Browse content similar to 24/01/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
programme with Matt Baker. | 0:00:20 | 0:00:22 | |
And Alex Jones. | 0:00:22 | 0:00:24 | |
An our wonderful One Show viewers
are helping each other tonight... | 0:00:24 | 0:00:28 | |
Indeed - traders in a Cornish port
are showing their opposite numbers | 0:00:28 | 0:00:31 | |
from Wales how to drive single use
plastic out of town. | 0:00:31 | 0:00:34 | |
The Newnes family from Essex
will tell us how watching the show | 0:00:34 | 0:00:37 | |
led them to take a decision that has
saved the lives of no | 0:00:37 | 0:00:40 | |
led them to take a decision that has
saved the lives of five people. | 0:00:40 | 0:00:43 | |
Our guests all have
their causes too. | 0:00:43 | 0:00:45 | |
Proving his passion for our planet -
one wildlife programme at a time - | 0:00:45 | 0:00:48 | |
it's Chris Packham. | 0:00:48 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:50 | |
Cleaning up the North East
of England, one thug at a time - | 0:00:50 | 0:00:53 | |
it's Brenda Blethyn! | 0:00:53 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:00:58 | |
And improving our taste in music -
one slow jam at a time - | 0:00:58 | 0:01:01 | |
it's Trevor Nelson! | 0:01:01 | 0:01:02 | |
APPLAUSE | 0:01:02 | 0:01:07 | |
Welcome, welcome to you all.
Let's pick up on that thought. | 0:01:07 | 0:01:11 | |
Single use plastics. As far as
plastics in the house are concerned, | 0:01:11 | 0:01:17 | |
let's start with you, Trevor. As the
recent news made you reassess your | 0:01:17 | 0:01:22 | |
situation? I cannot stand plastics
even though we have to use them. | 0:01:22 | 0:01:25 | |
But, yes, of course it does. I live
by the M25 now and I hate seeing | 0:01:25 | 0:01:34 | |
plastic amongst foliage, greenery.
It's a bit more rural. I go to the | 0:01:34 | 0:01:39 | |
Caribbean every year and nothing
irks me more than being on a | 0:01:39 | 0:01:42 | |
beautiful hill, and there is plastic
up there, and I come back two years | 0:01:42 | 0:01:45 | |
later and it is still there. It is
just awful. A lot of it is | 0:01:45 | 0:01:52 | |
unnecessary, isn't it? Despite the
fact you need a crypt on degree | 0:01:52 | 0:01:55 | |
sometimes to get into it. After you
have opened and eaten whatever it is | 0:01:55 | 0:02:02 | |
it is like a weak's work disposing
of it appropriately. A particular | 0:02:02 | 0:02:08 | |
kind of plastic really rattled
Allen's cage. He came into the | 0:02:08 | 0:02:13 | |
meeting... Plastics through the
post! -- really rattled Matt's case. | 0:02:13 | 0:02:22 | |
Why are you delivering this to my
house? And recently the RSPB were | 0:02:22 | 0:02:28 | |
called out because their members'
magazine arrives in a non-recyclable | 0:02:28 | 0:02:32 | |
plastic bag. Well, it can be
recycled under certain situations | 0:02:32 | 0:02:37 | |
but not with your typical plastic so
they are in the process of | 0:02:37 | 0:02:40 | |
addressing that. But you're right.
These bursts of interest get us of | 0:02:40 | 0:02:44 | |
thinking about it. I was watching TV
and there is a lady now who is | 0:02:44 | 0:02:50 | |
attempting to purge the new Forest
Park of plastic drinking straws and | 0:02:50 | 0:02:53 | |
that would not have happened without
us or talking about plastic at this | 0:02:53 | 0:02:58 | |
point in time. Claims are changing. | 0:02:58 | 0:03:06 | |
-- Times are changing. | 0:03:06 | 0:03:07 | |
Lots to get through tonight -
and we've got someone | 0:03:07 | 0:03:09 | |
new to introduce you to too... | 0:03:09 | 0:03:10 | |
Described by Penn and Teller
as "the perfect magician," we'll be | 0:03:10 | 0:03:13 | |
meeting Mahdi Gilbert -
an expert in sleight | 0:03:13 | 0:03:15 | |
of hand card tricks -
despite being born with no hands. | 0:03:15 | 0:03:18 | |
That is incredible. So many tricks. | 0:03:18 | 0:03:19 | |
As we heard earlier this week,
the UK's ability to withstand attack | 0:03:19 | 0:03:22 | |
and respond to threats is "being
eroded" by a lack of investment - | 0:03:22 | 0:03:25 | |
according to the head of the Army. | 0:03:25 | 0:03:29 | |
But despite this budget black
hole, a new recruitment | 0:03:29 | 0:03:32 | |
drive is under way -
hoping to attract candidates | 0:03:32 | 0:03:34 | |
from different backgrounds. | 0:03:34 | 0:03:35 | |
With new adverts which haven't gone
down well with everyone, | 0:03:35 | 0:03:37 | |
as JJ Chalmers can tell us... | 0:03:37 | 0:03:42 | |
It was this advert that first
attracted the Royal Marines. | 0:03:42 | 0:03:46 | |
The tag line 99.99% need not apply
hooked me on and at age 17 I joined | 0:03:46 | 0:03:55 | |
up. But five years later a bomb
blast in Afghanistan put an end to | 0:03:55 | 0:03:59 | |
the job that I loved.
How can the military attract new | 0:03:59 | 0:04:04 | |
recruits while staying true to the
reality of what they are signing up | 0:04:04 | 0:04:07 | |
to?
Thousands of full and part-time jobs | 0:04:07 | 0:04:12 | |
available now. There's more than one
way to be the best. The army's | 0:04:12 | 0:04:17 | |
latest campaign focusing on the
longing goes beneath its tough | 0:04:17 | 0:04:21 | |
exterior to persuade us that the
Armed Forces is not such a brutal | 0:04:21 | 0:04:24 | |
place. Tackling stigmas such as
being gay, emotion, and religions. | 0:04:24 | 0:04:31 | |
In both TV and online adverts this
has caused controversy, with some | 0:04:31 | 0:04:35 | |
suggesting they don't appeal to
those who want to be soldiers and | 0:04:35 | 0:04:38 | |
fight. Keen to voice his criticism
was retired colonel Martin Kemp. It | 0:04:38 | 0:04:46 | |
is clearly trying to appeal to a
series of minorities who may or may | 0:04:46 | 0:04:49 | |
not be interested in joining the
forces, and by doing that it is | 0:04:49 | 0:04:53 | |
almost neglecting the main group of
people who are interested in | 0:04:53 | 0:04:55 | |
joining.
The Army spoke of campaigns on | 0:04:55 | 0:04:59 | |
reaching out to the broader
community, and the TV adverts are | 0:04:59 | 0:05:03 | |
all based on authentic stories from
serving soldiers. | 0:05:03 | 0:05:06 | |
So what do these military veterans
think of the new adverts and the | 0:05:06 | 0:05:10 | |
Army's previous attempts to recruit
new soldiers? | 0:05:10 | 0:05:18 | |
When you started, get it together.
Now, that 12 football doesn't seem | 0:05:18 | 0:05:23 | |
12 football any more. It is very
simple, what basic training was | 0:05:23 | 0:05:27 | |
late, however it looks after the
demographic, straight, white, | 0:05:27 | 0:05:32 | |
northern mail. We saw him shooting
his rocket launcher and he said it | 0:05:32 | 0:05:36 | |
was rather exciting. Well, it is
exciting. I joined the infantry to | 0:05:36 | 0:05:40 | |
go and fight. I don't think you
should promote it as being exciting | 0:05:40 | 0:05:44 | |
to kill somebody because I know a
lot of | 0:05:44 | 0:05:51 | |
lot of people who make a great
career in the forces would perhaps | 0:05:52 | 0:05:54 | |
be turned off by that. In the 90s it
was all about the glamour, the | 0:05:54 | 0:05:57 | |
soldier called Frank. Joined the
army then. What | 0:05:57 | 0:06:04 | |
army then. What for? The early! --
there he is, Frank! | 0:06:04 | 0:06:11 | |
LAUGHTER
Someone's got to do it. To be frank, | 0:06:11 | 0:06:17 | |
joined the Army. Did anybody serve
with Frank? That was nothing like my | 0:06:17 | 0:06:22 | |
Army career. That is complete false
advertising. The thing that | 0:06:22 | 0:06:30 | |
definitely doesn't show is the
board. Sitting there, absolutely | 0:06:30 | 0:06:35 | |
freezing cold, and you would rather
be anywhere else, and Frank has been | 0:06:35 | 0:06:38 | |
the topic of many conversations. In
recent years the theme was | 0:06:38 | 0:06:42 | |
developing new skills. Leadership,
you know, my ability to step back, | 0:06:42 | 0:06:49 | |
think about something for a second
then have the confidence to say, | 0:06:49 | 0:06:52 | |
right, this is what we're going to
do. Bringing us up to 2018, what do | 0:06:52 | 0:06:57 | |
they think of the Army's current
campaign? | 0:06:57 | 0:07:03 | |
campaign? It is political
correctness gone mad. I don't need | 0:07:05 | 0:07:07 | |
to see a cartoon of two men holding
hands. Just put an advert in saying, | 0:07:07 | 0:07:15 | |
joined the army. Everyone belongs.
