Browse content similar to 19/09/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show Matt Baker And Alex Jones. Tonight, | :00:23. | :00:27. | |
a man who has had the daunting task of weighing up the achievements of | :00:27. | :00:31. | |
the leading figures from the past 70,000 years. Then deciding who is | :00:31. | :00:36. | |
in and who is out. We are about to his History of the World on our | :00:36. | :00:39. | |
screens. It's promising to be controversial. Please welcome | :00:39. | :00:48. | |
writer and broadcaster, Andrew Marr. APPLAUSE | :00:48. | :00:52. | |
Andrew, you have had 15 months on the road. Have you been deciding | :00:52. | :01:00. | |
who is in and out. You have left out Henry VIII and the Battle of | :01:00. | :01:09. | |
Britain? Yes. Very interesting guy. Historically a fat sprat. Not a | :01:09. | :01:13. | |
world historical figure. The Battle of Britain, most people who watch | :01:13. | :01:17. | |
British television have heard of Battle of Britain I'm trying to | :01:17. | :01:24. | |
give them stories they haven't heard about. You have clocked up 80 | :01:24. | :01:29. | |
flights. Travel something great. What did you do? You get bored of | :01:29. | :01:35. | |
airports. I used to run. My knees have gone. I have done sketching. | :01:35. | :01:41. | |
To calm down and enjoy myself I have done drawings. I draw on the | :01:41. | :01:46. | |
iPad much I don't have to carry around ink, pencils and all that | :01:46. | :01:52. | |
stuff. Do it all on this. How very now, Andrew? Exactly. Here is a | :01:52. | :02:00. | |
thing for you. Don't often say that. Not about me. Will you do a sketch | :02:00. | :02:06. | |
throughout the programme? I will do my best. Later we will meet the man | :02:06. | :02:12. | |
behind one of the most distinctive guitar sounds in pop. It's Level | :02:12. | :02:21. | |
42's Mark King. APPLAUSE | :02:21. | :02:24. | |
With will meet doctors, nurses and health workers from a hospital who | :02:24. | :02:28. | |
have been scrubed up by Gareth Malone for his new series on | :02:28. | :02:34. | |
workplace choirs. Shall we have a burst of something relevant? It has | :02:34. | :02:44. | |
:02:44. | :02:46. | ||
to be relevant. Let's go. # Don't let your self-go | :02:47. | :02:56. | |
:02:57. | :03:00. | ||
# Cos everybody cries # Ooh, and everybody hurts | :03:00. | :03:10. | |
# Sometimes # And everybody hurts... # | :03:10. | :03:15. | |
APPLAUSE What about that. Everybody hurts. | :03:15. | :03:19. | |
REM. We have a game like that coming up later. They have the | :03:19. | :03:22. | |
Gareth Malone shine on them, haven't they? Very good. The | :03:22. | :03:27. | |
posture and everything. If you have done something special with your | :03:27. | :03:31. | |
work colleagues, singing, putting a theatre group together, send us a | :03:31. | :03:36. | |
picture to: We will read out as many as we can throughout the | :03:36. | :03:41. | |
programme. Yesterday, we heard from one show viewers about small acts | :03:41. | :03:45. | |
of kindness that had inspired them to spread the love. Lucy meets a | :03:45. | :03:51. | |
remarkable man with a very, very big heart, Oscar Brogden who has | :03:51. | :04:01. | |
been havinglet same effect on the people of Gorton in Manchester. | :04:01. | :04:04. | |
haven't got much money. Why wouldn't I want to help people out | :04:05. | :04:11. | |
by putting money in their purse. Oscar Brogden, a security guard | :04:11. | :04:15. | |
here has co-ordinated a city-wide scheme to reunite people with their | :04:15. | :04:20. | |
lost and stolen wallets and purses. Oscar makes sure they don't go back | :04:20. | :04:30. | |
:04:30. | :04:31. | ||
empty. At last count, Oscar had returned �1,780--1,780 wallets to | :04:31. | :04:34. | |
their owners. Joan had her handbag and purse snatched while she was | :04:34. | :04:39. | |
out shopping. I felt sick. I felt really violated. I wanted to have a | :04:39. | :04:45. | |
good cry. I did hold it back. About a week later, Oscar rang. When I | :04:45. | :04:51. | |
got my purse back, there was a lovely hand written letter in there | :04:51. | :04:57. | |
from Oscar and also �5. I thought, how kind of him to do that. That is | :04:57. | :05:02. | |
lovely. It really did bring a tear to my eyes. It really did. Oscar | :05:02. | :05:07. | |
earns �17,000 a year, which hardly puts him in the same League as a | :05:07. | :05:11. | |
City or United player, he regularly digs deep into his own pockets to | :05:11. | :05:16. | |
compensate the people who have had their purses lost or stolen. Oscar, | :05:16. | :05:21. | |
how much money, over the years, do you think you have given away? | :05:21. | :05:26. | |
�5,000. Where has that money come from? My pocket. It's your money? | :05:26. | :05:32. | |
Yes. Female students are the biggest victims. I'll send them �5 | :05:32. | :05:35. | |
and pensioners. Really, really emotional when they get on the | :05:35. | :05:40. | |
phone and they have had their Christmas money taken. A few years | :05:40. | :05:44. | |
ago I put �80 in. I was going to buy a jumper. I thought, I have a | :05:44. | :05:50. | |
jumper, why do I want another one. I put the �80 in. She came back | :05:50. | :05:55. | |
here and I have a friend for life. How do you feel when people try to | :05:55. | :06:03. | |
give you a reward. I send a letter saying "please do not send me a | :06:03. | :06:08. | |
reward." Someone sent me �500, I had no hesitation giving it back to | :06:08. | :06:12. | |
him. What do you tkpwhet return? try to do my little bit for the | :06:12. | :06:17. | |
community with the help of the people who work here. His kindness | :06:17. | :06:21. | |
doesn't stop with returning lost and stolen wallets and purses. He | :06:21. | :06:25. | |
has saved thousands of old and rusty bikes that would end up on | :06:25. | :06:29. | |
the scrap heap, repairing them and handing them over to the community, | :06:29. | :06:35. | |
free of charge. We give four away a week to kids, member of staff. To | :06:35. | :06:40. | |
people who don't have transport or somebody who had their bike taken. | :06:40. | :06:44. | |
All these bikes end up on the tip. They are going back into the | :06:44. | :06:47. | |
community. I put �100 a month out of my own money. We make sure when | :06:48. | :06:53. | |
the bikes go from here they have got good tyres and good brakes and | :06:53. | :07:01. | |
good seats. Some of these children have never had a bike before. | :07:01. | :07:07. | |
has repaired and given away a stagger 3,5 81 bikes. The next four | :07:08. | :07:13. | |
are for a new life with local children. Liam. Thank you, Oscar. | :07:13. | :07:21. | |
Callum. Thank you, Oscar. Brandon. Thank you, Oscar. And victor. | :07:21. | :07:27. | |
you, Oscar. Who knows the big names like Bradley Wiggins, Chris Hoy, | :07:27. | :07:32. | |
one of these young people from around here might emulate that. | :07:32. | :07:37. | |
That would be absolutely sensational. I'm in Oscar's | :07:37. | :07:42. | |
