | :30:04. | |
waste, the food left at the ends of day is often given to charity. This | :30:05. | :30:09. | |
supply chain waste. That is the bread left over at the factory after | :30:10. | :30:15. | |
Britain's ready made sands witches have been sliced, buttered and | :30:16. | :30:20. | |
packed. And now there is a new solution that could wipe out bread | :30:21. | :30:24. | |
waste. Turn it into beer. This company in Essex is one of Britain's | :30:25. | :30:31. | |
biggest sandwich makers, producing 40,000 every day. The company makes | :30:32. | :30:38. | |
9,000 sands witches using one thousand loaves. But something | :30:39. | :30:40. | |
doesn't add up. To make 9,000 sandwiches should take | :30:41. | :30:55. | |
900 loaves. So where have 100 loaves gone? Technical manager, Noel Glass | :30:56. | :31:03. | |
oversees sandwich production. We use 1,000 loaves a day. There are 2,000 | :31:04. | :31:12. | |
crusts that are unusable. We send our bread waste to generate power, | :31:13. | :31:17. | |
it goes back into the grid. We use it for other things. It's used in a | :31:18. | :31:22. | |
positive way. An idea is to turn that surplus bread into beer. It's | :31:23. | :31:32. | |
the brain child of Mr Stewart. I fed the pigs on the waste from my | :31:33. | :31:37. | |
kitchen and the local baker who had sack loads of bread. At the end of | :31:38. | :31:42. | |
the week I would turn it into pork by feeding my pigs. I came across | :31:43. | :31:48. | |
the Belgium brewers making quality craft ale out of old bread. They | :31:49. | :31:54. | |
told me this is the original beer recipe. I thought, for our waste | :31:55. | :32:02. | |
campaigning organisation to start generating revenues by selling beer, | :32:03. | :32:07. | |
using old bread, that's perfect. So we launched Toast Ale we have kicked | :32:08. | :32:13. | |
off a global brewing food waste revolution. At the brewery in | :32:14. | :32:19. | |
Yorkshire, the latest batch of this unusual beer is nearly ready for | :32:20. | :32:22. | |
bottling. It's in the fine Al stage of brewing. A process called | :32:23. | :32:28. | |
conditioning. The bread arrives from Toast. We mix it with malt. It's | :32:29. | :32:35. | |
boiled for an hour and a quarter in our Cooper. It's cooled, | :32:36. | :32:40. | |
transferred. Fermented for about a week. It's fill filtered and | :32:41. | :32:45. | |
bottled. It costs us nothing. It's waste. What else would you use it is | :32:46. | :32:53. | |
for? What does it taste like? What do the people of Stoke Newington in | :32:54. | :32:57. | |
London think? Let's find out. Do you like beer? No, not really. Fruity. | :32:58. | :33:06. | |
It's fruity. I wouldn't have expected that at all. What's it made | :33:07. | :33:11. | |
of? Bread. I love it. It's a UK thing. We will throwaway food, we | :33:12. | :33:17. | |
will make beer from bread. You can't have any more - go away! Can I | :33:18. | :33:24. | |
finish it? Yes, go on then. I don't believe it. It's a good solution to | :33:25. | :33:32. | |
food waste, turn Britain's most weighed food into Britain's most | :33:33. | :33:36. | |
favourite alcoholic drink. The people here definitely raise their | :33:37. | :33:41. | |
glasses to a pint of this stuff. Thank you, Angellica much we are now | :33:42. | :33:46. | |
joined by The Hairy Bikers. APPLAUSE. | :33:47. | :33:49. | |
Are you all right to drink beer Yes. Look trim these days. Have a taste. | :33:50. | :34:00. | |
Cheers, everybody. Cheers. Good health. It's quite sweet. That's | :34:01. | :34:08. | |
lovely, isn't it? It's like a marmalade sandwich. That's quite | :34:09. | :34:16. | |
nice that. Hoppy, toastie. Nice undertones. Good. In your old books | :34:17. | :34:25. | |
you had beer battered cod, steak and ale pie, none of that any more, is | :34:26. | :34:31. | |
there? There is. We couldn't find beer in the recipes. Hairy Dieters? | :34:32. | :34:38. | |
Fast tooed Food. We don't live in a bubble. We have a life that impacts | :34:39. | :34:44. | |
on us. Sometimes if you put weight on, you do. Or to end up more bidly | :34:45. | :34:51. | |
obese which is how we found ourselves four years We were in ago. | :34:52. | :34:57. | |
Front of the nation dressed in our underpants with every lardy bit out | :34:58. | :35:00. | |
