18/11/2015 The One Show


18/11/2015

Similar Content

Browse content similar to 18/11/2015. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello and welcome to your Wednesday One Show with Alex Jones.

:00:16.:00:19.

Tonight we are joined by these three little boys.

:00:20.:00:25.

One started life as Santa's little helper but grew up to be one of

:00:26.:00:31.

The second started life in russia as a budding "tri-cyclist",

:00:32.:00:36.

he's now one of the UK's richest media moguls.

:00:37.:00:44.

And the last one clearly fancied a career in the armed forces,

:00:45.:00:47.

but instead, he's just quickstepped his way out of Strictly.

:00:48.:00:53.

Please welcome Rob Brydon, owner of the Independent newspaper,

:00:54.:00:59.

Brilliant photos. And thanks to your families for sending them in. The

:01:00.:01:19.

one in the tractor is very cute. Soviet tractor. Well, now, Rob, this

:01:20.:01:27.

is a correction between yourself and Yevgeny. What is that? Well, he

:01:28.:01:38.

hangs around outside my house. He is always dressed so smartly, I think

:01:39.:01:42.

you should go somewhere. I said look, I'm doing The One Show. Why

:01:43.:01:46.

don't you come. We did predict that would be that sort of answer. I am

:01:47.:01:53.

joking of course. I'm going to be hosting the Evening Standard Theatre

:01:54.:02:01.

Awards this Sunday, which Yevgeny is responsible for, because The

:02:02.:02:05.

Standard is his. I have to say that, because he is here. But it is a big

:02:06.:02:12.

show. We will talk about that later. Tonight it is about show business,

:02:13.:02:17.

as well as the theatre awards and Strictly Come Dancing, we have a

:02:18.:02:19.

performance from this lot. Their the cast of the China national

:02:20.:02:43.

Peking Opera. It looks fantastic. Mesmerising. Now, the Home

:02:44.:02:48.

Secretary, Theresa May, is pushing for an overhaul of online

:02:49.:02:53.

surveillance laws in the form of a new legislation called the

:02:54.:02:56.

Investigatory Powers Bill. It will require internet firms to keep a

:02:57.:02:59.

record of the web-sites we visit for a year. But is increased

:03:00.:03:06.

surveillance an invasion of privacy, or a compromise we have to live

:03:07.:03:12.

with. It is over to Max Hastings and Shami Chakrabarti.

:03:13.:03:19.

The only edge we have over terrorists is the fact we can

:03:20.:03:26.

monitor what they're doing on the internet by telephone. And we have

:03:27.:03:30.

got to use it. If we don't, how else are you going to find these people?

:03:31.:03:36.

Our ultimate edge over the terrorists is our solidarity. We

:03:37.:03:42.

need to trust each other and talk and we need human intelligence and

:03:43.:03:48.

not just the collecti of greater amounts of sensitive data. It is not

:03:49.:03:53.

likely the neighbours in a Muslim community say I think they're up to

:03:54.:03:58.

no good. Unless the intelligence services can use electronic

:03:59.:04:01.

surveillance, I can't see how those who want to to us harm can be

:04:02.:04:06.

caught. The new Bill proposes hacking powers. If your system has

:04:07.:04:10.

been hacked you will not know that that is the case. And that system or

:04:11.:04:15.

device will then be vulnerable to subsequent hacks. Not by the

:04:16.:04:20.

authorities this time. But by more malign powers. I am womening to

:04:21.:04:24.

trust our government and the intelligence services that far to

:04:25.:04:29.

give them access to my internet and telephones, because I can't see how

:04:30.:04:35.

else they can protect us from harm. The authorities already have

:04:36.:04:39.

enormous powers to look at our online data. Greater powers in the

:04:40.:04:43.

UK than anywhere else in the free world. If you're looking for a

:04:44.:04:48.

needle, don't keep building a bigger and big irhaystack. How else will we

:04:49.:04:54.

find them, except by what the spooks call bulk data collection? I have

:04:55.:05:03.

walked in GCHQs basement among five acres of computers which are looking

:05:04.:05:08.

at our internet. Unless you trawl through a whole community, how on

:05:09.:05:11.

earth are you going to find these people? If the police want to search

:05:12.:05:15.

my home or office, they go to a magistrate. This is done all over

:05:16.:05:20.

the country very quickly every day. What is being proposed is the ekwif

:05:21.:05:28.

lent of - equivalent of planting cameras in even's bedroom. There is

:05:29.:05:32.

no reason why those warrants shouldn't be signed off by judges.

:05:33.:05:36.

It is not a perfect bill, what legislation ever is? But compared

:05:37.:05:40.

with the risks we face we have got to be prepared to give the benefit

:05:41.:05:43.

of doubt to the Security Services and give us these powers. This is a

:05:44.:05:47.

moment to hold our nerve, not to rush through new powers. But to get

:05:48.:05:51.

them right. We have an opportunity to make them fit for purpose in the

:05:52.:05:59.

21st Century and to ensure that our privacy is proportionately

:06:00.:06:08.

protected. Give yenny, your father worked for the K GB in Russia, do

:06:09.:06:13.

you think there should be more or less surveillance here? That is a

:06:14.:06:18.

bit too glamorous your description. He was a foreign intelligence

:06:19.:06:22.

officer in London, but it was in the 80s so, less of the poisonous

:06:23.:06:27.

umbrella poking and more of newspaper reading and reporting back

:06:28.:06:32.

home. On a serious note, I think we possibly are facing the biggest

:06:33.:06:38.

fight of our generations. Because or generation, because Isis is a threat

:06:39.:06:44.

which needs to be addressed. Especially in light of recent

:06:45.:06:53.

events, the downing of the Russian plane, the events in Turkey and

:06:54.:07:00.

