Browse content similar to 17/07/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker and Alex Jones. | :00:22. | :00:26. | |
Tonight's guest has been having nightmares because he is so nervous | :00:26. | :00:30. | |
about what he has got to do next week. Not only is he carrying the | :00:30. | :00:34. | |
Olympic torch, he is doing it in front of 8 million people. He is | :00:34. | :00:42. | |
the East End are from EastEnders, Perry Fenwick. Good to see you. | :00:42. | :00:46. | |
Well come back. First of all, how come you have 8 million people | :00:46. | :00:54. | |
watching? Because it is part of EastEnders. It is kind of life, my | :00:54. | :00:59. | |
life, fiction blurring at the moment. They are going to do this | :00:59. | :01:04. | |
live? Yes, we have shot 20 minutes of an episode and the last 10 | :01:04. | :01:11. | |
minutes will go out live. It will go along with the torch relay. | :01:11. | :01:15. | |
probably won't help, we have this wonderful clip of the wonderful | :01:15. | :01:21. | |
Sally Gunnell. Here she goes, a little pothole in the road. She | :01:21. | :01:26. | |
takes a little tumble. Being the superb athlete that she is, she | :01:26. | :01:32. | |
regains it. It sounds terrible, but it has taken the heat off me a bit. | :01:32. | :01:37. | |
And the flame has gone out previously. Exactly. You are | :01:37. | :01:44. | |
genuinely nervous? I am like that, I really am. There is another big | :01:44. | :01:48. | |
story line coming up for Billy, he is going to be a great grandfather | :01:48. | :01:54. | |
at 53 years old. How does this make you feel? Old, I suppose. For want | :01:54. | :01:58. | |
of a better answer. Tonight, we want to scrutinise the EastEnders | :01:58. | :02:02. | |
script writers. How many great grandparents are there out there in | :02:02. | :02:07. | |
their 50s watching right now? Send us a picture of you with your great | :02:07. | :02:12. | |
grandchild and tell us how old you are. When Queen Victoria wanted a | :02:12. | :02:18. | |
private beach, she simply bought one. It has just reopened. It is on | :02:18. | :02:23. | |
the Isle of Wight. When John Bunn from West Sussex decided he needed | :02:23. | :02:33. | |
:02:33. | :02:35. | ||
When the sun shines during the Great British summer, people in | :02:35. | :02:42. | |
their droves flocked to our beaches. But today is not one of those days. | :02:42. | :02:47. | |
Howling wind and rain aside, we like being beside the seaside. But | :02:47. | :02:52. | |
for centuries, we have had to fit our homes, livelihood, even | :02:52. | :02:55. | |
holidays around the floods and the erosion of our ever-changing | :02:55. | :03:05. | |
:03:05. | :03:05. | ||
Take South Sea on the south coast of England. A popular summer | :03:05. | :03:13. | |
holiday destination. Erosion here is a big problem. In places, up to | :03:13. | :03:17. | |
14 metres of prime holiday coastline has been washed out to | :03:17. | :03:23. | |
sea in the last 10 years. As the old adage says, Time and tide waits | :03:23. | :03:33. | |
:03:33. | :03:33. | ||
for no man. That is unless the man is John Bunn. This modern-day King | :03:33. | :03:38. | |
Canute has an empire of this, and is spending millions trying to keep | :03:38. | :03:45. | |
back the sea. What erosion have you had? We have lost about 15 metres | :03:45. | :03:50. | |
since the 80s. It was becoming accelerated, we lost quite a large | :03:50. | :03:55. | |
it in 2008. -- quite a lot. Our sole concern is the sea and if we | :03:55. | :04:01. | |
have a bridge, we have a major problem. We are putting in 14 | :04:01. | :04:04. | |
million-plus pounds to protect the business and build what will be a | :04:04. | :04:09. | |
fantastic beach amenity and facility after that. The beach that | :04:09. | :04:14. | |