we could find. We had to lose weight it was impacting on our health. We | :35:01. | :35:05. | |
have put a bit on. Dave, not so much as me. I put most of the weight back | :35:06. | :35:11. | |
on. I wasn't very well. But now, with the Fast Food book we have | :35:12. | :35:15. | |
practice what had we breach again. We are back on track. When you are | :35:16. | :35:20. | |
on a diet you are raging hungry. Yes. Unless you have the food on the | :35:21. | :35:25. | |
table quickly, when you come home from work, you will start picking. | :35:26. | :35:30. | |
Hunk of cheese was my downfall. With the calorie count thing, you get | :35:31. | :35:34. | |
better value with the meals we managed to design. That was the | :35:35. | :35:38. | |
purpose of the new book. Fast Food, you aim to cook the meals in 30 | :35:39. | :35:42. | |
minutes. It's not really a diet book. It's healthy eating. It is. | :35:43. | :35:48. | |
What we do with all the books we have written. Particularly in the | :35:49. | :35:51. | |
diet book range, we come from a place where it has to be great | :35:52. | :35:55. | |
tasting food and you want to eat it. It's our job to make it less | :35:56. | :36:01. | |
calorific. There is a calorie count so you know what you are eating. The | :36:02. | :36:05. | |
portions are decent sizes. You can cook it for the whole family. You | :36:06. | :36:09. | |
are not in isolation, if you like. People don't, you know, people don't | :36:10. | :36:14. | |
know they are eating less calorific food. They are tasty recipes. The | :36:15. | :36:21. | |
curries are good. Have Friday night curry, get your mates around, they | :36:22. | :36:24. | |
won't know half the calories of a regular curry. In this book we use | :36:25. | :36:30. | |
pressure cookers. Half of India makes curry in a pressure cooker. It | :36:31. | :36:36. | |
tastes better, the flavour out of the spices. It takes 14 minutes in a | :36:37. | :36:43. | |
pressure cooker. It's thinking about it more. Are you across what is | :36:44. | :36:48. | |
happening with the recipes on the BBC website, it's in the news today | :36:49. | :36:54. | |
where they are are going. Where are you they going to We're not sure. | :36:55. | :37:02. | |
The BBC Good Food website is there. If if I see something in the market | :37:03. | :37:07. | |
I will type it in and find the recipes. If it's on the telly it has | :37:08. | :37:12. | |
been researched and you can cook it. When we write recipes, we want them | :37:13. | :37:16. | |
people to cook, until they settle we will put them on our website people | :37:17. | :37:20. | |
can get them for nothing. This brilliant series you have on BBC Two | :37:21. | :37:28. | |
called Old School. It pairs up, brilliant idea, retired people with | :37:29. | :37:32. | |
students in their GCSE year to see if they can obtain better grades and | :37:33. | :37:37. | |
help older people in various ways. Did it work as an experiment? Well, | :37:38. | :37:43. | |
the last episode is just - yeah, it was fascinating. The results were | :37:44. | :37:47. | |
fascinating. Last episode is out next week much you will have to wait | :37:48. | :37:51. | |
and find out. The results are tangible. It started out as an idea | :37:52. | :37:56. | |
in Japan, elderly people were put into schools for the benefit of | :37:57. | :38:00. | |
their minds and bodies. This time the idea was could the teenagers | :38:01. | :38:07. | |
benefit? We spoke to some professors, Professor Of Ageing. The | :38:08. | :38:12. | |
two loneliest group in Britain are teenagers and the elderly. If you | :38:13. | :38:15. | |
put them together you should solve a problem. We had the support of an | :38:16. | :38:18. | |
amazing school in Oxford, Oxford Academy. The headmaster, Neil, | :38:19. | :38:26. | |
Katie. Wonderful people. We did it. It was funny, when we had one | :38:27. | :38:33. | |
success other obstacles appeared it. Was an honest programme. That is | :38:34. | :38:36. | |
what we loved about it. Everybody involved in the programme, in front | :38:37. | :38:40. | |
anded behind the camera, had an emotion Al investment in it. We are | :38:41. | :38:44. | |
intervening in a crucial time in children's, not only emotion Al | :38:45. | :38:48. | |
