Browse content similar to 22/01/2018. Check below for episodes and series from the same categories and more!
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Welcome to the first One Show of
week with Matt Baker. And Angela | 0:00:20 | 0:00:25 | |
Scanlon. With Princess Eugenie and
boyfriend Jack Brooksbank and | 0:00:25 | 0:00:30 | |
announcing their engagement earlier
today I went to meet them this | 0:00:30 | 0:00:32 | |
afternoon which is why I am looking
a bit smarter. There she is surely | 0:00:32 | 0:00:37 | |
the incredible engagement ring, a
beautiful sapphire. Find out more | 0:00:37 | 0:00:40 | |
about that later on. This | 0:00:40 | 0:00:49 | |
about that later on. This weekends,
freezing temperatures brought snow | 0:00:52 | 0:00:53 | |
and ice too much of the country and
gave us the coldest night for almost | 0:00:53 | 0:01:00 | |
two years, minus 13.5 Celsius in
Dalwhinnie in the Scottish | 0:01:00 | 0:01:04 | |
Highlands. | 0:01:04 | 0:01:13 | |
Highlands. Our guests tonight have
promised to help us put the wind of | 0:01:13 | 0:01:15 | |
a misery to one side, to forget all
about the cold, those chilly | 0:01:15 | 0:01:21 | |
temperatures, they are in a play
together and what is it called... It | 0:01:21 | 0:01:25 | |
is called Frozen. Please welcome
Saran Jones and Jason Watkins! How | 0:01:25 | 0:01:35 | |
are we both, welcome to the
programme. Jason you are used to | 0:01:35 | 0:01:43 | |
knocking around these parts. On your
bike. Huh yes, I did not come in my | 0:01:43 | 0:01:51 | |
bike. I run the building. You came
to rehearsals on the bike. I have | 0:01:51 | 0:01:59 | |
got a road bike. But I do cycle into
work. Let's talk about The National | 0:01:59 | 0:02:08 | |
Television Awards, you are up for
them tomorrow. She is up for an | 0:02:08 | 0:02:14 | |
individual award. But I'm not. I
don't know why that happened. | 0:02:14 | 0:02:19 | |
Neither are we. Do you enjoy an
evening like that? Because we are at | 0:02:19 | 0:02:26 | |
rehearsals, then we shot off to come
here, tomorrow, working in the | 0:02:26 | 0:02:30 | |
morning, then running off, I don't
even have my outfit yet. That is a | 0:02:30 | 0:02:34 | |
big thing I need to do. I will do it
when I arrive at the hotel to get | 0:02:34 | 0:02:38 | |
ready and hopefully have something
to wear! Hopefully. If not I will | 0:02:38 | 0:02:44 | |
just go in this, it looks all right.
What, just keep winning it? | 0:02:44 | 0:02:53 | |
What, just keep winning it? If
you're watching football this | 0:02:53 | 0:02:55 | |
weekend you will no tributes were
paid at Premier League matches this | 0:02:55 | 0:02:59 | |
weekend to commemorate Cyrille Regis
who died last week, a real | 0:02:59 | 0:03:04 | |
trailblazer for Black football
players. Several did so much to | 0:03:04 | 0:03:08 | |
confront racism in his footballing
career but there is still another | 0:03:08 | 0:03:15 | |
prejudice in the game which another
player is determined to tackle, | 0:03:15 | 0:03:18 | |
Richie Anderson, with his own
announcement. Right back my name is | 0:03:18 | 0:03:22 | |
Richie Anderson and I love football.
I love playing for my Sunday league | 0:03:22 | 0:03:27 | |
team. I love competing and I love
the banter with my team-mates. But I | 0:03:27 | 0:03:31 | |
have got a secret iconography from
them. It is time to tell my | 0:03:31 | 0:03:36 | |
team-mates I am gay. To the best of
my knowledge my team-mates are | 0:03:36 | 0:03:39 | |
straight and have no idea I am gay.
