Browse content similar to 23/01/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
the One Show with Matt Baker. | 0:00:17 | 0:00:20 | |
And Michelle Ackerley. | 0:00:20 | 0:00:21 | |
MUFFLED MUSIC | 0:00:21 | 0:00:22 | |
Matt, what is that racket? | 0:00:22 | 0:00:23 | |
It's those noisy neighbours
two doors down. | 0:00:23 | 0:00:29 | |
They never shut up! | 0:00:29 | 0:00:35 | |
MUSIC PLAYS | 0:00:35 | 0:00:44 | |
Shut up! | 0:00:44 | 0:00:45 | |
If you can't beat 'em, join 'em. | 0:00:45 | 0:00:48 | |
Let's invite them in. | 0:00:48 | 0:00:48 | |
From BBC sitcom Two Doors Down, | 0:00:48 | 0:00:50 | |
it's Elaine C Smith
and Arabella Weir! | 0:00:50 | 0:00:55 | |
APPLAUSE
How are we doing?! | 0:00:55 | 0:00:59 | |
Come on in! We have made you a cup
of tea. I hope it is to your liking. | 0:00:59 | 0:01:09 | |
No alcohol, that is a shame! | 0:01:09 | 0:01:17 | |
No alcohol, that is a shame! Lovely
to see you both. You have got the | 0:01:17 | 0:01:20 | |
third series, The Young Victoria, | 0:01:20 | 0:01:30 | |
third series, The Young Victoria, --
Two Doors Down, your character is a | 0:01:30 | 0:01:32 | |
nightmare neighbour. What are you
like in real life? Any celebrities? | 0:01:32 | 0:01:37 | |
Mind your neighbours are watching! I
have be careful, I try my best to be | 0:01:37 | 0:01:42 | |
a good neighbour, I think we all do,
but probably I err more on keeping | 0:01:42 | 0:01:50 | |
your distance, letting elderly
neighbours know you are there and | 0:01:50 | 0:01:54 | |
all that but... Are you quite
involved in the community? I try to | 0:01:54 | 0:02:00 | |
be, why not? Arabella has brought
her fridge magnet from Two Doors | 0:02:00 | 0:02:08 | |
Down. I was made to bring it! I
believe in community, and I really | 0:02:08 | 0:02:14 | |
believe that is how your children
are safe and everybody is better | 0:02:14 | 0:02:17 | |
off, wherever you live. Eyelid in a
very nice street, and my neighbours | 0:02:17 | 0:02:23 | |
are good friends. -- I live. I won't
say I am involved more than | 0:02:23 | 0:02:28 | |
necessary. Let's have a look at the
fridge magnet. One of the neighbours | 0:02:28 | 0:02:31 | |
gave me this! It was a play on
words, obviously! But yeah, I may | 0:02:31 | 0:02:41 | |
get slightly involved in people's
lives, but I think it makes for good | 0:02:41 | 0:02:47 | |
community. I don't know about you,
when your kids are young, | 0:02:47 | 0:02:52 | |
particularly, in a nice area, you
get to meet loads of people because | 0:02:52 | 0:02:55 | |
of school. I live in a street where
there is quite a lot of elderly | 0:02:55 | 0:03:03 | |
people - I feel like a teenager! We
often ask our viewers to send in | 0:03:03 | 0:03:08 | |
photos, and this is the theme, we
would like to see you getting into | 0:03:08 | 0:03:12 | |
the neighbourly spirit this evening.
Whatever you like to do with your | 0:03:12 | 0:03:16 | |
neighbour, please send pictures.