development, also education Al development. It was an amazing | :38:49. | :38:54. | |
programme to be involved with. The fine Al episode of Old School with | :38:55. | :38:59. | |
The Hairy Bikers is on Tuesday 9.00pm on BBC Two and on the | :39:00. | :39:04. | |
iPlayer. The Hairy Dieters Fast Food is out now. Speaking of which. We | :39:05. | :39:10. | |
have a bone to pick. The thing is, right, I'm not a good book, David. I | :39:11. | :39:17. | |
looked in here, the only how to guy is how to chop an We did that onion. | :39:18. | :39:23. | |
For a laugh. Everything starts with a chopped onion. Matchstick | :39:24. | :39:33. | |
courgettes. I'm at a lost now, I only have onion. We have a chopping | :39:34. | :39:39. | |
board, a knife and some veg. We will have a masterclass on how to do this | :39:40. | :39:47. | |
thing. For Alex's benefit. I am sure our viewers will benefit. We will | :39:48. | :39:51. | |
have cooking music. We will get a member of our audience. We think it | :39:52. | :39:55. | |
would be nice if we could get a layman to do this. Who should we get | :39:56. | :40:01. | |
then Put your hands up if you fancy it? Look at that. Come forward, | :40:02. | :40:08. | |
good. Can we get a chopping board and a mic on as well. Thank you very | :40:09. | :40:16. | |
much. What is your name? Nasima. Do you cook a lot? Is Not very much. I | :40:17. | :40:26. | |
need guidance. Perfect student. Summery green coal saw. Matchstick | :40:27. | :40:35. | |
courgette. Fennel bulb. Are you going to use your mandolin? I don't | :40:36. | :40:43. | |
think I will. Go Manuel. Take this end off. Matchstick size there. Cut | :40:44. | :40:54. | |
it into slices like to. You should be on Hairy Bikers. You've got a | :40:55. | :41:01. | |
job, kid. Take a stack of your courgette and delicately cut them | :41:02. | :41:07. | |
into matchsticks. If all your veg is the right size they combine together | :41:08. | :41:13. | |
to excite the palate. That looks all right. We have glanced at Nasima. | :41:14. | :41:31. | |
Well... Oh! WHAT! Nasima is an expert fruit and veg carver. How did | :41:32. | :41:38. | |
you get on with the fennel? Just getting it here. Amazing! Do we have | :41:39. | :41:46. | |
time for the mango. Yep. Let us look. . There we are. Amazing. So | :41:47. | :42:01. | |
David wasn't left out. She made you a special one, David, heart, Simon. | :42:02. | :42:09. | |
Do with that what you want. You can make some coleslaw. There you are. | :42:10. | :42:18. | |
We have filmed a step-by-step video of Nasima carving the courgette and | :42:19. | :42:20. | |
fennel. Taking your whites for a wash | :42:21. | :42:24. | |
at the local launderette is becoming a rare thing, | :42:25. | :42:26. | |
as rising rents force more and more Arthur Smith got all in a lather | :42:27. | :42:29. | |
when his local launderette The launderette, a British | :42:30. | :42:42. | |
institution. This one has been washing our dirty linen in public | :42:43. | :42:47. | |
since the 1950s. I live over the road from this launderette. Over the | :42:48. | :42:53. | |
years, I've put in hundreds and hundreds of bags of dirty old | :42:54. | :42:58. | |
washing and they have come out delightfully clean because of Rita | :42:59. | :43:05. | |
and her mum. Rita has worked here for 15 years. Her job description is | :43:06. | :43:10. | |
somewhere between a manager and a social worker. London can be a | :43:11. | :43:15. | |
really lonely place. There are a lot of people who live alone. Just to | :43:16. | :43:20. | |
come to a launderette where they're recognised, they just feel that | :43:21. | :43:26. | |
there is family somehow. A nice time to sit and do nothing. Gentle hum of | :43:27. | :43:36. | |
the machines lend a kind of warm, almost womb-like quality. It means a | :43:37. | :43:41. | |
lot to a lot of people. It's like a social hub. Not everyone who pops in | :43:42. | :43:47. | |
needs their smalls cleaning. Susie drops in several times a day just | :43:48. | :43:53. | |
for a chat. Hello. This is a community place. These are whats I | :43:54. | :43:56. | |
call my neighbours, my friends. It's just a nice place to be. In their | :43:57. | :44:09. | |
heyday 14,000 beautiful launderettes graced our high streets the expense | :44:10. | :44:14. | |