workshop. Have you just seen it. He has his bits of pedals and bike.he | :07:42. | :07:47. | |
is not the tidest, as he freely admits. He uses everything he is | :07:47. | :07:52. | |
given to fix up these bikes and get them out to the local community. | :07:52. | :07:55. | |
Helen is here from the local community. You have worked with him | :07:55. | :08:01. | |
a few times? I have. My auntie works with Oscar. She let's me know | :08:01. | :08:07. | |
what he needs for the local people. People bring me food, bikes and all | :08:07. | :08:12. | |
sorts. Whatever he needs? Yes. me about the Christmas hampers he | :08:12. | :08:17. | |
does? I helped him wrap the hampers last year. The hampers that that | :08:17. | :08:24. | |
huge you can't lift them. Is there any limits to his generosity? | :08:24. | :08:30. | |
doesn't know the word "limit." Thank you. Helen is from the local | :08:30. | :08:34. | |
community along with lots of people who Oscar has helped, we have | :08:34. | :08:38. | |
persuaded them to come down here tonight to say thank you to Oscar. | :08:38. | :08:42. | |
He is such a modest man. We have one man who is liing in wait for | :08:42. | :08:50. | |
him, as we speak. Iwan Thomas, where are you? Well, thank you. I'm | :08:50. | :08:53. | |
hiding around here because today has Allardyce been about secrecy. | :08:53. | :08:57. | |
Oscar is such a lovely man. He doesn't like the limelight or a | :08:57. | :09:01. | |
fuss. Tough, Oscar, tonight we will make a small fuss. The people who | :09:01. | :09:06. | |
love you of this local community are turning out to thank you. You | :09:06. | :09:11. | |
know, I may have pulled a few strings. Stay tuned. As you saw on | :09:11. | :09:16. | |
the show earlier, on the little clip he loves Jason Kenny. I called | :09:16. | :09:26. | |
:09:26. | :09:27. | ||
him up. Stay tuned. We will catch up with you later. He will be | :09:27. | :09:31. | |
distraught that people are filming in his workshop without him nothing. | :09:31. | :09:36. | |
You will unleash on the world, Andrew Marr's History of the World. | :09:36. | :09:40. | |
This is extraordinary. You have been reading for 30 or 40 years. | :09:40. | :09:44. | |
You feel ready in your life to say this is Watt I think about the | :09:44. | :09:47. | |
History of the World? Exactly. It has been a long, long time in the | :09:47. | :09:51. | |
making. I have spent three years stuck in libraries, as you say, 25 | :09:51. | :09:56. | |
years before that just reading history. I have read a lot of | :09:56. | :10:00. | |
history over my life. OK, what are the really important moments, what | :10:00. | :10:04. | |
are the crucial turning points? It's not just, it's not our history, | :10:04. | :10:08. | |
not just European history, I brought in China, India and South | :10:08. | :10:12. | |
America. What was happening over there when stuff was happening here. | :10:12. | :10:16. | |
Linking it altogether. That is the hard thing. There is so much going | :10:16. | :10:23. | |
on at the same time? Absolutely. know what you left out, heny VIII | :10:23. | :10:27. | |
and the Battle of Britain. How did you decide where to start? I could | :10:27. | :10:36. | |
have done 13.5 billion years ago in the Big Bang. I thought, leave the | :10:36. | :10:40. | |
science to the scientists. Leave evolution to the byologists. Start | :10:40. | :10:46. | |
with the story of us. Mankind as we start to move out around the world | :10:46. | :10:53. | |
and change it. That is 70,000 years ago when, it's now thought, one | :10:53. | :10:59. | |
tribe breaks out of Africa and spreads around the world. All of us | :10:59. | :11:03. | |
not from sub-Saharan Africa are related to that one tribe. One | :11:03. | :11:10. | |
woman in that tribe is our nearly universal mother. I find it | :11:10. | :11:15. | |
absolutely extraordinary and quite hard to believe almost. Yes, it is. | :11:15. | :11:22. | |
To help you tell your historical tales you have lots of reenactments. | :11:22. | :11:29. | |
Let's have a look. None of us can hope to know all of the human story, | :11:29. | :11:32. | |
but it does help to have the big picture because it's really the | :11:32. | :11:41. | |
story of who we are now. Our own ancestors long walk, the tiny | :11:41. | :11:51. | |
things that changed the world. Nature biting back. Old glories, | :11:51. | :11:57. | |
winners and losers. Truth seekers and astonishing discoveries. | :11:57. | :12:07. | |
:12:07. | :12:07. | ||
Revolutions in blood and in iron. Modern madness and the wonders of | :12:07. | :12:14. | |
the digital age. APPLAUSE | :12:14. | :12:20. | |
Modern madness, Andrew. That looks like it's a modern equivalent of | :12:20. | :12:29. | |
picture books that Andrew Marr marr as a child nel love with. If you | :12:29. | :12:34. | |
remember Ladybird books, all sorts of books. You are drawn in by the | :12:34. | :12:38. | |
pictures. With television, those kind of reenactments are the bright, | :12:38. | :12:43. | |
colour pictures which draw us in. The people who were down and filmed | :12:43. | :12:49. | |
all of those did a fantastic job. Speaking of the people who filmed | :12:49. | :12:54. | |
them. The cameraman rang up and said, ask Andrew about leaving the | :12:54. | :12:59. | |
woman in the desert?? That is a terrible story. OK, really shameful | :12:59. | :13:06. | |
story. A wonderful woman, who was part of a museum, we were filming | :13:06. | :13:11. | |
the story of the Nazkar who have extraordinary priests with long | :13:11. | :13:19. | |
heads, look like they are out of science fiction. Bound together in | :13:19. | :13:22. | |
childbirth. She brought a skull down for us. She was going to her | :13:22. | :13:27. | |
own town to vote. We all went back in the next day. We were all | :13:27. | :13:32. | |
exhausted. We were heading back, about 200 miles north of where we | :13:33. | :13:38. | |
had been filming somebody said, "What about the woman?" We had left | :13:38. | :13:43. | |
her behind! She was standing outside... It was just the most | :13:43. | :13:48. | |
terrible thing. We were all on our way for a last, sort of, lunch then | :13:48. | :13:53. | |
we were going... We left her behind. Did you go back? Tell us you went | :13:53. | :13:58. | |
back? If we went back we would have lost the flights. We arranged a | :13:58. | :14:05. | |
luxury taxi to pick her up. Very good. It was the most shameful Alan | :14:05. | :14:09. | |
Partridge moment of the entire thing. Awful. I'm going to kill | :14:09. | :14:13. | |
Neil Harvey for telling you. That he is a dead man! We have our | :14:13. | :14:18. | |
sources. There are eight of these programmes. You are going up | :14:18. | :14:23. | |
against Downton Abbey as well. know. It's a great honour. Charge | :14:23. | :14:31. | |
the machine guns, mate with Downton Abbey. You are following | :14:31. | :14:36. | |
Countryfile. You will be all right. The programme starts this Sunday on | :14:36. | :14:40. | |
