Browse content similar to 25/01/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:20 | 0:00:22 | |
And Angela Scanlon. | 0:00:22 | 0:00:30 | |
For one night we have created a
public footpath. I think we can see | 0:00:31 | 0:00:36 | |
our guest tonight. She's about to
explore some of the best walks in | 0:00:36 | 0:00:40 | |
Britain. | 0:00:40 | 0:00:48 | |
You cannot keep her away from a
path. Is it cold out? It's very | 0:00:48 | 0:00:52 | |
nippy out there. That is why I have
my cosy hat on. Do you want a cup of | 0:00:52 | 0:00:58 | |
tea? Something else in there. A nice
soggy sandwich. A walk is not the | 0:00:58 | 0:01:06 | |
same... Do you want a bite of this?
Can you sort my hair out for me? It | 0:01:06 | 0:01:13 | |
has something floating in the top as
well. It is extra. Shall I have a | 0:01:13 | 0:01:16 | |
bite and then I can't talk to you at
all? There's nothing better than a | 0:01:16 | 0:01:22 | |
cuppa and a battered sandwich on a
long walk. If I am filming a walk, I | 0:01:22 | 0:01:28 | |
ask where I am staying, can you make
me a bacon sandwich, on brown, cut | 0:01:28 | 0:01:36 | |
off the fat, lots of ketchup. I am
not good in the mornings at all. So | 0:01:36 | 0:01:42 | |
I then wait, stash it in my back
pack. 11am, when I have been filming | 0:01:42 | 0:01:47 | |
for a while and the hunger comes on,
that is it - it is when I get my | 0:01:47 | 0:01:53 | |
cold crispy bacon sandwich out and I
love it. We will meet a lot of | 0:01:53 | 0:01:57 | |
walkers tonight. A lovely walkway. I
am sorry I deviated off the path. I | 0:01:57 | 0:02:03 | |
don't encourage people to do that
ever. It gets more challenging | 0:02:03 | 0:02:08 | |
around the news room. A fascinating
series which uncovers the series of | 0:02:08 | 0:02:14 | |
all the people who have lived in the
same house in Liverpool. We want to | 0:02:14 | 0:02:18 | |
know if you have discovered anything
in your house which gives you a clue | 0:02:18 | 0:02:22 | |
as to who the previous occupants
were. Maybe you found something | 0:02:22 | 0:02:26 | |
written behind the wallpaper, an
object in an old cupboard, something | 0:02:26 | 0:02:30 | |
stuffed under the floorboards. The
weirder, the better. Take a picture, | 0:02:30 | 0:02:35 | |
send it to the usual address and we
will show as many as we can later | 0:02:35 | 0:02:39 | |
on. I am talking about Scafell Pike
where last week walk a walker had to | 0:02:39 | 0:02:48 | |
get rescued after injuring himself.
He spent two nights in subzero | 0:02:48 | 0:02:53 | |
temperatures.
The rescue team are calling for | 0:02:53 | 0:02:58 | |
controversial changes to stop people
getting into difficulty in the first | 0:02:58 | 0:03:01 | |
place. | 0:03:01 | 0:03:07 | |
place. The Lake District sees 16
million visitors a year. Many drawn | 0:03:07 | 0:03:11 | |
to walking the 150 peaks. For the
unprepared this could be a death | 0:03:11 | 0:03:15 | |
trap. | 0:03:15 | 0:03:19 | |
trap. When a ramble goeses wrong
local Search and Rescue are called | 0:03:22 | 0:03:26 | |
out. Last year they responded to 521
incidents, they say it is stretching | 0:03:26 | 0:03:32 | |
them to breaking point. | 0:03:32 | 0:03:38 | |
them to breaking point. The rescue
mountain team carrying out practise | 0:03:38 | 0:03:41 | |
exercises once a Monday. I am making
-- once a month. I am walking up | 0:03:41 | 0:03:47 | |
Scafell Pike. Richard, hi. Nice to
meet you. Good morning. I have a | 0:03:47 | 0:03:52 | |
test for you. You have your map and
your compass. Let's walk over here | 0:03:52 | 0:03:59 | |
and see how you cope. Richard's
challenging me to find my way to the | 0:03:59 | 0:04:03 | |
mountain top. It is not always clear
which way to turn. You have a | 0:04:03 | 0:04:09 | |
choice. You can go right across the
footbridge. Left, up stream, or | 0:04:09 | 0:04:15 | |
follow the wall up the mountain.
