Browse content similar to 19/01/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Alex Jones. | 0:00:16 | 0:00:18 | |
And my co-conspirator, Michael Ball. | 0:00:18 | 0:00:24 | |
APPLAUSE
Lovely. | 0:00:24 | 0:00:29 | |
Tomorrow marks ten years
since the world was introduced | 0:00:29 | 0:00:31 | |
to a man who'd go on to set
a new benchmark for | 0:00:31 | 0:00:34 | |
acting in TV drama. | 0:00:34 | 0:00:35 | |
And change the image
of chemistry teachers for ever. | 0:00:35 | 0:00:37 | |
Do we have to say his name? | 0:00:37 | 0:00:41 | |
You know exactly who I am. Say my
name. | 0:00:41 | 0:00:49 | |
All right, all right! | 0:00:49 | 0:00:50 | |
It's Bryan Cranston! | 0:00:50 | 0:00:55 | |
Bryan is going to be here any
moment. First, here's how Jean | 0:00:55 | 0:01:01 | |
Johansson on very Scottish drink and
how it's changing. | 0:01:01 | 0:01:12 | |
how it's changing. Oh, Irn-Bru,
those 80s and 90s advertising | 0:01:12 | 0:01:15 | |
campaigns helped make it a Scottish
institution. | 0:01:15 | 0:01:18 | |
# Irn-Bru #.
Butter brouhaha is brewing over | 0:01:18 | 0:01:24 | |
these little cans of orange
loveliness. AJ bar, the makers of | 0:01:24 | 0:01:31 | |
Irn-Bru, is changing the
117-year-old recipe. They are | 0:01:31 | 0:01:36 | |
halving the drink's sugary content,
in response to a government | 0:01:36 | 0:01:41 | |
crackdown on the soft drinks
industry, to avoid the sugar tax | 0:01:41 | 0:01:45 | |
being launched this April the
company is slashing the amount of | 0:01:45 | 0:01:49 | |
sugar in a can from eight teaspoons,
to four. Sugar is being replaced | 0:01:49 | 0:01:54 | |
with artificial sweeteners but
changing the DNA of our iconic | 0:01:54 | 0:01:59 | |
Irn-Bru hasn't gone down well with
fans, including TV host Levine | 0:01:59 | 0:02:02 | |
Kelly. -- Lorraine Kerry. Lorraine
has backed angry Irn-Bru drinkers, | 0:02:02 | 0:02:10 | |
like Ryan, who has started a
petition against the recipe change | 0:02:10 | 0:02:14 | |
that's been signed by almost 50,000
people and counting. What they are | 0:02:14 | 0:02:19 | |
doing is leaving us no choice, if
you want to drink the full sugar | 0:02:19 | 0:02:23 | |
version. There are disregarding 117
years of history and putting up two | 0:02:23 | 0:02:28 | |
fingers up to 50,000 people who tell
them they don't agree with it. It's | 0:02:28 | 0:02:32 | |
a message echoed odds as fervently
on the streets of Glasgow. I'd | 0:02:32 | 0:02:37 | |
rather they left it the way it was.
Keep it the same. They have a secret | 0:02:37 | 0:02:44 | |
recipe and it seems fine, so why
change it? Irn-Bru gives me my | 0:02:44 | 0:02:49 | |
sugar. With so much opposition to
the change, I want to have exactly | 0:02:49 | 0:02:53 | |
why the company is changing with its
century-old recipe. I've been | 0:02:53 | 0:02:57 | |
invited to their factory on the
outskirts of Glasgow to meet Robin | 0:02:57 | 0:03:00 | |
Barr, the company's former chairman.
That's my great grandfather. He | 0:03:00 | 0:03:05 | |
started our soft drinks business in
1875. The business has grown from | 0:03:05 | 0:03:12 | |
these small beginnings. So why
change the original recipe? We are | 0:03:12 | 0:03:17 | |
effectively reacting to the vast
majority of people, who do say they | 0:03:17 | 0:03:20 | |
want less sugar in everything they
are consuming. Why couldn't you just | 0:03:20 | 0:03:25 | |
keep the original and anyone who is
health-conscious can always go for | 0:03:25 | 0:03:29 | |
the diet option? Well, that's true,
but people do like sugar and indeed | 0:03:29 | 0:03:33 | |
people want to continue to have some
sugar. We're reducing the sugar, but | 0:03:33 | 0:03:38 | |
we are not taking it down to zero.
