Browse content similar to 20/05/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to - with Alex Jones. And taking a break from his | :00:19. | :00:26. | |
UK tour, it's Josh Groban! -- welcome to the one show. You've got | :00:27. | :00:34. | |
me on my one day off. We've played Cardiff a couple of nights ago. Did | :00:35. | :00:38. | |
they behave? Played the Royal Albert Hall a couple of nights ago as well | :00:39. | :00:45. | |
and now here we are, this is fun. I guess tonight is a British-born | :00:46. | :00:50. | |
actor who grew up in India. Before moving to America and starring in | :00:51. | :00:53. | |
the most watched TV show in the states and I might have to hire him | :00:54. | :00:56. | |
as my opening act, take a look. # Take me to the place | :00:57. | :00:58. | |
I love take me all the way # I don't ever want to feel | :00:59. | :01:01. | |
like I did that day # Take me to the place I love | :01:02. | :01:06. | |
take me all the way #. That voice of an angel is Kunal | :01:07. | :01:23. | |
Nayyar of The Big Bang Theory! Special. Truly euphoric. Look, I'm a | :01:24. | :01:30. | |
man of many talents. You went to theatre school. Not for singing. I | :01:31. | :01:35. | |
was thinking, dissing wellies and is you have to secretly have a great | :01:36. | :01:44. | |
voice. Though. Britton to sing well you have to secretly have. | :01:45. | :01:49. | |
He's not pretending! You might be better off sticking to the dancing. | :01:50. | :01:56. | |
We love this video. Here you are in Justin Timberlake's new one. It's a | :01:57. | :02:04. | |
brilliant song. Was this choreographed by JT or is this you | :02:05. | :02:10. | |
being you? That is me being me. Yeah, my friend JT, Justin | :02:11. | :02:17. | |
Timberlake, texted me. I'm joking! It's funny how this video game | :02:18. | :02:22. | |
about, we're doing this movie, a DreamWorks animation movie called | :02:23. | :02:28. | |
the Trolls. All the people dancing in the video are in the movie. James | :02:29. | :02:33. | |
Corden, me, when Stephane A. I feel grateful you put that in a hot music | :02:34. | :02:40. | |
video, as a fellow flailing. We thought we'd start the show with the | :02:41. | :02:44. | |
mysterious big bands of our own. They need our streets lurks an | :02:45. | :02:52. | |
unseen peril. When it shows itself, the power of the forces it unleashes | :02:53. | :02:57. | |
can be deadly. It's not a rogue alligator, not a mutant goldfish. | :02:58. | :03:02. | |
This is the story of when sewers attack! It may sound like the plot | :03:03. | :03:11. | |
of a rather macro movie horror film but all around the world without | :03:12. | :03:14. | |
warning manhole covers are being blasted into the air. -- sound like | :03:15. | :03:20. | |
the plot of a B-movie. A camera phone catches an explosion | :03:21. | :03:24. | |
first-hand. Wellingborough Road in Northampton, just outside the | :03:25. | :03:29. | |
Abington supermarket. A ball of flame shoots a manhole cover into | :03:30. | :03:34. | |
the air, narrowly missing a mother and her two children. Pimlico Road | :03:35. | :03:38. | |
in London, a fireball reaching ten feet in the air in the air it rots | :03:39. | :03:43. | |
just seconds after a pedestrian turns. Brook Street in Peterborough, | :03:44. | :03:47. | |
same thing happens not once but twice. Its banks to CCTV footage | :03:48. | :03:53. | |
that these dangerous near misses have been captured. -- it is thanks. | :03:54. | :03:58. | |
This woman and her daughter last year were passing Warwick Road in | :03:59. | :04:02. | |
Birmingham when a manhole exploded. It was quite dangerous, the way it | :04:03. | :04:07. | |
exploded, it could have just cut her into pieces. This man owns the shop | :04:08. | :04:13. | |
whose CCTV camera captured the explosion. Has this happened before? | :04:14. | :04:21. | |
It happened about two years ago, I still haven't found out what caused | :04:22. | :04:26. | |
the explosion. As it changed the way you see manholes? The people around | :04:27. | :04:30. | |