Whatever they like to do? We shall | 0:03:16 | 0:03:24 | |
some of them and have a good luck at
the others! If you haven't got a | 0:03:24 | 0:03:31 | |
photo already, go and see your
neighbour, whether they are two | 0:03:31 | 0:03:35 | |
doors down at the end of the road,
we want to see you and your | 0:03:35 | 0:03:38 | |
neighbours together, sent pictures
to the usual address. | 0:03:38 | 0:03:41 | |
Let's start with a woman
who has been far more | 0:03:41 | 0:03:43 | |
than just neighbourly -
she's been throwing open the doors | 0:03:43 | 0:03:46 | |
of her home to young people in need. | 0:03:46 | 0:03:53 | |
My name is Viv Morgan, I have lived
in Warwickshire all my life, I have | 0:03:53 | 0:03:58 | |
got grown-up children, and I am 74
years old. But retirement didn't | 0:03:58 | 0:04:03 | |
grab me. There was a story in the
paper about a young girl in Cornwall | 0:04:03 | 0:04:09 | |
who had thrown herself from a
motorway bridge, and she had left a | 0:04:09 | 0:04:13 | |
note saying that she couldn't live
with the fear of the bullies any | 0:04:13 | 0:04:17 | |
longer. I didn't realise that there
were more children that this | 0:04:17 | 0:04:22 | |
happened to, and I thought, there
must be somewhere for these children | 0:04:22 | 0:04:25 | |
to go. Fred and I decided to change
the house into a school for children | 0:04:25 | 0:04:32 | |
who were bullied. | 0:04:32 | 0:04:42 | |
who were bullied. Fred was 91 and I
was 68. We haven't been in education | 0:04:42 | 0:04:47 | |
in any way. We just saw that there
was a need and maybe we would be | 0:04:47 | 0:04:52 | |
able to do something to help. We
didn't really know if we could, but | 0:04:52 | 0:04:55 | |
we thought we would give it a go. I
met Viv in a Jacuzzi, and we were | 0:04:55 | 0:05:02 | |
talking, the only people in their
funds, she told me all about his | 0:05:02 | 0:05:05 | |
cool. I had been in mainstream
education for 20 years. I | 0:05:05 | 0:05:15 | |
volunteered to after I was offered
the position, and I was really | 0:05:16 | 0:05:18 | |
pleased, and we had to start from
scratch. Fred and I have never | 0:05:18 | 0:05:21 | |
viewed obstacles as problems, we
have just got on and done whatever | 0:05:21 | 0:05:29 | |
needs to be done to get to a
successful outcome. It is not easy | 0:05:29 | 0:05:32 | |
to set up a place like this. You
have to go to the local authority, | 0:05:32 | 0:05:37 | |
you have to present your proposal.
You then have to have approval from | 0:05:37 | 0:05:43 | |
the Department for Education, the
curriculum, you know, what are you | 0:05:43 | 0:05:46 | |
offering? In the early days, we were
short of money to run the place, and | 0:05:46 | 0:05:51 | |
I went to Fred in the sitting room,
he was reading the paper, and I | 0:05:51 | 0:05:54 | |
said, I don't think this is the best
idea I have ever had. He said, we | 0:05:54 | 0:06:00 | |
are not quitters, are we? And his
paper went back up again, so I | 0:06:00 | 0:06:04 | |
thought, we have discussed that, we
had better carry on! The children | 0:06:04 | 0:06:11 | |
who come here are too afraid to go
to school or leave the house. My | 0:06:11 | 0:06:16 | |
name is Geordie, I am 12. It is very
calm here, you don't have any | 0:06:16 | 0:06:23 | |
anxiety, it is small, there is only
20 children here. It is relaxed, it | 0:06:23 | 0:06:27 | |
feels just like being at home. Viv
is a really nice person, she will | 0:06:27 | 0:06:32 | |
always help you if you are feeling
down. All the children that come | 0:06:32 | 0:06:37 | |
here are in despair, many of them
have tried to kill themselves, and | 0:06:37 | 0:06:41 | |
it is sad to see. Cameron came to us
in year nine, and he had been very | 0:06:41 | 0:06:47 | |
badly bullied. Before I came here,
my school life was, to put it | 0:06:47 | 0:06:55 | |
bluntly, terrible, mainly
name-calling and been put down. By | 0:06:55 | 0:06:59 | |
the end of my time there, it went
from verbal to physical. I was | 0:06:59 | 0:07:05 | |
trying to concentrate on lessons or
thinking of ways to end it. Parents | 0:07:05 | 0:07:12 | |
are also in despair when a child is
that miserable and they don't know | 0:07:12 | 0:07:15 | |
what to do. Kindness is most
important. Happiness first and the | 0:07:15 | 0:07:20 | |
