Browse content similar to 19/03/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:14 | 0:00:18 | |
And after a week of
challenges, she's back. | 0:00:18 | 0:00:21 | |
Alex Jones is in the studio! | 0:00:21 | 0:00:28 | |
Sitting down! I know, in the warmth,
it is amazing. About a fleece. What | 0:00:28 | 0:00:33 | |
a week. It's good to have you back.
Let's say the moment when you | 0:00:33 | 0:00:38 | |
crossed the finish line, what was
going through your mind? I was so | 0:00:38 | 0:00:43 | |
glad it was done. It had been an
epic week but a really tough week. | 0:00:43 | 0:00:48 | |
And you said you were looking
forward to having that cuddle with | 0:00:48 | 0:00:53 | |
your boy Teddy. I presume you had a
nice weekend. And was an anti-climax | 0:00:53 | 0:00:59 | |
because initially he didn't
recognise me and then I pulled off | 0:00:59 | 0:01:04 | |
the bobble hat and the little arms
came out. It was amazing, really | 0:01:04 | 0:01:06 | |
nice to have a weekend at home with
the family. We'll find out the | 0:01:06 | 0:01:12 | |
weekend has been for all the mums
later. | 0:01:12 | 0:01:15 | |
plus we have | 0:01:15 | 0:01:16 | |
three guests who have a lot | 0:01:16 | 0:01:18 | |
in common with them. | 0:01:18 | 0:01:19 | |
Yes - they know what it's
like to "shine" and "rule the world" | 0:01:19 | 0:01:22 | |
before coming "back for good". | 0:01:22 | 0:01:23 | |
Please welcome Take That ! | 0:01:23 | 0:01:28 | |
Where are they then? I've no idea,
no? It's the mums! Debbie and Leigh, | 0:01:28 | 0:01:42 | |
get off the boys! | 0:01:42 | 0:01:48 | |
get off the boys! Welcome back. Good
to see you. | 0:01:48 | 0:01:56 | |
to see you. A very happy studio
audience here. Sorry about that. | 0:01:56 | 0:02:00 | |
They have been all over the WhatsApp
all weekend, can't believe it does | 0:02:00 | 0:02:04 | |
take that, I told them not to come
too close, I can only apologise. | 0:02:04 | 0:02:10 | |
That was lovely, very enjoyable,
zero tomorrow! Do you need hot | 0:02:10 | 0:02:14 | |
drinks because we saw what you were
doing this afternoon, look at this | 0:02:14 | 0:02:18 | |
footage of you on the roof of the
theatre. What a performance. What a | 0:02:18 | 0:02:23 | |
location. That was amazing. It is a
celebration because our show The | 0:02:23 | 0:02:29 | |
Band is coming to London this
Christmas, 50 shows that the Theatre | 0:02:29 | 0:02:33 | |
Royal Haymarket. That was us on the
roof so we did say when we | 0:02:33 | 0:02:38 | |
eventually get to London with the
show let's sing it on the rooftops, | 0:02:38 | 0:02:42 | |
and we did. The musical is coming to
the West End, we'll be talking about | 0:02:42 | 0:02:47 | |
the musical The Band shortly and
showing that rooftop performance at | 0:02:47 | 0:02:50 | |
the end of this programme. Stay
tuned. | 0:02:50 | 0:02:54 | |
The Beast from the East has
left behind a legacy | 0:02:54 | 0:02:57 | |
of potholes on UK roads,
the RAC has warned as figures | 0:02:57 | 0:02:59 | |
relating to pothole breakdowns have
doubled following last week's | 0:02:59 | 0:03:02 | |
widespread snow and ice. | 0:03:02 | 0:03:03 | |
We have a huge problem with plastic
waste so Lucy has been to see a | 0:03:03 | 0:03:07 | |
clever bit of joined up thinking. | 0:03:07 | 0:03:11 | |
I've come to Cumbria to meet
engineer Toby McCartney was found a | 0:03:11 | 0:03:16 | |
way to take plastic rubbish and turn
it into a road like this. Tell me | 0:03:16 | 0:03:21 | |
how the inspiration came about. It
was my daughter's school assembly. | 0:03:21 | 0:03:25 | |
The teacher had asked what lives in
our oceans and my little girl said | 0:03:25 | 0:03:31 | |