The single these things out. It is | 0:07:15 | 0:07:20 | |
offensive. Men at work often spoke
over me and I felt I didn't have a | 0:07:20 | 0:07:24 | |
voice. The main audience here or
white, | 0:07:24 | 0:07:33 | |
white, heterosexual males, largely
from northern towns where | 0:07:33 | 0:07:35 | |
unemployment is rife and there is no
mention of these people in any of | 0:07:35 | 0:07:38 | |
these adverts. I think the concept
is quite good. From what I have seen | 0:07:38 | 0:07:43 | |
and heard today, it is tricky
getting the delicate balance between | 0:07:43 | 0:07:47 | |
highlighting some of the more
adventurous parts of the job with | 0:07:47 | 0:07:49 | |
showing some of the difficult things
the military has to do with. So The | 0:07:49 | 0:07:53 | |
One Show past me with creating my
own simple advert, starring yours | 0:07:53 | 0:07:58 | |
truly. So here it is... The Army
needs you, but do you need the Army? | 0:07:58 | 0:08:07 | |
You can join an exclusive club for a
life. You can travel the world with | 0:08:07 | 0:08:11 | |
your best mate and gain a huge sense
of achievement. It is exciting, but | 0:08:11 | 0:08:16 | |
nobody mention the war... Or the
board. Eh, can you hurry up and | 0:08:16 | 0:08:26 | |
wait, lads? Yes, you will learn a
lot. It is a career but it is also a | 0:08:26 | 0:08:30 | |
way of life. Attention! Whatever
happens, it will shape you forever. | 0:08:30 | 0:08:38 | |
With us now is Colonel Simon
Stockley, the Army's assistant | 0:08:38 | 0:08:40 | |
director for recruiting. | 0:08:40 | 0:08:46 | |
Welcome, Simon. Thank you for
inviting me. Well, we saw JJ's | 0:08:46 | 0:08:52 | |
advert there, which undoubtedly
leaves an impact. What did you think | 0:08:52 | 0:08:56 | |
of his version of the advert, and
did you think... I mean, it tells | 0:08:56 | 0:09:01 | |
the truth, doesn't it? Gives some
upsides at the beginning but we are | 0:09:01 | 0:09:04 | |
left with a vivid image at the end
there. A striking image, and JJ has | 0:09:04 | 0:09:10 | |
made sacrifices. But I think in a
year that is the 100th anniversary | 0:09:10 | 0:09:14 | |
of the First World War we never
undersell the fact that the Army | 0:09:14 | 0:09:18 | |
exists to protect the nation both at
home and overseas. The | 0:09:18 | 0:09:25 | |
home and overseas. The challenge we
are facing is a lot of young men and | 0:09:27 | 0:09:30 | |
women today don't think joining the
Army is an attainable proposition | 0:09:30 | 0:09:32 | |
for them, so the new campaign is
making it clear to them that they | 0:09:32 | 0:09:35 | |
don't need to be Army ready from the
start. We will physically and | 0:09:35 | 0:09:37 | |
emotionally support them throughout
their career, but also we will | 0:09:37 | 0:09:39 | |
accept you for being who you are and
in doing so we will demonstrate the | 0:09:39 | 0:09:42 | |
fact we are tolerant, fair, and
human, not robotic, and I think they | 0:09:42 | 0:09:48 | |
are really important messages for
our offered -- our audience. And you | 0:09:48 | 0:09:55 | |
heard some of the criticisms there.
I do respond to the point you're | 0:09:55 | 0:09:59 | |
trying to respond to the minority
and rejecting -- respond to the | 0:09:59 | 0:10:04 | |
minority and rejecting the majority?
I have been in the Army for quite | 0:10:04 | 0:10:07 | |
some time and ever since the Roman
army was on the shores everyone has | 0:10:07 | 0:10:11 | |
always said the next generation is
not as good as the generation today. | 0:10:11 | 0:10:15 | |
But no one says Lionel Messi is too
short to play football because he is | 0:10:15 | 0:10:19 | |
an amazing striker, and I think we
are looking for a really inclusive | 0:10:19 | 0:10:22 | |
campaign. We want to take people
from all walks of life and bring | 0:10:22 | 0:10:26 | |
them into the Army, and through the | 0:10:26 | 0:10:37 | |
training we deliver to them and our
inspirational instructors, we won't | 0:10:46 | 0:10:48 | |
compromise our standards in any way,
she perform. How big a problem is it | 0:10:48 | 0:10:51 | |
recruiting from diverse backgrounds?
Are you really lacking in numbers? | 0:10:51 | 0:10:53 | |
We have made real improvements over
recent years. 9% of the regular army | 0:10:53 | 0:10:55 | |
today are female and 11% are from
ethnic minorities, but we still want | 0:10:55 | 0:10:58 | |
more people. Within the UK we have a
really diverse nation and we would | 0:10:58 | 0:11:01 | |
really like to welcome other people
in, with their views and thoughts, | 0:11:01 | 0:11:03 | |
to aid our decision-making and make
the Army more capable. They have | 0:11:03 | 0:11:05 | |
been a part of growing up, these
adverts. Did any one make an impact | 0:11:05 | 0:11:08 | |
on you guys? Chris, a man of the
outdoors. Bearing mind I left school | 0:11:08 | 0:11:16 | |
in the early 70s and career
prospects were pretty bleak and the | 0:11:16 | 0:11:19 | |
Army was always on the agenda. If
you ask me straight, would I have | 0:11:19 | 0:11:24 | |
joined in the 1970s, no. But then
these adverts didn't exist and I | 0:11:24 | 0:11:27 | |
would not have thought I would have
fitted in, so surely that is the | 0:11:27 | 0:11:31 | |
point of this. We are all inclusive.
If I was a teenager looking to | 0:11:31 | 0:11:35 | |
develop the skill now, I have to see
it is an immense pleasure always | 0:11:35 | 0:11:43 | |
working with them, as I do, so I
think it is a very different time | 0:11:43 | 0:11:47 | |
when it comes to recruitment. Well,
you look the part! | 0:11:47 | 0:11:50 | |
LAUGHTER
When I was a teenager I wanted to be | 0:11:50 | 0:11:57 | |
in the Army. Simply because I liked
the idea of people working together | 0:11:57 | 0:12:02 | |
to achieve a common... The
camaraderie? Yes, that is what | 0:12:02 | 0:12:07 | |
theatre is. I think these adverts
are great now and they should have | 0:12:07 | 0:12:11 | |
been on years and years ago because
I didn't feel there was much in the | 0:12:11 | 0:12:14 | |
Army for someone like myself,
although I do remember the ads and | 0:12:14 | 0:12:19 | |
there are so powerful. This is what
I was talking about. Be the best you | 0:12:19 | 0:12:23 | |
can be. That is something that stuck
with me forever and I still think | 0:12:23 | 0:12:26 | |
about that every week of my life, I
still say that, be the best you can | 0:12:26 | 0:12:30 | |
be. So I think the Army should
reflect our population, definitely, | 0:12:30 | 0:12:34 | |
I agree. All our services should be
more diverse. | 0:12:34 | 0:12:42 | |
more diverse. And tactics are
changing also. Lots of these wars | 0:12:42 | 0:12:44 | |
are fought on a computer, so we need
those experts as well. The flip side | 0:12:44 | 0:12:49 | |
is we had Ireland, which put a lot
of people off joining the army, and | 0:12:49 | 0:12:54 | |
an estimate we have had wars were
soldiers, people I actually know, | 0:12:54 | 0:12:58 | |
they have been alive and soldiers we
know have gone there, so it is not | 0:12:58 | 0:13:02 | |
just travelling the world, skiing,
jumping out of helicopters and | 0:13:02 | 0:13:05 | |
stuff. It is real. The thing is,
Simon, people are talking about it. | 0:13:05 | 0:13:12 | |
Those adverts have created a debate,
haven't they? Never a bad thing. | 0:13:12 | 0:13:16 | |
Thank you for your time. Thank you. | 0:13:16 | 0:13:20 | |
Chris, you've proven you're up
for action and adventure - | 0:13:20 | 0:13:22 | |
your latest being trekking
through the jungle of Sumatra, | 0:13:22 | 0:13:24 | |
but you didn't go in search
of exotic wildlife? | 0:13:24 | 0:13:26 | |
It's a much more emotive search, in
a way, for you, and it all started | 0:13:26 | 0:13:30 | |
20 years ago, didn't it? Yes, I was
making wildlife film 20 years ago in | 0:13:30 | 0:13:39 | |
Sumatra and I had the honour of
meeting a hunter gatherer tribes who | 0:13:39 | 0:13:41 | |
were working there in the rainforest
at that time and it was a life | 0:13:41 | 0:13:44 | |
changing moment for me. It was the
first time I met perfect human | 0:13:44 | 0:13:48 | |
beings, and I always see perfection
in other species but I had struggled | 0:13:48 | 0:13:52 | |
at that point to see any perfection
on ours, given our impact on the | 0:13:52 | 0:13:56 | |
planet. I mean, there are attractive
human beings, Audrey Hepburn being | 0:13:56 | 0:14:00 | |
at | 0:14:00 | 0:14:05 | |
at the top of my list... Good
choice, Chris! But as a species I | 0:14:08 | 0:14:10 | |
struggled to like them until I met
the Orang Rimba. When I first saw | 0:14:10 | 0:14:13 | |
them, I watched them moving and they
had an extraordinary grace, and they | 0:14:13 | 0:14:16 | |
didn't look at us with envy, they
didn't want our cameras or our | 0:14:16 | 0:14:18 | |
shoes, because they had no need for
that. Or concept, probably. What | 0:14:18 | 0:14:22 | |
they had that we didn't have was a
habitat. What is my habitat? What is | 0:14:22 | 0:14:28 | |
yours? Mine is destructive,
consumptive, but they existed in | 0:14:28 | 0:14:33 | |
harmony and sustainably in that
rainforest and they were so | 0:14:33 | 0:14:35 | |
beautiful. We were filming, so I
didn't have a lot of time, but I | 0:14:35 | 0:14:39 | |
took one single photograph of a
child, and that has become an idyll | 0:14:39 | 0:14:47 | |
for me, something that reflected all
of those thoughts. I thought, 20 | 0:14:47 | 0:14:50 | |
years have passed, there has been an
enormous amount of change and | 0:14:50 | 0:14:53 | |
pressure on the world and I wonder
whatever happened to that girl I | 0:14:53 | 0:14:57 | |
photographed all of those years ago.