pre-tax John's holiday park from the sea is in trouble. What -- the | :04:14. | :04:18. | |
beach that protects. What is happening here is called Long | :04:18. | :04:22. | |
children. Every time they wave comes in, it washes pebbles up the | :04:22. | :04:27. | |
beach -- it is called Longshaw drift. But because the waves are | :04:27. | :04:32. | |
coming at an angle, you go up the beach at an angle. Then you are | :04:32. | :04:37. | |
tracked back down, but straight down. Gradually over time, you do a | :04:37. | :04:41. | |
zig-zag up and down the beach, gradually moving in that direction. | :04:41. | :04:45. | |
Now imagine that the whole beach is doing that at the same time. | :04:45. | :04:52. | |
Eventually, this speech will go that way. John is going to put the | :04:52. | :04:57. | |
old beach back where it was. But how do you go about building a | :04:57. | :05:05. | |
beach? Lots of machinery and rocks, that is how. What is going on? | :05:05. | :05:10. | |
are placing something like 360,000 cubic metres of shingle and about | :05:10. | :05:15. | |
100,000 tonnes of rock. What is the big chain of sausages for? This is | :05:16. | :05:20. | |
how we deliver the shingle to the beach. It is stony and Sandy, we | :05:20. | :05:25. | |
get it from bank's offshore. We get about 3,000 cubic metres of sand | :05:25. | :05:30. | |
into the ship. The ship comes over do here, connects to the floating | :05:30. | :05:36. | |
pipeline and pumps it ashore. Then we read profile that with | :05:36. | :05:40. | |
bulldozers and excavators to get the shape we need. That is how we | :05:40. | :05:45. | |
build a beach. Are you concerned this will have to be done over and | :05:45. | :05:49. | |
over again? That is the thing about beaches like this. You can't just | :05:49. | :05:54. | |
walk away from it. It needs to be maintained. We will monitor the | :05:54. | :05:58. | |
movement of the beach over the coming months and years and we will | :05:58. | :06:03. | |
be recommending how the caravan park should redistribute the | :06:03. | :06:09. | |
shingle. The weather is doing its best to eroding coastline today, | :06:09. | :06:12. | |
but in a few short weeks there will be a brand new beach here, for | :06:12. | :06:16. | |
everyone to enjoy and build sandcastles on. | :06:16. | :06:21. | |
Fascinating. The last time we met, Perry, it was quite exciting for us. | :06:21. | :06:26. | |
We were going to be on EastEnders. We have to point out, we didn't | :06:26. | :06:31. | |
realise it was going to be red button. A little bit disappointed. | :06:31. | :06:36. | |
You should have talked to your agent. If people want to see it on | :06:36. | :06:41. | |
the red button, how can they go about it? After the show tonight, | :06:41. | :06:46. | |
at the titles come up, a voice will announce to press your red button. | :06:46. | :06:51. | |
Give it a couple of seconds and it starts. What is the story? It is | :06:51. | :06:57. | |
part of your night. It is the whole thing, it is me and Billy, we are | :06:57. | :07:03. | |
becoming the same person. He it is nice to have been here as Paris. | :07:03. | :07:12. | |
Exactly, but I am still thinking of belief. -- Billy. Billy is dreading | :07:12. | :07:16. | |
the worse things that can happen to him. Trousers falling down, all of | :07:16. | :07:20. | |
these sorts of nightmares, which consequently I have been having as | :07:20. | :07:27. | |
well. -- coincidence live. It is about him trying to meet up with | :07:27. | :07:33. | |
other torch-bearers. He has a mad cab driver driving him around play | :07:33. | :07:43. | |
by on it jelly. -- Omid Djalili. is kind of a dream? You have | :07:43. | :07:49. | |
brought it with you for us to see. Are you sitting comfortably? Can we | :07:49. | :07:53. | |
get security in here. You are all right, I will see myself out. Once | :07:53. | :07:59. | |