here always try to avoid the manhole. They drive a bit fast, you | :04:31. | :04:36. | |
can't tell if it's going to explode. I suppose we'll never really know. I | :04:37. | :04:41. | |
just hope it won't happen again. No one knows for sure how often this | :04:42. | :04:45. | |
happens because it can take place anywhere at any time. It's rarely | :04:46. | :04:49. | |
recorded on camera. To get to the bottom of this I need to understand | :04:50. | :04:56. | |
the science behind it. Sewage pipes and electricity cabling often share | :04:57. | :05:00. | |
the same underground tunnelling. Because of ageing, corrosive | :05:01. | :05:05. | |
chemicals can even rat bite, these cables can become frayed, exposing | :05:06. | :05:09. | |
wires. At the same time, highly flammable gases like methane | :05:10. | :05:14. | |
build-up from rotting waste. All it takes is for the exposed wires to | :05:15. | :05:18. | |
create a spark a Magath of the night, causing a powerful explosion. | :05:19. | :05:26. | |
Oh my God! I want to see this for myself and because I can make the | :05:27. | :05:29. | |
explosion predictable, we can film it in slow motion. For my controlled | :05:30. | :05:34. | |
experiment I've constructed a scaled-down model of a manhole which | :05:35. | :05:40. | |
I'm going to fill with a flammable gas to methane. This will react much | :05:41. | :05:44. | |
like the gases that sometimes build-up in the sewers underneath | :05:45. | :05:47. | |
Britain's streets. Now all it takes is a tiny spark to ignite and we | :05:48. | :05:54. | |
should see exactly how this weapon on an looks. The cover on my model | :05:55. | :05:58. | |
only weighs a couple of kilos. The cover outside the shop ways the best | :05:59. | :06:02. | |
part of a quarter of a tonne. You wouldn't want that landing on | :06:03. | :06:13. | |
your head. That's it. Josh and I are done with | :06:14. | :06:33. | |
manholes. Sponsored by baked beans. How do you feel about them now? I'm | :06:34. | :06:37. | |
not going to walk within 20 metres of one now, I walk close to them all | :06:38. | :06:43. | |
the time, not any more. I've never seen anything like that in LA. I | :06:44. | :06:47. | |
don't think we even have manholes in Los Angeles. We don't want to build | :06:48. | :06:52. | |
it up but we may have an even bigger bang at the end of the show, who | :06:53. | :06:58. | |
knows? You are an American actor who grew up in India, but you have | :06:59. | :07:04. | |
British roots. Yes. You lived not far from here in West London, do you | :07:05. | :07:10. | |
have any memories at all? My dress has just come undone. Any memories | :07:11. | :07:22. | |
at all? You wrote remember a thing. Keep the camera on Kunal, we are all | :07:23. | :07:30. | |
right! Yet, I... Cool, I love live television. I was born in Hounslow | :07:31. | :07:36. | |
actually, next to the airport. I'm moved to India when I was three | :07:37. | :07:40. | |
years old, so this is my homecoming after 32 years. How often do you get | :07:41. | :07:46. | |
back to London? About once a year, I always joke and not British enough | :07:47. | :07:50. | |
to be British, not Indian enough to be Indian and not American enough to | :07:51. | :07:57. | |
be American. Your autobiography is called Yes, My Accent is Real, do | :07:58. | :08:00. | |
people ask a lot? Yes, people don't know I grew up in India, my family | :08:01. | :08:04. | |
is from India, people think I'm British or read my Io. I wanted to | :08:05. | :08:09. | |
tell people coming yes, my accent is real. But it right in the title. As | :08:10. | :08:16. | |
your English must help to get a role? My first acting job in college | :08:17. | :08:20. | |
was playing an old English butler, like a 69 you Rod Butler, I think | :08:21. | :08:24. | |
they cast me because I could do this fake British accent. I was terrible | :08:25. | :08:30. | |
in the play, by the way, I played a guy who was supposed to be 65 but he | :08:31. | :08:36. | |
was like 130. He couldn't walk. You overcooked it a little. He was | :08:37. | :08:40. | |
paralysed and had Alzheimer's. Everything. But a first job on your | :08:41. | :08:48. | |