It's funny because in every other | 0:03:39 | 0:03:43 | |
aspect of society I am out and
proud. My friends and family know | 0:03:43 | 0:03:47 | |
but as soon as I get on a football
pitch it feels like to do. So why am | 0:03:47 | 0:03:53 | |
I and other David Bolt keeping
quiet? Last year kicked out received | 0:03:53 | 0:03:57 | |
its highest number of reports of
abuse across all levels of football. | 0:03:57 | 0:04:04 | |
I often hear homophobic comments
whilst I am playing and watching. | 0:04:04 | 0:04:11 | |
Birmingham are an LGBT that play any
gay league. So it is a safe | 0:04:11 | 0:04:17 | |
environment for a gay footballers to
enjoy the game. The last team I was | 0:04:17 | 0:04:21 | |
in there were problems, one of my
friends announced I was gay and then | 0:04:21 | 0:04:27 | |
turned sour. A couple of weeks later
I was at the team and I wondered why | 0:04:27 | 0:04:32 | |
it changed because I was gay? You
can be the first person dropped. | 0:04:32 | 0:04:40 | |
There is something about football
which has prevented progress in the | 0:04:40 | 0:04:43 | |
same way we have seen elsewhere. How
we get to that is a difficult | 0:04:43 | 0:04:47 | |
question but what we have tried so
far has not worked. That could also | 0:04:47 | 0:04:52 | |
explain why there's not a single out
gay footballer in the professional | 0:04:52 | 0:04:55 | |
game. I have come to beat Paul
Elliott who looks after the football | 0:04:55 | 0:05:03 | |
Association's includes an advisory
board. I hear homophobic bets on the | 0:05:03 | 0:05:06 | |
pitch and I see referees not batting
an eyelid. There are ongoing | 0:05:06 | 0:05:12 | |
challenges and certainly around
homophobia that is one we want to do | 0:05:12 | 0:05:14 | |
more. The reporting is the key. How
do I report? Reported to the referee | 0:05:14 | 0:05:21 | |
and he has to put it in his
statement. This is me just being | 0:05:21 | 0:05:25 | |
honest with you, I just feel there
is not enough they at the minute | 0:05:25 | 0:05:28 | |
which says to me if I hear in
homophobic comment, you speak to | 0:05:28 | 0:05:32 | |
that person. Homophobia is to have
the same level of importance as | 0:05:32 | 0:05:39 | |
discrimination by virtue of your
ethnicity. I think it is important | 0:05:39 | 0:05:42 | |
and you have to report it. Before I
commit to my team-mates I want to | 0:05:42 | 0:05:46 | |
know what to expect. My friend Neil
is also gay and he is owed to the | 0:05:46 | 0:05:52 | |
Sunday league team he manages. It
will be difficult, it will not feel | 0:05:52 | 0:05:56 | |
good leading up to it but be
confident, be yourself, do not | 0:05:56 | 0:05:59 | |
expect the massive reaction. Will it
help on Sunday if I score a | 0:05:59 | 0:06:05 | |
hat-trick? It will not do you a lot
of favours if you miss a lot of | 0:06:05 | 0:06:09 | |
chances. | 0:06:09 | 0:06:10 | |
Its match day. At full-time I am
coming out to the lads. My nerves | 0:06:14 | 0:06:20 | |
calmed by getting on the scoresheet.
The game ends in a morale boosting | 0:06:20 | 0:06:25 | |
7-2 victory for the team. Now I just
have too find the right moment. | 0:06:25 | 0:06:34 | |
So now... I'm just ready to do it
now. Shall we just get it out the | 0:06:34 | 0:06:43 | |
way? My team-mates know I am making
a film about grassroots football but | 0:06:43 | 0:06:47 | |
have no idea what I'm about to say. | 0:06:47 | 0:06:54 | |
Boys, before you go I just want of a
quick chat with you all, one of the | 0:06:54 | 0:06:59 | |
big issues we have looked at this
week, sorry, it's really close to my | 0:06:59 | 0:07:04 | |
heart. It's homophobia in football.