Tunisia and Paris. Although I care about civil liberties, I think the

:07:01.:07:04.

balance is tilting towards having more surveillance, because if the

:07:05.:07:07.

surveillance can save lives, more surveillance, because if the

:07:08.:07:12.

innocent lives of just people on the street, who ever they may be,

:07:13.:07:17.

mothers, daughters, fathers, I think we must be able to allow the

:07:18.:07:21.

mothers, daughters, fathers, I think surveillance if it saves people. You

:07:22.:07:31.

agree with this Jeremy? It comes up on my show all the time. A lot of

:07:32.:07:35.

listeners say, same sentence again and again, if you have got nothing

:07:36.:07:40.

to hide, you have nothing to fear, but somebody will say, we had a

:07:41.:07:43.

prosecution of the newspaper industry, because they were hacking

:07:44.:07:47.

into phones. So people are very worried about

:07:48.:07:47.

into phones. So people are very web search history tells people who

:07:48.:07:53.

you are. If it is captured web search history tells people who

:07:54.:08:03.

you. But events of the last few days web search history tells people who

:08:04.:08:10.

everyone is now thinking afresh about this. From a broadcaster's

:08:11.:08:17.

perspective, obviously these attacks, one of the reasons they

:08:18.:08:21.

were doing it was to try and get some attention. How much

:08:22.:08:25.

were doing it was to try and get do you think column inches

:08:26.:08:28.

were doing it was to try and get time should be given to these kind

:08:29.:08:31.

of acts, if their aim is to put it out there, how much should we cover

:08:32.:08:35.

it? Well the information war is something they're very good at. I'm

:08:36.:08:41.

afraid every day in news rooms editors have to take a decision on

:08:42.:08:47.

how much coverage they would give to a particular act that has been

:08:48.:08:53.

conducted. So when Steven Sotloff was beheaded, we decided not to put

:08:54.:08:59.

a photograph of Jihadi John on the front-page, but a younger photograph

:09:00.:09:04.

of Steven Sotloff. It is something that comes up every day. It is a

:09:05.:09:10.

judgment that needs to be taken and on one hand we don't to give them

:09:11.:09:16.

too much air time. But it has to be shown. I think news has its own

:09:17.:09:21.

energy and it is difficult to decide what happened in Paris wasn't news

:09:22.:09:25.

worthy, just saying that sounds absurd. So unfortunately they know

:09:26.:09:30.

that the mechanism is they can claim your front-page by doing a terrible

:09:31.:09:37.

thing. It is how you present it and how they choose to present it. Some

:09:38.:09:42.

are undoubtedly more sensationalist, because they knee fear sells and

:09:43.:09:46.

that is where I have a problem, where I see it presented almost not

:09:47.:09:51.

as entertainment. But there is an element of it, where it is

:09:52.:09:57.

sensationalised. That is scary. There was a student at Virginia Tech

:09:58.:10:05.

in the United States who shoot students dead and he left a message

:10:06.:10:12.

and some news outlets played the mess I felt queasy about that.

:10:13.:10:15.

Because the next person knows they're going to get their message

:10:16.:10:20.

played. If you can't interview the guy I don't think you should play

:10:21.:10:22.

the message. Thank you for your comments on that. We are going to

:10:23.:10:29.

move on, because I think... There is only one thing we disagree on. I

:10:30.:10:34.

know what you mean. I can come into the studio it is freezing. Matt

:10:35.:10:42.

arrives and he is sweating pints. I have to towel down. The crew is in

:10:43.:10:46.

shorts half of the time. It is something we cannot agree on. Yes,

:10:47.:10:54.

it seems the daily argument we call the thermospat extends beyond this

:10:55.:10:59.

studio. Despite temperatures reaching 22 degrees in November the

:11:00.:11:02.

first storms have arrived and winter is on the way and in many homes the

:11:03.:11:13.

heating is on. A survey by you switch suggested there will be

:11:14.:11:17.

millions of arguments about the thermostat. But could the arguments

:11:18.:11:24.

be wrecking our domestic bliss. And who is in charge of the thermostat?

:11:25.:11:29.

We have come to Northampton to find out. Hello there. We are from The

:11:30.:11:33.

One Show. We are asking people about heating. Do you like a warm house.

:11:34.:11:37.

Yes. Who would be in charge of that The wife. Who is in control of the

:11:38.:11:45.

temperature? Me. Yes clam! Who decides? She is a woman obviously.

:11:46.:11:50.

She is in charge. You pick your battles. Normally me. I wife likes

:11:51.:12:00.

it up. Who comes out on top. It must be you. I pay the bill. Bill payer.

:12:01.:12:07.

You have the power. Women are more likely to crank up the thermostat

:12:08.:12:16.

than men. Men like a cooler agreement. But I like it toasty. Is

:12:17.:12:23.

there any battle over the thermostat? I prefer it warmer.

:12:24.:12:30.

Someone would turn it up more. No, if I do that, I tend to that if she

:12:31.:12:34.

is not in. What she doesn't know doesn't hurt her. Until this goes

:12:35.:12:42.

out. We are from The One Show. I walk in and think it is hot and then

:12:43.:12:46.

switch it off. Does that cause arguments. I just get the look. You

:12:47.:12:58.

turn it up? 25. I have it lower than 18. We spend a lot. I am conscious

:12:59.:13:06.

of bill. Every degree you go up, you go up in price. Yes, it is all

:13:07.:13:11.

right, but it is ex-tenest pensive and you can -- expensive and you put

:13:12.:13:18.

on a jumper. You're a woman after my heart. She likes it warmer than you.

:13:19.:13:26.