BBC One at 9.00pm. There is also a book to accompany the series which | :14:40. | :14:48. | |
People living in many care homes across the UK will be able to rate | :14:48. | :14:52. | |
how good or bad they think they are. The cost of paying the home's fees | :14:52. | :14:57. | |
can result in many families struggling financially and in some | :14:57. | :15:02. | |
cases unnecessarily. Across the UK, there are 400,000 | :15:02. | :15:08. | |
adults who live in nursing and care homes. | :15:08. | :15:11. | |
Around 40% of people in care homes in England have to pay for some or | :15:12. | :15:16. | |
all of their care costs. The thing is, some of them shouldn't have to | :15:16. | :15:23. | |
pay anything whatsoever. David from Watford was 65 years old | :15:23. | :15:28. | |
when he was diagnosed with Alzheimer's disease. By April 2010, | :15:28. | :15:32. | |
his condition was so bad that he had to be moved into a nursing home. | :15:32. | :15:39. | |
Before he was ill, David was a very friend friendly, outgoing, social, | :15:39. | :15:45. | |
chatterbox. He loved life and he loved living. I was devastated when | :15:45. | :15:48. | |
I found out it was probably at zilers because I knew -- | :15:49. | :15:52. | |
Alzheimer's because I knew what was going to happen. We had plans for | :15:52. | :15:57. | |
our future and our retirement and there wasn't going to be a pleasant | :15:57. | :16:00. | |
future, it was going to be upsetting and very sad. | :16:00. | :16:05. | |
In England and Wales, before someone goes into residential care | :16:05. | :16:08. | |
care an assessment can be made of their needs. If they are judged to | :16:08. | :16:13. | |
be medical then the NHS can pick up the costs, however if their primary | :16:13. | :16:17. | |
needs are not seen to be medical then the local authority will do a | :16:17. | :16:24. | |
means-test before it decides how much if anything it will contribute. | :16:24. | :16:29. | |
The NHS assessment also takes into account ongoing care requirements, | :16:29. | :16:33. | |
but despite David's Alzheimer's and the care he needed, the NHS decided | :16:33. | :16:38. | |
they wouldn't cover the fees. I was horrified. I had hoped that | :16:39. | :16:43. | |
with all David's problems that he would have been covered by the NHS. | :16:43. | :16:47. | |
His primary needs got worse and worse. He started having seizures, | :16:47. | :16:51. | |
he had to be hoisted. He just went from bad to worse. | :16:51. | :16:57. | |
How much were you having to pay? was paying �1,100 a week. | :16:57. | :17:03. | |
And how did you afford that? From our savings. From when we retired. | :17:03. | :17:10. | |
We were using it up very quickly. David would have been horrified. | :17:10. | :17:15. | |
In December 2010, David passed away. By that time, the couple had paid | :17:15. | :17:19. | |
around �30,000 in fees for the nursing home. Susan still believed | :17:19. | :17:23. | |
her husband's needs had been wrongly assessed. So she went to a | :17:23. | :17:28. | |
solicitor. Two years later, the NHS have now | :17:28. | :17:31. | |
said that their assessment was wrong and they will now be | :17:31. | :17:34. | |
refunding all the care fees that she has paid. Do you think people | :17:34. | :17:38. | |
understand that they can go through this appeal process? No, it is a | :17:38. | :17:42. | |
complicated area and people aren't aware that potentially the NHS | :17:42. | :17:45. | |
could pay the full cost of their care. | :17:45. | :17:51. | |
Is it worth it? My firm represent 3,000 people and we have been | :17:51. | :17:56. | |
successful in recovering over �25 million in wrongly paid care fees | :17:56. | :18:01. | |
for 350 clients. The process is long. It is complex and it does | :18:01. | :18:04. | |
take sometime and sadly, families are waiting two to three years for | :18:04. | :18:11. | |
right decisions to be made. For Susan, the refund helped to | :18:11. | :18:13. | |
give her peace of mind that she will be comfortable in her | :18:13. | :18:17. | |
retirement. David would be over the moon. He | :18:17. | :18:23. | |
was a fighter. He was a terrier as he called himself! He wouldn't have | :18:23. | :18:26. | |
given up. If the boot had been on the other foot and it would have | :18:26. | :18:29. | |
been me, he would have fought. It has been the most stressful thing | :18:29. | :18:39. | |
:18:39. | :18:40. | ||
that happened to me and I'm just so If you want to claim back care home | :18:40. | :18:45. | |
fees, there is a deadline at end of the month. This deadline only | :18:45. | :18:49. | |
applies to England. If you need more information on how | :18:49. | :18:52. | |
people living in the rest of the UK are affected, have a look at | :18:52. | :18:55. | |
website. It is all there. Anita has more news about the care homes | :18:55. | :19:04. | |
I have. This week the Your Care Rating initiative was introduced | :19:04. | :19:09. | |
which aims to rate care homes. Jane Ashcroft is from one of the care | :19:09. | :19:12. | |
providers who developed the scheme. Jane, how is this going to work? | :19:12. | :19:16. | |
Well, at this stage, there is 13 providers involved. 850 care homes | :19:16. | :19:20. | |
and the 50,000 people living there have an opportunity to fill in a | :19:20. | :19:23. | |
survey and say what they think about the care that they receive in | :19:23. | :19:26. | |
the place that they live in. So you are getting a snapshot in | :19:26. | :19:31. | |
time? That's right. Really importantly, the survey has been | :19:31. | :19:36. | |
developed by MORI and it is confidential and it will give us | :19:36. | :19:39. | |
that picture of what think people think are great and the things that | :19:40. | :19:44. | |
people need to improve. Even though it is care providers | :19:44. | :19:46. | |
who are behind it? It is independent. It is confidential. | :19:46. | :19:51. | |
All the results go to MORI and it is straightforward. | :19:52. | :19:58. | |
But what if my relative can't fill out that form? What then? Families | :19:58. | :20:01. | |
will be helping people and other friends will be helping people so | :20:01. | :20:04. | |
we want to encourage as many responses as possible. | :20:05. | :20:09. | |
How can we be sure that whatever their rating, whatever they are | :20:09. | :20:11. | |
telling us about that care home will be listened to and action | :20:11. | :20:14. | |
taken? A commitment from everybody involved. That's why we're asking | :20:14. | :20:18. | |
the question. There is lots of good things going on and we want to know | :20:18. | :20:22. | |
what residents really value so we can keep doing the good and improve | :20:22. | :20:24. | |
on the things that need to be improved on. | :20:24. | :20:29. | |
If a care home gets a negative rating, will we be able to see | :20:29. | :20:34. | |
that? We want all homes to be involved. We are the pilot group. | :20:34. | :20:38. | |
We want other homes to get involved as well. We're being to publicise | :20:38. | :20:41. | |