Cans of the lower sugar but | 0:03:38 | 0:03:43 | |
artificially sweetened drink have
started to roll off the production | 0:03:43 | 0:03:47 | |
line, so time for a taste test. I've
recruited a band of fans to see if | 0:03:47 | 0:03:53 | |
they can tell the difference between
the new sugar Lite version in the | 0:03:53 | 0:03:57 | |
green cup, and the full fat original
in the pink. All you have to do is | 0:03:57 | 0:04:02 | |
take a sip out of each cup and tell
us which one you think is the | 0:04:02 | 0:04:07 | |
original Irn-Bru recipe. Got it?
Yeah. OK, Bottoms up. Surely these | 0:04:07 | 0:04:14 | |
Irn-Bru connoisseurs will spot the
original sugary version in the pink | 0:04:14 | 0:04:17 | |
cup, over the new artificially
sweetened version in the green. But | 0:04:17 | 0:04:21 | |
they are having trouble tasting the
difference between old and new. Test | 0:04:21 | 0:04:25 | |
done, it's time to vote. So one
count of three, push forward the cup | 0:04:25 | 0:04:32 | |
you think contains the original
Irn-Bru. One, two, three. That's | 0:04:32 | 0:04:38 | |
five green cups, three pink, and one
who couldn't decide. So I can reveal | 0:04:38 | 0:04:44 | |
the cup which contains the original
recipe for Irn-Bru is the pink cup. | 0:04:44 | 0:04:52 | |
Now! Was close but in a photo finish
six of our Irn-Bru fans couldn't | 0:04:52 | 0:05:00 | |
tell the difference. I'm quite
shocked! The green one was a bit | 0:05:00 | 0:05:06 | |
sweeter. Very slight difference. I
thought that was the original, but I | 0:05:06 | 0:05:11 | |
preferred the green one. I live on
Irn-Bru, so I'm ashamed. I don't | 0:05:11 | 0:05:15 | |
feel Glaswegian. Not everyone is
going to be keen on the new lower | 0:05:15 | 0:05:20 | |
sugar drink, but there's no doubt
the health argument is compelling. | 0:05:20 | 0:05:24 | |
So it looks like old school fans are
going to have to get used to it. | 0:05:24 | 0:05:31 | |
Irn-Bru, I love it. You do like it.
Bryan is here. | 0:05:31 | 0:05:36 | |
CHEERING AND APPLAUSE
Looking very well, sir. We had a | 0:05:36 | 0:05:40 | |
scary moment. We are so glad to see
you! Do you know what Irn-Bru is? | 0:05:40 | 0:05:49 | |
It's a Scottish drink, that's it
there, a natural, lovely colour. See | 0:05:49 | 0:05:53 | |
what you think. It's very natural,
as you can see by the colour. It's | 0:05:53 | 0:05:59 | |
not just a Scottish drink, it is the
Scottish drink. It's not bad. They | 0:05:59 | 0:06:07 | |
are changing the recipe. Why? We saw
there, fans of this drink, Irn-Bru, | 0:06:07 | 0:06:15 | |
are putting up a fight because they
like the original, but in the film, | 0:06:15 | 0:06:18 | |
when they tested it, people couldn't
really tell the difference and they | 0:06:18 | 0:06:21 | |
haven't got a problem on their hands
probably, really, but have other | 0:06:21 | 0:06:26 | |
brands successfully changed recipe?
Been bobbing some have, some | 0:06:26 | 0:06:29 | |
haven't. People don't like being
told what to do. For instance, | 0:06:29 | 0:06:36 | |
Nestle with their Milky Bar, they
upped the milk, so there's now a | 0:06:36 | 0:06:40 | |
third of the content is now milk,
and sugar has gone down. Similarly | 0:06:40 | 0:06:44 | |
with Kit Kat. We haven't been that
bothered about those brands. | 0:06:44 | 0:06:49 | |
However, back in 2015, Cadbury's
creme eggs changed the shell on | 0:06:49 | 0:06:54 | |
dairy milk to some other recipe and
sales of their Easter lines well | 0:06:54 | 0:06:57 | |
down by £10 million. But they
insisted it wasn't because of a | 0:06:57 | 0:07:02 | |
recipe change. We don't like change.