of owning a shall with aing machine meant a weekly trip was essential. | :44:15. | :44:19. | |
Bruce is from the National Association of Launderettes. He | :44:20. | :44:26. | |
built a career selling dryers? This is now 20 years old. I sold this | :44:27. | :44:30. | |
batch of dryers to this shop. It was simple to use. They are like a | :44:31. | :44:36. | |
Morris Minor. Simple to fix. A great return for the shop operator. But | :44:37. | :44:42. | |
the profits have been wrung out of the launderette business with 97% of | :44:43. | :44:47. | |
homes having washing machines, fewer than 3,000 are clinging to survival. | :44:48. | :44:56. | |
And today is the shops fine Al spin cycle. Today we are dismanteling the | :44:57. | :45:02. | |
shop. Three again rations have owned the shop. It's not been an easy | :45:03. | :45:06. | |
decision. We have been existing for the past couple of years. Everything | :45:07. | :45:11. | |
around us has kind of become more expensive, the rates, the rents. | :45:12. | :45:15. | |
Yet, we've still been operating as an old fashioned launderette. Today | :45:16. | :45:26. | |
really marks the end of an era. Kyle spent his early career installing | :45:27. | :45:31. | |
launderette washing machines. Now he spends his time ripping them out. | :45:32. | :45:36. | |
Another gone. It's upsetting. I counted 200 that have closed since I | :45:37. | :45:41. | |
was young within a about a five or six mile radius of me. | :45:42. | :45:45. | |
I would rather not remember it this way. Who would have thought a little | :45:46. | :45:50. | |
launderette could have made such a difference? I'm so sorry you're | :45:51. | :45:57. | |
going. I've got you a poem. Oh, Rita my heart is cleft in Twain. I won't | :45:58. | :46:02. | |
be coming through these doors again. All of Balham will always regret | :46:03. | :46:06. | |
your welcoming, warm and beautiful launderette. My socks don't match, | :46:07. | :46:12. | |
but they're always clean because of Rita our Balham Queen. Sometimes | :46:13. | :46:21. | |
people there is so much noise around them in the world. They come here | :46:22. | :46:25. | |
for peace and quiet. A great place to meet people. A great shame it's | :46:26. | :46:30. | |
closing down. In a world of stress and rushing around the launderette | :46:31. | :46:34. | |
is a place if you put your stuff in and waiting for it, and get it out, | :46:35. | :46:39. | |
you have time. It's a relaxing place. People go off to retreats, I | :46:40. | :46:45. | |
say the launderette will do it for you. I will be sad to see it go and | :46:46. | :46:47. | |
not be part of it any more. EDWHITE Thanks to Arthur. We are | :46:48. | :47:01. | |
back on. Sorry. That is very sad. Thank you to everybody at the Balham | :47:02. | :47:07. | |
laundry. Somebody who has been in a spin like the connection is your | :47:08. | :47:13. | |
aerial acrobat on Britain's Got Talent. Here he is. | :47:14. | :47:42. | |
Wow. He is from the Canary Islands, how do you feel about having acts on | :47:43. | :47:55. | |
that aren't British? I hit the is great, it makes people try harder. | :47:56. | :47:59. | |
It would be hard to police if you said it was only British people, you | :48:00. | :48:05. | |
might have a double act. It is great, everyone wants to be part of | :48:06. | :48:11. | |
it. Outsite of America it is probably the biggest version of | :48:12. | :48:15. | |
brand. We have noticed you a bit nice tore Mr Cowell these days. What | :48:16. | :48:20. | |
are you after? I'm out of contract at the end... So, no, if he bears a | :48:21. | :48:28. | |
grudge, that is it. He does like to change things around. He does like | :48:29. | :48:32. | |
to sack people. A lot. That is me dressed as him. He said he found me | :48:33. | :48:37. | |
attractive when I was dressed as him. That is weird. I don't know | :48:38. | :48:41. | |
what that means. Is that now hanging in your wardrobe? Yes can I bring it | :48:42. | :48:48. | |
out for Hallowe'en. You have this golden buzz er. Here is the couple | :48:49. | :48:56. | |
you felt had that something... Special. Here we go. | :48:57. | :49:12. | |
# Oh, oh yeah crack Adak... # Thank you. I love you. There we are. We | :49:13. | :49:31. | |
have the acrobats. And yet there we are. And crack a Dak. I want a whole | :49:32. | :49:44. | |