the information and then everybody will be able to look and say, "OK, | :20:41. | :20:46. | |
this is the quality of this home.". Often you hear stories about | :20:46. | :20:52. | |
neglect in care homes. But there are lots of brilliant care workers | :20:52. | :20:57. | |
like Karl Martin. You got an award. So what makes a good care worker? | :20:57. | :21:00. | |
think it is a genuine interest in people and what makes people tick. | :21:00. | :21:04. | |
Everyone in a care home has a history. They have lives they've | :21:04. | :21:09. | |
lived. They had joys and disasters, loves, every single person is | :21:09. | :21:13. | |
different. It is all ensuring that we treat people as individuals as | :21:13. | :21:18. | |
they deserve to be. You got your awards for activities. | :21:18. | :21:21. | |
Yes. What activities do you get your | :21:21. | :21:25. | |
residents to do? We try to lead on life story so it is very important | :21:25. | :21:30. | |
that I know as much about a resident as possible. We had a | :21:30. | :21:34. | |
wonderful example last year where one of our ladies had loved | :21:34. | :21:38. | |
swimming as a child, but when she had a husband and her family, she | :21:38. | :21:42. | |
had to stop. We took her to the swimming pools at her request and | :21:43. | :21:47. | |
for the first time in 60 years she got into that pool at the age of 92 | :21:47. | :21:52. | |
and out swam the activities co- ordinator! | :21:52. | :21:57. | |
That's brilliant. For example, one of our gentlemen | :21:57. | :22:02. | |
flew a mosquito. We were able to unite him. He went to see that. | :22:02. | :22:07. | |
It is about being joyful. So what do you think about Your Care Rating, | :22:07. | :22:13. | |
do you think it is a good idea? is a wonderful idea. Up and doub | :22:13. | :22:16. | |
down the country -- up and down the country, there are people who work | :22:16. | :22:19. | |
hard in care homes and this is a real opportunity for people to see | :22:19. | :22:21. | |
some of the great work that goes on in care homes. | :22:21. | :22:29. | |
Thank you very much indeed. Does all this make you think about | :22:29. | :22:35. | |
your old age, Andrew? I they we all have to face the fact that many of | :22:35. | :22:38. | |
us, perhaps if we're lucky are going to end up in care homes | :22:38. | :22:42. | |
because we'll have lived for longer and there are some great ones and | :22:42. | :22:47. | |
we know there are poor ones indeed. And the costs are just awesome and | :22:47. | :22:51. | |
phenomenal and most of us, I mean I'm as guilty as anyone, we tend to | :22:51. | :22:55. | |
think about tomorrow. We tend to think about next year, that holiday, | :22:55. | :23:01. | |
that car, we should be salting money away for the serious stuff. | :23:01. | :23:06. | |
Too much looking at the history. And not looking forward! | :23:06. | :23:14. | |
Earlier we met Oscar Brogden. does all sorts of amazing things | :23:14. | :23:17. | |
from fixing up old bikes and repairing them for children to go | :23:18. | :23:23. | |
and enjoy. To reuniting people with their lost property. He is a hero | :23:23. | :23:28. | |
in many people's eyes and Lucy is up to something! | :23:28. | :23:32. | |
Somehow, we've got Oscar here without him knowing what's going on. | :23:33. | :23:36. | |
Ewan is going to get him out of the car now and we're going to bring | :23:36. | :23:42. | |
him in. Everybody, nice and quiet. Hello, Oscar. I will take your hand. | :23:42. | :23:46. | |
Step out of the car. You are probably wondering why you're | :23:46. | :23:50. | |
blindfolded on this dark, cold and quiet night. If you walk with me | :23:50. | :23:52. | |
this way, all will be revealed in a minute. | :23:52. | :23:58. | |
Are you all right? I'm good, thanks. You are not too cold. | :23:59. | :24:03. | |
Well, you are live on The One Show. Mind your Manchester language! You | :24:03. | :24:06. | |
are going to see why you are here. Thank you. | :24:06. | :24:16. | |
:24:16. | :24:18. | ||
CHEERING AND APPLAUSE Oscar, all these people are here | :24:18. | :24:21. | |
for you because you are such a lovely man and I know you don't | :24:21. | :24:23. | |
like a fuss. Thank you very much. You can put it | :24:23. | :24:26. | |
in a few words, top people. You never expect anything like this, do | :24:26. | :24:28. | |
you? Top people. That's all I can. Thank you very much. Well, you are | :24:28. | :24:31. | |
the top person. It is not just about the people here, we have got | :24:31. | :24:35. | |
a few other surprises, one of which is with Lucy now. | :24:35. | :24:41. | |
Hello Luy. We wanted to make it official. On | :24:41. | :24:45. | |
behalf of the One Show, and the people from the community, I would | :24:45. | :24:55. | |
:24:55. | :24:56. | ||
like to unveil this. CHEERING AND APPLAUSE | :24:56. | :24:58. | |
Every time you come to your den, that is for recognition and to | :24:58. | :25:01. | |
remind you of what you mean to this community. You might not realise, | :25:01. | :25:03. | |
you have touched so many people here. Everything you have done, we | :25:04. | :25:08. | |
have got another surprise. Well all these bikes have been | :25:08. | :25:11. | |
donated by Manchester Police Force. Unfortunately they can't be here | :25:11. | :25:15. | |
because of yesterday's tragic events, but they wanted to say | :25:15. | :25:19. | |
thank you and give you more bikes to work on to help the youngsters. | :25:19. | :25:23. | |
Brandon, what does Oscar mean to you? He is one of the best guys in | :25:23. | :25:28. | |
the world. Oscar, can I have another bike? Of course, you can, | :25:28. | :25:34. | |
son, yes. How about you? What has Oscar done? | :25:34. | :25:40. | |
He got me a brilliant bike. What colour? Pink. | :25:40. | :25:48. | |
What does it mean? These are top people. I am an old bloke, I am | :25:48. | :25:54. | |
getting emotional. You are just brilliant, I can't fault you. | :25:54. | :25:57. | |
What do you think of Oscar? Just a walking angel. | :25:57. | :26:02. | |
What a lovely thing. We have got a special surprise, haven't we? | :26:03. | :26:06. | |
local community love you. I know you don't like a fuss, but there is | :26:06. | :26:11. | |
someone special who wants to show his appreciation, you are a fan of | :26:11. | :26:18. | |
British cycling. We have got double Olympic champion, Jason Kenny. | :26:18. | :26:22. | |
APPLAUSE Look at that! | :26:22. | :26:27. | |
What a top man! Fancy meeting you in person. Wow. What a diamond. My | :26:27. | :26:32. | |
heart goes out to you. Well done, tremendous guy. | :26:32. | :26:36. | |
Jason, what do you think? Amazing, thanks a lot, mate. Thank you to | :26:36. | :26:41. | |
British cycling for getting all these kids out on bikes. Good work. | :26:41. | :26:46. | |
A lot of these people here were watching you on the telly and you | :26:46. | :26:49. | |
came and you did us proud. He is a very big fan. | :26:49. | :26:55. | |
We are very proud of you tonight. We could talk all night. You guys | :26:55. | :27:00. | |