And it is a beautiful photograph. We | 0:14:57 | 0:15:01 | |
are just seeing it there. When you
were setting out on this, what were | 0:15:01 | 0:15:05 | |
your thoughts? | 0:15:05 | 0:15:07 | |
There's a moment in the film
where your partner Charlotte talks | 0:15:07 | 0:15:10 | |
about the effect not
finding the girl might have | 0:15:10 | 0:15:12 | |
on you emotionally -
were you prepared to fail? | 0:15:12 | 0:15:14 | |
The story might have turned out not
what you had wanted to hear? I | 0:15:14 | 0:15:17 | |
turned that story of her tribe she
represented in to hope, hope for | 0:15:17 | 0:15:21 | |
humanity. Like all of us, and we
have discussed plastic and our | 0:15:21 | 0:15:25 | |
negative impacts on the environment,
and I always sort of hoped that out | 0:15:25 | 0:15:29 | |
there in that forest, that sweaty
environment with all those animals, | 0:15:29 | 0:15:31 | |
that this group of people were still
living in harmony, and perfectly, | 0:15:31 | 0:15:35 | |
still as beautiful. But of course I
had my doubts. | 0:15:35 | 0:15:42 | |
had my doubts. You shouldn't really
look over your shoulder, look what | 0:15:45 | 0:15:48 | |
happened to Lot's wife. But I
decided to go and have a look for | 0:15:48 | 0:15:54 | |
her on that last vestige of humanity
that was beautiful. And this is the | 0:15:54 | 0:15:58 | |
remarkable thing. You're amazing
memory made it possible for you to | 0:15:58 | 0:16:02 | |
go back to exactly the same spot,
which helped your search, because | 0:16:02 | 0:16:07 | |
you didn't have much hope. We didn't
know her name, the names of any of | 0:16:07 | 0:16:13 | |
her family, her tribe, and because
of the changes in the roads, we | 0:16:13 | 0:16:17 | |
didn't know where the meeting had
taken place. But we picked up a few | 0:16:17 | 0:16:21 | |
clues and we drove down the road,
and people like myself, we have | 0:16:21 | 0:16:25 | |
discussed the Asperger's before, we
have a different way of seeing the | 0:16:25 | 0:16:30 | |
world and very good memories, so all
of those shapes came together, and I | 0:16:30 | 0:16:34 | |
know it sounds bizarre that someone
could go to a rainforest 20 years | 0:16:34 | 0:16:37 | |
later and find the exact spot, but
we got out the original photos and | 0:16:37 | 0:16:42 | |
we matched the trees, so we knew
that we were in the right spot, and | 0:16:42 | 0:16:47 | |
then we knew which group had been
there in 98, and that really got the | 0:16:47 | 0:16:52 | |
detective mission going then. We had
something to go on. So the actual | 0:16:52 | 0:16:59 | |
environment hadn't changed very
much? One or two of the principal | 0:16:59 | 0:17:03 | |
trees hadn't been felled, so there
was enough from me to be able to | 0:17:03 | 0:17:09 | |
recognise the location, and we spoke
to people who worked with these | 0:17:09 | 0:17:12 | |
tribe subsequently and they knew the
tribe who had been a local area. But | 0:17:12 | 0:17:16 | |
I also then went to meet the tribe,
and I have some artefact here, these | 0:17:16 | 0:17:20 | |
have become some of the most
precious things in my life. I spent | 0:17:20 | 0:17:24 | |
sometime living with these people,
and I went fishing using this | 0:17:24 | 0:17:28 | |
harpoon gun | 0:17:28 | 0:17:33 | |
harpoon gun which the man... Robson
Green would have loved that! I | 0:17:33 | 0:17:38 | |
didn't get any fish, the gentleman
gave me this harpoon gun and I gave | 0:17:38 | 0:17:42 | |
him my nice new pair of goggles to
update them. They gave me some | 0:17:42 | 0:17:47 | |
necklaces as well, and I have got
two, so there you go. Charlotte | 0:17:47 | 0:17:54 | |
might want that. I have put them in
the freezer to make sure there are | 0:17:54 | 0:18:01 | |
no bugs in them. And these other
little pots they use which are | 0:18:01 | 0:18:07 | |
beautifully woven out of ratan,
which is a climber, and I shall | 0:18:07 | 0:18:14 | |
treasure these for the rest of my
life, but not as much as I treasure | 0:18:14 | 0:18:18 | |
the opportunity to spend some time
with people who actually made me | 0:18:18 | 0:18:23 | |
feel very unhuman, very
self-conscious and humble by the | 0:18:23 | 0:18:27 | |
fact of all I could just never be as
good as they were, you know? And the | 0:18:27 | 0:18:33 | |
kids out there, they were just
sprinting through the jungle on | 0:18:33 | 0:18:37 | |
their own, every day, with no fear
of snakes or thorns or disease and | 0:18:37 | 0:18:42 | |
the parents have no fear about their
safety, because there is no reason | 0:18:42 | 0:18:46 | |
to fear it. It is just the most
amazing thing. It is a pure | 0:18:46 | 0:18:51 | |
existence. Can we all go and live
there? You want to go and look this. | 0:18:51 | 0:18:57 | |
-- watch this. | 0:18:57 | 0:19:00 | |
Chris Packham: In Search
Of The Lost Girl is on Sunday | 0:19:00 | 0:19:03 | |
night at 9 on BBC2. | 0:19:03 | 0:19:04 | |
The story of the rainforest and
everything is all in there. | 0:19:04 | 0:19:08 | |
There's no doubt that our
understanding of complex diseases | 0:19:08 | 0:19:10 | |
and conditions is improving
all the time - thanks to the hard | 0:19:10 | 0:19:13 | |
work being done at research
facilities like the one | 0:19:13 | 0:19:15 | |
we're about to see. | 0:19:15 | 0:19:16 | |
First, Dr Sarah Jarvis
has a question for you. | 0:19:16 | 0:19:19 | |
What's made up of 75% water,
generates enough energy to light | 0:19:23 | 0:19:28 | |
bulb and takes over 20 years to
develop fully? It's the brain. And | 0:19:28 | 0:19:34 | |
I'm here to meet a woman who has
more than one. In fact, she's got | 0:19:34 | 0:19:38 | |
600 of them. Doctor Laura Palmer
manages the South West dementia | 0:19:38 | 0:19:45 | |
brain bank, part of the University
of Bristol. People have been | 0:19:45 | 0:19:48 | |
donating brains here for over 30
years. So we do have tissue | 0:19:48 | 0:19:54 | |
remaining from some of our earliest
owners, -- earliest donors, and that | 0:19:54 | 0:20:03 | |
tissue are still available today.
Vascular dementia and Alzheimer's | 0:20:03 | 0:20:10 | |
are two of the most common kinds of
dementia we want to study. There are | 0:20:10 | 0:20:14 | |
ten brain banks in the UK, each with
their own specialisation, and once a | 0:20:14 | 0:20:20 | |
donor has died, it is essential they
receive the brain as soon as | 0:20:20 | 0:20:24 | |
possible to prevent deterioration.
