Browse content similar to 19/05/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Matt Baker. | :00:15. | :00:16. | |
Tonight's guest is a man who loves to be in front of the TV cameras, | :00:17. | :00:21. | |
either singing, hosting game shows or traveling | :00:22. | :00:23. | |
He loves it so much, he barely has enough time to be | :00:24. | :00:27. | |
Will somebody connect this bag? I am very sad. My travel plans have died. | :00:28. | :00:51. | |
The Jim White! Timber! I have been trapped! Have fallen! | :00:52. | :00:54. | |
It went off! What a commitment. That will be the third one you have | :00:55. | :01:18. | |
posted since this afternoon. It is aborted to have the fans involved, | :01:19. | :01:23. | |
they have put me in this position of celebrity -- it is important. I | :01:24. | :01:26. | |
thought I should get them on social media. I am open wooded. Apparently | :01:27. | :01:35. | |
you don't do it! You have got to get on the social. I am always on a | :01:36. | :01:44. | |
camera somewhere, I don't want you put my opinions on people too much. | :01:45. | :01:48. | |
You don't do your opinions. You just give an insight into you having a | :01:49. | :01:55. | |
great day, I am doing this, and if somebody has an opinion, you go, | :01:56. | :02:00. | |
what I think really is... But you have got to be careful. | :02:01. | :02:04. | |
Just so John doesn't have withdrawal symptoms from not posting online | :02:05. | :02:06. | |
videos for the next 30 minutes, he'll be posting short | :02:07. | :02:09. | |
ones during the show, and you can view them | :02:10. | :02:11. | |
They will not match this. These have been sent in by a golden eagle, we | :02:12. | :02:22. | |
will see more of these images later. It is ground-breaking. When I say | :02:23. | :02:27. | |
she is massive, she is huge. Depending on which articles you've | :02:28. | :02:29. | |
read, you either believe e-cigarettes are a blessing | :02:30. | :02:31. | |
to smokers who want to quit or a dangerous new way to keep them | :02:32. | :02:33. | |
addicted to nicotine. It can be hard to see the facts | :02:34. | :02:36. | |
through all the smoke. On the eve of new EU | :02:37. | :02:39. | |
rules set to regulate e-cigarettes for the first time, | :02:40. | :02:41. | |
Michael Mosley has been In the UK almost 3 million people | :02:42. | :03:00. | |
use e-cigarettes. This bit of technology has absolutely exploded | :03:01. | :03:05. | |
into our lives. Ten years ago they barely existed, now they are | :03:06. | :03:09. | |
everywhere. Science is scrabbling to keep up, and the experts are | :03:10. | :03:13. | |
bitterly divided. They could turn out to be one of the greatest public | :03:14. | :03:16. | |
health innovations of our generation. We really don't know | :03:17. | :03:22. | |
what the long-term effects will be. I want to uncover the truth about | :03:23. | :03:28. | |
e-cigarettes and so I will put them through some rigorous tests. I have | :03:29. | :03:32. | |
challenged eight heavy smokers to try to quit smoking using them as a | :03:33. | :03:35. | |
substitute for four weeks. To find out what effect they have on a | :03:36. | :03:40. | |
nonsmoker like myself, I will take them up for a month. We have all | :03:41. | :03:45. | |
undergone a barrage of health tests that we will repeat at the end of | :03:46. | :03:49. | |
the experiment. Hold this button down for two to three seconds, | :03:50. | :03:51. | |
inhale from the device. It is not as aggressive as a | :03:52. | :04:04. | |
cigarette. Not at all. A minty flavour. I have committed to using | :04:05. | :04:11. | |
my e-cigarette for four weeks, and I am aiming for 120 posts a day. As a | :04:12. | :04:16. | |
nonsmoker, this is against recommended advice. E-cigarettes | :04:17. | :04:21. | |
were invented to help smokers quit. These battery-powered devices need a | :04:22. | :04:27. | |