live local, but me and luc have to get back to London. | :27:00. | :27:10. | |
:27:10. | :27:10. | ||
We better make a move, Ewan. Oscar, see you later. | :27:10. | :27:20. | |
:27:20. | :27:29. | ||
Lucy, wait! APPLAUSE | :27:29. | :27:32. | |
There is so many people going on about a legacy and that guy there, | :27:32. | :27:34. | |
giving those little bikes and that young lad summed it up brilliant, | :27:34. | :27:37. | |
"He is one of the best guys in the world.". The Military Wives Choir | :27:37. | :27:40. | |
were led to the top of the charts by Gareth Malone. Bagging the | :27:40. | :27:42. | |
Christmas number one spot. He has turned his attention to this group | :27:42. | :27:45. | |
of workers from the Lewisham Healthcare Trust. They teased us at | :27:45. | :27:47. | |
the top of the show. But here they are, the newly discovered stars of | :27:47. | :27:54. | |
Gareth Malone's new telly series. If you want want blood, brackets | :27:54. | :27:58. | |
you got it! LAUGHTER | :27:58. | :28:03. | |
Who is in favour of that? I've had a good idea. | :28:03. | :28:08. | |
# Keep, bleeding, keep, keep bleeding # | :28:08. | :28:18. | |
:28:18. | :28:22. | ||
Any others? APPLAUSE | :28:23. | :28:25. | |
So Gareth Malone, he lands in the Lewisham health trust and he gets | :28:25. | :28:28. | |
you all involved. How did he rope you? There was auditions and we | :28:28. | :28:32. | |
went ang long and he managed to -- along and he managed to get the | :28:32. | :28:37. | |
talent down to 30 of us. I don't know how I did t but he did it. | :28:37. | :28:42. | |
Joe, you are an anaesthetist, when you are putting people to sleep, | :28:42. | :28:49. | |
are you singing to them? I don't use drugs anymore. I'm using song | :28:49. | :28:54. | |
based an theseia. Fame could come calling. Are you | :28:54. | :29:01. | |
ready to change the uniform for something spankly? I have resigned. | :29:01. | :29:05. | |
I am available for supermarket openingings. | :29:05. | :29:12. | |
You are a neo-natal nurse, surely you sing nursery rhymes? Yes, I | :29:12. | :29:14. | |
sing other songs to the little babies. | :29:14. | :29:19. | |
How did you get involved? I heard about the audition. I heard about | :29:19. | :29:23. | |
the audition and my son said "mummy go for it. Since you are singing in | :29:23. | :29:29. | |
the house, you might as well go for it." I went for it and I was chosen. | :29:29. | :29:37. | |
Sarah, you did a concert in A&E? Yes, part of the process, we | :29:37. | :29:39. | |
performed opened the new A&E department and it was brilliant. | :29:39. | :29:43. | |
All our friends and family came. It was so funny. It was the first time | :29:43. | :29:46. | |
we performed to anybody. It was excellent. We were on such highs | :29:46. | :29:50. | |
afterwards. Well, you are a physiotherapist and | :29:50. | :30:00. | |
:30:00. | :30:14. | ||
you are going to sing Lean On Me. # Sometimes in our life we all have | :30:14. | :30:24. | |
:30:24. | :30:27. | ||
pain, we all have sorrow # But if we are wise, we know that | :30:27. | :30:34. | |
there's always tomorrow # Just call on me brother when you | :30:34. | :30:41. | |
need a hand # We all need somebody to lean on | :30:41. | :30:46. | |
# I just might have a problem that you'd understand | :30:47. | :30:53. | |
# We all need somebody to lean on # Lean on me | :30:53. | :30:59. | |
# When you're not strong, and I'll be your friend | :30:59. | :31:04. | |
# I'll help you carry on # Oh, for | :31:04. | :31:13. | |
# It won't be long # Until I'm going to need | :31:14. | :31:23. | |
:31:24. | :31:26. | ||
# Ooh, somebody to lean on # Lean on me. # | :31:26. | :31:30. | |
APPLAUSE Beautiful! Very, very big thank you | :31:30. | :31:35. | |
to the staff from Lewisham Health Care Trust and the Choir starts | :31:35. | :31:42. | |
tomorrow night at 9.00pm on BBC Two. Most musicians are waiting for that | :31:42. | :31:50. | |
big break, that killer hit. When it happened to one 0's band it tore | :31:50. | :31:58. | |
them apart. Carrie picks up the pieces and learns some lessons. | :31:58. | :32:02. | |
Isle of Wight, laid back and relaxed. A young group of musicians | :32:02. | :32:06. | |
used to play the pubs and clubs much. You could get to see them for | :32:06. | :32:13. | |
the price of a drink. By the 0's they became Level 42 playing | :32:13. | :32:16. | |
stadium gigs with Madonna and selling 30 million records. It was | :32:17. | :32:24. | |
a track called Lessons In Love that brought international superstar | :32:24. | :32:31. | |
status. It all began back on the island. The brothers and I met at a | :32:31. | :32:35. | |
party. I got the chance to join the band that they were in. The Isle of | :32:35. | :32:40. | |
Wight is a largely tourist based place. There were hotels you could | :32:40. | :32:45. | |
play in and pubs and holiday camps. There was loads of opportunity to | :32:45. | :32:52. | |
work as a working musician. Really learning your trade. Leaving the | :32:52. | :32:57. | |
island behind, the band started to take shape in London. Moving from | :32:57. | :33:05. | |
playing instrumental jazz funk to commercial pop. In 1986, following | :33:05. | :33:09. | |
their first Top 10 suck sets ses in America they were asked to produce | :33:09. | :33:15. | |
a hit single in advance of the next album. It had to be big. For me, I | :33:15. | :33:19. | |
just thought, OK. Let's do it then. Let's try and do that. We had | :33:19. | :33:24. | |
already sat down and made a decision, if we wanted to carry on | :33:24. | :33:30. | |
in the business. It was well doing 60,000 units of an album and stuff, | :33:30. | :33:40. | |
:33:40. | :34:08. | ||
if we wanted to go to 600,000 every And that sequence, I'm sat there | :34:08. | :34:12. | |
and I hated playing that because I thought "I'm 15 and I shouldn't be | :34:12. | :34:17. | |
doing that." I couldn't get that idea out of my idea. The truth is | :34:17. | :34:27. | |
:34:27. | :34:28. | ||
# We'll meet again # Don't know where, don't know | :34:28. | :34:30. | |
when... # # I'm not proud | :34:30. | :34:36. | |
# I was wrong... # The base featured really heavily on | :34:36. | :34:41. | |
that record? It's still one of the hardest lines to play. I have | :34:41. | :34:45. | |
played some hard lines. Holding that going, because it's relentless. | :34:45. | :34:54. | |
It never stops. # I've been trying to reach your | :34:54. | :34:58. | |
shore... # The band wrote a hit to order. It | :34:58. | :35:04. | |
worked. Selling many more than the desired 600,000 units, it was a | :35:04. | :35:11. | |
huge global success. Not everyone was happy. The Gould brothers felt | :35:11. | :35:15. | |
the track took the band in the wrong direction. Were they | :35:15. | :35:18. | |
struggling with the record and the sound of the record itself or with | :35:18. | :35:23. | |
success? A bit of both. I didn't know at the time that that was | :35:23. | :35:30. | |
going to be the highest point for the band but what would be the | :35:30. | :35:35. | |