By far. Is there anything you could decrease this seasonal friction by

:13:27.:13:31.

doing some other energy saving forms of insulation? Have a cuddle! In

:13:32.:13:43.

your house? Is it you? No, it's Nicola, my wife. You three? I like

:13:44.:13:52.

it cold. My father sits by the door. While the heating it full blast. No

:13:53.:13:59.

heating until November. I was totally outvoted on it. My wife and

:14:00.:14:04.

two daughter three to one against. The heating come on in October.

:14:05.:14:12.

People wonder on you view. I'm Russian. For you this is barmy. I

:14:13.:14:18.

keep it cold and then I have a vodka shot! I thought you might have a

:14:19.:14:28.

blanket. A fur one. The coldest I have been in Moscow and I bought a

:14:29.:14:35.

cagoule. It was minus 35. Unbelievable. As. Rob you mentioned

:14:36.:14:49.

you and Yevgeny will present the Evening Standard Theatre Awards. I'm

:14:50.:14:54.

presenting, he has a light night. He is not doing much. Just shaking

:14:55.:15:00.

hands. He owns the paper. I don't own any papers. Other than actual

:15:01.:15:04.

copies. Let's see some of the acts that are hoping to win. I'm Jess.

:15:05.:15:11.

Jules. I want to be a songwriter. It's not

:15:12.:15:28.

practical, girls don't write music. White

:15:29.:15:34.

APPLAUSE This is taking place on Sunday, we

:15:35.:15:54.

saw clips were many great musicals, like Gypsy, many which have come out

:15:55.:16:00.

this year, actually. That is because it is the awards for this year. I

:16:01.:16:07.

know that, but they are very new, that is what I'm saying. That is the

:16:08.:16:16.

point of the awards, every time I come on the show, there is something

:16:17.:16:23.

rudimentary I have got to explain her. " As you noticed with the

:16:24.:16:31.

Oscars, it is always the films which come out in the last 12 months? " --

:16:32.:16:39.

have you noticed. They could have come out a year earlier and only

:16:40.:16:45.

risen to prominence this year, OK? Anyway, you are not judging, so,

:16:46.:16:52.

personal favourites? I saw Imelda Staunton in Gypsy, that great

:16:53.:16:57.

performance, but I had never seen her in anything where she is not

:16:58.:17:06.

amazing. It is true. I saw her in Guys And Dolls, she was off the

:17:07.:17:12.

scale, and Sweeney Todd with Michael Ball, she was amazing. She is very

:17:13.:17:18.

special. In terms of musicals, I would go with her. Yevgeny, you have

:17:19.:17:23.

turned these awards into something special, why is Theatre is so

:17:24.:17:29.

important for you? I grew up with Theatre, first in the Soviet Union

:17:30.:17:36.

and then moving here. What are your memories? My most vivid memories was

:17:37.:17:42.

the White guard, which was Stalin's most favourite play, and it was

:17:43.:17:45.

actually onstage at the National Theatre recently. I remember it very

:17:46.:17:53.

vividly, I was sick after eating caviar which had gone off, not that

:17:54.:17:56.

I have had caviar caviar which had gone off, not that

:17:57.:18:03.

we believe that... Seriously, I grew up watching Theatre, and Theatre is

:18:04.:18:09.

very popular in Russia, it was popular in the Soviet Union. The

:18:10.:18:14.

Soviet government realised it was a great propaganda tool, and there

:18:15.:18:17.

were great propaganda tool, and there

:18:18.:18:25.

here, London, the West End, great propaganda tool, and there

:18:26.:18:28.

beyond West End, great propaganda tool, and there

:18:29.:18:29.

theatre. Quite beautiful, throwing great propaganda tool, and there

:18:30.:18:34.

flowers, and that appreciation. Russians do tend to show their

:18:35.:18:39.

appreciation, giving flowers at every before 's and many curtain

:18:40.:18:45.

calls. Do they actually listen to the content? There are mobile

:18:46.:18:50.

telephones going off, but they do listen. If there is an important

:18:51.:18:55.

person, coming, the performance can be held for an hour, waiting for his

:18:56.:19:03.

arrival. In this country, I think we would only do that if it was Simon

:19:04.:19:08.

Cowell. LAUGHTER May be. Let's talk about your

:19:09.:19:14.

Theatre, musicals have been a big part of your life. Yes, when I was

:19:15.:19:20.

younger. I was at Porthcawl, Trencin, this is where I met Ruth

:19:21.:19:27.

Jones from Gavin and Stacy, and we were together in Guys And Dolls and

:19:28.:19:31.

Carousel, West side story, but were together in Guys And Dolls and

:19:32.:19:36.

never done one. I want to were together in Guys And Dolls and

:19:37.:19:42.

I'm looking for the right one. We will take you back to

:19:43.:19:48.

I'm looking for the right one. We and show you why you enjoyed it so

:19:49.:19:52.

much, what do you remember about this?

:19:53.:19:54.

much, what do you remember about # But she won't make a sissy out of

:19:55.:19:57.

# APPLAUSE That is great. In musical terms,

:19:58.:20:07.

that is called flat, that was from Carousel. And that is me dressed

:20:08.:20:13.

like a David Essex tribute band. That was at the grand Pavilion. Yes,

:20:14.:20:19.

on the seafront. This building? Yes, it is. Very pretty. Television

:20:20.:20:29.

cameras are there, and a boy that we know, called Joe, he is

:20:30.:20:32.

cameras are there, and a boy that we have you done? Rob, you will

:20:33.:20:38.

recognise displays, what a grand Pavilion this is and I have been

:20:39.:20:45.

told it has not changed much since you were here in the early 80s,

:20:46.:20:48.

strutting your staff, you were on you were here in the early 80s,

:20:49.:20:57.

this stage in a series of school productions, you have mentioned

:20:58.:21:02.