album of Beyonce songs. It is stupid giving the golden buzzer to somebody | :49:45. | :49:48. | |
who will sail through. It is more interesting to use it as a wildcard | :49:49. | :49:53. | |
and bring in people who the other judges don't like. One of the other | :49:54. | :49:57. | |
judges was your mum at within stage. She was. Simon cow ever was nine | :49:58. | :50:05. | |
hours late and my mum happened to be there. They asked if he would like | :50:06. | :50:10. | |
to be judge. She got a brilliant reaction and people want to see her | :50:11. | :50:16. | |
replace Simon. Is he often late? He is normally about five hours later. | :50:17. | :50:20. | |
This time he was later. That is not acceptable. She is brilliant and was | :50:21. | :50:28. | |
thrown in at the last minute. But she wasn't afraid to buzz people and | :50:29. | :50:34. | |
we have had done it before and ant and Dec have stepped in, but my mum | :50:35. | :50:42. | |
has a streak of cruelty. Who are you looking forward to seeing again. Ian | :50:43. | :50:47. | |
and Ann. I like the fun acts. I mean sometimes people who are talented | :50:48. | :50:51. | |
are actually quite boring. There is loads of talented people. A lot of | :50:52. | :50:58. | |
people can sing a Whitney Houston song and sound great. Ian and Ann, a | :50:59. | :51:07. | |
fantastic choice of song I hope they will do all the single ladies. I | :51:08. | :51:10. | |
hope they will get through. Of course them. They will be the | :51:11. | :51:12. | |
winners. There we are. Time now to find out | :51:13. | :51:16. | |
how Jade is getting on. Earlier in the programme we saw Jade | :51:17. | :51:19. | |
preparing to have innovative new surgery to fix her back | :51:20. | :51:21. | |
that she broke simply by slipping The shattered bone is threatening | :51:22. | :51:40. | |
jade's spinal chord. The surgeon will insert screws and rods under | :51:41. | :51:46. | |
her skin, guided only by X-ray. We are setting up an X-ray to find the | :51:47. | :51:52. | |
target point. Finding the exact spot without being able to see is | :51:53. | :51:56. | |
technically challenging. Once they're sure the needle is in the | :51:57. | :52:00. | |
right place a wire is threaded down the middle and the needle can be | :52:01. | :52:06. | |
removed. The wire is now perfectly positioned. Everything goes in over | :52:07. | :52:11. | |
the wire, so we know it will follow a safe path way into the bone and | :52:12. | :52:18. | |
past the nerves. Shoot! Beautiful! X-rays are taken each time to make | :52:19. | :52:24. | |
sure nothing is going wrong. The corridor of bone is about four | :52:25. | :52:30. | |
millimetres wide and one side of it is the spinal chord under neath is | :52:31. | :52:34. | |
it one of nerves that supplies the legs. So we are within millimetres | :52:35. | :52:39. | |
of critical structures. The ability to place the screws with such | :52:40. | :52:44. | |
precision has only been possible in the past few months as smaller | :52:45. | :52:48. | |
screws and wires have been developed. The rod has to be | :52:49. | :52:53. | |
carefully bent to millic the spine o' - mimic the spine. The rod has to | :52:54. | :53:02. | |
be guided through the screws. Lovely. Very nice. Matthew closes | :53:03. | :53:08. | |
the tiny incisions and the operation is over. Shortly after the surgery | :53:09. | :53:19. | |
Jade has another XT scan. Now we have straightened this bone, this | :53:20. | :53:23. | |
fragment it is almost certain have all been pulled back into line and | :53:24. | :53:28. | |
we have fixed all the bones together to bridge the one that is unstable, | :53:29. | :53:34. | |
so it can heal without the worry it will move further or threaten the | :53:35. | :53:38. | |
spinal chord. We should be able to talk to her about taking the metal | :53:39. | :53:43. | |
back out in about a year to prevent any further complication and to | :53:44. | :53:47. | |
allow her spine to move in a normal manner. Jade is already back to her | :53:48. | :53:52. | |
old life. Just three weeks after her injury, we are taking a stroll back | :53:53. | :53:57. | |
to the site of her accident. With traditional treatment she would | :53:58. | :54:01. | |