The reason why that means a lot to | 0:07:04 | 0:07:12 | |
me is I am a gay footballer. So... I
just wanted to be open and honest | 0:07:12 | 0:07:18 | |
because with you lads, it's just
been class. This is hard for me to | 0:07:18 | 0:07:24 | |
do but I kind of felt like...
APPLAUSE | 0:07:24 | 0:07:32 | |
Seriously, thank you. That means a
lot. There's going to be absolutely | 0:07:40 | 0:07:47 | |
no difference whatsoever. Doesn't
matter who you are, what colour, | 0:07:47 | 0:07:51 | |
what race, what sexuality, you are a
player for this team. That's it. It | 0:07:51 | 0:07:56 | |
takes a lot of courage. You could
see he was emotional. Fair play to | 0:07:56 | 0:08:00 | |
him. Probably doesn't mean as much
to us as it does to him so I am | 0:08:00 | 0:08:05 | |
proud of him to be able to come out
and say what he said and for the | 0:08:05 | 0:08:08 | |
lads to be as supportive as they
wear. So relieved. So relieved. | 0:08:08 | 0:08:15 | |
Cannot even tell you. I expected it
because they are a good bunch of | 0:08:15 | 0:08:19 | |
lads and it probably helped that I
scored but I am so relieved. I just | 0:08:19 | 0:08:23 | |
hope people are watching this and
they are in the same boat and are | 0:08:23 | 0:08:26 | |
thinking you know what, I can do
that as well. Brilliant. I think | 0:08:26 | 0:08:32 | |
that deserves an applause. Thank you
for letting us in on that moment. A | 0:08:32 | 0:08:41 | |
week ago now, it must have been...?
It was frightening and I am so | 0:08:41 | 0:08:48 | |
humbled by their reaction. I was
just saying, watching that back it's | 0:08:48 | 0:08:52 | |
like watching somebody else because
I was so nervous and so spaced out I | 0:08:52 | 0:08:56 | |
felt like I was watching someone
else do it and when I did it, I was | 0:08:56 | 0:09:00 | |
like, go on, whoever you are and it
was me! It's been brilliant sense, | 0:09:00 | 0:09:05 | |
we have a group chat which is mainly
used spitting excuses for not | 0:09:05 | 0:09:09 | |
turning up to training but they have
flooded with support. I am so | 0:09:09 | 0:09:12 | |
humbled with how they have reacted.
It must have felt very different to | 0:09:12 | 0:09:18 | |
how you thought it might so did you
go through what you wanted to say to | 0:09:18 | 0:09:22 | |
your team-mates, did you practice?
This is embarrassing, the night | 0:09:22 | 0:09:27 | |
before at home with my other half I
rearranged the living room, dragging | 0:09:27 | 0:09:31 | |
these coaches across and we did it
so it replicated the changing rooms | 0:09:31 | 0:09:35 | |
and I make a big speech and he was
thrilled as you can imagine. When I | 0:09:35 | 0:09:42 | |
got into the shared the day after I
went to jelly. I kept talking and | 0:09:42 | 0:09:48 | |
waffling, and then he started
clapping and it was like, oh my God. | 0:09:48 | 0:09:51 | |
It just felt like such an amazing
moment. I expected it because they | 0:09:51 | 0:09:55 | |
are such a lovely bunch. You are out
and proud in all other areas of your | 0:09:55 | 0:10:00 | |
life but this was the one place you
did not feel until now comfortable | 0:10:00 | 0:10:03 | |
doing it. I don't get why there is a
feeling with football not being in | 0:10:03 | 0:10:08 | |
line with the rest of society. I
feel like if you do that with your | 0:10:08 | 0:10:12 | |
friends or at the workplace nobody
would bat an eyelid. So I don't know | 0:10:12 | 0:10:17 | |
why I feel uneasy on the football
pitch. There was a survey done by | 0:10:17 | 0:10:22 | |
BBC Radio 5Live in 2016 and it said
8% of football fans would stop | 0:10:22 | 0:10:26 | |
watching their team if a player came
out as gay. That was 2016. You can | 0:10:26 | 0:10:32 | |
understand why more people are not
doing it when people have those | 0:10:32 | 0:10:35 | |
attitude. How is that a thing? So
what is the answer in your eyes? | 0:10:35 | 0:10:42 | |
What level does it have to start
changing? Are we talking the | 0:10:42 | 0:10:46 | |
premiership, globally, grassroots?