Carousel. As a special surprise we have gathered together a few people

:21:03.:21:10.

to share early memories of you from those days. I'm joined by Gordon

:21:11.:21:15.

Ebsworth, your headmaster. Gordon, you introduce drop to the drama

:21:16.:21:21.

department? Yes, I did. An excellent move. Unknown to me at that time,

:21:22.:21:28.

but just think of the success that has followed him from that moment

:21:29.:21:34.

on. He had a great voice? Very melodious. Your teacher, still

:21:35.:21:40.

waxing lyrical. In the studio we have a photo, so have a look at

:21:41.:21:48.

that, it is black and white, it is a bit grainy, but do you remember

:21:49.:21:55.

this? Just to jog your memory, I will be Rob Brydon for a moment. I

:21:56.:22:03.

have got his pout going on, any clues as to the production? That is

:22:04.:22:09.

Debbie Nelson. Good Lord. LAUGHTER She was Sweet Charity, your leading

:22:10.:22:15.

lady, what was it like to play against him? A lot of fun, he was

:22:16.:22:22.

the consummate performer on stage, he based his character on a Woody

:22:23.:22:29.

Allen and he had the Woody Allen glasses and backstage he carried on

:22:30.:22:34.

being the backstage performer and he made us laugh all the time, it was a

:22:35.:22:42.

lot of fun. He was doing impressions at an early date, no surprise.

:22:43.:22:48.

Debbie is going to sing a line, see if you can answer it. LAUGHTER

:22:49.:22:53.

You belong to me # I wish I could remember the song!

:22:54.:23:01.

I know that you love being on stage, but I understand that you were

:23:02.:23:07.

watching avidly from the wings, and watching avidly from the wings is

:23:08.:23:13.

Cerys, who was in Carousel. You played Mrs Mullins and you had to be

:23:14.:23:21.

a bit forward with him? Yes, I had to be romantic with him and put my

:23:22.:23:28.

hands through his hair and I was very nervous. Every time we did the

:23:29.:23:35.

scene I used to deflect and say to the teacher, should I stand stage

:23:36.:23:42.

right? In the end, Roger said, are you ever going to be romantic with

:23:43.:23:50.

him? And did you? Ask Rob. You were the man at the heart of all this,

:23:51.:24:00.

you were his drama teacher, and he has spoken of you as being a pivotal

:24:01.:24:08.

figure in his life. Yes, our friendship has developed over the

:24:09.:24:14.

years. Very proud of him. You are still doing your job? Yes, it is

:24:15.:24:22.

nice to think that we might find the next Rob Brydon. Finally, two more

:24:23.:24:28.

guests, and if you do not recognise them you are in trouble, it is your

:24:29.:24:34.

mother and father. LAUGHTER And you always know that he was

:24:35.:24:41.

going to be a performer? Yes, from a very young age, at home, in church,

:24:42.:24:49.

always very happy to entertain, but did not know what he would go on to.

:24:50.:25:01.

He was a show off? He was indeed, I will not deny it. He says he gets

:25:02.:25:12.

more like you as he gets older? Yes, I think so, he's very lucky,

:25:13.:25:19.

actually. That is how his career is blossoming, he is copying me. There

:25:20.:25:26.

is a hint for the family humour. Take a position on the stage, you

:25:27.:25:33.

have all supported him in his early life, and a quick shout to Bridgend

:25:34.:25:42.

youth Theatre. I know you are a big supporter of that. As Sweet Charity

:25:43.:25:48.

sang, if only my friends could see you now, and the truth is, you will

:25:49.:25:56.

level. -- the truth is, you will never, in. -- you will never walk

:25:57.:26:04.

alone. You are lost for words? Cena yes, thank you, that's a lovely

:26:05.:26:10.

thing do. It is great to see your face. For anybody who is thinking

:26:11.:26:17.

about popping out to buy some sweets for a loved one, do not let this

:26:18.:26:24.

film put you off. We are just saying that you might need to put in more

:26:25.:26:31.

effort. For nearly 40 years, the most famous advertising character in

:26:32.:26:35.

British TV history delivered chocolates to a mysterious lady.

:26:36.:26:41.

Over the years he drove a sports car over a collapsing bridge and avoided

:26:42.:26:46.

avalanches, or because the lady loves a box of chocolates. One of

:26:47.:26:51.

the best remembered stunts involved the silent hero diving from a cliff

:26:52.:26:57.

into shark infested waters, to deliver the chocolates to the

:26:58.:27:01.

mysterious lady's yacht. Our stuntman is going to attempt to

:27:02.:27:06.

recreate the legendary dive. But what is it about these adverts that

:27:07.:27:13.

made them so popular? Kate from Saatchi Saatchi is the daughter of

:27:14.:27:19.

copywriter Bob, the man who wrote that famous tag line, all because

:27:20.:27:27.

the lady loves... It captured a time, and they became and I'm not

:27:28.:27:40.

sure it happens so much now, but it became an event, because they did

:27:41.:27:46.

very brave stance and impressive action and they almost had to better

:27:47.:27:54.

themselves every time they did it, and it became something people look

:27:55.:28:00.

forward to. Why does it work? He is obviously romantic, a fantasy escape

:28:01.:28:05.

character, quite tongue in cheek, knowing my father, it was not

:28:06.:28:11.

conceived as a serious play, and it is very elegantly delivered, the

:28:12.:28:17.

idea, or because the lady loves Milk Tray, and they always knew that he

:28:18.:28:24.

was going to embark on a ridiculous journey because the soundtrack

:28:25.:28:29.

kicked off. That was the success, they were very smooth characters,

:28:30.:28:35.

that always managed to go to extraordinary lengths and achieve

:28:36.:28:40.

the seemingly impossible. There have been seven Milk Tray men, and Alan

:28:41.:28:48.