Lucozade, quite an interesting one, | 0:07:02 | 0:07:06 | |
quite similar to Irn-Bru, Lucozade
in 2016 reduced their sugar content | 0:07:06 | 0:07:11 | |
so it was within the range it's
meant to be. 10,000 people signed a | 0:07:11 | 0:07:15 | |
petition saying they did not want
the change. It's been on Twitter, | 0:07:15 | 0:07:19 | |
this is brilliant. People were
saying, what happened to Orange | 0:07:19 | 0:07:23 | |
Lucozade? It tastes like bleach, a
completely different drink to what | 0:07:23 | 0:07:27 | |
it used to be. Somebody else said,
on Twitter, I've literally drunk | 0:07:27 | 0:07:32 | |
Lucozade orange every day for as
long as I remember. This change in | 0:07:32 | 0:07:36 | |
recipe is a personal attack!
LAUGHTER | 0:07:36 | 0:07:39 | |
We don't want this change. The next
big challenges Ribena. Ribena? They | 0:07:39 | 0:07:47 | |
had literally hundreds of different
versions of this drink, trying to | 0:07:47 | 0:07:50 | |
get the sugary version right so it's
down on the sugar but still has | 0:07:50 | 0:07:53 | |
sugar in it. They're super tasters,
who are in their factories, have got | 0:07:53 | 0:07:58 | |
to a point where they can't tell the
difference now, but we will be the | 0:07:58 | 0:08:01 | |
judge of that because the public, in
a couple of months, will be able to | 0:08:01 | 0:08:05 | |
see. This is a misnomer, there is
neither iron, nor a brew. That's | 0:08:05 | 0:08:15 | |
brewed in Scotland. This is actually
brewed? Made with girders? It's made | 0:08:15 | 0:08:22 | |
with girders! I don't think this is
brewed. I think it's fermented. | 0:08:22 | 0:08:28 | |
LAUGHTER
What brands aren't changing and | 0:08:28 | 0:08:32 | |
aren't going to listen? At the
moment Coca-Cola was unchanging. | 0:08:32 | 0:08:36 | |
They made a bit of a faux pas, I
remember. Back in 1985. With Coke | 0:08:36 | 0:08:44 | |
zero? They changed it and it lasted,
they just changed the recipe, 479 | 0:08:44 | 0:08:50 | |
days they held their ground and they
gave up because so many people said | 0:08:50 | 0:08:53 | |
they were drinking it Which for 79
days. They have lots of the roaster | 0:08:53 | 0:09:00 | |
fanned low-calorie stuff, so they do
have other choices -- they have | 0:09:00 | 0:09:07 | |
low-calorie stuff. You consume less
by drinking less. Lovely. You love | 0:09:07 | 0:09:12 | |
the Irn-Bru, Bryan. Have you dabbled
with any other UK British | 0:09:12 | 0:09:18 | |
traditions, like builders tea
restaurant have you done that yet? I | 0:09:18 | 0:09:23 | |
don't know what builders tea is. Is
it for construction workers? Strong | 0:09:23 | 0:09:29 | |
tea, with a dash of milk. Fish and
chips? Fish and chips, yes, there's | 0:09:29 | 0:09:35 | |
a place near the hotel I stayed at
when we were rehearsing the play, | 0:09:35 | 0:09:39 | |
that was quite good. How long have
you been here now? Since 1902! | 0:09:39 | 0:09:46 | |
LAUGHTER
Since late September. You are doing | 0:09:46 | 0:09:51 | |
Network at the National Theatre.
Yes, Network at the National | 0:09:51 | 0:09:57 | |
Theatre. Have you seen any other
parts of London? I've seen the | 0:09:57 | 0:10:02 | |
rehearsal rooms, the stage. When I
rehearse and get a show on its feet | 0:10:02 | 0:10:05 | |
I really live very hermetic life.