I am gone, you can do it again, can't you? We are live, you idiot. | :07:59. | :08:09. | |
:08:09. | :08:16. | ||
There you go. That is possibly the most surreal moment of my life, | :08:16. | :08:20. | |
watching myself be Billy on The One Show, being on The One Show | :08:20. | :08:25. | |
watching myself do that. I am going mad! That took ages. For that tiny | :08:25. | :08:30. | |
bit. It will be very good. As well as stellar performances from us, | :08:30. | :08:34. | |
Omid Djalili is in it with you. He did it in a different style, he | :08:34. | :08:41. | |
didn't script to the -- stick to the script. Sometimes. He is | :08:41. | :08:45. | |
brilliant at improvisation. He is a very funny man. We kind of Clegg, | :08:45. | :08:51. | |
worked really well. He said, are you OK if I say this? -- we kind of | :08:51. | :08:55. | |
collector. He came out with a lot of funny stuff. -- we kind of | :08:55. | :09:05. | |
There is a great section where you jump back into his cab. Are you an | :09:05. | :09:11. | |
athlete? No. I didn't think so, it it is your chest, it is like a | :09:11. | :09:21. | |
:09:21. | :09:25. | ||
pigeon. Your face just says, I am a It is seven minutes of live | :09:25. | :09:29. | |
television. You have timed it so that the torch should take 30 | :09:29. | :09:33. | |
seconds to get around the square. Yeah, apparently you have to run a | :09:33. | :09:38. | |
lot slower. If I ate jog around, it would take at me about half a | :09:39. | :09:46. | |
minute. -- if I jogged around. it part of a scene, having got | :09:46. | :09:52. | |
lines? There is a lot more staff than just me carrying the torch. | :09:52. | :09:59. | |
Well something go wrong? I hope not. I mean in the story line. I don't | :09:59. | :10:03. | |
know, I am starting to realise why they put my character to do it, | :10:03. | :10:08. | |
because I think most people think something will go on. I'll be happy | :10:09. | :10:14. | |
at 9:30pm on Monday. He is genuinely nervous. You will be | :10:14. | :10:19. | |
great. As Perry, you grew up very close to where the Olympic Park is. | :10:19. | :10:27. | |
What was life like? It was a different place. You still had the | :10:27. | :10:32. | |
docks. Most of the area of Stratford, for years, it was a | :10:32. | :10:38. | |
wasteland. Have you been back? I am a big West Ham fan. When I go | :10:38. | :10:43. | |
to see the team, if I get out a bit early, I drive around the old | :10:43. | :10:48. | |
haunts. By incredible transformation. It is quite amazing. | :10:48. | :10:51. | |
We will talk more about your Olympic nightmare later on! Piling | :10:51. | :11:00. | |
If you are having a ready meal, you might wonder why the picture on the | :11:00. | :11:04. | |
box does not bear a resemblance to what is on your plate. You don't | :11:05. | :11:09. | |
have to want any more. One Show reporter reveals the secrets of One | :11:09. | :11:14. | |
Show at -- of food photography. Chefs and foodies say we eat with | :11:14. | :11:18. | |
our eyes first. That is why the world of food photography is big | :11:18. | :11:22. | |
business. Glossy images of tempting treats are everywhere. The people | :11:22. | :11:25. | |
charged with attempting our taste buds are food photographers and | :11:25. | :11:35. | |
:11:35. | :11:38. | ||
They have agreed to let me and you want some of the club and sometimes | :11:38. | :11:43. | |
quite bizarre secrets of food photography. Everyone will | :11:43. | :11:46. | |
recognise this as a modern digital camera. They might not recognise | :11:46. | :11:55. | |
this, tell me about your kit. like the old-fashioned view finders. | :11:55. | :12:01. | |
It is made for digital. Does it produce enormous photos? They are | :12:01. | :12:10. | |
quite big, this is 60 million pixels. That doesn't come cheap, | :12:10. | :12:16. | |
