Browse content similar to 18/07/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome. With us tonight is a woman who has been a stand- | :00:25. | :00:30. | |
up... Rider, actress and even motivational speaker. We think we | :00:30. | :00:36. | |
have found her calling in life. A celebrity agent. Joanna, get up, | :00:36. | :00:40. | |
there's Michael Winner. Do you remember Joanna Lumley? She was a | :00:40. | :00:46. | |
Bond girl a month ago and the original Purdey in the Avengers. | :00:46. | :00:56. | |
:00:56. | :01:15. | ||
I have not seen that since then. looks like you had great fun. | :01:15. | :01:19. | |
is how we found Joanna Lumley and eventually turned her into Patsy | :01:19. | :01:24. | |
because we knew a pretty woman who could be funny, usually impossible. | :01:24. | :01:28. | |
You pay the agent. What is the worst advice your agent has given | :01:28. | :01:36. | |
you? To drop a comedy and take a modelling. It was a disaster. -- at | :01:36. | :01:45. | |
the Comedy and take up modelling. We have a summer holiday theme | :01:45. | :01:55. | |
:01:55. | :01:55. | ||
going on tonight. That is a You must have gone to great lengths | :01:55. | :02:01. | |
to get a good deal on a holiday? Because of my religion? Because you | :02:01. | :02:06. | |
are well travelled. This will be an interesting half-an-hour. I am a | :02:06. | :02:11. | |
travel rider, that is my best deal of all, so the word free comes up a | :02:11. | :02:17. | |
lot. Another change money at the airport, banks, hotels, they are | :02:17. | :02:21. | |
rip-offs. You take your own money and borrow in the street. These | :02:21. | :02:25. | |
babies are worth a lot of money. Give them teeth, why work with | :02:25. | :02:30. | |
cash? If you don't want to part with your teeth... Also more | :02:30. | :02:36. | |
children! We can help you find the best deal on your holiday. Our | :02:36. | :02:44. | |
travel expert challenge triplets to do the legwork for him. | :02:44. | :02:49. | |
excitement, anticipation, the sun, sea, it's time for your summer | :02:49. | :02:55. | |
holiday! But wouldn't it be good if you could get a bit more of this | :02:55. | :03:04. | |
for a bit less of this. We have set a challenge for triplets Stephen, | :03:04. | :03:07. | |
Jo and Amanda. They are all experienced travellers and they | :03:07. | :03:13. | |
each have �200 to change into euros. We are asking Stephen to look for | :03:13. | :03:18. | |
the best deal on the High Street. Joe will change her money using an | :03:18. | :03:24. | |
online service and a man duck will change hers when she gets abroad. - | :03:24. | :03:30. | |
- Amanda. Stephen goes to the Post Office. How much is it to exchange | :03:30. | :03:34. | |
�200 into euros? Post Offices the UK's biggest foreign-exchange | :03:34. | :03:40. | |
provide a serving more than 6 million currency customers a year. | :03:40. | :03:46. | |
240 euros for �200. That is commission-free. That is pretty | :03:47. | :03:50. | |
good even though it is no commission. It does not necessarily | :03:50. | :03:55. | |
mean it is the best deal. Some places it may offer a better rate | :03:55. | :04:00. | |
commission. Good luck. Every year we change an estimated �10 billion | :04:00. | :04:05. | |
into foreign cash for holidays. There is a huge variety of places | :04:05. | :04:10. | |
to exchange currency. Only 15% of us use banks now with travel agents, | :04:10. | :04:15. | |
department stores and even supermarkets getting in on the act. | :04:15. | :04:20. | |
So how was your shopping around going? I have been around a few of | :04:20. | :04:24. | |
the department stores, banks, Post Offices. Are you can save money if | :04:24. | :04:30. | |
you shop around. There was an eight euro distance between the - -- | :04:30. | :04:36. | |
difference between the rates offered. Meanwhile, Jo is at an | :04:36. | :04:39. | |