plastics. So I wanted to do
something about it. How on earth did | 0:03:31 | 0:03:35 | |
you connect plastics with roads? I
was in India and they were going to | 0:03:35 | 0:03:40 | |
landfill sites taking out plastics
and old rubbish, sticking it in | 0:03:40 | 0:03:44 | |
potholes to form a seal and I
thought I'll do that on a ghetto | 0:03:44 | 0:03:48 | |
because the roads around my house
full of potholes. Let me show you | 0:03:48 | 0:03:53 | |
how it works! Lead the way. For Toby
and team it took 18 months of | 0:03:53 | 0:03:58 | |
testing to find the perfect blend of
plastics that could be used for road | 0:03:58 | 0:04:03 | |
surfaces. Now he processes waste
plastics from seven different sites | 0:04:03 | 0:04:08 | |
around the UK. This is where it
begins, most of this waste is made | 0:04:08 | 0:04:12 | |
up of farm waste we have in this
area, we use household and | 0:04:12 | 0:04:18 | |
commercial waste. We like to use
local wasteful local roads. So you | 0:04:18 | 0:04:22 | |
can use drinking bottles, plastic
bags, copy tablets? We are | 0:04:22 | 0:04:27 | |
interested in the stuff that can't
be recycled, this enough of it in | 0:04:27 | 0:04:31 | |
landfill to pave the roads around
the world, just from the UK's waste. | 0:04:31 | 0:04:36 | |
Toby uses more than 20 types of
plastic for his road mixtures but | 0:04:36 | 0:04:41 | |
the plastic has to be palletised
first. We can ship so much more | 0:04:41 | 0:04:46 | |
tonnage than if we just are plastic
bottles and bags, within this bottle | 0:04:46 | 0:04:50 | |
of plastic pellets that perhaps 20
or 30 plastic bottles one bottle. | 0:04:50 | 0:04:58 | |
The farm waste is palletised at this
noisy side in Dumfries. We put it | 0:04:58 | 0:05:04 | |
through a shredding process and then
its a variety of washing machines. | 0:05:04 | 0:05:08 | |
We then have to dry it until we put
it through a compounding process and | 0:05:08 | 0:05:13 | |
make it into plastic pellets. How
did they get into the road, Toby? | 0:05:13 | 0:05:19 | |
They replace part of the bitumen.
But the black stuff in the road you | 0:05:19 | 0:05:24 | |
see. Some of our mixes strengthen
the roads, we might use several | 0:05:24 | 0:05:30 | |
types of pellets to create more
flexible road, it depends where the | 0:05:30 | 0:05:33 | |
road is going and what the design of
the road is. Replacing part of the | 0:05:33 | 0:05:37 | |
bitumen with placed plastic saves
fossil fuels and Toby says his roads | 0:05:37 | 0:05:43 | |
are cheaper to manufacture. Does the
plastic wash of the roads? No, it | 0:05:43 | 0:05:50 | |
becomes part of the oil that goes
into the roads, so no micro plastics | 0:05:50 | 0:05:55 | |
present in a road after it has been
laid. Is the quality as good. And is | 0:05:55 | 0:06:02 | |
far better, the roads are more
flexible, they last longer and they | 0:06:02 | 0:06:06 | |
don't get potholes as readily. Time
for me to drive on one of Toby 's | 0:06:06 | 0:06:13 | |
roads. Cumbria County Council is the
UK's first local authority to trial | 0:06:13 | 0:06:17 | |
plastic roads. The a seven Scotland
Road in Carlisle contains half a | 0:06:17 | 0:06:22 | |
million plastic bottles and other
800,000 plastic bags. Joining me is | 0:06:22 | 0:06:30 | |
assistant director of Highways and
Transport Stephen. This is it. We | 0:06:30 | 0:06:33 | |
are on it now. Can you tell the
difference? Fewer potholes. It's a | 0:06:33 | 0:06:40 | |
very smooth surface. Is it OK in wet
weather? Yes, the road has the same | 0:06:40 | 0:06:47 | |
skid resistance as any other road.
What possible reason is there for | 0:06:47 | 0:06:52 | |
local authorities not to do this?