learning next. We use their
interests as the hub, so once they | 0:07:20 | 0:07:26 | |
have got used to us, then we start
expanding. I knew that these people | 0:07:26 | 0:07:31 | |
were going to be nice, the teachers
never give up. That is probably my | 0:07:31 | 0:07:37 | |
passion, and I want to go into a
career for art. If anybody is upset, | 0:07:37 | 0:07:44 | |
there is always somebody to talk to,
and they have a lot of fun. Fred | 0:07:44 | 0:07:50 | |
loved this cruel. Unfortunately, he
died in the summer, he was 96. -- | 0:07:50 | 0:07:56 | |
loved the school. He really wanted
the school to continue as it was, | 0:07:56 | 0:08:01 | |
and I think he knew that I would do
that. We have got a waiting list | 0:08:01 | 0:08:07 | |
now, which I don't like, because I
don't like to leave those children. | 0:08:07 | 0:08:11 | |
There is nothing better than
children, and if you can help them, | 0:08:11 | 0:08:16 | |
put them right and send them on the
right way, that is lovely. Better | 0:08:16 | 0:08:20 | |
than knitting! | 0:08:20 | 0:08:25 | |
Isn't that wonderful? I feel like I
want to give Viv a clap, I don't | 0:08:25 | 0:08:29 | |
know about you. If only there were
more people like Viv. They are the | 0:08:29 | 0:08:37 | |
people who deserve medals, going out
there and doing it, just amazing. | 0:08:37 | 0:08:42 | |
Thank you so much to Viv and
everybody at Northleigh House | 0:08:42 | 0:08:44 | |
School. Elaine, you used to be a
teacher, does that take you back? | 0:08:44 | 0:08:50 | |
How did you deal with bullies? You
know, I am a great supporter, I know | 0:08:50 | 0:08:56 | |
you are, of state education and
state schools for kids, and they do, | 0:08:56 | 0:09:02 | |
on the whole, a wonderful job. But
there will always be children who do | 0:09:02 | 0:09:07 | |
not fit in those environments, and I
think schools, a lot of the time, | 0:09:07 | 0:09:12 | |
don't have the time, the resources
to actually cope with children who | 0:09:12 | 0:09:16 | |
have those difficulties or
disabilities, if you like. And | 0:09:16 | 0:09:21 | |
certainly bullying is something
that, as a parent, you know, we have | 0:09:21 | 0:09:27 | |
all had experiences of that
ourselves, or with their children, | 0:09:27 | 0:09:31 | |
and I think to identify that and see
how close those kids had come to | 0:09:31 | 0:09:36 | |
ending their own lives, it is
terrible. Certainly, in my years, I | 0:09:36 | 0:09:41 | |
taught for three or four years in a
big comprehensive high school in | 0:09:41 | 0:09:46 | |
Edinburgh, there were children who
really needed that help, and those | 0:09:46 | 0:09:50 | |
resources have to be identified. On
the whole, I think educators are | 0:09:50 | 0:09:55 | |
trying very hard to do it, but it is
very difficult, you can see why | 0:09:55 | 0:10:01 | |
somebody has identified a market for
that. You moved on from teaching | 0:10:01 | 0:10:07 | |
into acting... For my sins! Let's
talk about the programme, said in a | 0:10:07 | 0:10:13 | |
Glaswegian suburb, a comedy about
dealing with nightmare neighbours, | 0:10:13 | 0:10:18 | |
but at its heart, watched you see
the programme as? Arabella? I think | 0:10:18 | 0:10:23 | |
why it is popular is that it is
universal. When you go to live in a | 0:10:23 | 0:10:28 | |
street, when you go out with
someone, you pick them, and if you | 0:10:28 | 0:10:31 | |
don't like their behaviour, you chat
them. That is what I have always | 0:10:31 | 0:10:36 | |
done! -- Chuck. But when you buy a
house, you don't know what you are | 0:10:36 | 0:10:44 | |
getting into, but you are kind of
forced into getting on with them, | 0:10:44 | 0:10:48 | |
unless you are making a programme
for Channel 5 about nightmare | 0:10:48 | 0:10:53 | |
neighbours! You have got to make it
work, that is the universal thing, | 0:10:53 | 0:10:57 | |
you can't pick them, but you do your
best to get on with them. If they | 0:10:57 | 0:11:01 | |
are in and out of your house, you
can't just go, I am shutting the | 0:11:01 | 0:11:05 | |
door. That is the essence and the
comedy of it, without them in the | 0:11:05 | 0:11:12 | |
middle as the couple that people
identify with, they think, that | 0:11:12 | 0:11:15 | |
would be us, the nice neighbours.