the camera set-up costs north of �60,000. Preparing the food for the | :12:16. | :12:20. | |
camera borders on artistry. have to understand how food behaves, | :12:20. | :12:24. | |
what it does under light and with certain chemicals. I try to be as | :12:24. | :12:28. | |
natural as possible, a double as possible. It has to look really | :12:28. | :12:32. | |
appetising and if it doesn't, forget it. Remaining appetising | :12:33. | :12:38. | |
under studio conditions means a few tricks. Glycerin, often used as a | :12:38. | :12:41. | |
preservative or sweetener, is sprayed on salad leaves to make | :12:41. | :12:47. | |
them look more fresh. Smashed glass doubles as eyes that one of The | :12:48. | :12:52. | |
Mall. Cold golden syrup holds sauce or gravy in a lovely shape. For | :12:52. | :12:58. | |
today's shoot, fillet steak, which has to be the right shape. When I | :12:58. | :13:02. | |
bought this, it was thick one end and thin the other. I have put it | :13:02. | :13:11. | |
in some clingfilm and skewered the answer it is really tight for -- | :13:11. | :13:19. | |
the end and so it is really tight. It is vital that the state retains | :13:19. | :13:23. | |
its firmness and doesn't look dry. There are cunning ways of ending -- | :13:24. | :13:28. | |
adding that just growled colour, brushing with yeast extract and sh | :13:28. | :13:38. | |
:13:38. | :13:40. | ||
searing the outside with a blowtorch -- just grilled colour. | :13:40. | :13:44. | |
am going to shoot the tomatoes and the fillet of beef. You are | :13:44. | :13:49. | |
building it layer by layer? Yes, because we can't get everything in | :13:49. | :13:52. | |
perspective at the same time. finished photograph is combined of | :13:52. | :13:56. | |
three shots, combined digitally on the computer. The style is stark | :13:56. | :14:00. | |
and minimal, which is in vogue and quite different from some of | :14:00. | :14:04. | |
Darren's more traditional work. Now for pudding. You might be tempted | :14:04. | :14:09. | |
to try to eat the subject, but beware. All is not what it seems. | :14:09. | :14:13. | |
This is fake ice-cream, made from margarine and icing sugar. The | :14:13. | :14:18. | |
brilliant thing about it is that it doesn't mould. You appear to be | :14:18. | :14:24. | |
washing ice-cream. Yes. Trish takes the fruity bits from the real ice- | :14:24. | :14:28. | |
cream and puts them in with her fate ice-cream mix, along with a | :14:28. | :14:32. | |
little food colouring. The result is absolutely convincing. With the | :14:32. | :14:37. | |
ice-cream ready, time for the cherry pie. By now, it won't | :14:37. | :14:41. | |
surprise you that even that is not quite what it seems. We are going | :14:41. | :14:46. | |
to deconstruct the pie, then reconstruct it on set. Because at | :14:46. | :14:50. | |
the moment, the pie is filled with tissue paper. I was going to say it | :14:50. | :14:53. | |
doesn't look a lot like cherries underneath. The crust is | :14:53. | :14:57. | |
transferred with surgical precision on to the filling. We can put the | :14:58. | :15:01. | |
chair is exactly where we want them and make the sauce come out where | :15:02. | :15:06. | |
we want. I have never met a man with more | :15:06. | :15:10. | |
eye for detail. Cotton wool soaked in boiling water | :15:10. | :15:14. | |
is placed behind PI to create the right pattern of rising stint -- | :15:14. | :15:19. | |
behind the pipe. We have been about seven-and-a-half hours trying to | :15:19. | :15:24. | |
achieve two photographs. It might seem like a long time, but | :15:24. | :15:26. | |
comparing this shock waves are finished photograph, you can | :15:26. | :15:31. | |
clearly see that every painstaking second is worth it -- comparing | :15:31. | :15:36. | |
this shot with our finished product. I thought I took a lot of care in | :15:36. | :15:46. | |