When we put a new section of tarmac | 0:06:52 | 0:06:58 | |
down as a highway authority we want
it to last 25 years or longer. So | 0:06:58 | 0:07:02 | |
the reason for doing pilot studies
is to test it and then they will be | 0:07:02 | 0:07:07 | |
able to evaluate if we think we can
roll it out more widely. So far 20 | 0:07:07 | 0:07:12 | |
of Toby's plastic roads have been
paved in the UK, from Cumbria to | 0:07:12 | 0:07:16 | |
Devon. And here's the inspiration.
My daughter. Tell me what do you | 0:07:16 | 0:07:24 | |
think of all these plastics in the
environment? They are good for us | 0:07:24 | 0:07:29 | |
but not good for the animals in the
ocean. Did you worry about that? | 0:07:29 | 0:07:34 | |
Yes. Are you proud of your dad?
Definitely yes. That's all I need! | 0:07:34 | 0:07:45 | |
That's inspired, very good idea.
We've talked about The Band coming | 0:07:45 | 0:07:49 | |
to the west end in December. It has
been very well received. You must be | 0:07:49 | 0:07:53 | |
thrilled as the three producers. Did
you expect it to become such a | 0:07:53 | 0:08:00 | |
success so quickly? You don't at
all. With theatre shows the one | 0:08:00 | 0:08:05 | |
thing we know is that they take a
long time. Normally. It's been for | 0:08:05 | 0:08:10 | |
years since we first talked about
it. But what has been great is | 0:08:10 | 0:08:14 | |
seeing the cast because the roles
were so hard to cast, we spent to | 0:08:14 | 0:08:19 | |
years casting them. It is now
beautiful to watch our cast walk | 0:08:19 | 0:08:23 | |
into the Theatre Royal for the first
time and realise they are coming to | 0:08:23 | 0:08:26 | |
the West End because a lot of them
have never done the West End. As | 0:08:26 | 0:08:31 | |
producers, what elements have you
enjoyed personally? Your music is up | 0:08:31 | 0:08:36 | |
there, being sung in a different
way, you are seeing it in a | 0:08:36 | 0:08:39 | |
different light, let's start with
Howard, what have you taken from the | 0:08:39 | 0:08:44 | |
process? Learning how to be a
producer, watching from the very | 0:08:44 | 0:08:49 | |
beginning, watching the first run
through this and then watching the | 0:08:49 | 0:08:53 | |
changes, and making more changes and
watching the next run through and | 0:08:53 | 0:08:56 | |
watching and develop to actually
coming on the stage. And getting to | 0:08:56 | 0:09:01 | |
know the cast is great. It is like a
big family. Everyone says hello to | 0:09:01 | 0:09:05 | |
each other and gives everyone a hug
and it is fantastic. Go on mark-up. | 0:09:05 | 0:09:14 | |
Getting one of those chairs that
says producer on it! I've got one at | 0:09:14 | 0:09:19 | |
home now! When we first got together
we were all given a little deckchair | 0:09:19 | 0:09:25 | |
and on the back of mine it says
producer. Out of that answer. The | 0:09:25 | 0:09:32 | |
best thing is the chair that you
get! The show features the story of | 0:09:32 | 0:09:39 | |
take that but it is the story of the
fans who get back together when a | 0:09:39 | 0:09:43 | |
band reunite and here's a taste of
what to expect. | 0:09:43 | 0:09:54 | |
They've all got to touch! Grid and
the winner is Rachel! In Prague! | 0:09:55 | 0:10:15 | |
# This could be the greatest day of
our lives... #. | 0:10:15 | 0:10:19 | |
APPLAUSE | 0:10:19 | 0:10:22 | |
We are joined by two actresses
who star in The Band - | 0:10:22 | 0:10:27 | |
Rachel and Faye, you play the same
character in the show which has been | 0:10:27 | 0:10:36 | |
Rachel, how does the character fit
into the story. The story is of | 0:10:38 | 0:10:44 | |
Rachel and her group of friends, it
is really a story of friendship. It | 0:10:44 | 0:10:49 | |
starts when they are young and then