liquid which usually contains nicotine to produce a vapour. This | :04:28. | :04:31. | |
has a different chemical composition from cigarette smoke, which contains | :04:32. | :04:36. | |
6000 chemicals, 100 of which are harmful to humans. In this diagram, | :04:37. | :04:45. | |
every peak is a toxin. Compare this to e-cigarette vapour, there are | :04:46. | :04:49. | |
fewer peaks. Data like this has led experts to be glued that | :04:50. | :04:55. | |
e-cigarettes are at least 95% less harmful than smoking. The heavy | :04:56. | :04:58. | |
smokers who tried them in our test found them useful. I have no urge to | :04:59. | :05:09. | |
smoke. I have been smoke-free for four weeks. How much did you smoke | :05:10. | :05:16. | |
before? 30 a day. Quite a lot. For 30 years. When we retested him and | :05:17. | :05:23. | |
the other smokers who quit using e-cigarettes, we found significant | :05:24. | :05:28. | |
health improvements, including lower toxins and improved heart function. | :05:29. | :05:34. | |
I am a nonsmoker, and so what has my habit been doing to me? I have come | :05:35. | :05:39. | |
to the Royal Brompton Hospital to have my lungs tested. Every time you | :05:40. | :05:46. | |
puff, there is an insult to your airway cells. A mild injury? Yes, | :05:47. | :05:54. | |
that increased information into abnormal areas. This is a very | :05:55. | :05:58. | |
immediate reaction which does go away. But he does not yet know | :05:59. | :06:03. | |
whether this causes any long-term damage. This finding is not the only | :06:04. | :06:11. | |
cause for concern. Researchers in the states are finding that some of | :06:12. | :06:13. | |
the flavours in e-cigarettes could damage Airways. These are often | :06:14. | :06:19. | |
flavours that are safe to eat but potentially harmful when inhaled. | :06:20. | :06:24. | |
Surprisingly, they found mental flavour to be worse than Pina | :06:25. | :06:30. | |
Colaba, but none of the flavours were anything like as dangerous as | :06:31. | :06:34. | |
tobacco smoke. After four weeks of vaping, I am happy to say goodbye to | :06:35. | :06:39. | |
my temp crow, but this has made me re-evaluate my opinion. When I | :06:40. | :06:45. | |
started, I was sceptical about the benefits, but I have changed my | :06:46. | :06:49. | |
mind. If you are not a smoker, taking up this is a stupid thing to | :06:50. | :06:55. | |
do. But if I was a smoker, despite the uncertainties and potential | :06:56. | :07:01. | |
downsides, I would give it a go. Worldwide, there are about a billion | :07:02. | :07:05. | |
smokers, and half of them will be killed by their habit. If | :07:06. | :07:12. | |
e-cigarettes can win a significant share of the trillion dollar tobacco | :07:13. | :07:16. | |
market, this could transform the world's health. | :07:17. | :07:17. | |
Michael, you vaped for four weeks and had a schedule to stick to. | :07:18. | :07:30. | |
120 posts a day, did you feel any negative effects afterwards, or were | :07:31. | :07:38. | |
you craving it? My wife thought it was an insane thing to do, she is a | :07:39. | :07:44. | |
GP. My kids thought it was insane. On the street, people said, you are | :07:45. | :07:49. | |
a doctor, why are you smoking? And actually, apart from that, I | :07:50. | :07:53. | |
struggled to keep up with the schedule, because it is quite | :07:54. | :07:58. | |
difficult around here to post that amount. I had calls from the | :07:59. | :08:03. | |
researcher about taking you're in samples, measuring the nicotine | :08:04. | :08:07. | |
levels, they said, you are not smoking enough, smoke more! We saw | :08:08. | :08:14. | |
part of a programme that will be on on Sunday night. One of the focuses | :08:15. | :08:18. | |
is to compare e-cigarettes with other methods of giving up smoking. | :08:19. | :08:24. | |
How did they compare? What we found was we compared a bunch of hard-core | :08:25. | :08:30. | |