They identify with you! | 0:11:15 | 0:11:25 | |
They identify with you! And so I
can't believe the amount of people | 0:11:25 | 0:11:28 | |
who go, oh, have you met my and
Jesse? I have got a living next door | 0:11:28 | 0:11:35 | |
to me. People can really identify,
bringing all these people together | 0:11:35 | 0:11:40 | |
that would not necessarily be
friends, but is it true that Peter | 0:11:40 | 0:11:45 | |
Kay wrote to you guys saying, I
think this is fantastic I think I | 0:11:45 | 0:11:49 | |
saw couple of weeks ago, an e-mail
to the head of comedy here saying | 0:11:49 | 0:11:55 | |
how much he loved it, quoting lines
from the Christmas special. I am | 0:11:55 | 0:12:00 | |
huge fan of his. As was a consultant
at Great Ormond Street, he had no | 0:12:00 | 0:12:07 | |
idea I would know who it was, he was
quoting all the lines. Not just | 0:12:07 | 0:12:12 | |
Peter Kay, a consultant at Great
Ormond Street! We love Peter, but we | 0:12:12 | 0:12:17 | |
want doctors and lawyers! That has
been in the strangest places, people | 0:12:17 | 0:12:24 | |
saying, you would not be the
demographic I would expect to watch | 0:12:24 | 0:12:27 | |
Two Doors Down, but I think the
universality of it, a comedy of | 0:12:27 | 0:12:31 | |
manners, you trying to be polite
with this outrageous lady with a | 0:12:31 | 0:12:35 | |
Glasgow accent coming in! On that
note, does this take you back to | 0:12:35 | 0:12:43 | |
your Scottish heritage? Both my
parents were Scottish, nobody in my | 0:12:43 | 0:12:47 | |
family had ever been out of Scotland
and tell my parents left, so in my | 0:12:47 | 0:12:52 | |
entire heritage, no-one had left
Scotland until then. My grandfather | 0:12:52 | 0:12:57 | |
did in the First World War, but
other than that they hadn't. Both my | 0:12:57 | 0:13:02 | |
parents left Scotland together, but
they were from the east coast, | 0:13:02 | 0:13:05 | |
Edinburgh and around there. Slightly
posh! My dad was a primary | 0:13:05 | 0:13:13 | |
schoolteacher's son. That is posh!