internet cafe looking at an increasingly popular way to buy | :04:39. | :04:43. | |
currency. Order on line and get the cash delivered to your home. But | :04:43. | :04:47. | |
you need to beware of extra charges. This comparison website takes into | :04:47. | :04:55. | |
account the fact you are paying up to �5 for postage. How safe is it? | :04:55. | :05:03. | |
That is with a non- FSA authorised exchange bureau. If you are selling | :05:03. | :05:07. | |
foreign currency you don't need a licence, or regulations in the same | :05:07. | :05:11. | |
way a bank has. If they go out of business you could be seriously out | :05:11. | :05:15. | |
of pocket. Another way is to order online and collect the money from | :05:15. | :05:19. | |
the airport. Then you can take advantage of better rates than if | :05:19. | :05:25. | |
you change the cash over the counter. Amanda resisted the | :05:25. | :05:29. | |
convenient option of changing money at Birmingham airport and could not | :05:29. | :05:34. | |
find a place to exchange it at the airport in Spain, in fact, she | :05:34. | :05:38. | |
struggled to find anywhere open for currently -- Currency Exchange. In | :05:38. | :05:48. | |
:05:48. | :05:49. | ||
the end she had to settle for a The time for me to call and find | :05:49. | :05:53. | |
out how she got on. The most important thing is what is the | :05:53. | :05:58. | |
weather like? It is really hot. We are on the beach now. Or what have | :05:58. | :06:05. | |
you got? I am hoping I have beaten my siblings. I have got 216 euros. | :06:05. | :06:10. | |
Oh dear, that means Amanda is in third place, out on the beach in | :06:10. | :06:16. | |
Majorca with a pitiful 216 euros for her �200. Beating her easily, | :06:16. | :06:22. | |
her sister got 243 euros from an online provider delivering to her | :06:22. | :06:28. | |
house. The win is Steven, with a bit of leg work and research, he | :06:28. | :06:33. | |
has got 246 euros for his �200 at the American Express office in | :06:33. | :06:38. | |
Birmingham city centre. Braids change every day and dairy from | :06:38. | :06:43. | |
place to place, of course -- rates. A what this challenge shows us how | :06:43. | :06:47. | |
important it is to shop around and make the most of every one of your | :06:47. | :06:57. | |
precious pounds. To be fair, Amanda was on the beach while she was | :06:57. | :07:02. | |
doing it. She got the best deal! Those results were with euros, due | :07:02. | :07:07. | |
expect the same results with different currencies? With the US | :07:07. | :07:12. | |
dollar there is a strong competitive market. That is how you | :07:12. | :07:21. | |
make money on holiday. Goodness me! Is that how you do it, the lap | :07:21. | :07:27. | |
dancers. Outrageous! Dance for a baby! * Eddie on! I'm not going on | :07:27. | :07:34. | |
holiday with you for it -- -- steady on. I'm not going on holiday | :07:34. | :07:39. | |
with you! For example, with Egyptian pounds, you will not get | :07:39. | :07:43. | |
nearly as good a rate in Britain as soon as you step off the plane in | :07:43. | :07:46. | |
Egypt. The same applies for Turkish lira, don't bother changing them | :07:46. | :07:52. | |
here, change them there. And Croatian money will also be much | :07:52. | :07:57. | |
better if you buy it there than here. Instead of taking cash is it | :07:58. | :08:01. | |
a good idea to take those cards that you can put credit on before | :08:01. | :08:09. | |
you go? I have a selection of them. They have all sorts of currencies | :08:09. | :08:13. | |
on. They are a bit like a 21st century version of travellers' | :08:13. | :08:16. | |
cheques which means if they get lost or stolen you get your money | :08:16. | :08:21. | |
back and you load money on to them at a set rate so you know what you | :08:21. | :08:24. | |
are spending. Unlike your credit and debit card, where who knows | :08:24. | :08:28. | |
what the rate will be until you get your statement when you get home. | :08:28. | :08:34. | |