You have to, you absolutely have to. | 0:10:05 | 0:10:14 | |
I go to work, I work. Now, my wife
is coming over, we'll have two one | 0:10:14 | 0:10:19 | |
half or three months here and we're
going to see and catch up on our | 0:10:19 | 0:10:24 | |
plays and museums and do all the
stuff. We'll plan a route for you, | 0:10:24 | 0:10:29 | |
Bryan, we'll do Wales, Scotland,
beautiful Northern Ireland, we've | 0:10:29 | 0:10:32 | |
got it all sorted. I wound my
wife... This wife... | 0:10:32 | 0:10:41 | |
LAUGHTER
That's true! Which one was this? | 0:10:41 | 0:10:45 | |
This is the fourth... No! She was
doing a semester at Oxford and I | 0:10:45 | 0:10:52 | |
went up there and I went and punted,
I rented a punt on the Thames and I | 0:10:52 | 0:11:00 | |
was out there with the poles and I
pushed down and I didn't understand | 0:11:00 | 0:11:04 | |
how this goes and all of a sudden I
went, I guess I have to lift it, and | 0:11:04 | 0:11:10 | |
I lifted up the pole and the muck
and mire and watered started | 0:11:10 | 0:11:14 | |
cascading down on me and I knew it
was wrong! And yet I couldn't... I | 0:11:14 | 0:11:18 | |
went, this is bad! I hear some guy
drinking a pint on the bridge go, | 0:11:18 | 0:11:23 | |
use it as a rod. I went what? He
said, use it as all he slowed down. | 0:11:23 | 0:11:32 | |
Use it as rudder. Then of course,
but I was full of mud. But she still | 0:11:32 | 0:11:44 | |
married you? She still married me!
Bryan's new film, Last Flag Flying, | 0:11:44 | 0:11:49 | |
is set in 2003. He plays Sal, a
Vietnam vet, who is reunited with | 0:11:49 | 0:11:55 | |
two of his friends from the war.
It's a heart-warming story, but it's | 0:11:55 | 0:11:59 | |
also really, really funny. What if I
don't like it and we get stuck with | 0:11:59 | 0:12:05 | |
a contract for a year, two years?
Two years. What if we fall down? | 0:12:05 | 0:12:12 | |
What if you fell into a ditch and
you can't get up and nobody can see | 0:12:12 | 0:12:16 | |
you? It | 0:12:16 | 0:12:21 | |
you? It is adios. But with your
mobile phone, if you get it out, you | 0:12:21 | 0:12:25 | |
can see the numbers, help me, help
me, I've fallen and I can't get up. | 0:12:25 | 0:12:34 | |
Guys, 911 calls don't count against
your minutes, either. If I say yes, | 0:12:34 | 0:12:39 | |
will you shut the hell up so we can
get our train? I'll shut up. | 0:12:39 | 0:12:44 | |
APPLAUSE
It's a really, really lovely film. I | 0:12:44 | 0:12:51 | |
watched it last night. We saw you
with Laurence Fishburne and Steve | 0:12:51 | 0:12:55 | |
Carell. The three of you looked like
you struck up a hugely happy report. | 0:12:55 | 0:13:00 | |
We did. The movie is about male
bonding and friendships and how men | 0:13:00 | 0:13:07 | |
rekindle relationships, how they
deal with grief and loss in their | 0:13:07 | 0:13:10 | |
lives, but as you say, it's truly
entertaining and funny and | 0:13:10 | 0:13:16 | |
heartfelt. It's a complete movie.