CV. We think you are the most famous person to come back and come out of | :08:49. | :08:54. | |
Hounslow. Take that said, they want you back for good. | :08:55. | :08:58. | |
Forget your expensive Hollywood hair dos, come to Hounslow for a better | :08:59. | :09:08. | |
price. We'll even give you a star on the Hounslow walk of Fame. What do | :09:09. | :09:19. | |
you need to go to muscle beach for? Who needs Sunset Boulevard when you | :09:20. | :09:25. | |
have all of the shops in Hounslow? Come back to Hounslow, it's where | :09:26. | :09:31. | |
you belong. We will build a sign for you. | :09:32. | :09:36. | |
Sold. I'm emotional. I'm going back! Forget muscle Beach and Venice and | :09:37. | :09:44. | |
sunset, coming back to Hounslow, since I spent so much time at muscle | :09:45. | :09:49. | |
Beach. Which way to the gun show? You are back in London this summer, | :09:50. | :09:56. | |
doing a new play called The Spoils, off-Broadway in New York. Yes, Jesse | :09:57. | :09:58. | |
Eisenberg wrote a beautiful play about this generation and we play | :09:59. | :10:05. | |
roommates. He is narcissistic and manipulative, I'm the sweet Nepalese | :10:06. | :10:10. | |
immigrant. Watch! It's quite a dark comedy. It's a dark comedy. It's not | :10:11. | :10:18. | |
fluffy, it's very well written, very smart, makes you think and laugh. Is | :10:19. | :10:22. | |
it a different kind of comedy to what you do on TV? Yeah, I think Big | :10:23. | :10:28. | |
Bang Theory is a traditional multi-camera sitcom, you have to | :10:29. | :10:32. | |
should the show in 22 minutes. We have a month to rehearse it, get | :10:33. | :10:36. | |
really deep. I haven't done a play in a long time. And is the same one | :10:37. | :10:40. | |
I did last year. It's lovely to be in London, really, it's my | :10:41. | :10:45. | |
homecoming. And you are moving back here permanently, apparently. Moving | :10:46. | :10:51. | |
to Hounslow. It's funny, I just called my real estate agent. I don't | :10:52. | :10:56. | |
even have one. Jesse Eisenberg wrote the play as well, is it awkward when | :10:57. | :10:59. | |
you are in rehearsals and think, I don't think my character would say | :11:00. | :11:03. | |
that like that? It could become a good question, it could be awkward, | :11:04. | :11:09. | |
but not with Jesse comedy was very collaborative and allowed us to find | :11:10. | :11:11. | |
these characters. It's a rare thing, use a wonderful guy I'm lucky to | :11:12. | :11:17. | |
share the stage with him. He mentions different process between | :11:18. | :11:19. | |
doing eight sitcom and going into the layers of eight theatrical | :11:20. | :11:24. | |
performance, as an actor is it nice to spread your wings and take on | :11:25. | :11:27. | |
something that is more of a challenge? Absolutely, I'm very | :11:28. | :11:31. | |
lucky to be an Big Bang Theory, the writing is incredible and has been | :11:32. | :11:35. | |
for so long, we're about to do our 10th season in August. Over 200 | :11:36. | :11:40. | |
episodes. We're so lucky. It's fun for me to do something different | :11:41. | :11:43. | |
over summer and crawl back home to my safety. Safety manhole. Not a | :11:44. | :11:52. | |
safety manhole! Those two are not synonymous any more. You've been on | :11:53. | :11:57. | |
a British stage before, at Stratford with Sir Patrick Stewart. Weren't | :11:58. | :12:01. | |
you? He's a great guy committees been on the show many times. We | :12:02. | :12:05. | |
should explain in context, it's not like I was in a play with him. He | :12:06. | :12:09. | |
was there, but he taught you the rules of rugby. I was an understudy | :12:10. | :12:17. | |
in a play, Love's Labours Lost in Stratford-upon-Avon, I was in the | :12:18. | :12:22. | |
Green room watching rugby and I felt someone sit next to me. I turned | :12:23. | :12:26. | |
over and it's Sir Patrick Stewart. I was like... I'm trying to act cool, | :12:27. | :12:34. | |
laughing at the game. I was trying to fit in with him. Yeah, look at | :12:35. | :12:40. | |