architect of the band's downfall. It was so successful. Yet everybody | :35:35. | :35:40. | |
that was involved in making it happen really wanted to be... | :35:40. | :35:43. | |
Wanted it to be that way. Wan wanted to follow that route. You | :35:43. | :35:49. | |
either go with it or you don't go with it. I wanted to go with it. I | :35:49. | :35:55. | |
think it was the beginning of the end for the original line-up of | :35:55. | :36:00. | |
Level 42. The Gould brothers both left the band. Despite a change in | :36:00. | :36:06. | |
line-up Level 42 went on to have another dozen Top 40 hits. Now, | :36:06. | :36:10. | |
preparing for a new tour, Mark is reworking some of those hits | :36:10. | :36:16. | |
including Lessons In Love. If you you would have said it me when I | :36:16. | :36:20. | |
was nine or ten years old, do you want to be successful? I did. I | :36:21. | :36:25. | |
wanted to be in a band an be successful. I wanted to be on telly | :36:25. | :36:28. | |
and do all of those things. Here with a the perfect vehicle for. It | :36:28. | :36:37. | |
I'm really grateful to the song. Mark is with us now. You said that | :36:37. | :36:41. | |
was the beginning of the end, that song for the group. The orpbl line- | :36:41. | :36:46. | |
up? For the original line-up, for sure. We had been together a number | :36:46. | :36:49. | |
of years. We had been enormously successful. The success and the | :36:49. | :36:54. | |
hard work you put into doing that it take as toll. You are back on | :36:54. | :37:00. | |
tour now with Mike? Yes. We have been working together for ten years. | :37:00. | :37:06. | |
He is such a great musician to play with anyway. Having more fun now | :37:06. | :37:11. | |
than back then, less pressure? There is no pressure. I don't need | :37:11. | :37:16. | |
to compete. I can swan about and keep my chickens on the island and | :37:16. | :37:20. | |
go back on the road. The young ones didn't develop the slap base a | :37:20. | :37:25. | |
combination of drumming and base playing? Yes, it is. It's... I | :37:25. | :37:31. | |
began as a drummer. For me the idea of using two hands to do something | :37:31. | :37:41. | |
:37:41. | :37:48. | ||
as opposed to the usual (plays guitar) Oh, yeah! Yeah. Yeah! | :37:48. | :37:53. | |
good. Peel one of those off for you. As you brought your guitar we will | :37:53. | :38:03. | |
:38:03. | :38:05. | ||
play this game. We have Carrie and Joe. We will place Ace of Base. | :38:05. | :38:15. | |
:38:15. | :38:20. | ||
The whole idea is that Mark will play a little bit of the baa line | :38:20. | :38:25. | |
and you have to guess. I will look stupid here. It's like Name That | :38:25. | :38:34. | |
Tune. Grab a card and pen. You write down what song it is. That is | :38:34. | :38:44. | |
:38:44. | :39:01. | ||
Joe looks confused, bless him! is too young. Before his time! | :39:02. | :39:11. | |
:39:12. | :39:20. | ||
is too young. See this. Get Around. No. Joy Division. YES! It was Love | :39:20. | :39:29. | |
Will Tear Us Apart. Let's move on to the second one. Good luck with | :39:29. | :39:39. | |
:39:39. | :39:53. | ||
# Dadada... # # Oh, baby give me one more chance | :39:53. | :39:57. | |
# Won't you be there # Be back in my heart... # | :39:57. | :40:07. | |
:40:07. | :40:14. | ||
It's there. What is it called? Jackson Five - I Want You Back. | :40:14. | :40:24. | |
:40:24. | :40:26. | ||
has Stevie Wonder. No. I've led a sheltered life. Jackson Five - I | :40:26. | :40:33. | |
Want You Back. We have run out of time. Before this week who would | :40:34. | :40:40. | |
have thought that our correspondents would have got so | :40:40. | :40:45. | |
competitive over giant veg and homemade jam. When the title of | :40:45. | :40:52. | |
Best in Show is at stake the gloves are off. Matt joins in the battle. | :40:52. | :41:00. | |
This is Caddington where they take their annual village show very | :41:00. | :41:05. | |
seriously. For one year only we have been challenged to enter the | :41:05. | :41:10. | |
cauldron-like atmosphere of the Best in Show. There are 62 contests | :41:10. | :41:14. | |
ranging from cookery to horticulture. I have been entered | :41:14. | :41:19. | |
into the Best Cupcake competition. I think they have done this because | :41:19. | :41:25. | |
I know I ride a motorcycle and listen to ACDC and therefore I will | :41:25. | :41:29. | |
be rubbish and it will be funny. What they don't know is that I | :41:30. | :41:39. | |
:41:40. | :41:41. | ||
absolutely love cake. I'm certainly not alone. We ate 65 million | :41:41. | :41:46. | |
cupcakes in the UK last year. They have their own week. It's safe to | :41:46. | :41:51. | |
say they're popular. It means the competition will be ferocious at | :41:51. | :42:00. | |
the Village Show. To win I need help. Step up cupcake Queen, | :42:00. | :42:05. | |
Jennifer Boulds. She will give me a few winning tips. I intend to win | :42:05. | :42:09. | |
with a carrot cupcake. I have never made one before. I have a recipe | :42:09. | :42:16. | |
here. It says "easy." That is good. I have the ingredients put into | :42:16. | :42:21. | |
bowls, like on telly. And, you know, how difficult can it be? Because | :42:21. | :42:26. | |
the cakes will partly be judged on taste, my recipe has orange zest | :42:26. | :42:31. | |
and mixed spices in to give it a bit of a kick. Time for a | :42:31. | :42:35. | |
masterclass and some encouraging words from Jennifer. This requires | :42:35. | :42:40. | |
all of my concentration. For you, you can do it blindfold. I could | :42:40. | :42:46. | |
make a monkey do it. But not me? It helps to someone who believes in | :42:46. | :42:50. | |
you. With the basic cake ingredients in, I am already | :42:50. | :42:53. | |
struggling. It's disturbing when you have only put your dry goods | :42:54. | :42:58. | |
together and you already have lumps. You can save cake at most stages. | :42:59. | :43:05. | |
The key is not to panic. Yes. Don't panic. I keep calm and crack on, | :43:05. | :43:09. | |
with the eggs! Look at. That what a beautiful mixture. Mix quicker. | :43:09. | :43:15. | |
Pour in quicker too. To my basic mixture of brown sugar, whole male | :43:15. | :43:21. | |
flower and eggs I add the carrot and a lot of. It I want my cakes to | :43:21. | :43:26. | |
look perfect. Jennifer has a top tip. I have to destride equaly. | :43:26. | :43:34. | |
Just for that. Like an ice-cream scoop. You get a perfect portion | :43:34. | :43:39. | |
every time. An ice-cream scoop for your cupcakes. Put them in the oven. | :43:39. | :43:43. | |
That is only half the challenge. Next is the topping. It should be | :43:43. | :43:48. | |
thick and creamy. I'm going for a mix of icing sugar, soft cheese and | :43:48. | :43:56. | |
butter. Oh, my God! No... No-one... Just stay where you are. My | :43:56. | :43:59. | |
cupcakes have already been in the oven for 25 minutes. No-one was | :43:59. | :44:04. | |
going to tell me. You weren't going to tell me. They are not that bad. | :44:04. | :44:12. | |