something quite tragic happens when | 0:10:49 | 0:10:53 | |
this group of friends are 16 and
then 25 years later Rachel, now, | 0:10:53 | 0:10:58 | |
wins the competition, she entered
the competition and she wins, and | 0:10:58 | 0:11:02 | |
she reunites her friends, or tries
to reunite her friends, to go and | 0:11:02 | 0:11:07 | |
see the band that they loved when
they were younger and it featured so | 0:11:07 | 0:11:11 | |
heavily in their lives when they
were 16. So it's a story of the | 0:11:11 | 0:11:14 | |
five, and the for. And Faye, you
didn't know about take that's | 0:11:14 | 0:11:22 | |
involvement when you auditioned. Not
at all, I was told I was auditioning | 0:11:22 | 0:11:27 | |
for a musical and to prepare a joke
and a song. I was like, great. And | 0:11:27 | 0:11:32 | |
then we did a workshop and the day
before we did our presentation, | 0:11:32 | 0:11:36 | |
almost, I was told that we would do
it in front of take that. I was | 0:11:36 | 0:11:40 | |
like, right! What! I was just doing
what I've been doing every day. It | 0:11:40 | 0:11:48 | |
was great fun. | 0:11:48 | 0:11:54 | |
was great fun. I think she said, are
they? | 0:11:54 | 0:12:00 | |
they? It was quite daunting, just
the three of them. I would die if I | 0:12:01 | 0:12:05 | |
had to sing in front of them. The
surprises keep coming but | 0:12:05 | 0:12:10 | |
occasionally you come out on stage,
at some random pennies and no one | 0:12:10 | 0:12:13 | |
knows when it will happen. We check
up on the shows every time, make | 0:12:13 | 0:12:18 | |
sure everyone is all right and if we
feel that they are getting too good | 0:12:18 | 0:12:21 | |
a reaction we get on, quick! Show
them how to do it. When you are not | 0:12:21 | 0:12:27 | |
on stage is it too that you have
watched some performances lying down | 0:12:27 | 0:12:31 | |
in the boxes, so that the crowd
can't see you but you are listening? | 0:12:31 | 0:12:37 | |
That is dedicated, as producers. The
thing is, we don't want it to | 0:12:37 | 0:12:42 | |
disturb the show, so we often just
lie there or look through a crack in | 0:12:42 | 0:12:46 | |
the converted to see what's going
on. It's great. It is so great | 0:12:46 | 0:12:51 | |
seeing the reaction from the crowd
as well. That's the thing, everyone | 0:12:51 | 0:12:56 | |
has such fond memories, each song
means something to everyone who will | 0:12:56 | 0:12:59 | |
be there so the feel-good factor in
the theatre is magic and The Band | 0:12:59 | 0:13:04 | |
will continue touring across the UK
and Ireland into next year and | 0:13:04 | 0:13:07 | |
tickets for the London shows this
year went on sale today. You've got | 0:13:07 | 0:13:11 | |
to be quick, 50% have gone already.
Is that right? That tell my mum. | 0:13:11 | 0:13:19 | |
Look at that. More dates, that's
what you need. | 0:13:19 | 0:13:30 | |
The Mother Of All Challenges ended,
before we talk to our very proud | 0:13:31 | 0:13:37 | |
mums let's look at a week to
remember. For five months it has | 0:13:37 | 0:13:41 | |
been the Mother Of All Challenges.
Starting cold and swimming hard. The | 0:13:41 | 0:13:48 | |
monstrous Loch Ness was Slade.
SHOUTING | 0:13:48 | 0:13:53 | |
I want to be when I'm older! Then
came whether hell for Helvellyn. The | 0:13:53 | 0:14:02 | |
good news is the mountains shrouded
in cloud. And wiped out nearly wiped | 0:14:02 | 0:14:07 | |
them out on the climb. But they
conquered the nearby peak. Good | 0:14:07 | 0:14:12 | |
effort. Taking to to wields the
Queens of the mountain is pushed and | 0:14:12 | 0:14:19 | |
pedals. -- taking to to wields.
Grinding gears and brushing away | 0:14:19 | 0:14:26 | |
tears. Nevertheless, they prevailed.