that goal. And he went, you like rugby, do you? Then I was like, to | :12:41. | :12:46. | |
be honest, Sir Patrick, I didn't know what to call him, so I called | :12:47. | :12:51. | |
him serve. Do I call him Sir Patrick? I just called him serve. I | :12:52. | :12:55. | |
think he wanted me to say his name. I was nervous and sweating. I taught | :12:56. | :13:02. | |
him the rules of cricket... No, NFL, American football. I don't think he | :13:03. | :13:11. | |
was listening. It was a good game. The Spoils is at the Trafalgar | :13:12. | :13:15. | |
Studios from 27th of May. My guilty pleasure sometimes is watching | :13:16. | :13:20. | |
daytime television here, I watched the Queen 's speech, which is | :13:21. | :13:23. | |
fascinating coming from the state, seeing Black Rod getting the door | :13:24. | :13:27. | |
slammed in his face. It went into Bargain Hunt which I was thrilled | :13:28. | :13:32. | |
about. Then the news was insane, the whole Manchester United Stadium got | :13:33. | :13:34. | |
evacuated because of this fake bombs on security guy left over. What a | :13:35. | :13:41. | |
scare. It's not the first time Manchester United security have been | :13:42. | :13:42. | |
lacking. Manchester United has more fans than | :13:43. | :13:49. | |
any other English club and inspires huge devotion. One man took it to a | :13:50. | :13:56. | |
new extreme. In 2001 Karl Power appeared in almost every newspaper | :13:57. | :14:01. | |
in the country. All because of an audacious prank. The well-known man | :14:02. | :14:05. | |
about Manchester sneaked into the United line-up for a photo just | :14:06. | :14:08. | |
before a crucial Champions League game in Munich. The infamous Karl | :14:09. | :14:15. | |
Power. How are you doing, all right? What does United mean to you? I grew | :14:16. | :14:21. | |
up in a family of red, it means everything. Theatre of Dreams, there | :14:22. | :14:25. | |
it is. This boat is as close as we can go because he isn't the | :14:26. | :14:29. | |
favourite fan of the club and it all began with this picture. This was | :14:30. | :14:33. | |
the one in Bayern Munich before Champions League. I'm on the pitch | :14:34. | :14:39. | |
side. Karl planned the whole thing right here with his mate, Tommy | :14:40. | :14:43. | |
Dunne. I was videoing United for years, I've seen many team | :14:44. | :14:48. | |
photographs, I knew it was open for a stunt. They travelled to Munich | :14:49. | :14:53. | |
disguised as journalists, Karl worn away suit under a tracksuit that | :14:54. | :14:56. | |
would be whipped off at the last moment and he would join the team. | :14:57. | :14:59. | |
The plan had one essential ingredient. Bravado. In the stadium, | :15:00. | :15:05. | |
got in a lift, out of the pitch side, walked onto the pitch. When | :15:06. | :15:09. | |
you show authority, when you have the front, nobody questions that. | :15:10. | :15:14. | |
That's it. Karl stood next to me and he knew as soon as I say go he goes. | :15:15. | :15:18. | |
I'm watching the players shaking the other team's cans. When Andy Cole | :15:19. | :15:25. | |
shook the last player 's hand I said Ofcom walk. Military timing. As I | :15:26. | :15:31. | |
walked to the line-up it was unbelievable. Did anyone say | :15:32. | :15:36. | |
anything? No, Gary Neville pointed. I put my chest out, said, shut it. | :15:37. | :15:44. | |
Had Karl played his part to well? He walks back to me. I looked around | :15:45. | :15:50. | |
and said, no one has seen that, no 1's seen that. It seemed the boy 's | :15:51. | :15:55. | |
effort had been in vain but one eagle eyed photographer helped the | :15:56. | :16:00. | |
story go global. When Sean spotted the impostor he knew he had struck | :16:01. | :16:05. | |
gold. And why you doing? Tell me, when did you first realised | :16:06. | :16:07. | |
something was a bit off? I saw some guy walking past me. He | :16:08. | :16:17. | |
looked out of place to what would normally be going on. He knew the | :16:18. | :16:20. | |
demand for this one shot would be huge. That was the days of film. We | :16:21. | :16:26. | |