smokers who had been smoking 20, 30 a day, even up multiple times and | :08:31. | :08:36. | |
failed, we allocated them to either e-cigarettes, patches or going cold | :08:37. | :08:41. | |
turkey. The cold turkey group did really badly, they struggled, | :08:42. | :08:46. | |
whereas e-cigarettes and patches did pretty well, two thirds gave up the | :08:47. | :08:50. | |
six weeks. We will follow them for longer. It was really powerful. | :08:51. | :08:56. | |
Their stories are extraordinary, many of them began at 14, they have | :08:57. | :09:02. | |
spent ?120,000 over a lifetime. It is really sad. There is this thing | :09:03. | :09:07. | |
with e-cigarettes that could transform health. The statistic at | :09:08. | :09:16. | |
the end, there are a billion smokers, 500 million people will die | :09:17. | :09:20. | |
from cigarette related diseases over the next 50 years. You have got to | :09:21. | :09:25. | |
do something about it. Telling them to stop will not work. Even so, | :09:26. | :09:30. | |
e-cigarettes are still an unknown quantity. In America, they are a lot | :09:31. | :09:41. | |
more sceptical. I don't use them, but they are advertised everywhere. | :09:42. | :09:46. | |
I had my nieces with me, she asked me for one, I said, no way! She is | :09:47. | :09:51. | |
14. That is what worries me. They are marketing them, you can choose | :09:52. | :09:58. | |
to do what you want as an adult, but putting flavours in... And pretty | :09:59. | :10:06. | |
colours. Are they trying to attract a younger group? It is not good. You | :10:07. | :10:13. | |
cannot sell it to minors in the UK, or advertise to them, able put | :10:14. | :10:19. | |
regulations over it. From my experience, my daughter thought it | :10:20. | :10:24. | |
was really uncool that I was doing it. She said none of her friends | :10:25. | :10:29. | |
were interested. The evidence is clear, 99.9% of people who do read | :10:30. | :10:35. | |
our former smokers. The number of people who take it up like I did is | :10:36. | :10:40. | |
very low. I felt no compulsion to continue at all. I was worried I | :10:41. | :10:48. | |
would become addicted. As an expert, were you surprised by what you | :10:49. | :10:53. | |
discovered? I was astonished, I was sceptical, but I discovered so much. | :10:54. | :10:58. | |
You see a fraction of it. Really interesting research. Also into the | :10:59. | :11:04. | |
benefits to the brain of consuming nicotine into your form. Nicotine is | :11:05. | :11:09. | |
not dangerous, it is not addictive, except in e-cigarette. It is the | :11:10. | :11:14. | |
burning that matters, they have a big study in the states, giving it | :11:15. | :11:21. | |
to people at risk of Alzheimer's. It is an interesting story, I found it | :11:22. | :11:26. | |
fascinating. But that not be awesome if something that was so detrimental | :11:27. | :11:32. | |
to go health for the longest period, this is my fantasy, that nicotine | :11:33. | :11:35. | |
could help your something that was so detrimental? That is exactly | :11:36. | :11:42. | |
where they are intending to go. They are not recommending it yet, but it | :11:43. | :11:47. | |
seemed to work best in people showing signs of decline. Watch this | :11:48. | :11:53. | |
space. That is a different conversation, but thank you. | :11:54. | :11:57. | |
E-Cigarettes: Miracle Or Menace is on this Sunday, BBC Two | :11:58. | :11:59. | |
at 9.30pm, and 10.25pm in Northern Ireland. | :12:00. | :12:01. | |
Now, they say a problem shared is a problem halved. | :12:02. | :12:03. | |
Well, it's just as well that Esther is the one halving the problem, | :12:04. | :12:07. | |
because she's sharing it with half of Bishop Stortford. | :12:08. | :12:14. | |
I love my mum and she is a doting grandmother, but she just cannot say | :12:15. | :12:21. | |
no to my three-year-old son. She eating chocolate and sweets he | :12:22. | :12:24. | |