Coniston pass! From the peaks of | 0:14:26 | 0:14:39 | |
Cumbria to be subterranean depths of
Wales. They faced their fears. We'll | 0:14:39 | 0:14:44 | |
be fine once we are in their taunts
seem as bad. One wood sums these | 0:14:44 | 0:14:49 | |
ladies up and down down here it was
shown in spades. Natural miners we | 0:14:49 | 0:14:56 | |
are not. Then the final challenge a
marathon relay pounding the fields | 0:14:56 | 0:15:03 | |
of the Gower Peninsula. It's really
wobbly. Holding my breath to keep my | 0:15:03 | 0:15:10 | |
balance. Using every last drop of
power, determination and faith in | 0:15:10 | 0:15:15 | |
each other, these mothers who have
each faced their own personal | 0:15:15 | 0:15:19 | |
challenges, finished this one for
sport. Together. I live you to bits, | 0:15:19 | 0:15:25 | |
well done! | 0:15:25 | 0:15:30 | |
We are very good friends by now.
Ladies. I mean, back to reality and | 0:15:32 | 0:15:38 | |
that, you look rested, fantastic,
and I said I would Wangle it, look. | 0:15:38 | 0:15:43 | |
Before we chat, here are those
important donation numbers. | 0:15:43 | 0:15:48 | |
To support the Mother
of All Challenges and make | 0:15:48 | 0:15:51 | |
a donation to Sport Relief. | 0:15:51 | 0:15:52 | |
You can donate £5 by texting
the word MUM to 70205. | 0:15:52 | 0:15:56 | |
To donate £10 text
the word MUM to 70210. | 0:15:56 | 0:16:00 | |
And to donate £20 text the word MUM
to 70220. | 0:16:00 | 0:16:05 | |
Texts will cost your donation
plus your standard network message | 0:16:05 | 0:16:08 | |
charge and all of your donation
will go to Sport Relief. | 0:16:08 | 0:16:10 | |
You must be 16 or over and please
ask the bill payer's permission. | 0:16:10 | 0:16:14 | |
For full terms and conditions -
or to donate any amount online - | 0:16:14 | 0:16:17 | |
go to bbc.co.uk/sportrelief. | 0:16:17 | 0:16:25 | |
How was the weekend? Amal, a nice
hot bath I imagine was the first | 0:16:27 | 0:16:31 | |
thing? Didn't have time. I went back
to my little one and it was baton | 0:16:31 | 0:16:38 | |
passed from John straight to me. I
thought oh thanks. That is not | 0:16:38 | 0:16:43 | |
happening to us. Charlie went, there
you go. You inspired so many women, | 0:16:43 | 0:16:49 | |
up and down country, the amount of
money raised is one thing, but the | 0:16:49 | 0:16:54 | |
amount of messages, just saying how
grateful people were to have | 0:16:54 | 0:16:58 | |
postnatal depression and all sorts
of problems, miscarriage, all talked | 0:16:58 | 0:17:04 | |
about so openly. How for you did you
want to inspire mums? What did you | 0:17:04 | 0:17:09 | |
set out to do? I wanted to ensure
people like me the wrong side of 40 | 0:17:09 | 0:17:14 | |
are not making excuses to go out and
get fit, to get healthy. It helps | 0:17:14 | 0:17:19 | |
with so many different things and it
doesn't have to be a gym, you can go | 0:17:19 | 0:17:23 | |
out, get a pair of shoes on and a
friend and go out and walk, | 0:17:23 | 0:17:27 | |
experience the beautiful countryside
we have round here and you feel | 0:17:27 | 0:17:30 | |
better for it. Yes, and Debs, you
hadn't run to the end of the drive | 0:17:30 | 0:17:35 | |
before, had you. Suddenly you did
eight mile, you should have seen her | 0:17:35 | 0:17:41 | |
go on Friday Gary. It was just under
ten Alex. Isn't it may be about you | 0:17:41 | 0:17:47 | |
people in who have lost confidence
going back to work after a baby, | 0:17:47 | 0:17:52 | |
like we all have, doing something as
a team, it is amazing what doing | 0:17:52 | 0:17:58 | |
something with another group of
women does for somebody? Incredible. | 0:17:58 | 0:18:06 | |
Almost bizarre, we, we are from such
different walks of life. We would | 0:18:06 | 0:18:11 | |
never have met each oh yourself
included. Yet we were thrown into | 0:18:11 | 0:18:15 | |
this circus and we just bonded and
we did it all and we conquered | 0:18:15 | 0:18:19 | |
everything. And on that point, what
have you learned about yourself | 0:18:19 | 0:18:25 | |
Jodie, how will you be living
differently? It has reignited the | 0:18:25 | 0:18:31 | |
fact I am passion about maternal
mental health and mental health in | 0:18:31 | 0:18:33 | |
general. I had a quick sharp shock
on that challenge, ant myself but | 0:18:33 | 0:18:37 | |
also about how strong these women
are and it has really just pushed me | 0:18:37 | 0:18:43 | |
to keep going with getting that
awareness out there, get women | 0:18:43 | 0:18:45 | |
talking. Before it is too late. That
is the most important thing. You | 0:18:45 | 0:18:49 | |
have raised an enormous amount of
money that will help a lot of | 0:18:49 | 0:18:52 | |
people. If you want to go over to
your team. Here we go. Let us have | 0:18:52 | 0:18:58 | |
some sort of a drum roll.