It starts at the top with the FA. | 0:10:46 | 0:10:52 | |
They have done some incredible
things like the rainbow laces | 0:10:52 | 0:10:55 | |
campaign but I have played Sunday
morning football for 20 years and | 0:10:55 | 0:10:57 | |
before every match the referee comes
in and says no racism, now running | 0:10:57 | 0:11:01 | |
up to the referee, now squaring up,
you will be sent off and find. But | 0:11:01 | 0:11:09 | |
in homophobia, I have never heard a
referee make any reference and I | 0:11:09 | 0:11:12 | |
think that needs to come from the
top. People need to know that if you | 0:11:12 | 0:11:15 | |
say something even as a banter,
which I hate, it is not banter, but | 0:11:15 | 0:11:20 | |
if you say anything you should not
be playing. That happens in | 0:11:20 | 0:11:25 | |
professional grounds as well, racism
is not tolerated, fans can be | 0:11:25 | 0:11:31 | |
ejected for the growing for racism
and I think, phobia should be | 0:11:31 | 0:11:34 | |
treated equally. It is unpleasant
for families to hear that language. | 0:11:34 | 0:11:39 | |
Do you think it is looked at on that
level? Do you think in football they | 0:11:39 | 0:11:45 | |
are on the same level? I think any
kind of abuse should not be | 0:11:45 | 0:11:50 | |
tolerated football is such an
amazing game. You are | 0:11:50 | 0:11:56 | |
semiprofessional. I tried. I had a
go. I was at Wrexham very briefly | 0:11:56 | 0:12:03 | |
with Mark Hughes and I, we are the
same age and I played against him at | 0:12:03 | 0:12:08 | |
under 17, I don't know what happened
to him... Are you surprised it is | 0:12:08 | 0:12:13 | |
still an issue? Yeah, I think, it's
a great opportunity in the | 0:12:13 | 0:12:20 | |
professional game to take the lead.
You can imagine people younger and | 0:12:20 | 0:12:25 | |
you are so sort of, such, great
personality and sometimes people who | 0:12:25 | 0:12:32 | |
feel they cannot come out are
suffering in silence however much | 0:12:32 | 0:12:36 | |
they are loving the games. It's an
expression may have and yet somehow | 0:12:36 | 0:12:39 | |
they cannot fully express
themselves. Richie thank you for | 0:12:39 | 0:12:46 | |
allowing the cameras to come and
share that important moment in your | 0:12:46 | 0:12:48 | |
life. I am just glad they included
the goal! LAUGHTER | 0:12:48 | 0:12:56 | |
Another football great has passed
away today, World Cup winner who was | 0:12:56 | 0:13:01 | |
part of Sir Alf Ramsey's victorious
England squad in 1966, former | 0:13:01 | 0:13:06 | |
England captain and Blackpool great
Jimmy Armfield has died at the age | 0:13:06 | 0:13:10 | |
of 82. We'll be holding the FA Cup
draw live on the next Monday. Soon | 0:13:10 | 0:13:16 | |
we'll be talking to Suranne and
Jason about their new play Frozen | 0:13:16 | 0:13:22 | |
which features the disappearance of
a young girl. To help prepare the | 0:13:22 | 0:13:27 | |
cast worked closely with the
organisation Missing People. They | 0:13:27 | 0:13:30 | |
are the only charity in the UK
dedicated to bringing missing | 0:13:30 | 0:13:34 | |
children and adults back together
with families. We spent the day with | 0:13:34 | 0:13:37 | |
them. | 0:13:37 | 0:13:42 | |
We are launching the publicity
campaign which is vitally important | 0:13:42 | 0:13:47 | |
for the family, if you have a lot
one missing you want the world. And | 0:13:47 | 0:13:51 | |
the world to show they care. There
is not a typical day here at Missing | 0:13:51 | 0:13:59 | |
People, we support families at any
stage of someone being missing. It's | 0:13:59 | 0:14:03 | |
a very particular type of loss we
understand the experience, the | 0:14:03 | 0:14:07 | |
uncertainty of having someone away,
thinking about where they are and | 0:14:07 | 0:14:10 | |
what has happened, when they make
comeback and how long that might | 0:14:10 | 0:14:13 | |
take. When we get the referral we
look at what we can do for the | 0:14:13 | 0:14:19 | |
person and we have different steps.