I mean, look underneath it's still moist and lovely. You could just | :44:12. | :44:17. | |
take the top off. Fill over the top and no-one will know. Disaster | :44:17. | :44:24. | |
averted. Off comes the tops. On goes the icing. My confidence is | :44:24. | :44:30. | |
restored. No mention in the recipe of lime zest in my cream cheese | :44:30. | :44:36. | |
topping. It's how I'm feeling tonight. The icing creates a | :44:36. | :44:41. | |
moisture seal so my creations won't dry up. It needs a steady hand. I | :44:41. | :44:47. | |
think I've cleared the final hurdle. Which parts of my cupcake game do I | :44:47. | :44:51. | |
need to work on? You need to be more relaxed about. It stop being | :44:51. | :44:58. | |
so intense and pressurised. It's just cake. It's a start. What I | :44:58. | :45:05. | |
didn't realise until right now is that cupcake making is like | :45:05. | :45:11. | |
engineering with NASA-like quality control. Unless I brush up my act, | :45:11. | :45:19. | |
I'm going to end up looking like a The pressure was on there! Andrew, | :45:19. | :45:24. | |
we know you like a bit of cooking, rumour of a main course or a | :45:24. | :45:29. | |
desert? Main courses. Fish pie. Killer fish pie. People think they | :45:29. | :45:35. | |
have eaten fish pie, they haven't eaten my fish pie. | :45:35. | :45:42. | |
A little bird told us you put anchovy in it? Anchovy paste, lots | :45:42. | :45:48. | |
of parsley, deadly! Very nice. I don't like anchovies. | :45:48. | :45:54. | |
You think you don't like them. Bring some in in tupper ware and | :45:54. | :45:59. | |
I'll try it. Keep it to fish and potatoes. You | :45:59. | :46:04. | |
can see Matt making more cup cupcakes on Friday when, he and | :46:04. | :46:10. | |
Mike and John Sergeant fin out if they have won. Matt is live in the | :46:10. | :46:16. | |
in the Watchdog studio. Thanks for dropping cakes off on the way past. | :46:16. | :46:20. | |
Somehow, they went home and never came out again! But wait until | :46:20. | :46:25. | |
Friday, it will knock your socks off. Matt, last week Ann asked for | :46:25. | :46:32. | |
The One Show viewers help for a BMW story. This week you want their | :46:32. | :46:40. | |
help? We want to hear from anyone who had a problem with animals they | :46:40. | :46:45. | |
bought from Pets At Home, we discovered some of their animals | :46:45. | :46:49. | |
were kept in shocking conditions. You will see the results later, but | :46:49. | :46:54. | |
if any One Show viewers have worries about animals they bought | :46:54. | :47:00. | |
from Pets At Home get in touch. And are you on the hunt for more | :47:00. | :47:05. | |
rogue traders? We are on the streets of Surrey with a company | :47:05. | :47:10. | |
whose salesman tried to scare old ladies into buying their over | :47:10. | :47:14. | |
priced alarm systems and boy, oh boy, do they not like it if you | :47:14. | :47:24. | |
:47:24. | :47:30. | ||
Yeah, we didn't take too kindly to the way he was treating our beryl | :47:30. | :47:35. | |
so we sided to have a word with the wheelspin doctor there. You just | :47:35. | :47:42. | |
had Mark King from Level 42 on the show. I am going to enlist my 80s | :47:42. | :47:49. | |
pop legend to teach that salesman a lesson. Find out who at 8pm. | :47:49. | :47:55. | |
Pop back for Ace of Base later on! Don't eat any of Andrew Marr's | :47:55. | :47:57. | |
anchovies. Dring cakes. | :47:57. | :48:00. | |
-- bring cakes. We are not sure about the fish pie. | :48:00. | :48:03. | |
Andrew, you have been drawing throughout the show. | :48:03. | :48:07. | |
I have. You have come up with something amazing. I haven't seen | :48:07. | :48:11. | |
You should be able to see it properly. | :48:11. | :48:16. | |
That's good. That is Matt and I. | :48:16. | :48:19. | |
APPLAUSE Yeah. | :48:19. | :48:27. | |
Your garish set behind you, it is tastefully garish. Yeah. So there | :48:27. | :48:30. | |
we go, I will give that to you later on. | :48:30. | :48:34. | |
We have got quite a few of the pictures up there. That looks good | :48:34. | :48:39. | |
up there. That was the caves, amazing caves in South Africa where | :48:39. | :48:44. | |
we started the whole show. I was talking about 70,000 years ago and | :48:44. | :48:54. | |
:48:54. | :48:55. | ||
they are they are sculpted into the amazing shapes by the wind. The | :48:55. | :49:00. | |
cleverest man in the world, chess master against IBM's computer, who | :49:00. | :49:08. | |
wins, the computer. A really important moment in our story. | :49:08. | :49:13. | |
That's an interesting story, a cold filming. I was shivering and that's | :49:13. | :49:21. | |
my fur hat at the bottom of the picture. And that's Kiev. | :49:21. | :49:25. | |
How long do they take? Shouldn't you have been filming? Well, they | :49:25. | :49:30. | |
mess around so much, that guy Neil Harvey who was phoning in. He was | :49:30. | :49:34. | |
playing around with his batteries and his camera! You have got to do | :49:34. | :49:36. | |
something to fill the time in and that's what I do. | :49:36. | :49:41. | |
Where is the most unusual place you drew? Most unusual place, I guess | :49:41. | :49:48. | |
we were on the steps of Mongolia, Outer Mongolia, living in a tent, | :49:48. | :49:54. | |
what they call a ger, there is no electricity or plumbing and it is | :49:55. | :50:04. | |
very rough indeed. Mongolian cuisine, there is a lot of fairly | :50:04. | :50:08. | |
rancid cows. LAUGHTER | :50:09. | :50:11. | |
And sheep goo. Don't go for the cuisine. | :50:11. | :50:15. | |
They didn't have the anchovies. We have been asking for unusual | :50:15. | :50:21. | |
things you have been doing with your work colleagues. This is the | :50:21. | :50:25. | |
Bradford Chamber of Commerce on the Three Peaks Challenge. They raised | :50:25. | :50:28. | |
�7500. Well done to them. | :50:29. | :50:38. | |
:50:39. | :50:39. | ||
This is the employees of scarp Scarp Of Thermo Fisher. | :50:39. | :50:47. | |
This is from Carol, it is an Andrew Marr self-portrait. | :50:47. | :50:51. | |
One more. Lorraine and her colleagues at EDF cycled from | :50:51. | :50:56. | |
London to Paris over the weekend. Well done to them. | :50:56. | :51:01. | |
Well, it is 50 years since the birth of one of Britain's favourite | :51:01. | :51:06. | |
cars cars. Here is Alexei Sayle on the Ford | :51:06. | :51:11. | |
Cortina. My parents were communists and | :51:11. | :51:14. | |
communists always distrusted cars. For them, the only good car was | :51:15. | :51:19. | |
painted dark green and had armour on the side! | :51:19. | :51:24. | |
So all through my childhood, I grew up thinking that cars were these | :51:24. | :51:31. | |
rare, beautiful, exotic jewel-like creations. | :51:31. | :51:35. | |
And there was one car that for working families was more exotic, | :51:35. | :51:40. | |
more jewel-like than anything else, the ultimate motor for a dad and | :51:40. | :51:48. | |
his his lad, the Mark I Ford Cortina. | :51:48. | :51:52. | |