Nasty shock when you get home. think you owe me a dollar! Fewer | :08:34. | :08:42. | |
teenagers are doing Saturday jobs these days. I look back fondly on | :08:43. | :08:47. | |
my time that David Evans in Swansea. What did you do? The milk round. | :08:47. | :08:54. | |
Lucy Siegle has been to Met -- made one girl exploring the myth of | :08:54. | :09:01. | |
teenagers being lazy. -- meat. The I Love sky is magical and every | :09:01. | :09:04. | |
year it a track millions of visitors. The biggest tourist route | :09:04. | :09:09. | |
onto the island is by the road bridge to the north. But for | :09:09. | :09:12. | |
centuries communities to the south of the island have made the short | :09:12. | :09:21. | |
crossing on rather than over the water. The car ferry is the last | :09:21. | :09:28. | |
manually operated turned table type in the UK, it makes the crossing to | :09:28. | :09:32. | |
the island up to 40 times a day between May and October. Since to | :09:32. | :09:38. | |
them as an and six the Feri has been owned and run by the local | :09:38. | :09:45. | |
community and among the volunteers is a special recruit... In 1997 | :09:45. | :09:48. | |
there were nearly twice as many teenagers would Saturday jobs than | :09:48. | :09:52. | |
there are now. But 114 year-old bucking the trend is Isabel. How | :09:52. | :10:00. | |
did you get into this? My mum wanted me to get something so I | :10:00. | :10:03. | |
went over on the boat and I just carried on going backwards and | :10:03. | :10:09. | |
forwards. You were hooked? You see. What do you like about it? I get to | :10:09. | :10:14. | |
see people and talk to them about their lives. People from all over | :10:14. | :10:19. | |
the world. A what is your ambition? I want to be the skipper of the | :10:19. | :10:28. | |
boat. What sort of plan had you work out? When I and 16 I can start | :10:28. | :10:35. | |
on the boat and then when I and 18 I can get riskier's ticket and be | :10:35. | :10:41. | |
the skipper. Under the watchful eye of the rest of the crew were Isabel | :10:41. | :10:50. | |
has become an invaluable member of the team. When she first came here | :10:50. | :10:55. | |
we thought she would stay a couple of days, maybe a week. But every | :10:55. | :11:03. | |
day rain, snow... She does not warrant. Do you think she will be | :11:03. | :11:07. | |
the skipper one day? I think so. She remembers everything. A lot | :11:07. | :11:14. | |
more than I remember. She remembers how much we have charged cars, | :11:14. | :11:18. | |
where we have been, she is very good. In too dazzled by the boat | :11:18. | :11:24. | |
nearly stop running altogether. It was then that the community group | :11:24. | :11:28. | |
stepped into resurrected -- in 2005. On felt there was a strong | :11:28. | :11:35. | |
possibility that the community here would be impacted upon culturally, | :11:35. | :11:42. | |
socially, economically. I felt it would begin to die. With a rich | :11:42. | :11:46. | |
history, passionate locals and a beautiful setting the future for | :11:46. | :11:50. | |
this boat is bright and for one brilliant little girl that means | :11:50. | :12:00. | |
:12:00. | :12:03. | ||
That trip is beautiful. Very nice. What did you do for a Saturday job? | :12:03. | :12:09. | |
I sold girl scout cookies but for a higher rate. To the older ladies. I | :12:09. | :12:19. | |
:12:19. | :12:24. | ||
They were probably $3 more than they really were. But I did get a | :12:24. | :12:30. | |
badge for the scam. You wore it with pride? Yes. I obeyed the Girl | :12:30. | :12:36. | |
Scout law. Led talk about your new documentary. Ruby Wax's Mad | :12:36. | :12:40. | |
Confessions. You are continuing this plight to expel the myths of | :12:40. | :12:46. | |
mental illnesses. But this documentary takes a bit of a twist. | :12:46. | :12:51. | |
This is the last taboo, the documentary on Monday it is where | :12:51. | :12:55. | |