had a technician with me. He processed the film. I said, believe | :16:27. | :16:31. | |
it or not you need to send it early. The next day the story exploded. It | :16:32. | :16:37. | |
dominated the front-pages... The imposter is believed to be Karl | :16:38. | :16:45. | |
Power from Manchester. Sean has not seen Karl since Munich. | :16:46. | :16:49. | |
Now we have a re-match. You were a man on a mission. When he shot, that | :16:50. | :16:56. | |
is all I had in mind. A bigger legend than me! Now with a taste for | :16:57. | :17:01. | |
the limelight, Karl staged a string of stunts. Later in 2001, he | :17:02. | :17:07. | |
strolled out to bat at an England cricket match. The following year he | :17:08. | :17:12. | |
gatecrashed the winner's podium at the British Grand Prix. He played a | :17:13. | :17:17. | |
few volleys at Wimbledon before being ejected. Then at Old Trafford | :17:18. | :17:23. | |
in 2003, Karl pulled his biggest stunt yet, with ten other Man United | :17:24. | :17:29. | |
fans. Paying a tribute to a goal from earlier in the season. We | :17:30. | :17:35. | |
recreated that on the pitch at Old Trafford three minutes before | :17:36. | :17:37. | |
kick-off. Did people love it? People loved it. Security not so much? No, | :17:38. | :17:44. | |
they didn't like it at all. A Reds fan from birth Karl found himself | :17:45. | :17:49. | |
banned from the theatre of dreams. Do you have any regrets? It was all | :17:50. | :17:54. | |
good fun. That's all it was. I would do it all over again. To prove we | :17:55. | :17:58. | |
could do it, that's what we done it for. Today Karl is trying to bring | :17:59. | :18:02. | |
fame to others, running a recording studio and managing a band - the | :18:03. | :18:07. | |
Back Handers. So, no more stunts then? I have retired from that for | :18:08. | :18:14. | |
now... For now... On hold. Watch this space. Yes, that's the one. | :18:15. | :18:22. | |
That's who that guy is. Now it makes sense. The legend that is Karl. | :18:23. | :18:32. | |
Standing here going what a legend. Brilliant, Karl. It is the FA Cup | :18:33. | :18:36. | |
tomorrow, have they got anything to be worried about? No, I have taken | :18:37. | :18:40. | |
my son to football in the morning, Manchester. I will watch it in the | :18:41. | :18:48. | |
Nag's Head after the football. It is method-wise of him, are you | :18:49. | :18:52. | |
impressed? I cannot understand the accent, to be honest. I have an | :18:53. | :18:59. | |
accent, but that is incredible. Congratulations to you. And | :19:00. | :19:04. | |
security... Please take him away. He's gatecrashed the studio today. | :19:05. | :19:08. | |
We had no idea he would be here. Thank you, Karl. | :19:09. | :19:12. | |
Such a nice bloke as well. He's like, all right, all right. He used | :19:13. | :19:23. | |
to it. When Kunal is in front of the cameras he supposed to be there. | :19:24. | :19:28. | |
He's one of the highest paid actors in the US, all for seens like this. | :19:29. | :19:34. | |
Charlies angels... OK, what's next? Now, let's do some sexy glamour | :19:35. | :19:49. | |
shots. I'll set the mood... Unce, unce, unce... Now, that look to us | :19:50. | :19:59. | |
like the best day of filming ever. I watched Star Trek. I am a Star | :20:00. | :20:04. | |
Wars guy. Usually we don't do big scenes like that. It with us not a | :20:05. | :20:08. | |
fun day because I had to have the make-up put on. It took five hours. | :20:09. | :20:14. | |
We shot for 10 hours. It was like a 20-hour day. I had the thing | :20:15. | :20:17. | |
strapped on, I couldn't smile. There was all this fake glue and | :20:18. | :20:24. | |
everything. Literally the whole day I was just like... And everyone was | :20:25. | :20:27. | |
making jokes. I am standing like this. It with us the creepiest thing | :20:28. | :20:31. | |
for everyone. I usually like to smile. I couldn't do anything. Did | :20:32. | :20:39. | |
you feed through a straw? I just drank fruit juice all day. Literally | :20:40. | :20:43. | |