That will be things like posters. We | 0:14:19 | 0:14:23 | |
can then see what local media
organisations we have connections | 0:14:23 | 0:14:26 | |
with. We will then look at other
printed media partners like the | 0:14:26 | 0:14:30 | |
Daily Mirror and the big issue and
we can go all the way up to the big | 0:14:30 | 0:14:35 | |
digital billboards you see in
railway stations along the side of | 0:14:35 | 0:14:38 | |
the road. Anyone can help us and
join the search. You can get your | 0:14:38 | 0:14:43 | |
community engaged and a lot of
families we work with tell us how | 0:14:43 | 0:14:47 | |
important it is that we are here not
just for the emotional support but | 0:14:47 | 0:14:50 | |
the proactive doing something. | 0:14:50 | 0:14:56 | |
The main three groups helplines are
targeted for our adults away from | 0:14:57 | 0:15:02 | |
home or thinking of leaving,
children running away or thinking of | 0:15:02 | 0:15:05 | |
love running away and families who
have been left behind. For some | 0:15:05 | 0:15:10 | |
people if they are thinking of
leaving home or have had to leave | 0:15:10 | 0:15:13 | |
home run away it might be a big
thing and they may not have had a | 0:15:13 | 0:15:17 | |
chance to even say out loud what has
been happening and have a chance to | 0:15:17 | 0:15:21 | |
talk to someone where they can be
listened to, it can hopefully help | 0:15:21 | 0:15:25 | |
them think through what they might
want to do next. | 0:15:25 | 0:15:28 | |
This is a special system that only
the police can use so it has to be | 0:15:32 | 0:15:36 | |
someone registered as a missing
person. The text messages sent to | 0:15:36 | 0:15:40 | |
their phone letting them know that
our team is here so if someone | 0:15:40 | 0:15:44 | |
chooses to respond they will get
through to our 24-hour team. | 0:15:44 | 0:15:47 | |
Everyone wants to know they are OK
and they are safe. We can also help | 0:15:47 | 0:15:53 | |
people by reconnecting them with
family members, pass messages to | 0:15:53 | 0:15:57 | |
family members and connect people on
3-way calls and it's just that sense | 0:15:57 | 0:16:00 | |
of having someone else on the line
who can support the process and help | 0:16:00 | 0:16:05 | |
the person explain what is going on
and on make sure both parties are | 0:16:05 | 0:16:07 | |
OK. It can lead to some really
positive re-connections. When I | 0:16:07 | 0:16:14 | |
speak to people who have a child
missing or have a family member | 0:16:14 | 0:16:18 | |
missing, there are people I have in
my life, it makes you understand how | 0:16:18 | 0:16:23 | |
painful it is, that experience. That
is why I work here because I | 0:16:23 | 0:16:27 | |
recognise it's a very human issue
having someone missing that you love | 0:16:27 | 0:16:30 | |
when we all have families and we all
love people. In means this | 0:16:30 | 0:16:35 | |
experience could happen to anybody. | 0:16:35 | 0:16:40 | |
That brings us onto the topic of
your play Frozen and you have been | 0:16:40 | 0:16:45 | |
working with the charity to prepare
for this? Yes, my character has a | 0:16:45 | 0:16:51 | |
missing daughter and within the
first weeks of rehearsal we thought | 0:16:51 | 0:16:58 | |
it was really important to involve
charities like Missing People and | 0:16:58 | 0:17:01 | |
what they did was introduced me to
three parents and two of the mothers | 0:17:01 | 0:17:06 | |
came to talk to us about their
children who were still missing. | 0:17:06 | 0:17:09 | |