my photography and it turns out I We made up some of the Earl's | :15:46. | :15:50. | |
Croome we saw in that photograph, and we have real ice-cream as well, | :15:50. | :15:55. | |
and we will be asking you to taste one of them. There is the spoon, | :15:56. | :16:03. | |
you don't have to eat off the plate. That one. I'm not sure after eating | :16:03. | :16:13. | |
:16:13. | :16:18. | ||
that. One of them is margarine and sugar. No, that is ice-cream. | :16:18. | :16:25. | |
Drive that one. Oh, no, that they scream. I think I'm going mad | :16:25. | :16:35. | |
:16:35. | :16:44. | ||
enough at the moment! That fooled everyone. The fun you have on a | :16:44. | :16:51. | |
Tuesday night, I'm not normally here. This whole scenario, this | :16:51. | :16:56. | |
suggests it is all right to lie when it comes to advertising food. | :16:56. | :17:01. | |
We checked with the advertising authority, and they said you can do | :17:01. | :17:06. | |
what you like, as long as you aren't trying to deceive anybody. | :17:06. | :17:11. | |
For example, if you use margarine and it doesn't melt under the | :17:11. | :17:17. | |
lights, that is fine as long as it is not being used to deceive. Most | :17:17. | :17:21. | |
of the time There is no point because it is harder to come up | :17:21. | :17:31. | |
:17:31. | :17:32. | ||
with something that looks like it. We have three burgers as well. | :17:32. | :17:37. | |
all bought at the same time, and put them against her photographic | :17:37. | :17:42. | |
versions. They all said the same thing - we don't use anything other | :17:42. | :17:47. | |
than the real ingredients and then photographed them to the best of | :17:47. | :17:54. | |
their advantage. They do not mislead. They do things like poke | :17:54. | :17:59. | |
the ingredients to the front. McDonald's went one stage further | :17:59. | :18:06. | |
and put that thing on mind showing how they do this with the burgers, | :18:06. | :18:13. | |
using a blowtorch to melt the cheese, and they even inject tomato | :18:13. | :18:17. | |
ketchup to get it into exactly the right place. They just happen to | :18:17. | :18:22. | |
place it more carefully. Purposefully being brutally honest | :18:22. | :18:32. | |
:18:32. | :18:33. | ||
about the whole scenario. Yes, they know that the consumer is rather | :18:33. | :18:39. | |
savvy. The question is are they trying to deceive us? You would | :18:39. | :18:44. | |
have to be pretty dumb if you thought they weren't going to do | :18:44. | :18:50. | |
that. The bottom-line is don't forget, they want your money. | :18:50. | :18:54. | |
have done a lot of adverts in the past, and you have to use all sorts | :18:54. | :19:02. | |
of stuff like this, but that is clotted cream. Yes, I did an advert | :19:02. | :19:08. | |
years ago and I had to drink that. What is Libya in the Old Vic? | :19:09. | :19:15. | |
don't like that. I think it is non- alcoholic lager. You never see me | :19:15. | :19:21. | |
with a pint, I just have a bottle with lemonade in it. That is the | :19:21. | :19:27. | |
image gone! Knowing that you are financially securing times of | :19:27. | :19:31. | |
trouble provides some comfort for family members being diagnosed with | :19:31. | :19:35. | |
a terminal illness. As far as insurance policies are concerned, | :19:35. | :19:41. | |
you have got to make sure you have the right kind, as Wendy Robbins | :19:41. | :19:47. | |
found out. Nearly a year ago, this couple got some terrible news. | :19:47. | :19:51. | |
Doctors told Michael he had motor neuron disease, a progressive and | :19:51. | :19:59. | |
terminal condition that damages the nervous system. What kind of | :19:59. | :20:06. | |
symptoms did you start getting? was his speech. Roundabout last | :20:06. | :20:14. | |
summer, his speech was very slurred. If you like, he sounded drunk, but | :20:14. | :20:20. | |