through the straw. That is amazing. That episode aside | :20:44. | :20:50. | |
you play astro-physicists, could you teach a course now? In one ear, out | :20:51. | :20:55. | |
through the other. The biggest mistake people make is they are fans | :20:56. | :20:58. | |
of the show and they think I am smart in real life. I am like, I am | :20:59. | :21:02. | |
just an actor. I am just reading the words. I don't know anything about | :21:03. | :21:06. | |
science. What we found fascinating is the character rarge was not going | :21:07. | :21:10. | |
to be arg originally. He was going to be called David. How did you | :21:11. | :21:16. | |
prepare for the role? What did you do to convince them. His name was | :21:17. | :21:23. | |
David, and they wanted a first generation Indian-American. I was | :21:24. | :21:27. | |
there and went straight from New Delhi. Like myself from New Delhi | :21:28. | :21:31. | |
and I played myself because I am such a nerd in real life and | :21:32. | :21:34. | |
apparently it all worked out. What is next? Well, after this I have | :21:35. | :21:40. | |
dinner reservations. Are you hungry? I am starving. You have done the | :21:41. | :21:44. | |
show for a long time. What is exciting for you after this? It is | :21:45. | :21:49. | |
scary to think about it. I have grown up on the show. I was 25 when | :21:50. | :21:54. | |
I started. I am 35 now. It gives me anxiety to think about it. To be | :21:55. | :21:58. | |
honest, I would love to go and spend like six months at home in New Delhi | :21:59. | :22:02. | |
with my parents because I have missed out on everything over the | :22:03. | :22:06. | |
last 15 years of my life. I have been away since 1999 from my family. | :22:07. | :22:10. | |
I would love to go back and literally wake up with mum and dad, | :22:11. | :22:12. | |
to be honest. We love you even more. My wife said | :22:13. | :22:22. | |
to me like... It is a hugely popular show. I mean in the States and over | :22:23. | :22:27. | |
here. When was the first time you thought, wow! I must be famous? To | :22:28. | :22:34. | |
be honest, I was, it was in the show and I was in the bathroom of an | :22:35. | :22:40. | |
restaurant. I was using it and a gentleman next to me said, Raj, big | :22:41. | :22:46. | |
bang. He took out his phone and took a photograph of me. He walked out of | :22:47. | :22:50. | |
the bathroom and I couldn't chase him, obviously. That is when I | :22:51. | :22:54. | |
realised things were starting to change. When people take pictures of | :22:55. | :22:58. | |
you in the bathroom, you know you are famous. Do you freak people out? | :22:59. | :23:03. | |
Sometimes say they, are you the person from The Big Bang Theory. I | :23:04. | :23:08. | |
say, no I am not. I look like him. Josh is on tour in the UK. You are | :23:09. | :23:14. | |
not alone because The One Show chef is on tour looking to find a | :23:15. | :23:20. | |
traditional food for every letter of the alphabet. | :23:21. | :23:24. | |
I am on an alphabetical odyssey to seek out the very best of British | :23:25. | :23:31. | |
food and you good people will guide me on my way. | :23:32. | :23:36. | |
I will visit the places you tell me are home to our finest foods. | :23:37. | :23:42. | |
Together we will create a culinary A-Z of the UK. I asked for your | :23:43. | :23:48. | |
suggestions for the letter B and you didn't disappoint. | :23:49. | :23:54. | |
Bob wanted me to try buns in Bath. I was invited to Belfast for the | :23:55. | :23:59. | |
smoked salmon and lots of you thought I should go to Bury for | :24:00. | :24:05. | |
black pudding. A Delhi Kaysy caught my eye, the Bedfordshire Clanger. I | :24:06. | :24:11. | |
have come to Sandy to meet David, a Baker who is keeping the Clanger a | :24:12. | :24:16. | |
classic. David, what exactly is a Bedfordshire Clanger? Suit pastry | :24:17. | :24:25. | |
item. Half sweet and half savoury. What is it famous for? It is an | :24:26. | :24:31. | |
agricultural county and this kept people sustained during the day. To | :24:32. | :24:37. | |
get desert and main course in one. The people had feasted on the | :24:38. | :24:45. | |