It's entertainment and it's a play
but actually when you are dealing | 0:17:09 | 0:17:13 | |
with things like this I think it's
really important to do your research | 0:17:13 | 0:17:17 | |
in the correct way and it was brave
of those women to come and talk to | 0:17:17 | 0:17:23 | |
us about their experiences and how
they feel and we also had a | 0:17:23 | 0:17:26 | |
criminologist which takes us onto
Jason's character. We find out what | 0:17:26 | 0:17:32 | |
happened to my daughter throughout
the play, which runs over 20 years. | 0:17:32 | 0:17:37 | |
I get the opportunity to meet the
person is perhaps responsible for my | 0:17:37 | 0:17:43 | |
daughter going missing. | 0:17:43 | 0:17:49 | |
There is a lot of mystery
surrounding this and we don't want | 0:17:49 | 0:17:53 | |
to go into the details, but Jason,
what do you want to say about the | 0:17:53 | 0:17:59 | |
perspective of your character? There
is huge empathy for people with | 0:17:59 | 0:18:04 | |
missing children. This has a strong
theme of empathy and understanding. | 0:18:04 | 0:18:11 | |
Suranne is right, you want to get
into the reality and we have had | 0:18:11 | 0:18:16 | |
success in television playing in
trek Sting and complex characters. | 0:18:16 | 0:18:22 | |
The more you reflect society and
individuals in society accurately | 0:18:22 | 0:18:27 | |
and with empathy, it makes things
very special. Something about the | 0:18:27 | 0:18:32 | |
live elements of watching incredibly
complex, difficult, challenging | 0:18:32 | 0:18:38 | |
characters in difficult situations,
makes theatre a special thing. One | 0:18:38 | 0:18:44 | |
always looks for those characters in
whatever medium and this play has a | 0:18:44 | 0:18:51 | |
psychologist, a criminologist who
comes to study my character. So, | 0:18:51 | 0:18:56 | |
there is that element as well. We
have been working with an expert | 0:18:56 | 0:19:01 | |
criminologists. Let's have a little
look at the most glossy trailer we | 0:19:01 | 0:19:07 | |
have ever seen from a stage play.
They say missing children often | 0:19:07 | 0:19:15 | |
phone on their birthday. When she
comes back, everything will be nice. | 0:19:15 | 0:19:18 | |
The same. Familiar. | 0:19:18 | 0:19:24 | |
The same. Familiar. Rhona, where are
you? I know you are somewhere. | 0:19:27 | 0:19:38 | |
you? I know you are somewhere. I
tell you what. Gives me shivers. I | 0:19:38 | 0:19:43 | |
was just saying, it is mainly
monologue, and there is a lot of | 0:19:43 | 0:19:50 | |
monologues as the trailer suggests.
They are quite singular stories. I | 0:19:50 | 0:19:58 | |
haven't been rehearsing with Jason
and I don't know if he is any good. | 0:19:58 | 0:20:03 | |
I will hopefully find out. | 0:20:03 | 0:20:11 | |
I will hopefully find out. You
looked really good on the trailer. I | 0:20:11 | 0:20:14 | |
am better on the screen. You are
friends? Yes, Vicky is responsible | 0:20:14 | 0:20:24 | |
for giving away a big secret. I was
very good at handstands. | 0:20:24 | 0:20:34 | |
Extraordinary at handstands. He has
been trying to teach me how to do | 0:20:34 | 0:20:41 | |
cartwheels. What is your record with
handstands? You mean in in terms of | 0:20:41 | 0:20:49 | |
distance? I used to run the length
of a basketball court when I was | 0:20:49 | 0:20:55 | |
about 14 and I got close to the
world record for running on my | 0:20:55 | 0:20:59 | |
hands. Clearly, cannot do that now.