And here we go because the current | 0:18:58 | 0:19:03 | |
total | 0:19:03 | 0:19:08 | |
total stands at...
CHEERING AND APPLAUSE | 0:19:12 | 0:19:14 | |
The thing is the text lines will
stay open for another month so | 0:19:14 | 0:19:20 | |
please, please donate if you haven't
already done so, that money will | 0:19:20 | 0:19:23 | |
help a lot of people. So good effort
Can I say thank you to the four of | 0:19:23 | 0:19:29 | |
you for doing that with me. Thank
you. Thank you for inviting us. | 0:19:29 | 0:19:38 | |
Travel documentary presenter
Simon Reeve battled the elements too | 0:19:51 | 0:19:53 | |
to bring us this next film. | 0:19:53 | 0:19:55 | |
Us. It was here where my sense of
adventure began. This is the old | 0:19:55 | 0:20:00 | |
house where I grew up with my mum,
dad and younger brother James, dad | 0:20:00 | 0:20:05 | |
worked as a teacher in a
comprehensive nearby, and mum was a | 0:20:05 | 0:20:11 | |
part-time occupational therapy
helper in hospital, so we weren't on | 0:20:11 | 0:20:14 | |
the breadline but certainly wasn't
born with a silver spoon in my mouth | 0:20:14 | 0:20:17 | |
either. It is funny how many people
mistake me for a toff. I may have | 0:20:17 | 0:20:25 | |
changed but my bedroom has remained
pretty much the same. I used to lie | 0:20:25 | 0:20:30 | |
here on the bed, not this one
admittedly, a much smaller one. Oh, | 0:20:30 | 0:20:36 | |
gosh, that really takes me back and
look up at this poster. I feel quite | 0:20:36 | 0:20:41 | |
emotional seeing it. When I was
growing up I had no idea I would go | 0:20:41 | 0:20:46 | |
anywhere like that and I have been
absolutely blessed to have been to | 0:20:46 | 0:20:51 | |
beaches like this round the world on
my telly travels. This is a picture | 0:20:51 | 0:20:56 | |
that really inspired me and
comforted me as well. If I had had a | 0:20:56 | 0:21:00 | |
Ricky time, I could retreat up here
-- tricky, I could immerse myself in | 0:21:00 | 0:21:06 | |
that view of a tropical island.