Clanger since the 19th century. It would be savoury on one side and | :24:46. | :24:51. | |
sweet on the other. It is vital. How can you have a clankinger with the | :24:52. | :24:56. | |
two together if you are going to do it proper -- Clanger with the two | :24:57. | :25:00. | |
together if you are going to do it properly. When it is rolled, | :25:01. | :25:03. | |
there'll be a bridge. The pastry will expand in the middle. And it | :25:04. | :25:09. | |
will hopefully stop it mingling. Traditionally the pastry case was | :25:10. | :25:14. | |
not eaten. It protected the filling from the dirty hands of farm | :25:15. | :25:20. | |
workers. We can nowadays scoff the lot. Now it is time for me to make | :25:21. | :25:24. | |
one. Let's hope I just don't drop one. I have gone for Asian-style | :25:25. | :25:32. | |
duck, with like plums and cinnamon. It is sweet with so I and honey. The | :25:33. | :25:40. | |
plums are sweet, but not over-sweet. The sweet end is usually marked with | :25:41. | :25:44. | |
a knife. I am adding sugar and cinnamon too. | :25:45. | :25:50. | |
So, what does David make of my efforts? They are a little bit Asian | :25:51. | :25:59. | |
and thaw. Would you sell these in your shop? I would sell them and I | :26:00. | :26:03. | |
would like to think people would buy them. That is all I want to hear. | :26:04. | :26:08. | |
Success! I think we should take it outside and see what the public | :26:09. | :26:13. | |
think of it. Definitely. The duck and the plum together. | :26:14. | :26:16. | |
Lovely. Absolutely. | :26:17. | :26:22. | |
Never have tried one. It is the first time and I would have it | :26:23. | :26:26. | |
again. They are really nice. I am not sure about the duck. Do you want | :26:27. | :26:32. | |
to try the plum? Duck and plum go together. In a Chinese they do duck | :26:33. | :26:40. | |
in plum sauce, don't they? It seems my Bedfordshire Clanger is a hit. | :26:41. | :26:45. | |
David, thank you very much for being B on my alphabetical odyssey and | :26:46. | :26:50. | |
showing me your magnificent Clanger. Excellent. Would you like to stick | :26:51. | :26:55. | |
it on the map? It has been wonderful to be part of it. Thank you very | :26:56. | :26:58. | |
much. Thank you. | :26:59. | :27:02. | |
As I leave Bedfordshire I can tick off B. Where next for the letter C? | :27:03. | :27:10. | |
Will it be Cardiff, car ribbing Fergus? It could be -- Carickfergus. | :27:11. | :27:19. | |
It could be anywhere. Together we will build the A-Z of food. Send | :27:20. | :27:26. | |
your suggestions to the usual place. We were hoping to end with a big | :27:27. | :27:31. | |
bang. We have Andrew from the royal institution. Andrew, if you get | :27:32. | :27:35. | |
going with the liquid nitrogen. The hope is we would pile these | :27:36. | :27:41. | |
ping-pong balls, into the bip in the middle - 4,000 of them and they | :27:42. | :27:44. | |
would explode. That is the theory. Who knows. Andrew will put it in the | :27:45. | :27:49. | |
bottle. Pop the lid on and pop it in the central bin there. When you are | :27:50. | :27:55. | |
ready. As soon as you can. Boys, pile in the ping-pong balls as quick | :27:56. | :27:59. | |
as you can. Here we go. We hope this will work when we are on air. | :28:00. | :28:03. | |
There's no guarantee. Ready? Go, go. Now clear over here. | :28:04. | :28:12. | |
Well done. We will wait. Kunal, you are only a pretend scientist... | :28:13. | :28:19. | |
Shall we have a replay? That was amazing! | :28:20. | :28:27. | |
Balls for everyone. Oh, my goodness, my heart is pounding so much it has | :28:28. | :28:36. | |
opened my dress! We didn't know it would happen. They | :28:37. | :28:40. | |
said it could happen any time. Thank you for being a fantastic guest. The | :28:41. | :28:45. | |
Spoils is at the Trafalgar Studios from the 27th May. Thank you, Josh. | :28:46. | :28:50. | |
It has been a pleasant. Birmingham tomorrow night. Have a great gig, | :28:51. | :28:56. | |
have a lovely weekend. See you on Monday. | :28:57. | :29:00. |