In Scotland, that is posh. But yes, | 0:13:13 | 0:13:19 | |
it is very much like going back to
my roots. She sounds much more | 0:13:19 | 0:13:24 | |
Scottish on the set. I have a friend
who is a lawyer in London, and her | 0:13:24 | 0:13:31 | |
friend, she is in court all the
time, and accent has mellowed | 0:13:31 | 0:13:35 | |
slightly, and I have been down for a
weekend, they say, as your | 0:13:35 | 0:13:39 | |
Glaswegian friend been? Because she
goes back into the accent again. | 0:13:39 | 0:13:44 | |
There is a part in Two Doors Down
when Elaine's character as if Robert | 0:13:44 | 0:13:49 | |
Burns was part Egyptian? We have
checked this out... Is it true? He | 0:13:49 | 0:13:55 | |
wasn't! Such a surprise! Very good
researchers on this show. But it is | 0:13:55 | 0:14:02 | |
not just Elaine's character who has
been getting her history muddled up, | 0:14:02 | 0:14:06 | |
with some big Hollywood hits, Gyles
has been finding out if these films | 0:14:06 | 0:14:13 | |
are more fiction than fact. | 0:14:13 | 0:14:17 | |
Films are full of mistakes. The car
in the shot in Braveheart, for | 0:14:17 | 0:14:23 | |
example. The gas powered horse
chariot in Gladiator. But when it | 0:14:23 | 0:14:29 | |
comes to playing around with the
facts in historical stories at the | 0:14:29 | 0:14:34 | |
cinema, is that unforgiveable, or
does the old adage still apply - | 0:14:34 | 0:14:39 | |
never let the truth get in the wake
of a good story? What is the | 0:14:39 | 0:14:46 | |
historian's take on this? Should we
allow the truth to get in the wake | 0:14:46 | 0:14:50 | |
of a good story? Well, Shakespeare
didn't, but it is frustrating, | 0:14:50 | 0:14:54 | |
because I can't think why
scriptwriters have to invent all | 0:14:54 | 0:14:58 | |
these stupid scenes. You are one of
judge's biographers, take a look at | 0:14:58 | 0:15:02 | |
this. If the worst came to pass,
would you give up? When did that | 0:15:02 | 0:15:09 | |
take place? I am not aware that
Winston Churchill ever went on the | 0:15:09 | 0:15:15 | |
Tube. In 1940, British people were
buried unhappy about fighting on and | 0:15:15 | 0:15:20 | |
thought, couldn't we find some way
out of this? Churchill persuaded | 0:15:20 | 0:15:24 | |
them, not the people on the Tube who
persuaded Churchill! I got that idea | 0:15:24 | 0:15:30 | |
on the Circle line, preposterous!
Never have I experienced | 0:15:30 | 0:15:33 | |
on the Circle line, preposterous!
Never have I experienced such a | 0:15:33 | 0:15:42 | |
This is the Duke of Edinburgh in the
1950s. Is it accurate? You have | 0:15:42 | 0:15:48 | |
living people about whom you are
inventing abject nonsense. It has | 0:15:48 | 0:15:53 | |
become a royal soap. It is a pretty
dirty business. | 0:15:53 | 0:16:01 | |
Should the producers of films based
on true events feel duty bound to | 0:16:02 | 0:16:07 | |
play it with a straight bat and tell
it like it was? Sophie rights and | 0:16:07 | 0:16:14 | |
talks about film. Does it matter to
us if there are inaccuracies? Why | 0:16:14 | 0:16:19 | |
are you going to the movies for
history question shouldn't you be | 0:16:19 | 0:16:23 | |
reading about it? Shouldn't you go
to the cinema to be moved? Tell me | 0:16:23 | 0:16:29 | |
about some movies you rate where
historical accuracy isn't the most | 0:16:29 | 0:16:33 | |
important. In something like Selma,
it is going through an emotional | 0:16:33 | 0:16:44 | |
moment. It is about young boys
searching for meaning in The Thin | 0:16:44 | 0:16:54 | |
Red Line. In Dunkirk, People Thought
It Was The Little Ships That Brought | 0:16:54 | 0:17:02 | |
People Back. | 0:17:02 | 0:17:10 | |
People Back. Dunkirk is doing what
cinema does so well, which is to | 0:17:10 | 0:17:13 | |
make you feel like you know what it
is like to be there, to create | 0:17:13 | 0:17:18 | |
empathy for the young boys on the
beach. It does not stop my enjoyment | 0:17:18 | 0:17:23 | |
of a film to know it is inaccurate.