Your choice? I am thinking I will | 0:04:15 | 0:04:19 | |
take the lowest path because that
won't be too energetic. It's asking | 0:04:19 | 0:04:25 | |
me to go to the right. It is
confusing because there is a path | 0:04:25 | 0:04:29 | |
going straight up. That seems to be
the easiest way. You can follow a | 0:04:29 | 0:04:32 | |
wall. It is not the easiest route or
the right route. Turning right is | 0:04:32 | 0:04:37 | |
correct, Kevin. That is the way to
go. So the easiest path will not | 0:04:37 | 0:04:41 | |
necessarily be the right path. That
is the difficulty. Up the mountain | 0:04:41 | 0:04:46 | |
it gets more and more complicated.
What are the consequences if you | 0:04:46 | 0:04:50 | |
choose the wrong path? Down here not
really a problem. Higher up the | 0:04:50 | 0:04:56 | |
mountain much bigger consequences.
Possibly fatal if you get it wrong. | 0:04:56 | 0:05:02 | |
Tragicall 2017 saw the death of 17
walks on the lake's mountains. Many | 0:05:02 | 0:05:10 | |
who make these climbs are not
equipped, whatever the weather. That | 0:05:10 | 0:05:13 | |
is why Richard is calling for safe
routes to be made clearer. It is | 0:05:13 | 0:05:17 | |
great that people coming to the Lake
District to enjoy the scenery. | 0:05:17 | 0:05:31 | |
District to enjoy the scenery. Many
who have not gone up mountains | 0:05:31 | 0:05:34 | |
before. Improving the paths, getting
some improved signage for awareness | 0:05:34 | 0:05:38 | |
and that will be a tremendous help
to reduce the number of call-outs. | 0:05:38 | 0:05:43 | |
We are not talking about big tall
sign posts pointing, four hours to | 0:05:43 | 0:05:50 | |
the summit that way - we are talking
very discrete. Prominent, saying, | 0:05:50 | 0:05:54 | |
safely go that way and safely that
way. | 0:05:54 | 0:05:58 | |
But that would require investment by
the National Parks management. | 0:05:58 | 0:06:03 | |
Including the lake's largest
landowner, the National Trust. We | 0:06:03 | 0:06:07 | |
invest money and time every year in
the paths of Scafell Pike. Those are | 0:06:07 | 0:06:14 | |
being maintained and cared for. This
isn't the place for signs on the | 0:06:14 | 0:06:18 | |
mountains. It gives that false sense
of security that you are in a more | 0:06:18 | 0:06:23 | |
managed environment. These are not
very managed environments. Signs at | 0:06:23 | 0:06:26 | |
the bottom of the valley to help
people understand the route that | 0:06:26 | 0:06:30 | |
they need to talk, encouraging
people to be well prepared. Those | 0:06:30 | 0:06:33 | |
are the best approaches.