Myers would play the character more than most, but it was someone else

:28:49.:28:58.

who made the death-defying dive, his name was out of joint, the legendary

:28:59.:29:06.

British stuntman who worked on numerous blockbuster films. His son

:29:07.:29:17.

is at the YMCA where his dad trained. I remember dad saying he

:29:18.:29:26.

got to the edge of the cliff and he looked down. There is a yacht in the

:29:27.:29:34.

Bay. He only went halfway up the cliff, this cliff was 160 feet high,

:29:35.:29:41.

and I thought, this is very dangerous, but I know what I'm

:29:42.:29:44.

doing, he said, and so he dive. The first time it was 85

:29:45.:29:47.

degrees to deflect dive. The first time it was 85

:29:48.:29:58.

he did the dive again, and I don't dive. The first time it was 85

:29:59.:30:00.

know why, but he went in at 90 dive. The first time it was 85

:30:01.:30:07.

degrees and the impact of dive. The first time it was 85

:30:08.:30:11.

on his head crumbled his spine like an accordion and he was paralysed,

:30:12.:30:16.

knocked unconscious, and he was rushed out of

:30:17.:30:24.

Remember, our stunt men know what they're doing to stay way from any

:30:25.:30:32.

cliffs. Now welcome Strictly's partner to the music that Jeremy has

:30:33.:30:37.

been trying to forget since Sunday. It is Karen Clifton. Come on in,

:30:38.:30:52.

take a seat. I missed you so much. Hello lovely. I had, you will

:30:53.:30:59.

appreciate this, I got this Bluetooth boom box that can compare

:31:00.:31:04.

with two phones, I saw it today and it was paired with Karen's phone. I

:31:05.:31:11.

thought it is sad. We were devastated when you left. But there

:31:12.:31:16.

has been a little bit of upset on social media hasn't there? Yes we

:31:17.:31:22.

have had videos of kids crying. They haven't been able to go to sleep,

:31:23.:31:27.

because Jeremy is out of competition. It

:31:28.:31:32.

because Jeremy is out of harm-warming. One kid bought a

:31:33.:31:32.

balloon and when they called us out, harm-warming. One kid bought a

:31:33.:31:41.

he dropped his balloon. Is there anything you would like to say

:31:42.:31:45.

he dropped his balloon. Is there the children. Somebody said her

:31:46.:31:48.

child who was four asked to go to bed, because then at least Jeremy

:31:49.:31:53.

won't stop dancing in my dreams. That sounds more like a nightmare to

:31:54.:32:00.

me. But very young kids, we are in great shape and we will be friend

:32:01.:32:04.

for life. I got eight weeks in. I thought I would be out in the first

:32:05.:32:07.

week. This brilliant dancer kept me in. I believe it was all you Karen.

:32:08.:32:15.

So I always think... I don't think anyone doubts that. So I don't think

:32:16.:32:23.

the pros get the credit. She said, I have got to stop the dad dancing.

:32:24.:32:29.

She said that the dad dancing, we are the same age, Rob, born in 65,

:32:30.:32:34.

dad dancing is where you move everything. The dancing I'm going to

:32:35.:32:39.

teach you is where you only move one thing. That is all I can remember of

:32:40.:32:46.

the whole experience. What I learned instead of nodding down wards to

:32:47.:32:51.

music. Nod up and you look like you're more in the beat. I had a

:32:52.:32:58.

thing, I was shopping, and I should mention this, Karen, this person

:32:59.:33:02.

came to me, a lady in a supermarket, and said, stop it... I'm nodding.

:33:03.:33:12.

She just said, nice to see you on strict list I thought your

:33:13.:33:18.

co-ordination was better by the end. I then knocked my glasses off. So it

:33:19.:33:26.

not that good. I think you got better and you were underscored at

:33:27.:33:32.

some points. The judges were a bit mean. Sometimes. They described you

:33:33.:33:41.

as a spider. Dancing spider. The dancing is OK. The best one was a

:33:42.:33:53.

stork being electrocuted. And Craig paused and said, you know the

:33:54.:33:57.

problem really began when you started to dance. I thought... Well

:33:58.:34:02.

I don't know what to take out of that. For me at the end of that

:34:03.:34:08.

table having done the dance and they were opening up on you, I was loving

:34:09.:34:13.

it and I was laughing all the way through. I didn't mind. That was

:34:14.:34:18.

great. Does that mean that, are you content with what you have done?

:34:19.:34:23.

Dancing, or is this a spring board... Oh yes, this is where it

:34:24.:34:30.

begins. Even was done specifically for you. I mean specifically.

:34:31.:34:37.

Including the horse. We have the horse. You were fabulous. These are

:34:38.:34:43.

your best bits. Come on. OK. You're back. I'm back. Because I want to

:34:44.:34:57.

# Together we will go our way! # thriller, thriller # # Putting on my

:34:58.:35:19.

top hat, tying on white tie... # Splish, splash, I was taking a

:35:20.:35:27.

bath... # Here is the shoe that I'm going to auction for charity. This

:35:28.:35:32.

is your actual shoe. The reason it is interesting, because there is a

:35:33.:35:39.

hole in the side and the costume department said, Jeremy, how have

:35:40.:35:45.

you done that. I said it us the move that Karen clocked the clock, from

:35:46.:35:50.