What is in your head when you watch | 0:17:23 | 0:17:30 | |
a film? I can come out and make a
list of all the things that are | 0:17:30 | 0:17:33 | |
wrong with Dunkirk and other films
but I do not think it matters if it | 0:17:33 | 0:17:42 | |
is telling a new generation 40% of
truth about huge events that happen | 0:17:42 | 0:17:47 | |
in the past, that is OK with me. | 0:17:47 | 0:17:52 | |
Thanks, Gyles. | 0:17:52 | 0:17:53 | |
We're joined now by journalist
and film critic Ellen E Jones. | 0:17:53 | 0:17:56 | |
Ellen, which other films
have taken diabolical | 0:17:56 | 0:17:57 | |
liberties with the facts? | 0:17:57 | 0:18:00 | |
Well, my absolute favourite for this
is Braveheart, which is lovely and | 0:18:00 | 0:18:07 | |
entertaining that historically
speaking absolute nonsense. | 0:18:07 | 0:18:12 | |
speaking absolute nonsense. Shock,
horror. Where do want to start? | 0:18:14 | 0:18:21 | |
Scotsman did not wear kilts for
another couple of hundred years. | 0:18:21 | 0:18:27 | |
Probably the biggest problem is they
have Braveheart, AKA Mel Gibson, | 0:18:27 | 0:18:34 | |
getting off with King Edward II's
wife. And he is supposedly the true | 0:18:34 | 0:18:41 | |
father of Edward III. That is
nonsense because he died before | 0:18:41 | 0:18:46 | |
that. Emily Blunt is another
contender in this category. There is | 0:18:46 | 0:18:52 | |
a scene where King Albert dives in
front of Queen Victoria to stop a | 0:18:52 | 0:19:00 | |
speeding bullet very heroically.
That is nonsense. A nice moment. | 0:19:00 | 0:19:07 | |
Apparently Queen Elizabeth II
objected to that because it was a | 0:19:07 | 0:19:11 | |
bit silly and did not happen. This
is all good, Hollywood stuff. Unless | 0:19:11 | 0:19:18 | |
you are a historian, you might not
notice of where the film is really | 0:19:18 | 0:19:23 | |
get into trouble is with Titanic
where they are based on people who | 0:19:23 | 0:19:27 | |
have descendants who are still
living and object to it. There is a | 0:19:27 | 0:19:31 | |
character in Titanic who is a real
person, first Officer William | 0:19:31 | 0:19:35 | |
Murdoch. He is portrayed as a real
coward he shoots himself in real | 0:19:35 | 0:19:41 | |
life he was a real hero. His family
were really upset by that, when | 0:19:41 | 0:19:45 | |
they? | 0:19:45 | 0:19:55 | |
They went on to win Oscars and all
sorts. It is all light-hearted. Then | 0:19:56 | 0:20:05 | |
it is not so much of a problem. With
Dunkirk and the Darkest Hour, more | 0:20:05 | 0:20:14 | |
examples. This is a really exciting
year. I was excited last year but | 0:20:14 | 0:20:23 | |
this year more excited that there
are three British actors in the | 0:20:23 | 0:20:28 | |
leading men category. Probably go to
a British actor. We have Daniel Day | 0:20:28 | 0:20:33 | |
Lewis, it might be his year because
he has said he is retiring. Gary | 0:20:33 | 0:20:39 | |
Oldman, much filmed. Gary Oldman, it
feels like he has had an incredible | 0:20:39 | 0:20:49 | |
transformation in the Darkest Hour.
Surely it has to be him. What I | 0:20:49 | 0:20:53 | |
would love is for Daniel Kaluuya.
Here's my favourite. What is | 0:20:53 | 0:21:01 | |
exciting about these nominations, it
looks like he is in with a chance. | 0:21:01 | 0:21:11 | |
The film is nominated for Best
picture as well. The other thing I | 0:21:11 | 0:21:16 | |
am very happy about is that Greta
Gowan has been nominated for Lady | 0:21:16 | 0:21:21 | |
Bird. Female actors have really been
overlooked. She is the only female | 0:21:21 | 0:21:27 | |
director ever nominated. There are
five other nominees that it is such | 0:21:27 | 0:21:34 | |
a wonderful film. The fact it
depicts a mother, daughter | 0:21:34 | 0:21:39 | |
relationship. That makes it even
more special. You had a female | 0:21:39 | 0:21:45 | |
director for Two Doors Down. Yes.
She is fabulous. There was the scene | 0:21:45 | 0:21:56 | |
in the first series, where I
realised I must have got really old. | 0:21:56 | 0:22:00 | |
I must have died and gone to heaven.