The Lake District's 12 search and | 0:06:33 | 0:06:40 | |
rescue teams are staffed by
volunteers. | 0:06:40 | 0:06:44 | |
Mountain rescue. Last year, the team
had a record number of call-outs and | 0:06:44 | 0:06:51 | |
she fears they'll become overwhelmed
if the National Trust don't support | 0:06:51 | 0:06:54 | |
their calls for change. A lot of
team members have said that they | 0:06:54 | 0:06:58 | |
just can't sustain the level of
commitment. They have families, they | 0:06:58 | 0:07:02 | |
have jobs. It is the intensity and
the frequency that's causing the | 0:07:02 | 0:07:07 | |
problem. It is not so much the
physical effort, it is the | 0:07:07 | 0:07:12 | |
psychological impact, the continuous
stress, because it is stressful. | 0:07:12 | 0:07:14 | |
We're not looking for sympathy. But
we have a system that's at breaking | 0:07:14 | 0:07:19 | |
poin and we cannot sustain it. And
the results of that could be | 0:07:19 | 0:07:24 | |
tragedy. For any viewers out there
who would like to go walking, what | 0:07:24 | 0:07:30 | |
advice would you give them to reduce
these call-outs? Anybody who likes | 0:07:30 | 0:07:35 | |
walking, keep walking. Keep going on
the mountains, because that's what | 0:07:35 | 0:07:38 | |
we do. We love the mountains, that's
why we go out. But just think about | 0:07:38 | 0:07:42 | |
the volunteers across England and
Wales and Scotland, who are all | 0:07:42 | 0:07:48 | |
volunteers, unpaid, have got lives
outside mountain rescue that can be | 0:07:48 | 0:07:52 | |
disrupted and it can be avoided just
with that little thought about | 0:07:52 | 0:07:56 | |
preparation, equipment and knowing
how to use it. | 0:07:56 | 0:08:01 | |
It is that point, just that little
bit of extra thought and a little | 0:08:01 | 0:08:05 | |
bit of planning. It doesn't half
help, that is for sure. Where do you | 0:08:05 | 0:08:10 | |
stand on it, Julia? Obviously
signage is important, but there is a | 0:08:10 | 0:08:14 | |
balance to be struck between the
natural environment. You cannot have | 0:08:14 | 0:08:19 | |
neon signs flashing up there. I
mean, the last contributor in the | 0:08:19 | 0:08:23 | |
film made that point. People really
underestimate walking and they have | 0:08:23 | 0:08:26 | |
to take care. You've got to know
where you are going. You should have | 0:08:26 | 0:08:30 | |
a map. You video got to tell people.
The -- you have got to tell people. | 0:08:30 | 0:08:35 | |
People who go out in a T-shirt,
didn't plan their route and | 0:08:35 | 0:08:38 | |
something, they just lost their way.
Hiking is trendy. I thought you can | 0:08:38 | 0:08:47 | |
have a similar system as skiing, so
with the black runs and the blue | 0:08:47 | 0:08:50 | |
runs, so people know what they are
letting themselves in for and how | 0:08:50 | 0:08:53 | |
challenging it would be. You are off
again, Julia. Two-and-a-half hours | 0:08:53 | 0:08:58 | |
this time on Tuesday night, ITV,
this is Britain's Favourite Walks, | 0:08:58 | 0:09:03 | |
top 100. Who would have thought you
could have a whole night of prime | 0:09:03 | 0:09:10 | |
time television to do with walking.
It is the top 100, as voted for by | 0:09:10 | 0:09:14 | |
the public. We had a survey. We were
helped by friends from National | 0:09:14 | 0:09:21 | |
Trust from, the Ordnance Survey.
8,000 people took part. They voted | 0:09:21 | 0:09:24 | |
and said, these are the walks we
like and these are the reasons why. | 0:09:24 | 0:09:30 | |
What makes a good walk then?
Everybody has a different reason. | 0:09:30 | 0:09:34 | |
For me, I like a summit. I like
something to get to the top of. You | 0:09:34 | 0:09:38 | |
feel like you have achieved
something and you have got the view | 0:09:38 | 0:09:41 | |
at the end of it. That being said, I
love a woodland walk. Walking | 0:09:41 | 0:09:45 | |
through wood lands and the canopy of
the trees and the rivers... We all | 0:09:45 | 0:09:52 | |
love different things. But mostly we
like somewhere we are familiar with. | 0:09:52 | 0:09:56 | |
It will be our childhoods. You'll
have somewhere back in Ireland where | 0:09:56 | 0:10:00 | |
you walked when you were a little
one. It brings back a memory for you | 0:10:00 | 0:10:04 | |
and stirs a memory. A lot of the
people on this night, they are just | 0:10:04 | 0:10:08 | |
sharing their lovely stories. There
are some heart warming stories. Some | 0:10:08 | 0:10:12 | |
funny stories. There are dogs. You
make it. Everything that happens. | 0:10:12 | 0:10:15 | |
The thing about walking, it is the
great leveller. You can be a banker, | 0:10:15 | 0:10:19 | |
you can be a Baker, you can be a
matchstick maker. But you know... Or | 0:10:19 | 0:10:24 | |
all three! Or all three. But when
you are standing there, looking at | 0:10:24 | 0:10:27 | |
the view together you are all the
same. Talking of standing there and | 0:10:27 | 0:10:30 | |
looking at a view, you have a
beautiful one on the Bronte Way. | 0:10:30 | 0:10:35 | |
Let's have a look. Look at that!