right go into businesses because no one in business will speak up and | :12:55. | :13:02. | |
say they have any type of mental illness because 20% of the work | :13:02. | :13:05. | |
force, if anybody finds that you have mental illness, you will find | :13:05. | :13:09. | |
yourself out of a job. If you worry managing director you will not have | :13:09. | :13:14. | |
a job at all. Imagine one in four people have it, so imagine the | :13:14. | :13:18. | |
horror of trying to keep something about secret. That is why I think | :13:18. | :13:23. | |
they spend 100 billion a year in absenteeism in the workplace. It | :13:23. | :13:27. | |
was saved a lot of cash if people could say I am not always like this | :13:27. | :13:31. | |
and probably cleverer than most people are so why am I being | :13:31. | :13:34. | |
discriminated against? You did encouraged the business people in | :13:34. | :13:39. | |
the documentary to speak out. Let's have a look at Berwick from Durham. | :13:39. | :13:45. | |
They would speak out anyway. He was Derek opening up to friends and | :13:45. | :13:49. | |
family for the first time about his depression. I don't know if anybody | :13:49. | :13:56. | |
has noticed a change in the sense - - in the last year. If you have it | :13:56. | :14:01. | |
is because I have found out I had depression and I have been lucky | :14:01. | :14:11. | |
:14:11. | :14:11. | ||
I had never had any inkling, because he is very good at hiding | :14:11. | :14:16. | |
it. I would like to say, I am really proud. He says in the | :14:16. | :14:19. | |
documentary, that he probably would not have known that he had | :14:19. | :14:23. | |
depression, if it was not for somebody else speaking out and | :14:23. | :14:28. | |
opening up. But this is a really big thing, how much it can change | :14:28. | :14:34. | |
your life, speaking out. Well, how brave was he? I saw him last night, | :14:34. | :14:39. | |
and he was radiant, because nobody fired him, and he is now going up | :14:39. | :14:46. | |
to everybody. Because, if it is not you, it is somebody you know. The | :14:46. | :14:50. | |
company is not going to fire him, which is the good news, so, the | :14:50. | :14:55. | |
stigma is being broken. And also those three extraordinary MPs in | :14:55. | :14:59. | |
the House of Commons, have fantastic was that? And they are | :14:59. | :15:06. | |
not feeling anything. In a way, you are kind of doing the same thing | :15:06. | :15:10. | |
with the documentary, you are being incredibly open as well. It is | :15:10. | :15:17. | |
important, this is not a celebrity illness. People can start smoking | :15:17. | :15:22. | |
and thinking, should I go to the Bahamas, should I be | :15:22. | :15:27. | |
institutionalised? No, this is a physical disease. You would not | :15:27. | :15:33. | |
knock anybody with diabetes. The brain is physical, it is not in | :15:33. | :15:37. | |
your imagination. It is the most important organ. How can you | :15:37. | :15:42. | |
discriminate, in 2012, if somebody has something which is just | :15:42. | :15:47. | |
happening in their brain? If we can knock down those walls, there are | :15:47. | :15:51. | |
no more taboos, this is the last one. You have certainly gone a long | :15:51. | :15:59. | |
way towards that. Thank you. Ruby Wax's Mad Confessions is on Rafa. | :15:59. | :16:02. | |
If you need advice about mental health, there is a link on our | :16:02. | :16:11. | |
website. Now, Gyles has been to Coventry to tell the uplifting | :16:11. | :16:15. | |
story about the role of art at some of the most difficult times in our | :16:15. | :16:22. | |
history. In November 1940, Coventry had to suffer a notorious bombing | :16:22. | :16:26. | |
raid, which devastated the city centre. More than 500 people died | :16:26. | :16:31. | |
and at least 1,000 were injured. The historic cathedral was | :16:31. | :16:36. | |