Their work four of us with four | 0:22:00 | 0:22:10 | |
actresses, a female producer, a
female director. We were like, oh, | 0:22:10 | 0:22:15 | |
my goodness excavation at this has
never happened. That four women in a | 0:22:15 | 0:22:20 | |
comedy scene were allowed to be
funny. We were all being individual. | 0:22:20 | 0:22:25 | |
Oh, for goodness' sake! I have a
beef with the Oscars. I think there | 0:22:25 | 0:22:32 | |
should be a campaign for the best
comedy Oscar. There is no best | 0:22:32 | 0:22:38 | |
comedy actor. It is not hard being
funny. You sort it out and we will | 0:22:38 | 0:22:45 | |
make it happen. Thank you very much
indeed. | 0:22:45 | 0:22:50 | |
Latest figures show homelessness
continues to rise across the UK | 0:22:50 | 0:22:52 | |
and, as we see more people sleeping
rough, we're also seeing more dogs | 0:22:52 | 0:22:55 | |
being kept on the streets as pets. | 0:22:55 | 0:22:59 | |
Is it unfair to animals or do von
Ropiha people -- vulnerable people | 0:22:59 | 0:23:06 | |
really need them as companions. | 0:23:06 | 0:23:08 | |
Joe's been to meet two volunteers
who are doing what they can to help. | 0:23:08 | 0:23:13 | |
By day, this vet office
state-of-the-art health care to | 0:23:13 | 0:23:16 | |
pampered pet. -- pets. By night he
is on the streets of London with | 0:23:16 | 0:23:26 | |
fellow vet helping animals less
privileged but just as loved. | 0:23:26 | 0:23:33 | |
privileged but just as loved. Speak
to you later. Take care. In 2016 | 0:23:33 | 0:23:38 | |
they set up a charity street that,
providing free medical care to | 0:23:38 | 0:23:43 | |
homeless hands. I am joining them on
patrol in London. This dog is | 0:23:43 | 0:23:51 | |
getting a full checkup, worming
tablets and vaccinations. How | 0:23:51 | 0:23:56 | |
similar is what you are doing now to
what someone he would bring a dog | 0:23:56 | 0:24:02 | |
into a clinic? We would take blood
samples and test your in. We do this | 0:24:02 | 0:24:07 | |
as best as we can. If there are
things that need to go into the | 0:24:07 | 0:24:13 | |
clinic, we have that in place. If
surgery needs to be done, we can | 0:24:13 | 0:24:21 | |
organise that. Street That has 150
volunteers ranging from veterinary | 0:24:21 | 0:24:28 | |
nurses, offering services for
nothing. Normally it would cost me a | 0:24:28 | 0:24:35 | |
couple of quid. I can't really
afford it. It is like a gift from | 0:24:35 | 0:24:39 | |
God. Do you mind me asking how you
are in this position? Ex-service. | 0:24:39 | 0:24:49 | |
Dog handling and then Royal
Artillery. That is interesting that | 0:24:49 | 0:24:54 | |
is why you are so well trained. Dad
knows what he's doing. Yes, he does. | 0:24:54 | 0:24:59 | |
What response do you get from people
when they come past? It is a | 0:24:59 | 0:25:05 | |
mixture. Some people are nice and
give me donations. Mostly dog food. | 0:25:05 | 0:25:09 | |
He gets more food than I do. Are
people not as kind? I have had | 0:25:09 | 0:25:16 | |
people spitting on me, walking past.
A little bit down. Do you safer with | 0:25:16 | 0:25:23 | |
a dog? I watching during the day and
he watches me at night. He is my | 0:25:23 | 0:25:28 | |
best friend. Can I have a case? | 0:25:28 | 0:25:37 | |
best friend. Can I have a case? --
kiss. How would you answer criticism | 0:25:37 | 0:25:40 | |
when some people say it is selfish
when they have a dog on the street? | 0:25:40 | 0:25:46 | |
Why bring a dog into this? We have
met a lot of people who have saved | 0:25:46 | 0:25:51 | |
their dog from a much worse life.