They have both healthy and diseased | 0:20:24 | 0:20:28 | |
brains, and when cross sections of
them are compared, you can see the | 0:20:28 | 0:20:32 | |
difference. The person with
Alzheimer's has much less brain | 0:20:32 | 0:20:37 | |
tissue. At the back you can see the
hippocampus, so that is the main | 0:20:37 | 0:20:43 | |
area in the brain that important in
learning and memory. It also tends | 0:20:43 | 0:20:46 | |
to be the first structure that is
affected by Alzheimer's disease. And | 0:20:46 | 0:20:52 | |
further tests show what's causing
the disease. So everything that | 0:20:52 | 0:20:57 | |
you're seeing that Brown is this
abnormal sticky protein called | 0:20:57 | 0:21:05 | |
beta-amyloid which is found in the
brains of people with Alzheimer's. | 0:21:05 | 0:21:09 | |
It is toxic to cells and we know it
causes cell death. As research | 0:21:09 | 0:21:12 | |
continues, donors I needed. But
brains are not included on the | 0:21:12 | 0:21:18 | |
normal organ donation form. That
wish us to be registered separately. | 0:21:18 | 0:21:22 | |
I'm planning to, but would you?
Identity. Brain feels a bit weird. | 0:21:22 | 0:21:29 | |
Because it's like my thoughts and
ideas and stuff. I suppose it's no | 0:21:29 | 0:21:36 | |
different than any other organ. It
depends, where you think conscience, | 0:21:36 | 0:21:44 | |
your consciousness, is seated, I
would say. I'm a firm believer that | 0:21:44 | 0:21:48 | |
once we are done with it, it should
be made available. Susan from Welch | 0:21:48 | 0:21:53 | |
is one person who has already signed
up to donate her brain after she | 0:21:53 | 0:21:59 | |
died. Both her mother and aunt had
dementia. My mother in the last | 0:21:59 | 0:22:06 | |
three months of her life really
wasn't quite sure who I was, and | 0:22:06 | 0:22:09 | |
that is very hard for a relative. My
aunt was always very busy, but the | 0:22:09 | 0:22:15 | |
last year or so, she kept hiding
things and forgetting to eat. Her | 0:22:15 | 0:22:20 | |
art wanted her body left to medical
science and to help with research | 0:22:20 | 0:22:27 | |
into dementia, her brain was donated
to the brain bank. She always wanted | 0:22:27 | 0:22:31 | |
to help other people and I thought
by continuing to do this, having | 0:22:31 | 0:22:35 | |
some family history is useful for
the brain bank. Susan is keen to see | 0:22:35 | 0:22:40 | |
the work done here, so we've brought
her along to meet Laura. So I'm | 0:22:40 | 0:22:46 | |
going to show you a half hemisphere
of a brain from someone with a | 0:22:46 | 0:22:51 | |
diagnosis of dementia. We can see
that there are some quite prominent | 0:22:51 | 0:22:55 | |
dips and grooves in the surface of
the brain. This is where some of the | 0:22:55 | 0:22:58 | |
tissue has been lost. Soap cell
death occurs in Alzheimer's disease. | 0:22:58 | 0:23:04 | |
When we compare that with the person
who didn't have any memory problems | 0:23:04 | 0:23:07 | |
when they died, we can see that the
area of the brain is much more | 0:23:07 | 0:23:13 | |
tightly packed. We don't have such
large dips and grooves. I had | 0:23:13 | 0:23:17 | |
suspected that maybe the brain might
shrink a bit if you got Alzheimer's, | 0:23:17 | 0:23:21 | |
but I didn't know what it would look
like, and I'm really glad for my | 0:23:21 | 0:23:26 | |
aunt and myself that I donating to
her brain, because hopefully it will | 0:23:26 | 0:23:30 | |
help others. It certainly will.
Dementia never affects just one | 0:23:30 | 0:23:36 | |
person. It affects whole families.
But with the amazing work that brain | 0:23:36 | 0:23:40 | |
banks like this are doing, it could
mean that one day there might just | 0:23:40 | 0:23:46 | |
be a world without dementia. | 0:23:46 | 0:23:49 | |
Organ donation, in general,
is something we've talked | 0:23:50 | 0:23:52 | |
about many times on the show,
and it's always great | 0:23:52 | 0:23:55 | |
to hear when our coverage
has made a difference. | 0:23:55 | 0:23:57 | |
Back in April 2016, we met
the family of ten-year-old | 0:23:57 | 0:23:59 | |
Evie Staley who was killed
by a drunk driver. | 0:23:59 | 0:24:03 | |
Her parents, Neal and Penny,
made the brave decision | 0:24:03 | 0:24:05 | |
to meet Scarlett -
the little girl who | 0:24:05 | 0:24:07 | |
received Evie's heart. | 0:24:07 | 0:24:08 | |
A decision that undoubtedly
helped to save more lives. | 0:24:08 | 0:24:16 | |
We were pulling out of the drive,
and got hit by a car. I remember | 0:24:20 | 0:24:27 | |
waking up and being told by the
doctor the Evie had not made it and | 0:24:27 | 0:24:32 | |
she had died. We made the decision
that we would go ahead with organ | 0:24:32 | 0:24:36 | |
donation, and it was as simple as
that. I have got a special heart. | 0:24:36 | 0:24:44 | |
that. I have got a special heart. So
you have got Evie's heart. What | 0:24:44 | 0:24:46 | |
happened to her? She died and she's
an angel now. In some ways, it does | 0:24:46 | 0:24:53 | |
ease some of the grief.
That had a big effect on all of us. | 0:24:53 | 0:25:04 | |
With us now are Nicola,
Ellie and George Newnes, | 0:25:04 | 0:25:06 | |
who were watching the show
that night, along with | 0:25:06 | 0:25:08 | |
their dad Darren. | 0:25:08 | 0:25:09 | |
What happened in your house that
night? I grew up on the Isle of | 0:25:09 | 0:25:14 | |
Wight, and I was watching that with
my husband, and it sparked a simple | 0:25:14 | 0:25:18 | |
conversation about organ donation,
and I turned to him, because I'm on | 0:25:18 | 0:25:21 | |
the register, and I said, you do
know I have got the donor card, and | 0:25:21 | 0:25:24 | |
that is what I would like. And he
said, yes, of course. And I said, | 0:25:24 | 0:25:30 | |
what about you? You are not on the
register. But would you want to help | 0:25:30 | 0:25:35 | |
people? If you are in the worst
situation, that is what you would | 0:25:35 | 0:25:39 | |
want, isn't it? And he said, yes, of
course. And it was just a rarely | 0:25:39 | 0:25:44 | |
brief and simple conversation, not
knowing that a few months down the | 0:25:44 | 0:25:49 | |
line, that I would be in that
dreadful situation. But it was lucky | 0:25:49 | 0:25:54 | |
you have had the conversation,
because then when the worst happened | 0:25:54 | 0:25:56 | |
and you lost your husband, you could
act quickly, couldn't you? And union | 0:25:56 | 0:26:00 | |
exactly what to do. And in turn,
your dad saved five other lives. So | 0:26:00 | 0:26:08 | |
what do you say, Nicola, to couples
and families out there who haven't | 0:26:08 | 0:26:12 | |
had that conversation and aren't
clear about what your parents, your | 0:26:12 | 0:26:17 | |
partners, your husband, your wife,
wants? I think it is important to | 0:26:17 | 0:26:23 | |
have that conversation. If you are
looking at a programme like this or | 0:26:23 | 0:26:28 | |
you see it on social media, you
spark a simple conversation. It | 0:26:28 | 0:26:32 | |
doesn't come up every day, but we
should be more aware of it, because | 0:26:32 | 0:26:35 | |
it is just so important when I was
in that situation, because I knew | 0:26:35 | 0:26:40 | |
his wishes, I knew that that was
what he wanted. It took a lot of the | 0:26:40 | 0:26:46 | |
responsibility away from me. I knew
what he wanted, and it is difficult | 0:26:46 | 0:26:50 | |
when you are in that situation, it
is a huge responsibility. So to have | 0:26:50 | 0:26:55 | |
the clarity helps, he is a legend,
saving five people's lives. After | 0:26:55 | 0:27:03 | |
featuring Evie's story on the show,
there was a 70% spike in the number | 0:27:03 | 0:27:08 | |
of people signing up to be donors,
so hopefully tonight we will do the | 0:27:08 | 0:27:13 | |
same. All the details are on our
website, and wherever you stand on | 0:27:13 | 0:27:16 | |
organ donation, please make sure you
discuss it with your loved ones, and | 0:27:16 | 0:27:20 | |
thank you to the three of you. | 0:27:20 | 0:27:24 | |
And we can all have our say too