virtually razed to the ground. During the Second World War, the | :16:36. | :16:40. | |
enemy was attacking both our industrial bases and our heritage. | :16:40. | :16:47. | |
But remarkably, British artists at the time were doing their bit to | :16:47. | :16:52. | |
remind us what we were fighting for. The director of the national | :16:52. | :17:01. | |
gallery encouraged the Government to establish a Rafa war artists | :17:01. | :17:05. | |
Advisory Committee. In the midst of war, why it is art considered | :17:05. | :17:11. | |
important? In contrast with film and photographs, the vision was | :17:11. | :17:17. | |
that art would somehow interpret it in a visual way, and show that | :17:17. | :17:23. | |
British culture was alive and well during wartime. One of the artists | :17:23. | :17:26. | |
commissioned was the leading abstract painter John Piper. The | :17:26. | :17:29. | |
morning after the Blitz, he was asked to go to Coventry to capture | :17:29. | :17:34. | |
the devastation. He chose as his subject the burnt-out remains of | :17:34. | :17:40. | |
the cathedral. And here is the image he created. It was begun on | :17:40. | :17:44. | |
the morning after the bombing. You would expect to see a scene of | :17:44. | :17:51. | |
carnage, after all, 500 people died. And yet, there are no bodies. | :17:51. | :17:57. | |
surprisingly, it is completely empty of people.. Why? I think | :17:57. | :18:01. | |
because this was not about morale, it was a statement of defiance and | :18:01. | :18:09. | |
survival. The cathedral was at the heart of Coventry's medieval centre. | :18:09. | :18:14. | |
So, for the residents of the city, its destruction was a cruel blow. | :18:14. | :18:18. | |
During the Blitz, this man was a 15-year-old stretcher bearer based | :18:18. | :18:23. | |
at a local hospital. You could hear the whistle and of the bombs as | :18:23. | :18:27. | |
they were coming down, and you could hear the explosion, naturally. | :18:27. | :18:32. | |
The following morning, he was sent into the city to deliver a telegram. | :18:32. | :18:37. | |
Once you got near the town centre, I had a job to realise where I was, | :18:37. | :18:41. | |
the devastation was so bad. When I saw the cathedral, for example, you | :18:41. | :18:45. | |
could see the devastation from the outside, and the smoke was rising | :18:45. | :18:51. | |
from within the ruins. It was a really horrible sight. With the | :18:51. | :18:56. | |
city in ruins, its population bereft, he had to decide from | :18:56. | :18:59. | |
whence he could best capture this terrible event. It seems a bit odd | :18:59. | :19:02. | |
that in the midst of the devastation, he chose to come here | :19:03. | :19:08. | |
to the cathedral. I think he found it quite disturbing to go and | :19:08. | :19:12. | |
intrude on people's personal despair and anguish. He wanted to | :19:12. | :19:17. | |
find a place that he could come and paint without feeling that | :19:17. | :19:20. | |
discomfort, but something which would mean something to the people | :19:20. | :19:24. | |
of the city at the same time, as well as to the people of Britain. | :19:24. | :19:30. | |
During the war, some 400 artists created more than 6,000 works, at a | :19:30. | :19:36. | |
cost to the taxpayer of around �3 million in today's money. Clarke | :19:36. | :19:40. | |
wanted this art to reach ordinary people, and he organised | :19:40. | :19:44. | |
expeditions to towns and villages across the nation. Paintings like | :19:44. | :19:48. | |
these have an important role to play. There was a slogan that was | :19:48. | :19:53. | |
used at the time, we can take it, Britain can take it. So this is | :19:53. | :19:58. | |
propaganda as well as art? Absolutely, it is saying, this is | :19:58. | :20:03. | |
happening, but we can stand up to it. Having got over the initial | :20:03. | :20:09. | |
shock, people set about trying to get their lives back to normal.. | :20:10. | :20:14. | |