It's really, really a wonderful film | 0:13:16 | 0:13:21 | |
and I'm very proud of it. How do I
say this, Bryan? Your character is | 0:13:21 | 0:13:26 | |
kind of lovably irritable vesture
Mark irritable? How different are | 0:13:26 | 0:13:34 | |
the characters you play, are you
three? If you ask my wife, I could | 0:13:34 | 0:13:40 | |
be irritable as well. But no, Sal,
my character, Sal, his kind of guy | 0:13:40 | 0:13:48 | |
who takes the air out of room. Big
energy. He wants to consume food and | 0:13:48 | 0:13:54 | |
drugs and... Women. Women and
everything, but he's also the first | 0:13:54 | 0:14:00 | |
want to say I will help you as a
friend. There's no ability in that. | 0:14:00 | 0:14:04 | |
He's got heart. He's got hard, deep
down over his callous soul. Steve | 0:14:04 | 0:14:09 | |
Carell, it's not the kind of role
you'd expect to see him do. No, he | 0:14:09 | 0:14:15 | |
really anchors the whole film with
this man who is dealing with his own | 0:14:15 | 0:14:19 | |
loss and depression and through the
end you see a spark of hope. This | 0:14:19 | 0:14:25 | |
movie ends with such really glorious
hope. People are crying, people are | 0:14:25 | 0:14:30 | |
laughing throughout this film. It's
really terrific. Sorry, go on. It's | 0:14:30 | 0:14:35 | |
an interesting... It's an anti-war
film, but pro-military, | 0:14:35 | 0:14:40 | |
pro-soldiers, pro the guys on the
ground. Right, I don't think that's | 0:14:40 | 0:14:44 | |
mutually exclusive. I think every
movie should be an anti-war movie. | 0:14:44 | 0:14:48 | |
War should be the last resort of any
conflict. This, when you remember | 0:14:48 | 0:14:53 | |
the military, it's like being a
member of a specific family. You are | 0:14:53 | 0:14:58 | |
allowed to criticise your own
family, but outsiders can't do that. | 0:14:58 | 0:15:00 | |
So inside they are talking about the
ridiculous missions they were on and | 0:15:00 | 0:15:07 | |
was this worth it? Were we just
pawns in this bigger battle that it | 0:15:07 | 0:15:12 | |
was dealing with military personnel
and politics? And we know, from | 0:15:12 | 0:15:16 | |
history now, that Vietnam and Iraq
were wrong. They weren't wars we | 0:15:16 | 0:15:24 | |
should have been fighting. It's not
like my father's war, World War II, | 0:15:24 | 0:15:28 | |
which had a clear and present
danger, and so if it starts that | 0:15:28 | 0:15:32 | |
conversation among the military as
well, hopefully then we can trust | 0:15:32 | 0:15:36 | |
our leaders and military personnel
to justify it, whatever conflict has | 0:15:36 | 0:15:43 | |
to happen. | 0:15:43 | 0:15:48 | |
There was a scene you found very
moving to film. It made you ask | 0:15:48 | 0:15:53 | |
yourself questions about how you
felt about the war and every war | 0:15:53 | 0:15:57 | |
that's been, I guess. There's a
scene where we go to an aeroplane | 0:15:57 | 0:16:03 | |
hangar to claim the body of Steve
Carrell's son, his character son's | 0:16:03 | 0:16:09 | |
body and we shot that on Veterans'
Day. And it was solemn and | 0:16:09 | 0:16:17 | |
respectful. And we honour those who
serve in the military, both men and | 0:16:17 | 0:16:22 | |
women of any country. It's the
ultimate sacrifice that they are | 0:16:22 | 0:16:27 | |
making, that they are willing to
make. And we, who are storytellers, | 0:16:27 | 0:16:33 | |
want to be involved in that epic
story about when is it proper to | 0:16:33 | 0:16:43 | |
present that kind of conflict
resolution. And this deals with... | 0:16:43 | 0:16:49 | |
We showed this to military families
all over the place. Talking of | 0:16:49 | 0:16:53 | |
which, this has been a very worrying
week for our National Health Service | 0:16:53 | 0:16:59 | |
with the news that long waits and
cancelled operations have been | 0:16:59 | 0:17:02 | |
happening, not just that, but nurses
are leaving the NHS in record | 0:17:02 | 0:17:06 | |
numbers. It is easy to sympathise
with those who are turning their | 0:17:06 | 0:17:11 | |
back on the profession. We like to
accentuate the services. Three | 0:17:11 | 0:17:18 | |
nurses tell us why they aren't. I am
a nurse consultant and I work for | 0:17:18 | 0:17:23 | |
the royal Blackburn teaching
hospitals. I do some roles a senior | 0:17:23 | 0:17:28 | |
doctor does. I do ward rounds.