on the public consultation that's | 0:27:24 | 0:27:27 | |
currently under way to decide
whether England and Northern Ireland | 0:27:27 | 0:27:30 | |
should adopt an opt-out system
like the one in Wales. | 0:27:30 | 0:27:38 | |
Trevor, you have been involved in a
campaign. | 0:27:41 | 0:27:46 | |
To get more black and ethnic | 0:27:46 | 0:27:48 | |
minority donors to sign up -
something you've been | 0:27:48 | 0:27:50 | |
involved in in the past -
why's the message not getting | 0:27:50 | 0:27:53 | |
through, do you think? | 0:27:53 | 0:27:54 | |
In different cultures, there is a
lot of fear to giving blood organ | 0:27:54 | 0:27:58 | |
donation, things like that. A lot of
it comes from your parents and the | 0:27:58 | 0:28:02 | |
generation before them, and I think
that the next generation will be a | 0:28:02 | 0:28:08 | |
lot more in step with and in tune
with the need to do this. I don't | 0:28:08 | 0:28:12 | |
want to sound like a hypocrite, but
we were just talking, I was aware of | 0:28:12 | 0:28:18 | |
it, you have had a card for years,
and I said, I've got to have a card, | 0:28:18 | 0:28:23 | |
where is my card? It is moments like
this where you realise it is so | 0:28:23 | 0:28:28 | |
important. This spike you were
talking about is because people | 0:28:28 | 0:28:31 | |
think about it, and do you have to
have the whole family around you | 0:28:31 | 0:28:36 | |
discuss it, or would you just shocks
if something happens to you | 0:28:36 | 0:28:39 | |
suddenly? That you have a donor
card. It is just worth having that | 0:28:39 | 0:28:46 | |
conversation. It is a horrible
conversation to have, but you've got | 0:28:46 | 0:28:49 | |
to have it. If you are interested at
home, and you once of information, | 0:28:49 | 0:28:57 | |
then there is the information. I was
renewing my RAC membership, and | 0:28:57 | 0:29:01 | |
there was a box to take to be an
organ donor, and I ticked the box. | 0:29:01 | 0:29:06 | |
Simple as that. | 0:29:06 | 0:29:10 | |
Right, it's time to talk Vera now,
because Brenda's back in that mac | 0:29:10 | 0:29:13 | |
again, taking on the criminals
of the north-east. | 0:29:13 | 0:29:17 | |
Here you are, in the mac! We found
his wallet in his pocket. He went | 0:29:17 | 0:29:29 | |
for a swim, folded up his clothes,
nice and neat. Folded up his | 0:29:29 | 0:29:32 | |
clothes? Do you see anything at all
in his bedroom that was folded? It's | 0:29:32 | 0:29:39 | |
like a tip. A teenage lad would have
just kicked off his jeans and left | 0:29:39 | 0:29:46 | |
them where they fell. This all seems
too contrived. You might want to | 0:29:46 | 0:29:53 | |
come and see this. | 0:29:53 | 0:29:59 | |
Nobody loves Northumberland more
than me, and I know that feeling, | 0:29:59 | 0:30:04 | |
cold, and getting warm after that
clip. Do you ever wish that may be | 0:30:04 | 0:30:08 | |
you could do Poirot or Miss Marple,
somewhere warmer? Yes, Seleucia or | 0:30:08 | 0:30:16 | |
somewhere. But it was just beautiful
there. That was filmed up near | 0:30:16 | 0:30:23 | |
Kielder Forest,. And Vera is popular
the world over. I was recently in | 0:30:23 | 0:30:31 | |
New Zealand with my parents, and we
watched episode after episode. Sorry | 0:30:31 | 0:30:36 | |
about that! You are surprised at how
popular it is with younger people as | 0:30:36 | 0:30:40 | |
well. | 0:30:40 | 0:30:45 | |
Sometimes you would have to police
then when you were filming. | 0:30:47 | 0:30:50 | |
Sometimes we would get a crowd of
people chanting, Vera, Vera! And we | 0:30:50 | 0:30:57 | |
had to get them to police the whole
crowd for us, telling them we were | 0:30:57 | 0:31:01 | |
about to start filming. And I would
do all the filming signs, turning, | 0:31:01 | 0:31:09 | |
and they were great. And we went to
the Crane Festival at Harrowgate, an | 0:31:09 | 0:31:15 | |
annual festival, and the last time
there | 0:31:15 | 0:31:26 | |
there was a Q&A, and it was great,
and a lad of 12 stood up, and he | 0:31:26 | 0:31:31 | |
said me and my friends, we watch
Vera and it's our favourite | 0:31:31 | 0:31:34 | |
programme. I told him I was really
astonished and I asked why and he | 0:31:34 | 0:31:41 | |
said because the stories were always
so good and she was so funny, so we | 0:31:41 | 0:31:44 | |
were really flattered. And we have
it on good authority that you are | 0:31:44 | 0:31:48 | |
quite a stickler as far as the grips
in the plot are concerned. You're | 0:31:48 | 0:31:52 | |
the first one on the phone having
the conversation? If I am reading | 0:31:52 | 0:31:58 | |
and the script lands on the doormat,
I read it. If I suss it out early | 0:31:58 | 0:32:03 | |
on, it goes back to the drawing
board. It's no good if I can work it | 0:32:03 | 0:32:08 | |
out! Well, you are the detective.
But not on page three! And people | 0:32:08 | 0:32:14 | |
like it because it is complex. You
don't guess. There are so many | 0:32:14 | 0:32:18 | |
twists and turns, but you two fans
murder mysteries? I do like one. I | 0:32:18 | 0:32:25 | |
don't mind... I do. You can see if
you don't! I don't like the | 0:32:25 | 0:32:32 | |
Hollywood ones which are too easy.
If I get it after the first two | 0:32:32 | 0:32:38 | |
minutes I think it is boring. You
need Vera in your life! Lake with | 0:32:38 | 0:32:45 | |
Colombo, and you know who it is up
front. Yes, you didn't need to be a | 0:32:45 | 0:32:52 | |
detective to figure it out. They are
pretty good at keeping the audience | 0:32:52 | 0:32:58 | |
guessing. I think one of the
greatest ever is Scooby Doo! | 0:32:58 | 0:33:05 | |
LAUGHTER
And at the end you're like who, | 0:33:05 | 0:33:10 | |
what, I didn't see it!
LAUGHTER | 0:33:10 | 0:33:15 | |
Vera is 71 and she rules the
roost... Brenda is 71, Vera's not! | 0:33:17 | 0:33:27 | |
Well, I didn't want to give your age
away... But seeing you in such a | 0:33:27 | 0:33:31 | |
strong role. Yes, not reliant on
lipstick, or she doesn't look like | 0:33:31 | 0:33:36 | |
she has walked off the catwalk. They
did do a bit of work. And the | 0:33:36 | 0:33:42 | |
costume is cleverly designed,
everything finishing at hip height | 0:33:42 | 0:33:46 | |
so it makes it wider, because in the
novels, and grieve's novels, she is | 0:33:46 | 0:33:52 | |
very tall, very big, and I'm not.
I'm five foot two. | 0:33:52 | 0:34:01 | |
I'm five foot two. -- Anne Cleave's
novels. And you do your own stunts? | 0:34:01 | 0:34:08 | |
If you call steering your key stunt!
LAUGHTER | 0:34:08 | 0:34:13 | |
And we get to see Vera's personal
side. And you actually live next | 0:34:13 | 0:34:19 | |
door to Kenny, who plays aiding?
Yes, for a cup of sugar... You get | 0:34:19 | 0:34:26 | |
on brilliantly. And Vera is on ITV
this Sunday, and if you have missed | 0:34:26 | 0:34:31 | |
any of the series so far, you can
get the box set. A lot of catching | 0:34:31 | 0:34:36 | |
up to do! | 0:34:36 | 0:34:42 | |
up to do! Yes, Winterwatch next
week, nothing to do! | 0:34:42 | 0:34:45 | |
It was nice to see another
BBC wildlife presenter, | 0:34:45 | 0:34:47 | |
Sir David Attenborough,
and the Blue Planet II | 0:34:47 | 0:34:49 | |
get their impact award at the NTAs
last night for highlighting | 0:34:49 | 0:34:51 | |
the damage caused by
single-use plastic. | 0:34:51 | 0:34:53 | |
And anyone watching over the last
few weeks will know it's a cause | 0:34:53 | 0:34:56 | |
close to our hearts. | 0:34:56 | 0:35:00 | |
I know we have been talking about it
already this evening. | 0:35:00 | 0:35:03 | |
Tonight we're giving
the big supermarkets, | 0:35:03 | 0:35:04 | |
restaurants and fast food chains
a bit of a break and asking how it's | 0:35:04 | 0:35:07 | |
possible for entire towns
and villages to go plastic-free. | 0:35:07 | 0:35:10 | |
Here's Lucy. | 0:35:10 | 0:35:14 | |
These Welsh business owners are on a
mission. I came down from West Wales | 0:35:14 | 0:35:20 | |
today. To make Aberporth the first
village in Wales to go plastic free. | 0:35:20 | 0:35:25 | |
We brought them here to Penzance.