there was resilience? There certainly was. The day after the | :20:14. | :20:17. | |
Blitz, the Dean of the cathedral vowed to create a brand new | :20:17. | :20:23. | |
building. 50 years ago this year, the Queen attended the consecration. | :20:23. | :20:29. | |
The work of artists would play a huge part in the new cathedral, | :20:29. | :20:34. | |
including this magnificent window, designed by the same artist who had | :20:34. | :20:39. | |
painted the ruins of the first cathedral, John Piper. 72 years | :20:39. | :20:44. | |
after the devastation of Coventry, we still have John Piper's | :20:44. | :20:48. | |
remarkable painting, a beautiful work of art, commemorating a | :20:48. | :20:57. | |
terrible act of war. As promised, Gyles is with us now. It is a | :20:57. | :21:02. | |
stunning painting. But the legacy of war artists lives on today. | :21:02. | :21:07. | |
tradition continues. Indeed, every six months, up to four artists | :21:07. | :21:14. | |
fought each of the services is deployed to war zones. Every six | :21:14. | :21:20. | |
months, there will be four artists going to Afghanistan, staying for | :21:20. | :21:24. | |
between three and four weeks. There are rules, they cannot show the | :21:24. | :21:27. | |
faces of people who are casualties, but basically, they can do what | :21:28. | :21:35. | |
they want. Is there still a propaganda purpose? No. During the | :21:35. | :21:38. | |
Second World War, there was a propaganda purpose, to lift the | :21:38. | :21:43. | |
spirits. But now, they are there merely to represent what they see. | :21:43. | :21:47. | |
They will not be affected by the cuts, by the way. The feeling is | :21:47. | :21:54. | |
that we need artists to give their interpretation, what they see, how | :21:54. | :21:59. | |
it affects them. They go into the war-zone, they are not trained for | :21:59. | :22:04. | |
combat, they are trained for hostile environments, so they risk | :22:04. | :22:09. | |
their lives to bring back images of what it is like in Afghanistan. | :22:09. | :22:17. | |
we have got some examples of modern war art in the studio. Yes, the | :22:17. | :22:20. | |
artists turned up this afternoon to drop their work off, but we could | :22:20. | :22:25. | |
not let them leave without having a chat. How do you go about capturing | :22:25. | :22:33. | |
a scene like this? I was very lucky with this particular scene. We had | :22:33. | :22:38. | |
driven through the town in Afghanistan, we had dropped off our | :22:38. | :22:42. | |
advisers, and we were there for about half-an-hour, so why was able | :22:43. | :22:46. | |
to sketch the farmer and the lads in their vehicles. As we were | :22:46. | :22:51. | |
driving away, I was catching them as we went away, we were the last | :22:51. | :22:54. | |
vehicle. There's a lot of luck involved in finding a particular | :22:54. | :22:59. | |
scene. You then took them back and made a painting from the sketches? | :22:59. | :23:06. | |
Yes. We have now got this one, by Graham - were the locals pleased | :23:06. | :23:11. | |
that she wanted to paint them? loved having their photographs | :23:11. | :23:17. | |
taken, and they loved being sketched. These were village elders. | :23:17. | :23:26. | |
The life expectancy is about 45, so they are not that old. We went to a | :23:26. | :23:30. | |
place where the forces sat down to have a cuppa tea, and I sketched | :23:30. | :23:38. | |
them during that time. You even had a little studio, didn't you? I did, | :23:38. | :23:44. | |
near the helicopter landing zone. I had all of my pictures stuck up | :23:44. | :23:49. | |
around the place. What about the troops themselves? Matt has | :23:49. | :23:53. | |
captured this piece in ink. It is beautiful - were the troops happy | :23:53. | :23:59. | |
to have you around? Yes, they get quite blase about it. There is a | :23:59. | :24:04. | |