Oh... But I didn't think this place | 0:21:06 | 0:21:15 | |
was paradise, my old comprehensive
school, to be honest I dreamed about | 0:21:15 | 0:21:18 | |
escaping from it most days of the
week. | 0:21:18 | 0:21:22 | |
It is true, it is so much smaller
when you come back. I didn't have a | 0:21:22 | 0:21:27 | |
great time at school. I was pretty
hopeless, I wasn't very inspired, | 0:21:27 | 0:21:33 | |
and I wasn't very inspiring. I don't
think it is anyone's fault, it is | 0:21:33 | 0:21:36 | |
just how it is. I slipped through
the cracks and I enjoyed being a bit | 0:21:36 | 0:21:42 | |
naughty and going off may be bunking
off school a bit too much to have a | 0:21:42 | 0:21:46 | |
few drinks in the pubs nearby, but
it is what I did and I do regret it, | 0:21:46 | 0:21:52 | |
and I left school with basically no
qualifications, I didn't go to | 0:21:52 | 0:21:58 | |
university I went on dole. I led a
BMX gang with my brother James. We | 0:21:58 | 0:22:03 | |
always shared an early sense of
adventure, that was encouraged by | 0:22:03 | 0:22:09 | |
our gran. Do you remember the
mystery tours? She would take us own | 0:22:09 | 0:22:13 | |
in her adapted super car. She had
polio as a child so she couldn't | 0:22:13 | 0:22:19 | |
walk properly but she could drive We
would try and get lost in London as | 0:22:19 | 0:22:22 | |
quickly as possible. That was the
goal, to go somewhere exotic like | 0:22:22 | 0:22:28 | |
Wembley or Hounslow. Do you remember
that, do you remember the feeling? | 0:22:28 | 0:22:33 | |
Yes, Being in the back and...
Exploring. With gran. With gran, she | 0:22:33 | 0:22:38 | |
was so good. She was patient with
us. Out in the world of work I went | 0:22:38 | 0:22:43 | |
through a string of dead end jobs
until one day when my dad spotted a | 0:22:43 | 0:22:49 | |
job for a post bar at the Sunday
Times. I had been on the dole. I had | 0:22:49 | 0:22:53 | |
no idea what I was doing to do with
my life. This place was central to | 0:22:53 | 0:22:58 | |
giving me a break. And it is fair to
say they threw me in at the deep | 0:22:58 | 0:23:03 | |
end. I was going on surveillance
missions, investigating arms | 0:23:03 | 0:23:11 | |
dealing, international crime gangs,
terrorism. My interest in terrorism | 0:23:11 | 0:23:14 | |
led me to writing one of the first
books on a relatively obscure figure | 0:23:14 | 0:23:18 | |
at the time. Bin Laden. Little did I
know this would change my life. | 0:23:18 | 0:23:27 | |
Few years later 9/11 happened and my
phone started ringing before the | 0:23:27 | 0:23:31 | |
second tower had been hit, and it
did not stop for about a | 0:23:31 | 0:23:35 | |
year-and-a-half.
Suddenly I was seen as an ex perand | 0:23:35 | 0:23:40 | |
started appearing on the telly.
Osama Bin Laden is as much a cult | 0:23:40 | 0:23:44 | |
figure as a terrorist mastermind.
That is where I guess you could say | 0:23:44 | 0:23:48 | |
I was spotted. I have been to some
dark places and glossy places but | 0:23:48 | 0:23:52 | |
the idea has remained the same, to
explore the world and try and learn | 0:23:52 | 0:23:56 | |
what is going on in it. While having
what are genuine experiences and I | 0:23:56 | 0:24:02 | |
have been incredibly fortunate and
lucky. | 0:24:02 | 0:24:11 | |
Thank you Simon. His first UK tour
starts in September. | 0:24:11 | 0:24:17 | |
We were talking about touring. We
need to get this straight. Are | 0:24:17 | 0:24:22 | |
there, is there a greatest hits, is
there a tour, we want a yes to both | 0:24:22 | 0:24:27 | |
please. It is a yes to both. At the
end of the year... Then we are | 0:24:27 | 0:24:34 | |
planning a World Tour next year
because Mark wants a T-shirt. He has | 0:24:34 | 0:24:38 | |
the chair, now he wants the T-shirt.