should not have, she has him to run rampant through the house, which I | :12:25. | :12:28. | |
don't think it's acceptable, but how can I discipline her without hurting | :12:29. | :12:32. | |
her feelings? That is from Rebecca in London. Let's see what the good | :12:33. | :12:36. | |
people of Bishop Stortford have to advise. You have a mum? Yes, his | :12:37. | :12:47. | |
grandmother. She is the worst, worse than I am. You can bat an eyelid and | :12:48. | :12:52. | |
she melts. Would she and are you to eat that? Yes. She lets me get away | :12:53. | :12:58. | |
with most things. Has she ever said, you must not let her do this? Yes, I | :12:59. | :13:04. | |
asked her for McDonald's, she said, here is the money, and she gave it | :13:05. | :13:08. | |
back to her. Where are you going to night? Nanny and grandad's. Does she | :13:09. | :13:18. | |
let you do what you like? Yes. They all spoil them, as they should. | :13:19. | :13:23. | |
Thank you, I think so too! Are you a grandmother? Yes, mine are 27 now. | :13:24. | :13:30. | |
You still give them chocolate? Of course! They say, we spoil -- you | :13:31. | :13:37. | |
spoil us! I say, that is what grandmas for! You got me! How do you | :13:38. | :13:46. | |
train a grandmother? Look at what your daughter is doing, and follow | :13:47. | :13:52. | |
her. Even if you disagree? Yes. That is not my child. I am only the | :13:53. | :13:58. | |
grandmother. That is a microphone. It is not edible. Tilburg about | :13:59. | :14:03. | |
grandparents, do they spoiled children? My mother is the worst. It | :14:04. | :14:09. | |
is lovely, but she give them food that he can't have. You have to say, | :14:10. | :14:16. | |
thank you for your help, and the appreciative, but say, I know my | :14:17. | :14:20. | |
child, this will not work. I will say about the child's health, we | :14:21. | :14:24. | |
have to make sure this child lives to an old age, let's look after his | :14:25. | :14:32. | |
body. It is genetic. There is a love inside and which cannot be changed. | :14:33. | :14:37. | |
Do anything I like! What age is that? 80. You look about 60. You are | :14:38. | :14:43. | |
lovely! LAUGHTER | :14:44. | :14:52. | |
These in thing, chocolate, but bring on the Toryism be close, and these | :14:53. | :14:58. | |
sleepovers -- bring on the Toryism the clothing. -- bring on the toys. | :14:59. | :15:07. | |
I don't want them to think of uncle John as being mean and call John, it | :15:08. | :15:13. | |
is gracious uncle John. When they go wrong, you just hand them back. You | :15:14. | :15:19. | |
now write books for them. With your sister. Yes my sister Carole. It is | :15:20. | :15:30. | |
called Conjuror. Can you read out the description? Happily. There are | :15:31. | :15:36. | |
things in this world that 17-year-old would guard with his | :15:37. | :15:41. | |
life. His gold pendant, is blues harmonica and his mother's Journal. | :15:42. | :15:45. | |
This is all he has left of his murdered family and he believes | :15:46. | :15:49. | |
these objects will lead him to their killers. Together, Remi, Matt and | :15:50. | :15:56. | |
Emma must race to history, but evil forces are rising in the world, will | :15:57. | :16:00. | |
be final battles save them or destroy them? -- the final battle. | :16:01. | :16:10. | |
It is dark. It is very dark. The publishers said young people aged 13 | :16:11. | :16:20. | |
and upwards, they want something dark and frightening, we were told | :16:21. | :16:25. | |
to make it more scary in some chapters and we went ahead and did | :16:26. | :16:28. | |
it and it is doing very well, number seven in the Young adult novels in | :16:29. | :16:33. | |
the country and we are very happy. I'm sure you are. Congratulations. | :16:34. | :16:39. | |
How does it work in terms of the research which mocked it is quite | :16:40. | :16:46. | |
factual. It is, we include art and music and we went on a big road | :16:47. | :16:52. | |