Grease, where you walk and lie on the floor and walk around in the

:35:51.:35:57.

circle so I wore a hole in my shoe. That was worth it. . You don't have

:35:58.:36:05.

any regrets about the clock. No, it was great. You did me proud. Karen

:36:06.:36:11.

you have got to keep dancing, you will be at Blackpool? Yes. We will

:36:12.:36:18.

be doing all of our pro routines. I'm going to miss this guy. I'm

:36:19.:36:25.

taking a friend up to Blackpool, I promised I would take this friend

:36:26.:36:29.

even if I was out. No further back story required. An old university

:36:30.:36:34.

friend. Sorry, I misunderstood. You know we are on air? I will be

:36:35.:36:40.

cheering you on from the side looivens. Lines. Still to come a

:36:41.:36:48.

special edition of Rob's comedy show, Would Yevgeny Lie To You? He

:36:49.:36:55.

has been waiting for five minutes. Our next film is about love,

:36:56.:37:01.

suffering and relationships, all set against the backdrop of sibling

:37:02.:37:06.

rivalry. This is riverside in wary,shire. -- Warwick shire. The

:37:07.:37:16.

River Trent is given to flooding and tidal bores, they push high waves up

:37:17.:37:24.

stream a phenomenon the locals all the agar. In 1859 this river

:37:25.:37:31.

inspired one of most celebrated books in English literature, The

:37:32.:37:40.

Mill on the Floss by George Elliot. The novel tells the story of Maggie

:37:41.:37:46.

and her brother Tom, who grow up on the river Floss. The banks seemed

:37:47.:37:53.

like home. Maggie gathered the reeds, they wandered with a sense of

:37:54.:37:59.

travel to see the rushing spring tide come up like a hungry monster.

:38:00.:38:04.

Tom thought people were at a disadvantage, who lived on any other

:38:05.:38:13.

spot of the globe. The author based Tom and Maggie on her own childhood

:38:14.:38:22.

in Warwickshire. Vivienne Wood has studied the author's links to the

:38:23.:38:26.

area. She lived with her mother and father and sister and her beloved

:38:27.:38:31.

brother Isaac. She adored her brother. That is the key to

:38:32.:38:36.

understanding George Elliot. Family life is at the heart of the Mill on

:38:37.:38:41.

the floss, the author and her brother would fishes in a pond at

:38:42.:38:46.

the bottom of the garden. They were on their way to the round pool that,

:38:47.:38:51.

wonderful pool which the floods had made along wile ago. No one knew who

:38:52.:38:57.

deep it was and it was mysterious too, but it should be almost a

:38:58.:39:02.

perfect round. Why did she choose a male name? In many ways it was to

:39:03.:39:08.

avoid the judgment of society. It was very difficult for women then to

:39:09.:39:13.

publish. George Elliot did reveal she was a woman after the success of

:39:14.:39:21.

her first novel Adam Bead, but some reviewers were not amoozed. --

:39:22.:39:26.

amused One said it was the vile outpourings of a lewd woman's mind.

:39:27.:39:32.

Her creation Maggie also has a strong independent streak and

:39:33.:39:36.

develops a relationship with the son of her father's enemy. Against the

:39:37.:39:42.

wishes of her brother, she meets him in secret at Red Deeps, a wood based

:39:43.:39:53.

on this wood. She held this place in deep awe. Visions of robbers and

:39:54.:39:59.

fierce animal bes haunting every hollow. Maggie's meetings cause a

:40:00.:40:05.

rift with her brother, Tom. Which only worsens after the St Ogg's

:40:06.:40:13.

bizarre which is set here. This English scholar is an short on her

:40:14.:40:20.

books. Her she receives the attention not only of Philip but her

:40:21.:40:30.

cuss sin. She allows Steve on the take her on an ill advised boat trip

:40:31.:40:35.

and they go too far and spend the night away and when they come back

:40:36.:40:41.

she is regarded as a fallen woman. Her brother disowns her and she is

:40:42.:40:47.

disgraced in the eyes of society. This rift between Maggie and Tom is

:40:48.:40:55.

echoed in the real life story. In 1854 she moved in with a writer who

:40:56.:41:01.

was still particularied to his previous -- married to his previous

:41:02.:41:06.

partner. He cut off contact with her and told the family not to have

:41:07.:41:10.

contact with her either. Elliot's The Mill on the Floss was published

:41:11.:41:15.

in 1860 to instant success. After the end of novel Maggie rose to the

:41:16.:41:19.

mill to save her brother from a flood. The two have a fleeting

:41:20.:41:23.

reconciliation before the water overwhelms them. But there would be

:41:24.:41:28.

no such reunion for George Elliot. She would never see her brother

:41:29.:41:30.

again. Fantastic. Thank you Cerys. She would never see her brother

:41:31.:41:41.

Now, as we She would never see her brother

:41:42.:41:45.

presenting the Evening Standard Theatre Awards with Yevgeny.

:41:46.:41:58.

presenting the Evening Standard are going to play Would Yevgeny Lie

:41:59.:42:05.

To You. So how will it work. Yevgeny will read three sometimes statement

:42:06.:42:12.

and they have to spot the lie. Karen you get the final say. Are we set?

:42:13.:42:16.

When you're ready read out your statements. I will try and keep my

:42:17.:42:27.

face straight. Sir Elton John once shaved off my beard and my eyebrows

:42:28.:42:36.

for charity and vowed to go further the next year. I own a wolf called

:42:37.:42:47.