One guy pulled the dog at the canal | 0:25:51 | 0:25:55 | |
as a and that dog is happy and
healthy and well loved. If they can | 0:25:55 | 0:26:03 | |
have a happy and healthy dog and we
can vouch that because we can see it | 0:26:03 | 0:26:08 | |
from the veterinary perspective, it
should not be anyone else's concern. | 0:26:08 | 0:26:13 | |
These four legate friends can also
improve the well-being of their | 0:26:13 | 0:26:18 | |
owners. -- legged friends. | 0:26:18 | 0:26:28 | |
owners. -- legged friends. When you
talk about homeless people and their | 0:26:28 | 0:26:31 | |
dogs, words like addiction crop up.
It is so important. It gives them a | 0:26:31 | 0:26:36 | |
reason to give up. That is how Sean
feels about his dog. They have been | 0:26:36 | 0:26:44 | |
inseparable for ten years and
staying in one the few dog friendly | 0:26:44 | 0:26:49 | |
hostels. I have health issues and
breathing difficulties. It is a | 0:26:49 | 0:26:55 | |
daily struggle for exercise and
walking. My dog has been my | 0:26:55 | 0:27:01 | |
life-saver many times, pushing
boundaries, getting me moving. Just | 0:27:01 | 0:27:08 | |
taking him for a walk three times a
day. The number of rough sleepers in | 0:27:08 | 0:27:13 | |
England has more than doubled in the
last eight years. After setting up | 0:27:13 | 0:27:19 | |
in Brighton, Street Bet wants to
recruit more volunteers across the | 0:27:19 | 0:27:24 | |
country. Speaking to the people we
have been meeting, they have such | 0:27:24 | 0:27:30 | |
passion for their dogs. They have
clearly been through some tough | 0:27:30 | 0:27:35 | |
times and the dog has kept them
going and kept them positive. At | 0:27:35 | 0:27:41 | |
1am, the work is done but they will
be hitting the streets again | 0:27:41 | 0:27:44 | |
tomorrow. | 0:27:44 | 0:27:48 | |
I think JP in the film beautifully
summed up when he said he looks | 0:27:48 | 0:27:52 | |
after his dog during the day and
then his dog looks after him at | 0:27:52 | 0:27:56 | |
night was that companionship is
rarely important. If they can get | 0:27:56 | 0:27:59 | |
shelter and stay warm, lots of
breeds of dog preferred to stay | 0:27:59 | 0:28:05 | |
outside. The vets go around and
check them. Thank you for all of the | 0:28:05 | 0:28:10 | |
neighbourly photos you have been
sending in. | 0:28:10 | 0:28:16 | |
Let's start with you. I loved this.
It could be a scene from Two Doors | 0:28:16 | 0:28:22 | |
Down was that this is Diana who
lives in a cul-de-sac of the | 0:28:22 | 0:28:26 | |
everyday they have a street party
but they also regularly hang out on | 0:28:26 | 0:28:32 | |
the pebble Beach. I love that! This
is an adorable picture. Nathaniel, | 0:28:32 | 0:28:37 | |
the boy in the picture, picking
blackberries with their neighbour | 0:28:37 | 0:28:43 | |
aged 83. The pair of them do this
every year. Isn't that adorable! | 0:28:43 | 0:28:49 | |
These two like to swim in the see
all year round but we hope we have | 0:28:49 | 0:28:53 | |
put a smile on your face. Alex will
be doing her best to make the whole | 0:28:53 | 0:28:58 | |
of Wales happy with a special
programme in half an hour on BBC One | 0:28:58 | 0:29:02 | |
Wales. That is it. | 0:29:02 | 0:29:04 | |
That's your lot for tonight. | 0:29:04 | 0:29:05 | |
Thank you to Arabella and Elaine. | 0:29:05 | 0:29:10 | |
Tomorrow, Alex and I will be
joined by Chris Packham, | 0:29:10 | 0:29:11 | |
Trevor Nelson and Brenda Blethyn. | 0:29:11 | 0:29:15 |