trip. Through Spain in a van I have, called Barry Vanilow. Brilliant | :16:53. | :17:00. | |
name. LAUGHTER That is my sister Carole, and that | :17:01. | :17:04. | |
is as getting ready to leave to go on the trip through France and to | :17:05. | :17:10. | |
Spain and then back to the UK. The purpose was to gather research for | :17:11. | :17:15. | |
the book? The penultimate scene in the book ends up in Spain, we go | :17:16. | :17:20. | |
from Scotland to London and then to Spain, but how we get there, you | :17:21. | :17:23. | |
have got to read the book to find out. It is a lovely process. You and | :17:24. | :17:30. | |
Carole spend a lot of time together and you craft it while you are on | :17:31. | :17:35. | |
holiday. That is right. We did crafting before that, there is a | :17:36. | :17:40. | |
month period where Carole, she will stay with Scott and IM we thrash out | :17:41. | :17:46. | |
the ideas and then she takes the information and she writes it. She | :17:47. | :17:52. | |
does the hard work. I'm not gifted in that way. She will then ring me | :17:53. | :17:59. | |
up and say, I got a question, and at one stage she was in tears because | :18:00. | :18:04. | |
we are going to kill a character. She said, I can't do it. She said, I | :18:05. | :18:12. | |
fallen in love with him. I said, click, by. You can read about the | :18:13. | :18:18. | |
incredible adventures, Conjuror is out now. | :18:19. | :18:22. | |
To the Highlands now, where a new camera system is giving | :18:23. | :18:25. | |
the phrase "eagle-eyed" a whole new meaning. | :18:26. | :18:26. | |
This year 's late spring snowstorms brought spectacular wintry | :18:27. | :18:33. | |
landscapes to the northern half of the country. What better way to get | :18:34. | :18:38. | |
a look at them from on-board a white tailed eagle, the UK's largest bird | :18:39. | :18:44. | |
of prey? Barry and Roxanne from a leak for Querrey have developed a | :18:45. | :18:48. | |
remarkable Cameron systems for their eagle -- from elite for Querrey. | :18:49. | :18:59. | |
They invited The One Show to show what they revolutionary technology | :19:00. | :19:06. | |
can do. The Eagles is nervous and so she's wearing a hood. The camera she | :19:07. | :19:12. | |
has on her back gives us the view of the back of the eagle's head and it | :19:13. | :19:16. | |
looks across the countryside at the view she says, and the one on her | :19:17. | :19:20. | |
chest, that is very good for when the bird is approaching game or | :19:21. | :19:25. | |
fish. We can then slowly write down and start to see the world the way | :19:26. | :19:29. | |
the Eagle sees it. They weigh next to nothing? Between the two of them, | :19:30. | :19:36. | |
barely two ounces, but the challenge has been at getting beam out right | :19:37. | :19:41. | |
so we can take into account the structure of the bird and the | :19:42. | :19:48. | |
physiological shape -- has been getting the position right. Why will | :19:49. | :19:55. | |
you tempted to mount cameras on her? Interest, curiosity, we want to | :19:56. | :19:59. | |
understand what the bird is up to and it gives us the opportunity to | :20:00. | :20:02. | |
have a look into their private life, in the air, which we are never | :20:03. | :20:08. | |
privileged enough to see. Now it is time for The Eagles to take to the | :20:09. | :20:14. | |
skies with her two metre wings. It is so effortless. She takes the wind | :20:15. | :20:22. | |
and she goes. Absolutely, she will catch the updraught and she will go | :20:23. | :20:27. | |
up and up and she hardly has two beta wing in order to do that. The | :20:28. | :20:34. | |
approaching snowstorm obscures the view. You can see it is really | :20:35. | :20:39. | |
coming in, it she's just a shadow in the distance, but she will cope with | :20:40. | :20:44. | |
the weather fine. She will be fine. They have this kind of weather in | :20:45. | :20:50. | |