This is the moment... It all opens | 0:10:35 | 0:10:44 | |
out. It ex-and and you suck in the
landscape. | 0:10:44 | 0:10:50 | |
And this is what inspires the Bronte
sisters. Very much so. You feel at | 0:10:50 | 0:10:55 | |
this point you are walking in their
footsteps. You really do. | 0:10:55 | 0:11:03 | |
That is such a lovely walk. Were
there any surprises on there? People | 0:11:03 | 0:11:09 | |
will not be surprised by obviously
the big ones that have made it on to | 0:11:09 | 0:11:12 | |
the list. Iedly the winner will
surprise some people. I -- I think | 0:11:12 | 0:11:16 | |
the winner will surprise some
people. You have Snowdonia, you have | 0:11:16 | 0:11:22 | |
the Scottish Highlands. All the
usual stars of the land scape you | 0:11:22 | 0:11:27 | |
would expect to be there are there.
There are some lovely canal walks, | 0:11:27 | 0:11:32 | |
urban and city walks in the mix.
Most of us don't live in the | 0:11:32 | 0:11:35 | |
countryside. 80% of the population
lives in an urban environment. For | 0:11:35 | 0:11:40 | |
those who don't want to sit and
watch it, they want to do these | 0:11:40 | 0:11:43 | |
walks - where is all the information
of where they are? Information on | 0:11:43 | 0:11:47 | |
the outdoor guide, which will be
live on 30th January and people can | 0:11:47 | 0:11:51 | |
go to the outdoor guide. They can
download the routes and see what | 0:11:51 | 0:11:55 | |
that top 100 are. OS have been
helpful and provided us with the | 0:11:55 | 0:11:59 | |
maps. There is a lot of information.
When that night is over and we are | 0:11:59 | 0:12:04 | |
all crying, don't worry, there is
back-up information for you there. | 0:12:04 | 0:12:09 | |
Lots of different walkers, different
types of walkers. We have Nordic | 0:12:09 | 0:12:14 | |
walkers. Nordic walking of course is
very popular. The poles are really | 0:12:14 | 0:12:18 | |
helpful for people. Very good for
ladies because it is good for s | 0:12:18 | 0:12:24 | |
osteoporsis and good for upper
strength building. Where are you | 0:12:24 | 0:12:28 | |
from? Midlands. Nordic walking UK.
It is for everybody. We have free | 0:12:28 | 0:12:35 | |
tasters, come and have a go. Do you
provide sandwiches, that is what I | 0:12:35 | 0:12:40 | |
want to know? We make sure we do
some stock. Give us your finest | 0:12:40 | 0:12:45 | |
Nordic walk away. Thanks for coming
in. All the very best. We think | 0:12:45 | 0:12:50 | |
behind it, it is not just for
walkers. It is also for four-legged | 0:12:50 | 0:12:54 | |
friends, too. It is. Max and Paddy.
On the night they go along... This | 0:12:54 | 0:13:03 | |
is Max and Paddy. One has a
birthday? It is Paddy's first | 0:13:03 | 0:13:09 | |
birthday yesterday. How do you
feature in the programme? Snoo We | 0:13:09 | 0:13:15 | |
walk one of the most iconic hills in
the Keswick area. They are stars, | 0:13:15 | 0:13:21 | |
your dogs? They are known nationally
or internationally. I think their | 0:13:21 | 0:13:25 | |
ears should have their own instagram
pages. Have you seen the clip? Here | 0:13:25 | 0:13:30 | |
we go. Hope you enjoy it at home.
Magic! Thank you so much for coming | 0:13:30 | 0:13:35 | |
in. Enjoy the rest of your walk.
Thank you. | 0:13:35 | 0:13:42 | |
They just need goggles, don't they?