The place which last month was | 0:35:25 | 0:35:32 | |
awarded the first plastic free town
status in the UK, and we want to | 0:35:32 | 0:35:37 | |
harvest some tips from this
community on turning the plastic | 0:35:37 | 0:35:40 | |
tied for those following in its
wake. Aberporth cafe owners have | 0:35:40 | 0:35:47 | |
already replaced their single use
plastic with biodegradable straws | 0:35:47 | 0:35:50 | |
and cups, but will Helen Swift, who
runs Archie Brown 's cafe in | 0:35:50 | 0:35:55 | |
Penzance, have any more tips? If
people come in with their own | 0:35:55 | 0:35:59 | |
containers we will charge them left
for their takeaway. If they buy a | 0:35:59 | 0:36:02 | |
multiple use cup we will give them a
free copy when they buy it and we | 0:36:02 | 0:36:06 | |
will then give them money off every
coffee after that. Are you going to | 0:36:06 | 0:36:10 | |
be this generous? Will have to wait
and see what happens! We will have | 0:36:10 | 0:36:16 | |
to work on this. It is certainly a
good idea. Things are going well, | 0:36:16 | 0:36:21 | |
but both sets of cafe owners have
concerns about the recycling of | 0:36:21 | 0:36:26 | |
their biodegradable containers. We
are taking away business, taking | 0:36:26 | 0:36:31 | |
away from our premises, you put it
in the Ben An what does the council | 0:36:31 | 0:36:35 | |
do afterwards? It would be better if
it could be the compost it is all | 0:36:35 | 0:36:39 | |
local authorities had proper compost
facilities for the food waste, which | 0:36:39 | 0:36:44 | |
they don't and unfortunately we
don't in Cornwall. Archie Brown 's | 0:36:44 | 0:36:48 | |
is just one of 15 dedicated plastic
free businesses in Penzance. Others | 0:36:48 | 0:36:55 | |
include the Chippy... For years I
was stuck with polystyrene cups to | 0:36:55 | 0:36:59 | |
sell mushy peas and gravy but these
are biodegradable, looks plastic but | 0:36:59 | 0:37:06 | |
it is made of starch. The grocers...
They have either paper bags, jute | 0:37:06 | 0:37:14 | |
bags... And the coffee van man... It
is made with oil liner. But does it | 0:37:14 | 0:37:23 | |
come at a cost? Let's just talk
expense. Twice as expensive as a | 0:37:23 | 0:37:29 | |
cheaper cup. That is hard to bear?
It is not a huge expense, Coffey is | 0:37:29 | 0:37:35 | |
a huge mark-up. Said it easier for
some businesses than others. For | 0:37:35 | 0:37:39 | |
example, here in Penzance there is
not one butcher who has been brave | 0:37:39 | 0:37:42 | |
enough to take the challenge. Jill
Sutton, who runs a gift shop in the | 0:37:42 | 0:37:47 | |
Welsh town -- a Welsh town nine
miles from Aberporth, is concerned | 0:37:47 | 0:37:53 | |
about some of her more tricky
products. In the shop we have a | 0:37:53 | 0:37:57 | |
number of products that come with a
very nice label, and then we have | 0:37:57 | 0:38:03 | |
these little plastic hang tags. Oh,
no! We don't want that. That is a | 0:38:03 | 0:38:08 | |
horrible little bit of plastic and
also the sort of plastic that breaks | 0:38:08 | 0:38:13 | |
easily and could end up being eaten
by wild life. As for getting James | 0:38:13 | 0:38:18 | |
who runs the Glan Mardi takeaway, he
is worried he would find other | 0:38:18 | 0:38:26 | |
supplier who will meet his demand
for eco-friendly products -- Gethin | 0:38:26 | 0:38:32 | |
James who runs the Glenmardy
takeaway. I didn't realise Coffey | 0:38:32 | 0:38:40 | |
cops weren't recyclable. They do the
wooden cutlery, the whole lot, all | 0:38:40 | 0:38:43 | |
of it. The main thing from the visit
today, find suppliers that would | 0:38:43 | 0:38:48 | |
mean I can take up to 10,000
coffeecups out of the stream with | 0:38:48 | 0:38:57 | |
just one business. With all these
businesses already on board, I thee | 0:38:57 | 0:39:01 | |
any closer to being awarded that
all-important plastic free status? | 0:39:01 | 0:39:05 | |
-- are they any closer. Hugo is from
the group Servers against Sewage | 0:39:05 | 0:39:12 | |
will run the plastic free project.
What do individual businesses have | 0:39:12 | 0:39:16 | |
to do? El Ahmadi have to commit to
eliminating replacing at least three | 0:39:16 | 0:39:20 | |
items of single use plastic they
currently use. -- yes, they have to | 0:39:20 | 0:39:27 | |
commit. They need to engage the
local council, get them on board | 0:39:27 | 0:39:30 | |
with a plastic free agenda. We have
hundreds of communities around the | 0:39:30 | 0:39:34 | |
UK working towards the status and it
has only been going a few months and | 0:39:34 | 0:39:37 | |
we have been overwhelmed by the
response. After what they have | 0:39:37 | 0:39:41 | |
learned in Penzance today, well
Aberporth officially become the | 0:39:41 | 0:39:47 | |
first place in Wales to go plastic
free? | 0:39:47 | 0:39:51 | |
STUDIO: They did learn quite a lot
from Penzance, it turns out. Some | 0:39:51 | 0:39:55 | |
good news? | 0:39:55 | 0:40:00 | |
good news? Aberporth has attained
plastic free status! | 0:40:00 | 0:40:01 | |
APPLAUSE
Well done. | 0:40:01 | 0:40:09 | |
Well done. But so has Tynemouth.
Well done. They are joining them as | 0:40:10 | 0:40:14 | |
we saw and leading the nation. Very
good work. We also wanted to speak | 0:40:14 | 0:40:20 | |
about supermarkets again, and I know
I keep going on about this. We have | 0:40:20 | 0:40:24 | |
a little update for you. 200 MPs
across party have written to the | 0:40:24 | 0:40:30 | |
major supermarkets, the nine major
ones, asking them what they will do | 0:40:30 | 0:40:35 | |
to eliminate plastics in their
supply chain by 2023. We know from | 0:40:35 | 0:40:39 | |
last week Iceland, the retailer not
the country, they have pledged to | 0:40:39 | 0:40:45 | |
eliminate plastic waste in their
supply chain by that date, and | 0:40:45 | 0:40:49 | |
Waitrose has announced they are
getting rid of all the black plastic | 0:40:49 | 0:40:52 | |
trees we spoke about which are very
difficult to recycle. So that is a | 0:40:52 | 0:40:57 | |
little update. Supermarkets are
important because there is so much | 0:40:57 | 0:40:59 | |
plastic waste. 800,000 tonnes a year
is generated in the UK and just to | 0:40:59 | 0:41:03 | |
give you a visual that would be like
an industrial skip that goes end to | 0:41:03 | 0:41:08 | |
end from London to Sydney full of
plastic waste. That is ridiculous! | 0:41:08 | 0:41:13 | |
Oh, dear. Our trusted viewers once
more are coming and their droves | 0:41:13 | 0:41:20 | |
saying what you should do at home
with lots of tips and ideas to | 0:41:20 | 0:41:24 | |
reduce plastic. Yes, they have been
consistently excellent. | 0:41:24 | 0:41:27 | |
Lots of viewers telling us they have
switched back to the milkman and | 0:41:27 | 0:41:32 | |
glass bottles and doorstep
deliveries, so really old school. | 0:41:32 | 0:41:35 | |
This tallies with the national
picture where customers with milk | 0:41:35 | 0:41:41 | |
deliveries have been up over the
last to my ears. We heard from Mark | 0:41:41 | 0:41:45 | |
in Wales who has been in the
business for 35 years and he says | 0:41:45 | 0:41:50 | |
following the recent stuff around
plastics and the profile he has been | 0:41:50 | 0:41:52 | |
inundated with inquiries -- the last
two years. He has had to refurbish | 0:41:52 | 0:41:59 | |
his 45-year-old milk float. Getting
there! I will briefly leave you all | 0:41:59 | 0:42:05 | |
and go to my plastic free gallery
over here. So I will give you some | 0:42:05 | 0:42:10 | |
more great tips we have had from
viewers. This one from Cambridge. | 0:42:10 | 0:42:17 | |
Antonella recommends using beeswax
wrap instead of cling film which can | 0:42:17 | 0:42:20 | |
be washed and reusable, very good
idea. Mickey Browning's daughter in | 0:42:20 | 0:42:24 | |
law introduced reusable bread bags
which she says keep spread really | 0:42:24 | 0:42:30 | |
fresh. And Becky from Portsmouth
sent in a picture. This is her | 0:42:30 | 0:42:34 | |
bamboo straws. Thank you. Emma