he wasn't. It is affecting the muscles in his mouth. He can't chew, | :20:20. | :20:26. | |
he has difficulty swallowing, he can joke very easily. His muscles | :20:26. | :20:34. | |
are dying. The cruellest thing is there is no cure. Mike and Debbie | :20:34. | :20:39. | |
do have life insurance which will pay out �240,000 should Michael Di, | :20:39. | :20:44. | |
enough to clear the mortgage on their home in Essex. The policy | :20:45. | :20:48. | |
also covers terminal illness, meaning that if one of them was | :20:48. | :20:53. | |
told by the doctor that if they had less than 12 months to live, the | :20:53. | :20:57. | |
life cover would be paid out early. One less thing for them to worry | :20:57. | :21:05. | |
about, right? Wrong. The trouble is doctors can't give a confident | :21:05. | :21:08. | |
prediction about his life expectancy. Because they can't be | :21:08. | :21:13. | |
sure he has less than 12 months to live, the policy will not be paid | :21:13. | :21:18. | |
early. I don't understand why the insurance company can't give a | :21:18. | :21:23. | |
little. I want my husband to live as long as possible. Why have they | :21:23. | :21:28. | |
put me in a position where I have got to prove he will be dead in 12 | :21:28. | :21:34. | |
months? Michael is moving full-time at the moment to pay the mortgage, | :21:34. | :21:41. | |
does he have to work that hard? he does. If they paid out, it would | :21:41. | :21:47. | |
make life easier and he would have the choice not to go to work. It is | :21:47. | :21:52. | |
not a good situation to be in at the moment. The policy is with | :21:52. | :21:56. | |
Scottish Provident. The terms and conditions to say the terminal | :21:56. | :22:03. | |
illness benefit will only apply if the policyholder is diagnosed with | :22:03. | :22:08. | |
less than 12 months to live. The Motor neurone disease Association | :22:08. | :22:14. | |
says this is a problem when you have an unpredictable illness. | :22:14. | :22:19. | |
Motor neurone disease is a terminal illness. It may be 12 months, 14 | :22:19. | :22:24. | |
months, six months, but it is terminal, and families will be | :22:25. | :22:28. | |
going through a very tough time and need as much help and support as | :22:28. | :22:36. | |
possible. A bit of latitude in terms of understanding the meaning | :22:36. | :22:41. | |
of terminal illness helps. In this case Scottish Provident have not | :22:41. | :22:46. | |
broken any rules by turning down the claim. The family would have to | :22:46. | :22:50. | |
have chosen a different kind of policy to be covered. If someone | :22:50. | :22:54. | |
wanted a guarantee they would get a payout when they became on well, | :22:54. | :22:59. | |
what kind of policy should they be taking out? It is going to be a | :22:59. | :23:05. | |
critical illness policy. They have a series of core benefits. | :23:05. | :23:09. | |
Alternatively, if you want something which will pay out an | :23:09. | :23:13. | |
income when you can't work any more because you are sick, you might | :23:13. | :23:18. | |
want an income benefit. Those contracts will be more expensive, | :23:18. | :23:24. | |
but at least you have peace of mind you will get something for it. | :23:24. | :23:28. | |
Scottish Covenant told us they appreciate this is a very difficult | :23:28. | :23:33. | |
time for the family and that they will assess the claim again, should | :23:33. | :23:40. | |
the medical opinion about Michael's life-expectancy change. My greatest | :23:40. | :23:45. | |
worry is Michael. He shouldn't feel obligated to go to work every day. | :23:45. | :23:51. | |
He is dying, he has got limited time. It is time we should be | :23:51. | :23:59. | |
spending together. We wish Michael and Debbie all the best. Perry, you | :23:59. | :24:04. | |