You can fine out which walk takes | 0:13:42 | 0:13:46 | |
number one spot on Tuesday. Not the
one you would expect. For those who | 0:13:46 | 0:13:52 | |
don't know it is Burns Night. It is
haggis for tea for a lot of people | 0:13:52 | 0:13:56 | |
across the country as we celebrate
Scotland's national bard and all his | 0:13:56 | 0:14:00 | |
poetry.
Some news about the great man which | 0:14:00 | 0:14:03 | |
may surprise some of you. | 0:14:03 | 0:14:11 | |
Few poets have captured our hearts
like Robert Burns. | 0:14:11 | 0:14:16 | |
I can hardly remember a time when
Burns was not a part of my literary | 0:14:16 | 0:14:21 | |
life. My family celebrates Burns
night annually. On more than one | 0:14:21 | 0:14:28 | |
occasion I raise a toast to my
fellow lassies. New research here | 0:14:28 | 0:14:37 | |
carried out at Glasgow university
could be about to change how we view | 0:14:37 | 0:14:40 | |
his work. A professor has examined
the origins of his poems and songs. | 0:14:40 | 0:14:48 | |
He's come to some surprising
conclusions. | 0:14:48 | 0:14:55 | |
Over the years there has been a
tendency to a tribute songs to Burns | 0:14:55 | 0:15:01 | |
he did not necessarily right.
The professor wants to take his name | 0:15:01 | 0:15:06 | |
or 40 poems and songs such as
favourites Auld Lang Syne and my | 0:15:06 | 0:15:11 | |
love is like A Red Red Rose. A Red
Red Rose has some Burns input but | 0:15:11 | 0:15:18 | |
not very much but you can piece a
lot together from different | 0:15:18 | 0:15:26 | |
18th-century and 17th-century song
books. The line, though it worth | 0:15:26 | 0:15:30 | |
10,000 mile, seems to have been
lifted from a poem written 77 years | 0:15:30 | 0:15:35 | |
earlier and this could be traced to
a song around for two decades and | 0:15:35 | 0:15:39 | |
the famous opening line may not have
been entirely Burns' own work. Those | 0:15:39 | 0:15:45 | |
that you think of a signature line
or not by Burns. How should we look | 0:15:45 | 0:15:54 | |
at him, plagiarist? No, he was a
great romantic editor and we have | 0:15:54 | 0:16:00 | |
tried to make the editor into an
author since his death, to make him | 0:16:00 | 0:16:04 | |
a voice of the folk. This is quite a
claim, because if the professor is | 0:16:04 | 0:16:10 | |
correct Robert Burns did not write
some of his most famous songs, he | 0:16:10 | 0:16:14 | |
merely edited them. What do local in
his hometown thing? Disappointed | 0:16:14 | 0:16:21 | |
because they are some of his special
ones. I prefer to live with things | 0:16:21 | 0:16:27 | |
as they are now, never mind
research. People delight in making | 0:16:27 | 0:16:33 | |
sensational stories. People say the
same about Shakespeare, maybe | 0:16:33 | 0:16:37 | |
someone else had a hand in writing
things. There is one local with a | 0:16:37 | 0:16:41 | |
closer tie to Burns the most. Hello,
I'm Natasha, lovely to meet you. | 0:16:41 | 0:16:52 | |
Tell us, what is your connection to
Robert Burns? He was my great great | 0:16:52 | 0:16:58 | |
great great grandfather. The
professor at Glasgow University | 0:16:58 | 0:17:03 | |
contests that Robert Burns' name
should be taken off red red rose. | 0:17:03 | 0:17:08 | |
How do you feel about that? I feel
robbed. I think everybody will feel | 0:17:08 | 0:17:14 | |
robbed. It is one we associate most