Boris. OK. Statement three, I am going to be pressing the launch

:42:48.:42:55.

button for major Tim Peake's trip to the space station. Who was the

:42:56.:43:03.

third. Tim Peake the astronaut. That one had me going. The wolf thing is

:43:04.:43:11.

no way to refer to our mayor is the first thing I would say. He has a

:43:12.:43:15.

difficult job. But it is not easy. You know how shy he is. The wolf, I

:43:16.:43:23.

think the wolf... I was thinking the facial hair. I can't picture him

:43:24.:43:27.

without facial hair. I don't think I have ever seen him without the

:43:28.:43:32.

beard. Can we ask questions. Where is your wolf kept? In an enclosure

:43:33.:43:40.

behind a fence. He is hesitating there. That is made up. Where is the

:43:41.:43:47.

fence? It is up on the hill. We can see where this is going. Where is

:43:48.:43:56.

the hill? It's part of a mountain. What is the name of the mountain? It

:43:57.:44:11.

is called... Mount TeTso. Which is the lie? The Elton thing... I can

:44:12.:44:18.

kind of... The wolf thing. The wolf fell apart. The rocket pressing the

:44:19.:44:23.

launch I can believe that. But I don't think you would allow your

:44:24.:44:32.

eyebrows. Let's ask the captain. What do you think. I think the wolf

:44:33.:44:38.

was destroyed. One is true. What about the the wolf? Let's go with

:44:39.:44:45.

the eyebrows. I think the space rocket with the wolf. The wolf. No

:44:46.:44:55.

I'm afraid it is not. You don't even know where it is. The lie was? I was

:44:56.:45:03.

pressing the launch button. We did shave awe off your beard and

:45:04.:45:11.

eyebrows. Yes. Do you walk your wolf? I do sometimes. The neighbours

:45:12.:45:18.

are not too scared. Very good. Thank you. Now we say thank you to Yevgeny

:45:19.:45:27.

for joining us. Now, you're free to go and walk your wolf. Now then.

:45:28.:45:35.

Wasn't it a good game? So many questions. Now adverts. Rob you done

:45:36.:45:42.

a few adverts. One or two. There was one at the start of your career that

:45:43.:45:46.

you thought would help you hit the big time, but it didn't. No. This

:45:47.:45:50.

was... Let's have a look at it. That is my dear friend, we were

:45:51.:46:04.

penniless young actors, and we got this job, and we went for this

:46:05.:46:09.

advert at Pinewood Studios, the same studio that we now do our

:46:10.:46:13.

programming, and Steve took out a bank loan and the strength of that

:46:14.:46:16.

advert and how much money was going to make him when it ran, and they

:46:17.:46:22.

never went to air. Yeah. It was for a chocolate bar? Can I say the name?

:46:23.:46:29.

You have said it once already. It is orange and crispy. It had toffee in

:46:30.:46:34.

it. LAUGHTER Gyles Brandreth is looking at a

:46:35.:46:38.

classier piece of advertising history tonight. We can see how he's

:46:39.:46:43.

getting on, recreating a famous Todd performed just for a box of

:46:44.:46:50.

chocolates. -- famous stunt. In the early 70s, Cadburys made one of

:46:51.:46:53.

their most memorable TV adverts and sought stuntman Alf joined dive 163

:46:54.:47:00.

feet into the sea below. He made quite a splash. With the Alf Joint

:47:01.:47:12.

Syriza -- seriously injuring himself commit his friend was waiting in the

:47:13.:47:16.

boat below. It was headfirst, which was very dangerous, and water is

:47:17.:47:20.

like hitting this table, if you get it wrong. He risked his life for a

:47:21.:47:28.

box of chocolates? Yeah, virtually. The director of the company said if

:47:29.:47:34.

we don't have the shot, can you do it? I said, yes. I was waiting for

:47:35.:47:41.

him to come back, at 1030, the first assistant said we have got the shot,

:47:42.:47:48.

it's OK. How do you rate Alf Joint as a stuntman? He was a great, he

:47:49.:47:52.

has a lot of courage and guts, and he was also very well trained, you

:47:53.:47:56.

knew what he was doing, and I would say he is one of the greats, really.

:47:57.:48:03.

On the 25th of July 2005 Alf Joint died at the age of 77, and today The

:48:04.:48:07.

One Show would like to honour his most famous stunt. Our stuntman Theo

:48:08.:48:15.

Molton needs a minimum of five metres water depth to make the dive

:48:16.:48:20.

safely from the 43 foot cliff face. He and Jamie must find an entry

:48:21.:48:25.

point. While up above, to give Theo every chance of clearing the rocks

:48:26.:48:29.

below, we have brought a team of professional stunt riggers to

:48:30.:48:34.

construct an aluminium platform. There is mention of their being a 3

:48:35.:48:37.

metre distance out from the cliff which I had to clear, because it is

:48:38.:48:43.

very shallow. Going up to the top initially, it was quite

:48:44.:48:45.

intimidating, you cannot see under the water. If you overcook it by a

:48:46.:48:50.

couple of degrees, you will slap on your shins and if you go under that

:48:51.:48:57.

you will smack your front. Our safety team are in place, in and out

:48:58.:49:00.

of the water, ready to respond should he harm himself. And with

:49:01.:49:05.

this in mind, Theo has decided to make a feet first entry before

:49:06.:49:07.

attempting the dive. Entering the water feet first pales

:49:08.:49:27.

in comparison to the physical demands on your upper body during a

:49:28.:49:32.

dive. Theo is ready, but something is not quite right. I think the lady

:49:33.:49:38.

might be disappointed with Theo delivering the chocolates, surely it

:49:39.:49:47.

is all the girls the ladies love is Gyles Brandreth...

:49:48.:50:10.

APPLAUSE Well done. Well, Gyles Brandreth is

:50:11.:51:06.

here this evening. Here he comes. Wow. All right. That was quite

:51:07.:51:17.

something. Still wet, as well. And all because the lady loves... Look

:51:18.:51:25.

at this. Thank you. Low and sugar, but high and water. -- on sugar.

:51:26.:51:37.

Remarkable, and there is a new milk Tray man. Yes, he is back, because

:51:38.:51:43.