this part of Scotland, she will not be fazed at all. Luckily for us, the | :20:51. | :20:55. | |
wind blows the snow and ploughed away, giving Mara the chance to show | :20:56. | :21:02. | |
us the Highlands as you've never seen them before -- cloud away. When | :21:03. | :21:12. | |
she is out there, what is she looking for? Mainly fish, but also | :21:13. | :21:21. | |
other things, sea birds, ducks, geese, and goals. How long that you | :21:22. | :21:28. | |
stay up there looking for prey? She has been up there for a long time | :21:29. | :21:34. | |
and that has not faced. They have enormous wing to body size and they | :21:35. | :21:39. | |
are very efficient and they can stay up for hours and hours. But now it | :21:40. | :21:45. | |
is time for Roxanne to bring her in, the cameras capturing her journey | :21:46. | :21:51. | |
down to us. Look at those talons coming down, monstrous. Barry and | :21:52. | :21:57. | |
Roxanne's determination to see the world through Eagle's eyes have seen | :21:58. | :22:00. | |
them develop another unique camera rig. A specially built tank | :22:01. | :22:06. | |
supporting slow motion waterproof cameras, months of fine Juninho made | :22:07. | :22:12. | |
it possible to capture the moment that an eagle captures a fish in | :22:13. | :22:20. | |
close-up detail -- fine tuning. Slowing down the action shows | :22:21. | :22:25. | |
exactly what is going on, the talons are pushed forward, bumps on the | :22:26. | :22:31. | |
bottom of the feet help to grip the supreme skin of the fish and it is | :22:32. | :22:35. | |
all over in seconds. -- slippery skin. Thanks to Mara and incredible | :22:36. | :22:41. | |
camera technology and a lot of patience, we are able to witness in | :22:42. | :22:44. | |
detail the remarkable skill of one of our top avian predators. STUDIO: | :22:45. | :22:54. | |
Just remarkable footage. It is like a big vulture. Look at the size of | :22:55. | :23:06. | |
Mara. Huge. Her feet are size six. Talking of impressive photos, you | :23:07. | :23:09. | |
said you are not always on holiday, but we have a holiday snap. Is this | :23:10. | :23:16. | |
you on the front row? It is. I look little crooked. Would you trust that | :23:17. | :23:24. | |
child? My mother, that is asked in Florida and my mother is dressing as | :23:25. | :23:32. | |
up in shirts and ties -- that is us. Look at my mother with her skunk | :23:33. | :23:38. | |
hairdo. You look like your dad. I'm chuffed, because he looks very | :23:39. | :23:41. | |
handsome. That is good. Lovely photo. The characters in your book | :23:42. | :23:47. | |
has special powers which allow them to bring art to life. | :23:48. | :23:55. | |
But Tuffers has met a bloke in East London who can do much | :23:56. | :23:58. | |
the same with a bit of wood and a splash of paint. | :23:59. | :24:01. | |
You might have seen 3-D pictures using this, or one days, but now I | :24:02. | :24:09. | |
will meet an artist who makes something you do not need any fancy | :24:10. | :24:13. | |
deer to look at. Welcome to the strange world of Patrick Hughes. | :24:14. | :24:20. | |
This is amazing. At first it looks like a standard painting of an art | :24:21. | :24:24. | |
gallery, until you start to move. It follows you around the room. If you | :24:25. | :24:30. | |
move one way it rotates, and then it is doing it again. As you move this | :24:31. | :24:35. | |
way, it moves that way, and as you move this way it rotates round that | :24:36. | :24:40. | |
way. When you are over here, it is as if you are over there in that | :24:41. | :24:45. | |
room. When you go down, you become very tall. I know. The whole thing | :24:46. | :24:54. | |
works in reverse. It is all to do with perspective. Yes, the way we | :24:55. | :24:59. | |
see the world, I've made at the way we see the world. If you go closer, | :25:00. | :25:05. | |
it is coming out. Oh! The vanishing point is coming towards you. I saw | :25:06. | :25:11. | |