still be confined to bed. I feels amazing to be up and about and I | :54:02. | :54:07. | |
didn't imagine that so quickly I would be walking around and I mean | :54:08. | :54:12. | |
friends and family have been around to see me have been so shocked that | :54:13. | :54:18. | |
I'm up and making cups of tea. So yeah it is incredible. Becky is glad | :54:19. | :54:26. | |
to see her back to normal too. How weird does it feel to be back? I was | :54:27. | :54:31. | |
nervous about coming back. But it's all right. How does it feel to have | :54:32. | :54:36. | |
her back. Very nice to have you back. Makes you think about | :54:37. | :54:40. | |
everything that can happen in such a split second. We are not going to | :54:41. | :54:46. | |
tempt fate, I think we should leave the view and go and have a cup of | :54:47. | :54:51. | |
tea. Thank you one and all. Before we go, what is in your fridge at the | :54:52. | :54:55. | |
moment and what would you be cooking if you weren't here? I have some | :54:56. | :55:05. | |
scallops that just about on the turn. So a risotto. I have a lot of | :55:06. | :55:12. | |
muscles that just starting to smell. I was going to get them. I have some | :55:13. | :55:19. | |
out of date milk. That is yoghurt I will eat. You have an online club | :55:20. | :55:29. | |
that people can be part of. Davina has her picture and you have yours. | :55:30. | :55:37. | |
Ant and Dec have gone off! It is fitness for the advanced... Look at | :55:38. | :55:44. | |
that. In a moment... The London northern island supporters club will | :55:45. | :55:49. | |
sing us out with their unofficial anthem. They have celebrating | :55:50. | :55:54. | |
qualifying for the first major tournament for 30 years. We would | :55:55. | :55:59. | |
like to represent all the home nations competing. In a couple of | :56:00. | :56:04. | |
weeks the manic street preachers will be here singing Wales' official | :56:05. | :56:13. | |
song. But there is no England song. Yet. So the question is - have you | :56:14. | :56:19. | |
made one? At home. If you have let us know. Here is your chance to | :56:20. | :56:24. | |
perform on The One Show. If you don't - he will. Thank you David. | :56:25. | :56:30. | |
The world's worst children is out tomorrow. The hairy dieters fast | :56:31. | :56:37. | |
food is out tomorrow and old skill is on tomorrow on BBC Two. Now here | :56:38. | :56:44. | |
is the London Northern Ireland supporters club with Making Our Way | :56:45. | :56:55. | |
to Paris. # Who ever guessed h whoever knew this time would come. | :56:56. | :57:02. | |
# We dared to dream, our dream came true, of Paris. | :57:03. | :57:04. | |
# Our tickets booked, our bags are packed. | :57:05. | :57:06. | |
# We looking forward, no turning back. | :57:07. | :57:08. | |
# Don't know what's waiting, but there'll be craic, in Paris. | :57:09. | :57:14. | |
# 30 long years we've been waiting for the chance. | :57:15. | :57:17. | |
# Now we've gone and qualified we're gonna go to France. | :57:18. | :57:21. | |
# Because it's 2016 and we're making our way to Paris. | :57:22. | :57:28. | |
# 30 long years since we went to Mexico. | :57:29. | :57:32. | |
# Don't ask me where the time went cos I just don't wanna know. | :57:33. | :57:35. | |
# Cos it's 2016 and we're making our way to Paris. | :57:36. | :57:40. | |
# Northern Ireland magic will support you ever more. | :57:41. | :57:52. | |
# They'd never seen our like before, in Mexico. | :57:53. | :57:57. | |
# Next Euro we're gonna be in Moscow. | :57:58. | :58:10. | |
# 30 long years we've been waiting for the chance. | :58:11. | :58:14. | |
# Now we've gone and qualified we're gonna go to France. | :58:15. | :58:17. | |
# Because it's 2016 and we're making our way to Paris. | :58:18. | :58:23. | |
# 30 long years since we went to Mexico. | :58:24. | :58:28. | |
# Don't ask me where the time went cos I just don't wanna know. | :58:29. | :58:32. | |
# Cos it's 2016 and we're making our way to Paris. | :58:33. | :58:36. | |
# Cos it's 2016 and we're making our way to Paris. | :58:37. | :59:06. | |
Hello, I'm Tina Daheley, with your 90-Second Update. | :59:07. | :59:08. | |
The bitter dispute between junior doctors and the government looks | :59:09. | :59:10. | |
to have been resolved. The doctors' union, the BMA, | :59:11. | :59:13. |