I have slipped a disc, otherwise | 0:20:59 | 0:21:06 | |
would have helped too. Feel free to
do one, if you fancy it, it is | 0:21:06 | 0:21:13 | |
entirely up to yourself. I will do
one, if you want me to. But I would | 0:21:13 | 0:21:17 | |
love it if you did. | 0:21:17 | 0:21:25 | |
love it if you did. I can warm up
slightly. I do this at every single | 0:21:25 | 0:21:31 | |
party, every chat show. I will go
this site, you go that side. I am | 0:21:31 | 0:21:39 | |
going to do it with my jacket on. Be
careful. | 0:21:39 | 0:21:49 | |
APPLAUSE | 0:21:52 | 0:21:57 | |
Slightly awkward how we went from
the topic we were talking about two | 0:21:57 | 0:22:01 | |
handstand competition.
That wasn't planned. Frozen, get | 0:22:01 | 0:22:08 | |
back to the play, it is on the 12
weeks at the Theatre Royal in | 0:22:08 | 0:22:14 | |
Haymarket. It starts on the 9th of
February. Handstands aren't in it. | 0:22:14 | 0:22:22 | |
If Her Majesty the Queen didn't have
enough reasons to celebrate this | 0:22:22 | 0:22:25 | |
year with Prince Harry and Meghan's
wedding and a great grandchild on | 0:22:25 | 0:22:33 | |
the way, there was another
announcement that her granddaughter, | 0:22:33 | 0:22:37 | |
Princess Eugenie is to marry in the
autumn. I met up with Eugenie and | 0:22:37 | 0:22:42 | |
her fiance, a few hours ago. How
does it feel the news is finally out | 0:22:42 | 0:22:49 | |
there? So exciting. How many people
knew up until today? We tell the | 0:22:49 | 0:22:58 | |
parents, brother and sister and my
grandparents. Very few people. We | 0:22:58 | 0:23:04 | |
kept it a secret. Everybody will
want to see the ring, Eugenie. What | 0:23:04 | 0:23:08 | |
is the story behind it, Jack? I
found an amazing sapphire but then | 0:23:08 | 0:23:16 | |
didn't want to do anything until
Eugenie had signed off on it. How | 0:23:16 | 0:23:21 | |
long have you been wearing it?
Literally less than 24 hours. It | 0:23:21 | 0:23:27 | |
feels very strange. You look down at
your hands and his sake, I am | 0:23:27 | 0:23:32 | |
engaged. Jack, did you go down on
one knee? I did. This is your first | 0:23:32 | 0:23:39 | |
ever TV interview and for those
people that don't read gossip | 0:23:39 | 0:23:43 | |
columns, introduce us to your
husband to be. That is the first | 0:23:43 | 0:23:48 | |
time anyone has said that. This is
Jack, we met when I was 20 and Jack | 0:23:48 | 0:23:54 | |
was 24. We fell in love and we have
the same passions and drive for | 0:23:54 | 0:23:59 | |
life. It is so nice we get to share
this moment with everyone and you | 0:23:59 | 0:24:04 | |
get to meet Jack. With a background
in hospitality, are you planning to | 0:24:04 | 0:24:08 | |
do most of the planning for the
wedding? I am not sure I will get a | 0:24:08 | 0:24:13 | |
word in edgeways. We will do it
together. Do you have a dress in | 0:24:13 | 0:24:19 | |
mind? I have three sisters and the
conversation is always either | 0:24:19 | 0:24:25 | |
straight or like orang. Gnome orang
shoulders. Planning will start as of | 0:24:25 | 0:24:32 | |
tomorrow. Where were you when you
met? We were skiing. Love at first | 0:24:32 | 0:24:43 | |
sight. Was it? Have you had a word
with Her Majesty the Queen, was she | 0:24:43 | 0:24:51 | |
on the list of the phone calls he
made this morning? Granny you at the | 0:24:51 | 0:24:57 | |
beginning, she was one of the very
few people that knew from the | 0:24:57 | 0:25:01 | |
beginning. She was very happy, as
was my grandfather. What did she say | 0:25:01 | 0:25:07 | |
to you, Jack? That she was
incredibly happy and she wished as | 0:25:07 | 0:25:11 | |
well. Do you feel quite royal or do
you feel you will have to learn to | 0:25:11 | 0:25:17 | |
be Royal? It is very special to be
part of your family now, but it is | 0:25:17 | 0:25:27 | |
very, very nice to be part of it.