Support nurses. My mum always worked | 0:17:28 | 0:17:33 | |
in hospitals, so I used to visit her
in the school holidays and love the | 0:17:33 | 0:17:38 | |
atmosphere of the hospital. That
encouraged me to go into nursing. I | 0:17:38 | 0:17:42 | |
would not consider leaving the NHS
because of the reaction you get from | 0:17:42 | 0:17:47 | |
the relatives and the patients, it
gives you that passion every day. | 0:17:47 | 0:17:51 | |
One moment that would sum up my
career is ten years ago when there | 0:17:51 | 0:17:57 | |
was a new clot busting treatment. We
delivered it to a patient and they | 0:17:57 | 0:18:02 | |
had a resolution from being
completely disabled to being | 0:18:02 | 0:18:07 | |
completely able-bodied in an hour.
We cried, me and the consultant. It | 0:18:07 | 0:18:12 | |
made us realise this is why we are
here, why we have been trained to do | 0:18:12 | 0:18:15 | |
what we do. My name is Ken. I am a
community nurse based at Bristol | 0:18:15 | 0:18:21 | |
hospital. I have been qualified as a
nurse for almost 15 years. Prior to | 0:18:21 | 0:18:26 | |
that I had a life-changing moment,
as I used to be a dairy farmer. I | 0:18:26 | 0:18:31 | |
was in my late 20s. My wife had
recently qualified as a nurse. I | 0:18:31 | 0:18:35 | |
thought, if I don't change now I
probably never will. I have not | 0:18:35 | 0:18:38 | |
looked back. I think the biggest
thing for me, community nursing, is | 0:18:38 | 0:18:45 | |
being able to have a sense of
normality. You look after some | 0:18:45 | 0:18:51 | |
children with care needs. Sadly some
do die. It is being able to support | 0:18:51 | 0:18:57 | |
the families through those
challenging times. I have had | 0:18:57 | 0:19:00 | |
occasions where I have thought, not
leave my job, as in leave nursing, | 0:19:00 | 0:19:04 | |
but a change of focus. We've got
such a good working relationship | 0:19:04 | 0:19:08 | |
with the management team that they
will give you the time to have a | 0:19:08 | 0:19:11 | |
conversation. It gives you that
reminder that, actually I am doing | 0:19:11 | 0:19:15 | |
the right job.
My name is Collette. I am a senior | 0:19:15 | 0:19:21 | |
charge nurse at the royal Alexander
hospital in Paisley. I went into | 0:19:21 | 0:19:25 | |
nursing later in life. I wept back
to university in my 30s and decided | 0:19:25 | 0:19:29 | |
to do nursing. I have been nursing
12 years. I love my job very much. I | 0:19:29 | 0:19:36 | |
love the fact every day is
different. You never know. Every day | 0:19:36 | 0:19:39 | |
is a new challenge. When patients
come in, they are very vulnerable. | 0:19:39 | 0:19:43 | |
They can be at the lowest point and
it is a privilege to gain their | 0:19:43 | 0:19:47 | |
trust and to be involved in their
care. A few weeks ago I had | 0:19:47 | 0:19:53 | |
relatives say to me that I had made
a difference to their journey and | 0:19:53 | 0:20:00 | |
their mum's journey within the
hospital. They said to me, you have | 0:20:00 | 0:20:04 | |
actually listened to us, you have
listened to my mum. I felt really | 0:20:04 | 0:20:08 | |
good after it. I did. It was a nice
feeling. I thought, that is what I | 0:20:08 | 0:20:11 | |
set out to do in the beginning and I
am still doing it now. | 0:20:11 | 0:20:16 | |
Thanks to sharing your stories and
thanks to everyone who is working so | 0:20:19 | 0:20:22 | |
hard in the NHS, particularly at
this time of year. Well said. Right | 0:20:22 | 0:20:26 | |
then Bryan, you will be familiar
with this from the sequence - the | 0:20:26 | 0:20:31 | |
opening sequence of Breaking Bad.
The periodic table, of course. We | 0:20:31 | 0:20:34 | |
will get some elements up here. And
hopefully you will tell us a story | 0:20:34 | 0:20:41 | |
relating to that specific element.
Oh, really! I mean, of course, of | 0:20:41 | 0:20:47 | |
course I will! So our first one is Y
- Y is for Y-fronts! | 0:20:47 | 0:21:00 | |
For shaking... And when I start to
wiggle, my nipples, they will | 0:21:00 | 0:21:08 | |
wiggle. Oh, ah-oh, oh... Once again
I have to be embarrassed for both of | 0:21:08 | 0:21:16 | |
us. Yes! I mean, will you take a
role if you don't have to wear them? | 0:21:16 | 0:21:25 | |
I have the world's worst agent.