Codenamed the archbishop, the Cortina was launched 50 years ago | :51:52. | :51:58. | |
in 1962. And was for for for most of the following three decades | :51:58. | :52:01. | |
everywhere you looked on Britain's roads. The advertising promised | :52:01. | :52:04. | |
more car for your money and it delivered. But more than that, it | :52:04. | :52:10. | |
was classy. It was exotic and it was even named after an Italian ski | :52:10. | :52:14. | |
resort. We are at Cortina Italy, driving | :52:14. | :52:18. | |
the Ford Cortina. With stunts like this, bringing an | :52:18. | :52:24. | |
air of glamour to the car. The roads are becoming a best seller | :52:24. | :52:30. | |
was more prosaic. Harry Colton was the Cortina's | :52:30. | :52:33. | |
press officer. If you looked at a new car in the | :52:33. | :52:36. | |
show room, you were looking six to nine months delivery before you | :52:36. | :52:41. | |
could have your new car. With Cortina, all the dealers in Britain | :52:41. | :52:45. | |
had a stock of 30 motorcars for the day it went on sale and they knew | :52:45. | :52:49. | |
there was a constant supply following it. Suddenly for the | :52:49. | :52:52. | |
first time, there was a car that you could see and you could buy it | :52:52. | :52:58. | |
and you could drive away in it. Simple supply and demand, you might | :52:58. | :53:05. | |
think, but sales exploded making it Britain's best selling car from | :53:05. | :53:11. | |
1982 to 1991 and keen to snap them up was another new breed, the | :53:11. | :53:16. | |
travelling salesman. The success of a man's career symbolised by the | :53:16. | :53:20. | |
model of Cortina he drove and why did he want one? Because Ford had | :53:20. | :53:30. | |
:53:30. | :53:36. | ||
made had sexy. Coopers chasing crims were bursting | :53:36. | :53:44. | |
through our screens in the 70s. It was a macho testosterone fuelled | :53:44. | :53:48. | |
time when women were considered a pretty accessory to the lifestyle | :53:48. | :53:55. | |
offered by the car. She doesn't care that the seats | :53:55. | :53:58. | |
have been designed with extra legroom in the front. She just | :53:58. | :54:02. | |
knows she is comfortable. But at the Dagenham plant, the | :54:02. | :54:05. | |
women workers were far from comfortable. Being paid less than | :54:05. | :54:10. | |
their male counterparts. We are on strike. | :54:10. | :54:13. | |
REPORTER: All of you? All the machinists anyway. | :54:13. | :54:20. | |
So no car car seat covers for Ford? Not from us anyway. | :54:20. | :54:25. | |
Walking out in 1968 for three weeks, it was a struggle that was | :54:25. | :54:29. | |
instrumental of bringing about the Equal Pay Act of 1970, but for the | :54:29. | :54:34. | |
Cortina, it was an early warning of trouble to come. | :54:34. | :54:42. | |
And as the the mark II became the Mark III, Dagenham factory was | :54:42. | :54:49. | |
under threat. In 1982 this mark V was the last Cortina off the | :54:50. | :54:53. | |
production line. Phil Lewis remembers the Dagenham plant in its | :54:53. | :54:57. | |
heyday. I worked for ford for over 30 years | :54:57. | :55:00. | |
and this was a car manufacturing plant. Of course, you come back now | :55:00. | :55:04. | |
and it doesn't make motorcars. I wouldn't really know where I am now. | :55:04. | :55:10. | |
For these die hard Cortina fans, it is time to return to their | :55:10. | :55:13. | |
spiritual home. Tell me with you are heading to? | :55:14. | :55:20. | |
Cortina. Where are you off to? Cortina. Where are you off to? | :55:20. | :55:24. | |
Cortina. They are off to the Italian ski | :55:24. | :55:32. | |
resort that inspired the dream. Phil, start up the archbishop. | :55:32. | :55:39. | |
It might only be 600 miles. But for these guys, it is a trip back in | :55:39. | :55:49. | |
:55:49. | :55:52. | ||
CHEERING AND APPLAUSE Look at that. Arriving in style. Oh, | :55:52. | :55:59. | |
the brakes are a bit spongy, we're joined by loads of Cortina | :55:59. | :56:04. | |
enthusiasts. We have got Phil and Jenny. | :56:04. | :56:10. | |
General yip, can you let her -- Jenny, can you let her out? That | :56:10. | :56:14. | |
was all right, Andrew. Phil and Jenny, what a momentous | :56:14. | :56:19. | |
journey. It is quite a long way to go in a car of that comfort level? | :56:19. | :56:24. | |
Well, it is not too bad, you know. You get numb after the first few | :56:24. | :56:29. | |
miles and you are so worried about the car keeping going, you don't | :56:29. | :56:33. | |
worry about things like discomfort, but it was more of an adventure | :56:33. | :56:37. | |
than a journey. Is that the same for you Jenny? | :56:37. | :56:44. | |
When he said, "Shall we go on this trip?" I thought scwths thought "he | :56:44. | :56:49. | |
wants to go and I am not keen." But we did enjoy it. | :56:49. | :56:53. | |
How much time does he spend with his cars? Well, he is in the garage | :56:53. | :56:56. | |
a lot. It is essential to keep the | :56:56. | :57:02. | |
marriage going! LAUGHTER | :57:02. | :57:04. | |
And he is not down the pub. True enough. | :57:04. | :57:09. | |
It was Eventful. Rod and Viv, tell us what happened on the way? Just | :57:09. | :57:13. | |
before we got into Cortina, my brakes failed on the hairpin bends | :57:13. | :57:19. | |
on the way down. The fluid boiled and I had no pedal. Luckily I | :57:19. | :57:22. | |
managed to stop it on the handbrake and pull over to the side of the | :57:22. | :57:27. | |
road and we bled the brakes and carried on. But it was a bit hairy. | :57:27. | :57:32. | |
Viv, how were you feeling? It was a bit worrying. A few more grey hairs. | :57:32. | :57:38. | |
You have lovely memories in your lovely white Cortina. What's your | :57:38. | :57:42. | |
happiest memory? Going on camping holidays with the children, Spain | :57:42. | :57:49. | |
and Portugal. It was our family car. Isn't it time Rod bought you a | :57:49. | :57:53. | |
sporty number? Well, I have got another car at home. Well, you are | :57:53. | :58:02. | |
Have a look at Andrew Marr! LAUGHTER | :58:02. | :58:06. | |
Isn't that just fantastic. Lyn, well, you had a right time on | :58:06. | :58:10. | |
the way. Let us know what you did about half-way along the journey? | :58:10. | :58:15. | |
My husband asked me to get into the car and take it on to the grid at | :58:15. | :58:18. | |
the Hockenheim ring and we kept going around the circuit. It was | :58:18. | :58:23. | |
brilliant. I loved it. I want to do it again. | :58:23. | :58:27. | |
Lyn Got in before you? The first time my car is on a racetrack and | :58:27. | :58:34. | |
she is driving. But I am going to buy her a day's driving at Brand's | :58:34. | :58:38. | |
Hatch for her birthday. We're going to jump into your car. | :58:38. | :58:43. | |
Alex, are you driving or do you me me to? You better drive. | :58:43. | :58:47. | |
This is brilliant. Right... OK, here we go. | :58:47. | :58:53. | |
Don't forget, you can see Andrew's History of the World on Sunday | :58:53. | :58:56. |