Jack, what do they make of it, your | 0:25:27 | 0:25:33 | |
parents? My parents are over the
moon for us. Jack supports me and | 0:25:33 | 0:25:40 | |
supports my family, I am just as
happy to support his family. They | 0:25:40 | 0:25:44 | |
are wonderful people and they have
been so lovely. Over seven years you | 0:25:44 | 0:25:49 | |
get to know people very well. They
are already parents and little | 0:25:49 | 0:25:53 | |
brother. You have been together
seven years, does your relationship | 0:25:53 | 0:25:58 | |
feel different this morning? Yes,
but for the better. It is amazing. I | 0:25:58 | 0:26:04 | |
love Eugenie so much and we are very
happy and over the moon for what is | 0:26:04 | 0:26:08 | |
to come. I am so excited now to be
telling friends and family. Just | 0:26:08 | 0:26:15 | |
very, very excited to spend our
lifetime together, which is amazing. | 0:26:15 | 0:26:23 | |
After seven years, where you
wondering what was keeping him so | 0:26:23 | 0:26:26 | |
long? Maybe. I knew. We wish you all
the very best. You look great | 0:26:26 | 0:26:34 | |
together. Thank you so much. Thank
you so much. You got through your | 0:26:34 | 0:26:42 | |
first TV interview, well done.
It was very much like that. It was | 0:26:42 | 0:26:51 | |
lovely to be sharing in their
special day and spreading the word. | 0:26:51 | 0:26:56 | |
They are a great couple and I liked
Jack. From royalty to comedy | 0:26:56 | 0:27:02 | |
royalty, you will be working with
John Cleese interested? Yes, it is | 0:27:02 | 0:27:09 | |
called Hold The Sunset. It is John
Cleese, Alison Steadman and myself. | 0:27:09 | 0:27:16 | |
It is very funny. I am looking
forward to being transmitted. You | 0:27:16 | 0:27:21 | |
had such a busy year last year, so
you are not slowing down? No, I keep | 0:27:21 | 0:27:27 | |
covering the Monty Python 's, I did
one, Terry Gillingham film that he | 0:27:27 | 0:27:34 | |
made 20 years ago with Johnny Depp.
I had a part in that, so I spent the | 0:27:34 | 0:27:42 | |
spring in Spain, Portugal. Suranne,
you were working with Michael Pailin | 0:27:42 | 0:27:49 | |
en Vanity Fair? Yes, the brilliant
Olivia Cook is playing the lead. | 0:27:49 | 0:27:56 | |
Back with your old pal, Sally
Wainright? Yes, we are filming | 0:27:56 | 0:28:06 | |
Gentleman Jack and I am playing Anne
Lister of Shibden Hall. She left a | 0:28:06 | 0:28:13 | |
lot of diaries in code, because they
talked about her lovers. She is a | 0:28:13 | 0:28:22 | |
lesbian landowner, entrepreneur
diarist of the 19th century who was | 0:28:22 | 0:28:24 | |
hidden away. Now we get to celebrate
her because the diaries hidden away. | 0:28:24 | 0:28:32 | |
And Sally Wainright has written
eight beautiful scripts and I cannot | 0:28:32 | 0:28:36 | |
wait to celebrate this woman who
should have been celebrated years | 0:28:36 | 0:28:39 | |
ago, but we are going to do it now.
Finished the play, all the best with | 0:28:39 | 0:28:47 | |
that. Haven't they been marvellous.
You can see Frozen at Haymarket from | 0:28:47 | 0:28:58 | |
the 9th of February. We're back
tomorrow with Elaine | 0:28:58 | 0:29:01 |