My work is done. Big collector. Is | 0:24:38 | 0:24:46 | |
that a massive massive World Tour
then, you are going to set off and | 0:24:46 | 0:24:51 | |
off you go We are recreating some of
the songs for the greatest hit, we | 0:24:51 | 0:24:57 | |
have three new sausages so we want
to go to the territories we have | 0:24:57 | 0:25:02 | |
never been to before like South
America, we get so many south | 0:25:02 | 0:25:07 | |
American flags in the audience, we
have to pay them back and go to | 0:25:07 | 0:25:11 | |
these countries. It is hard isn't
it. So you are reimagining some of | 0:25:11 | 0:25:16 | |
the greatest hits for this album
that will be out about Christmas | 0:25:16 | 0:25:19 | |
timish, can you give us a hint as to
what may be, which ones you are | 0:25:19 | 0:25:24 | |
doing. You remember the old tape
reels, we got them out and you put | 0:25:24 | 0:25:30 | |
them in the oven for a bit. This is
what we were told, then you digitise | 0:25:30 | 0:25:34 | |
them. We have upgraded the mixes and
reimagined some of the songs but not | 0:25:34 | 0:25:39 | |
all of them, you have to be careful,
if you take them too far, you | 0:25:39 | 0:25:44 | |
destroy people's memories so we are
tried to be, there is a little laugh | 0:25:44 | 0:25:47 | |
there.
Them in the oven for a bit. This is | 0:25:47 | 0:25:51 | |
what we were told, then you digitise
them. We have upgraded the mixes and | 0:25:51 | 0:25:54 | |
reimagined some of the songs but not
all of them, you have to be careful, | 0:25:54 | 0:25:57 | |
if you take them too far, you
destroy people's memories so we are | 0:25:57 | 0:25:59 | |
tried to be, there is a little laugh
there. | 0:25:59 | 0:26:01 | |
"Don't change anything". Put in a
load of music on an album wasn't | 0:26:01 | 0:26:04 | |
enough, we wanted to look through it
and make it sound better. We have a | 0:26:04 | 0:26:07 | |
great picture of you Gary with
something you like to do on tour, | 0:26:07 | 0:26:09 | |
what are you doing, a bingo caller?
It is called Barlow's Bingo I am, I | 0:26:09 | 0:26:12 | |
do it, I am quite professional at
it. When I used to play the working | 0:26:12 | 0:26:16 | |
mens' clubs we used to play bingo
all the time. It is amazing you say | 0:26:16 | 0:26:21 | |
we are having bingo, you can't get a
seat in the house. Everyone loves | 0:26:21 | 0:26:25 | |
it. It looks very rock and roll.
That is where we will leave it. | 0:26:25 | 0:26:35 | |
We'll be chatting to Simon Pegg
about his new film tomorrow. | 0:26:35 | 0:26:37 | |
Thanks to Gary, Mark and Howard
for joining us tonight | 0:26:37 | 0:26:40 | |
You can see The Band tour around
the UK and Ireland for an extended | 0:26:40 | 0:26:48 | |
# Let's go
# Hold up a light for me | 0:26:52 | 0:26:55 | |
# Hold up a light for me
# Hold upa light for me oh | 0:26:55 | 0:27:02 | |
# I'll be watching
# Hold up a light for me | 0:27:02 | 0:27:06 | |
# Hold up a light for me
# Hold up a light for me | 0:27:06 | 0:27:11 | |
# Hold up for me, oh
# I'll be watching you | 0:27:11 | 0:27:23 | |
# Ladies and gentlemen, this is The
Band the musical | 0:27:23 | 0:27:28 | |
# Hold up a light for me
# Hold up a light for me | 0:27:28 | 0:27:31 | |
# Hold up a light
# Hold up a light for me | 0:27:31 | 0:27:35 | |
# Hold up a light
# Hold up a light for me, oh | 0:27:35 | 0:27:44 | |
# Never forget where you come from
# Never pretend that it's all reel | 0:27:44 | 0:27:52 | |
# Some day soon this will all be
someone else's dream | 0:27:52 | 0:27:58 | |
# This will be someone else's dream
# Never forget where you've come | 0:27:58 | 0:28:06 | |
from
# Never pretend that it's all reel | 0:28:06 | 0:28:11 | |
# Some day soon this will all be
someone else's dream | 0:28:11 | 0:28:18 | |
# Here we go
# So come on get it on | 0:28:18 | 0:28:25 | |
# I don't know what you're waiting
for | 0:28:25 | 0:28:26 | |
# Your time is coming
# Don't be late, hey, hey, | 0:28:26 | 0:28:30 | |
# So come on
# See the light on your face | 0:28:30 | 0:28:34 | |
# Let it shine
# Just let it shine | 0:28:34 | 0:28:42 | |
# Shine
# Just let it shine | 0:28:42 | 0:28:53 |