with him and the way he was. I think | 0:17:14 | 0:17:21 | |
they should get a life and stop
spoiling it for the rest of us. Does | 0:17:21 | 0:17:27 | |
it really matter if Burns wrote
these poems? Perhaps not. Robert | 0:17:27 | 0:17:31 | |
Burns was the people'spoet. He may
not have written every single word | 0:17:31 | 0:17:37 | |
have some of his celebrated works,
but what he did was bring together | 0:17:37 | 0:17:41 | |
the stories of the people | 0:17:41 | 0:17:53 | |
around him and record them for the
ages and in that spirit, this is the | 0:17:56 | 0:17:59 | |
recital of A Red Red Rose, performed
by the people of his hometown | 0:17:59 | 0:18:01 | |
especially for the One Show. | 0:18:01 | 0:18:02 | |
O my Luve's like a red,
red rose | 0:18:02 | 0:18:04 | |
That's newly sprung in June. | 0:18:04 | 0:18:05 | |
O my Luve's
like the melodie | 0:18:05 | 0:18:07 | |
That's sweetly play'd in tune. | 0:18:07 | 0:18:08 | |
As fair art thou,
my bonnie lass, | 0:18:08 | 0:18:10 | |
So deep in luve am I. | 0:18:10 | 0:18:11 | |
And I will luve thee still,
my dear, | 0:18:11 | 0:18:14 | |
Till a' the seas gang dry. | 0:18:14 | 0:18:21 | |
David Olusoga joins us. Are we at
risk of losing the romance of | 0:18:25 | 0:18:30 | |
history by digging too deep and
finding truths we do not want to | 0:18:30 | 0:18:33 | |
know? It is because it is so great
it has been subject to analysis. | 0:18:33 | 0:18:38 | |
Obscure writers do not get this. I
am cynical. He cut-and-paste as we | 0:18:38 | 0:18:45 | |
said today, all great artists take
bits from here and there and it is | 0:18:45 | 0:18:49 | |
how you put it together and I will
continue to see Burns as a genius. | 0:18:49 | 0:18:54 | |
They will be applauding you in
Scotland. Are you a fan? Yes. My | 0:18:54 | 0:19:05 | |
partial fancy, nobody could resist
my Nancy. We have been fascinated by | 0:19:05 | 0:19:12 | |
your latest series A House Through
Time which charts the history of a | 0:19:12 | 0:19:17 | |
house in Liverpool, 62 Falkner St.
And all the stories of people who | 0:19:17 | 0:19:21 | |
live there and you have uncovered
incredible stories but the house | 0:19:21 | 0:19:27 | |
itself, why was that selected?
Researchers looked at a lot of | 0:19:27 | 0:19:31 | |
houses and we wanted somewhere where
a lot of people came through. Not a | 0:19:31 | 0:19:35 | |
surprise we ended up in Liverpool. I
do not think any city has | 0:19:35 | 0:19:42 | |
experienced the roller-coaster of
national fortunes, the boom and | 0:19:42 | 0:19:45 | |
bust, as Liverpool, one of the
richest places in the 1870s and one | 0:19:45 | 0:19:52 | |
of the poorest in the 1970s and the
house reflects the roller-coaster | 0:19:52 | 0:19:57 | |
fortunes. You have uncovered
extraordinary stories. Tell us about | 0:19:57 | 0:20:00 | |
them. Who are these? This is a man
ridiculously I have come to dislike, | 0:20:00 | 0:20:09 | |
even though | 0:20:09 | 0:20:16 | |
even though he did a century before
I was born. Wilfred Steele, a cotton | 0:20:16 | 0:20:20 | |
broker, not a nice guy, and I found
myself in the ridiculous situation | 0:20:20 | 0:20:25 | |
of hating someone I did not meet.
The documents do not paint a nice | 0:20:25 | 0:20:30 | |
picture, he was involved in the
cotton trade, slave produced cotton, | 0:20:30 | 0:20:35 | |
and the treatment of his family.