Thompson from London with all her | 0:42:34 | 0:42:40 | |
refillables and reusables including
a bamboo toothbrush, very good. If | 0:42:40 | 0:42:45 | |
you wanted to you could also get
toothpaste in a jar which I think | 0:42:45 | 0:42:49 | |
not many people know about to reduce
the plastic in your bathroom, and | 0:42:49 | 0:42:53 | |
these are all excellent tips you
have been sending in so keep them | 0:42:53 | 0:42:56 | |
coming. Some of these products are
biodegradable and we have had a | 0:42:56 | 0:43:00 | |
little confusion over that because
they don't degrade in landfill | 0:43:00 | 0:43:03 | |
because there is no oxygen so it is
not the right conditions, so they | 0:43:03 | 0:43:06 | |
need to go into compost is, and what
we are doing here is obviously | 0:43:06 | 0:43:11 | |
switching from single use plastic to
refillables and reusables. Because | 0:43:11 | 0:43:16 | |
it is not the best use of plastic
and there are other places that can | 0:43:16 | 0:43:20 | |
go. We love your tips and ideas,
they are invaluable, so please keep | 0:43:20 | 0:43:26 | |
them coming. Thank you! I was
thinking, you could trade that | 0:43:26 | 0:43:31 | |
necklace for that bamboo toothbrush,
you might quite like that, Chris. We | 0:43:31 | 0:43:41 | |
will be talking to Trevor about his
new album to put you in the mood for | 0:43:41 | 0:43:45 | |
Love, coming up. | 0:43:45 | 0:43:48 | |
But at a time when gender
equality is grabbing more | 0:43:48 | 0:43:51 | |
headlines than ever,
do we need to rewrite the | 0:43:51 | 0:43:52 | |
more-traditional rules of romance? | 0:43:52 | 0:43:53 | |
It's one for Esther. | 0:43:53 | 0:43:59 | |
Handsome gentleman, I need your
advice, all of you. You know it is | 0:43:59 | 0:44:04 | |
the age of equality, equal rights,
equal pay. But when you go on a | 0:44:04 | 0:44:09 | |
first date, who pays the dinner? The
gentleman, I am old school. Always | 0:44:09 | 0:44:14 | |
the gentleman? These days, they tend
to share. In our day, the man used | 0:44:14 | 0:44:21 | |
to pay. Did I? Do remember! Where
did he take you on your first date? | 0:44:21 | 0:44:29 | |
The Playboy club. What?! Hello, I'm
looking for a handsome gentleman. | 0:44:29 | 0:44:39 | |
What is your problem? When you take
out a lady on a date, who pays? In | 0:44:39 | 0:44:44 | |
my country, we pay. Greece. How are
you, my dear friend? And very good. | 0:44:44 | 0:44:53 | |
I think I was flirting with him,
actually. Are you enjoying that? I | 0:44:53 | 0:44:59 | |
will buy you a coffee. Maybe I
should pave the yours. Does he | 0:44:59 | 0:45:04 | |
always pick up the tab? Yes, he
does. When you went on your first | 0:45:04 | 0:45:11 | |
date with your now husband, when you
were... ? 26. I would have been | 0:45:11 | 0:45:19 | |
happy to pay, but this is his
mother. And my mother. So all those | 0:45:19 | 0:45:29 | |
years of marriage, you have never
split the bill? No. In the years I | 0:45:29 | 0:45:38 | |
was working, I would occasionally
treat my husband, as a, I would like | 0:45:38 | 0:45:43 | |
to take you out, do something lovely
for you. Shut the man paid? | 0:45:43 | 0:45:49 | |
Personally, I think you should. Do
you ever offered to pick up the | 0:45:49 | 0:45:54 | |
bill? With my husband, no. When you
go out for a meal, does she | 0:45:54 | 0:46:01 | |
sometimes pick up the bill?
Sometimes. She doesn't like to | 0:46:01 | 0:46:05 | |
depend on me for everything. Give
her my love, tell her how lucky you | 0:46:05 | 0:46:09 | |
are to have her!
That has got a lot of people talking | 0:46:09 | 0:46:15 | |
right across the nation. Where do
you stand on this, Chris? I think it | 0:46:15 | 0:46:20 | |
splits both ways. It should be the
old 50/50, it is nice to be able to | 0:46:20 | 0:46:25 | |
give and to receive, so sometimes I
pay for a meal if I take Charlotte | 0:46:25 | 0:46:28 | |
Heard, and sometimes she pays for
me. | 0:46:28 | 0:46:33 | |
Same as ours, and it is not just men
and women these days. It is all over | 0:46:33 | 0:46:37 | |
the place. Anybody can pay. Just be
nice to each other! Should the | 0:46:37 | 0:46:47 | |
person who does the inviting pay?
Yes, if you are in a relationship | 0:46:47 | 0:46:51 | |
already, you know the rules. It is
when you don't. The person doing the | 0:46:51 | 0:46:57 | |
inviting should definitely have the
funds, in case it all goes wrong. | 0:46:57 | 0:46:59 | |
Nothing should be taken for granted.
So what happened today when you | 0:46:59 | 0:47:04 | |
invited me for lunch?
LAUGHTER | 0:47:04 | 0:47:09 | |
So that's why you did it, to stick
it in there! Just kidding. So, | 0:47:10 | 0:47:19 | |
Trevor, is a gig a good place for a
first date? Not the cinema, that is | 0:47:19 | 0:47:27 | |
awkward, do you sit at the back, do
you sit in the middle, sit at the | 0:47:27 | 0:47:31 | |
front, do front, do you do that,
awkward! Go to a gig, have a great | 0:47:31 | 0:47:35 | |
time, the focus is on somebody else
other than you, no uncomfortable | 0:47:35 | 0:47:40 | |
silences, bottles, great mood, take
it from there, see how it goes. A | 0:47:40 | 0:47:44 | |
twinkle in his, look at that. That
wouldn't have worked with the Ramon | 0:47:44 | 0:47:51 | |
is a 1977! We would have stood there
in silence getting blasted. We are | 0:47:51 | 0:47:58 | |
going to put some music on now,
because we are in the mood for Slow | 0:47:58 | 0:48:07 | |
Jams. There is a definite vibe to
this, and arriving through Port | 0:48:07 | 0:48:14 | |
Talbot on a Monday morning wasn't
quite right. It has a lot of R&B on | 0:48:14 | 0:48:20 | |
it, a lot of songs with the same
sort of rhythm, shall we say. When | 0:48:20 | 0:48:25 | |
do you expect people to listen to
this album? I know where you are | 0:48:25 | 0:48:29 | |
going with this, the lights have
gone red, I am an R&B DJ, and I know | 0:48:29 | 0:48:35 | |
there are many love songs. I don't
play these in my bedroom. But I play | 0:48:35 | 0:48:40 | |
them to chill out in my car. I love
them in different situations. As I | 0:48:40 | 0:48:44 | |
have got older, things have changed,
I don't use them as a tool. I just | 0:48:44 | 0:48:48 | |
love this music. I have been
compiling songs since I did playlist | 0:48:48 | 0:48:53 | |
at school. Becomes very naturally,
since I had a Sony Walkman. Was it | 0:48:53 | 0:48:58 | |
the yellow one? Yes! Terrible
headphones, but I used to put | 0:48:58 | 0:49:07 | |
playlists together, and now I do a
radio show, so for 30 years I have | 0:49:07 | 0:49:10 | |
compiled stuff every week. A lot of
work with, three CDs. My first gig | 0:49:10 | 0:49:16 | |
was at a school disco, because I was
too nervous to ask girls to dance, | 0:49:16 | 0:49:20 | |
and we went to a boys school, so
imagine that. We had to ship a load | 0:49:20 | 0:49:25 | |
of girls in, and I said, I will DJ,
I have got loads of music, and I | 0:49:25 | 0:49:30 | |
played Marvin Gaye, Let's Get It On
at the end. And I relies I had | 0:49:30 | 0:49:39 | |
something, I could select music, and
I was quite good at it. So I stopped | 0:49:39 | 0:49:46 | |
doing compilations, I had a good run
recently sold quite a few, and the | 0:49:46 | 0:49:51 | |
record company said, you haven't
done a Slow Jams one, have you, and | 0:49:51 | 0:49:55 | |
I said, no, and I really do love a
lot of these slow tunes. What is | 0:49:55 | 0:50:02 | |
your go to romantic song, Chris and
Brenda? For me, it is Pure by the | 0:50:02 | 0:50:11 | |
Lightning Seeds. My dogs would both
Howell to it. When my mother died, | 0:50:11 | 0:50:18 | |
we put in the ground, and they stood
at the side of the grave, and we | 0:50:18 | 0:50:22 | |
used to think it was hysterical, I
played it on my phone and they both | 0:50:22 | 0:50:25 | |
Howell that it was very romantic
moment. Mine is Carole King, Will | 0:50:25 | 0:50:32 | |
You Still Love Me Tomorrow. And you
inject mood into your programmes | 0:50:32 | 0:50:39 | |
with the music? Not like this!