are an East End boy, which is not famed for its very wildlife, but we | :24:04. | :24:10. | |
have a quiz for you. Can you work out what these tracks are from? Are | :24:10. | :24:19. | |
they the ghostly poor Prince of Little Willy? Or a do they signal | :24:19. | :24:27. | |
the return of Wellard from the other side? This week we are on the | :24:28. | :24:33. | |
Ashby Canal in Leicestershire, showing this family the best of | :24:33. | :24:38. | |
canal Wildlife on their holiday. Right below the towpath we settled | :24:38. | :24:43. | |
the camera to find out what was moving around on the edge of the | :24:43. | :24:50. | |
canal in the dark. Now is the time to see if there are any visitors. | :24:50. | :24:54. | |
The sand trap was a complete success. Can you see the | :24:54. | :24:59. | |
footprints? These happened while you were asleep on the narrow vote. | :25:00. | :25:03. | |
Would you like to change your mind about what animal it might have | :25:03. | :25:11. | |
been? Yes, I think a fox. No, I am going to stick with a badger. | :25:11. | :25:21. | |
:25:21. | :25:24. | ||
the toes. Five toes. That tells me that your mum was right. A fox was | :25:24. | :25:30. | |
a very good guess, but normally you would see four toes. Would you like | :25:30. | :25:37. | |
to see what we caught on the cameras last night? Yes. This is | :25:37. | :25:44. | |
the animal - you were right, it is badgers. So have you seen them | :25:44. | :25:53. | |
before? I haven't, no. How many badgers live down the hole? | :25:53. | :25:58. | |
Generally a family is between six and 10, but that is one of the | :25:58. | :26:05. | |
biggest badger setts I have ever seen. How many did you count? | :26:05. | :26:10. | |
think there are probably at least a dozen, maybe more, and they have | :26:10. | :26:15. | |
the most amazing sense of smell. Their sense of smell is 800 times | :26:15. | :26:23. | |
better than yours. I think it can probably smell the camera. Then | :26:23. | :26:33. | |
suddenly, watch this... It starts to lick the camera. Very impressive | :26:33. | :26:42. | |
neighbours, just a metre or two from the towpath. One of the most | :26:42. | :26:47. | |
dramatic features of the can now is this tunnel. It may not seem the | :26:47. | :26:54. | |
most obvious place for wildlife watching, but who is up for a | :26:54. | :27:04. | |
:27:04. | :27:05. | ||
spider hunt? I am. This is 230 metres long, extremely dark, and | :27:05. | :27:15. | |
:27:15. | :27:24. | ||
the perfect home for a cava spider. -- cave spider. They are big, | :27:24. | :27:30. | |
aren't they? It looks like one of them came out of one of the pom-pom | :27:30. | :27:40. | |
:27:40. | :27:40. | ||
things. These are the spiders' Sacks. We want to find a big fat | :27:40. | :27:50. | |
:27:50. | :27:53. | ||
female. That one! She is good. Pete is trying to catch one with little | :27:53. | :28:03. | |
:28:03. | :28:07. | ||
success, but luckily we have brought along the super spider | :28:07. | :28:12. | |
sucker. This one has a swollen abdomen, and she will be building | :28:12. | :28:22. | |
:28:22. | :28:26. | ||
herself MX- -- an egg sack and she may lay more than 100 eggs. The | :28:26. | :28:31. | |
spiders will spend their whole lives in total darkness. The next | :28:31. | :28:34. | |
time you are travelling through these tunnels, you will be looking | :28:35. | :28:40. | |
out for them, won't you? Make sure they don't land on your head. | :28:40. | :28:47. | |
Tomorrow I will be planning a stake out for an elusive swimmer. | :28:47. | :28:54. | |
Talking of happy families, earlier on we mentioned that Perry's | :28:54. | :29:02. | |
character to Billy will be becoming a grandfather. We asked you for | :29:02. | :29:09. | |
photographs. This is Christine Phillips' parents with their great | :29:09. | :29:16. |