1935, we move onto something | 0:20:35 | 0:20:44 | |
happier. This is a nice story. Again
you can see how much it meant. A | 0:20:44 | 0:20:51 | |
wonderful story, a couple, the
Duffys, who had nothing, born in | 0:20:51 | 0:20:56 | |
poverty, they rise up and find each
other. It is a beautiful, | 0:20:56 | 0:21:01 | |
heart-warming story and what is
powerful, reading about their life | 0:21:01 | 0:21:06 | |
and love, being in the place it
happened. I have never had that | 0:21:06 | 0:21:12 | |
before, being in the place amplifies
the emotional impact. Tonight the | 0:21:12 | 0:21:17 | |
episode takes you into the swinging
60s and this is you talking to June, | 0:21:17 | 0:21:22 | |
about when she was a life model in
an art class for a famous neighbour. | 0:21:22 | 0:21:27 | |
The door burst open and the arrival
of John Lennon. He said, my name is | 0:21:27 | 0:21:33 | |
John Lennon, I have enrolled to do a
fine art degree and I will be | 0:21:33 | 0:21:37 | |
drawing you, is that all right? I
said, that is all right, get an | 0:21:37 | 0:21:46 | |
easel and chair, sit down. He was
very entertaining. He used a place | 0:21:46 | 0:21:50 | |
like a big cocktail party. LAUGHTER.
June is the star of the show. She is | 0:21:50 | 0:21:58 | |
amazing. Her memories go back to
this time when Liverpool was the | 0:21:58 | 0:22:03 | |
coolest place in the world. The
bottom of Falkner Street, it was the | 0:22:03 | 0:22:08 | |
art college and John Lennon live
their for while. It was rundown of | 0:22:08 | 0:22:12 | |
the 60s but I would have liked to
have been there. And who might have | 0:22:12 | 0:22:17 | |
slept in the bed before you arrived.
The deeds will tell you if you're | 0:22:17 | 0:22:24 | |
lucky but there are directories, the
normal records in ancestry research. | 0:22:24 | 0:22:29 | |
It is hard work, but if you are
curious, yes. We will get the | 0:22:29 | 0:22:34 | |
researchers from your show involved! | 0:22:34 | 0:22:35 | |
Shortly we'll be showing some
of the things you've | 0:22:35 | 0:22:37 | |
discovered in your house,
left by previous occupants. | 0:22:37 | 0:22:39 | |
First, George McGavin on why spiders
like to make their homes in a place | 0:22:39 | 0:22:43 | |
that's pretty unlikely to appeal
to anyone else. | 0:22:43 | 0:22:51 | |
Arachnophobia, chill out, not a
spider inside. The chances are you | 0:22:52 | 0:22:57 | |
may have noticed the spider's Web on
the wing mirror and brushed it off | 0:22:57 | 0:23:02 | |
without a thought. The outside of
the car might seem a perilous place | 0:23:02 | 0:23:07 | |
for a spider to make its home but it
is not as daft as it sounds. Peter | 0:23:07 | 0:23:16 | |
Smithers from the British rack the
logical society thinks the | 0:23:16 | 0:23:20 | |
hitchhikers might be onto something.
What is it about spiders and wing | 0:23:20 | 0:23:27 | |
mirrors? It is ideal architecture
for building webs. The wing mirror | 0:23:27 | 0:23:34 | |
is in the right place at the side of
the car and said the spider can make | 0:23:34 | 0:23:39 | |
a web easily and the space behind
the wing mirror gives it a retreat, | 0:23:39 | 0:23:43 | |
out of the weather and away from
predators. The spiders might have | 0:23:43 | 0:23:50 | |
found a safe refuge inside the wing
mirror but the web must take a | 0:23:50 | 0:23:54 | |
battering from the elements. We have
come to a wind tunnel to find out | 0:23:54 | 0:23:59 | |
how strong they are. When you are
driving, you do not appreciate how | 0:23:59 | 0:24:08 | |
exposed the outside of a car is so I
am going to see what wind speeds I | 0:24:08 | 0:24:13 | |
can take. | 0:24:13 | 0:24:19 | |
can take. We are using a slow motion
camera to capture the test in minute | 0:24:19 | 0:24:22 | |
detail. As the wind blasts faster,
it becomes increasingly hard to | 0:24:22 | 0:24:30 | |
breathe normally. This is now 70