Normally a bit more lively. And | 0:50:39 | 0:50:44 | |
Trevor, you had a 30 year career, so
influential in producing Britain's | 0:50:44 | 0:50:51 | |
R&B, so what was it back then about
that music that you wanted to share? | 0:50:51 | 0:50:54 | |
I genuinely don't believe you pick a
music picks you. Something hits you, | 0:50:54 | 0:51:04 | |
you can't lie about your taste in
music is what it is. And I used to | 0:51:04 | 0:51:09 | |
be, at 13, I loved music that
80-year-olds like, and I have always | 0:51:09 | 0:51:14 | |
loved soul music. And I got the
opportunity on Radio 1, a | 0:51:14 | 0:51:19 | |
magnificent moment for me, to do the
first national R&B show, and it made | 0:51:19 | 0:51:23 | |
a hell of a lot to me, and now I
meet people who say, it got me | 0:51:23 | 0:51:28 | |
through uni, you got me through
this, and it changed my taste in | 0:51:28 | 0:51:31 | |
music because I read as this is what
I like, and that of the DJ, you get | 0:51:31 | 0:51:37 | |
the opportunity, and every show I
treat like I am compiling an album, | 0:51:37 | 0:51:41 | |
I genuinely do. I take hours and
hours on every show that I do. | 0:51:41 | 0:51:49 | |
Well, Slow Jams is out now, just in
time for Valentine's Day. Perfect! | 0:51:49 | 0:51:55 | |
Now, prepare to be amazed,
because our next guest is a magician | 0:51:55 | 0:51:58 | |
who's impressed the likes of Penn
and Teller with his | 0:51:58 | 0:52:00 | |
incredible card tricks -
so much so that he got a job | 0:52:00 | 0:52:03 | |
supporting them in Las Vegas. | 0:52:03 | 0:52:04 | |
Pretty incredible for a man
they call "the sleight | 0:52:04 | 0:52:06 | |
of no hands magician". | 0:52:06 | 0:52:09 | |
Please welcome Mahdi Gilbert. | 0:52:26 | 0:52:29 | |
CHEERING
OK, Madhi, in your own time. This is | 0:52:29 | 0:52:39 | |
one of the tricks I have been doing
the longest, it uses three red cards | 0:52:39 | 0:52:42 | |
and three black cards, and something
that I don't have but I will need to | 0:52:42 | 0:52:46 | |
borrow from one of you in a moment,
your two hands. I will do it. It's | 0:52:46 | 0:52:56 | |
OK, she will do it, but it's OK.
First we mix the cards, a red card | 0:52:56 | 0:53:01 | |
in between each and every one of the
black cards. What have I got to do? | 0:53:01 | 0:53:09 | |
You don't do anything. You watch.
So, a black, and a read. | 0:53:09 | 0:53:22 | |
Can you interlace your fingers? Put
your fingers apart, put one hand on | 0:53:22 | 0:53:28 | |
top of the other, and because you do
that over there, the same thing | 0:53:28 | 0:53:33 | |
happens, every single one of the
blacks is over here, and every | 0:53:33 | 0:53:36 | |
single one of the Reds is over
there. | 0:53:36 | 0:53:40 | |
APPLAUSE
One of the oldest rules in magic is | 0:53:40 | 0:53:47 | |
that you never repeat the same trick
twice, but I don't follow the rules, | 0:53:47 | 0:53:50 | |
so I will do it again.
Some cards face up, some face down. | 0:53:50 | 0:53:56 | |
The blacks and the Reds. | 0:53:56 | 0:54:01 | |
And can you interlace your fingers
one more time? Put your finger is | 0:54:06 | 0:54:11 | |
apart, put one hand on top of the
other, and because you do that over | 0:54:11 | 0:54:15 | |
there, the same thing once again
happens over here, every single one | 0:54:15 | 0:54:19 | |
of these is a black, and you take
the red. Put a card down. Any one? | 0:54:19 | 0:54:29 | |
Yes, you put one and I will put
another, there you go, and it is OK | 0:54:29 | 0:54:33 | |
if we chat. I want everybody to see
that they are interlaced, one by | 0:54:33 | 0:54:38 | |
one. We have red and black and red
and black. We will separate these | 0:54:38 | 0:54:49 | |
two piles, and once they are
separated, they will never touch | 0:54:49 | 0:54:52 | |
again. With these cards over here,
and these cards over here, and I | 0:54:52 | 0:54:57 | |
will show you all the card so that
there is no doubt as to what is | 0:54:57 | 0:55:00 | |
where. Here we have red and black
and red, and here, black and red and | 0:55:00 | 0:55:10 | |
black. And can you both interlace
your fingers? I would do it myself, | 0:55:10 | 0:55:17 | |
but I have to do the magic. Only if
you believe in magic, pull your | 0:55:17 | 0:55:22 | |
fingers apart and put one hand on
top of the other, and if this works, | 0:55:22 | 0:55:25 | |
only if it works, now, every single
one of the red cards should be over | 0:55:25 | 0:55:32 | |
here, and over here, every single
one of the blacks. | 0:55:32 | 0:55:35 | |
APPLAUSE
That is mesmerising. I have no idea | 0:55:35 | 0:55:44 | |
how he did that. And how did you
find magic? Or was it the other way | 0:55:44 | 0:55:50 | |
around? I always wanted to do magic,
when I was a little kid I always | 0:55:50 | 0:55:53 | |
felt like so many things were
possible for me, and I thought if I | 0:55:53 | 0:55:57 | |
became a Jewish and I would be able
to do anything. | 0:55:57 | 0:56:03 | |
And as we said, Penn and Teller have
singled you out and said you are the | 0:56:03 | 0:56:12 | |
future, you have toured with them in
Las Vegas and played to an audience | 0:56:12 | 0:56:18 | |
of 550 million in China. It has gone
pretty wild, yes. And what are your | 0:56:18 | 0:56:26 | |
hopes for the future? I don't know,
I guess maybe get to 1 billion or | 0:56:26 | 0:56:32 | |
six. I want the whole world to fall
in love with magic and love it as | 0:56:32 | 0:56:35 | |
much as I love it. And you are an
absolute advocate for practising and | 0:56:35 | 0:56:39 | |
finding your own way of doing
whatever it is, but it has been | 0:56:39 | 0:56:44 | |
fantastic, once again, Madhi
Gilbert! | 0:56:44 | 0:56:46 | |
APPLAUSE | 0:56:46 | 0:56:50 | |
And if you'd like to see more
of Mahdi's magic, he's performing | 0:56:50 | 0:56:53 | |
at The Vault Festival here in London
from the 31st of January. | 0:56:53 | 0:56:56 | |
Super job. | 0:56:56 | 0:56:57 | |
Chris, we have to talk
about the return of Winterwatch. | 0:56:57 | 0:57:00 | |
You're back in the
Cotswolds next eek. | 0:57:00 | 0:57:02 | |
Anything you're particularly
excited to see? | 0:57:02 | 0:57:06 | |
The weather we have been having
lately, this will be a challenge. | 0:57:06 | 0:57:11 | |
Not all the rain and wind that we
had today, because that will have a | 0:57:11 | 0:57:14 | |
huge impact on what we have. But we
have some experiments we are setting | 0:57:14 | 0:57:18 | |
up to see which farmland birds might
be coming in and how they use their | 0:57:18 | 0:57:22 | |
beaks to each different seas. We
have been Carl Rimmer more badgers, | 0:57:22 | 0:57:26 | |
because the badgers in that part of
Gloucestershire are behaving quite | 0:57:26 | 0:57:33 | |
strangely, so we will find that more
than that. -- collaring more | 0:57:33 | 0:57:36 | |
badgers. And we're going to Scotland
to look at these as well. And what | 0:57:36 | 0:57:40 | |
is your schedule? Monday to
Thursday, we start at the later time | 0:57:40 | 0:57:44 | |
of nine o'clock. | 0:57:44 | 0:57:47 | |
Trevor, you had to build
a new window at home | 0:57:47 | 0:57:50 | |
to enjoy your favourite view? | 0:57:50 | 0:57:52 | |
We know you like a fish pond, but he
has also built a special window so | 0:57:52 | 0:57:57 | |
that he can see it. This is his carp
pond! I bought a house, and builders | 0:57:57 | 0:58:06 | |
had built a pond which was not good
for the fish, so most of those fish | 0:58:06 | 0:58:11 | |
in there are injured. So they were
there when you moved in? So you | 0:58:11 | 0:58:15 | |
renovated their pond? I got a
specialist in and he said, this is | 0:58:15 | 0:58:19 | |
not a good pond for these fish, so
before I even got the heating sorted | 0:58:19 | 0:58:24 | |
in my house, I said, I am going to
save them, I built this great big | 0:58:24 | 0:58:28 | |
pond, it is like a summing pool but
the fish. You will be on the next | 0:58:28 | 0:58:33 | |
Springwatch if you are not careful!
Have you got otters? That is what we | 0:58:33 | 0:58:38 | |
need on our programmes. | 0:58:38 | 0:58:42 | |
That's it for tonight. | 0:58:42 | 0:58:43 | |
Thanks to our guests,
Chris, Brenda and Trevor. | 0:58:43 | 0:58:45 | |
Trevor's album Slow Jams is out now,
series eight of Vera is released | 0:58:45 | 0:58:48 | |
on DVD on the 28th of February
and you can see Chris Packham: | 0:58:48 | 0:58:51 | |
In Search of the Lost Girl on Sunday
night at nine on BBC Two. | 0:58:51 | 0:58:55 | |
Tomorrow night, Julia
Bradbury will be here. | 0:58:55 | 0:58:57 | |
See you then! | 0:58:57 | 0:59:00 |