that back there as being further away, but it is actually sticking | :25:12. | :25:14. | |
out. It is the same with these Brillo pads. The boxes look like | :25:15. | :25:19. | |
they are coming out. I put my finger in there, and they create the | :25:20. | :25:24. | |
illusion of being boxes. But they not. They are hollow. Is this an | :25:25. | :25:30. | |
optical illusion? It is more than that. It is your whole body, it is | :25:31. | :25:37. | |
what your feet and your knees are telling you as well as your eye. | :25:38. | :25:41. | |
Patrick discovered reverse perspective when he was an art | :25:42. | :25:45. | |
student in the 60s. I thought I would make a perspective which | :25:46. | :25:49. | |
sticks out and I made it flat on the table, but when I put it out on the | :25:50. | :25:55. | |
wall, facing me, it receded, which surprised and amazed me. In the | :25:56. | :26:02. | |
model, the fireball, it is closer to your icon and close things further | :26:03. | :26:08. | |
away -- the FAI is closer to your eye. Ever since then, it has been | :26:09. | :26:15. | |
variations on that theme. His reverse perspective paintings have | :26:16. | :26:18. | |
become so successful he now has a huge team to help him keep up with | :26:19. | :26:22. | |
demand and they sell around the world. If you fancy one it will cost | :26:23. | :26:28. | |
of a few thousand two ?100,000. He is how you make one. Patrick creates | :26:29. | :26:35. | |
the shape of the painting from wood and then it is up to the studio | :26:36. | :26:39. | |
where Justin Payne is it white and adds the sky. -- paints it white. On | :26:40. | :26:48. | |
the computer Donna takes the flat design and changes the perspective | :26:49. | :26:55. | |
to fit the wooden shape. There she goes, squeeze it in. It is not all | :26:56. | :27:04. | |
done by computer. No. Back in the studio, Ian traces the design and | :27:05. | :27:08. | |
transfers it to the wood and canvas. -- wooden. Finally, the artist can | :27:09. | :27:16. | |
get to work with oil paint. We are nearly finished now, what is it like | :27:17. | :27:20. | |
working for Patrick? It is great. He's a brilliant teacher. I've | :27:21. | :27:25. | |
learned a lot from working with him, about art and life. Patrick, time | :27:26. | :27:31. | |
for the big reveal. At the moment it is looking like you have lots of | :27:32. | :27:36. | |
hills, but now we can see what it is like when it is on the easel. He has | :27:37. | :27:42. | |
done it again. As soon as the Venice scene is up right it pops to life in | :27:43. | :27:47. | |
3-D. This is an experience which has got to be shared. What is going on. | :27:48. | :27:56. | |
When you go up you can see it. Try that one. Bounce up and down. Is it | :27:57. | :28:07. | |
a painting? It is. That is phenomenal, absolutely phenomenal. | :28:08. | :28:13. | |
When I went right over there, it looks like it comes right out, and I | :28:14. | :28:18. | |
was completely fascinated by it, and I think it is really clever. People | :28:19. | :28:23. | |
love these pictures, they are addictive and you can't help playing | :28:24. | :28:27. | |
around with them. Although they do mess with your head a bit. STUDIO: I | :28:28. | :28:35. | |
would like to see one in the flesh. Doctor Who or Torchwood, are you | :28:36. | :28:45. | |
coming back? I would love to, but I don't know, so keep watching. You | :28:46. | :28:51. | |
don't know? No, I don't. That is all we have time for. | :28:52. | :28:55. | |
And don't forget to check out the videos he's been uploading | :28:56. | :29:00. | |
throughout the show to our Facebook page. | :29:01. | :29:02. | |
Tomorrow I'll be here with Josh Groban and we'll be joined | :29:03. | :29:15. | |
'Dear Vic, my news is that unexpectedly | :29:16. | :29:17. | |
'I'm a live-in nanny for a single mum with two boys in North London.' | :29:18. | :29:22. |