Where he interpreted nudity cause as | 0:21:25 | 0:21:32 | |
being nude, as opposed to not
being... I don't know! Listen, I | 0:21:32 | 0:21:37 | |
think if you have no shame
whatsoever this is what you end up | 0:21:37 | 0:21:40 | |
doing. Isn't it funny, tighty
whiteys - Y fronts are funny. They | 0:21:40 | 0:21:48 | |
are funny. They are a funny
undergarment. Funny or sad. We go to | 0:21:48 | 0:21:57 | |
He, normally for helium, but for
you, Bryan, we have made it | 0:21:57 | 0:22:02 | |
heartbreak hotel. That particular
Elvis song has a special meaning to | 0:22:02 | 0:22:06 | |
you, doesn't it? Oh, I know where
you're going. Thank God! Oh, no, I | 0:22:06 | 0:22:13 | |
don't know what you mean. Your
brother. Remember? I was on a | 0:22:13 | 0:22:19 | |
motorcycle travelling the country
for two years, just getting odd jobs | 0:22:19 | 0:22:22 | |
in places and we stopped in Florida
and we would volunteer to do open | 0:22:22 | 0:22:29 | |
mic night, sing songs. So I sang a
lot of Elvis songs - Heart Break | 0:22:29 | 0:22:36 | |
Hotel and... Don't Be Cruel. And
occasionally we would actually win | 0:22:36 | 0:22:43 | |
and so... You have a voice?
# Don't be cruel | 0:22:43 | 0:22:48 | |
# To a heart that's true
# I want no other lover | 0:22:48 | 0:22:54 | |
# Baby it's just you
# I'm thinking of. You've got the | 0:22:54 | 0:22:58 | |
look as well, man! To do that Vy!
You do the whole thing! | 0:22:58 | 0:23:04 | |
But not, I'm like you, I am not a
singer. I don't consider myself a | 0:23:04 | 0:23:08 | |
singer. You are a singer. HO is
for... Holium. We are making it | 0:23:08 | 0:23:19 | |
homicide. Were you wanted for
murder? Quick... Move away. For a | 0:23:19 | 0:23:25 | |
short period of time there was what
was an all points bulletin put out | 0:23:25 | 0:23:29 | |
on me and my brother looking for...
We were murder suspects. What? Yes! | 0:23:29 | 0:23:35 | |
One of the odd jobs when we were on
our motorcycles was in a Chinese | 0:23:35 | 0:23:41 | |
restaurant and the Chinese cook was
this horrible man named Peter Wong. | 0:23:41 | 0:23:47 | |
He was horrible to everybody. He
was, he was filled with greed and he | 0:23:47 | 0:23:52 | |
would go out with big wads of money,
go to the dog track and someone | 0:23:52 | 0:23:57 | |
clobbered him, stuck him in a trunk
and... But it wasn't you? Just tell | 0:23:57 | 0:24:03 | |
us that? Will it make me even more
dangerous if it was me? No! No. It | 0:24:03 | 0:24:10 | |
wasn't him! I mean I clobbered him
but I didn't... It is fair to say | 0:24:10 | 0:24:16 | |
that Bryan didn't murder that
particular man, but he's no strange | 0:24:16 | 0:24:20 | |
tore a bee, as this picture shows.