Mr Alger cells, and you thought it was sex and violence which sold, you

:51:44.:51:49.

base your careers on that. -- nostalgia sells. All research tells

:51:50.:51:54.

us that is what people go for, especially in difficult times,

:51:55.:51:59.

people like the security of knowing relationships, this happened after

:52:00.:52:02.

9/11 and the financial crisis, and it might be happening now. People

:52:03.:52:06.

like what they know, they want to walk back to happiness, hence

:52:07.:52:13.

adverts like Milk Tray. Adverts when people are walking up cobbled

:52:14.:52:16.

streets, even the world of politics, maybe the arrival of Jeremy Corbyn,

:52:17.:52:20.

because we are looking statically to the era of old-fashioned socialism.

:52:21.:52:27.

-- looking nostalgically. I saw the new James Bond film and it was like

:52:28.:52:30.

going back in time. I'm actually younger than Sean Connery, and

:52:31.:52:40.

taller... And more handsome. Anyway, the cat is back, driving his old

:52:41.:52:44.

Aston Martin, that is going on as it used to be, and they are great

:52:45.:52:48.

films, Jurassic Park, Star Wars, with the original cast. There they

:52:49.:52:54.

are again. Harrison Ford, Mark Hamill, Carrie Fisher. Star Wars is

:52:55.:52:59.

coming back? You never thought it had coming back -- it was coming

:53:00.:53:10.

back? I had never heard of it. You were a Star Wars groupie? Yes, we

:53:11.:53:14.

wrote a stage version, which we did in Swansea and I played Luke

:53:15.:53:19.

Skywalker because I was in charge. We had a tinfoil door for the storm

:53:20.:53:22.

troopers to burst through and we had Poyet light sabres, it was good for

:53:23.:53:29.

its time. -- we had toy. I would like to say we have the cast back

:53:30.:53:34.

together for that, but we haven't. I wouldn't be surprised if you had.

:53:35.:53:39.

Suddenly I was ten again, it was amazing, the power of that advert,

:53:40.:53:45.

when was it last on? In the 80s, it began in the late 60s, but it is

:53:46.:53:49.

evocative, it is an era where we felt safe and secure, or because the

:53:50.:53:52.

lady loves... Thank you so much. Delivered beautifully. I got work to

:53:53.:54:01.

do, ladies all over London, I'm double booked. On a serious note,

:54:02.:54:11.

have a safe trip home. Thank you. Unbelievable. How does he do it? One

:54:12.:54:18.

of the things many of you are keen to know because you love it is when

:54:19.:54:22.

this year's festive virtual choirs coming back, and we have some good

:54:23.:54:26.

news. We can finally answer that question. Carrie Grant has the

:54:27.:54:35.

details. Last Christmas we made something a bit special, a virtual

:54:36.:54:39.

choirs of One Show viewers, hundreds of you took part by filming

:54:40.:54:42.

yourselves in the comfort of your own homes, and then we combined your

:54:43.:54:46.

videos to create a stunning virtual carol concert, that united the UK in

:54:47.:54:58.

song. I absolutely loved it, this was your choir, performing to an

:54:59.:55:02.

audience of millions, and I loved the way you got dressed up in your

:55:03.:55:06.

festive costumes and hats, and so it is time to do it all over again. But

:55:07.:55:19.

this time, it is vintage pop. It was all sharp suits and when it's

:55:20.:55:22.

released sleigh sleigh ride in 1960 through, and we are giving their

:55:23.:55:32.

classic a 21st-century makeover. Our musicians have been creating vintage

:55:33.:55:36.

shouts for you to sing too. It is all being taken very seriously and

:55:37.:55:43.

the all being taken very seriously and

:55:44.:55:46.

for your videos, to help you sing it we have drafted in five guide

:55:47.:55:54.

vocalists. Next challenge is, there are a few different king Alleyne. --

:55:55.:56:03.

King and Ling. You can throw that in with any consonant, right? I love

:56:04.:56:08.

the delivery. You sound like you are from the 60s, it has that lovely...

:56:09.:56:16.

LAUGHTER Everything is ready for our

:56:17.:56:18.

Christmas extravaganza, and all we need now is you. Go to The One Show

:56:19.:56:23.

website and follow the link to our virtual choir page. This is one of

:56:24.:56:30.

our vocalists to show you how to do your performance. It is very easy,

:56:31.:56:35.

I've gone onto my laptop which I have propped up on this book, so I

:56:36.:56:40.

can watch. I have my earphones here, which I will plug into my laptop so

:56:41.:56:44.

only I can hear the track, which is really important, by phone to fill

:56:45.:56:49.

myself, but you can use any smart the vice or tablet, as long as you

:56:50.:56:54.

film it horizontally like a television screen. Smart device.

:56:55.:57:00.

Play the guide track. # Just hear the sleigh bells

:57:01.:57:07.

ringing... # It is a lovely time to have a

:57:08.:57:10.

sleigh ride together with you # We would like you to go to town

:57:11.:57:19.

with your videos. We have a choreography, as well, you can just

:57:20.:57:22.

make up your own moves, as well, anything goes. When you are

:57:23.:57:26.

finished, upload your video, anyone can take part, so get singing. Join

:57:27.:57:34.

the Virtual vintage quiet which is uniting the UK in song this

:57:35.:57:37.

Christmas where ever you are -- choir. That sounds lovely. All the

:57:38.:57:43.

details on the website, you have until midnight to apply. Thank you

:57:44.:57:49.

to all of our guests, what not has been. Now we can enjoy the China

:57:50.:57:55.

National Peking Opera company as they perform the Warrior Women of

:57:56.:58:00.

Yang. You can see them in London at Sadler 's Wells from Sunday until

:58:01.:58:03.

Thursday. Goodbye.

:58:04.:58:10.

Download Subtitles

SRT

ASS