mph. That is the maximum speed you | 0:24:30 | 0:24:39 | |
can do on a British motorway, and it
is alarmingly strong. I would not | 0:24:39 | 0:24:46 | |
want to be a spider in this. OK,
enough with the wind already. Bah a | 0:24:46 | 0:24:56 | |
few of my own silky locks, I am in
one peace but how would a wing | 0:24:56 | 0:25:03 | |
mirror web cope in the same
conditions? Earlier we have picked | 0:25:03 | 0:25:07 | |
one up from a scrap yard, complete
with door. Let's get it into the | 0:25:07 | 0:25:15 | |
wind tunnel. We can see how it
fares. Time to fire up the fans. | 0:25:15 | 0:25:27 | |
First, we will simulate driving at
30 mph. At this speed, the web | 0:25:27 | 0:25:34 | |
hardly moves. So far we have had a
gentle country drive in town. Now we | 0:25:34 | 0:25:40 | |
need to go on the open road. At 50
mph the web feels the strain and | 0:25:40 | 0:25:47 | |
this is where the unique properties
of spider silk comes into play. | 0:25:47 | 0:25:53 | |
Scaffolding Fred holds it into place
where more flexible ones are used | 0:25:53 | 0:26:01 | |
for the spiral, which makes it able
to stretch many times its length. In | 0:26:01 | 0:26:06 | |
slow motion, it is clear the web
escapes the full force of the wind, | 0:26:06 | 0:26:12 | |
while the spider is safely sheltered
behind the mirror, like us | 0:26:12 | 0:26:17 | |
sheltering from the storm in a
house. It looks as if it is more | 0:26:17 | 0:26:22 | |
than capable of surviving 50 mph.
But will it survive a spell on the | 0:26:22 | 0:26:31 | |
motorway? OK, here we go. That is 70
mph. Not broken, it is still | 0:26:31 | 0:26:38 | |
surviving. There it goes. It is
breaking up. What is amazing, even | 0:26:38 | 0:26:49 | |
at 70 mph, the main framework of the
web is still intact. Meaning all the | 0:26:49 | 0:26:55 | |
spider needs to do is to repair the
spiral in the middle and she is up | 0:26:55 | 0:27:01 | |
and running again. Thanks to the
exceptional qualities of their silk | 0:27:01 | 0:27:06 | |
and a great hiding place, these
hitchhikers can survive in one of | 0:27:06 | 0:27:10 | |
the most inhospitable places for any
wildlife, the open road. | 0:27:10 | 0:27:16 | |
You will never look at one of those
cobwebs in the same way. Thanks for | 0:27:16 | 0:27:23 | |
photos of the lovely things you have
found in houses you have moved into. | 0:27:23 | 0:27:27 | |
Margot found this when the roof was
replaced. Isn't he lovely? I am not | 0:27:27 | 0:27:35 | |
sure you will say this is lovely.
Jeff found dentures in a Tupperware | 0:27:35 | 0:27:40 | |
container when he moved house. Ian
found these glasses under the | 0:27:40 | 0:27:47 | |
floorboards while renovating their
home. Lucy Li from Flintshire found | 0:27:47 | 0:27:54 | |
this canopy of a World War II
fighter plane complete with bullet | 0:27:54 | 0:27:56 | |
holes in the garden. | 0:27:56 | 0:28:04 | |
holes in the garden. We have had all
sorts of things walking through the | 0:28:04 | 0:28:07 | |
One Show studio but tonight we have
a first. A llama and alpaca. We do | 0:28:07 | 0:28:19 | |
not want to applaud because they do
not like it. Llama trekking and | 0:28:19 | 0:28:26 | |
walking is popular and it makes an
appearance in Britain's Favourite | 0:28:26 | 0:28:30 | |
Walks. You do not climb on it, you
walk with the llama and it is the | 0:28:30 | 0:28:39 | |
comfort, the soothing experience.
Originating in the Andes. Where do | 0:28:39 | 0:28:50 | |
you walk with them? We have a farm
in East Sussex. Get yourself down | 0:28:50 | 0:28:57 | |
there. | 0:28:57 | 0:29:02 | |
there. Goodluck Jonathan Britain's
Favourite Walks which kicks off on | 0:29:02 | 0:29:04 | |
Tuesday night at 7:30pm on ITV and A
House Through Time concludes tonight | 0:29:04 | 0:29:09 | |
on at 9pm. And Alex will be here
with Rob Beckett and Ade | 0:29:09 | 0:29:17 |