It is extraordinary! George is | 0:24:20 | 0:24:25 | |
taking a leaf out of his book and
he's seeking out the beewolf, which | 0:24:25 | 0:24:30 | |
is a waps, which we the would be
Walter White's favourite. | 0:24:30 | 0:24:36 | |
The sandy soils of central and
southern England are swarming with | 0:24:36 | 0:24:39 | |
life, but today I am looking for a
tiny killer. It is one of the | 0:24:39 | 0:24:45 | |
largest solitary wasps in Britain -
the beewolf. It has earnt its name | 0:24:45 | 0:24:51 | |
in the way it dispatches its prey,
the honey bee. They will carry honey | 0:24:51 | 0:24:56 | |
bees back to their bureaus and bury
them alive in the sand to feed their | 0:24:56 | 0:25:01 | |
young. It is that grizzly act I want
to see today. Once considered | 0:25:01 | 0:25:06 | |
extremely rare and found only in the
south of England, climate change has | 0:25:06 | 0:25:11 | |
allowed beewolf populations to
spread as far north as Blackpool. I | 0:25:11 | 0:25:18 | |
have come to RSPB in Suffolk to meet
Matt #16 peace process parrot. -- to | 0:25:18 | 0:25:27 | |
meet Matt Parrott. They are good
mothers. They go out catch honey | 0:25:27 | 0:25:35 | |
bees, paralyse them, bury them up to
a metre in the ground. I have never | 0:25:35 | 0:25:42 | |
seen a beewolf actually carrying a
honey bee. What are the chances we | 0:25:42 | 0:25:44 | |
will see it today? It is good
weather. It is highly likely you | 0:25:44 | 0:25:50 | |
will see them. | 0:25:50 | 0:25:55 | |
will see them. I will hold you to
that. Our cameraman is here to help | 0:25:57 | 0:26:01 | |
to reveal all the action.
These | 0:26:01 | 0:26:13 | |
These are the beewolf Burrows here.
There you are. It is popping out of | 0:26:13 | 0:26:18 | |
its burrow there. They dig one of
the most impressive nests of any UK | 0:26:18 | 0:26:23 | |
species and all the work is done by
the female. She's taken out quite a | 0:26:23 | 0:26:28 | |
pile of sand there. All of these
wasps have specialised front feet | 0:26:28 | 0:26:34 | |
with sort of combs on them, with
which they can dig really, really | 0:26:34 | 0:26:37 | |
well.
Over the course of several days, | 0:26:37 | 0:26:41 | |
she'll dig a nest as deep as a metre
and create up to 30 chambers along | 0:26:41 | 0:26:47 | |
it, ready to lay her eggs in. But
some beewolfs prefer to let others | 0:26:47 | 0:26:53 | |
do the digging and will preifer to
steal a fully excavated burrow from | 0:26:53 | 0:27:01 | |
another. And beewolfs will stop at
nothing to defend their nests. | 0:27:01 | 0:27:10 | |
Now she's defended her burrow, it is
time to stock it with paralysed but | 0:27:17 | 0:27:22 | |
still living bees. And that's what I
want to see. | 0:27:22 | 0:27:32 | |
Look at this. | 0:27:32 | 0:27:40 | |
A bee right here: Right in front of
me. Over the next few days a single | 0:27:50 | 0:27:56 | |
beewolf will hunt, paralyse and
carry home up to 200 honey bees, | 0:27:56 | 0:28:00 | |
which she will bury in the chamber
she's dug, ready for her young to | 0:28:00 | 0:28:04 | |
feed on. It is quite an
extraordinary feat of strength, with | 0:28:04 | 0:28:08 | |
each bee weighing as much as the
beewolf itself. By keeping the bees | 0:28:08 | 0:28:14 | |
alive they will stay fresher,
providing a better food source for | 0:28:14 | 0:28:17 | |
their young. It is amazingvy lived
up to 62 and I have never -- amazing | 0:28:17 | 0:28:25 | |
I have lived up to 62 and I have
never seen this. This, for me, is an | 0:28:25 | 0:28:30 | |
amazing day. Bee wolfs pack an
extraordinary amount into their 40 | 0:28:30 | 0:28:34 | |
days adult life. She's found a mate.
She's dug one of the most impressive | 0:28:34 | 0:28:39 | |
nests of any UK insect. She's
hunted, carries and buried up to 200 | 0:28:39 | 0:28:47 | |
honey bees and given her young the
very best possible chance in life. | 0:28:47 | 0:28:50 | |
They say as busy as a bee, but
perhaps as busy as a beewolf would | 0:28:50 | 0:28:56 | |
be more appropriate. | 0:28:56 | 0:28:58 | |
Well, there you go. Thank you to
Bryan. | 0:28:59 | 0:29:04 | |
Last flag flying is in cinemas on
Sunday. Have a lovely weekend. | 0:29:04 | 0:29:09 |