history of art in the officers' mess and places like that, so the | :24:04. | :24:09. | |
idea of having an artist in theatre, they just take it as... Anything | :24:09. | :24:14. | |
can happen out there, so... Thank you so much to all of you for | :24:14. | :24:22. | |
bringing your work in. Now it is time for the third day of Mike and | :24:22. | :24:27. | |
Miranda's Summer Holiday Watch. All this week, we are acting as | :24:27. | :24:34. | |
wildlife guides for the Putman family. And today, it was decided | :24:34. | :24:43. | |
that an issue be in charge of the there's a. -- that I should be in | :24:43. | :24:48. | |
charge of steering. Whenever we are walking along the towpath, we keep | :24:48. | :24:53. | |
hearing this... It is the sound of a water vole a escaping. The only | :24:53. | :24:57. | |
way to catch a glimpse of such a shy and elusive mammal is to plant | :24:58. | :25:07. | |
:25:08. | :25:09. | ||
a stake-out. I can see loads of signs of a mammal down here. Can | :25:09. | :25:16. | |
you see this? There is a hole. There's holes all the way down this | :25:16. | :25:21. | |
bank. It is so difficult to see the mammals, the best think actually is | :25:21. | :25:31. | |
:25:31. | :25:33. | ||
to look for their poo. The animal I am looking for is a vegetarian, and | :25:33. | :25:39. | |
it always nibbles off at 45 degrees, so that is a fabulous sign of their | :25:39. | :25:46. | |
presence. Hopefully, we might just see him swimming across. What is it, | :25:46. | :25:56. | |
:25:56. | :26:01. | ||
a water vole? Yes! Have you done a stake out before? Never. The key to | :26:01. | :26:04. | |
seeing water voles is just sitting and waiting. Did you bring the | :26:04. | :26:14. | |
:26:14. | :26:16. | ||
coffee? I am on a hunt for a real beauty, the damselfly. They are | :26:16. | :26:19. | |
distinguished from dragonflies by the way they hold themselves when | :26:19. | :26:24. | |
resting. This canal is a haven for one special resident, the Red Guide | :26:24. | :26:31. | |
damselfly. This particular species loves this floating vegetation. | :26:31. | :26:39. | |
That is where they come to rest. You can see a couple meeting. -- | :26:39. | :26:49. | |
:26:49. | :26:49. | ||
meeting. They might do that for about 15 minutes. -- mating. The | :26:49. | :26:55. | |
female will lay her eggs on the underside of this vegetation. The | :26:55. | :27:00. | |
larvae will be there for a couple of weeks. The males and females are | :27:00. | :27:04. | |
slightly different colours. These ones, the males are quite blue, and | :27:04. | :27:11. | |
the females are a bit paler, yellow-green colour. Unfortunately, | :27:11. | :27:17. | |
we have not had so much luck. Two hours later, and nothing has shown | :27:17. | :27:26. | |
up. But... I am feeling good now, the sun is out. I hope the water | :27:26. | :27:34. | |
vole is, too. Yes, it comes out for a dose of vitamin D, we hope! | :27:34. | :27:41. | |
There's one! I spotted that! prove how well they are doing on | :27:41. | :27:47. | |
this canal, another one shows up! Can you see how their nose sticks | :27:47. | :27:54. | |
out, and their bottom sticks out? And then sent it goes into the | :27:54. | :28:00. | |
vegetarian. Don't call it is like a little furry torpedo! That's | :28:00. | :28:03. | |
exactly what they are like! I have never heard them called that | :28:03. | :28:09. | |
before! I will tell you what, water voles on this canal are like buses, | :28:09. | :28:19. | |
:28:19. | :28:21. | ||
all of a sudden, you see two! Aren't we lucky? Very lucky. More | :28:21. | :28:27. | |
of that tomorrow. A question for you - have you had much luck with | :28:27. | :28:34. | |
British holidays? I was once in Cornwall, because they all talk | :28:34. | :28:39. | |
about buckets and cockles. It was blizzard conditions, I thought I | :28:39. | :28:46. | |
was making a trip to the Arctic. Every season went past me, and I | :28:46. | :28:54. |